#because it’s true that you usually end up choosing

[a-bottle-of-tyelenol]

Ok so I’ve been thinking a lot about how to word this because, truthfully, a lot of it was just vibes but I think I’m cooking so bare with me (I really just like rambling about Eurylochus tbfh) and sorry for the super long post lolol

Obviously Athena chose Odysseus because of his intellect which happens way before Eurylochus ever comes into the picture and the real reason why the gods choose Odysseus (either as an ally or adversary) is shown through their respective arcs, but I like thinking about what would’ve happened if Poseidon chose Eurylochus and why Poseidon would’ve chosen him at all. To me, these team ups feel so narratively satisfying, especially within the debate of open arms vs ruthlessness and what Athena and Poseidon both represent on that scale in contrast to their mortals, and I think I’ve figured out why.

Each character is a reflection of Odysseus since he’s our main character— to me, all three of these characters are technically foils for him, highlighting differences in how his ruthlessness is portrayed. Athena and Odysseus have opposing arcs where Athena starts off ruthless and ends up internalizing open arms while Odysseus does the reverse. Eurylochus is the mortal foil, starting off as more ruthless than Odysseus but also far more cautious, showing Odysseus’ humanity (something very necessary in the man vs mythical arc) and introducing this concept by directly contrasting Polites, another symbol of Odysseus’ humanity. And, finally, Poseidon is the godly foil, the very representation of ruthlessness being mercy while also being very arrogant and showing Odysseus’ hubris.

What’s interesting is that none of these characters actually interact with anyone except Ody so what we have is purely Odysseus’ perception of them based on how they interact with HIM alone, rather than how their objective words or actions towards the other characters. I’ve spoken a lot on my account about how this unreliable narrative can cause discrepancies between the audience’s perceptions of these characters (specifically when it comes to Eurylochus) and it’s pretty easy to fall into the trap of demonizing any of these characters because you look at things purely from Odysseus’ perspective. It can feel like Athena doesn’t care about him in the beginning, or that Eurylochus is a coward that never ends up trusting him, or that Poseidon is a monster with no empathy. But these things are necessarily true— they’re just how things are portrayed to Odysseus.

Athena and Eurylochus

I bring this up because Athena and Eurylochus actually have a lot in common as friends of Odysseus who betrayed him, Athena for him being too human and Eurylochus for him being too godly. There is also the factor that Eurylochus is cautious and he tries to think things through, unlike Odysseus who can be arrogant and rash, and Athena could appreciate that quality. Eurylochus is also a leader, as the voice of the crew and the one who handles them the most. I’m not saying he was a better captain than Odysseus or that he could’ve led them out of all these magical situations, but the events of the Odyssey are insane and not the usual situation. In the event that everything is normal, I think Eurylochus could’ve made for a fine captain/leader and Athena could’ve respected him for that.

But where does that respect end? Well, I think the obvious answer is Eurylochus’ lack of focus on the big picture. The way he can only think about the “here and now” in most situations is the exact reason why Athena left in My Goodbye; because Odysseus didn’t have the forethought to realize how his actions will affect him in the future. I think it’s a little deeper, however, and has to do with their personal priorities. Despite both being friends who betrayed Odysseus, they did so for opposing reasons. Athena leaves because she believes Odysseus is being foolish and his inability to listen to her will lead to his own demise and she simply does not want to be around for his death (or, at least, this is how I interpret My Goodbye). Eurylochus betrays him because he sees Odysseus as a threat and believes his crew is in danger; he’s taken by the need to save the majority over saving Odysseus.

Athena’s arc being about her empathy and her gaining perspective that the humanity Odysseus had was, in fact, not wrong is the entire reason why a team up with her and Eurylochus could never work. He is too human, literally existing to highlight Odysseus’ humanity and his calls for remaining ‘just a man’. This need isn’t fulfilled by Polites— Polites isn’t around long enough to act as anything except a catalyst, a personification of grief and his open arms philosophy. It’s all Eurylochus and he is simply too human for her, both in her own perspectives and as a narrative choice. If Eurylochus’ arc had been more similar to Odysseus’ and the idea that he’s reaching reaching the understanding of why Odysseus operates the way he does then that would be one thing, but this isn’t the case. Eurylochus dies still being unable to understand why Odysseus would ever do this to them (not specifically the Thunder Bringer choice either, I also am referring to Scylla here).

Poseidon and Eurylochus

Pairing Athena and Odysseus together is a bit of a non-starter. The entire musical tells us why they were paired together; so, what about Poseidon and Eurylochus? For all intents and purposes, Poseidon should feel similarly to Athena. Eurylochus is both too human for him and, narratively, his doubt is not one that directly contradicts Poseidon’s philosophy, like open arms does. The arc these two characters have, even devoid of each other, does not mirror either of the ones that Athena or Odysseus do. Poseidon starts ruthless and he remains that way. Eurylochus does speedrun the events of the show throughout the thunder saga, but most of his arc happened between Circe and thunder and is about what doubt can do to you. But despite doubt being the biggest factor in his arc, he also starts ruthlessness and ends that way.

Put a pin in this and keep in mind that everything I just said is formed from Odysseus’ perspective. It will matter in a little bit.

For now, let’s quickly rewind for a second and start with how Poseidon is our main introduction of the concept of ruthlessness. Not much to say here, only that his explanation finally solidifies the reoccurring theme of choice that gets shown in each saga (every saga has a character making a major choice, one consistently tied into the debate of open arms versus ruthlessness). That being said, he isn’t the first character to introduce the concept as a whole. Athena isn’t much better him— something told to us through her music and her actual beliefs— and it can be easy to assume that it was her. However, Athena is not our first look at a character showing off ruthlessness either. It’s actually Eurylochus.

Zeus, despite being the catalyst for Odysseus’ first act of ruthlessness in the show, is not actually showing any moral stance or belief. He merely offers the choice. He does tell Odysseus the consequences and the way he tells him is arguably indicative of which side he’s on, but he doesn’t actually tell Odysseus to do it or that he, Zeus, believes he should. He points at the baby, tells him “kill it or your family dies” and dips. So while Odysseus killing the infant is our first exposure to ruthlessness as a concept, it isn’t until Eurylochus is introduced with Polites in Full Speed Ahead that we really see a character embody it when he suggests to strike first against the strangers on an upcoming island and raid it for food. As a side note, I try not talking about cut content that much, especially when it’s from patreon, but seeing as this entire post was inspired by the cut concept of a Poseidon/Eurylochus team up, I feel like I should mention that earlier drafts of Eurylochus have him being particularly ruthless in a way that Odysseus blatantly disagrees with before the events of Open Arms would have taken place. Eurylochus is meant to the be the human equivalent of Poseidon in this way.

However, as I said, Eurylochus is too human and, opposing that, Poseidon is too godly. Poseidon and Zeus share this sentiment, something opposed by Athena and Hermes. Even within God Games, the arguments being made by everyone is based in some level of humanity— except Hera. Apollo is upset (said very loosely here) that the sirens were killed and he feels like it’s an injustice. Hephaestus is miffed about the lack of loyalty Odysseus displays. Aphrodite is heartbroken because Odysseus abandoned his mother and she died because of it. And Ares is pissed because Odysseus was a coward and didn’t fight back. Contrast those to Hera, who isn’t upset about anything, really, and is more asking Athena to tell her why she should care about this one random man over any other random man. This isn’t particularly relevant to anything, I just find it interesting that Zeus’ generation of gods seem to portrayed with far less humanity than Athena’s generation.

Anyways, this contrast of being too human and too godly is already interesting enough to me, but I mentioned before that Poseidon probably wouldn’t like Eurylochus that much either due to these opposing ideas. Eurylochus is the first character we meet other than Odysseus that shows ruthlessness, but he is also the only character we meet that can never quite follow through with it and while that contrasts nicely to Athena, who winds up wavering in her ruthless beliefs by the end of her arc, it does lead him to be something Poseidon inherently disagrees with and despises in Odysseus.

I’ll repeat that: Eurylochus embodies the very things that both Poseidon and Athena hate about Odysseus.

So, why?

According to Jorge, Eurylochus is a bit of a coward (I, personally, disagree but I think Poseidon would hold this belief too)— the very thing that Poseidon despises. He seems to hate men that run away and that are too stupid to finish what they’ve started, both things can arguably be attributed to Eurylochus. So, other than that base ideology of ruthlessness, why is he paired with Poseidon? Is it truly a matter of Poseidon only taking advantage of a weaker human?

Well, I actually think this goes back to what I said earlier about how the show is from Odysseus’ point of view which leads to some skewed perspectives by the audience (remember when I said to put a pin in it? Yeah, we’re back). If you break down the idea of ruthlessness, the idea of saving yourself future trouble by dealing with things here and now, that kind of philosophy is one born only from experience. Odysseus is proof of that. Poseidon’s actions, from his perspective, are totally fair. Some random guy came in and attacked his son— which is only made worse by the fact that the same guy killed a bunch of that son’s sheep. Like, yes, it’s technically a misunderstanding but it’s unclear if Poseidon knows that and, if he does, I could easily see him not caring because the actions far outweigh the intent.

Six Hundred Strike has some vocal cues that imply Poseidon’s rejection might have been tied to the sympathy he has for his son, rather than just being because he feels spiteful towards Odysseus. They are foils after all, fathers that turn to ruthlessness because of their families. On that basis alone, you can assume that Poseidon cares very dearly for his family too, maybe just as much as Odysseus does.

Jorge has said before that Poseidon saying “you totally could’ve avoided all this if you just killed my son” wasn’t him saying he wanted his son to die, it’s just a fact of the matter. Honestly, if Odysseus HAD killed his son and Poseidon somehow found out it was him, the result would’ve been the same. The only way to totally avoid that scenario would’ve been not to travel to the cyclops’ island in the first place, which is insane to expect when they had no idea who or what was there. Ruthlessness as a concept is inherently flawed in that sense; every action has a consequence and most of the things you do to “save yourself” could lead you back down the same road anyways. That’s what happens when you’re working with fate versus human will!

But what about Eurylochus? Well, Poseidon being a good father is, as I said, only really implied through his meta relationship to Odysseus in conjunction with his initial motivations being about his son and the way he specifically mocks what Odysseus said to the cyclops. But, that being said, it’s also very obvious that Odysseus only really sees Poseidon as highly motivated by spite and selfishness, something acknowledged in Monster. He doesn’t say that Poseidon is doing it for his son, he says he’s doing it so no one dares to piss him off. Maybe the reason Poseidon doesn’t want anyone to step to him is out of concern for his children, but Odysseus either does not have that context or chooses not to believe it. This means, if you go by Odysseus’ perceptions of him, Poseidon will never make sense as someone paired with Eurylochus.

But, if you include the beliefs I’ve laid out and how Poseidon uses ruthlessness as a practical way of protecting his own, Eurylochus actually has a very similar mindset. He, too, prefers to go about things practically and ruthlessly while prioritizing his self-preservation and those he claims as his own— the crew. Poseidon says “the cyclops you made blind is mine” and that’s the first thing he says about his son. Poseidon is an untouchable god, he doesn’t need ruthlessness to save himself. It’s to protect his own— the territories and beings that are his. Eurylochus is the same way, only he does use it for himself because he’s mortal. It’s the minor differences like that which highlights the foil between them— too arrogant versus too cautious.

On the surface level, Odysseus’ arc seems to be a man becoming a god— Odysseus becoming Poseidon— and there is a lot of evidence for that. However, if we look past Odysseus’ perceptions and assumptions, I propose the possibility that Eurylochus is actually meant to represent what Poseidon was before he had the experience to embody ruthlessness. While Poseidon may not need the philosophy for himself, it’s implied by its existence that he’s faced losses before, losses of other beings that he’s cared about. Back to Monster, Odysseus ponders the four primary examples he knows of ruthlessness— the cyclops uses it because he lost his friends, Circe uses it to protect her nymphs with large implications of previous loss, Poseidon uses it so no one steps to him, and a soldier saves more lives by striking first. Poseidon is the only one that doesn’t not explicitly have ties to a personal loss but it can still be implied. Like I said, ruthlessness being mercy on your future self is only something that can taught through experience, which is why Poseidon kills all of Odysseus’ fleet so the lesson sticks.

If we are to assume this is true, is this not similar to Eurylochus in Mutiny? He faces loss because he made the mistake of trusting Odysseus after doubting him the entire musical and the result is an act of ruthlessness. He has to revolt against his captain, his king, his brother in order to protect himself and his own. Again, the only difference ends up being that Eurylochus is too human and he cannot actually follow through with these acts (he doesn’t kill Odysseus, only knocks him out and it can be implied through the fact that he doesn’t bleed out from being stabbed that Eurylochus probably dressed his wounds too).

But that, too, can be changed if under the right stresses or, in this case, mentorship. With Poseidon as his patron, ruthlessness can be taught and Eurylochus can, effectively, continue his speedrun of Odysseus’ arc, turning more into a monster. It makes sense to me that if Poseidon sees himself in Eurylochus, he’d take him under his wing. The bond could be more familiar, more of that “this is one of my own” mindset that Odysseus and Athena inherently lack either because of how separated/selfish they are or because of the cold wisdom that forces them apart.

There isn’t any real conclusion or thesis to this and I’m sure it’s all a bunch of unconnected rambling. I think that my main point is just that the way Eurylochus and Poseidon interact would be a direct juxtaposition to Odysseus and Athena in the sense of how familial they might act (which would humanize Poseidon and show that, even as the embodiment of ruthlessness, there’s still a little bit of open arms within him too) while also serving as a direct parallel to them in how their arcs might affect each other. Unlike Athena and Odysseus who end up switching sides, there is nothing to reverse between Poseidon and Eurylochus. All there is, is the inevitability of loss due to being unable to step down when their own is threatened. Eurylochus could never stop fighting with Odysseus over the crew and Poseidon could never stop fighting over his son. These two characters are selfish and yet, they are just as oriented on the ones they care about as Odysseus is.

