#because shits about to get confusing

[grooviestsadpapaya]

I should brobably do an au master post

[bizarrelittlemew]

calling it right now that season 3 starts like this

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[ratatatastic]

maffhew who refuses to say runebergin torttu because he knows hes gonna butcher it so bad he might be kicked out of the country the second he tries and staunchly avoids that by going "the one dessert that barky is going to have to explain 😃"

sasha who gets faced with the most generic description of everything hes ever eaten in his life so far because of maffhew and going "???... oh you mean runebergin torttu!"

"he did good he liked the food and he likes the finland so far so its good" sasha says with so much pride now that all the anxiety has left his system that his husband teammate is enjoying his country and doesnt hate it

media availability | 10.29.24 (x)(x)

the smile of a man who knowlingly doomed his husband and said husband using all his brain power to context clues his way to whatever the fuck he just got asked that his brain is running hotter than a mid 2012 macbook air thats somehow still alive in the year of the lord 2024 but girl does she chug along shes louder than a fighter jet

[sittinginsunflowers]

I can’t stop thinking about how every parental figure in Kristen’s life has failed her by prioritizing their other kids.

Obviously, her bio parents are racist assholes who raised her in a fundamentalist cult, and kicked out at 15, all because her parents were offended she was “taking her friends’ side over theirs.” Which she didn’t, what she did was ask for answers and tell them that Daybreak tried to kill her but they refused to believe her. Instead, they chose to make her homeless so she doesn’t spread the idea that her parents don’t know everything. Two years later, and they’re still doing the same thing at the diner.

Then there’s Jawbone and he’s Tracker’s guardian, and unlike Adaine, she didn’t get a speech about how he’d take her in, or what their relationship was, she just moved in with her girlfriend, and he was the adult of the house. And now that she and Tracker have broken up, he and Sandra Lynn don’t seem to have made the time to talk to her about what that means for her place in this family. Adaine came back from spring break to gifts for every birthday she had without Jawbone and adoption papers. Kristen’s mail from her school was going to her parents’ house when she lives with the guidance counselor.

Then, there’s the fact that when Sandra Lynn and Jawbone moved in together, she took on a role she clearly wasn’t ready for, as she was still repairing her relationship with Fig. Kristen had to be the one to finally snap her out of her self destructive spiral with Garthy and then Sandra Lynn asked her to keep it a secret. Meaning she wouldn’t be able to tell Tracker, the only person who has been meeting her emotional and physical safety needs, above just giving her a room to live in. (And we know this is true because part of the reason Nara and Tracker are together is because Nara doesn’t need those things from Tracker). And yes, Sandra Lynn apologizes to the whole group, as she should, for putting their home in jeopardy, which is a massive step. But she never talks to Kristen about putting her between the 3 people responsible for keeping her out of her parent’s house.

So Sandra Lynn calls Fig, “her only daughter in the world,” and Jawbone is only legally responsible for Adaine and Tracker, and neither of them, nor any other adult, has asked if Kristen feels safe or if she’s okay. Like I’m sorry, who the fuck is taking care of the cleric who’s god and teacher died in the same year, is going through deprogramming from a cult that wants her back, her first breakup, seeing her estranged parents and siblings again, and now being expelled on zero grounds despite working herself to the bone to make sure her party gets to go to college?

[xxplastic-cubexx]

maybe controversial take, but i like to think of erik being mostly a huge ladies’ man (look at all the bitches he gets canonically, he can’t NOT love the ladies) but charles is just...... this HUGE exception, lmfao. for a while he was totally oblivious to the fact that he was into charles like that but then one day it smacked him HARD across the face that their Very Special Friendship is actually romantic. he’s since embraced being a bisexual disaster but before charles he had no clue.

would be even funnier if erik and charles had already fooled around a couple times before erik actually realized he was attracted to him. who among us hasn’t fucked their completely platonic bro??

it cant be a controversial take if youre onto something my friend .....

