#been waiting to make this parallel all season

[livelovecaliforniadreams]

The Office 3x23 | Abbott Elementary 3x10

[cicada-candy]

I get the sense that Nina is gonna haunt the next season.

[golden-redhead]

I think there's a lot of signs pointing to Jayce actually doing the right thing ...or at least the right thing based on the information available to him at the time.

We can't know for a fact just how much Viktor was changed and what his healing was doing to the people who came to him in the long run, but considering all the hints dropped by the writers, the situation is much less clear than we think. Obviously, everyone's first instinct is to condemn Jayce and his actions, especially because Viktor is one of fan favourites, but looking at the teaser for the next Act and what little we know about what happened to Jayce, I think it might have been necessary evil.

I think this scene of Viktor temporarily 'possessing' Salo in order to talk with Jayce points to just how fucked this little community that Viktor created actually is. There's a reason why everyone's getting those 'it's a freaking cult' vibes.

This scene made me more uncomfortable than anything else this season and I think it's clear that it was meant to make feel that way. There's something so uncanny about Viktor's voice coming out of Salo's mouth, especially paired with that look on his face and how Viktor seems to be able to see and experience things through him in this moment.

And then there's also the issue of all these people dying a horrible drawn-out death as soon as Viktor himself 'dies'. Yes, they came to him on their own, they asked to be healed, but did they really know what they are getting into? Did they know this is what might happen?

Some of them were already dying, true, but Viktor healed all kinds of people, some of whom most likely had their whole lives ahead of them. He, knowingly or not, inevitably sped up this process. Not all of them were consummed by Shimmer-addiction or permanently disabled like Salo.

And then there's also the fact of all of them basically abandoning their previous lives to serve Viktor and his community. Which, okay, makes sense, there's certainly a parallel with the community that Ekko created for Zaunites to keep them safe from Piltover and Silco's plans. They made an informed choice, though, and I don't think the same can be said about Viktor's cult-like commute.

They seem peaceful, yes, but also devoid of personality and entirely dedicated to Viktor and his cause. Of course, it can be explained by gratitude towards him and desire to be kept safe in a calm and peaceful environment, but it's taken to such an extreme point that it definitely crosses the line into uncanny territory in my eyes. Their hivemind behaviour is very unsettling and even though Viktor seems to frame his recent actions as some kind of greater good, I don't think it's necessarily true.

We have yet to find out what Jayce saw and who's in the right and who's in the wrong. Either way, as usual when it comes to Arcane, it seems to me that more than ever, everyone's a victim of the circumstances and tragedy spares no one.

Considering that Viktor is set up to be 'reborn', I can't help but wonder what it means for his community and if they will also be brought to life by whatever connection they have with him. It would be a fascinating choice given how Viktor's arc has always been about autonomy and making your own choices.

Arcane, it's been a pleasure having my heart torn out of my chest by you. Can't wait for the last Act.

[rowie264]

If someone criticizes something, it doesn't mean that they hate it. It also works the other way around. If you like something, it doesn't mean that it's done well from an objective point of view.

I love Jinx. Her design, her story, her personality, her character arc... I was just fascinated by her. Jinx has become one of my favorite characters in media in general. It was the continuation of her story that I was waiting for the most.

Jinx is still my favorite character in season 2. I love almost every scene with her. How she did Sevika's arm and the subsequent fight with the Smeech, the fight with Vi in Act 1, the prison break, search for Vander in the mines, epic appearance during the battle against Noxus.

I got a lot of positive emotions while watching s2 and especially during Jinx's appearance on the screen. But… an emotional response and objective assessment are two different things. And objectively, Jinx's character in season 2 is OOC and poorly written.

Removing very importand part of her story and personality. Her mental issues almost completely disappear. This is a very important aspect of her character. And no, Isha's presence and a "more favorable environment" would not heal her, the whole 2nd act is completely unrealistic and looks stupid, since all her problems with her mental health were magically solved off-screen;

Irrelevant piece of plot. Her arc of "Zaun symbol" passes by her - she becomes a symbol by accident, ignores the consequences and directly encounters all this revolutionary mood only during Isha's saving from Stillwater (at the same time saving her followers - an indirect action, not a purposeful one). So this arc is kinda about her, but she doesn't seem to participate in it herself, and it ends with literally nothing (like the whole Zaun revolution);

Making her more appealing to wider audience. Her hatred of Piltover and Caitlyn just disappeared. Yes, while she was with Vi in the mines she said "piltie goons who murdered mom and dad," but… that's all? Jinx doesn't kill a single enforcer in the entire 2nd season (although, for example, she could have in Stillwater) and tells Caitlyn "I didn't know your mother was there." Let me remind you that Jinx literally giggled in s1 when she killed a dozen enforcers during gemstone kidnapping, killed enforcers on the bridge without any care, she hated Caitlyn fiercely because she "stole" her sister from her, and she couldn't not know that Cassandra was a councilor. It isn't showed how and why she changed her opinion and this is important thing to her character, you can't explain such change with microexpressions or parallels;

Unrealistic happy family reunion. The reunion of Jinx, Vi, and Vander is a spectacular moment from Disney. Do you remember how Jinx reacted when Vi returned? Yes, she was happy but as soon as she spotted Cait she freaked out and immidiately thought that Vi betrayed her. Imagine what would happen if her supposedly dead - bc of her btw - father had returned and now looks like some animal;

Silco mattered much more to Jinx. A very "subtle" replacement of Silco for Vander in the role of father (Jinx calls him father, sniffs Vander's jacket and not Silco's), although Silco played probably a bigger role in this? And Jinx remembers about him like 2 times? Although it's been about 7-10 years since Vi's "death" in season 1, Jinx was still triggered by just a similar appearance. Apparently, Silco wasn't that important to Jinx (which is not true); I could still keep talking about Jinx, but let's leave it at that.

