#because the amount of bad takes I saw

[assiraphales]

yay good omens 3. just as expected. considering the story is following a three act plot structure (set up confrontation resolution) and all. seems like maybe a few of u threw temper tantrums for nothing huh

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[proshipblackoutpoetry]

[twpsyn-who]

Soulmate AU in which when you touch your soulmate you swap bodies. It needs to be skin on skin contact and is instant. The only way to get back in the previous body is to touch again, otherwise you're stuck like that.

No matter the body all psychological and physical damage stays with you. That means if you get hurt then swap bodies, you will still feel it despite no longer having the wounds. This is only the case of existing wounds prior to swapping ; if new wounds happen to the hurt body after the swap you won't feel them, but the person in the body when it happens will. A very complicated way of saying that you can't get away from pain by swapping bodies with your soulmate as it will follow you.

There's no known consequences to not changing bodies back once swapped, though some might get sick for a few days after swapping back if they waited a long period of time to change back (say over a month, even longer depending on individual)

Now this but, you know... JeanMarco. And of course they find out during their time in the 104th Training Corps, because there's no way their skin didn't touch at least once in +3 years of training and being as close as they are. It isn't until break when they're able to visit home that they learn what it truly means ; up until that point they used it to swap chores (is the only reason why Jean didn't try to kill Eren during their shared chores- because it was actually Marco all along). At that point they knew each other perfectly.

Of course the whole situation was a little bit awkward for both of them when returning. They probably would end up avoiding each other for a bit because teenager boys and stuff, all until someone finally got the guts to mention the tension and ask them what's wrong- which forces them to talk and stuff. Doesn't matter, this is not what I want to talk about.

But the beautiful battle of Trost and what if, hypothetical speaking of course, they touch skin after Jean gets another ODM? And they're so used with each other by now, they don't even notice until the mission is nearly done anyway. And I don't know man, the idea of Jean dying while in Marco's body? Marco (in Jean's body) saying "I need to find Marco" once the mission is a success and research for his soulmate, just for him to not find him?? Not find him until 3 days later when some of them are assigned cleaning duty in Trost and he finds his own fucking body bitten in half???

The realization that it should've been Marco who died that day, but didn't because he was in Jean's body. The realization that not only his soulmate is dead, but he's stuck living his life. He's stuck living the life Jean can't because he died in Marco's place.

SEEING YOUR DEAD SOULMATE EVERYDAY WHEN YOU LOOK IN THE MIRROR. Poor Marco would most likely avoy any reflective surface for a very long time, unable to see Jean's face looking at him.

The guilt of lying to everyone, because how does one even begin to explain what's going on? Him lying to Jean's mother to protect her from the harsh truth of the reality- that her son actually died and the one in front of her was a fake.

And the sad truth is that no one would notice because they've been doing it for months already. They knew how to act like each other to perfection. Even if Marco slipped at some point no one would question it because they got many traits from each other already.

[apocalypse-boogie]

I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).

I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.

My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.

[girlwiththegreenhat]

you ever hate on something you've never played/watched/read for what are still moderately good reasons given the circumstances, and then decide to go and play/watch/read the thing just to be fair. just to give it a chance

and then you were not only Right but its Worse Somehow and you're actually just more pissed off now

[im-still-watching-anime]

oh.

[maiaacchiato]

anyhow

[mapsareforbraindeads]

i need to get all my shit out of me now so i don’t talk about it on anesthesia tomorrow. seriously. i am so stressed abt this shit

[tomurakii]

Winged men I would hit with my car + reverse back over to make sure the job was done if I saw them on the street

[dragons-and-yellow-roses]

The irresistible urge to start a new knitting project when I have two unfinished projects already.