I get why this pairing never ends up happening. I can’t think of a single way Poseidon and Eurylochus could make sense together with the events of the Odyssey, but I do hope we see some of them in the future— like in the small chance they’re featured in an Iliad musical or if Jorge ends up doing that idea of a small musical based on Eurylochus. I just think he and Poseidon are neat together :3

The fact that Poseidon and Odysseus are foils but Poseidon was paired so much with Eurylochus in older drafts of EPIC keeps me up at night

It really does show that Odysseus and Eurylochus are closer to each other than either of them are to godhood and it’s simply tragic that things went the way they did

[persephoneflouwers]

Whenever events like last night happen I feel this urge to run on the street and help. It’s a bit odd since usually I’m sooo far away but like I’m always wondering what can i do what should I be doing? It’s like innate. And it happens all the time in these circumstances.

[elumish]

I think one of the most fundamental plot failures I see across a lot of books is that the person chosen to solve a problem is not a person who it makes sense to choose to solve this problem.

This ends up being true for a lot of YA books where the teenager is the chosen solution to a problem because they need to be for plot reasons, but there is no actual logical reason why anyone would be relying on them to solve this problem (or often even letting them get close to this problem). No, this kid can't work for the FBI or the Secret Service. No, this twelve-year-old won't be a more accomplished soldier than a fully-trained servicemember. No, this kid isn't allowed to practice medicine.

And you can work around this by presenting a reason for them to be involved despite being less qualified--usually that they put themselves in a situation, despite the adults around them, but also that there is something else that makes them suited to a job/role despite their other lack of qualifications (we need someone who can blend in, etc.).

But it's also true for a lot of adult books. I'm reading a book where the ER doctor/medical professor First Gentleman is going to lead the response to a plane full of people who potentially have Marburg virus, and even ignoring the fact that he wouldn't be allowed within a thousand feet of that plane by the Secret Service, that also fundamentally just does not make sense with how U.S. pandemic and quarantine response work (or even how medicine works--an ER doctor is generally not an infecious disease specialist). It's waved away for plot reasons--but it also represents a failure of the plot as a whole.

Why is your character the one who is trying to solve this problem? Is it their job? If it's not their job, what does it mean for the story for them to be trying to solve a problem that they aren't qualified for, may not have access to, and/or aren't allowed to deal with?

If your only answer is "it works because it needs to work for plot reasons" then it doesn't work at all.

[nonsensology]

Later at the wish granting ceremony, CEO Magnifico announces he’s greenlit Ice Age 6 and five more live-action remakes.

_ _ _ _ _ _ _

There are so many cancelled and unrealized projects that Disney is sitting on, that they do not benefit from in any way by keeping them locked up tight. They really ought to just let them go if they don't have any intentions of doing anything with them.

Incidentally, I could never agree with the mentality of “Magnifico is actually the hero, and Asha is the TRUE villain” that a lot of people seem to have. I drew my comic based on this post. I feel like if more people had been aware of this possible interpretation, they wouldn’t have sympathized with Magnifico.

Does Wish have bad writing? Yes, it does. And it’s because of that bad writing that every single character suffers. What I think happened is that, as a result of said bad writing, Asha became a character that’s so uncompelling and lacks uniqueness that she ends up a blank slate for audiences to project their frustrations with the movie onto. King Magnifico on the other hand, is probably the most interesting and entertaining character, due in no small part to Chris Pine’s performance, and so the audience is much more sympathetic towards him and willing to ignore his flaws.

One of Asha’s problems as a character is that she doesn’t really contribute much to the story. By contrast, Magnifico’s downfall is brought about entirely as a result of his own actions. Magnifico is in fact not a good leader, because he gives in to paranoia and temptation, acts in a very unprofessional manner, and escalates the conflict to an absurd degree.

Please note, Asha does not get upset that Magnifico refuses to grant her grandfather’s wish, nor does she ever demand that Magnifico needs to grant every wish. She gets upset that he insinuates that her grandfather might have dangerous intentions, and because he does not have a convincing reason why he doesn’t return wishes that he won’t grant. Rather than calmly explaining his reasoning to her, Magnifico rudely dismisses Asha and then blows up at her.

If Magnifico were a good leader, he would have explained to each person WHY he won’t grant their wish, and given them advice on alternatives. As it stands, he knows full well that everyone expects their wish to be granted. It’s why they even came to Rosas in the first place, it is the literal reason he even built his kingdom. He clearly makes a big spectacle out of the wish granting ceremonies, which every citizen visibly goes wild for. He never elaborates to anyone his specific standards for the wishes he chooses to grant, other than a broad statement of "for the good of the kingdom". In his regard, Magnifico reminds me of bureaucratic systems that never provide every option or solution upfront, with their logic being "you didn't ask".

Not to mention, he literally tells Asha, "People think wishes are just ideas. But no, no, they are a part of your heart. The very best part." He knows, for a fact, how important wishes are to everyone. But the movie's awful writing makes him think the best solution to dealing with wishes that MIGHT have dangerous consequences, is to just hoard them. All that returning the ungranted wishes will accomplish is returning the memory of what the wish even is, that's literally it, and the people will be no better off than they were before they gave Magnifico their wish.

I dunno about you guys, but whenever I watched stories that preached “be careful what you wish for”, my takeaway was never “your desires could be dangerous and you should never pursue them for fear of disaster”, I always thought the stories were telling us, “beware of anything that promises instant gratification, because it’s usually too good to be true, and will cost you more than you will gain”. While the things you want in life may have disastrous consequences, you won’t really know until you try to pursue them through your own honest efforts, and not through “magical” shortcuts. That’s how we learn and grow, through trial and error. 

As it currently stands from my point of view, when people say "Magnifico has every right to keep ungranted wishes" it looks like they're unintentionally saying, “The Disney Corporation has every right to keep your work and ideas, because you willingly and legally handed them over. Tough luck if you regret the deal you were given. No takesies backsies!”

While I have found no evidence to confirm that the filmmakers intended for Magnifico to be a criticism of Corporate Disney, considering the inclusion of the animation sweatshop scene in Pixar's Inside Out 2, I think the probability is likely. (Not to mention, when Asha shows Magnifico her little flipbook animation, he dismissively remarks “Do we consider that a talent?”)

Please note, everyone is free to rewrite and reinterpret Magnifico however they want. He's just a fictional character after all, and fan content is supposed to be for fun. I just think it's funny how defensive people get over him a he appears in the final movie. They say he deserved better, and I agree, but we have very different ideas of what "better" means. In fact, I think every character in Wish deserved better, because again, they were all victims of bad writing. My problem isn't that they took a good man and made him arbitrarily "evil", it's that they didn't make him evil enough from the very beginning. Remember those deleted scenes featuring a villainous Magnifico with better writing, along with an evil Amaya that he can play off of? I'm fairly certain that everyone unanimously agreed these deleted scenes were much better than the final movie, and yet some still insist that Magnifico should have been a hero all along. I dunno, it's a funny dichotomy. 

EDIT: A few days after posting I came across this video essay supporting the interpretation of Magnifico as a critique of Corporate Disney and I loved it. Please go watch it!

[samuelsdean]

Flicker

pairing: dean winchester x reader

summary: "can i hold your hand?" you blurted out, surprised by your own boldness. a flicker of surprise crossed dean's face, quickly replaced by a ghost of a smile that sent a jolt through you. "yeah," he said, his voice softer than you were used to hearing. "yeah, you can."

genre: fluff

word count: 1.3k

author's notes: hi! here's another dean fic because i'm having a winchester brainrot after choosing to rewatch the show for the nth time. it's fluff again because i'm a sucker for soft!dean and i like it when idiots who are mutually pining for each other finally hold hands after 9989 years.

THE WIND HOWLED LIKE A WOLF ON A FULL MOON ON A PERPETUALLY OVERCAST NIGHT. It scoured the dust from the abandoned house's roof, a skeletal silhouette against the bruise-colored sky. The once-white picket fence weathered to a sickly gray, stood like crooked teeth in a decaying grin. The trees behind it, looming and stark, clawed at the sky, their branches whispering secrets the wind refused to carry.

You shivered, the cold a mere whisper compared to the unsettling feeling that prickled your skin. This place, nestled in a forgotten fold of a desolate highway at the edge of a forest, vibrated with a wrongness that made the hairs on your arms stand on end.

"This place feels… dicey," Dean muttered, his voice barely audible over the wind. He scanned the deserted midway, his eyes narrowed in a way that spoke volumes of past encounters with the unsettling.

"Think the rumors were true?" you asked, swallowing hard against the lump of unease in your throat.

The "rumors" were the reason you were standing in this creepy house at dusk. A string of disappearances, whispers of screams echoing in the dead of night, all traced back to this desolate stretch of road. Apparently, there was an urban legend of sorts in the area where a couple would get a flat tire out of nowhere, and with the area being nothing but just a highway and trees, the couple would choose to trek to a nearby house, only for them end up missing right after.

"Why? Are you scared?" A wry smile tugged at the corner of Dean's lips as he teased you. Before you could shoulder-check him for bugging you, he added, "Maybe, maybe not. But sticking together's the best bet we got, wouldn't you say?"

His gaze met yours, and for a fleeting moment, you saw a flicker of something akin to concern beneath the gruff exterior. It was a rare glimpse into the man who carried the weight of the world on his shoulders. Dean Winchester grew up suppressing whatever emotion he had besides his usual cocky demeanor and smirks because he had to raise Sam, his younger brother while hunting whatever it is that crawled out of the depths of hell. And Dean did a damn great job at that, Sam was now off to Stanford.

At that moment, the fear dissipated, replaced by a fierce determination.

"Yeah," you said, your voice firmer than you felt. "Let's get out of here."

He extended his hand, his calloused fingers surprisingly warm against your own. You hesitated for a beat, the implication of the gesture hanging heavy in the air. It was more than just a practical suggestion; it was a silent promise of support, a brief moment of connection you craved with this gruff hunter.

"Can I hold your hand?" you blurted out, surprised by your own boldness.

A flicker of surprise crossed Dean's face, quickly replaced by a ghost of a smile that sent a jolt through you. "Yeah," he said, his voice softer than you were used to hearing. "Yeah, you can."

You laced your fingers through his, the gesture a silent affirmation that went beyond the immediate danger. But for you, it was also a chance for something more, a stolen moment of skinship you yearned for.

As you walked, the wind seemed to whisper secrets around you, the creaking of the dilapidated house a morbid soundtrack. Each creak sent shivers down your spine, but Dean's grip remained steady, a reassuring anchor. You couldn't help but steal glances at him, his profile etched sharply against the dying light. The way his worn jacket barely contained the heat radiating from his body made your cheeks flush.

His hand, usually so quick to let go, lingered in yours. You weren't sure if he noticed the way your thumb brushed against his calloused skin, a silent plea for a little more contact. Maybe it was the adrenaline pumping through your veins, or the way the danger heightened your senses, but Dean felt like a furnace beside you.

Suddenly, a flash of movement in the corner of your eye. A hulking shadow, all wrong angles, and unnatural speed darted behind a boarded-up ticket booth. A guttural growl, unlike anything you'd ever heard, ripped through the air. Your heart hammered against your ribs like a trapped bird.

"Did you see that?" you whispered, your voice barely audible over the wind.

Dean squeezed your hand, a silent acknowledgment, his hold tightening almost imperceptibly. This time, you were certain it wasn't just the danger.

"Stay close," he said, his voice low and gravelly.

He unsheathed his knife, its silver glinting in the fading light. You drew your own weapon, a wave of nausea washing over you. You hated this part, the constant feeling of being on the edge of a knife.

Stepping cautiously forward, you and Dean crept toward the source of the movement. The closer you got, the more the air crackled with an unnatural energy, the scent of decay thick and cloying. As you rounded a corner, the full horror of the creature revealed itself.

Towering over you was a monstrous figure, its once-human form twisted and warped. Its skin, a patchy mix of worminess and sickly shade, hung greasy. Claws, like sharpened daggers, protruded from its elongated fingers. But the most terrifying aspect was its face. A grotesque mockery of a human, its eyes burned with a bloodshot sclera devoid of any humanity.

The Rougarou, a creature born of insatiable hunger and despair, let out a bone-chilling roar, the sound echoing through the abandoned carnival. It lunged a blur of teeth and wormy skin.

The fight was a desperate ballet of survival. Dean, drawing on years of experience, moved with practiced efficiency, dodging the Rougarou's attacks while searching for an opening. You fought with a mix of fear and determination, adrenaline fueling your movements.

The Rougarou swiped at you with a clawed hand, leaving a searing mark across your arm. Pain flared, but you gritted your teeth, refusing to let it slow you down.

Dean created an opening, shouting, "Fire!" You lunged for your pocket, the familiar weight of the lighter a comfort in your hand. Snapping it open, you flicked the wheel, a flame erupting in the dying light. Hurling it with all your might, you aimed for the Rougarou's chest.

It shrieked, a sound that seemed to tear at the fabric of reality itself. The flame erupted on its body, a blossom of searing orange against the decaying flesh. The Rougarou thrashed, its inhuman roar turning into a desperate, pained yowl. It stumbled back, clawing at the burning fur, an unholy stench filling the air.

