#because robin was originally the hope to batman’s fear

[too0bsessedformyowngood]

Sorta a continuation of this post.

I’ve been thinking more about reverse robins AU with Duke as the Dick/Nightwing parallel, and I have some ideas.

So like, Duke came first. He was the light to Batman’s darkness. I don’t know if he would start off with Signal or another mantle and become Signal later on, but he definitely had the bright colors from the start. Batman might be the Dark Knight but Duke was Gotham’s (K)night Light. Batman fought what hid in the shadows but Signal chased the shadows away, provided a guiding light home. He was the Sunshine when the never ending grey clouds got too thick. He was Gothams hope and inspiration for a brighter future.

But don’t forget he was also a menace. I don’t think it would go down exactly like it did in the comics, it was the early years for Batman-and for the villains as well. After Duke’s parents were gone (maybe by Joker still turning them mad with Joker gas in Joker earliest year, maybe year one for him or something else) he started planning. He started working harder in school, focusing on the sciences to one day make a cure but also would go out looking for his parents, like in canon. He would stumble into things way bigger, overhearing plots from villains and mafias and decided to become an inconvenience for them. Letting the airs out of tires when no one was watching, a fire alarm pulled right before an attack, door stoppers on the outside of each door to a warehouse trapping the villains who where planning inside. A sudden strong of bad luck befalling the main terrors of Gotham. It didn’t go unnoticed, especially by Batman. Duke kept his streak of being unseen until one night he crossed paths with the Bat.

Bruce for his part would have know about the little boy who lost his parents in the attack, and it would have also brought up some memories for him as well. He would have kept a small track of him, but noticed he was in foster care so didn’t do much until one day he came across the reason behind all the karma the villain have be having. Looking into the boys eyes and seeing the same fire that he had, blazing more fierce as Duke explains how he will find his parents and save them, and if he could prevent more bad things along the way he will. Something pinging in Bruce’s soul, this kid lost his parents like he did but not fully, and he still had hope among the need for justice, something that had faded so long ago for himself. He took Duke back that day, promising that he will find Duke’s parents, and kept a closer eye on him after the fact.

Duke noticed that after that day it became like clockwork, he would sneak out, search Gotham, cause a little chaos, get caught by the Bat and brought back to his current foster home. Bruce did some digging, looked for Dukes parents but also found out that Leslie Thompkins was the person in charge of Duke’s case. After a few weeks of the new schedule he met up with Dr. Thompkins. They talked about how Duke has been bounced around from home to home and sneaking out to find his parents almost every night. After a long conversation, and not as much convincing as one would expect, Duke found himself being driven to his next foster home, Wayne Manor.

Okay I’m going to leave this here for now. I ended up writing so much more than I though I would lmao. I have more ideas and will probably continue this soon.

[quotidian-oblivion]

I've been thinking about Jason's memorial case in the Batcave recently and came up with a few thoughts.

Obviously, there are a few things wrong with it, mainly the title of a "Good Soldier" being attached to a child. And I've been thinking aboit that mostly.

There's no questions of how intensely focused and obsessed Batman is over the war against crime in Gotham, we see him quoting it multiple times in the comics and even the movies, animated and live-action. And so he thinks everyone in the war is a soldier, including Robins. I hate that and loathe it.

Not because I'm a Batman apologist, I'm not. It's because I like to see and believe in the better parts of Batman. The reason why he doesn't kill in the first place--because it comes from a place of compassion and a place of strong belief set by an 8-year-old boy who grew up too fast. Because he believes anyone can be redeemable because ultimately everyone is human, as proven in the older Batman comics and Batman TAS when he helps Harvey, Harley, Baby Doll, etc.

And the biggest reason of all--because Batman, whether anyone likes it or not, represents a strong symbol in Gotham. A burning torch in murky darkness. A hope--one shrouded by shadows--but a hope nonetheless. It's in the psychology of Gothamites, it needs a Batman because of that symbol which is lethal to criminals and a relief to citizens. I'm heavily referencing The Dark Knight Returns I and II (animated movies) here. Watch it if you haven't yet, you'll see what I mean. This is why he can't kill the Joker. It will be completely tainting that hope and we can see its effects in The Dark Knight Returns II.

In any case, Tim was right about Batman needing a Robin. Because in the end, Batman is just that--a man. And Robin is a child.

Lego Batman is really good for this reason. The concept of found family in that movie is just amazing. I love how Bruce fears having a family again after he lost his old one.

Batman needs a Robin because Batman was originally born out of a vengeance scheme of an 8-year-old newly orphaned boy who lost everyone. Trauma lasts. Batman needs a Robin because Robin is a family. And that little boy who lost his parents needs it. And so does Robin.

I love in Young Jusitce when Batman says "So that he doesn't" in response to Wonder Woman asking him if he pulled Robin into this life "So that he turns out like you?". Because Dick was also a little boy bent on revenge. Bruce gave that to him in the only way he knew how, but a better version because he himself has matured and understands how dark he has gotten. He doesn't want that for Dick, or Jason, or Tim, or Damian, or Cass--or any of his kids. He gave them early on what he didn't have--a family. And he received a family back. And having that family keeps Batman from tipping oved the edge into insanity. Because revenge is a poison, even if it's an 8-year-old boy imagining it.

But that still doesn't change that he sees it as a war. And he sees Robin and himself as soldiers.

So I came to a conclusion.

He doesn't.

Bruce doesn't.

Batman does.

Here's how I'm piecing it out:

"A Good Soldier" carved on the memorial case because only soldiers can fight so openly and outwardly. Even if they're dubbed as vigilantes, they are soldiers. And I think Bruce thinks it this way.

So when he sees a Robin or a Batkid out there, kicking rapists in the face and whatnot, he sees how someone so young can bear so much weight. He sees how a child can hold so much bravery--like the soldiers in the frontlines--doing this because of the morals they believe in. He sees how Robin is a good fighter, a good helper, a brave one, a confident person, a soft hero.

He sees how Robin is all that and he thinks "A good soldier." Because Robin is one. With the thing they're doing, he is one.

But yes, it's wrong. Children cannot and should not be soldiers. But a) this is the worst type of fiction, comic fiction 😂 and b) Batman is fucked up himself and considering he started training to be Batman from a young age too, he himself was a child soldier.

In the world of DC comics, the people there need someone like Batman while the people in the Earth we live in need someone like Martin Luther King Jr., Rosa Parks, Malala Yousufzai, etc.

So yeah, Robin is a good soldier--a great soldier, because he holds the bravery, determination and strength of a soldier. It could mean a literal thing, but it could also mean a metaphorical thing. Bruce could have engraved those words to Jason's memorial case because the only thing he can think of to sum up how Jason was as a Robin was a soldier. Because soldiers are brave, and Jason was the bravest.

And I think comic writers after that took the whole "war against crime" psyche of Batman too literally and too much creating the abusive ass prick in some of the continuities.

But you can't tell me that Bruce--not Batman--Bruce has a case of his own for Jason. Maybe a physical one, maybe an imaginitive one. A case which holds Jason's annotated copy of Pride and Prejudice, his first aced test paper, and his favorite hoodie, all kept tidily in the case with the words "a good son, be well loved, Jay lad" written under it. A case which he holds private because it was his son who he lost. Jason.

A little boy who survived so much until he couldn't. A little boy who he tried to protect until he couldn't. His son. Jason.

[bookfandomtalk]

There have been a LOT of debates on here and other social media platforms about the Batfam & their views on killing. I've had thoughts on this for a while and it's currently 1AM so lets do this:

Alfred: Would kill if neccesary, but only then. He wouldn't lose a night of sleep if he believes it's justified, but his definition of justified might not align with everyone elses. Alfred often puts the duty of the bat up on an even higher pedestal than Bruce, and if someone dangerous discovered the secret and Alfred could get away with it, he's definitely consider option, even if he probably wouldn't.

Bruce: I saw a post a few days ago about the Hunger Games and its view on bad people v.s. atrocities. The point was that if you prioritize condemning the people over their actions, you risk falling into those same actions. Bruce, and the concept of Batman, embodies that. His first priority will always be to stop atrocities from happening, not punishing the perpetrators. His refusal to kill stems FROM that. He's not cleaning up the city from bad people, he's cleaning up the city from bad actions. Honestly, I do not believe that killing someone would "destroy" Bruce in the way it's often suggested. But i do believe it would ruin the faith people have in the bat as a symbol of faith and hope, and I believe Bruce would struggle to cope with it for a long time.

Dick: Is a lot more morally rigid than Bruce. Where I firmly believe Bruce's emotional regulation issues come from being raised by Alfred, Dick got raised by Alfred and Bruce. As a result, he's a lot more like Bruce than he'd ever be willing to admit, and in some ways, he might be worse. Dick crosses peoples lines a lot in canon, especially when it comes to manipulating people. But the one line he'd never cross is murder. Yes, he nearly murdered Joker, but that was in a fit of rage. If Bruce hadn't resuscitated the Joker, I firmly believe it would've significantly changed both Dick as a civillian and Nightwing as a vigilante. It would break him.

Babs: Doesn't want to kill, but wojldn't hesitate. Her dad's a cop, she knows very well that in a life or death situation, she can't hesitate. She'll do all the training in the world to prevent herself from being in that spot, but if she gets caught of guard (again) she'll now be ready.

Jason: Unlike Dick and Bruce, Jason's first trauma wasn't the murder of a loved one. His mother died of an overdose and Jason's dad originally got killed in prison (not sure if that's still canon). He never had one hard line "no killing" because his first horrors were a lot less clear. He doesn't take killing lightly, but he believes that some crimes are unforgivable, and without significant fear, you can't stop people from committing them.

Cass: Cass is not morally against killing, but she won't do it. She can read every single sign in a person's body and knows so inherently how wrong it is. She killed once as a kid and decided to never again. If there was no absoluely other way out of a situation, and someone other than her was the one in danger, she might, but I really doubt that would or could ever happen.

