#because its not  exactly the same
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arsenicflame · 7 months ago
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Bonus round! Do you use a queue tag?
#ive been super curious about this because people seem to have really strong opinions on the queue! so many people seem to HATE it#but i love using the queue! i dont really know exactly why i like it so much- i started using in like... 2016 and its a fundamental part of#my tumblr experience now. i think i started off just using it for offline hours so id hit most my american mutuals (/ for aes posts)#but these days basically everything goes in my queue (cept time sensitive things & like. current hype and original posts-#anything 'normal' posting is in the queue)#idk it feels. nice to me! i like to spread out my posting and not rb 30 things in half an hour and then disappear for the rest of the day#esp since my spaces are so circular- the same post runs on my dash a dozen times minimum. and i get to put it on ur dash a week late!!!#and its so nice to have small interactions with mutuals in incompatible timezones; to open up my notifications in the morning#and go: oh! my friends were here <3#its such a Part of the tumblr experience for me i dont think i could ever truly change now. maybe switch to timed queueing#but my availability changes so much i prefer to just. know i guess#but (i am so sorry for all that) im curious about how other people feel!!!!!! itd be so interesting to hear abt why people do/do not like i#i know some people like the experience of spamming and going. some people think it makes this seem to much like influencing or whatever#everyone has their reasons and i want to know!!!!!!!!!!!!!!#nyxtalks#poll#queue#no see answers option because you must fall into one of these
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bayeis · 2 months ago
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I haven't watched this show a day in my life
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rottengurlz · 2 months ago
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she’s like if the virgin mary smoked a pack of pall malls every day 🚬
#sims 4#the sims community#simblr#ts4#sims 4 edit#mysims#drawing/editing these tears took actual years off my life#editing this in general did but the tears were my hell#her name is norma jean named after her grandmother but she goes by either jeanie or jj#she works at the local convenience store and bartends at night when shes able to pick up shifts#shes the worst bartender in existence and refuses to lift anything over 2 pounds#she once convinced a customer to buy her a sweater because she looked a little cold while working#she lied and said her manager never lets them turn on the heat and casually mentioned pennys was selling her favorite sweater#and then described in detail exactly where the sweater was in the store#all she had to do was blink her big brown eyes and call them baby a few times and they immediately folded#she goes to church 7 days a week even though she hates it because that's what she did when her mom was still alive#and its one of the few things that helps her feel close to her mom#her mom died after she had to drop out of highschool to take care of her#she holds a lot of resentment for having to give up such a big part of her life#but at the same time blames herself for not being able to make her mom better#she doesnt believe in banks and hides money around her house to store it but she's also super forgetful#she'll randomly find money around the house and then treat herself like it was present she meant to leave for her future self#she loves crosswords but treats it like a fun game and refuses to check if her answers are ever right#there's ur fun little facts about jeanie 🫵🏼
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marypsue · 2 days ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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drac0line1nn1t · 3 months ago
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Logan: *walking into Wade's room late one night* Hey Wade-
*stops and stares*
Logan: -why the fuck do you have three diffent videos playing at once?
Wade: *looking up from his laptop* Well, I was just about to try to get some sleep, honeybadger.
Logan: That doesnt explain why you have three sounds going on at once.
Wade: Well, this one is nighttime skyrim music, this one is a box fan in a shower, and this one is asmr of a really boring topic!
Logan: *stares* And this is how you get to sleep?
Wade: Yeah, it's the only thing that works. *shrugs*
Logan: Bub, we gotta get you tested for ADHD.
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bluuscreen · 2 months ago
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also some other au sketches. will not be apologising for heathers in 2024 ur just gonna hafta live with it
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heartscrypt · 2 years ago
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they're girlfriends and they kiss. what of it
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stil-lindigo · 1 year ago
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when people talk about educating yourself on the origins of ideologies like zionism, it isn’t to ask for sympathy but to show that fascism always hinges on the same rules - dehumanisation and other-ing of scapegoat populations in the pursuit of power.
fascism is, at the end of the day, uncreative and there is value in recognising the signs. When an entire ideology is dependent on the inherent depravity of a certain identity, it is worth some scrutiny.