Fear, raw and primal, flickered in its eyes. But fear was a fleeting emotion for the creature. It roared again, charging at you with a desperate, burning lunge. This time, you were ready. You rolled to the side, the creature's claws missing you by a hair's breadth. Taking advantage of its momentum, Dean drove his silver knife into the Rougarou's back.

The creature howled in pain, clawing wildly. With a final, earth-shaking tremor, it collapsed, dissolving into a cloud of black smoke that dissipated with a sickly sweet stench.

You and Dean stood there, chests heaving, sweat clinging to your skin. The silence that followed was deafening.

"That was..." you started, your voice raspy.

"A Rougarou," Dean finished, his voice grim. "Nasty sons of bitches."

He reached out, checking the wound on your arm. His touch was surprisingly gentle. "You okay?"

You nodded, a weak smile playing on your lips. "Yeah, I'll be fine. Thanks to you."

Dean met your gaze, a flicker of something warm passing between you in the fading light. He didn't say anything, but the way his hand lingered on your arm spoke volumes.

Together, you walked out of the abandoned place, the wind whispering through the trees, no longer sounding ominous but strangely peaceful. The horrors you'd faced had brought you closer, forging a bond forged in danger and shared survival. You knew this wouldn't be your last hunt, but for now, you had each other. And in that knowledge, you found a flicker of hope, a warmth that chased away the lingering chills of the night.

[fortuneforsaken-if]

What is a King to a God, and what is a God to a non-believer?

DEMO ☥ PINTEREST

This game is geared for mature audiences and as such is strictly 18+.

Ancient shackles bind you to the mortal realm, a soul severed from a home lost to the sands of time. A curse on you, a blessing for those who take command; Who wouldn't like to own a God?

You're the highly revered deity of fortune. Or you were, five thousand and eighty-two years ago. Now you're nothing but a glorified plaything to one of the most powerful families in the world. Every demand you must fulfill, no matter how vile or self-serving. The illusion of choice is all but shattered, there's nothing you can do to change it.

Or is there?

It takes a simple thing for something to shift. A fragment from the past, an ageless, flickering hum of power that unfurls the hands of fate and unearths buried sparks of hope. No one would've thought that an ancient sherd would hold the first hint to your freedom, a warm, familiar sensation of your soul locked in a tomb somewhere where no mortal has stepped in well over five thousand years.

Let's hope the decay doesn't take you before you find your way back home.

☥ FEATURES ☥

Two separate sides to customization; The one mortals perceive, and select parts of your true form. Choose names, appearances, gender, pronouns, sexuality, romantic orientation, and more.

Shape the personality that starts to re-emerge after being dulled for the better part of history. Reconnect with yourself, and get in touch with memories and feelings you lost so long ago.

Experience a character-driven story full of twists and turns that eventually determine how each of the three endings play out.

Romance one (or two) potential love interests from a cast of characters; A shunned archaeologist, a primordial God, the reincarnation of a priestess, or the mysterious man you can't quite place. Or don't, it's up to you.

And last but not least: Don't let the decay reach your heart. Every change of fortune has consequences, and mindfulness is encouraged. This game does have bad endings.

☥ CAST OF CHARACTERS ☥

Zain/Zaina Tharset ∆ M or F, 28

"You're my birthright, and I'd sooner have you dead than let you make a fool out of me."

Z is your charge. Loud, obnoxious, and entitled; They don't care about your feelings or protests. Every desire that leaves them only serves them alone, and it's on brand for most of the charges you've had before. In simple terms, Z is not a good person, and the more time you serve under them, the less you believe they have any redeeming qualities.

Like everyone in the family, Z has warm brown skin with golden undertones, and eyes in light shades of brown. Their hair is naturally curly and shaved on the sides, leaving a strip of hair on the top and back, like a fashionable mohawk. Zaina's hair reaches the middle of her shoulder blades, while Zain's stops at the nape of his neck.

Being bound to them is painful, but you have no choice. Trying to retrieve your soul will be an ordeal, and it might not be worth the agony.

Rami Tharset ∆ M, 28, RO

"Just because the world has forgotten you, forgotten them, doesn't mean I will."

Rami is the twin brother of your current charge. Kind and humble, it's difficult to imagine him a part of the Tharset family on count of how different he is from that pit of vipers. He keeps to himself, usually holed away in a library or study where he digs into the history of, well, you. Or the ancient world you came from. This has caused the rest of the archeological community to shun him, the name of your old empire nothing more than a myth and a glorified fairy tale.

Rami shares his family's warm brown skin tone, and the black curly hair that's usually a messy mop that sits on top of his head, unstyled and naturally chaotic. It reaches just the stop of his ears, and is shaved in the back. Light brown eyes that are quite blurry without his glasses, but the gold-tinted pilot-framed lenses fit him nicely.

He's one of the few friendly faces you face in the Tharset circle, and you curse your misfortune that you couldn't have him as a charge instead.

Maluset ∆ M, N/A, RO

"For all I am, all I have controlled, still I could not keep you safe. Forgive me, old friend."

The God of the Night, and everything that you have left of an age and life long forgotten. While the rest of your pantheon faded one by one, he remained. You've always known Maluset as a calm presence, a steadfast and unperturbed God that never let himself be shaken, by mortals or his siblings.

While Mal prefers manifesting as his animal motif - a jackal made of black marble and eyes like consolidated galaxies - he does have a human form too. If he must appear mortal, his skin takes the color of what the mortals of your time had; bronzed, medium brown with a golden undertone. His hair would be jet black and curly, medium length, and he likes it naturally tousled by the winds. If necessary, he'll let his eyes appear dark brown in color, but he prefers the starlit skies in them instead.

He's been a constant in your life, at least until he disappeared three centuries ago. You know he's still out there since the realm where you take shelter is his, and it hasn't yet disappeared.

Rory Ewing ∆ F, 23, RO

"I can't remember, but your face, it stirs something in my heart. Why? Who was I to you?"

Rory is a new acquaintance to you, but there's something very familiar about her. She might just be a student now, her curiosity bringing her close to you, but you can feel an old connection whenever she's close by. Her voice reminds you of prayers long ago, even if her modern vernacular is closer to 'damn, that shit's the bomb' than hymns sung in your praise. Then again, reincarnation has a way of changing people.

It doesn't, however, change appearances. Back in your day, Rory's vessel was a traveler from the north; Her skin was light beige, rosy in its undertones. Her hair was thick and a subdued red, woven into an intricate braid that hung over her shoulder, reaching her midriff. Her eyes were also uncommon to you; pale green, vibrant but ghostly.

She doesn't remember you, and maybe that's for the best. Her new self is a stark contrast to who she was, and you don't think she'd enjoy the idea of donning priestess garb over the punk-rockish getup she wears now.

Taz Arian ∆ M, 34, RO

"Funny, isn't it? How some people seem familiar, even when they shouldn't be."

Taz is... Someone. He appears out of nowhere to join your journey, his knowledge of old ruins and tombs handy but somewhat worrying when he shouldn't even be able to see you. There's a strange thrum of power coming from him whenever he speaks, and you swear you've met him before, but where? It might be easier to find out if he didn't deflect and flirt his way out of things, but it does help with mortals that can't see you.

His appearance is nothing extraordinary; Dark brown hair that's held up in a bun, and you could assume it reaches his shoulders when loose, the loose curls pulling it a tad shorter. His eyes are light in color, almost golden in the right light, glinting with mischief. His skin is weathered, and golden bronze in color, with an intricate tattoo of an eagle spanning across his chest. He also sports a short beard, which gives him a rogueish look.

There is something about him that tugs at your memories, but you can't catch that thread of remembrance for long enough to recall him. Still, he doesn't seem to mind and resorts to teasing you instead.

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

[cvnntagious]

:: fratboy!chris hates to see rich!reader leave, but he loves to watch her go

chris was used to the usual attitude you threw around, choosing to deal with it as he saw fit whenever you'd get too mouthy with him or something. tonight, though, you were being particularly bratty— huffing and puffing for what he'd deemed no reason as you sat with your back pressed against him and your butt seated on his left leg, one of his hands curled snugly on your hip.

he chose to ignore the pout on your face, wanting you to be upfront with him about your problem. his attention stayed on the other frat brothers that lounged around on the couches of the house midday, all of them talking and laughing about stupid stuff as his fingers mindlessly drew shapes on your waist. it wasn't long before one of them began rolling up, planning to have a quick sesh while they were all free.

meanwhile, you were left to watch in annoyance until you spoke up about chris' ignorance. you weren't even sure why you showed up when he'd asked you to come over, you were already annoyed. all he wanted to do was get high. it's no wonder your dad had told you to stay away from the hockey boys when you enrolled in this college; they were all a bunch of lowlife losers.

as soon as chris leaned over the coffee table to grab the joint his friend had just rolled, holding you steady as he did so, you cleared your throat, brows raised in a snobbish manner. "do you mind?" you asked, tone laced with attitude as you turned your head to look him up and down. your entitlement was seeping through, and you knew it. you weren't used to not getting what you want.

his eyes flicked to meet yours immediately, head snapping in your direction as everyone went silent. chris let out a large breath as he leaned back into his seat, the rolled drug secured between his index and thumb. "y'alright?" he asked, playing oblivious to your clear annoyance with whatever he'd done to piss you off.

you immediately shook your head, glossy lips pursing. "i guess," you lied, despite the obvious indication you weren't 'alright', "but do you really think you need another one?" your head nodded towards his hand practically waving in front of your face, thinking back to when he'd been smoking when he called you earlier.

chris squinted his eyes at you, head sinking further back into the couch as he quickly realized why you were so upset. it was rare that he'd call you over when he was sober, but whenever he did, he usually ended up getting high later on anyway. it was like an endless cycle, and he hadn't even noticed the bitter taste you were getting in your mouth because of it.

"got nothing t'do with you, does it?" he then asked, knowing it'd only serve to get further on your nerves— but it was true. was he not allowed to say how he felt about the issue too?

with a smack of your lips, you scoffed at his response. 'unbelievable' was all you could think, and it was what you thought almost any time he'd say something so stupid. you didn't hesitate to stand from his lap, straightening out your outfit and picking up your dior purse once you'd done so. chris' expression quickly turned solemn, watching you angrily fumble to grab your things.

still, he remained seated, simply watching for a moment. he couldn't be bothered to deal with another one of your fits right now. it was only when he realized how dead serious you were that he spoke up: "c'mon, princess, don't be like that," he protested, free hand reaching out to tug at your wrist.

you scoffed again, flicking your wrist to rid yourself of his hand. that stupid fucking name - he only used it when he wanted to convince you of something. "no, m'good chris. you go ahead and have fun doing..." you looked around, handing over a judging look to each of the men seated around chris, "what you usually do."

he clicked his tongue, bringing the joint up to his lips when you began walking away. his eyes remained on you. the way your ass swayed in that leopard print skirt, a mixture of your heels and jewelry clanking and getting quieter the farther away you got from him.

finally, he heard the front door slam and he leaned his head back to exhale the smoke. "hey man, y'gonna go after her?" one of his peers finally asked, tension all throughout the group of people.

"nah, she'll come back. i'ma let her have this one."

w/c : 779

[hollowed-theory-hall]

your post on harry’s handwriting was an eye-opener for me! ik his writing resembled his mother some and is decent overall, but i’ve never seen pics of it!

idk where the horde of fanfic writers came up with the weird notion that harry has bad/chicken scratch handwriting, which triggers me every. time. they make out his handwriting to be messy, his eating habits sloppy, his speech behaviour bumbling, his appearance unkempt, and that he’s rather messy as a person. which boggles the mind, because he’s used to cleaning up after the dursleys and probably enjoys an orderly space, if not super spic and span??? is it only certain fandoms, cuz they make the other character(s) all elegance personified and well-mannered? like, harry already is a well-mannered boy, otherwise petunia would’ve been tutting, clucking, and dying of shame even more before the nieghbours lmaoo. idk whether to cry or laugh, and sometimes it’s such a turn-off that i choose to rage quit fics.

please, if you have the time, i would love a thorough breakdown/meta on how harry actually comes across as a person!

Okay, I have so much to say about this. And omg, Harry's chicken scratch handwriting is one of my pet peeves in fics (here's the handwriting post, btw). Harry's characterization when done wrong in general, tbh is a huge turn-off for me. Becouse I love Harry, he's my boy.

So, what we're gonna look at is how other characters in the books perceive Harry, how he comes across in universe to people who can't read his mind (like we can, as the readers).

I'll start with a general note about how most characters in the books don't really know Harry. This is mostly because Harry, contrary to fanon interpretations, is a very private person and rarely talks about himself/his feelings/his thoughts out loud. This is a habit I believe was ingrained into him by the Dursleys.

Like, I mentioned in the past Harry doesn't talk as much as other characters. Scenes of the trio usually consist of mostly Ron and Hermione talking, for example. This is not becouse he doesn't have thoughts (he's quite judgmental inside his head, and we know he has a lot to say), but becouse he's used to not voicing a lot of them thanks to the Dursleys.

This essay turned out pretty long, but here we go:

How do others see Harry?

Harry comes off as confident. Harry is a defiant and courageous person, and this often comes off as confidence to other people. It's why Snape thinks Harry is arrogant and why most students are always sure Harry meant to do what he did. They think he has shit together because he comes off like he does:

Harry stayed silent. Snape was trying to provoke him into telling the truth. He wasn’t going to do it. Snape had no proof — yet. “How extraordinarily like your father you are, Potter,” Snape said suddenly, his eyes glinting. “He too was exceedingly arrogant. A small amount of talent on the Quidditch field made him think he was a cut above the rest of us too. Strutting around the place with his friends and admirers . . . The resemblance between you is uncanny.” “My dad didn’t strut,” said Harry, before he could stop himself. “And neither do I.”