Tim: Originally, Tim's no killing rule came from his idolidation of Batman and Robin. They said "no killing" so Tim internalized that. Tim is a very rigid person in his morals, but in a different way than Dick. His entire time as Robin, Tim had people trying to convince him to turn to the dark side and start killing, starting with Lady Shiva. This is what makes it so ironic that the only person Tim technically "killed" was in fact Shiva. It was a complete accident while he was affected by a herb that gave him super speed and Tim himself immediately administered CPR despite Shiva trying to kill him not even a minute ago. Then with Gun Batman, Tim's morals slightly change. Tim still refuses to ever kill, but now it's more out of fear. If he starts killing, at what point does he become that villain? His morals grey over time, the captain boomrang incident show that, as does the entire first half of the Red Robin run. But Tim has drawn ONE line for himself that he wants to maintain so he doesn't become Gun Batman, and that's that he won't kill. (So no, I don't believe he physically blew up any league bases. He blew up their online infrastructure. That's it.)

Steph: Her mother is a nurse who taught Steph to value life, but I honestly think that if Steph ever has to kill someone, or a accidentally kills someone (who deserves it) she'd handle it best. She wouldn't be completely normal about it, but she'd work through it and carry on.

Duke: Honestly mirrors Dick in a lot of ways, there's a reason they initially got paired in We Are Robin. I don't think Duke is capable of killing anyone. He's still human, he has a snapping point (but not enough has happened to reach it), but if he killed, he'd really struggle with it.

Damian: Hardest to nail down for me by far. (Mostly because the writers are fucking inconsistent) He used to be able to kill without remorse, and sometimes he mourns the fact that ne no longer can do that. But most of the time he's grateful for how far he's come. If he gets a chance to kill someone like the Joker and get away with it, he might, but otherwise, he's grown enough to know the value of human life.

[fractualized]

Today in "I know we bust on comics a lot around here but there are still plenty of comics worth your time," I think Robin Lives is off to a promising start!

Also, I have to say, I found myself comparing it to Three Jokers. For one thing, it seems like much more of an examination of trauma than Three Jokers was purported to be. For another, while Three Jokers had me doubting that Geoff Johns really read The Killing Joke, Robin Lives feels like JM DeMatteis gives a crap about what actually happened in "Death in the Family."

But my petty grudges aside, here's what I liked about Robin Lives #1, with lots of spoilers. (And images of child murder and such, obviously.)

Unless there are shenanigans later, Joker definitely dies on the very first page.

Falls at Bruce's feet. Aw. :(

So this presents to us an instant mystery! Was Bruce responsible? Or was it Jason? Someone else entirely? Looks like the answer will be in three more issues. For now, we flash back to the aftermath of Jason's near-death.

DeMatteis deals with Joker's infamous ambassadorship by simply… taking it away. Which is pretty funny to me.

"Honestly, we were coming off a pretty wild party when we made that decision. Who knows what we were thinking? Hahaha, no hard feelings, right— What's that gas??"

I should note the narration in the purple box, which starts before this scene. Halfway through the issue, we learn that this story is being narrated by Dr. Saraswati Dev (aka Sara), a trauma doctor that Bruce hires for Jason. As we read what happens in this deviation from canon, she examines how we should view people who do such terrible things when their own lives and actions are affected by mental illness, their own trauma, and so on. It's an admittedly blunt story-telling tactic, spelling out the nuance for the reader, but I don't mind it, and it tells us that this version of Jason's story won't end cleanly.

Sara also clearly knows much more about Batman and his sidekicks than the average civilian, which raises the question of how she gets so involved in their lives. I'm hoping it's not because she becomes a love interest… but then again if that's presented as one of Bruce's screwed up mistakes, that has potential!

Anyway, as reviewed in a previous post, Joker was uneasy about killing Jason from the start, and that doesn't change in this version. When Bruce rescues the Iranian representatives, Joker tries to downplay what he did.

Hee hee, "Batsy-boo."

Joker can't escape for long, though.

And I have to pause here to note that this scene is reminiscent of the climax in the "Going Sane" storyline, which DeMatteis also wrote.

[Batman: Legends of the Dark Knight #68]

There are differences in the scenarios, of course, but the other thing about "Going Sane" is that Joker/Joseph repeatedly refers to the urge to return to his former self as drowning.

[Batman: Legends of the Dark Knight #66]

So in Robin Lives, it adds an extra kick when Bruce overturns Joker's boat and then stands by as Joker drowns.

Oh god that feeling when your secret fears come to fruition

But don't worry!

This is all an interesting variation "Death in the Family." Then, in his grief, Bruce was constantly fluctuating on if he was going to kill Joker, and his eventual attempt was trapping Joker in a crashing helicopter. In Robin Lives, he seems ambivalent too, again engineering the circumstances for Joker to die but not being an entirely active participant, and also not angry at Clark for rescuing him. (Speaking of which, Clark sure as heck didn't rescue Joker from the original helicopter incident. I guess he's ambivalent in his own way!)

So Joker is returned to Arkham Asylum, where Bruce talks to the current director, Dr. Benjamin Stoner (who evidently really was the director at the time but also a literal agent of chaos??? OK I guess I'll keep that in mind). Stoner pushes back on Bruce's assessment of the Joker.

At the time, Bruce vanishes, but as we see in the narration when Bruce faildads hard with a recovering Jason, he later seems to reflect on Stoner's words along with Jason's.

Jason appears at the start of the issue in the hospital, but we finally get into it with him in the second half. He keeps withdrawing from Bruce and Alfred, so Dick appears to provide some emotional support.

The page already notes that, no, this chat is not going to be enough to get Jason back to baseline. But it's also darkly hilarious that Dick thought it would be, especially keeping in mind that the implication is that this is the only time Dick comes over, and it's after Jason has been listless for some time. It's almost like this whole family is bad at feelings.

But Bruce does finally hire a professional, our narrator.

Of course, Jason overhears their discussion and thinks Bruce is planning to send him away.

Ouch.

Jason decides to prove that he's totally fine, actually, by saving a gala from Scarecrow by himself. Did you guess that he gets hit with fear toxin? Because yeah, they always get hit with fear toxin!

Oh my god he just wanted his mom to save him 😭

OH GOD FOR A SECOND I FORGOT IT WAS FEAR TOXIN

I should take a second to jump back and note that Jason imagining Joker getting one right between the eyes, just like we saw at the start, feels like a solid indication that in the end, he will definitely be Joker's killer... but, well, you really don't know until it happens.

So Jason is out of commission, but before Scarecrow can kidnap him for interrogation, Batman finally shows up. Bruce beats the everloving crap out of Crane, obviously still consumed with anger about what happened in Ethiopia. The freaking cops have to ask him to stop.

And then the final page is just more of the saddest of sadtimes.

I do love that first narrative detail in the top panel. Bruce is feeling angry and guilty but also humiliated and ashamed. He knows Jason is a vulnerable kid who needs help, but as always, Jason also represents Bruce's personal failures. He couldn't get Jason to do exactly as he was told. He couldn't protect Jason from harm. He couldn't maintain the image of Batman as invulnerable, not with this terrified boy shaking on the ground. Bruce does not have control.

It's very human, and it's a key ingredient in whatever disaster is to come. Even if we didn't have Sara's final questions in the last two panels, we can already tell that Bruce is going to continue to make not-great choices.

I've already ordered #2, and I'm looking forward to reading what DeMatteis has in store in the next three issues. Barbara has to make an appearance, right? And she'd be a great candidate for the shooter...

[nightwngz]

LIPS RED ENOUGH TO KILL A BIRD !

tim drake x fem!oc

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀. . . smut. porn with plot. age gap (the original character is older for 13 years, but Tim is legal age), fem dominance, enemies to lovers, sexual tension, the original character is a villain, probably this may have a part two. Teasing, oral sex, riding, dirty talk, fingering and hair pulling.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁. . . no copying of my work is allowed. Free translation is allowed as long as I am credited.

𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. . . as I said in my other posts, English is not my first language. I have tried to make corrections with the translator, but as you all know, it is prone to making mistakes, so I apologize in advance for any mistakes or if anything sounds weird.

𝗻𝗼𝘁𝗲… I had this idea a long time ago and I want to share it with you. On the other hand, I have a few pending requests, but I'm working on all of them, so don't worry. Enjoy, and I hope you like it. 🌷

She was probably the most attractive woman he had ever met.

Don't get him wrong, he could admire the beauty of a female villain without being completely attracted to her. But he swore he had never met anyone like Adeline, known to the Gotham Mafia as "The Queen of Hearts," so fierce and domineering that she could easily take your head off.

Batman had been in contact with her since Dick Grayson was Robin, and Tim had heard stories of her iconic fame throughout his training. She was even described as a woman who used her physical attractiveness as a method of hunting and getting what she wanted.

It was just a rumor. Until Tim Drake finally met her.

She was dangerous. Neither the Falcone family, nor Maroni, nor even Two-Face dared engage in illegal activity in the territories she protected. She ran every criminal organization in Gotham, and the rest were probably just her subjects. Because of this, she has always had an extreme rivalry with Batman, as they competed to be the most feared figures in the city.

And besides, Adeline was fascinated by the hunt, but Batman would never be her prey, but unfortunately the little bird would not have the same luck as the bat.

After a period of apparent inactivity by the Queen of Hearts, during which she was actually plotting in secret, the current Robin was forced to relinquish his mantle to Damian Wayne. Now an independent vigilante, he called himself Red Robin. It was at this moment that the Queen began to play her cards again and regain her influence as the most prominent figure in Gotham's criminal underworld.

These were reasons enough for Red Robin to be forced to investigate her.

It didn't take him long to realize that she was an incredibly smart woman. She managed every part of her plan to perfection. Thanks to old files, he was even able to learn that she built her own empire all by herself, without anyone lifting a finger to help her. She had easily earned her place in Gotham's underworld.

She and her clan were a cancer that Tim Drake had to eradicate from Gotham before it was too late.

Adeline returned to her penthouse that night, and Red Robin waited for her in the shadows of her living room. The apartment was so spacious that only an incredibly paranoid person would think someone was hiding there; she was probably one of those people.

She approached the long leather sofa, her red stiletto heels echoing on the floor with each step. The room was still dark and Tim stood at the far end, admiring her curvaceous, graceful silhouette as she sat down and lit a cigarette.

— Do you smoke? — She asked, aware of the vigilante's presence.

He did not answer.

— Mm... my doctor told me to stop. But it's the only way to calm my anxiety. Strange, isn't it? How many packs of cigars does a Mafia leader have to smoke to be completely calm?