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push the heel of my palm into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[satoruxx]

you're sweating when you wake up, skin sticking painfully to your bedsheets as your bleary eyes dart around, attempting to make focus of your surroundings. the room is still dark, barely touched by the slight bit of moonlight that attempts to peak through the closed windows—defiant. it takes a minute to realize that the sounds that are breaking the silence are actually coming from your own throat—breathy, wheezing gasps of terror.

your stomach drops when your fingers grip cold and empty fabric. he's gone he's gone he's go—

"what are you doing up, pretty?"

your head snaps to the doorway. satoru stands there, sweats hanging low on his hips even as his hand remains curled around a glass of water. his hair is tousled with sleep, but his cerulean eyes are sharp and lively.

as soon as he sees the panic lacing your expression, his eyes widen, long legs practically tripping over themselves as he stumbles towards you.

"what happened?" he asks sharply, frantically placing the cup on the bedside table to take your face into his palms. shades of blue dart back and forth across your features as he perches one knee on the mattress and peers down at you. "are you okay?"

his touch sends electricity through your veins—a splash of ice water pulling you away from that painful reverie.

your heart both clenches and soars, the idea of what you saw being terrifying, and yet finding out it wasn't true being that much more relieving.

"i just—" your voice comes out choked, and satoru's fingers twitch against your skin imperceptibly. "had a bad dream."

you think your brain must be cruel for conjuring up a dream in which satoru could suffer to such abhorrent extents.

"oh sweets." satoru's sigh is sympathetically soft, thumb brushing over the apple of your cheek just barely. "it was just a nightmare."

"i know," you swallow, voice shaking. there's an uncharacteristic wetness pooling at your waterline. "i-it just felt so real."

"baby..." satoru immediately pulls you against the steady planes of his chest, thick arms snaking around your waist to eliminate any measly amount of distance between you two. you prop your chin on his shoulder, sighing as you feel his snowy hair tickling at your cheek.

"it wasn't real, sweetheart," he says, pulling back just slightly to push a piece of hair from your face. his thumb then drags under your eyes, wiping away the unshed tears. "see. you're here, i'm here. everything's all good."

"yeah." you're nodding, unable to take your eyes off of him because he's real and alive and so breathtakingly perfect. "yeah, you're right."

he gives you a lopsided smile, eyes bright and glowing. "i don't like to brag, but i usually am."

you snort out a laugh, missing the way his expression turns pleased at the sound. "hilarious. you love to brag."

"you got me there," he shrugs, grinning as you stick your tongue out at him. the lighthearted banter solidifies the fact that satoru is fine and unharmed and completely yours, but you can still feel the apprehension coursing through your veins. chills run up your spine—you try not to show it.

but of course, satoru has always been able to see right through you.

his teasing smile goes soft, and he inhales deeply.

"was it about me?" he asks, climbing into bed next you. you lay back down carefully.

"yeah," you mumble, watching him tug the blankets over your body and tuck you both under a cocoon of warmth.

"hm." something in his tone tells you he's not unfamiliar with the feelings you seem to be experiencing—his body shifts closer to yours. ocean eyes carefully asses you, deep and calculating and so concerned even as he smoothes a warm palm over your shoulder blades. "wanna tell me what happened?"

the truth is you do want to, because satoru has always understood you better than you've ever understood yourself—you have no doubt he'd be able to comfort you just as well as he normally does.

and yet...

"no," you answer, pressing your nose into his neck. a deep breath in, the lively scent that is so inherently your gojo satoru filling your very soul. "it's okay. i think i'll be fine."

when you shut your eyes, images flash behind them—of bloodied bodies and stitches and swapped souls. yet a chaste kiss to your forehead pulls you back to where you're supposed to be, warm and grounding.

"i know you'll be fine," satoru murmurs, lips tickling your brow as he speaks. you think you can hear the gentle smile as he says it, and your grip on him tightens—never letting go. "i'm right here after all."

[cakesexuality]

I've been disabled for almost 29 years. Here's what I've learned.

Tablets sink and capsules float. Separate out your tablets and capsules when you go to take them. Tip your head down when taking capsules and up when taking tablets. Liquigels don't matter, they kinda stay in the middle of whatever liquid is in your mouth.