(PoA, Ch14)

Snape sees Harry as arrogant, when in fact Harry is just defiant and intelligent.

“But you’ve been too busy saving the Wizarding world,” said Ginny, half laughing. “Well ... I can’t say I’m surprised. I knew this would happen in the end. I knew you wouldn’t be happy unless you were hunting Voldemort. Maybe that’s why I like you so much.”

(HBP, Ch30)

Ginny (and other characters) believe he likes to save the wizarding world. That he is this confident hero and savior. I mean, they believe her lie about the tattoo, which says a lot:

and all Romilda Vane does is ask me if it’s true you’ve got a hippogriff tattooed across your chest.” Ron and Hermione both roared with laughter. Harry ignored them. “What did you tell her?” “I told her it’s a Hungarian Horntail,” said Ginny, turning a page of the newspaper idly. “Much more macho.”

(HBP, Ch25)

Harry doesn't see himself as leader material, but it's clear everyone else does:

“I think we ought to elect a leader,” said Hermione. “Harry’s leader,” said Cho at once, looking at Hermione as though she were mad, and Harry’s stomach did yet another back flip. “Yes, but I think we ought to vote on it properly,” said Hermione, unperturbed. “It makes it formal and it gives him authority. So — everyone who thinks Harry ought to be our leader?” Everybody put up their hands, even Zacharias Smith, though he did it very halfheartedly. “Er — right, thanks,” said Harry, who could feel his face burning.

(OotP, Ch18)

Neville Longbottom, who gave a roar of delight, leapt down from the mantelpiece and yelled. “I knew you’d come! I knew it, Harry!”

(DH, Ch28)

“Look who it is! Didn’t I tell you?” As Harry emerged into the room beyond the passage, there were several screams and yells: “HARRY!” “It’s Potter, it’s POTTER!” “Ron!” “Hermione!” [...] “Are you all right, Harry?” Neville was saying. “Want to sit down? I expect you’re tired, aren’t—?” “No,” said Harry. He looked at Ron and Hermione, trying to tell them without words that Voldemort has just discovered the loss of one of the other Horcruxes. Time was running out fast: If Voldemort chose to visit Hogwarts next, they would miss their chance. “We need to get going,” he said, and their expression told him that they understood. “What are we going to do, then, Harry?” asked Seamus. “What’s the plan?” “Plan?” repeated Harry. He was exercising all his willpower to prevent himself succumbing again to Voldemort’s rage: His scar was still burning. “Well, there’s something we—Ron, Hermione, and I—need to do, and then we’ll get out of here.” Nobody was laughing or whooping anymore. Neville looked confused.

(DH, Ch29)

Everyone expected Harry in DH to have a plan of attack the moment he arrived because that's how he acts. Even in the above scene, he's in terrible pain from his scar, but the others don't see it. What they see is a Harry who looks exhausted but says no to rest because there's work to be done and they expect this of him. They see someone fearless and capable with a plan who could lead them, but this isn't what we see because we're inside his head.

How Harry doesn't speak much and acts overall quite distant, as in, he actively avoids the girls who fancy him:

Then he blinked and looked around: He was surrounded by mesmerized girls. “Hi, Harry!” said a familiar voice from behind him. “Neville!” said Harry in relief, turning to see a round-faced boy struggling toward him

(HBP, Ch7)

And he only has two close friends and barley knows the other students in his year. Most students only know Harry Potter from the stories, rumors, and Dumbledore's end-of-the-year speeches about his heroism. They have no clue who the real Harry is — so they expect the hero they do hear about.

He stands his ground a lot (again, defiance):

Harry turned to McLaggen to tell him that, most unfortunately, Ron had beaten him, only to find McLaggen’s red face inches from his own. He stepped back hastily. “His sister didn’t really try,” said McLaggen menacingly. There was a vein pulsing in his temple like the one Harry had often admired in Uncle Vernon’s. “She gave him an easy save.” “Rubbish,” said Harry coldly. “That was the one he nearly missed.”

(HBP, Ch11)

And more often than not, he does so coldly and calmly. A lot of his more fiery anger is a sign of trauma with Harry, his baseline anger reaction is cold.

All of this adds to him appearing to others as controlled, confident, and like he has everything together and could never have any issues. He comes off as this bigger than life person to most people. Snape isn't the only one who reads Harry's behavior as confident. But it's actually far from the truth.

We, as the readers, see how depressed Harry is. How lowly he thinks of himself and how much he doesn't think of himself as anything special when he very clearly is. But the fact he doesn't say any of it and has mastered the skill of acting cold and like everything is fine when he literally wants to die at the age of 5, no one knows. Even Ron and Hermione didn't truly realize the full extent of Harry's low self-worth until 5th year.

The other students are shocked to see Harry as angry as he is in book 5 because he's often way more controlled and well-mannered than that. They're used to seeing him cold and quiet, not firey. Most of his fire stays inside his head unless he's really angry or emotional in general (or traumatized):

Professor Umbridge sat down behind her desk again. Harry, however, stood up. Everyone was staring at him; Seamus looked half-scared, half-fascinated. “Harry, no!” Hermione whispered in a warning voice, tugging at his sleeve, but Harry jerked his arm out of her reach. “So, according to you, Cedric Diggory dropped dead of his own accord, did he?” Harry asked, his voice shaking. There was a collective intake of breath from the class, for none of them, apart from Ron and Hermione, had ever heard Harry talk about what had happened on the night that Cedric had died. They stared avidly from Harry to Professor Umbridge

(OotP, Ch12)

The shock of the other students, I believe, is because of what he's saying, yes, but it's also because Harry is behaving very unlike him here. He usually doesn't shout at teachers or anyone, really. He rarely speaks in classes actually.

And regarding his confidence, everyone, Ron and Hermione included, was sure Harry is super skilled and that that's how he evaded Voldemort:

“You don’t know what it’s like! You — neither of you — you’ve never had to face him, have you? You think it’s just memorizing a bunch of spells and throwing them at him, like you’re in class or something? The whole time you know there’s nothing between you and dying except your own — your own brain or guts or whatever — like you can think straight when you know you’re about a second from being murdered, or tortured, or watching your friends die — they’ve never taught us that in their classes, what it’s like to deal with things like that — and you two sit there acting like I’m a clever little boy to be standing here, alive, like Diggory was stupid, like he messed up — you just don’t get it, that could just as easily have been me, it would have been if Voldemort hadn’t needed me —” “We weren’t saying anything like that, mate,” said Ron, looking aghast. “We weren’t having a go at Diggory, we didn’t — you’ve got the wrong end of the —” He looked helplessly at Hermione, whose face was stricken.

(OotP, Ch15)

They didn't for a second think he wasn't confident in his own abilities because Harry acts in a way that comes off as confident and capable. It's why everyone so easily accepts him as a leader under various circumstances. He acts level-headed while he's terrified, so everyone thinks he knows what he's doing except Harry (and the reader). Ron and Hermione had zero doubts Harry's skill was a big part of why he survived book 4, it's only Harry who doesn't think that.

The fact Snape bothered to extract his own memories during his Occlumancy lessons goes to show how he thinks Harry is talented, contrary to his words. He feared Harry would reverse the connection and see into his mind, otherwise he wouldn't have taken these precautions.

Think of Voldemort’s resurrection even. Inside his mind, we know Harry's terrified. We know he has no idea what he's doing.

But imagine being a Death Eater in the crowd and you see this 14-year-old kid stand up after being Crucio-ed by their lord, and he stands up, resists the imperius, and shouts at your lord like he thinks of himself as equal to him — or, perhaps, better than him:

“I asked you whether you want me to do that again,” said Voldemort softly. “Answer me! Imperio!” [...] I WON’T!” And these words burst from Harry’s mouth; they echoed through the graveyard, and the dream state was lifted as suddenly as though cold water had been thrown over him — back rushed the aches that the Cruciatus Curse had left all over his body — back rushed the realization of where he was, and what he was facing. . . . “You won’t?” said Voldemort quietly, and the Death Eaters were not laughing now.

(GoF, Ch34)

That's pretty badass. Harry comes off like a confidant badass. And he gets more badass and confident as he matures (even if he isn't actually as confident as he appears).

Even in the DoM, Lucius Malfoy, who was in the graveyard, takes Harry seriously:

“Don’t do anything,” he [Harry] muttered. “Not yet —” The woman who had mimicked him let out a raucous scream of laughter. “You hear him? You hear him? Giving instructions to the other children as though he thinks of fighting us!” “Oh, you don’t know Potter as I do, Bellatrix,” said Malfoy softly. “He has a great weakness for heroics; the Dark Lord understands this about him. Now give me the prophecy, Potter.”

(OotP, Ch35)

Bellatrix makes fun of how Harry gives the other kids orders as if they're going to fight, but Lucius knows better, he knows Harry is going to fight, and I think, he's scared of what would happen when he does. Even Bellatrix quickly starts taking Harry more seriously:

“Oh, he knows how to play, little bitty baby Potter,” she said, her mad eyes staring through the slits in her hood. “Very well, then —”

(OotP, Ch35)

And she changes her tone completely after he casts a Crucio at her:

“Never used an Unforgivable Curse before, have you, boy?” she yelled. She had abandoned her baby voice now.

(OotP, Ch36)

His aura is one of competence and confidence even when he's frightened and has no idea what he's doing. Especially when he's frightened and has no idea what he's doing.

And for the most part, he doesn't come off nearly as judgmental as he actually is, because he doesn't say a lot of what he thinks. We only see him start to actually speak his mind and be more sassy out loud around 5th and 6th year. And even then, his highly judgmental physical descriptions stay part of his narration, they aren't spoken:

“That’s the bell,” said Harry listlessly, because Ron and Hermione were bickering too loudly to hear it. They did not stop arguing all the way down to Snape’s dungeon, which gave Harry plenty of time to reflect that between Neville and Ron he would be lucky ever to have two minutes’ conversation with Cho that he could look back on without wanting to leave the country.

(OotP, Ch12)

Ron and Hermione banter while Harry feels done with them, but he doesn't really say anything or complain. He keeps a lot of his thoughts inside his head.

If we look at how Ron, Hermione, and Sirius see Harry, they're the closest to who Harry actually is as these three know Harry best. (They're also more objective than Harry who looks down on himself)

After the book 5 conversation I mentioned above, Ron and Hermione are more aware of Harry's insecurities, but they find them silly. They see Harry as incredibly capable and skilled:

“Did he?” said Harry. Behind him he felt rather than heard Hermione passing his message to the others and he sought to keep talking, to distract the Death Eaters.

(OotP, Ch35)

“What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They’d kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry.

(DH, Ch9)

When danger comes, everyone's instantly following Harry's lead. Harry's the planner when the situation is dangerous, he calls the shots, not Hermione. Hermione and Ron look to Harry for a plan when things get tough, and Harry always figures something out. Now, we see Harry thinking he has no idea what to do:

He could not think what to do but to keep talking. Neville’s arm was pressed against his, and he could feel him shaking. He could feel one of the other’s quickened breath on the back of his head. He was hoping they were all thinking hard about ways to get out of this, because his mind was blank.

(OotP, Ch35)

But Ron and Hermione don't. No one does. They just see Harry coming up with a plan to save them. Every time. They don't see him wracking his brain for a way to keep everyone alive.

Hermione never considers Harry stupid, not even in first year:

“I’m not as good as you,” said Harry, very embarrassed, as she let go of him. “Me!” said Hermione. “Books! And cleverness! There are more important things — friendship and bravery and — oh Harry — be careful!”

(PS, Ch16)

And Ron clearly doesn't expect stupid behavior from Harry. He's surprised and shocked when Harry does something he considers stupid:

“What the hell,” panted Ron, holding up the Horcrux, which swung backward and forward on its shortened chain in some parody of hypnosis, “didn’t you take this thing off before you dived?”

(DH, 19)

Both Ron and Hermione trust Harry's opinion and they trust him to know what to do when shit hits the fan. When things are dangerous, both Ron and Hermione (and everyone else) turn to Harry to know what to do becouse that's the aura he has:

“I’d tell him we’re all with him in spirit,” said Lupin, then hesitated slightly. “And I’d tell him to follow his instincts, which are good and nearly always right.” Harry looked at Hermione, whose eyes were full of tears. “Nearly always right,” she repeated.

(DH, Ch22)

Hermione agrees with Lupin's assessment here. Dumbledore did too, he's the one who told Kingsley and Remus to trust Harry's instincts. Harry doesn't give the impression he's messy and bumbling, quite the opposite. Yes, Harry and Hermione have their doubts, they don't agree with Harry on everything, especially when he has no evidence for his claim except his intuition. But, it's telling Harry can make claims based on gut feeling and Ron and Hermione ask him why he thinks that instead of just instantly rejecting the claims.

Like I mentioned above, he looks like he has his shit together even when he really doesn't. He's an expert in keeping a mask on and bottling up his feelings.

Sirius, also sees Harry as mature and capable for his age. It's why he's so insistent on telling him things while Molly wants to cuddle Harry:

“I don’t intend to tell him more than he needs to know, Molly,” said Sirius. “But as he was the one who saw Voldemort come back” (again, there was a collective shudder around the table at the name), “he has more right than most to —” “He’s not a member of the Order of the Phoenix!” said Mrs. Weasley. “He’s only fifteen and —” “— and he’s dealt with as much as most in the Order,” said Sirius, “and more than some —” “No one’s denying what he’s done!” said Mrs. Weasley, her voice rising, her fists trembling on the arms of her chair. “But he’s still—” “He’s not a child!” said Sirius impatiently.