[shitouttabuck]

hello i am wondering: do you guys keep physical notes of money in your wallets anymore? or just card/phone pay

[a-star-that-burns-brightly]

I'm going to sound like such a smartass but I'm glad I'm seeing more people express that "Huh, maybe this girl who has an entire song repeating to herself over and over again that her murder was not her fault meanwhile she-

portrays herself as a giant grotesque bug in her headspace with her victim, who she clearly still holds a high opinion of, being the only human in said headspace looking at her with visible disgust and fear,

Making this expression upon realizing what she just did

These being the lyrics that follow right after, having a moment of reconsideration

Before jumping back to trying to convince herself that she was in the right, because she put her trust in us to tell her if what she did was right or not, and the answer that came out was yes... That maybe, just maybe. She thinks that what she did...

Might have been her fault."

[gazumirei]

the pressure fandom right now

[violent138]

I feel like Jason would wind up married for some reason and just not tell anyone. And then one of his henchmen, while fighting the Bats during one of their weekly ideological disputes on how to handle a shared problem would go, "No wonder he hates you guys, you're ruining his damn honeymoon!" and all hell would break loose.

[shizunitis]

Luo Binghe & Tianlang-Jun: Origins. And a Bit of Projection.

Disclaimer: This is basically just a collection of quotes from The Scum Villain's Self-Saving System, Volume 3, accompanied by (adjective) thoughts, and then even more relevant quotes listed at the end. If I could, I’d paste the entirety of Chapter 18.

“As expected, I can’t bring myself to hate humans.” — Vol. 3, Chapter 21: Always Together

I will always be conflicted on the topic of Tianlang-jun, and it annoys me. There is so much I could say about him, and so little I can successfully articulate. He is, to me, more confounding, complex and tragic than Shen Jiu.

He’s pitiful and awe-inspiring, wicked and affable, cunning and wide-eyed in his curiousity. He is a compelling, heartbreaking character. He alternates between emotionless wisdom and mournful apathy. I admire how his knees don’t buckle under the weight of his grief, but how he crumbles at the barest hint of hope. How rage claws at him and, still, he can’t figure out how to make it stick.

I empathise with him. I understand him.

But then, in the distance, Luo Binghe's indifferent voice disturbs the silence, causing me to drop my drink onto the floor and this post onto your screen:

“He’s not my father.”

It’s an interesting exercise, exploring their relationship in reconciliation fics. To see them interact (semi-)honestly, watch them take turns filling up the chasm between them. It’s wonderful. Every fic I’ve read centred around them was a delightful read that I still think about.

However. I cannot see Tianlang-Jun, as I understand him, as Luo Binghe’s father. And not just because of the 3rd Novel’s events.

But because Binghe had hoped for something; he did have that wide-eyed wonder. He did hold one last window open, for the sake of an improbability he couldn’t quite, just yet, dismiss.

It’s what (most) orphaned and/or adopted childred do.

Though Luo Binghe had never said a word about it before, Shen Qingqiu knew that he harbored some fantasies about his birth parents. […] In fact, he’d always secretly fantasized about whether his parents might still be alive, and how well they’d treat him, and how they’d never let him suffer the mildest slight. — Vol. 3, Chapter 17: Tianlang

It is the most human thing; to want to be helped, accepted, invited by those given to you. A family is given to you. Whether you believe it an act of the divine, of nature, of coincidence, it isn’t something you fight for. It’s the first and, arguably, only thing you don’t have to fight for in life.

Depending on a multitude of factors, that can be a blessing or a curse; but where there is room for interpretation, questions left unanswered, most childred—Binghe included—will turn to their imagination, and try to make sense of it. Usually, to comfort themselves, to reassure themselves that surely, if their family could, they would have.

And, yeah. Most likely, if the Palace Master had gotten punted into the Sun like he fucking deserved, they would have. But does it matter?

In the face of a bleak reality, what comfort is a could-have-been?