I love Jinx even in season 2. I like watching scenes with her. But my emotional attachment doesn't stop me from seeing that Jinx's character in s2 is not a continuation of Jinx's character of the end of s1. Her image is broken, the arcs are not completed, the relationships with other characters are poorly written.

[akajustmerry]

anyways, instead of focusing all your energy on calling out Succession and the Last of Us for being anti-palestinian, here's some of my favourite media made by Palestinians 🇵🇸 and their allies...

Salt of this Sea (2008). Dir. Annemarie Jacir. Heist film set in Palestine about 2 Palestinians who help a Palestinian American woman rob a British bank who refused to give her the money her grandfather left her.

Netflix original series, Mo, created by Mo Amer. Dramedy about Mo, a Palestinian American without papers, trying to stay out of trouble until his US citizenship is approved (he's already been waiting for 12 years). This just got renewed for a second season!!!!

Farha (2021). Dir. Darin J. Sallam. Coming of age story about a 14 year old girl trying to survive the Nakba in 1948. Tw: settler colonial violence.

In Between (2016). Dir. Maysaloun Hamoud. A film about 3 Palestinian women, one of whom is queer, in their 20s living under occupation. Heart-warming story about friendship, solidarity and revenge. Tw: sexual assault.

In Vitro (2019). Dir. Larissa Sansour. Breathtaking short scifi film set in a future where Bethlehem has been destroyed by an ecological disaster and two scientists from different generations are trying to remember what happened. This film is pure poetry and I think about it constantly.

It Must Be Heaven (2019). Dir. Elia Sulieman. A charmingly absurdist film about Elia Sulieman seeing parallels to Palestine everywhere he goes as he tries to make a film about his homeland.

The Crossing (2017). Dir. Ameen Nayfeh. Short film about Palestinian siblings trying to cross an Israeli checkpoint to visit their grandparents.

Ramy. Episode 3 of season 3: 'American Cigarettes'. Far and away the best episode of TV of 2022, and also directed by Annemarie Jacir. Ramy goes to occupied Palestine to make a diamond deal with some Israeli brokers, but his horniness takes him to The Other Side. I think about this episode almost everyday, it's unlike anything I've ever seen.

Freedom Is A Constant Struggle by Angela Davis. A book of interviews and essays conducted by Angela Davis on how systems of racism and colonial violence are all connected, and how solidarity between communities of colour are vital, using the long-standing allyship between Palestinians, Aboriginal peoples and Black Americans as case studies.

As fine and good as it is to call out Zionism in media, rmr to also support Palestinians, their work and their art. Feel free to suggest more ❤️

[veryintricaterituals]

This whole season was the Nandor loves Guillermo back season. He loves him so much. He adores him. We had so many moments, big and small.

He realized something was wrong and organized a birthday dinner.

He bought him a present (foot locker) that Guillermo used as a coffin.

He asked him for bedtime stories and enjoyed Guillermo doing his hair

He got so jealous of Laszlo getting a bit of attention that he flew to outer space

AND admitted he was only doing it to impress Guillermo.

He tried and failed to replace him with Alexander just because Guillermo didn't want to go to the gym with him

and THEN he still took him to the movies with him

When he got in trouble with the news he kept looking and calling for Guillermo and got so angry at him for not being there

How giddy and proud he sounded when he spoke about Guillermo killing a theater full of vampires just to save him

The way he pleaded for his life to the Baron

The way he clung to the Baron's cloak just to stop him

His ridiculous plan with Nadja to kidnap them both and negotiate

The fact he spent the whole episode doing EVERYTHING in his power to save him

And he was so relieved to find him safe and sound in his own coffin

His little speech when he was begging for the Baron at the end, just saying over and over that Guillermo was true and loyal

His safety blanket being one of Guillermo's sweaters

The little boop at the end

The fact that he had Guillermo's card memorized and could recite it (he probably has it saved somewhere)

"I know you better than anyone" and he proceeds to prove it in the last episode

The way he kept including Guillermo into the family dynamic all season

How he wanted to hunt with him and kept calling for him, first to hunt and then for help

His face when he found out he'd been betrayed

The fact he was the only one who'd thought about the Van Helsing DNA interacting with the vampiric transformation (because he'd thought about it so much beforehand)

The way he had to turn the heartbreak to anger

He was a scorned lover

Him destroying Guillermo's things (he destroyed the pillow)

All his dramatics

How he went back to Panera Bread to wait for him night after night

The way he realized he loved Guillermo too much to kill him

How for all his dramatics and threats, he knew from the begging how to get Guillermo to come to him and didn't do it until he knew he wasn't going to kill him

How he probably sat and hung out with Guillermo's mom for a while, probably making conversation

The fact he was looking at his baby pictures (because he's Guillermo's significant other and Sylvia could tell)

Him promising Guillermo he wasn't going to kill him. His word as a vampire, his word as a warrior (season 3 episode 1 parallels much?)

The way he formally introduced him as fully fledged member of the family to the other vampires

How he, again, was the only one who knew what Guillermo needed to complete his transformation

The fact he gave him human blood (he helped transform Guillermo in the end)

The way he knew, almost straight away, that Guillermo wasn't going to be happy as a vampire

How he tried to get the Djinn to fix it for him

How he managed to do WITHOUT the Djinn's help

How he made up a whole ceremony to turn him back

The way he asked Guillermo if he'd rather be a vampire or a human

How he killed Derek when Guillermo couldn't do it

The fact that he knew Guillermo so well that he had his old glasses ready for him

The way he comforted him in the end.