If your pill tastes bad, coat it with a bit of butter or margarine. I learned this from my mom, who learned it from a pharmacist.

Being in pain every day isn't normal. Average people experience pain during exceptional moments, like when they stub their toe or jam their finger in a door, not when they sit cross-legged.

Make a medical binder. Make multiple medical binders. I have a small one that comes with me to appointments and two big ones that stay at home, one with old stuff and one with more recent stuff.

Find your icons. Some of mine include Daya Betty (drag queen with diabetes), Stef Sanjati (influencer with Waardenburg syndrome and ADHD), and Hank Green (guy with ulcerative colitis who... does a bunch of stuff). They don't have to be disabled in the same way as you. They don't even have to be real people. Put their pictures up somewhere if you want; I've been meaning to decorate my medical binders with pictures of my icons.

Take a bin, box, bag, basket, whatever and fill it with items to cope with. This can be stuff for mentally coping like colouring books or play clay or stuff for physically coping like pain medicine or physio tape.

Decorate your shit! My cane for at home has a plushie backpack clip hanging from the end of the handle and my cane for going places is covered in stickers. All of my medical binders have fun scrapbooking paper on the outside. Sometimes, I put stickers and washi tape on my inhalers and pill bottles. I used my Cricut to decorate my coping bin with quotes from my icons, like "I've seen enough of Ba Sing Se" and "I need you to be angrier with that bell".

If a flare-up is making you unable to eat or keep food down, consider going to the ER. A pharmacist once told me that since my eye flares can make me so nauseous that I cannot eat, then I need to go to the hospital when that happens.

Cola works wonders for nausea. I have mini cans of Diet Pepsi in my coping bin.

Shortbread is one of the only things I can eat when nauseous. Giant Tiger sells individually-wrapped servings of shortbread around Christmas or the British import store sells them year-round. I also keep these in my coping bin.

Unless it violates a pain contract or something, don't be afraid to go behind your doctor's back to get something they are refusing you. I got my cardiologist referral by getting in with a different NP at my primary care clinic than who I usually saw. I switched from Seroquel to Abilify by visiting a walk-in.

If you have a condition affecting your abdomen in some way (GI issues, reproductive problems, y'know) then invest in track pants that are too big. I bought some for my laparoscopy over a year ago and they've been handy for pelvic pain days, too. I've also heard loose pants are good for after colonoscopies.

Do whatever works, even if it's weird. I've sat on the floor of the Eaton Centre to take my pills. I've shoved heating pads down my front waistband to reach my uterus.

High-top Converse are good for weak ankles. I almost exclusively wear them.

You can reuse your pill bottles for stuff. I use my jumbo ones to store makeup sponges and my long skinny ones to hold a travel-size amount of Q-Tips.

Just because your diagnostics come back with nothing, it doesn't mean nothing is wrong. Maybe you were checking the wrong thing, or the diagnostic tool wasn't sensitive enough. I have bradycardia episodes even though multiple cardiac tests caught nothing. I probably have endometriosis even though my gynecologist didn't see anything.

You can bring your comfort item to appointments, and it's generally a green flag when someone talks to you about it. I brought a Squishmallow turkey (named Ulana) to my laparoscopy and they had her wearing my mask when I woke up. I brought a Build-A-Bear cat (named Blinx) to another procedure and a nurse told me that everyone in the hall on the way to the procedure room saw him and were talking about how cute he was. Both of those ended up being positive experiences and every person who talked to me about my plushies was nice to me. If you don't feel comfortable having it visible to your provider during the appointment, you can hide it in your bag and just know it's there, or if you're in a video appointment, you can hold it below frame in your lap.

Get a small bucket, fill it with stuff, and stick it in your bed (if you have room for it). I filled a bucket with Ensure, juice boxes, oatmeal bars, lotion, my rescue inhaler, etc. in October 2023 in anticipation of my laparoscopy and I still have it in my bed as of January 2025.