He liked to call Luo Binghe “that son of mine,” but he didn’t seem to possess any concept of fatherly affection. […] Luo Binghe was in fact…someone who was unloved by even his own parents. — Vol. 3, Chapter 15: Holy Mausoleum

What use are good intentions to an abandoned child? What consolation is it, to say, They gave birth to you, when that child has seen no evidence of their care? Does it dry their tears, that their mother can’t be here, but she surely would have wished to be? That their father would protect them, if only he knew of them?

(And don’t make me tell you about the visceral horror I felt reading the Origins chapter. I’ve yet to make my peace with it. MXTX, Airplane, whoever: you’ve ruined me.)

The washerwoman was and continues to be, to Binghe, his only mother. And I would argue, that’s healthy. Even independent of his other traumas (Abyss, Shizun’s betrayal, Xin Mo’s influence, living on the streets, etc, holy shit Binghe) Luo Binghe will not accept anyone else as his mother.

“Who is this Su Xiyan?” Luo Binghe asked coldly. “My mother was a mere washerwoman.” — Vol. 3, Chapter 18: Origins.

It may seem callous. It probably even is! But it is a healthy line he’d drawn by his own initiative. It’s what helps him, what he feels he needs to do in order to do right by his mother, and his own heart.

And! Tianlang-Jun doesn’t seem to give much of a shit, either!

Won’t, probably, even in the future, once the dust will have settled. He is exhausted, weary with carrying the corpse of his love, the loss of his nephew. Whatever goodwill he shows, it’s a perfunctory sort, because he can’t afford more.

So. Uhh.

Tianlang-Jun is not a character I can love, nor one I can hate. Usually, I can’t help but be inclined to love complex characters. Like them, too—though that’s more of an action-based thing rather than just said character’s personality.

But with Tianlang-Jun, I’m stuck whichever way I turn. If I want to love/like him, I’m drawn back by Binghe’s pain and disappointment. If I try to hate/dislike him, I’m drawn back by his own history and grief.

In conclusion:

I don't know! I'm not really trying to, like, prove anything. I still love the aforementioned TLJ & LBH fics, I still love their dynamic. I started walking and ended up exactly in the same space. This, perhaps, could be considered a Heavenly Demon Family Mobius Strip!

I'm not really trying to say anything. It just… makes me feel conflicted, and angry, and whenever I allow myself to think about it a bit more, sad.

But.

However!

Alas.

Nonetheless, even.

As a reader and—on my better days—a writer, all I can say is:

As promised/threatened: some selected passages, for your reading pleasure:

So, it looked like neither the father nor the cousin had any intention of acknowledging Luo Binghe. — Chapter 15: Holy Mausoleum

He liked to call Luo Binghe “that son of mine,” but he didn’t seem to possess any concept of fatherly affection. — Chapter 15: Holy Mausoleum

Tianlang-Jun lifted his hand, took a look at Luo Binghe’s snow-pale face, and commented indifferently, “He looks like his mother.” “His eyes look like yours,” came a chill voice from the side. — Chapter 15: Holy Mausoleum

The faint hopes and dreams Luo Binghe had held in his heart for many years had been mercilessly pulverized into so much dust. […] [Tianlang-Jun] refused to speak a single word of their relationship and had been utterly ruthless back in the Holy Mausoleum. […] To his parents, Luo Binghe was an unwanted child. — Chapter 18: Origins

“If he was my father, why didn’t he bring it up earlier? Why not tell me?” The most Tianlang-Jun had said was that single line he offered while beating up Luo Binghe, devoid of either praise or criticism: “He looks like his mother.” He looks like his mother. What of it? But that was all. There was nothing more. — Chapter 18: Origins

Luo Binghe was indifferent. “He’s not my father.” […] Luo Binghe shook his head. It was unclear what he was stubbornly clinging to, but he repeated, “He’s not my father.” — Chapter 18: Origins

Luo Binghe raised his smiling face, his eyes shining brightly. “Mother was the kindest person in all the world to me.” — Chapter 19: Shen Jiu

[shit-talker]

Oh, by the way, for this AU, Jason still dies when he's 15.