(OotP, Ch5)

Between them, Sirius sees Harry more accurately. Harry is incredibly mature and capable and wants to be in the know. He'd be better off in the know. Sirius understands Harry's curiosity which Molly seems unaware of. Lupin also remarks on how Harry is going to find out things anyway, he's aware of how curious and determined Harry is. Sirius considers Harry capable even during PoA and GoF:

I know better than anyone that you can look after yourself and while you’re around Dumbledore and Moody I don’t think anyone will be able to hurt you.

(GoF, Ch18)

Molly, on the other hand, never really sees Harry's capabilities. Molly only ever sees a polite, intelligent kid. In the early years at the Weasley, Harry barely talks to Molly and Arthur because he doesn't really know how to talk to them. So they talk to him, the other Weasleys talk around him, and he's polite in turn:

“I don’t blame you, dear,” she assured Harry, tipping eight or nine sausages onto his plate. “Arthur and I have been worried about you, too. Just last night we were saying we’d come and get you ourselves if you hadn’t written back to Ron by Friday. But really” (she was now adding three fried eggs to his plate), “flying an illegal car halfway across the country — anyone could have seen you —”

(CoS, Ch3)

Harry acts around most adults like this, especially when younger. It's clear he acted this way around his teachers too:

“You see what you expect to see, Severus,” said Dumbledore, without raising his eyes from a copy of Transfiguration Today. “Other teachers report that the boy is modest, likable, and reasonably talented. Personally, I find him an engaging child.”

(DH, Ch33)

Snape got it a bit different. Because Harry is defiant and sassy — it's how he responds to the Dursleys, and this is how he responds to threats he can't do anything about in general. Sass. It's why we see Harry do this with Umbridge, Snape, and Scrimgeour:

Who do you imagine wants to attack children like yourselves?” inquired Professor Umbridge in a horribly honeyed voice. “Hmm, let’s think . . .” said Harry in a mock thoughtful voice, “maybe Lord Voldemort?”

(OotP, Ch12)

“Do you remember me telling you we are practicing nonverbal spells, Potter?” “Yes,” said Harry stiffly. “Yes, sir.” “There’s no need to call me ‘sir,’ Professor.”

(HBP, Ch9)

“...You may wear that scar like a crown, Potter, but it is not up to a seventeen-year-old boy to tell me how to do my job! It’s time you learned some respect!” “It’s time you earned it.” said Harry.

(DH, Ch7)

Harry appears confidant and arrogant not only to Snape but to Scrimgeour too (I think other students at Hogwarts see Harry as arrogant too. His demeanor can come off as arrogant if you don't know what he's thinking. It's why they could believe the Daily Prophet, it fit what they got to see). It's because he is rude and sassy when speaking his mind. It's because he acts more confident when he's terrified. It's because he's cold, distant, and uncaring towards most people and actively avoids talking to most.

And even that's mostly when he's older. In 4th year, he responds to Snape by glaring at him silently and wishing he could cast a Crucio at him:

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . .

(GoF, Ch18)

Harry is overall really quiet, which does create the impression of him being put together. More than he thinks of himself, for sure. It also adds to why many students feel as comfortable talking about him as they do because he feels distant to them. His quiet makes him feel mysterious, unknown, and far away. Like a symbol rather than a person.

Something I want to note, specifically with Umbridge, is this scene:

Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile. “Yes?” “Nothing,” said Harry quietly. He looked back at the parchment, placed the quill upon it once more, wrote I must not tell lies, and felt the searing pain on the back of his hand for a second time; once again the words had been cut into his skin, once again they healed over seconds later.

(OotP, Ch13)

Part of why Harry comes off as such a put-together badass is that he doesn't let others see his pain. He doesn't show he's in pain to others, especially when it's people he doesn't like. He acts though, constantly.

He hates crying in front of others becouse Harry does everything he can to not appear weak:

Harry suddenly realized that there were tears on his face mingling with the sweat. He bent his face as low as possible, wiping them off on his robes, pretending to do up his shoelace, so that Lupin wouldn’t see.

(PoA, Ch12)

And it works, people see him as confident, and capable, and heroic. Most people don't see the struggle because Harry keeps bottling it in.

Even with Hermione, he tries not to let her see how upset he actually is. We know in his head, that he is devastated by his wand breaking, that he's mourning it like it was a dead loved one, but this is what he's willing to show Hermione:

“It was an accident,” said Harry mechanically. He felt empty, stunned. “We’ll—we’ll find a way to repair it.” [...] “Well,” he said, in a falsely matter-of-fact voice, “well, I’ll just borrow yours for now, then. While I keep watch.”

(DH, Ch17)

All this means, we, as the readers , see Harry's pain, his struggles, his vulnerability — but the other characters almost never do.

The only character who is consistently aware of Harry's struggles is Sirius who Harry confides his weaknesses to more than any other character:

“Never mind me, how are you?” said Sirius seriously. “I’m —” For a second, Harry tried to say “fine” — but he couldn’t do it. Before he could stop himself, he was talking more than he’d talked in days

(GoF, Ch19)

Harry is so used to saying his fine and bearing his burdens in silence. It's what he does. It's what he did for years. Most characters think Harry is unshakable because that's how he acts.

Even when Harry tries to lie so Sirius won't worry, Sirius sees through it:

Nice try, Harry. I’m back in the country and well hidden. I want you to keep me posted on everything that’s going on at Hogwarts.

(GoF, Ch15)

As for his room and appearance, he is a little messy actually when he has the chance to be in seventh year:

Harry had spent the morning completely emptying his school trunk for the first time since he had packed it six years ago. At the start of the intervening school years, he had merely skimmed off the topmost three quarters of the contents and replaced or updated them, leaving a layer of general debris at the bottom—old quills, desiccated beetle eyes, single socks that no longer fit.

(DH, Ch2)

As in, his trunk is a bit of a mess. But this makes sense, I think. He allows himself to be messy when he doesn't have the Dursleys over his head. It's like a sort of freedom he didn't have before, so he indulges in it. I think the mess in his trunk is also a result of him actually living from it for 6 years, as he couldn't really leave everything at home with the Dursleys, could he? Still, his room and belongings are nowhere near as messy as Ron's.

As for his appearance, the only thing mentioned to be messy is his hair:

His jet-black hair, however, was just as it always had been — stubbornly untidy, whatever he did to it

(PoA, Ch1)

But from other characters (including Hermione) thinking Harry's hot:

“Oh, come on, Harry,” said Hermione, suddenly impatient. “It’s not Quidditch that’s popular, it’s you! You’ve never been more interesting, and frankly, you’ve never been more fanciable.”

(HBP, Ch11)

We can conclude Harry's messy hair comes off as cool and attractive and not like a bird's nest.

We also see from Hermione and others that Harry looks scary. He is 5'11 by book 6 with an intimidating glare and that he looks like he can throw a punch, (and can definitely throw a punch when he wants to). So he has a physical intimidation factor when older:

“Well, it’s like Hagrid said, they can look after themselves,” said Hermione impatiently, “and I suppose a teacher like Grubbly-Plank wouldn’t usually show them to us before N.E.W.T. level, but, well, they are very interesting, aren’t they? The way some people can see them and some can’t! I wish I could.” “Do you?” Harry asked her quietly. She looked horrorstruck. “Oh Harry — I’m sorry — no, of course I don’t — that was a really stupid thing to say —”

(OotP, Ch21)

Harry was not aware of releasing George, all he knew was that a second later both of them were sprinting at Malfoy. He had completely forgotten the fact that all the teachers were watching: All he wanted to do was cause Malfoy as much pain as possible. With no time to draw out his wand, he merely drew back the fist clutching the Snitch and sank it as hard as he could into Malfoy’s stomach — “Harry! HARRY! GEORGE! NO!” He could hear girls’ voices screaming, Malfoy yelling, George swearing, a whistle blowing, and the bellowing of the crowd around him, but he did not care, not until somebody in the vicinity yelled “IMPEDIMENTA!” and only when he was knocked over backward by the force of the spell did he abandon the attempt to punch every inch of Malfoy he could reach. . . .

(OotP, Ch19)

To summarise

Harry bottles up a lot of his emotions and tends to be quiet, this creates the often wrong impression he is confident and has his shit together.

He doesn't show pain and weakness to others and doesn't cry or show he's upset to basically anyone (except Sirius). This means basically no one sees his struggles or how depressed and traumatized Harry actually is. It even surprises Ron and Hermione in book 5.

He is defiant and rude to people he doesn't like, especially when scared, the result is that he appears like a very capable and confident badass especially when under pressure.

He can be intimidating with his glare alone and once he's older he is a physical presence. He's not someone who can disappear in a crowd post-book 5.

His rudeness oftentimes stays in his head except when someone really annoys him. This makes him appear defiant, but overall polite because he keeps most of his mean comments to himself.

When younger, he is very polite and quiet, especially toward adults. When he's older, he gets a little sassier (as in, he says some of his internal monologue out loud). But he is a polite, well-mannered kid for the most part.

The character who has a messy room, is a bit of a slob, has chicken scratch handwriting, and is lazy with schoolwork, is Ronald Weasley, who I love dearly, but these descriptions have nothing to do with Harry and everything to do with Ron.

The only unkempt thing about Harry's appearance is likely his Potter hair, which is more messy hot than messy bad (if all the girls' reactions are anything to go by).

[wickworks]

Lancer Tactics dialogue layout crisis of faith

(from this month's backer update)

Every so often, I'll run into something in development that eats away at me until it pushes me to a crisis of faith and I have a breakdown, burn down a bunch of work, and build something better from the ashes. These are moments of transformation and we're almost always able to come out the other side with something much better than what we started with.

This all sounds very dramatic until you take a step back and see the issue in question is just, like, the layout of a menu. But if medieval priests were able to have schisms over angels on pins I can have strong feelings about graphic design, dammit!

This month's episode revolved around how we're doing character dialogue. For reference the plan was to do a standard 4-slot visual-novel talking heads layout. I call it a 4-slot because there's usually four positions that characters can stand; two on the left, two on the right:

I had it ingame, and it was working. But... something felt off. Do you see the difference between every one of the above examples and this?

It's all about perspective, baby.

Answer: all the character art in those examples are drawn at a slight angle so they can be flipped back and forth to be made like they're looking at each other.

Trying to do this with the perspective we chose early — straight on — makes for a chorus line of weirdos who are looking directly into your soul as they ostensibly chat with each other. Credulity is strained; the illusion of these puppets interacting in the same space is paper-thin.

(I was skeptical of choosing this perspective for this reason, but we ultimately went with it to make the customizable assets in the portrait maker easier to fit together)

We tried a bunch of different layouts, but they all at least one of these problems:

they'd stare into your soul while ostensibly directing comments elsewhere.

they felt like text messages; this would be fine if that's what we were going for, but we wanted something that could represent face-to-face conversations. (Tactical Breach Wizards was able to pull this style off because they had little 3D dioramas to go along with it)

or, most damning of all, they felt like zoom calls.

So, my heart aflutter and spirit in want, I spent a day doing a research dive into various dialogue layouts (bless the Game UI Database!) to see if any other games had managed to pull this character art perspective off. I ended up with this massive non-chronological taxonomic tree:

(fullsize here)

The type of layout that particularly caught my eye was this style where each character had their own little box. These layouts borrow a concept from comic books called "closure" where the space and time between characters are left blank. Freed from the constraints of trying to simulate a single space, these layouts allow the reader to fill in the blanks with something that feels more true-to-life than anything we'd be able to render ourselves.

I was especially impressed with the dynamism of Tales of Symphonia and The World Ends With You; rather than sticking to single slots they would animate the entire panels moving around to indicate motion an relative position of characters.

So we threw out the old code and copied them. Here's what we've come up with:

We'll be able to have portraits interact, like smacking each other (I felt like a kid hitting two action figures together, lol)

We can also apply effects like princess-leia-holograms and full-screen "lighting" effects like warning banners:

Carpenter and I came up with a number of arrangements that the portraits can smoothly transition between:

I've also implemented support for choices during a dialogue, potentially leading to branching paths.

Overall, I feel SO much better about this system than our initial designs. It might feel a little more cartoony, but I think we're making a cartoony game so that's not a problem.

Whew. We bit a lot off to chew with this project. I feel like I just made a second visual novel game engine inside of the first. Fingers crossed that it all ends up worth it.

[sanguineterrain]

Your writing is so damn good, you execute every request perfectly 😭

Could you maybe write something where Dick's insecure partner wants to break up with him because their self-image is getting worse cause they feel they can't catch up to the Golden Boy reputation, superheroes, billionaires and so on?

hi, thanks for the request! I hope I did it justice :) a brief interlude from jaytodd before we return to our regularly scheduled program lol

dick grayson x gn!reader. low self esteem, an almost breakup, reader feeling insecure, threatened, sad. happy ending! 2.1k words

****

You've been tugging at your outfit for ten minutes. At this rate, you'll have to concede that this is as good as it's going to get.

"My love, you almost ready?"

You sigh and watch your reflection fold its arms.

"Yeah," you say softly. "'M ready."

The door opens. Your heart swoops.

Dick is beautiful, as usual. Your boyfriend can do a lot, including fill a suit. Both your and his outfits were tailor-made because that's one of the perks of being the son of a billionaire.

Over and over, you'd insisted you could wear off-the-rack, and over and over, Dick had said that was silly, that Bruce wouldn't mind.

And it's true that what you're wearing flatters you better than anything from Macy's or Marshall's would've. But you know it won't help tonight. Not in a room full of Gotham's elite.

"Just as I suspected," Dick says, immediately draping his arms over your hips. "You're gonna steal the show tonight."

He's lying.

That voice in your head has gotten louder recently, and you don't know how to turn it off.