If your disability impacts your impulse control (e.g. ADHD, bipolar disorder), you should consider setting limits around your spending -- no more than X dollars at a time, nothing online unless it's absolutely necessary, and so on. Or, run these purchases by someone you trust before committing to them; I use my BFF groupchat to help talk sense into myself when I buy stuff.

Feel free to add on what you've learned about disability!

[zyafics]

CAN YOU PLEASE, PLEASE ON MY KNEES WRITE ABOUT BITCHY!READER X RAFE AND IT'S SMUT?? I FEEL LIKE YOU'LL DO IT JUSTICE!!! thank you

you literally read my mind because i was just thinking of this prompt that works so well with bitchy!reader!! hope you'll enjoy <3 (if it’s bad, look away!!)

WHATEVER SHE WANTS | Rafe Cameron

MASTERLIST (Blurb) | x Bitchy!Kook!Female Reader

Content — 18+, power/dominance play, p in v, doggy style, orgasm denial, and dirty talks

Word Count — 2.2K

lıllılı Whatever She Wants by Bryson Tiller

You always wanted Rafe.

It's your right. Since you were a child, you demanded the best in everything—toys, clothes, boyfriends. They had to be perfect. Had to be yours. And yes, it may come off a little superficial but who cares? It's what you deserve, and it'll be hell if you don't get it.

Since the first look, when you caught Rafe lounging on a chair with his friends, tipping the rim of his beer onto his lips, while his eyes scanned over the room in an attractive lazy way, you knew you had to have him. It didn't help that you were competitive, and Rafe garnered attention with women. They flocked to him and begged for a minute of his time. It became a game to you, and that heightened your need.

Everything was calculated. The makeup you wore, the outfits you curated, the glances. You always timed your arrivals—when you knew Rafe would be watching the door—and marked your exits. You knew exactly what to wear—dresses that tantalizing exposes your ass, but only as a preview—and the cosmetic style he liked. Rafe's the type of man who believes he wants a bare-faced woman, but truly, he wants something natural that enhances your features.

You came with friends. You left alone. You drank enough to loosen your nerves and danced with the crowd, but not enough to make a fool of yourself. You knew your tolerance and knew Rafe didn't like a messy girl.

At least, in public.

You caught his gaze a couple of times, flashing a flirtatious smile over your shoulders, but never lingered longer than three seconds. Rafe can't know how easy he can have you, because Rafe, like most boys, loves a chase. You're not easy, you're spoiled. He had to come to you.

And he did.

Rafe tried to introduce himself on several occasions. On those nights when you're leaving early—as planned—Rafe would cut to the door to pay a parting remark. "You're leaving so soon?" he would ask, "Alone? Again?" He would add. You always told him it was because no one caught your eye, and Rafe took that as a personal challenge. He would then try to tell you his name, as if he were different, to which you nod—detached—as if it didn't matter.

It drove him insane.

Because you didn't offer the same courtesy. You kept him guessing. He had to finally ask around to learn your name, which he would use to tease you the next time he saw you. And he did. And you laughed. But you acted like you didn't care. Like all the trouble he went through didn't prove a thing. That's when Rafe knew he needed you.

Tonight's no different. Just as you're about to leave, Rafe catches you with another smooth pick-up line. You just giggle. He studies how your eyes crinkle with amusement, the curve of your lips painted in his favorite shade of lipstick, and the lithe tilt of your head to the side as you ask him with your gaze, is that the best you got?

It isn't. But Rafe's determined to get further with you tonight. He continues to talk, asking about which men disappointed you and the reasons for your constant disappearances from these parties. And, for once, you're answering his questions with little resistance. Perhaps, it's because of the amount of cheap wines you consumed, or maybe you—for once—are tired of the games and want it to come to a fruitful end. Because when Rafe finally asks to take you home, you don't say no.

The walk to his truck is brisk. His arm wrapped around your waist, directing your path, while his fingers trail over the backless cut of your dress, producing a buzzing feeling beneath your skin. He's whispering something in your ear, but all of it is incomprehensible as you revel in the feeling of his touch and his touch alone. The feeling of your game coming to a conclusion.