Last season's theme was be careful what you wish for and this one was just love.

And Nandor loves Guillermo so much. And he knows him, he knows him so well.

I think, I think we ARE getting Nandermo next year. There's no other way the show can go on. There's no other direction for these two characters to go.

[ingydar-phan]

Ok I do want to chime in on the convo but actually this is gonna be really long because I’ve been planning to make a huge post about this since the tour trailer came out. Like genuinely I messaged some people asking for tips on how to make a big conversation post weeks ago and then just never did it. So here goes I guess.

I am a firm believer they are going to hard launch soon. In some way shape or form. Before tour starts. That is a stance I have held ever since I watched pizza mukbang 2. And I have explanations.

My main points come from the coming out parallel surrounding Dans internalized homophobia and trauma responses and fear of rejection (more on that later), and also my hypothesized “3 stages” of the gaming channel revival.

I believe that when the gaming channel was revived, starting with the Heartthrob video, they entered stage 1: experimenting with audiences desire for a return to content. This was a phase they themselves discussed in Dans Birthday Stream and in Pizza Mukbang 2. The first few months were experimenting with what a new audience would look like and how much they were wanted, in what contexts, and what kind of content. I also think this wraps into the dynamic difference between Dan and Phil as people. Note, I love them both dearly and want nothing but the best for them both. It has been made clear that they did very different things during the hiatus, with Phil initiating the gaming channel comeback. Before Dan came out, he was under an immense feeling of guilt and pressure, even by his own mind. He had the option of leaving the internet forever, and he certainly considered it. Finish off the gaming channel, go on one last tour, and leave. Never having to adress anything again. But he didn’t do that. He came back. He came out. And he was greeted with the kindest, warmest, most accepting response. And he did work! He wrote a book! He went on a solo tour! And to echo both Dan himself and all of the community, he needed this. He needed this time of healing and this era of self discovery. He wouldn’t be who he is today without it, and I’m so proud of him.

But Phil? Oh Phil was just cruising along. That’s not at all to discredit any form of hardship Phil went through, but it certainly wasn’t the same. Phil was making content before Dan was, back in 2006. In uni, Phil was comfortable in his sexuality (or some form of queerness). But he waited. He waited to come out until Dan was ready. Because he’s a wonderful partner. He was happy continuing Amazingphil regardless of hiatus, of Dans needs, because he knew he didn’t have to pressure Dan into anything he didn’t want or wasn’t ready for. And then, presumably when Dan was ready, Phil proposed a gaming channel comeback. Just try it out, just see how it feels, low commitment. And what happened? Once again, they were showered with love and adoration and support and acceptance. Was the fandom different than how it used to be? Absolutely. But it was beautiful and loving. So that’s stage 1. Experimenting with content and viewership and re-entering the branding of Dan and Phil (Games).

Then, I believe after stage 1 came stage 2. Experimenting with audience reaction to Dan and Phil as a couple. I want to stake my claim here that everything they do is meticulously curated. Sure, Phil’s toe popping out of his sock wasn’t purposeful, but it was certainly handled intentionally. They’re extremely seasoned creators, and everything they do is for a reason. (That’s why I love rpf hehe). This, my “stage 2”, is when they were dipping their toes more into phan stuff. The orange heart. The “gay” community tab. Using the “ph-“ prefix THEMSELVES a lot more. Dab and Evan comparisons. This was the middle ground. How would people react? Would they turn away because it’s too much? Would they begin stalking and creeping all over again? Or would they accept these people for what they are. As much as people like to think Dan and Phil are just silly whimsical guys who are perfect no matter what they do (which is accurate as well tbf), they also know what they’re doing. They do these things on purpose to gauge audience reaction, to see how people feel about it. As others have said, what we see publicly is just a tiny sliver of their real life. Yea, even the domestic videos. It’s curated. And it’s wonderful. It’s so endearing they choose to share these things. Even in times of uncertainty. But that uncertainty was met with absolute acceptance.

Which is how we get into stage 3. I think “stage 3” started developing around the time of Dans Birthday Stream, but really actually started when the tour trailer was posted, and then all the videos after that (pizza mukbang, dressing each other, chained together, tiktoks, etc etc). So, very recently. But something shifted. Maybe it’s in the air, maybe it’s just me, maybe we all need to go outside. But something shifted. Dan and Phil, but especially Dan, saw how they were being accepted and took that as an affirmation. An affirmation that everything is going to be okay. They can commit now. They can go full on. Full hard launch.

I think everyone has a different definition of hard launch, and even I think it varies by context. But what I mean here is not necessarily them making some video called “Dan and Phil are romantically together” and staring at the camera with a gun to their head. It doesn’t, and shouldn’t, have to be that.

Straight people get this privilege of being assumed straight without having to “come out”. They get this comfort of having relationships without having to scream it in everyone’s faces.

And I do indeed agree with what people mean when they say they have already hard launched. They’re husbands, soulmates, 4000 year old tortoises, “basically any other gay couple”, more than just romantic, yea. I get it. But people are fucking stupid. Non-queer people don’t understand nuance, and need everything handed to them on a silver platter. Dan and Phil are together. People who try to twist and turn to try and “prove” they’re anything but a committed romantic and sexual relationship are ignorant at best, but mainly using homophobic wishful thinking. However, there’s more to go. There’s a reason we’re all “terrified” for what is to come. Because everything, the past 15 years of all of our lives, of their life, is coming together. It’s genuinely beautiful.