You kiss him instead of responding. Dick enthusiastically reciprocates, always delighted when you touch him. You used to think it would be enough.

But ever since you found out that not only are you dating a billionaire philanthropist with a face that makes angels weep, but that said guy is also arguably the most beloved hero in Gotham, maybe second only to the Batman (who's his freaking dad?!), you've begun to have doubts.

You pull back. Dick's tie perfectly sets off his eyes. They're bright as they look at you.

"Everything okay?" he asks, brushing your cheek with his thumb.

"Uh-huh," you say, trying to smile. "Just nervous."

“Hey, it's alright. I'll be by your side all night. I'll save you from any and all small talk, promise." He winks. "And we can duck out early, get hot chocolate from that place you like. They won't care."

Dick's always doing that. Always catering to you. You're just some nobody who happened to stumble into the best relationship you’ve ever had with a golden god.

Dick never reminds you of that. That he could do better. He doesn't have to—you know it all on your own.

You swallow. “Okay. If you're sure. I... I would like to leave early, Gray."

“‘Course, baby,” Dick says, attaching his cuff links. "Anything you want."

You turn back to the mirror, wondering if you can reinvent your personality before you go and remind everyone what a mistake Dick Grayson has made in choosing you. 

****

The party is tasteful, though a little stuffy. You're only here because Dick is going to give a speech, and he asked you to come support him. And while you know it's better for him to go without you so you won't dull his shine, it seems Dick hasn't quite figured that out.  

You hold onto Dick’s arm as he makes his usual rounds. Dick doesn't enjoy these events, you know that, but he's fluid in his interactions. There is no doubt he’s Bruce Wayne’s prodigy. With his suit, his hair, his easy posture, Dick is almost unrecognizable from when you woke up with him this morning. 

He's in his element. All you can do is peer in and watch. 

Dick leans in and slips a hand around your waist after the fourth interaction with a donor. A donor who, again, acted like Dick may as well have been dragging around a coat rack with how intently they ignored you. Not that you give a shit about what the one percent have to say about you, except sometimes they say a lot of mean things, things you're pretty sure they don't let Dick overhear, and sometimes you start wondering if Dick is the only person who can't see truth in what they say, and sometimes—

“Hey.” Dick leans in to talk in your ear. He's warm and solid. You wish that was a comfort. “You okay?”

You're exhausted. 

“Uh-hmm.”

He is going to wake up one of these days and realize he can have it so much better. 

Dick moves like he's about to say more, pull you closer and permeate your senses with his gold.

“Dickie!” 

Sweet, tinkling laughter echoes across the room. The crowd parts for this new woman, an obvious socialite, dressed to the nines and gorgeous. 

Her dress matches Dick's tie. You feel sick.

When she reaches you two, she wastes no time grabbing Dick and kissing his cheek. He extricates himself from her, like he's done a million times before with everyone else who thinks they're entitled to a piece of Dick Grayson. He shoots you an apologetic look. You look away.

“My God, it’s been what, ten years?” she says. Then she sees you. “Oh! Where are my manners? I’m Caroline Banesbury, Duchess of Middlesworth. I heard the Dickie Grayson was going to be here, and I had to come.”

“Been a while,” Dick says, smiling blandly. “How are you, Caroline?”

“Spectacular! Father just bought another castle. You should come and see it sometime.” She plucks a flute of champagne off of a passing tray and smiles behind the rim of the glass. 

“Dick and I go way back,” she says, gaze roving over him. “I hear you're transforming Blüdhaven. Taking a page out of Bruce's book, hm? You always had a big heart, Dickie.” 

She grabs his arm and links it with hers. You sigh and take a sip of your own drink. You half-wish Poison Ivy would come in and gas the room or something.

Dick clears his throat and maneuvers out of her grip once more, letting go of her with a light pat. He returns to you, snugly holding your shoulders.

"This is my partner," he says about you.

Caroline hums, looking over you. "I see. Pleasure."

You nod. She turns back to Dick.

“If I can be of any help to your project, you let me know,” she adds, glancing down at where her empty arm now hangs at her side. “Anything.” 

“That's generous of you, Carrie.” 

Dick and I go way back.

Oh. Right. You're stupid. They've dated. 

“We should have dinner,” she continues. “Catch up. I'm dying to know what Gotham's darling has been up to.”

“I feel sick,” you announce. 

Dick and Caroline turn to you. Caroline looks perplexed, like you've just said you like to chew concrete. 

“Oh, I'm sorry to hear that,” she says, hardly sparing you a glance. "Perhaps you ought to lie down."

You feel Dick's eyes on you. If you don't leave soon, he'll know you're lying. Possibly the worst part about dating Batman's protégé.

Suddenly, leaving this hall is the most important thing you've ever had to do. You feel like you'll die if you don't.

Your feet start moving.

"Baby—"

Anyway, this is Caroline's chance. She can swoop in with her trust fund and while you think Dick can do way better than her—he can always do better—anyone is better than you. For Dick Grayson, who has been a master acrobat since he was a child, son of Batman, leader of the Titans, indubitably intelligent, capable, beautiful, the best goddamn guy you'll ever know—

You've lost your way. You're out of the gala, away from duchesses and doom. And you meant to get your coat but this hall that Bruce rented is enormous. You've no idea where you are. But you're alone.

Bruce must've known too, how unfit you are for his son. And why wouldn't he tell Dick? Unless Dick ignored him, because Dick, for all his smarts, is stupidly in love with you, thinks you're where he should put his heart, is certain you won't fumble and drop it.

Warm, callused fingers catch your wrist and you remember, suddenly, Dick telling you once, after you'd nearly stumbled into the street, that he'd never let you fall.

You meet his eyes. Why does he look at you like that? Who gave him the right to look at you like-like you—as if you could ever deserve—

"Hey," he says, squeezes your hand. "Hey, hey. What's going on?"

Dick Grayson is not a trusting man but he trusts you and good God, you're about to break him.

"I need to break up with you," you blurt.

"What?" he breathes. "What—why would you say that?"

You wish he'd give you the slip he gave everyone in that room, gently separate your arm from his hand. You never learned how to evade Dick's touch.

"Because it's true. Dick, please understand—"

"No, I'm trying to understand. Because yesterday—no, tonight, you were fine—"

"No, Dick, I wasn't fine! I haven't been fine in months!"

You wrench your arm away. He looks like you slapped him.

"You know anybody I talk to in there means nothing, right? You know that, honey." He's pleading.

You curl your fist into your eye. "It's more than that, Gray."

"Then tell me what the problem is," he says desperately. "Tell me and we'll fix it. I promise we can fix it."

"You can't!" you say, voice cracking. "You can't fix me."

Dick shakes his head. "I don't—"

"Why can't you let me break up with you with a little bit of dignity?" you ask. "Do you have to be better at this too?"

"I don't want to break up," he says, tugging at a handful of his hair. "This doesn't make sense. We're happy. You're happy, aren't you? Don't I make you happy?"

"Of course," you choke out. "Of course you make me happy. But you don't see I'm bad for you. You're wonderful and perfect and golden, Dick. And I'm a stain. I need to be scrubbed away."

"Wh—that's not true!"

"Everywhere we go, people see me with you and are immediately confused. I'm not a superhero, I'm not royalty, I'm not a socialite, and yet somehow I've managed to snag Gotham's darling. This is a mistake. I'm trying to do you a favor and wake you up!"

Dick's face is hard with anger. How could you have thought this would be easy?

"I don't need to be woken up! What is it that makes you think I have no agency over the people I choose to spend time with? Everyone I meet thinks they're entitled to touch me, demand me. Everyone but you. You, the person I chose to love, who I love everyday. Do you think you pulled the wool over my eyes and you're snapping me out of it? Is that what you really think?"

And isn't this the most puzzling thing? That he's not sad or gently accepting; Dick is mad.

"I just—" He runs a hand through his hair. "I don't mean to yell, but really, I can't bear it if you see me as some god on a pedestal, unattainable and inhuman, like everyone else sees me. I love you on purpose."

"You're so accomplished, though," you say weakly. "You're..." You wave your hand over him. "You're fucking Nightwing, D. You were Robin, you have superheroes for friends, Batman for a parent, you're beloved by, like, all of Jersey—"

"My love, you know those are just parts of me. You see all of me. You know me. And that's not a one-way privilege, okay? I'm so damn lucky to know you, to love you, to be with you, to fight with you. To fight for you. Knowing you isn't something I take for granted."

"But I'm boring," you say, tears spilling over. "Jesus Christ, Dick, I'm plain and untalented, barely a dime to my name, so painfully ordinary that—"

"Listen to me," he says, taking your face in his hands. "Flying around or shooting lasers out of your eyes, sure, it's cool, and it's helpful for taking down an alien dictator. But I don't need you to do any of that, honey. I don't need nor want you to be anyone but you. I wasn't tricked or swindled into loving you. We caught each other halfway, just like we were meant to."

You let him pull you into his arms, let him press your tear stains to his silk pocket square, let his hair fall around you.

His embrace is solid, firm, but when he inhales, his shoulders shake.

"Do you—" He swallows, throat against yours. "Do you still want to break up?"

His heart beats against your cheek.

"I'm just afraid you'll get tired of me," you whisper. "Bored. Annoyed."

"I won't," he whispers. "You're the least boring person ever. It's never boring to be loved."

You squeeze your eyes shut. Dick's warmth encloses you.

"No, I don't want to break up. I'm sorry."

He holds you tighter, and you realize you never had to match Dick's tie. Not when you've got his heart.

[hyomaslut]

──★ ˙🍓 ̟ !! what is this? boyfriend material.

☆⌒(ゝ。∂).ᐟ ᴡʜᴀᴛ ᴀʀᴇ ʙʟʟᴋ ʙᴏʏs ʟɪᴋᴇ ɪɴ ᴀ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘ ᴘᴛ. 𝟷

✿ ─ characters: isagi yoichi, chigiri hyoma, reo mikage, nagi seishiro ✿ ─ cw: fluff, gn!reader, no pronouns but there are a few 'fem coded' things referenced like make up or skirts, aged-up!characters, established relationships, pet names, kissing, groping, pda, use of foul language, suggestive themes, proofread so many times so if there’s a typo ill cry ✿ ─ notes: this is my first post ♪(´▽｀) i haven't written stuff like this in a pretty long time so bear with me ‹𝟹 this is some hybrid of headcanon and drabble idk

ISAGI YOICHI is a full-fledged bonafide simp...

he suffers from tragic a condition. when he’s not trying? flirting supreme panty dropper. however, when he tries to flirt with someone he likes? bro is fumbling. at first he seems like such an instant charmer. hes a classic gentleman, great listener, and super attractive. but the second he gets an inkling of a crush, he ruins it for himself. stuttering and getting his words mixed up, saying the most embarrassing jumbled combination of what he actually meant to.

follows you around to all your tasks because how else would he spend his free time except hanging with his baby. to sephora, to the grocery store, to the salon, the the ends of the earth if that's where you're heading that day. more than happy to hold onto your hand as you go about your business, rambling about global soccer statistics and looking at you like you hold the world. yoichi is a prideful purse holder too, his arms and pockets and car being full of your belongings makes him insanely happy for some reason he can’t put his finger on. always ready to press the lip gloss you’re patting yourself down for into the palm your hand, taking a kiss as payment.

he’s bad at planning dates, so don’t put him in charge unless you want to be late to a reservation at a restaurant 2 hours away with mediocre food. he’s good at paying for them though!! the dates he does get to plan are usually to the mall. what can i say, man likes to spoil you.

at the mall isagi can kind of trick you. because typically if he were to offer to buy you a couple hundred dollars worth of things, you would absolutely refuse. buttt if its just one thing from this store and one thing from another, and maybe its the fact that you dont feel the weight of all the items as your boyfriend carries it all, but it flies under your radar. and at some point you look at yoichi… and he has a lot of shopping bags. surely some of those were his right? the little pleased love sick smile on his face says otherwise.

its so worth it to isagi tho. he gets to spend time with you, make you happy, be a doting bf. but it also means that he can pick out clothes for you. as generous as he was, he could be a bit of a greedy gifter - never leaving the mall without a new skirt of his choosing. will personally pick out a pile of things he wants you to try on just for him.

once youre with isagi for a few months, he reveals his true colors. man is a serial PDA offender. he just thinks you’re so pretty, and it gives him such an ego boost to be the guy by your side. better hold his hand or its going in your back pocket. leans in under the guise of giving you a quick, generally acceptable peck on the lips… but all of a sudden he wants another before you even fully pull away from the first and its all downhill from there. sits on your side of the table at restaurants instead of across from you so he can rest his hand on your thigh and sneak in small squeezes when he thinks youre not paying attention. and be careful about walking in front of him, he’s not strong enough to resist the urge to smack your ass.

if the PDA thing wasnt a dead give away, isagi is just very affectionate in general, honestly has a hard time leaving you alone when you’re in the same room as him. he just gravitates towards you no matter what he was previously doing. very easily distracted, very easy to bribe. he’s the type of guy where when he goes to get out of bed in the morning to go to practice, and you cling to him and ask him for just 5 more minutes, theres nothing that could stop him from sinking right back into your arms. his attendance record has definitely suffered because he is unable to deny you a single thing you ask for, especially if that thing is him.