And, just as you're about to reach the car, Rafe slams you into the side of the vehicle with a searing kiss.

His mouth catches yours and everything feels perfect. As if the buildup leading to this precise moment had been worth it, and every needy emotion rises to the top. His hand travels down the length of your body, to your hips, pulling you closer, and needing to eliminate all the space and wait you made him do.

Rafe's movements are swift and controlled. One of his hands props open the backdoor of his car, pushing you inside, and laying you against his leather seats. All without breaking the kiss.

"You don't know how long I wanted this, wanted you," Rafe blubbers between wet kisses. "Seeing you at every party, in these tiny dresses, not being able to touch," he rasps, bundling the hem of your dress into a tight fist. "Tell me you wear them for me."

"And if I did?" You say with a moan, tipping your head back to grant him access to your neck. "Did you like them?"

"Of course I did," he murmurs against the curve of your neck, the vibration of his words sending heat straight to your core. "You dressing up for me like my own perfect doll."

You want to retort that it's him who's in the palm of your hand, but Rafe sucks on a sensitive spot, causing your eyes to roll back and a whimper to escape your lips instead. He grabs your wrists with one hand, throwing them over his shoulder as he pulls you flush against his chest.

"So pretty, so fucking untouchable," Rafe kisses down the length of your throat, his fingers collecting the spaghetti straps of your dress before sliding it down the slope of your shoulders. "I'm going to fuck you so good."

His words snap you out of your haze. And while Rafe continues to expose more of your body, lamenting each reveal of flesh with a kiss, you withdraw enough to grab his attention.

"You're not fucking me in a car."

"What?" Rafe breaths, unable to snap out of the trace you had him in. Delirious with want, his mind warped around the idea of you being so close to attainable, that all rational manners left his system. He tries to kiss you again, to resume the moment, but you pull enough to send him a deadly glare, pouty and spoiled.

"Rafe, take me somewhere nice or we're not fucking at all."

He can't believe what he's hearing. He can't believe he's contemplating it. But Rafe doesn't understand that you have it all planned out to result in a perfect moment. You won't let it be disrupted just because Rafe can't drive the extra mile to take you somewhere nice. You'd rather leave him with blue balls.

"Are you serious?" He asks slowly, his eyes drawn to your swollen lips, the little pout, and the desperation to have them back on his. Sure, Rafe's had girls who wanted something more than a casual fling. He had them ask him for a better spot, but he never obliged. He never cared. But you're different. He wants you, and it's been a hell of a chase to get you here. He'll be damned if he lets it slip away because of a pretentious standard.

"Does it look like I'm joking?" You cross your arms over your chest, pushing your breasts further up. He nearly groans at the sight. "We're not having sex here."

"The nearest place has to be at least a fifteen-minute drive," Rafe argues. And it makes you upset, brows pinched together. "We can just—"

"I don't care," you snap. "Take me somewhere nice or I'm leaving."

You're serious. He sees it on your face. Rafe can't risk that, despite wanting to protest, because he knows he if he messes this up, he won't have another chance. Swearing under his breath, he drags himself out of the backseat and into the driver's side, pulling the car out of the parking lot.

Dangerously, Rafe speeds down the road, while you're sitting in the backseat with a self-satisfied demeanor, fixing your makeup through the rearview mirror. Occasionally, Rafe spares a glance through the same reflection, connecting with your gaze, and while there's subtle bitterness coiled in his chest, he recognizes the bigger prize at hand.

And what he can do with it.

Because, despite your bratty attitude, Rafe is a person who wants control. You want perfection. You two can have both.

That's how you find yourself in a newly-booked penthouse suite at one of the bougie hotels in Kildare, your head digging into the soft comforter of the bed, your ass in the air, as Rafe drills into you from behind.