Her voice was just like her: attractive, haughty, and most of all, sharp as a razor or even a playing card.

— You killed five men on the docks last week. I want to know why — He ordered, as if she was somehow obligated to give him answers.

However, she smiled with incredible superiority. Despite the distance, Tim could tell that her lips were painted with a deep red lipstick. She had an exaggerated obsession with the color red, but he couldn't blame her, considering how good it looked on her.

— You know very well, dear little bird, that everything in this world is governed by two things — She said, and started to walk towards the standing figure of Tim, who was standing on the mat in the room. —Love and money... and believe it or not, I am very selective about the things I lend, so you can already guess what happens when someone in this city owes me money for a long time. Bills are bills, Boy Wonder.

Tim was completely silent as soon as he heard the woman say his former nickname. How could she know that he was the former Robin?

— You're wrong about the nickname, Queen. I have no relationship with Robin, let alone Batman.

She approached without taking the smile off her face for a moment. She circled the man's figure, touching his hair with her gloved hand, teasing him.

— Don't try to fool me, Red Robin. I know everything there is to know in this city, which is everything. I know about you, how you were replaced. You were neither the first nor the last Robin Batman had, with the incredibly handsome Nightwing being the first and the red-hooded mercenary the second. If you lift a stone in this city, I know it. I have informants on so many sides, you probably won't know when you meet one. So don't try to play my game with me, I made it, and that's why I always win.

Tim felt like he was being devoured by Adeline's withering gaze every second. He felt cornered, contained, disappointed that he had underestimated her and believed that she didn't know everything about him, his past and his family.

— So... you probably know that I have been investigating you. I've been watching your every move for months.

She moved closer, so close that Tim could have sworn he felt her lipstick on his ear, and whispered:

— On the rooftops, in the windows of the buildings in front of this penthouse, everywhere I go, nothing escapes me, little bird. And although I've always loved the hunt, I must admit that this cat-and-mouse game you're playing is turning me on.

He wasn't quite sure how he had left her apartment that night without being attacked by her henchmen or her guards, but even though she was aware of it, Tim continued to watch her from a distance. He came to believe that the Queen of Hearts was so used to being followed that she didn't even flinch when she learned that she was a victim of it.

She went all over the city, from that fancy bar in Chinatown to certain abandoned businesses in the Warehouse District and finally to the same address as always: her apartment on the east side of the city.

From the moment Tim saw her through the large window, sitting on her couch, he knew Adelaine was waiting for him. With those black eyes, she seemed to be inviting Red Robin to pay her a visit. And under no circumstances could Timothy Drake refuse.

Adeline was not surprised to see the black silhouette in the room again. It would be a lie to say that she had inadvertently neglected the security of her apartment; deep down, she knew that Red Robin was trained to overcome even the tightest security systems. After all, he had been trained by Batman.

— You disabled the alarms. — He said, walking slowly toward her. — Were you expecting visitors?

A mischievous smile lit her lips. He noticed that she looked even more stunning than the last time, even though she was alone in a silk robe and classic red polish on her nails, enjoying a bottle of wine. Without a doubt, she was dazzling.

— Honestly, I was just waiting for you — She admitted, leaving Tim perplexed. — Did you enjoy spying on me from the rooftops today, as usual? This time it was even adorable; no man had ever shown that level of interest in me before.

Red Robin was distracted when he noticed a brown folder on the coffee table that appeared to be a collection of files. Confidently, he picked up the folder, eager to discover its contents.

— What is this? — He asked, lifting the folder so that the distinguished woman could examine it.

— Open it and you will know. No fear, little bird.

As he opened the folder, Tim froze. It contained a detailed file on himself: Timothy Drake Wayne. The document covered his childhood, the death of his parents, his legal adoption by Bruce Wayne, his career as Robin and additional details about his current alias. Unable to react, he simply studied the contents in silence.

Tim placed the documents back on the coffee table and watched her in surprise. He had profoundly underestimated Adeline, even going so far as to think he might be able to surpass her in intelligence and strategy.

— Believe me, I was also surprised to discover that the most influential family of millionaires in the city dressed up as vigilantes and fought crime. — She confessed, her classic red lipstick smile sending shivers down the young man's spine. — Though I must admit I wasn't surprised to discover that Bruce Wayne's third son was my stalker bird, I expected nothing less from a man as formidable as he.

Slowly, she approached him and motioned for him to sit down. Tim felt himself tense, aware that Adeline knew his secret identity. Now it was up to her to decide whether or not to reveal it to the world. He was sure that Adeline would not keep such a revealing secret without getting something in return.

— What do you want from me? — He asked. He was sure that even if she revealed his identity, he would not give in to blackmail or make deals with the mafia.

— Nothing from you. — She replied, approaching him and resting her hand on his knee — What Red Robin or Tim Drake may have is of no interest or use to me. To reveal your identity would expose you to my enemies, and I do not wish to do that. There is, however, something I can offer you.

He was on the verge of despair, convinced that he would have to reject any offer she made. But Adeline was breathtaking. He couldn't help but desire her and wonder what it would be like to feel her red lips and smooth, manicured skin. Her exquisite perfume almost intoxicated him. He knew he was behaving badly and would regret it later, but he thought he should not give in under any circumstances.

The next thing he knew, she was straddling him. Despite his attempts to pull away, Tim's body would not follow the commands of his brain. Instead, she placed her hands on his bare thighs and he closed his eyes, allowing her to devour his neck, leaving marks that would probably last for days.

Her robe had slipped down, revealing red lace underwear that immediately caught Tim's attention. Accustomed to her perfectly clothed body, she looked even more sensual than usual, half naked.

— I... — He hesitated, struggling to control himself. — I shouldn't.

Adeline pulled her lips away from Tim's neck and looked up at him with her classic mischievous smile, although this time her lipstick had smudged a little.

— You shouldn't, but you want to. And we both know you won't be able to resist.

Fuck, she was right. In her presence, Tim felt himself questioning his own intelligence. For a moment he decided to let her be right. After all, as she had told him, the queen of hearts always wins at her own game.

He sealed his lips with hers in a passionate kiss, accepting that he could not resist his urges. He kissed her with the intensity of one who surrenders at the last moment, and she reciprocated with the same fervor, allowing her tongue to meet his.

Tim soon realized that she was in control of the situation. Although they were both on the bed and he was naked, she remained clothed and dominated the scene by being on top of him.

— Fuck, what a good boy — She whispered, leaning down to kiss his chest and trace the contours of his torso with her lips. Tim shivered with excitement as he felt the brush of Adeline's lips on his defined abs, and then her tongue sliding along the curve of his waist. — But too impatient, I see.

Tim quickly grabbed a pillow to cover his face and muffle his moans. At that moment, Adeline descended until she was in front of his thighs and saw his towering erection, dripping with pre-cum.

A smile lit up her face. Gently, she began to caress him, instantly sensing the pleasure Tim was getting from her caresses and the woman's graceful movements. He moaned intensely against the fabric of the pillow and moved instinctively to pull her closer.

— Fuck, fuck... — He groaned, biting his lip.

Tim looked up and watched as Adeline stroked his hair, her eyes fixed on his body. Her hands moved gently down his cock, even going so far as to gently circle the head. From her perspective, the image was stunning; she had never been with a man in his twenties who looked so incredibly attractive. Despite his disheveled hair and the beads of sweat that accentuated his toned abs, he looked magnificent.

— Fuck, baby bird, you couldn't look hotter. — She told him, leaving short kisses on both sides of his inner thighs. — I want to devour you.

Immediately, Tim brought his hands up to Adeline's hair as she worked on his erection. Through her underwear, he could see the obvious wetness that showed her arousal. Meanwhile, she watched him enjoy her action and noticed the veins in his arms stand out as he held her hair.

Although she was an expert at it, she found it difficult to get something that big into her mouth without running the risk of gagging. Although the idea turned her on, she would not allow Tim to fuck her mouth. She was in charge, so things would be done her way.

— I'm going to cum. — He moaned loudly.

Since discovering her sexual attraction, she had found that she had a weakness for male moans. Tim's moans, however, were different; they were so hot that they completely captivated her.

— Hang in there like a big boy. — She said, pulling away for a moment to look at him — You'll have to fill me up later.

Tim was overcome with despair. He didn't know how long he could keep his cock in the woman's mouth before he climaxed and spurted down her throat.

He began to recall unpleasant moments in his life, hoping to distract himself and extend the time. After barely two minutes, however, he realized that he couldn't hold out much longer and that if she was going to fuck him, she should start now.

— Fuck me now, please. — He begged, almost crying. — I don't think I can resist much longer.

She paused for a moment and pulled away to remove the rest of her clothes. Then she approached him again and straddled him.

Tim watched her and was shocked to see her naked and realize how unbelievable it was that a woman like her was with him. Especially considering that although he was of age, she probably still thought of him as a young man.

— All right, baby bird. You've done surprisingly well. And for your good fortune, I usually reward those who behave.

Without thinking too much about it, she moved gracefully on his hips, allowing him to fill her completely. In a way, it was she who was enjoying herself, moving her hips to enjoy herself and at the same time to see him enjoying as well.

Tim struggled inside, aware that she was in control, but wanting to please her at the same time. He considered sliding his fingers to her pussy, and to his relief, Adeline moved to allow his touch.

As he had suspected, she was completely wet. Her clit responded immediately to his caresses, causing her to tremble with pleasure, which made her moan softly. Meanwhile, Tim caressed her throbbing clit with his fingers while Adeline's hips continued to move on him.

— Who assured you that keeping your identity secret would be free, little bird?

[not-another-robin]

The people have spoken!! Mighty Mouse lore drop under the cut! Very 5th grader core but it means a lot to me. Hope you enjoy!

The original Mighty Mouse, MJ Fierro, was a young soldier in the eighties who volunteered to be a super soldier experiment. She was granted heightened strength, agility, constitution, and senses - but her powers were deemed too unstable for the field, so they simply abandoned her. With her new powers and no help from the government, she decided to help her community of La Puente, anonymously thwarting injustice. She gained the local name "Mighty Mouse" because of her stature, but refused any accolade. After ten years of fighting, she left crimefighting behind her to start a family.