So what do I mean by hard launch then? Well, I mean a lack of censorship (besides what’s reasonable. Though we’d all love to see them fuck on YouTube, I’m not sure that’s happening any time soon). I mean a lack of shame. A lack of hiding. And it’s already begun. That’s what I feel stage 3 to be and have been. In pizza mukbang 2, they say things such as “cheers dear”, which is intentional. The “gay uncles” and the “kneeing” is all intentional. It’s not just throwaway jokes, it’s them looking us in the eyes and saying “we see you”. I have a whole list of stage 3 things. The intentional Incohearant cards. The “my face hurts from smiling” comments. THE HANDS ON THE SHOULDER TO THE HAND ON THE KNEE. Them being so open about their secluded romantic holiday. The relentless Phil bottom jokes. The yaoi day tweet from the outfits video. The “who would jump for you like that dog jumped for that man” “you”. It’s all there. It’s all intentional. And I’m so grateful for it.

One of my mutuals who I talked about this with (not gonna name cuz idk if they want me to) talked about their theory that DNP have given barely any info about tour because it requires some form of hard launch to preface it. And honestly? I didn’t even realize that was a theory. I sort of already accepted that as fact. How open IS the door gonna be?

So yea, I hope this makes sense. Please feel free to respond with or send asks of any nuances or questions or theories you’d like to add. I don’t intend this to be shaming anyone who thinks differently. Even if I may vehemently disagree with someone in my head, I don’t think these people are evil or malicious or objectively bad or deserving of hate. These are just my thoughts. I’ll likely be adding more. Thanks for reading.

[maybanksangel]

i wish you roses

from the moment you and rafe started dating, he knew you were special. so to prove how special you were, he got you roses every time your old roses would start to droop.

rafe was such a sweet guy to you, and you were forever grateful for him and everything he does for you. he’s smile brightens up every room he walks in and you can feel his presence the moment he walks into a room.

you were sitting at your chair backstage as the stylists got your makeup and hair done. rafe had already texted you that he was on his way.

you and your agent have been going back and forth about you making sure you do good on the runway and straighten out your posture when you walk.

you were heated to say the least.

“i don’t want to end this season on a bad note. i mean, look at me. do you really think i give a damn?” that’s all it took for your agent to stop talking and end the conversation there. you were used to getting your way.

this agent was hard on you, and you already had a great runway walk. luckily you have other agents.

rafe walks back stage and you turn around instantly cause you already know who’s behind you. he smiles at you and you melt away. “your smile could light up a planet, rafe” he chuckles, leaning down to peck your lips not once, but twice.

he’s hiding something behind his back, a smirk on his face as he pulls pink roses from behind his back.

“roses!” you gasp, squealing and standing up to hug him. “thank you rafey, my other ones were staring to die!”

“i pay attention to things that most people ignore, baby” he kissed your cheek and hands you the roses before your stylists sit you back down and continue getting you ready. the new pink roses sit on the vanity so you can take them home after the show.

rafe leaves to go sit in the audience of the runway, he’s always there to watch his girl whether it’s her modeling or doing a pageant.

after your makeup and hair is done, you slip into a button up shirt with just one of the buttons hooked, the middle one – which is covering your tits since you aren’t wearing one for the sake of the show. it’s a white button up, as well as a white skirt.

you watch the other girls in line before you start to walk on the runway, you clap from the back stage as they turn to come back. doing touch ups to your outfit, hair, and makeup quickly before you go on. such as jewelry, lipgloss, and combing through your beautiful hair.

you finally start to walk, people looking you up and down to scan your outfit. you see rafe looking at you in the corner of your eye. you glance over at him and give him a sly wink.

you’ve turned back around now, walking back up the runway and into the backstage. you sit at your vanity and wait for all the girls to finish their walk.

rafe doesn’t stay in the audience, he gets up out of his seat after you walk up and down the runway. you see him appear in the backstage in your parallel vision. “thank you for the roses rafe, you’re very sweet”

“of course baby, i wish you roses.”

[ireneaesthetic]

Pointing out little moments and details of scenes that need to be remembered.

"i can show you" scene • episode 1

the first wille’s smile of the season and simon is the one and only reason for it to happen *act surprised*.

he has no rush but takes his time to enjoy simon’s presence, looking from afar first and then approaching him. just having him there is enough to make him This happy.

the casual gestures of fixing the jacket or bumping into the shoulder make me melt - just typical boyfriends things and we absolutely praise them in this house!

wille's flirtatious mood in this whole sequence is the best thing that could've happened to me - to simon too! the "i can show you", the whispering, the head's nod. he's still my fav loser but oh how much he has learned and stepped up the game.

also, i genuinely think not showing them holding hands here with a wider shot is a crime.

such a perfect parallel of the fish scene and they're probably reminded of that too: this time it's wilhelm's bedroom and a foreign place for simon, so he's the curious one - looking around and taking the space in - while wille simply waits for him.

simon's "mysigt" to describe the room, just like wilhelm did. it is another special moment for both of them.

this. this. this!!! claim a s3 moment as your own - this is mine.

to me it is the most seductive and romantic one they've ever shared hands down. it comes straight out of a fanfic.

the tension, the longing, the chemistry, the flirting. there's so much to unpack here: wille's breath is literally vibrating and simon's presence is so intense, he builds up the tension and keeps wilhelm waiting for his next move in the most endearing way - wille is also leaning into his hand at the end. there's no talking, they're barely touching but still filling the room with all the passion and attraction they feel for one another - this is actually insanely scripted and portrayed.

no thoughts head empty just simon's tongue and his hands through wille's hair (he's obsessed, excuse him!).

and it kinda seems like simon is getting pulled closer by the waist or he's pushing himself closer - either way it's hot soo

simon's little leg lift and him pinning wille down on the bed by the wrist right before the cut - they're comfortable and open and so playful with each other. wilhelm's hand that caresses simon's back is very much important too.