When you reached the room, everything moved frantically. Rafe slammed you against the nearest wall to kiss you again—needing your lips, needing your taste—while his hands roamed over your dress and pulled down your cleavage, revealing your tits. Your hands wandered down his pants, unbuttoning them hurriedly, needily, and he assisted you by pulling them off alongside his boxers. His cock was big, slightly red with a pearly bead of pre-cum that rolls off the tip. And you could tell by the look on Rafe's face that he wanted you to suck it.

But you told him, "I don't do blowjobs."

So fucking pretentious.

It didn't matter. He hauled you over to the king-sized bed and pushed you onto the mattress. You landed with a soft thump, while Rafe hauled you up to your ass, pushing up your dress, until it became nothing but a bundle around your waist. His movements were urgent, and he wanted—no, needed—to be inside you because a bratty girl was going to be a great fuck.

And he was right.

You're perfect. The way you wrap around him, the way he sinks inside you. He doesn't know if it's because of the delirium of wanting you so desperately, of chasing you for so long—but he never had better pussy. And it doesn't help that your moans are sweet, breathy, and loud—begging him to go faster.

"Such a pretentious brat," Rafe grabs your throat, hauling you upwards till your spine rest on his chest, airway constricted by his harsh grip. "Making me wait this fucking long."

"R—Rafe," you mewl, eyes rolling to the back of your skull at the way he's angling his cock deep into your cervix, bullying the sensitive spot over and over again until you're seeing stars.

"Had to get the princess treatment, did you?" He murmurs hotly into your ear, nibbling a spot on your neck as you rest the back of your head on his shoulder. His thrusts grow more erratic. "Had to make me earn you, didn't you?"

"You weren't going to fuck me in a car," you persist, and despite how cockdrunk you became, and how much of an attitude you're willing to sacrifice to feel good, you were still adamant about receiving what you deemed enough. He respected that. "I'm not one of your whores."

"But I'm fucking you like my own personal slut. Is that any better?" He bites the lobe of your ear, and his other hand wanders up to grab a handful of your breast, squeezing the fat before rolling your perked nipple between his fingers. You moan louder. "What does that make you?"

You can't seem to answer him, can't seem to find your senses. The words Rafe uses are vulgar, but there’s still no regrets about this entire thing. Rafe wanted you so badly, that he was willing to spend hundreds of dollars on a hotel he probably won't even stay the night in. All because you demanded it.

You win.

"Shut up," you stammer, your stomach tightening. "Shut up and just fuck me, Rafe."

Rafe grins. The hand playing with your tits slips between your thighs to assist, finding your clit easily as he rubs it with his thumb in sync with his thrusts. Breathy moans escape you as you arch into his palm, while he pistons deeper inside of you, bottoming out.

"You sound so pretty, doll," Rafe murmurs against your heated skin, "Come on, take my fucking cock."

Everything’s so dirty. The way he handles you, the way your wetness drips down your thighs, the way his words breathe onto your skin and tighten your core. But you love it. You do, but you're not willing to give in so easily. No matter how good it feels. No matter how much he feels like a prize.

"You don't deserve me." You whisper with a mewl, body tightening with the familiar wave of your undoing.

Yet, Rafe merely grins.

"But you're sucking in my cock like you need me," Rafe taunts, pleasure coursing through his body at the way your walls grip him in a vice. The way your words spark challenge and invitation. He knows, despite your spoiled attitude and pretentious demands, he'll do anything to get another chance like this. "Now, behave like a good girl or you're not coming tonight."

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tagging @starkeysprincess bc she saw it first <3

[fict1onallyobsessed]

OKAY OKAY COULD YOU PLEASE WRITE SMTH ABOUT SEVIKA PROTECING READER BECAUSE OF SOMETHING LIKE HERE ON THIS PIC SHE PROTECTS JINX AND ISHA??

im sorry if i wrote something wrong but english is not my first language😭🙏

OF COURSE !!!!!!! I have an idea for this...