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pulsingvoid · 1 year ago
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not negating anybody's experience i know black sails is outstanding regardless of how or when or how quickly you watch it. but also, as a gay person who watched it in real time, you really had to be there. they introduce anne bonny and you know your pirate history so you KNOW she's a girlliker. she has a moment with max but youre not sure where it's gonna go. because it's 2014. you wait over a year for 2x01 and she and max fucking obliterate you with the sword drop kiss scene. all anybody is talking about in the tags is vaneeleanor. a few weeks later 2.05 drops and flint is not only textually gay and kissing a man but he is waging war on england, on all of civilization for taking away his male lover. you find this out after investing fourteen hours on this show that have spanned over a year and a half in your real life. not to mention the miranda stuff and silver's arc and mr scott and madi and the death march that seasons 3 and 4 feel like when you have no inkling of how it's gonna end. but you stick with it regardless because it's good and besides it's 2014-2017 and the only genre show with gay people in it is fucking... the 100? lol anyway. more gay people flock to black sails between seasons and the tag becomes more about the gay shit than vaneeleanor, thank fucking god, finally. you all dread the last season. you brace yourselves for the worst. you thank the stars this show airs weekly because watching even just two episodes together is too overwhelming. 4.08 airs. you cry. 4.09 airs. you cry. 4.10 airs. your life will never be the same. you cry so hard you catch a fever and have to stay in bed all week to recuperate. you know this was a once in a lifetime experience never to be repeated again but you can't help but hold every other show to this impossible standard.
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bigskydreaming · 5 months ago
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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stardust-moth · 2 months ago
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In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.
Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.
1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.
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Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.
He has to watch helplessly as she disappears.
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He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.
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2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.
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In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.
Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.
He has to watch helplessly as she drives away.
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3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.
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For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.
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He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?
He has to watch helplessly as she drives away.
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It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.
3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.
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The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.
Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.
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She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.
He has to watch helplessly as she drives away.
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4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.
Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.
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4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.
On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.
He's helpless to save her, again.
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4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...
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El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.
Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...
Once again, he has to watch helplessly as she drives away.
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4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...
There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.
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Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.
She's losing. She's choking. She's dying. He's helpless.
He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.
She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.
Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.
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The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.
He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.
And it works. It's music to her ears.
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lokh · 20 days ago
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also i think if roleswap laios and canon laios met theyd immediately start fighting.
#canon laios would blurt out 'why do you look like our dad' and fisticuffs ensue.#shuro........ is a little more complicated#if canon shuro doesnt think too hard about it and just treats the other him like a stranger then theres no problem#on the other hand i imagine he holds himself to high standards and if he sees his other self doing things he considers improper or uncouth.#i imagine hed only speak up if he saw it happen A Lot like hed pull him aside like hey... what the fuck#thered be a bit of 'holy shit i woulda turned out like THAT??' on both sides#roleswap shuro would often get frustrated but i think hed understand that like. thats how the culture is like he lived it too#but i think similarly hed watch laios steamroll og shuro and eventually be like. DUDE. just say something#shorter fuse lmao. anyways still turning this AU over in my head#how much more forward can shuro be before hes unbelievably out of character...#and what if they switched universes!!!!#if laios switched. it would be immediately obvious something is up in the og universe but it may be chalked up to like#a weird mood..... though maybe the party starts to wonder 'hey... is it not possible this is a shapeshifter' 😭#but og laios in the roleswap universe...#tbh havent thought too hard on what the party dynamics in that universe might be like assuming all else is the same save for the roleswap#i imagine chilchuck would still get on alright as long as hes being paid upfront and laios is still attentive/ recognises his abilities#and limitations also. marcille................................... hmm#she might treat him more formally and be less close.... may perceive him as more threatening at first meeting#(in terms of like. 'taking falin away' i mean if that makes sense)#but well. u kno how in canon laios Does notice a lot of things about his companions and has a very pragmatic view that surprises them#and they dont tend to notice until he says it aloud because its often overlooked cos of his. everything else.#well. id imagine roleswap laios still notices things but simply would not say it aloud.#the party would also be like .. dude... did he hit his head#if SHURO swapped...................... well it depends when exactly it happened#i imagine it could be a bigger issue with the retainers#im losing steam cos my lower back hurt so bad adgfsdfg i cant get a good position on this chair#but for shuro himself i imagine it would be nightmarish lmao.#roleswap (henceforth RS) shuro would wake up as an adult with the retainers like. ??? was that all a dream?? did i never make it out#meanwhile og shuro ending up god knows where..........#if he ended up with the retainers again he might not immediately realise somethings amiss and try to act normally
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phopollo · 9 months ago
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In a little bit of a pokemon kick rn
Here's some Crater Crew outside of school casual outfit ideas + some of my thoughts when I was making them
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I was imagining they're doing something like going camping together ((w/ player character too of course)) on a school holiday, or during the break Nemona invited Arven and Penny to come stay at her house (they are NOT prepared for her estate) so that they can all still get up to shenanigans together since the player character will also be right next door
It's just so fun and silly to think about
See also the Kitakami Siblings!