Fast forward 25 years, and MJs body is starting to deteriorate. A devastating cancer has formed, possibly caused by the experiments done to her. She passes away before 50, leaving behind 3 children.

The youngest of these children, Marcel Montgomery, starts to experience changes at the age of 18. Weird things are happening - they don't know their own strength, their senses are becoming overwhelming, and their clumsiness suddenly leads to no injury. After investigation, it seems the mutated DNA from their mother was passed down to them alone, activated at the same age their mother recieved her powers.

Marcel idolized their mother and took all of her lessons on heroism to heart. They decide that with great power comes great responsibility, and with the help of their friends, they take up the legacy of Mighty Mouse. They are bad at it. They lack coordination and any skill, and they start to worry their powers might attract undue attention to their family. They need someone to teach them.

Marcel strikes out on their own to the most super-crime infested city in the world - Gotham. Jumps right into the deep end. Alone, they start their search for Batman. He just seems like the mentoring type - I mean, how many robins are there at this point?

During a scarecrow attack, Batman encounters the new hero trying to get help. They get civilians to safety, but he warns them to stay away from the source. Sorrounded by scarecrow gas, Batman is in a vulnerable position - and Mighty goes in any way. Affected by the gas, Mighty starts to panic, momentarily distracting scarecrow and allowing Batman to neutralize him. He takes Mighty back to the cave for inspection after hearing their fears of not being able to protect their loved ones, and failing their mother.

At the cave, Batman insists Mighty is in over their head. They know that, that's why they're here. Mighty begs Batman to take them under his wing, just wanting to do right by the world and their mother.

"I just want to be like you. I want to be like her."

Batman knows the feeling.

And thus Mighty Mouse is the new sidekick in gotham! Posing as a personal assistant to Bruce Wayne, and also just being a personal assistant to Bruce Wayne, Mighty Mouse is born.

[boyfridged]

Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?

tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 

let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 

imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 

(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 

another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.

so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?

if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?

i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)

these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 

moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 

and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.

so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)

[bluegarners]

people r like "i love batman and robin! sorry, dick grayson who?"

no sincerely anon it is BAFFLING to me that some fans refuse to acknowledge how important dick is not only to robin, but also to batman. i understand it can be tiring to hear over and over again how dick was the first and considered/is still considered the best to ever do it, but it’s TRUE. why? literally bc that’s what his character was created for. every iteration of robin after dick is an attempt to build off of his, somehow make it better or more original, but it can’t be done in a way that will ever substantiate people’s weird conceptions about who robin is/was the best. dick grayson as a character was designed to compliment, challenge, and change batman. he was given a similar origin story to bruce but was not given the time to develop into a brooding adult. a core part of dick’s character is hope and perseverance, and those characteristics are distinct and different from bruce’s own core parts because they were designed with the intention of child like hope and stubbornness. robin wasn’t even a character created very long after batman, dick grayson was introduced pretty early on into batman’s conception so it’s not a reach in any way to say that without dick grayson, batman would not be who he is at all. it is nearly impossible to read any batman story where he does not think of or mention dick in some way, and often it is with fondness and admiration for the way dick has grown into a better man than he

again ik it’s tiring and annoying to hear dick grayson fans like me harp on about the importance and prevalence of his character, but it’s not without reason! every iteration of robin since dick’s own has come built in with admiration and respect for him. all of them took on the role of robin fearing they’d never be able to live up to its name because it had such a massive level to rise to. jason, despite his short time as robin and knowing dick then, still looked up to dick. tim loved dick from the get go. there is no arguing who tim liked more because it was always dick’s robin that he aspired to. jason tried to kill him more than once when tim was robin, there was no room for tim to feel anything other than fear toward jason, even if he wondered about jason’s time as robin. there wasn’t enough time for jason to become any kind of role model before he was killed, so it’s not bashing on your fav to say it was always dick tim looked up to. it’s just true

[argentnoelle]

Joker 2 was really well done (kind of reminded me of bicycle thieves) and I liked it without liking it? if that makes sense? It was really glum the whole way through & I thought the songs—except for the last song—could be better. (the last song, where he sang to Harley through the phone, but she didn't pick up, absolutely awesome). I did hope there would be more dancing than there was and am not a huge courtroom drama fan. But it was a really tightly-written movie that knew exactly what it was doing the whole time & did it well, + continued his character arc in a way that made sense, + he finally got to "speak for himself" at the end after spending the entire first part of the movie caught between people who are insisting either that he wasn't responsible for his own actions/completely making up issues he doesn't have or trying to paint him as "Joker (the concept)" which is actually not something a real person can be, because it was a collective fantasy made up by the public after they saw what he did on the Murray show.

Ironically enough not only a good take on Arthur Fleck, but a good, nuanced take on Joker (the comic book character) that gets into his relationship with his stage persona + sense of guilt (reminds me of the comic where, after killing Robin, Joker spends an unspecified amount of time holed up in a dingy apartment having nightmares and only decides to "play" Joker again when he sees another guy being a copycat and "stealing his act"). (other notable Joker comics it brings to mind: Going Sane; also, It's Joker Time! [premise of It's Joker Time is Joker horrifically treated in Arkham, ends up getting kidnapped to a reality TV show, gives clues so Batman can save him, and Batman finds the clues/saves him while *still not realizing* that Joker isn't there of his free will/isn't plotting/isn't in control.) that's the entire thing with Joker! Even for comic book Joker, he has a stage persona! He constantly tries to convince everyone else that he's far more one-note/cohesive/pure ideology than he actually is! He'd rather be a story full of fear, a monster, than face up to his own humanity. So yeah, once Arthur faces up to himself, he *can't be* Joker anymore. By definition. Even for (comic book) Joker, The Joker is a coping mechanism & an act he's selling. So yeah, while Joker 1 didn't have much "Joker" in it, I felt like Joker 2 actually had *so much* Joker in it.

Also really respect the portrayal of Harley! It called back to her original BTAS origin and took a distinct look at how she relates to him/why she fell love with him (there's literally a comic where Joker is "cured" and Harley hates the un-Joker him so much she comes up with supervillain plans to trick him into becoming Joker again.)

The saddest part is that [spoiler] since Arthur is now dead I can't see what kind of Batman & Joker movie the director would've made. I mean, it wouldn't have worked anyway with the realist direction of this universe, no "Batman"/Batman comics-verse so you don't get the cyclical nature that underpins Batman & Joker. But. If somehow there *could've* been a Batman & Joker movie in this 'verse, I am super interested to know what it would've been like. Because I came away from the movie thinking that it actually spent a lot of time looking at the comics, at the nature of the characters and their relationships to each other, and boiling that down... it knew what it was doing! it didn't just "use the names" (which was the impression I had a bit after watching Joker 1) but actually dug into the medium, the conceit, and the idea of the characters and how we as readers/watchers relate to them. + the animated sequences! the BTAS skyline!

So I don't think I'd watch it again but I'm glad I watched it. Beautiful acting as usual, beautiful cinematography and it's always a pleasure to watch a well-made film even if it made me feel bad, you know?

[nkatr84]

My Adventures with Superman : Season 1 thoughts

So if you’ve been following me, you’ve might have noticed that I have chimed in now and again with a few jokey observations about the show My Adventures with Superman. But now that the show has wrapped season 1, I wanted to give my overall thoughts on the show.

Now I haven’t watched any DCAU movies or shows since the 90s Batman the Animated Series and Superman the Animated Series. From what I’ve gathered it’s mainly been offshoots of those original shows anyway. This show however has its own take on Superman’s origins. And what I’m about to state may be a controversial stance in the DC fandom.

I think this is probably the best adaptation of Superman since Christopher Reeves and Richard Donner brought the character to life. And the way they have written this Superman is possibly better than the Reeves/Donner version.

Let me explain. The way they wrote and the way Reeves played Superman is almost flawless. But this show has made me realize that most adaptations of Superman fall into the trap of treating Superman and Clark Kent as two different characters. Usually where Superman is his real personality but Clark is an act. Like Reeves plays Clark so goofy and comical (he was best friends with Robin Williams, no surprise) so that Superman seems like a different person to make it make sense why no one especially Lois would figure out the truth.

What makes this show stand out is that Superman is the hero he is because he’s Clark Kent. This show analyzes Clark as a person who just has to help. He has to be kind. He feels guilty if he doesn’t because he’s been given these powers and clearly the Kents have raised him to be kind and helpful to others because that’s what farming communities do when times are tough. They help each other.

He even exhausts himself when he develops super hearing because he can’t ignore a plea for help. (I had to save the cat!) He’s so honest that he’s actually bad at keeping secrets. Jimmy figured it out when they met but because he got to know who Clark was as a good person he waited until Clark was ready to tell him. (Jimmy rocks BTW. He deserves that $5 million and I hope he invests wisely.) This Lois figured out his secret faster than any of the League of Lois did. But the truth only frees Clark to be even more himself and allow Lois and Jimmy to get close after a childhood where he was afraid of getting close to anyone for fear of hurting them.

Speaking of the way his powers developed over time and how the writers have kept his origin a mystery to Clark himself is perfection. Jor-El’s consciousness in the hologram not speaking the same language only adds to the mystery. Like a DC fan is screaming at Clark in the finale going, “no! He’s your Dad! He sent you to Earth to save you!” (Me. I’m that fan.) But the language barrier has made Clark think he was born to be a weapon. A thought that terrifies him. But like the Kryptonite, Clark is going to take what should weaken him and turn it into a strength by resolving to use his powers to protect the Earth. He’s choosing to be Earth’s champion not because the ghost of his birth Father is telling him he should, but because it’s who he is.

My only criticism of the show is the pace. Like everything is fast forward in the show because I’m sure the creators were like, “okay we know we might get two seasons but we’re only getting ten episodes a season. So if we want to tell the story we need to tell, we have to skip the usual story beats.” Because current studio executives (especially Warner Brothers) hate animated shows for some reason.

But the fact that this show not only understands Superman perfectly but the main trio is adorable and the show is funny and charming and beautifully animated. To a point where my main criticism boils down to I want more means that they are doing something right.

[sailxdia]

this is very out of date as of Oct

I don't want to delete this blog but it needs to get a big change if I keep it.