simon caressing wille's cheek (he has to return the favor ig) and wilhelm leaning up again when they interrupt the kiss.

these brief moments are the cutest. i love how they stay so close and can't stop tracing each other's features.

the nose rub. the mirrored smiles. they've missed and wanted this for so long and they're taking the most of it.

this whole scene is so passionate and they're both so touchy bc they were clearly waiting for this to happen - during a meeting at the palace might not be the greatest scenario, but the thrill that comes with it is definitely something.

i like the role play throughout the scene sm: wille initiates the first kiss, simon is the one taking the lead next and then it all comes back to wille rolling them over and taking initiative. the neck action is a serious thing for him and idk where his hand would've ended up if they hadn't been interrupted - and we do! love! all of it!

they're laughing over the fact that they were not caring about anything at all but spending quality time with each other. and they deserve it so freaking much.

look at them!!! this is not a subtle look bc they simply do not care anymore. i adore them your honor.

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

[steddieasitgoes]

Fogging up the Glass

written for @steddiemicrofic September prompt "Shower" wc: 399 | rating: t | cw: none | tags: pre-steddie, post-season 4, everyone lives, Artist!Eddie, suggestive ending

Eddie stands in the Harringtons’ shower, letting the scalding hot water surround him. He's been here long enough that the glass shower door is covered in a thick layer of fog, and yet he's not ready to leave. Instead, he stretches, letting the warm water work the knots on his neck as his fingers graze the door, wiping a portion of the contestation away. 

It gives him an idea. 

He drags a finger across the door, leaving a line behind. He draws a parallel one next, following it up with a pair of half circles. He steps back, appraising his work. 

“Shower dick!” 

Giggling to himself, he starts doodling lewd stick figures. When the Kama Sutra positions are as good as they can get, given his makeshift canvas, he starts to make them more life-like. He doesn’t overthink it, letting his fingers and imagination take control. It’s only when he steps back into the still-warm water that he realizes who the drawings look like. 

Long, curly hair on the one being bent over. 

Shortish, perfectly styled hair on the other, standing confidently. 

Shit. 

“Eddie?” Steve calls, rapping his knuckles on the door. “You okay in there?” 

Double shit. 

“Yeah, man, all good!” Eddie shouts as he frantically drags his hand through the drawings, erasing the evidence.

Once he’s certain he’s in the clear, he shuts the water off and emerges from the bathroom to find Steve waiting on the edge of the bed, shirtless, with a towel draped over his shoulder. Jesus H. Christ.

“All yours, man,” Eddie says, earning a nod from Steve as they switch places. 

Eddie has barely managed to get his breathing under control when the bathroom door opens. Steve appears in an instant, a hint of steam festering behind him like he’s some horny hunk in a cheap porno. His lips are quirked upwards in a half smirk, half smile, and his arms are crossed lazily over his bare chest. 

“I had no idea Dick-asso has been crashing in my parents’ bedroom for two weeks.”

Before Eddie has time to question, Steve nudges the door wide open. There, in all their glory, on the freshly fogged-up glass of the shower door are Eddie’s lewd stick figures. 

“I can explain.” 

Steve hums and moves to close the distance between them. “I think the drawings are explanation enough. Maybe we could make them a reality instead?”  

[lizardsfromspace]

The Claim: they've erased Discovery from canon. It's not longer canon! CONFIRMED! They announced Star Trek Discovery was WIPED from canon, even though it has one ongoing spin-off, has a spin-off movie set to debut, another spin-off series filming, and has been referenced extensively in every other modern Star Trek show, and the producers and writers of it are still in charge of modern Star Trek, they definitely made it non-canon just to appease internet people who are mad at if for reasons that are definitely not just racism and misogyny

The Article: not linked in this tweet! Odd! Why would you not want to link your source?

The Evidence: Lower Decks featured a cameo by the alternate Klingon makeup

This brief cameo PROVES Discovery is in an alternate universe.

Which wouldn't make it non-canon. After all the Kelvin timeline movies are set in an alternate universe, and they're unambiguously canon to mainline Trek.

On a Watsonian level, they could've become a Disco Klingon from another universe while they still exist in the main one. Or maybe in another universe that's what that Klingon looks like. It's canon that Klingons have multiple appearances due to the virus from Enterprise's final season, so why not?

But confirmed! The show they definitely didn't just hate for having a woman of color as its star is no longer canon because of a brief Easter egg in a cartoon! Multiple sites are reporting this!

Discovery is no longer canon! Thanks, one second long joke, for giving shouty man nerds a chance to Make Trek Great Again

One fun aspect of this is that you can tell the first article I capped was written by someone not really familiar with the show himself who was just copying this other article; because the earlier one - linked & paraphrased frequently in the article the alcoholic film screamer shared - says the show was retooled after season two, and the quote-filled article mangles this as "the show was sent to the future for the last two seasons". Which isn't true - they spend three seasons in the future, not two. The rabid internet nerds aren't even watching the shows they're quaking with rage about, they're just copying from each other. "Why don't these networks not care about pleasing people who provably don't watch their shows? HIRE NON-FANS PLAGIARIZING OTHER NON-FANS!!!!"