CHIGIRI HYOMA is taken and makes sure everyone knows it…

hyoma’s partner very quickly becomes his best friend if they weren’t before they started dating. it’s not even intentional, but he gets very quickly attached to you. sure, he has a decent amount of friends, but none of them know him like you do. he loves to hear you talk about your life, invested in your daily drama and indulging you with all of his. he likes to hear your input and insights on situations. he takes notes in his phone when he sees things he thinks you would like, or conversations he had that he wants to tell you about. forever surprised by how much he misses you when you’re apart, chigiri is used to not needing anyone the way he needs you. is so much grumpier at matches that have him go abroad without you, texting you often throughout the day, whenever he can get his hands on his phone.

because you’re now his best friend and partner, chigiri’s a bit tied to you at the hip, but he would never admit to being clingy. not that you mind, hanging out with him is fun and surprisingly intimate. he never fails to hold your hand wherever you go or throw an arm around your shoulder. on dates he’ll lean in close to your ear to whisper little observations and jokes about the people around, the two of you sharing witty comments and secretive snickers behind your hands. when hanging out with mutual friends, the way yours eyes meet his wordlessly, both holding the same micro expression, indistinguishable to other people, that says “we are so talking about that later”.

speaking of clinging to your side, hyoma can have a bit of a possessive streak at times. i feel like it’s something you don’t really expect of him until there’s a guy flirting with you in a store. the way your boyfriend is at your side before you can even answer, standing at his full height, squaring his shoulders with a sour look on his face, not at all shy about the way his arm snakes around your waist. “they’re not interested.” he states plainly, as if it were obvious, but if you payed close attention to him (which you always did), you would notice the distasteful curl of his lip or the venom seeping into his tone or the way his usually gentle fingers hold onto your side with a firm grip.

he doesn’t meet your eyes after, already sensing the knowing smirk on your lips. his ears turn red when you break the silence to tell him that green was a good color on him. but, your ever clever boyfriend is quick to reply, “that’s cute baby, but i’m not jealous. you haven’t seen me when i’m jealous.” the mischievous glimmer in his eye and the smug smile he wears reminds you to not test him.

king of matching outfits with you. not in the novelty shirts cheesy way, but he always asks for a fit check before he picks you up on dates. chigiri is outside your apartment within the hour, wearing a jacket that matches the color of your shoes and a sly grin. generally starts to shift his style to be a bit more cohesive with yours, he loves going out and looking like you belong together.

not to mention, matching outfits give him more excuses to take pictures with you. photos of you and him are plastered all over his instagram, your handle in his bio and everything. he’s no amateur either, always able to catch your best side, in perfect lighting. really makes you feel as pretty as he seems to think you are. hyoma is a bit of a show off too, so he gets a bit of an ego boost getting to let everyone know how cute you are, and that you’re all his.

hyoma greatly values the alone time he gets to spend with you. the best part of his week is sitting on the couch as you help him with his hair care routine. you running a mix of the comb and your fingers through his hair as the two of you catch up on the k-drama you started together. your touch and your attention and your warm presence enough to make the stress of a pro soccer career melt off his shoulders. makes you teach him how to do your nails and learns your skin care routine so that he can return the favor, although he’s much better at the latter.

MIKAGE REO is ungodly whipped and more than a little dramatic…

if we’re talking about social media boyfriends, reo is near insufferable. let’s be real, reo was already flexing on the gram before you got with him. constantly posting pictures of his car and expensive watches and exclusive clubs. he just becomes worse when you agree to go out with him. his story is full of aesthetically blurry shots of you, sometimes featuring him, anywhere and everywhere. in his car, on dates, cooking in his kitchen. he even found the audacity to post a picture of you in his bed, your bare back in full frame, the sheets pooled around your waist. “i’m so lucky” was the caption and the only context provided. unsurprisingly the lifespan of that post was quite short once you caught wind of it, with the assurance that he wouldn’t be getting so lucky in the near future.

i totally think reo is the type of guy that tries to act like a fuckboy but is secretly a hopeless romantic. in other words, reo is a huge sap™. has a picture of you in his wallet. you’re his screen saver and all his passwords feature your name. nagi is the last person left that will still listen to reo ramble on about you, all of his other friends having gotten tired of it.

we already know that reo is taking you to fancy dinners on the regular, but more unexpectedly i think he is a big fan of outdoorsy dates. previously mentioned hopeless romantic tendencies means reo loves a picnic way more than he lets on. his favorite is when the summer comes around and he gets to take you to the beach. if reo dies and goes to heaven and it's not you rubbing sunscreen into his warm back in a skimpy swimsuit he picked out for you himself, he's not interested. a close second favorite of his is late night drives with you. all the windows of his luxury sports car down, blasting a playlist the two of you made together, singing loud and ugly down the empty freeway. in these moments you make him feel weightless and he swears it’s addicting.

king of clingy. every time that you feel your phone vibrate, there's a good chance that it's your boyfriend. never with anything important either, asking where you are, how was your day, sending you pics of whatever he is doing, even resorting to imessage games when he runs out of things to talk about. he just always finds himself itching to open your contact. if mikage reo could eat up all of your attention, he would not hesitate to do so.

reo is usually the caretaker. when he obtained status of boyfriend, you automatically went on his list of special people in his life, only really consisting of you and nagi, and this granted you the exclusive privilege of walking all over him if you so please. truly a pushover and weak to your pouts. while we’re on the subject of ways to get him to fold, reo is surprisingly easy to flatter. your compliments are honey to his ears, no matter how many people have said the same to him before. his heart thumps loud in his chest whenever you do any act of service or labor of love for him. just wait for the day you buy this man some flowers. got his hand splayed over his red face, his palm not wide enough to cover his infatuated grin. "they're really for me, babe? god i knew i picked you for a reason.”

reo's feelings for you run extremely deep. scary deep. you make him feel stupid and irrational. he can't think straight, he's impulsive. you have to keep a close eye on him because give reo enough time alone and he'll convince himself that getting your name tattooed across his chest is an amazing idea, a grandiose display of his affection and devotion to you - sick as hell too. god forbid you go on a trip by yourself, there's honestly a decent chance you'll come home to a marriage proposal and explanations on how "no no, don't worry babe, i know its sooner than you expected but i've got it all planned out.” just be glad that up until this point he has resisted the strong urge to drop a fourth of his trust fund on a ring, a price he's more than willing to pay to make you all his.

NAGI SEISHIRO is greedy and will readily take a mile if given an inch…

nagi is… new to the whole boyfriend thing to say the least. not to say he’s bad at it or anything, but i imagine that in the beginning of your relationship, things are a bit, for a lack of better words, lukewarm. he struggles a bit with recognizing that the switch from friends to more than friends is more than just the title, letting you completely take the wheel. but his passiveness doesn’t last long. not when he can’t escape the way you are constantly on his mind. he thought it was overwhelming enough having a crush on you, but now that he’s falling for you it’s on another level. he thinks of you when he first opens his eyes, facing the obnoxious blue light of his phone to send you your daily goodmorning :x . he thinks of you at night, when he’s restlessly fighting to fall asleep before he ultimately caves and facetimes you so that he can drift off to your tired mumbles and even breaths. he thinks of you when practice drags on, the anticipation of seeing you after the only thing keeping him from giving into his exhaustion.

nagi can’t get you out of his head for the life of him, but to be fair he doesn’t put up much of a fight. seishiro is used to getting what he wants, so what does he do when his desire for you becomes a hassle? he makes it your problem. constantly calling you and asking you to pick him up from social functions because he misses you. insisting that he stays the night at your place or that you come to his because he needs his daily dose of you. and he doesn’t have the shame to be shy of telling you everything on his mind either. he unintentionally says very flustering things, unabashedly demanding your touch and your company, no matter who is listening. it’s your fault he’s like this after all, you might as well take responsibility and give him what he wants.

and what he wants is affection from you, as much as he can get. serishiro is mesmerized by your reactions. being in love with you is uncharted territory that he maps out with piqued curiosity and newfound greed. especially kissing. once nagi gets his first taste of kissing you for real, messy and needy and drawn out, he never wants to go back. not after seeing your red face, eyes lidded and lips parted so cutely he just has to steal one more. now his day dreams revolve around you, what flavor of chapstick you’re wearing, what perfume do you have on, are you thinking of him as much as he does you? thats one thing he never really finds the courage to ask, but that he secretly hopes is true.

he loves to find things you can work on together, even if you always end up being the one putting in more effort. nagi will insist on cooking dinner together, and maybe you get his help for a good 10 minutes before he’s slumped in a seat at the counter eating the ingredients. buys tons of lego sets for the two of you to put together and while you’re following the instructions, he’s stealing pieces you need so he can build a little car to push around the table while he watches you figure it out. he’ll even settle for a puzzle and a movie, but your out of luck if you expect him to do anything but the edges.

the lazy genius only really has the time and energy to have a couple of important people in his life, but once you make it into that inner circle, that shit is permanent as far as he’s concerned. it begins with him telling you that it only makes sense to leave some clothes at his apartment, you’re at his place half the week anyway. and then its him smuggling over your favorite pillows and stuffed animals to his bed instead of yours. then he’s asking you to go grocery shopping with him every week. the jokes he makes about the fact that, “you keep all your stuff here anyway. just move in with me already,” are far too frequent to be subtle. but when he hits you with the puppy eyes, which are annoyingly effective, how could you say no?

you’ve put yourself in his orbit after all and now the solar system that is nagi seishiro will use his gravity to pull you inevitably closer. it’s doomed.

is my bias obvious?? cuz i feel like it might be… lmk which one was your favorite!!

© 2023 hyomaslut. please do not copy, translate, or repost any of my content onto any other sites.

[cherriegyuu]

back room | csc

pairing: seungcheol x f!reader genre: smut word count: 2.3k summary: while seungcheol is on a meeting you decide that it's a great moment to send him nudes. warnings: minors do not interact, kissing, stimulation, swearing, petnames, penetrative sex, unprotected sex (don't do this) a/n: this is part of 1k event, it was requested @xcynthiaaa. i hope you like it. prompts: "Feeling a bit possessive, aren't we?" + “Can you stop sending me nudes, I’m at work.” lower case was intentional, not proofread

you anxiously watched the meeting room, you glanced at your phone every now and then to make sure that seungcheol had gotten your text. he was doing a good job of keeping a straight face, his eyes not even once going to his phone or to you, though you were sure that he knew that the new influx of texts was from you. 

without meaning to, your eyes went from him to the woman sitting right in front of him. since the beginning of the meeting she never stopped looking at seungcheol and if the nasty gossip that floated to your ears was any true, she had been hitting on him a long time before you showed up.

maybe you were feeling a little insecure about yourself, because the woman was stunning, with the kind of face and body one could easily find in a magazine, or maybe you just hated the fact that there was a woman throwing herself at your boyfriend. to his credit, seungcheol never looked at her, unless she directly called his name, and when she touched his leg with her pointy shoes he scooted his chair back.

you bit your lip, wanting to come up with an excuse to go into the meeting room and maybe end it. but you didn't have a good one and although if you did go in, no one would ever bat an eye, it just wasn't right. and, more than anything else, it could backfire and instead of being amused by your sudden jealousy, seungcheol would get angry because you could have potentially ruined an important moment for him. 

so you kept your butt on your chair, doing your very best to keep your focus on the work that needed to be done. it was pointless and you knew that. every couple of seconds your eyes moved to the meeting room. 

"who was the idiot that decided that a meeting room should have glass walls?" you asked no one in particular. 

"pretty sure it was the ceo" wonwoo said from the desk in front of you. 

it was a surprise that he even heard you in the first place. wonwoo was great at ignoring the people around him, you more than anyone else, and he usually had his earbuds in, blasting music loud enough that people near him could hear it too. you liked to pretend that he never answered because his hearing was getting progressively worse because of all the loud music. 

"almost certain your boyfriend agreed, saying it was a great idea," he said, not looking at you. 

you choked on your own saliva, eyes wide as you reached for the water bottle on your right. no one was supposed to know about your relationship with seungcheol, as it was against company rules. both of you thought that you had done a good job in hiding it, a fantastic one actually. 

you never arrived together, never left together, barely talked of things that weren't specific about work, and if there was a company dinner you never sat close to each other, always choosing opposite sides, but careful enough not to be facing each other. 

you were always careful, to the point most people thought you didn't like each other. 

"he's not..."

"you don't have to lie" he waved a hand in your direction, "i'm the only one who knows. and i only know because i saw you together a couple of weeks ago at a restaurant" 

you opened your mouth to say something when your phone suddenly lit up with an incoming text. it was pathetic how quickly you grabbed your phone, to the point wonwoo laughed at you. 

cheol feeling a bit possessive, aren't we?

you bit your lip trying to hide your smile but it was almost impossible. when you looked at the meeting room, seungcheol's eyes were focused on you. 

to the average person, he looked displeased, angry even. but you knew that the glint in his eyes was for a different reason.

you moved your attention back to your phone.

you just wanted to remind you that you have a girlfriend

you went through your gallery again, clicking on the picture you took a few days before and pressing send. seungcheol had to be away for a few days because of work and because you weren't part of his team, there was no reason for you to tag along. you had been feeling hornier than usual, needy even. so you decided that if you were missing your boyfriend to the point where your fingers could do nothing but make you even needier, he too could miss you a little bit. 

so you took pictures of yourself sprawled in his bed, wearing the red lingerie you knew he liked the most, and sent it to him. it took him a couple of hours to see it and it was so long that you started to think that maybe it had been a bad idea and that though he was someone who enjoyed foreplay there were things that he wasn't willing to do. 

to your surprise and delight, he was more into it than you expected. 

after that, if you were feeling pretty enough, you'd take pictures and randomly send them to him. 

cheol you know i love it but, can you stop sending me nudes? i'm at work  we're at work

you okay ;)

you send him a different picture, this time one he had taken the night before, of your reflection in the mirror while you rode him. 

you smiled at your phone before setting it down, happy with yourself. seungcheol looked almost pained as he turned his attention back to the meeting, nodding his head every now and then, but his eyes continued to move back to his phone. 

he couldn't really believe what you had done, though you weren't the shiest woman he had ever met, for you there had always been certain boundaries you refused to cross. he couldn't help but wonder if you had gotten jealous enough to do that, send him pictures while he was in a room filled with people. had the client had gone a little further you would have barged into the room ready for a fight? 

his hard on was a little uncomfortable, and yes he crossed his legs in order to hide it, but it was extremely hard to keep the smile away from his face.