The original facets who made this blog.. no longer exist. I don't know when it happened but before I realised they weren't there anymore. I felt them back apart of me. And I don't feel like anything of them was kept around.

It was painful and out of no where. I wasn't ready. There are some who used this still around but the main posters are not. I don't really know what to do. It hurts. Healing is one thing but healing alone is painful. I wanted so bad to get past the programming but..

Sorry to not know what to do for now. I'm glad for the friends they made. I hope we can become if we don't know each other or stay friends if we do too.

Until then. - E

☄️ Welcome, have a seat 🚀

welcome to the blog! It stands for sailing across dimensions and is my fandom; primarily shipping; space. I wanted a space where I could feel comfortable posting lower quality art, edits, and goof off with friends and finally decided to make that space for myself.

Always happy to do ask games, answer head canon questions, be told to draw silly doodles of joy, anything of the sort.

enjoy your time here in this shipper's paradise

If there's anything you want me to tag let me know!

☄️ Tags 🚀

#x post dia — posts made in house #x post art — art, edits, and similar made in house #x rb imagine — reblogged shipping images #x rp dia — general roleplaying tag from ask to posts — #x rp [name] — sub tags for each 'muse' played (will update as they come up) #x pal dia — tag for Palworld live blogging and whatever else #x stardew dia — tag for Stardew Valley live blogging #x acetorney dia — live blogging the Ace Attorney games! #x agame dia — ask game responses #tag — text

Sub Personal tags #what a beautiful image set ☺️ — 🧲🩻's aesthetic collection rbs

List of fandoms, ships, fictional others, and anything else important under the drop

☄️ Fandoms 🚀

Batman — The Animated Series & Gotham Knights (VG)

Castlevania — Animation

Lucifer

Constantine

Welcome Home

Nexomon

Ace Attorney

Name — Specifics

this list can fluctuate and will change at random. Anything of active interest should be here but don't fear asking about others. I might not be into it now but I might get into it because of you!

☄️ Ships 🚀

Bruce Wayne x Batman — Batman {Primarily in BTAS & Gotham Knights (VG) }

Bruce Wayne/Batman x Lucifer — Batman {Primarily Gotham Knights (VG) } / Lucifer

Constantine x Lucifer — Constantine / Lucifer

Dream of the Endless x Lucifer — ??? Comics

Dean Winchester x John Constantine — Supernatural / Hellblazer

Trevor Belmont x Dracula — Castlevania { Animation }

Slade Wilson x Nightwing — DC

Raven x Robin — Teen Titans

Name x Name — Source { extra deets }

Not all of my ships but similar to fandoms are the ones of my active interest at the moment. mostly here to help give people something to grab at for games and prompts

☄️ F/Os 🚀

Romantic { 🌌 } Familial — { 🌈 } Platonic — { 🌕 } Adversarial — { 🌩 }

{ 🌌 } Batman — Batman (BTAS & Gotham Knights)

{ 🌌 } Bruce Wayne — Batman (BTAS & Gotham Knights)

{ 🌌 } Trevor Belmont — Castlevania (Animation)

{ 🌌 } Wally Darling — Welcome Home

{ 🌌 } Keisuke Jin — Kamen Rider X

{ 🌌 } Slade Wilson — DC

{ 🌌 } Fenrir — Nexomon

{ 🌌 } Karl Heisenberg — Resident Evil Village

{ 🌌 🌈 } Ishtar — Vampire the Masquerade

{ 🌌 } Alphonse Frankenstein - Victoria's Electric Coffin

{ 🌈 } Lucifer — Lucifer

{ 🌈 } Metta — Nexomon

{ 🌈 } Ziegler — Nexomon

{ 🌕 } Oliver Queen — Arrow

{ 🌕 } Clark Kent — Superman (STAS & Gotham Knights)

{ 🌕 } Zetta — Nexomon

{ 🌩 } Sally Scarlet — Welcome Home

{ x } Name — Source

I don't mind sharing F/Os with others. Sometimes F/Os are actually more of a projection on a specific person I know; for lack of a better way to say it.

☄️ S/Is 🚀

Trainer Ebon — Pokémon — #x si ebon pkm Vampire Ebon — Vampire the Masquerade — #x si ebon vtm Trainer Dominic — Pokémon — #x si dominic pkm Vampire Dominic — Vampire the Masquerade — #x si dominic vtm Name — Source — #tag

☄️ Posters 🚀

• Bruce ━ 🌑💾 ↳︎ AKA; Bruce Wayne, Masquerade • Bats ━ ☀️🦇 ↳︎ Batman • Ashley ━ 🍫☕ ↳︎ Ashley Williams, • Ebon ━ ☄️🗡️ ↳︎ Dean Winchester, Samuel • Aizen ━ 🪡🌌 ↳︎ Sōsuke Aizen, ✩︎━✩︎━✩︎━✩︎━✩︎ • Byeong-Ho ━ ☀️🪶 ↳︎ Sun • Name ━ 🧲🩻 ↳︎ Magnetism, Electricity ✩︎━✩︎━✩︎━✩︎━✩︎ • Name ━ ## ↳︎ Full name, other name, kintype names, etc • Name ━ ## ↳︎

MuC|N?#|Ot|Mpf

☄️ Else 🚀

placeholder

☄️ Active Ask Games 🚀

Send me a Ship and a Number and I will Write a Kiss./ Link — Write a Kiss Title w/Link — Code to use in asks to show it's this one

[twistedtummies2]

Year of the Bat - Number 26

Welcome to Year of the Bat! In honor of Kevin Conroy, Arleen Sorkin, and Richard Moll, I’m counting down my Top 31 Favorite Episodes of “Batman: The Animated Series” throughout this January. TODAY’S EPISODE QUOTE: “They’ll never slip past me again.” Number 26 is…Lock-Up.

While many of the great villains who appeared in “Batman: The Animated Series” – and, indeed, throughout the DCAU in general – were taken from the comics, there were quite a few baddies that were original to this universe. Some of these villains became so popular, they later were adopted into the comics themselves. Harley Quinn is, by far, the most well-known example of this, but she’s far from the only one: case in point, Lyle Bolton, a.k.a. Lock-Up. In his titular episode, Bolton is introduced as a recent new Chief of Security at Arkham Asylum. He gets his job done well: breakouts and other disasters in this home of the criminally insane have become increasingly rare. HOWEVER, after apprehending a recently-escaped Scarecrow one night, Batman & Robin soon realize that Bolton’s success is coming at a dangerous cost. At an inquest into his time as head of security, the inmates are at first too scared of confessing their fears…but finally, when Bruce Wayne suggests perhaps Bolton should stay on the staff for a while longer, they break their silence. It’s revealed that Bolton violently abuses the inmates, even threatens their very lives, whether they’ve done anything wrong or not. Enraged, Bolton tries to attack those who have singled him out…but is restrained and kicked out of Arkham, terminated immediately. Before leaving, Bolton makes a point that, before his arrival, Arkham was a revolving door for many of the worst people Gotham City has to offer. His methods, brutal and wicked as they might have been, kept the rest of the city safe. Upon being fired, Bolton decides to seek revenge on the ones he believes are TRULY responsible for all the chaos he’s tried to keep contained: “the gutless police, mindless bureaucrats, and coddling doctors.” He thus becomes the supervillain Lock-Up, hoping to bring his own brand of justice to Gotham City. Lock-Up is a great villain – and his episode a great story – because it taps into a fundamental question about superheroes, one which has been brought up many times, perhaps ESPECIALLY in the world of Batman: how far can one really bend or even break the law before they step over the line from hero to villain? Bolton is not someone who seeks power or money, but rather sees what he does as something that SHOULD be done: in his mind, he’s just helping to keep Gotham safe. Batman, of course, will take extreme measures (not AS extreme, but still beyond the norm) towards the same basic goal, and can be quite violent on his own terms. The difference, however, is that Bruce recognizes the value of human life: even when people are terrible, horrible people, they are still human beings, and considering the ones Bolton targets are also people who are mentally deranged, and are supposed to be on a path to rehabilitation rather than simple punishment, he cannot allow Lock-Up to do what he does. He certainly can’t allow it once Bolton decides to go after other people who, really, are not responsible for any great wrongdoing. In a way, I feel like Bolton is a great example of who and what Batman should NEVER be: Lock-Up is more interested in punishing wickedness, and takes sadistic pleasure in what he does. He is a cruel person at heart, despite his preaching of wanting to do what is just and right. Bruce is the opposite, and always should be: underneath his dark demeanor, past all the punches and kicks, he wants to help people find a better life, no matter who they are, something which the series touches on several times. Lock-Up is a nightmare vision of who Batman could have been, if he had not retained some semblance of humanity in his quest to avenge his parents’ murder; we don’t know why Bolton is the way he is, but I’m certainly glad Bruce didn’t end up the same way.

Tomorrow we move on to Number 25! Hint: “Ladies and gentlemen, I’d like you to meet the great Batman! He’s here because he hasn’t got a clue!”

[mary-dawn]

I LOVED THIS ((Also, Cass i love you))

Also, Jason died and suffered brain damage, he has the right to not remember (or not want to remember) some things. However, this only ends up reinforcing the family's strange reactions to conversations that mention the past. The way they slightly manipulate the conversation to lighter topics, things Jason liked, news, meeting the new siblings, etc.

Not that Jason knows that these reactions are strange, though (you would think so, but look, the family's intelligence only remains when they are in costumes). Because despite being initially confused by everyone's reaction, he thinks it makes some sense??. Of course he would think that, he never met Cass or Tim, he was never close to Dick and it is clear that Bruce has changed over the years, so he does not judge how they act (he is already confused and overwhelmed enough with the fact that his room still exists).

Meanwhile, the family is a mess (but good, at the same time??). They are in denial, but deep down they all (at least they think) know that Jason is an impostor (even if he is harmless). And because of that, they avoid getting into topics related to Batman and Robin, both for safety and fear, they don't know how the new Jason would react to the knowledge that the original Jason was Robin and was brutally murdered. The "new" Jason is not like they original, but them ended loving him anyway (Cass mostly, and Tim too).

They become protective and treat Jason so well that he doesn't know exactly how to react for the first few weeks. (He is afraid to do something and they will show him how wrong he was for believing that they would want him back).