The wild part is, these pieces present it as if the only flaw in Discovery is that they changed the Klingon's makeup design. This alone is enough to exile it from canon. You may think "wait, but the show already addressed it, first by having them grow hair in season 2 of Disco & explaining why they hadn't, and then by restoring the original makeup in SNW", and they have an explanation: SNW is still canon bc it's not canon to Disco, the show it references many times, because it's actually about a slightly different Enterprise in an alternate timeline, since establishing two parallel Enterprises that are 90% the same but in different universes, and never directly stating this except via buried clues in a different spinoff, makes a lot more sense than saying a popular TV show you don't personally like exists

It's funny how they harp on about how the Klingons look and ignore other changes. SNW has turned the Gorn from an allegory - seeming aggressors who turn out to be the ones who were invaded, and whose Captain is clearly set up as an analogue for Kirk - into pure evil slaving xenomorph knock-offs who not only have zero depth or meaning, but who are proudly Just Evil. Seems like a much more important change than the Klingons having somewhat different heads, but I've seen basically none of that crowd comment on the Gorn except to say they're Totally Badass Now, while they're still so enraged by a change in Klingon makeup design that happened seven years ago & that was retconned five years ago & abandoned fully since over a year ago they're writing long articles analyzing how a throwaway gag in a cartoon is a secret sign a show they dislike for totally not racist reasons is non-canon. After years of speculation that Kurtzman was secretly fired, they've now just evolved into full on Trekanon. Incredible

[sillylilbrainrot]

okay that was easily one of the best episodes of the season, maybe even the series? wow it was so fun to watch & made me laugh a lot

also the way my heart started racing when the guide was rejecting nandor…i really expected her to point out that yes, the love you’ve been searching for HAS been under your nose the whole time, it just isn’t me! even without her saying that, once the guide rejected him all i could think was “oh wow they’re really going to do it huh” because why else would they keep having nandor mention that the love he’s been searching for has been right in front of him? why else would they go to such lengths to make it clear that that *isn’t* guillermo’s boss anymore?

like they’re really gonna go for it! idk how exactly it’s going to happen or how vague it’s going to be, but i do think we’re definitely getting a realization/confession of feelings. im SO excited.

also could write an entire essay on the parallels between nandermo & ladja but a big one i noticed was when nadja was killing the cemetery vampires & how proud laszlo was vs. guillermo killing the barista vampires & nandor looking at him Like That.

anyways. 2 more eps left of the silly vampire show & i’m gonna be so sad when it’s over but also can’t wait to see what they do!

[follows-the-bees]

Filmmaking analysis time!

How cinematography, blocking, and camerawork in S2 eps 6&7 show Ed's and Stede's emotions.

Since season one, red has been used to show the love for each other: the red of the silk and Stede's new red shirt in both moon scenes. We also know that purple comes out more as Ed falls in love with Stede.

So let's talk about Calypso's Birthday and Man on Fire.

The lighting during this scene is full of color, the reds, purples, and blues. Besides being classic bi lighting, it incorporates the red and purple that we know represents Ed's and Stede's love.

They are swimming in it. Yet, they aren't the same blockingwise, they aren't as close as last season, there is still stuff between them that needs to be spoken. They are standing by each other, their bodies turned inward, and a giant red flower sits bright and center between them, showing how large and full the love they have for each other is.

These purples and reds diminish when Ned Lowe crashes the party. His presence brings a screeching halt to the healing and good times the crew and particularly Ed and Stede are having. He not only crashes the party but right before Ed and Stede were about to dance. This giant wrecking ball that symbolizes Ed's pirate past brings in the harsh blue and green lighting and ups the trauma for both men. Green lighting is used to show that things are off, it is off-putting and fills the scene and audience with unease.

Gif credit

The purple lighting stays very subtle during this whole scene, but as Ned insults everyone, and brings up all of the still unspoken insecurities of the men, the blue shines more, especially on Stede as he makes his choice to have Ned walk the plank. We see immediately how that affects Stede, his trauma comes roaring back, he's shaking, and has tears in his eyes. He retreats back to his cabin.

Ed on the other hand is also experiencing trauma here. While helping out and being around Stede, he has been treading water, trying to figure out what he actually wants in life. And the embodiment of that, when he was at his lowest after S1, when he was trying to break the record has come back to taunt him and the man he loves. He chooses to check in on Stede.

This is when the lighting and camerawork change. We are now inside and the lighting is warm, glowing from candlelight. Ed has a yellow glow behind him when Stede opens the door, like he is the beacon of light in this storm of emotion and trauma that Stede is experiencing from his decision to kill Ned. To cross that boundary when with the rest of the crew he used his usual positive people management style.

Pay attention to their positions here, cause this upcoming choice makes this scene feel off. The pull into the room and the subsequently slam into the wall and kiss are flipped. Along with the quick movements in each shot, this triggers a little part of our brain that realizes something is off even if we don't know why. Read more about the mirror shot in this meta analysis.

When Ed and Stede decide to be together for the first time, to numb the traumatic pain in their desperation and love for each other the lighting is different. It turns a warming orange/yellow glow, showing the softness of the situation.

These men desperately love each other and want to be together. They both agree to this night, Stede pauses before kissing Ed, waits until Ed nods his head and gives consent then pulls Stede in.

And when Stede closes the curtains, the lighting is back to red and purple. The two colors symbolizing the love these two have for each other.

In the morning, the bright yellow lighting is back. The beautiful morning sky in the background looks serene and idyllic, but it also puts our characters in a shadowy haze in the foreground.

They are still in the warmth, the afterglow of being together. Ed gets nervous and brings Stede breakfast in bed. (A parallel to Doug and Mary). They have an intimate conversation where Ed opens up about seeing mermaid Stede while in Purgatory. They have now been intimate in all forms of the word.

But there is still something off, just like with the mirrored images. Stede is shirtless, open, feeling safe. Ed has ditched his leather clothing, his Blackbeard persona, and is now in fine clothing. And I can't confirm but the inside of the robe looks purple. But his robe is closed, which can be read as still hesitant, even if it's subconscious. And they have the same body language of all of the last episode. They are sitting apart, not touching, but still comfortable facing and leaning into each other.