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geodesick · 3 months ago
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[ID: a drawing of pye from outer wilds, standing with her writing staff. she's wearing an orange nomai space suit without the helmet, and she has a light brown face with curly darker brown fur. end ID]
figuring out how i want to draw the nomai, so here's a pye since i am obsessed with her !!!
#outer wilds#pye#she was one of the easiest to start recognizing across text because she is involved in so many different things#but then i saw the scroll where she was calculating trajectories to the sun station and i Was in love immediately#and i love that the sun station was designed (by the game artists not by pye) to look more weapon-like than anything else the nomai built#as a way to show how it goes against their nature to do something so destructive and high risk#and since pye is the one kind of leading that and being so vocally For it it implies that she is also acting against nomai nature#but i dont think thats necessarily true!! a majority of the nomai agreed or else the idea would have been voted down#(even tho it did spark arguments)#and the oldest nomai recording we have access to is from escall making a split second decision to warp to an unknown place#just to follow a signal the group was curious about and it put them in danger!!! that killed people!!!#like i know its more about the potential damage to the solar system and the life there but#throwing caution to the wind for scientific discovery is very much nomai nature From What I Saw !!!#not that i am saying the game creators are wrong lmao but i mean like. i think it is against their nature AND so very exactly their nature#at the same time and thats why there Was so much debate about it#and i think pye is the embodiment of trying Everything Possible (and impossible) to find answers and learn#AND SHE IS SEXY FOR IT#ANYWAYS. clears throat#blow up that sun girl hashtag women in stem
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ribbononline · 8 months ago
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MANIFESTATION OF QLIPHA DUE TO SEPHIRAH BREAKDOWN > Suppression of Sephirah’s Core Required
Commissioned by @thepeacockshallstrut !! These were so fun to do , thank you for the comm!
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cozylittleartblog · 5 months ago
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small PSA: if you shop at craft shows or artist alleys, please bring more than apple pay or a virtual card - especially if you're not comfortable entering your card number manually. not all of us have fancy card readers, so please also bring your physical card or cash, even if it's only as backup 👍
#psa#conventions#artist alley#not art#i've done two craft shows and two conventions with just my swipe reader. and cash ofc. but i did have to miss a couple sales at the cons#because people only had apple pay. no cash no physical card. It Sucks For Both Of Us!#when i say there are small businesses in the artist alley i mean some of us are Small#i don't speak just for myself but for other artists who have this trouble as well. some folks are just starting out and some folks#just do this for a hobby and can't afford or can't justify the bigger terminals yet or at all#if i get into ACEN again next year i'll opt for a terminal but they're Pricey and not something to start out with y'know#if you want to be an artist's best friend though? pay in cash.#not to mention if there's technical or wifi trouble - cash just works 100% of the time. no reader or wifi will stop you from using cash.#semi related but i had someone try to pay with apple pay at my last show and i said they'd have to enter their number manually then#and they said they'd go find their partner and see if they had card/cash. and then while they were walking away from their booth#their friend asked why and they said it wasn't safe. on one hand i can't be mad because its VERY good to practice card safety!#on the other hand. you're entering it into the same app that would process a swipe payment. it's exactly as safe as if you'd swiped it#i promise as long as you're entering the number into a square app your card info is safe lmao#anyway yeah a lot of us aren't Big Businesses. please just be courteous and bring some traditional payment methods Just In Case
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