I imagine the triplets do go into crime fighting, but Jason does it first. He grew up in Gotham, and he used to listen to news on Robin and, when presented with the opportunity to take on the role and help his community, he takes it instantly. Cass and Tim take a little while longer to get on the scene, both scared they'll hurt someone if they go out, but eventually, Babs offers to train Cass, the Black Bat is born. Tim, feeling a little left out in all honesty, starts going out too, but he doesn't give himself a name. The people do, and Red Robin is born from the shadow of his identical brother.

Obviously, Jason can't go looking for his birth mother here because he already knows who she is, but I imagine he does find his adoption records and realises that Catherine and Willis didn't actually adopt him until he was around four or five, and before that he was with a woman named Shelia Haywood. He goes looking for her to find out why she just left him, out of the blue, after almost half a decade of raising him.

He tries to talk to Tim and Cass about it, but they don't fully understand what the big deal is - they tell him not to shake the boat when things are finally good, but Jason just can't accept that. Tim and Cass don't get it - at least one of their parents kept them two, even if they were shitty. They both completely disregarded Jason before he was even a week old. He wants to know why so many adults in his life deemed him unacceptable.

So, he goes to Ethiopia and finds the Joker and the werehouse and the pain.

He's still revived, still taken in by Talia, but when word gets to Shiva and Cain that their third kid is running around the league, they get a little interested. Wondeirng if he can fix the 'mistakes' of Cassandra and Timothy, Cain takes Jason away from Talia, much to Talia's chargin.

Talia and Shiva are pissed, and both head to Gotham to knock some sense into Bruce, who still hasn't realised there's an empty coffin in his family graveyard.

Overall, Jason was dead and missing for almost 2 years, and when he finally comes back, he's still basically catatonic and it takes a while before he's back to himself again, but at the very least he's alive.

(See more hereee)

[find-me-in-hell]

oh you meant lesbian relationship? what am i supposed to do with this then.... *looking mournfully at the aurora*

[poisonousquinzel]

I dont understand how the same man who wrote the absolute insulting atrocity that is the Harley & Ivy comic (and the fuckint Harvest comic i stg) is the same one behind the Harley & Ivy episode and this

[Ivy disappearing on the other line is because she Immediately left when she heard what Joker had said.

She may have been teasing Harley and laughing at first when she was going on about all the things planned for her birthday night with her love, probably because Ivy knows he doesn't have a romantic hone in his entire body. but the second he Actually did something, he pulled the plug on her special night because he wanted to go do the "Yacht Club Job", she wasn't having it.

"No way was that going to happen."

"Look at her smile. Isn't this better than robbing that stuffy old yacht club? So glad I ran into you en route."

Just those lines of hers :')

Like even though she thinks he sucks and she knows he probably wouldn't have made the night as wonderful as Harley deserved in the first place, damnit she deserved Something. something other than him leaving her behind on standby in case they need a get away driver.]

like does this man flip a coin every time he writes Ivy and decides whether or not he wants to characterize her accurately or make her essentially a joker stand in purely so they can add plain ol' slapstick humor. it's fucking baffling to me. like who the fuck creates a character who's in YOUR og canon an abuse victim and the literal episode her and Ivy meet in that fact is reiterated time and time again. it built Ivy up as someone that really is going to care about her and wants to help her improve her mental health because he's destroyed her self esteem.

and then to take that bond YOU made and throw them into a disgusting, over sexualized comic that you incorporate fucking slapstick humor into?!?! Like wtf is wrong with him how do you manage to create a couple great (female centric) stories but most of the time just come off as nasty and frankly sexist.

p*ul d*ni i just wanna talk, i swear i will not viciously bite your ankles i swear

[bronzebluemind]

It’s been 0 weeks since the World Cup finale, 17 weeks to go until sgp and 34 weeks to go until next season.

[cybershock24601]

I remember reading somewhere that Lucanis only got the beard and the long hair after his extended stay in the Ossuary and now I can't stop thinking of Lucanis deciding he should clean up his appearance now that he's free and Rook literally starts crying when they see he shaved his beard off and trimmed his hair