But... Bruce acts like a father and is near him, Dick is nicer and expends more time there with they, Tim is not adopted yet, but he´s cool and little brother shaped, and Cass is a calm and amazing to hangout with. Jason can't lie, he is very happy, even if he don't know is a trap or not) Now, the problem. He came to Gotham to get revenge, fight Bruce and maybe shoot the new damn Robin, however, he can't stay that angry anymore since the accident. (The greenish-tinted outbursts of rage and violence are less frequent and quiet enough for him to keep them hidden). So how can he keep going when Bruce seems so happy to have him back? Or when Tim ends up being a surprisingly fun kid, talking about skateboarding, music or being an annoying genius (Like, Jason doesn't even know when "replacement" turned into Tim in the first place). He doesn't know if it's real, but he's been missing his family since before he dug out of the ground. He has the right to enjoy a bit of this, right? He tells himself is a trap hide with honey and smiles, but he's having the best time there and when the time comes, he can fight back, show that he was also planing on them, and go full Lazarus Rage on them (he is also in denial, is a family thing , after some weeks he must know deep down is not fake).

So he puts his plans aside (for a while, at least, he knows that Bruce's way is not working and Red Hood might apear in a close future to fix this), and just lets himself enjoy this. He is, as the time passed, more hopeful that this time things can last.

Prompt:

Brucie Wayne gets into a mild accident in public (read-got hit by a car). And Batman would just walk it off (“it’s barely a bruise”), but Brucie obviously… can’t.

So he has to suffer the ordeal of having civilians call paramedics, getting fussed over, and having-

Having his dead son get into the back of the ambulance with him.

Oh- oh no. He must have hit his head worse than he thought. He thought he was past this…

[takiartepa]

FAN VENT about MIDPOLLO

I want my Eclipse back and happy

This is about how DC is treating #Midpollo lately. I will put related links to things (scenes from comics, spoilers) and other vents of mine with images; and subtitles for order. Advertence: LOT OF TEXT. I'm angry and anxious. Sorry for the English mistakes, not my mother language.

-This is exclusively personal. If you don’t like it, please go your way. As I said, is a VENT, I’m being SUBJECTIVE-

Did you read the next Action comics chapter synopsis? Well, to start:

⚠⚠ WARNING SPOILERS ⚠⚠

The origins of Mongul, his mysterious champions, and Midnighter’s underground rebellion stand revealed! When another of Superman’s truest allies is killed, will the tragic loss end the rebellion before it begins? Or will it be the spark that finally unites Superman’s forces against the unstoppable Mongul? The Warworld Revolution begins! Also featuring the finale to the epic Martian Manhunter backup series!

Extracted from here. Action Comics #1042.

Well. I think you get my point by speaking about this. And yes, it's not good. Do you need it clear? Here: "When another of Superman’s truest allies is killed (…)"

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. I FEAR WHAT'S GONNA HAPPEN

And more, I have the fear I know what's gonna happen. I mean, you already saw how they just disappeared Apollo for some chapters (or didn't show us WTF was happening with him). That's the trope "Out of Focus". And that's not a good signal. I fear... we will have Midnighter and Apollo separated. UNJUSTLY separated. AGAIN. And with that, DC having the perfect excuse to write them OUT of the story (the "Put on a bus" trope). I hope I'm mistaken, but... 🙃

. We have the historical record for me to fear what's gonna happen next: do you know how many times Apollo had deaths in comics until now? Yeah, sorry for the cruel realization if you didn't know. And for worst, the number is slowly approaching the two digits. Do you think on any other character that DC seems to LOVE killing it again and again because they think fans are used to it already? (or they are a piece of 💩 that enjoy it and don't know a new story to write without that). Yeah, Jason Todd. Red Hood. The second Robin in the story of Batman. One of the first victims of the now called "Bucky clause", accompanied by Aunt Ben. So, how could I don't think of the possibility of OTHER characters falling into this d4mn karma? . I don't think DC has that right, not even when Apollo is called that, Apollo. And you know: greek mythology = tragedy. But, WHY THE F*CK don't we have the RIGHT to see a gay character be happy?? WHY CAN'T WE SEE A GAY couple BE HAPPY TOGETHER???? ANSWER ME THAT. So much "queer coding" DC says to have, pieces of 💩, yeah, only to earn money. But you always remember the "bury your gays" for the drama..

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APOLLO DESERVES MORE

I fear for Apollo because Midnighter is always the main point here so he has fewer possibilities of being in a problem. Sorry Lulu, but there is no balance. Apollo deserves more but DC still ignores Apollo as much as Wildstorm always did. I thought DC would do best for him, BUT NO, and that makes me angry. . And it's always like Apollo is used like a f*cking plot device, the same karma that a lot of female characters have to live. How surprising, because DC is writing him to be better known as "Midnighter's partner" than "Apollo" itself, with the stereotypical "female character/perfect spouse" traits. And I also don't like that. Apollo needs an independent life, too. We have enough female characters fighting for a place to have ALSO a gay male character suffering the same sh*t because of that idea that in a gay couple there is always a "female" part and "male" part. Heteronormative and binary sh*t. I despise that thing of stereotypes, don't agree with any of that. I don't mean these characteristics are "bad" for a man (when they are just, characteristics). The point is Apollo doesn't exist to be Midnighter's trophy and we need to see more of him being UNIQUE. . Do you know Apollo could have had a solo series? But it never happened 😭

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YOU DON'T FEEL THE LOVE

DC just continues taking things from us, Midpollo fans that started to love them by their original comics (The Authority, StormWatch from WildStorm, etc). DC keeps ruining it. We lately don't have kisses. We don't have the caresses, touches, or hugs. NOT EVEN the physical nearness. We don't have lovely words from one to the other. They don't even act as if they love each other. It's funny how they had more chemistry in the chaos of the ORIGINAL AUTHORITY than here.

. And that said, this isn't the Authority we remember and liked. I like Superman but I feel DC just did something stupid by making him "leader" of a bad "Authority" imitation team. I don't feel the nostalgia and I don't feel happy about that. Superman itself takes all the focus on himself 🙄 and the Authority was great because you felt how EVERY MEMBER was relevant. Not the "leader" alone. . But let's return to the point! It's IRONIC we are supposed to be in a generation where we could celebrate diversity in fiction without censorship or fear. BUT DC is making us get Midpollo's love WITH A DROPPER. And them being a gay couple DOESN'T MEAN they only could express themselves freely in a pride comic. I FEEL LIKE DC DOES THAT. They only put Midpollo being genuinely in love in these comics, but in comics where they aren't main characters, bye-bye. (And even, in Midnighter comic and Midnighter and Apollo comic you feel something is lacking). . Hypocrisy, because if they were a straight couple, and even more, of the main character (for example, Batman and Catwoman) sure, "let's ALSO show clearly they have s3x there and here because straight couples are always acceptable". But if they are not straight DC is like "LET'S CENSOR Apollo's butt, so ph0bics doesn't feel uncomfortable!" (??????). Yeah, this happened, and so recently you can't just believe it. (And look at this time DC censored a kiss. And the audacity of them with the "old friend" phrase. Ugh)

Midpollo in current comics say they love each other but you don't feel anything. DC goes like "let's put them saying it" to fulfill an objective. And nothing more. You don't feel it, you don't sense it.

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COMPARISONS

And that shit of comparing them. I mean, now Midnighter is not only compared with Batman, ALSO SUPERMAN. WTF? Because sure, OF COURSE, let's not forget WHO ARE THE STARS here. They will never let Apollo have more importance than Superman (for example). Yes, Superman is the main character of the comic but that doesn't mean you have to nerf and make a character be so OOC to "protect your symbol". Ugh. I like Superman but all of this makes me angry. . And APOLLO IS UNIQUE. Here they started making him act just as a Superman fanboy that said that he "always wanted to be like him". They keep making us believe they will develop Apollo's past AT LAST, but NO, HAHAHA, no. They keep making him only say things, not show them. You feel nothing. And they only keep comparing them. The same 💩 as the people outside the fandom that doesn't know anything about Midpollo and only see them as the "canon Superbat" or the couple that's the excuse to say to Superbat fans they don't have the right to dream with Superbat being canon (and that is also disgusting; let Superbat shippers BE). .

I'm happy Midpollo is part of the ONLY original The Authority members that still SURVIVE the DCU migration, but I can't feel completely happy at the same time (I miss WildStorm's The Authority). I feel DC still treat them so unjustly, DC remember them only for pride, use them for drama factor, or to be the characters that bother the main ones 😒🙄 or as a filler.

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THE CRISIS IS NO EXCUSE

"But, do you know DC is gonna enter a crisis event? A lot of characters are going to die 🙄"

I-DON'T-F*CKING-CARE

DC had already k1lled Midpollo to only avoid writing them, as it happened in The New 52: Futures End Vol 1 #1 (2014) comic. Because The Authority would have ended all the problems in a blink, so they were another "problem" 😒 . But Wildstorm demonstrated in a crisis Midpollo can have their love STRONGER than ever. Yeah, I speak of The Authority Volume 4. And you say they have the right to continue ruining Midpollo only because there comes a crisis? No. It's because they don't want them shinning more than Superman or Batman 🤬 or any other character created originally by DC. . They don't respect Midpollo. You maybe saw how they JUST started being a couple in StormWatch's modern run... and next, from one moment to another, Midnighter comic BROKE THE COUPLE UP with a completely stupid and ridiculous excuse (where they changed Apollo's personality to make him disagree with Midnighter every time). .

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THIS IS NOT THE SAME APOLLO WE KNEW

I don't care if they have the right to retcon Midpollo. I'm hating the changes they are doing on them. And because the changes don't make sense with the Midpollo they presented in Stormwatch modern run, where Midnighter fell for Apollo because Apollo could be cruel to evil people. THAT'S HOW APOLLO ALWAYS WAS until DC decided that stupid change of making him more a copy of the supermen, all like "we don't k1ll" and "Midnighter, don't kill, we are better than this". Wtf? DC, did you even read The Authority original comics? Are you so cowardly now about the "kill or don't kill" dilemma even when you continuously torture your own characters and go all proud of being recognized by your supposed "obscure" stories? . The Apollo I love was capable of incinerating a man's test1cles to make him speak 👿 -yeah, this is real, happened in the Wildstorm era and Midnighter always LOVED 😏 these moments of the savage Apollo raising- They were aggressive with who deserved it, without ruining what they sought, and without losing the focus of what they wanted to be (more than Bendix's created human weapons). They were made for a thing, and they transformed it to be better. I also miss the real origin of Midpollo and how DC ruined the opportunity of developing more from it.