And this bliss continues outside where they open up more. The lighting is bright, pretty, they are surrounded by greens and tans, glowing still. Stede tells him about the multiple letters in bottles he has written. They are opening up about things but they are still avoiding what needs to be talked about - the trauma, their different paths that seem to be emerging.

And then finally, when the fight happens, all of the uneasiness from the mirrored shot, the close but not yet close enough body language, all of these choices come crashing down just like the relationship.

The light is muted. They have spent part if not all of the day apart. So the lighting indicates that it is approaching sunset not only in time but in their relationship, the foreshadowing of Ed breaking up with Stede and leaving.

Ed has already made up his mind. He is leaving to be a fisherman. He thinks what happened the night before - and by that - the moving too fast part was a mistake. While they both love and want each other, Ed is self sabotaging - in a direct parallel of last season - thinks he has ruined Stede, spiralling and choosing like he's done in the past to completely run away from the darkness. He needs to learn that he can embrace both (all) sides of himself without losing himself.

Stede tries to save it. Responds to Ed saying "this can be whatever we want it to be." But then things escalate, things aren't explained. Stede doesn't realize what the fish means to Ed, and saying he lied about the quality of the fish is Ed's view of them, "they are the fish."

They need to talk, about what they want, their diverting paths, finding common ground, and learn how to be in this relationship.

They believe the exact opposite of the truth. Ed thinks he's ruined Stede and that Stede won't love him if he's not Blackbeard (the chin convo!) And Stede thinks he isn't good enough for Ed (and everyone, that is why he goes a little crazy when people recognize him - in a direct parallel to Ed during the dinner party in 1x5.) And Ed doesn't love his softness.

All the lighting reaffirms just how much these two love each other, but the blocking, mirrored camerawork, and fast movements show the underlying unresolved tension that has been building up and ultimately leads to this rift.

[jadeshifting]

— THERE ARE PLENTY OF FATES WORSE THAN YOURS

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

alright, listen up, and let’s get one thing straight—you’re sitting on a goldmine of potential. you’ve unlocked the secrets of the universe, and yeah, it may take patience, but that’s nothing compared to being stuck in the mundane grind of never knowing or accepting the truths of our universe. let’s talk about Supernatural, specifically Season 4, Episode 17—because Dean Winchester learned a lesson you could stand to hear, so stick with me

most of us walk around complaining about how hard it is to shift, like we’re starring in some cosmic pity party. but guess what? there are plenty of fates worse than yours, and it’s time to put some respect on your ability to shift and your role in the grand scheme. buckle up, buttercup. it’s about to get real

★⋆. — “MOST PEOPLE LIVE AND DIE WITHOUT MOVING ANYTHING MORE THAN THE DIRT IT TAKES TO BURY THEM”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

in this particular (EXTREMELY shifting-coded) episode of Supernatural, Dean is feeling sorry for himself and the fact that he has to save the world—to teach him a lesson, he’s forced into an office job. Dean hated that office job. you could see the light leaving his eyes with every soul-crushing task. he wasn’t built for spreadsheets and watercooler chat. and you? you weren’t built to stay locked in just one version of existence either. the archangel’s lesson hit hard: most people live their whole lives without ever realizing there’s more out there.

think about it. billions of people out here just existing, tethered to their routine, their one-and-only timeline, their same-old, same-old. they’re not reaching for alternate realities, parallel worlds, or dream lives. you, though? you know what else is possible. shifting means you’re not just sitting back and accepting the cards you’re dealt. you’re taking the entire deck and shuffling it until it deals you a royal flush.

if you ever find yourself whining about how hard it is to shift, remember this: you’re already ahead of the game. you’ve got the keys to the multiverse in your back pocket. don’t waste time complaining when you could be making it happen right now.

★⋆. — “ARE YOU READY TO STAND UP AND BE WHO YOU REALLY ARE?”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

here’s the tea: shifting isn’t about sitting in your CR feeling sorry for yourself because you haven’t woken up in Hogwarts or a beachside villa in your DR yet. it’s about stepping into your power and deciding that you have. Dean had to face his destiny head-on, even when it scared him. and shifting is no different—it’s your call to make it happen

let’s be real. the process can be frustrating. you’ve been told over and over again that you need the affirmations, the visualizations, the rituals—that it all takes time. but every time you accept the idea that you have to work to earn this ‘prize’ (WRONG) and roll your eyes at the effort, ask yourself this: are you ready to be the main character in your own story? are you ready to open your eyes to your dream life and embrace the infinite possibilities waiting for you?

your DR self isn’t some far-off stranger living in some far away world—it’s you, in a different form, living the life you’ve dreamed of. so, what’s stopping you from standing up and saying, “i’m her, i’m there”? spoiler: it’s usually your own excuses and fear of failure. drop them like they’re hot

★⋆. — “FOR GOD’S SAKE, QUIT WHINING ABOUT IT”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

(technically the words of Archangel Gabriel from Supernatural. i wouldn’t generally be so rude, but the message is all the same.) Dean needed that tough love. and honestly? so do you. while shifting is a natural process, something everyone’s born with the right to do, knowing about shifting is a privilege. let me repeat that louder for the people in the back: knowing about shifting is a privilege

you’re out here rolling your eyes at the time it takes to meditate or how you can’t hold focus during visualization. meanwhile, there are folks who’ve never even heard of shifting, who don’t know they could rewrite their own story with a snap of their fingers !! what the fuck, right !!