I got a little carried away and gave you more LOL sorry

Sevika x Fem!Reader

She grabbed you before you could process the fan being turned on. Thankfully, you weren't too far from the table that protected you both, otherwise you would have been swept with the air flow violently.

Your side hurt. The shot Caitlyn took must have not only pierced your skin but the force broke your rib too. Whatever the gun was made of was strong enough to go through the stone pillar behind you partially as well.

Safe to say it hurt as fuck.

You clutched your side and winced as Sevika crouched with you in front of her, the stone table keeping you sat up, but barely. Sevika's new metal arm grabbed onto the table and kept her put, the other going to hold your side with you.

You weren't sure whether your adrenaline was keeping you lucid or if the shot wasn't truly that bad. Regardless, you didn't want to hang around much longer.

You looked up at your girlfriend, head slightly bouncing off the stone behind you as you rested it. She looked worried, and although nothing but pain was filling your sense, you found the energy to sigh and show her a small smile.

Her hair was flying around with the wind, her face showing slight worry and mostly focus as she tried to keep you both behind the table.

"You'll be fine." She mouthed, and you couldn't do much more but nod. You trusted her. You believed her...but the blood slowly seeping through the cracks of your fingers, and onto her hand covering yours, it was looking more like you were not going to be fine.

The wind seemed everlasting and the longer you sat there, waiting for it to stop, the dizzier you became.

You wanted to see Sevika's face for as long as you could. Taking in her scowl of concentration, the barely noticeable glint of nervousness in her eye when she met yours, the shiny scar across her cheek.

You thought she was leaning down to get out of the wind more, but instead she leaned down to your ear and spoke through the loud fan.

"Don't look at me like that." She spoke it as a command as her hand squeezed your bleeding side.

"Like what?" You scoffed quietly, immediately feeling the burn in your rib.

"Like you're about to say goodbye. You're fine."

You hummed and looked back up at her when she pulled away, leaving no room for discussion.

She was so gorgeous, holding you, protecting you, as if you were about to disappear any minute.

Your head spun so much you didn't even notice the fan turn off. Sevika lifted you off the ground and instructed Jinx, who was also carrying a girl, where to go. It all came out as muffled to you though, as the blood loss slowly stared winning, and you passed out.

When you woke up, the first thing you saw was two heads looking down at you. Jinx's braids tickled your nose, while the other girls hair wasn't even long enough to reach her eyebrows. You groaned, immediately going in to hold your side as a reflex to find it bandaged.

"I told you to let her rest." Sevika's voice rung out in a disappointed tone as she walked in with a bunch of fresh bandages in her hand. Presumably for you.

You were in Silco's office, laid down on his sofa. The table was covered with medical supplies, alcohol bottles and jinx's crafts, but your eyes ended up laying upon Sevika. Her worried expression had you worried.

"How are you feeling?" Sevika asked, looking down at you as she put the obnoxious amount of wraps on the table.

"Trust you to get shot." Jinx scoffed playfully as she stared down at you, knowing damn well that bullet was meant for her. "Took it like a champ though!"

You chuckled back and attempted to sit up, but Sevika was faster and pushed you back down, shaking her head.

"I'm fine." You spoke, but Sevika wouldn't relent. She kept you laying down as she changed your bandages carefully. Your eyes fell from Sevika onto the little girl who was still staring down at you. "Who would have thought Jinx took in a stray. What's your name?"

"Her name is Isha. She's sticking around." Jinx replied matter-of-factly, a small smirk on her face as she said it. It made you giggle a bit.

"Alright, out." Sevika stood up from crouching beside you as she finished your bandages. Jinx took Isha and left, excited to show her some of her trinkets to get her mind off of...recent events. "She needs to rest."

"I'm alright." You spoke, reaching out for Sevika's hand to help you up. "How bad was it?"

"Bad enough to have me worried." She sighed, sitting beside you and letting you lean on her.

"Sorry." You sighed back, almost identically. "And you know, thank you."

She wrapped her hand around your shoulders and kissed the top of your head.

"Anytime."