(And, also Bendix is being a victim of DC retcons. New readers that never read The Authority will never know how a piece of 💩 he really was. Now he seems a joke. I miss hating him).

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It's ironic and indignant how the fandom is making better content for Midpollo (with fanfics/fanart/fan comics) than the own official comic industry lately. And how THEY SEEM TO KEEP IGNORING US, THE OWN MIDPOLLO FANDOM, from WHAT WE WANT. Is like we don't exist. I feel that, I don't know if you too. I hope I'm not alone in this.

And I'm not gonna stay shut, as you see.

[deathbydibs]

Here are my theories on why Battison would be perfect for launching Robins into the cinematic big screens

1. The Focus with the Batman Movie

My theory on why The Batman is such a good movie is because it actually focused on who Batman is and not the villains or dynamics with the villains. It showed development and not just fighting.

I've said in another post that Batman is a symbol of hope and change for Gotham. A gritty, dirty, and determined hope for a gritty, dirty, and determined city. He refuses to kill because it would end the chance for redemption and his rule of no guns is a metaphor for it. (SPOILER IN THE NEXT SENTENCE), I loved the search and rescue scene because it was such a powerful and obvious metaphor of Batman being the light and hope for change by him leading the way to safety with the flare. (SPOILER finished)Because this movie shows Batman as a symbol of hope, the next logical step would be to pull out Batman's hope, which has always started with Dick Grayson. Dick Grayson has always been the first light and hope for Bruce. Dick went through the exact experience, but still has a joy that persists no matter what the circumstance. We all know that different runs and origins do different things, but through Bruce's eyes, Dick is his light.

2. The Divergence of how the actor typically plays Batman

Once again, most storylines, directors, and actors so far have focused on Batman and our typical idea of him being an amazing crimefighter and super good at it. This movie brought out the new batman who is still learning how to think and fight to keep up with his enemies. This is a SAD Batman that makes way more sense as to why he isn't good at showing his emotions than any other Batman. Introducing DIck would bring in such a wonderful side of forcing Bruce to develop his more human side and cause him to learn to be more of the Batman/Brucie Wayne that we are accustomed to and I think that would be wonderful.

3. The Dynamics introduced with Alfred that can be elaborated by adding bat-fam members

Another unique thing that The Batman did is established a family instead of assuming it. They fully addressed that Alfred was like Bruce's father while acknowledging how insufficient Alfred felt raising Bruce. (SPOILER) When Bruce told Alfred that he thought he conquered the fear of death but Alfred being in danger made him realize he didn't opened up such a raw vulnerable side of Bruce. This could be fleshed out even more by adding to the number of people cares about. We all saw him watching the mayor's boy. I'm perpetually persuaded that the only reason he didn't adopt him was that the boy still had his mother. (SPOILER finished) But bring Dick, who has no family left and will be lost to the system that destroyed Edward? He couldn't take it and would take him in figuring that Dick living in Wayne Manor would at least be a little better than the orphanage.

4. The Potentials with the Set of Wayne Manor

The Manor that we saw displayed the hopeless state of Bruce Wayne. But bring in a Bruce who is trying to restore his family's real reputation and trying to repair the manor but now has to work even faster because this tiny boy doesn't know how to stay off of banisters and chandeliers? Amazing. We see Alfred trying to help and while being ridiculously relieved that Bruce is being pulled out of the Batman mentality and just how that could be reflected in the Manor. The Batman was honestly a cinematographic masterpiece and I think this would be a great way to continue it.

5. I love him

Think of all the soul-crushing scenes we could have. Bruce in his too-big T-shirt bleary walking along with a very small child following him in a duplicate of that shirt because he doesn't have any pajamas to wear? Bruce actually smiles at the first pun Dick tells because of how long Dick has been walking around gloomily? When Dick figures out that Bruce is Batman and the worry Bruce immediately has? Dick thinks that he causes too much trouble and Bruce is just going to get rid of him while Bruce doesn't understand how anyone would not want Dick. Just Dick bringing Bruce out of Batman's unhealthy habits. Batman at a crime scene standing absolutely still and no one understands why but Dick is asleep in his arms and Bruce doesn't want to wake him up? Selina sees Bruce Wayne show up with this tiny child and kidnaps Dick for a little while to make sure he's okay while Dick is just happy to be around any kind of animal again and adores all the cats.

Basically, I think introducing Dick would be a really good move because it allows for a cinematic universe that rivals Marvel's even if they just focus on the bat family and would be a wonderful way to build on the way of looking at Batman the way The Batman did. Plus, Tony Zucco is a really cool villain

[stxleslyds]

MY THOUGHTS ON TITANS’ RED HOOD,

BEFORE WATCHING THE LAST EPISODE.

I will start by saying that I haven’t been able to watch the show, these are my thoughts after reading a very well-written and detailed review of the last episode. The review is also written by someone that enjoys the show, this is important because my thoughts don’t align with theirs.

I understand that Titans is known for being garbage, I know their writing is messed up, and I had no hope whatsoever for them to actually write a good Jason Todd/Red Hood story. I would also like to make clear that this post is in no way hate towards the actor playing Jason, this post is just my thoughts on Jason’s characterization.

What I really don’t like is these shows/movies taking the names of loved characters and making an “original character” out of them. Yes, there are different takes of the character and you can build their story differently but I do feel that what they did with Jason is beyond all that. They twisted every concept from his origin and his story, nothing really fits, but someway, somehow, they still managed to push all the wrong narratives when it comes to Robin Jason.

Two of the most horrible narratives that DC has decided to push are “Robin Jason was reckless and a troubled kid that never did what he was told” and “Jason Todd is to blame for his death”.

The show does push the one where Jason is reckless. Jason is consumed by fear, and Bruce Wayne pays attention to that but he doesn’t only do that, he also offers comfort and help, he tries to make Robin Jason go to therapy.

This is huge, they build up the perfect scenario for Jason to not become the Red Hood. But for some reason, they decided to make Jason reckless and too eager to prove that he didn’t need that kind of help. And then they didn’t help Jason’s case because they wrote their Bruce as a caring father that does not want to see his son get hurt or end up dead.

This Bruce Wayne is doing everything that comics Bruce Wayne didn’t. This Bruce cares, so once more, one would think that this Jason wouldn’t become the Red Hood. But, surprise! Jason Todd doesn’t take well the news of him not being able to be Robin anymore.

Here is the thing, if you were Bruce in this situation, would you let this Jason continue to be Robin when he is a danger to himself? I know I wouldn’t.

Here is where Titans’ terrible writing reaches its peak. They have a vulnerable and reckless Jason try to prove that he can still be Robin by working on *something* that can take his fears away. Jason Todd wants to make a drug, let that one sink in.

Jason Todd wants to make something that is basically a drug. Did Titans really erase the fact that Jason’s mother overdosed? Because that’s one of the most important things in Jason’s life and that built up his hate for drugs and what they do to people. His mother was in an abusive relationship and that led her to do drugs and later led her to her own death.

This might not sound too important to other people but to me, it’s something that has always been important to Jason’s character before and after his death.

Going back to the actual show, Jason goes to Scarecrow, willingly, and asks him to make him a drug that will make him don’t feel fear. I know that this Jason is vulnerable and that he probably thinks that therapy isn’t working for him, but why on earth would Jason think that making Scarecrow make a drug for him would be a good idea?

How does that make sense? The show is basically telling us that Jason had a support system and that he was going to therapy because Bruce wouldn’t want to lose his SON. Why does this show go far and beyond to make Jason look reckless and dumb?

This is not me comparing Comics Jason to Titans Jason anymore, this is me finding Titans’ logic unnecessarily stupid, they really went out of their way to write pure stupidity.

Why would they write Bruce as a caring father and as actively working so Jason can be in a better mental state so he won’t lose him as his son if they are also going to write Jason as an incredibly reckless man? Are we supposed to be on Bruce’s side? Because as of now, Bruce is the only one with brain cells.

There is absolutely no way to compare that to comics because in comics Bruce neglected Jason’s needs and refused to see that Jason had different morals even back then, and that neglect was key in Jason jumping onto the idea that he needed someone that he could call family and actually care for him. He wanted love and attention from a parental figure because he didn’t feel like he had one. Robin wasn’t everything that Jason was, he was also a kid with normal needs.

So, you build that completely different and actually give Jason the support that he also wanted in the show but for some reason, he is fiercely attached to Robin even though his fear comes from the fact that he almost died for being Robin. There is no logic to this Jason’s actions and that isn’t on Jason it's on the writers’ incredibly garbage writing. It is like they come up with ten different ideas and they put all of them but none of them are actually solid and well-developed concepts.

And you can’t tell me to get over it because “Titans has always had bad writing, there were two seasons of bad writing”. Listen, if you are happy to consume media that is badly written then that’s on you, Jason is one of my favorite characters, I don’t want him to be written badly just because that’s the show’s style. And there is absolutely nothing wrong with me wanting writers to actually care about the characters they are writing for, all three seasons have had different writers, is it really so far-fetched for me to want one of these people to write something that makes sense?

Jason's death was tragic in both comics and the show, and he was a victim in both of them, yes. But the show really pushes the limits of that, Jason wanted to take something to make him not fear, he looked for Scarecrow (not Dr. Jonathan Crane, Scarecrow, and he was an already established villain) to make him this drug when he couldn’t make it himself. He trusted Scarecrow (for some weird reason) and then as a test he went to fight Joker? It’s tragic because it ended with Jason dying but it's also tragic because the writing is just bad. It just is, and that is a problem for me.

From then on, we have the “big connection” to comics, the Lazarus Pit! Wow, you guys did it, yeah, everyone loves the Lazarus Pit, every time I think about Jason, I only think about that one time in which he was thrown in a Lazarus Pit to recover his mental injuries or all of his injuries after he came back from the dead.