every time you catch yourself moaning about ‘how hard it is to shift’, use my newly invented technique of imagining Dean Winchester (or literally anyone you prefer, really) sitting across from you, scowling and saying, “for God’s sake, quit whining about it.” because he’s right. every moment spent wallowing is a moment you could be aware of your DR, if you put that negative energy into deciding it for yourself. plenty would argue that the struggle, despite being an unnecessary product of overcomplication and misinformation, is part of the journey, and even that it makes success that much sweeter

★⋆. — “THERE ARE PLENTY OF FATES WORSE THAN YOURS”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

this is the kicker. while you’re griping about not waking up in your DR, remember there are much, much worse things than waking up in your CR again

picture this: never knowing about shifting at all. never realizing you could step into any of infinite worlds where magic is real, where your favorite characters are your friends, where you’re the rightful star of every storyline, and you step into all of your desires as easy as breathing. that’s the true tragedy—not failing, but never trying. never even knowing to try

Dean learned that even when the stakes are high, it’s better to face the challenge than to live a life devoid of purpose. and for you, it’s better to keep working toward shifting than to settle for the status quo of your CR. you’ve been given the tools to break free. use them.

★⋆. — FINDING GRATITUDE ON YOUR PATH

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

everyone has dark moments—doubt, frustration, or even downright hopelessness. i’m not detracting from those feelings—they’re valid, and i get them too. but i implore you to, if nothing else, appreciate your journey so far. find beauty in your meditative moments, truly enjoy the excitement of scripting, and the anticipation of waking up in a new reality

when you start to feel frustrated, remember this: every affirmation, every visualization, every late-night meditation is a step closer to the life you already have, and just have to become aware of. and the fact that you even know about shifting? that’s a gift. gratitude for that isn’t just a nice thought or a pointless platitude—it can be the fuel that keeps you going

★⋆. — THE BOTTOM LINE: BE DEAN, NOT A DESK JOB

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

Dean’s lesson in that office job was clear: stop taking your path for granted. he might’ve hated the apocalypse gig, but it was better than the alternative—living a mundane life without meaning. and for you, the same truth applies

don’t complain about the perceived struggles of shifting when you’re one of the lucky ones who knows it’s possible. you’ve got the knowledge, the key to live a life beyond imagination. so for God’s sake, quit complaining about it, buckle down, and make it happen. because there are plenty of fates worse than yours—and staying stuck in your CR isn’t one you want to settle for

[constantfragmentation]

It's bugging me...

The inconsistencies and a lack of detail and continuity in S2. S1 was all about the tiniest details.

Don't get me wrong, the animation is gorgeous, BUT --

The underwater scene is where Jinx lets Silco go.

He was RIDDLED with bullets. Yet, not a mark on him?

Why is his damaged eye closed? I thought he didn't have an eyelid. Artistically, I think having his lifeless eyes glazed over would have been more dramatic, considering it's Silco. Nah, he just sinks like Jack to the depths of the Titanic.

How deep IS the Pilt River?? I'm assuming that's where she 'buried' him.

The whole first act is so damn rushed.

No one seems to wonder what happened to Silco? He was only the main person holding the Underground together by the strands of his pomade hair. His death is a BIG deal, yet it's glossed over. No one questioned any of it???

Sevika is just, okay, let's move on like it's another day (granted, Zaunites are probably predisposed to be like that, but that doesn't make for good storytelling if you're not letting the audience in on anything), and chatting it up with Jinx as if they just bonded. I didn't feel that happen. I like that they low-key ripped into him post mortem, because that feels natural but what got them in that room together DOESN'T.

I want to know how these characters FEEL. You got that in spades during S1. But S2 is just expecting you to assume or they would attempt to take the time to use what would be great writing and evolving these characters.

Caitlin is hurting, I get it. But she went full Commando Psycho mode. Girl, everyone has lost parents, siblings, etc... She doesn't even flinch when Vi tells her Enforcers killed BOTH her parents. She's lost a beloved sister... but Cait is affronted when Vi shirks from becoming an Enforcer. Let's just forget what PIltover did to Zaun for generations and to LOADS of people.

Vi? Oh girl. What happened to you?

Jinx is a bit better but not much. I don't buy Silco's death was a zap to the brain to chill her out a bit. She's still my Chaos Queen but unless there is something to explain some shit in the following episodes, I'm going to be really ticked at the lack of care in characterizations with who are the supposed leads in this story.

Jesus Viktor. That's it. That's all I got.

Well, I did LOL when he woke up and gave Jayce the "bye Felicia" in 2.2 seconds.

We don't get to know what Ekko is thinking since all this shit went down? As far as he knows, Jinx is dead and to learn to she bombed Piltover?

The music videos substituting for the plot are REALLY bugging me. It's lazy writing. The music was used well in S1 to ENHANCE the scene (well, except for giving Imagine Dragons an animated cameo). Here, it's used as exposition, but it's not nearly good enough.

Useless characters and side-characters. Poorly executed plot devices. Uninteresting plot devices and trying to use the S1 parallels for characterizations.

S1 took time to introduce and flesh out these characters, even the side-characters.

We only had Vander for 3 episodes but he was a HUGE character. Marcus, Mylo, Claggor, Benzo, Grayson, Finn.... all were interesting and played an important part.

Jayce continues to be blah. So I'm not bothered.

Ambessa looks to be the new villain but it's not hitting with me. Plus, there's zero foreshadowing on some stuff in her arc that would have been useful last season.

I like Mel but I'm waiting to see what happens with her.

Hermydingding going all Mission Impossible. Just stop. Does he not give two furry fucks about what happened to his fellow councilmembers and Piltover?

I feel like RIot is trying to shove way too much into one season and sacrificing good story-telling to do it.

I miss the details.

So far, I'm really underwhelmed with this season.