This Jason has no training, there is no Talia, no League of Assassins, no Ducra or All-Castle, there is only Scarecrow and his new puppet, the Red Hood.

It changes everything and I don’t like it. Once again, I understand and know the concept of the multiverse, the various earths, and the Elseworlds, but that doesn’t mean that I have to like this take on Jason Todd/Red Hood along with its horrendous writing.

I don’t have to like it, just like I understand that others do like it because it is their first contact with the character or because they are fine, as fans of the character, with a new take. I am not gatekeeping Jason Todd or Red Hood; I am just saying that my being angry at this version and absolutely hating it is just as valid as liking this version of Jason.

Red Hood in Titans is just Scarecrow’s puppet, that’s how things are, and I just think that it is too big of a change from the original reasons for Jason to become Red Hood. And I will never get tired of saying this, Red Hood wasn’t only all about the Joker killing him and Batman not killing the Joker. The Red Hood was Jason’s way to make things work, to prove to Bruce that Batman wasn’t enough for Gotham. Red Hood came back to Gotham to stop bad people from introducing children to drugs and to make Gotham’s people feel safe.

He thought that Red Hood was the better version of Batman for Gotham and its people.

But I am not blind, I can see how Titans can twist it again to give us Red Hood as a protector of children and Gotham in general. I can see the “I used to do drugs and now I will fight so no other person goes through the same”, I see it and I am aware of it but it does also bring me to my other problem with Titans and DC in general: story swapping.

Story Swapping is something that DC loves to do, they thrive when they make change people’s origins for others and when they take character traits from one character to another.

And Titans’ Jason Todd is just that, he has characteristics and plot concepts from Dick Grayson and if what I just predicted happens then he will have some of Roy Harper's characteristics. And that is exactly what Lobdell did, but somehow, they managed to get different results. I cannot praise Titans for giving us a new Red Hood origin because they made his characterization with the help of other character’s origins and/or stories.

This is the first time that we see a live-action Jason Todd/Red Hood, was it really that hard to just stick to his origins as both Robin and Red Hood? There is so much to explore from Jason, there is so much between his death and him becoming Red Hood, from both before and after New 52.

Jason becoming Red Hood under the influence of Scarecrow in moths is lazy, bland and an insult to Jason’s character. They could have done things by the book and then explore things that we have never seen before in a show or movie.

Jason has had so much training outside of Gotham, why did Titans think that they could do acceptable work at bringing this amazingly complex character in a show that has nothing to do with him.

They could have had him killed in the Titans show and then wait and make a Red Hood show to actually tell a good story. What is Jason Todd doing in a show that is called Titans? Where are the Titans? They chose the most recognizable Titans’ line-up and they are not using it. They butchered Garth and Donna and for what?

DC gets away way too much with selling their stupid shows and movies by telling us that x character will appear but then when you watch the thing for that x character, they are nowhere to be seen. That’s exactly what they did with Cassandra Cain and what they are doing with Red Hood.

I don’t know how this tv show is doing, I only know that as a non-American that pays the same money for an HBO Max subscription, I don’t get to see any Titans content, not even a miserable trailer.

But I know that if non-comic readers are watching it, they will love it and if they actually were to start reading comics because of the show, then they wouldn’t find that Jason there. So, either that leads to Jason’s characterization being messed up even more within comics or it does nothing for Jason or comics.

To end this post, I just want to bring up the animated movie Batman: Under the Red Hood (2010).

That movie was widely praised and loved by critics, comic readers, and non-comic readers. It was fantastic, the story was amazing (even though it had differences with the comic, one might say that the differences improved the story), the voice acting was phenomenal, everything was done beautifully. Do you know what made it that way? The writing.

And you know who wrote the animated movie? The same person who wrote the comic the movie is based on, Judd Winick.

With that I am not saying that Titans should have had Judd write for them, what I am saying is that given the fact that they are using a pre-existing character they should chat with the Red Hood’s creator or even the writer that wrote for him for ten years after the character came back to comics.

This show obviously didn’t do that though, they preferred to write Jason Todd/Red Hood as if he were a Titans original character, but the thing is, from where I see it Titans didn’t give us an OC, they gave us an OOC.

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So, to sum it all up, I hate Titans’ version of Jason Todd/Red Hood, I think that it is not only badly written but there is also no real logic to what they are trying to do so far. I am also tired of their bad and lazy writing in general. And I would have liked the Titans’ writers to actually respect the Red Hood lore because if they had I would have actually been excited about a Red Hood spin-off show.

Using the material that is available to you isn’t a crime, building from that material is the best thing that they could have done, but all they really wanted to do was use Red Hood’s name to get more money from a dying show.

It makes the show look cheap and actually not interested in giving us good stories, and no, I wasn’t expecting Captain America: The Winter Soldier levels of good writing or good changes to a very loved story/characters, I was actually expecting some Lobdell writing level and the way I see it we ended up getting something worse.

These are all my opinions. You can like, love, or dislike this version of Jason and the show as much as you want but you won’t find any form of love towards the show in this blog, at least not right now.

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MY THOUGHTS ON TITANS’ RED HOOD,

AFTER WATCHING THE LAST EPISODE.

Well, I will start this part by saying: Sorry. I am sorry that I believed that Titans’ Red Hood was bad, it is actually worse than bad.

I was so wrong on many things, that review really made me think that things weren’t that bad but I still hated what I read. Now that I have watched the episode because I wanted this post to be extra honest and to stop myself from saying stupid stuff, I can also say that I hated what I watched.

This show really validates the two most horrible narratives that DC has been pushing for Jason: “he was a reckless Robin that didn’t think about his actions” and “he was to blame for his own death”

Jason Todd wasn’t a victim of Scarecrow, this Jason Todd took every single bad decision that he could, and those decisions led him to his death. No sympathy for this man.

Also, this Jason is like 19? He doesn’t look younger than that, but that’s not the point, what I am trying to point out is that this Robin is extremely underprepared, he lacks training and the mental capacity to stop acting like an edge lord every time he opens his mouth. He is annoying.

And I was wrong about Titans erasing the plotline of Jason’s mother dying of an overdose, she did die that way and this Jason spoke of her as if he hated her. What is going on? This Jason really doesn’t make me feel an ounce of sympathy for him. This attitude of “no one understands my pain” when everybody is trying to help you doesn’t make you look cool or anything of the sort, it makes you look annoying.

It is even worse because this Jason is so immature and reckless that he made his friend Molly (that is just a normal teen with no training) go after a thug with him, while he was not mentally well. He made that decision for them and put himself and her in danger. If that scene had gone any other way, then Jason could have been guilty of getting his friend injured or killed.

Jason Todd is so incredibly dumb; he is not a child but he acts like one every step of the way.

Nothing makes sense in his whole ass interaction with Bruce in front of the theatre, it’s like Jason refuses to listen to what Bruce tells him, well not that he refuses to listen it is more like a “Telefono descompuesto” I don’t know if you guys have that game but you basically have to tell something in someone’s ear and then the person repeats what they understood to the next and so on, what you said is heavily distorted by the end of the game. In this scene that is exactly what happens but it’s between two people.

When Jason accuses Bruce of not taking away Robin from Dick, Bruce says something along the lines of “I learned from my mistakes” and Jason says “so, I am a mistake now?”. Jason, use your ears, if Bruce says that he learned from his mistakes when talking about Dick, then his mistake was what he did with Dick. The writing is so bad, it's actually painful and it is even worse because the acting is bad, but I can’t blame the actors, it must really be hard to make a scene work when the writing is that bad. (Also, the unnecessary pauses, and the sounds that they play after they say something stupid, it is too funny).

Do you know what made me cringe? When they were having the chat in the theatre, in my mind all I could hear was “if you are nothing without the suit then you shouldn’t have it”, not me quoting Tony Stark in my head! I haven’t even watched that movie! But it fits perfectly for that scene.

The interaction with Scarecrow was more than dumb, if Jason was already acting like a child, now, he is basically acting like a toddler. Scarecrow saw right through him in seconds and just as fast decided that he was going to have fun with his new toy. He gave him a formula that wasn’t quite correct even though it looked like he knew exactly how to make the reverse version of his fear gas. This Jason has zero detective or survival skills but we already knew that when he made himself get captured and tortured by Deathstroke.

Anyway, all the interactions with Scarecrow were allowed to happen because this Jason can’t put two and two together. He convinces himself that everyone is out to get him, dude, Bruce is a detective and he also has eyes, Leslie didn’t tell him anything. If I were Bruce, you wouldn’t be able to be Robin anymore either.

I understand that Jason is not in a good mental place and that he wants to make his fears go away, but he had support, people around him were trying to get him help, trying to make him understand that he was hurting himself. His over-the-top anger and recklessness are unjustified when you refuse to take the help that is being offered to you.

He made terrible decisions for selfish purposes and that got him killed.

This is one of the last things I want to say, Scarecrow either didn’t need Jason at all to get out of Arkham or the writers made an oopsie because at the end of the episode he had someone helping him put Jason in the Lazarus Pit and then he was out of Arkham and he had a suit ready for Jason and everything. How did he manage all that? No idea.

The Lazarus Pit, yeah, I am sorry to be that person but the Pit can’t bring back people from the dead, it can only restore or heal physical and mental injuries (however grave they were), but Lobdell messed that one up already and Titans really didn’t have time to write a single good scene so what was I expecting?

Anyway, the last thing I wanted to say is that I know why Jason or Red Hood seems to not be affected by the drug when he sees Molly at the end of the episode, it is because the executive producer of the show is Geoff Johns! He loves making Jason fall for girls and get all mushy and dumb, do you guys remember how dumb he got when he left with Rose?

Jason being written as the kind of guy that acts like a love-sick puppy with a girl but also screams at her when he gets mad is peak Geoff Johns. So, if you were wondering where that came from, well, there it is.

Yeah, that is all I had to say, honestly if you have read this whole post then you are one strong individual, I am sorry I put you through all my thinking and rambling. You didn’t really deserve that.

I didn’t want to delete the first part of the post because I talked about so much more than the show and my thoughts before watching the episode still stand. I hope this post isn’t too confusing. As always you can think the complete opposite of me about the show or anything, I am just writing my thoughts.

Having said all that, I hope all of you, Titans’ lovers, haters, and people that simply do not care, have a wonderful week!