"i'm sure we can make the adjustments for next week, can't we seungcheol?" his boss suddenly said.

seungcheol cleared his throat and adjusted himself on the chair. 

"yes, i can finish it by friday next week

"great!" the woman said in her high pitched tone. 

seungcheol took a discreet deep breath to keep himself from rolling his eyes. 

he didn't know how you even thought that he could be interested in her, or if anything at all even went through your brain. the client was objectively pretty but everything else about her didn't do much for him. and she crossed one too many lines during the meeting. seungcheol made it a point to keep quiet for the day but there was no way he would stand another meeting with the woman. he would still work on the project but the ceo could handle her by himself, something told him he would be happy to.

"i was thinking that maybe we could all go for lunch," she started.

seungcheol stood up, shaking his head. he pulled the folder from the desk and held it in front of himself. the sight was ridiculous and he could picture you laughing in his head.

"i have a lot of work to catch up on, i'll have to pass on it"

the polite thing to do would be to shake her hand but seungcheol wanted to get away as fast as possible so once the ceo nodded at him, he turned on his heels and left the meeting room. 

he went straight to your desk. you smiled while looking down and at the mere sight of you, his cock twitched like he was a fucking teenager that had never seen a woman before. 

"yn, i need you at the archive room. now"

at the sound of his voice, you looked up. your smile melted away and you wore the usual serious face whenever seungcheol was around. 

he hated it, the fact that you had to hide your relationship. he wanted everyone to know that you were his, and then maybe all the stupid men in the office would stop trying to ask you out. 

"why?" you asked, your tone bored. 

"because you were the last one to go through the files and i need help" he matched your bored tone. 

wonwoo laughed, making seungcheol turn to him. he raised his eyebrows, a silent question thrown at the man sitting in front of you. wonwwo just shook his head, his smile suddenly gone. he turned to you, eyebrows still raised. 

you sighed and followed him. your heels clicking on the floor while you followed him three steps behind. 

was the archive room always that far away?

"what do you need?" you asked, tone still bored, when the room came into view. 

seungcheol opened the door for you and followed you inside, locking the door behind him. 

when you turned to look at him you smiled at him, your arms crossed over your chest. he threw the folder he used to cover himself to the side and put his hands on his waist. you watched in complete amazement and laughed when you noticed the bulge in his pants. 

"awn, did you like the pictures that much?" your voice was taunting. 

seungcheol took three steps closer to you and pulled your hand, putting it over his cock. just that was almost enough to get a moan out of him. 

the second he saw the picture of you over him, his dick deep inside your pussy, it was all he could think about. having you again, as fast as possible was his only concern. 

"there are cameras in here," you said, your eyes wide while you looked around, lightly pulling your hand away from his grasp. 

"there isn't"  

at his words, you opened the zipper of his pants just enough to push your hands into his boxers. you wrapped your hand around his cock and ran your thumbs over his tip, pumping him a couple of times. you smiled when a quick shudder ran over him. 

seungcheol grabbed your face and pulled you to him, his lips crashing over yours. he pushed his tongue through your lips, taking control. his hands moved down to your neck, squeezing it softly. 

"my little menace," he said "what did you think was going to happen, hm?"

he pulled your skirt up until it was pooled around your waist and pushed you until your back was pressed against the wall.

"you wanted me to walk out of that room and fuck you, over your desk?"

you moaned at the thought, though in your ideal world, none of your coworkers would be around to witness it. seungcheol turned you around and forced your legs apart with his feet while holding one of your arms behind your back. you used your free hand to steady yourself on the wall. 

"if you don't ask, i'm not going to fuck you, baby" 

it was something seungcheol often relished on, the fact that he could make you beg. you were so quiet, so shy, but he always made you say it, implore for it. 

"you're the one with a hard on, sweetheart" you teased. if he thought that you were going to beg this time too, he was wrong "i can go back to work as if nothing happened"

you really couldn't. if you did it was going to be the worst work day for you because the only thing you could possibly think about was the fact that your boyfriend had a hard on because of you and you said no when he wanted to fuck you. 

seungcheol shoved your panties aside and pushed himself into you. he groaned as your walls sucked him in. you moaned at the feeling of being full, at being stretched out to fit him. he moved relentlessly, his pace almost cruel as he searched for his release. 

"jesus, cheol..." a loud moan left your lips as you were suddenly pressed on the wall. 

"you have to be quiet, baby" you could feel his smirk on your neck "everyone will hear you"

seungcheol snaked his arm around your waist, and his fingers worked your clit with the same drive as his hips moved. he was a madman and you loved every single piece of him. you covered your mouth with your hand, your eyes shut close, in a pathetic attempt to be quiet. even if your moans couldn't be heard, there was no way people wouldn't hear the sound of his hips on your yours. 

"you’re going to be filled with cum" he whispered, his free hand grabbing your neck, tilting your head back "running down your thighs the entire day"

seungcheol pinched your clit and it was enough to throw you over the edge. this time you were able to swallow your moan. you pressed your hands on the wall, trying to steady yourself, as your legs shook. seungcheol was quick to follow, your walls clenching around him like a vice as he pounded into you again and again. 

he used your shoulder to quiet his own moan and heavy breath.

"just so you know, this wasn't my intention," you said once you were able to breathe again.

seungcheol laughed and took a step back as he adjusted his shirt and pants.

"no?"

you rolled your eyes and leaned on the wall.

"maybe later, at your place" you gave in

he laughed and pulled your skirt down while you buttoned his shirt. 

"well, it's only noon"

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[heartinhyacinth]

Listen, I love the idea of Hua Cheng finally getting to propose to his beloved special someone after 800 long-awaited years (and correct his previous blunder haha), but hear me out…

After Hua Cheng’s year of absence, hualian reunite, spend some blissful days soaking up each other’s company at the small cottage Xie Lian built on mount taicang, then decide to take a trip to ghost city. They could use the dice, of course, but it’s such a nice autumn day and days as such have become dear to them.

They’re snugged up close in the step-litter when Xie Lian casually asks, “San Lang, wanna get married?” He wears his usual gentle smile—the one he would use as if he were asking if Hua Cheng was feeling hungry or if he’d like to take a stroll through the maple trees.

But there is also the unmissable twinkle of amusement that is present, which Hua Cheng uses to convince himself that Xie Lian is in a silly mood and surely this is just payback—Xie Lian will confirm it any second now. But it doesn’t come. Five seconds, ten, fifteen, and the confirmation does not come.

So Hua Cheng simply sits there, expression bordering between pure terror and pure ecstasy as he tries to dissect the situation for any sign of its true reality. With breathy giggles, Xie Lian finally has mercy on the poor ghost, “You don’t have to say yes, San Lang—I can take it.” Despite his words, it’s exceedingly obvious by the humor in his tone that they’re both aware heaven and earth would sooner turn to dust, and with that, Hua Cheng finally regains control of his brain. “It would…” he takes a deep breath, nearly a millennia of longing crowding his throat all at once, “It would be my greatest honor, your highness”. Xie Lian’s smile brightens and he takes Hua Cheng’s hands in his own, “good—because no more dying, okay?”

The idea of Hua Cheng’s heart and soul asking him to spend their existence together—of Xie Lian affirming that he chooses Hua Cheng and wants him as his beloved forever and always, wants to walk by his side till the end—it’s just…too much to handle. (Him saying yes to Hua Cheng’s proposal would also achieve this but you get the idea).

Bonus: Hua Cheng fully planned to ask him during that same trip but Xie Lian beat him to it

[rafesfavgirl]

gurl i neeed a part 2 of stop asking me to stay, that broke me😭😭😭

you ask, i deliver :) hope you like it!!

i don't regret a thing — r. cameron

part 1.

❝ we're not the only ones,  i don't regret a thing every word i've said, you know i'll always mean ❞

pairing: ex-bf!rafe x fem!reader

context: you and rafe have been dating for seven months, and while the relationship started it out well, as soon as the honeymoon phase ended (about 3 months in), everything went to shit. you've been trying to put up with it, knowing the situation with ward, but tonight, you realize you've had enough.

words: 2.4k+

warnings: swearing, toxic relationship, mentions of drug use, mainly fluff, a little angst, might still make you cry. rafe being an absolute simp for you, basically.

rafe wakes up the next morning, faced-down on topper's living room couch with almost no recollection of what happened the night before. except one thing—you'd finally walked away from him.

"not enough to choose me. you give in every time." your words echo in his head, as he opens his eyes.

fuck. what did he do?

"good morning sunshine," kelce comes down the stairs and greets rafe, who looked as if he couldn't move from the couch. "you sleep well?"

"i slept like shit," rafe groans, finally sitting himself up. "what the hell happened last night?"

"you mean other than you getting coked out and royally screwing things over with y/n?" kelce sasses him. "not much bro."

rafe shoots him a glare. "i did not royally screw things over with y/n."

"are you sure about that?" kelce raises a brow at him. "cause i had to drive her home last night crying, bro."

rafe's ear perk up at kelce's confession of you crying over him. you wouldn't have. you were the one who broke up with him.

"she was crying?" rafe asks.

"do you seriously even have to ask?" kelce replies. "i can't even count on two hands how many times you've made her cry the last few months."

no, that couldn't be true. surely he hadn't made you cry that often.

"shut the fuck up kelce," rafe gets up from the couch in complete denial of how shitty he's treated you the last few months and makes his way over to the kitchen.

rafe opens the fridge and grabs a bottle of water, while kelce joins him in the kitchen.

"you know it's true," kelce says, leaning back against the counter and crossing his arms. "you just never see it, because she won't let you."

was he right?

"you know how y/n is, bro," kelce adds, as i take a sip of water. "she'll never let you know you're hurting her, because you fear nothing more than being the cause of her pain and losing her. but she's also not going to beg and cry for you to stay and fight for her."

i did know that. that's what i loved about her. she didn't necessarily play hard to get when i tried asking her out on a date after months of texting, but she didn't give in too easily either. she wanted me to prove i was serious about her before giving me a real chance. she knew her worth.

i recap the bottle i'm drinking from and set it down on the counter beside me, my eyes focused on kelce. "so what should i do?"

kelce holds his hands up. "if you don't know by now, i can't help you."

—

rafe wasn't an idiot. he knew what he had to do.

so, after going home and taking a shower to freshen up and get a change of clothes, he drove to the flower shop in town to get you a bouquet of lavender and baby's breath, then nothing bundt cakes to get your favorite treat—a white chocolate raspberry bundt cake—and finally, your house.

once he parked his truck in front of your house and got out, he went through his usual routine of rounding around to your backyard, where he moved the ladder the gardeners used towards your bedroom window.

he climbed up and knocked, balancing the flowers and bundt cake in one hand.

you were sitting in bed watching after we fell on your laptop with a box of tissues beside you and puffy, red eyes when you hear the knock on your window.

without even thinking about it, you already knew who it was. this was just what he did. and against your better judgment, you got up from your bed, and walked over to pull the curtains open and find rafe outside with a regretful look on his face, a bouquet of flowers and a small box of your favorite treat.

slowly, but surely, you unlock the window and pull it up.

"i'm sorry," he speaks before you can, and you scoff.

"you know, i'm getting real sick of hearing you say that," you reply, turning around to walk away and reposition yourself back on your bed, while he slips in through your window.

"i got you flowers," he offers you a small smile and holds both items out to you. "and your favorite bundt cake. white chocolate raspberry."

your eyes shift from the gifts in his hand to his piercing blue eyes. they were no longer dark like they were last night, but there was a sense of uncertainty in them. like he wasn't sure he could win you back.

"so what? am i suppose to just forgive you? just like that?" you retort.

he lets out a sigh, and takes a seat at the edge of your bed, placing both items down on your bed next to your box of tissues. he finally gets a good look at you—from the messy bun on your head, to the bags under your eyes from barely getting any sleep last night, to your red, puffy eyes—and realizes just how badly he's messed up this time.

"i should've just fucked all those other girls. at least they know how to have fun." he still couldn't believe he said those words to you last night.

"i don't deserve your forgiveness," he admits. "i know that. but i want it, y/n. and i'm willing to work for it."

while those words were music to your ears, you were apprehensive. he apologizes every time. and while things do change for a while, they're never permanent. and a week or two from now, you'd be back in this same situation again. was that really worth it?

"i know i don't deserve any more chances," he continues, his eyes only focused on yours. "but i promise… i promise just give me one more and you won't regret it."

your eyes shift between his. he looked a little… scared? was he really that afraid to lose you?

"i don't know, rafe," you say honestly, shifting a little. "you've hurt me so bad… i don't know if i can take you doing it one more time."

"i'm not going to," he immediately shakes his head and reaches out to take your hands in his, fiddling with your fingers and glancing down at them. "please, baby, please. just let me show you i'm the guy for you. that i can be the guy you need and want me to be."

"how?"

"you'll give me a chance?" he asks, his eyes lighting up at the idea of being given another chance to win you back. 

despite your brain screaming at you not to, your heart wins over and you nod. you couldn't help it. every part of you yearned for him. and if he was willing to show you that he really could be the guy you knew he was—the guy you fell in love with—then maybe it would be worth it.

"wear something nice," he says. "i'll come back to pick you up at seven."

—

at exactly seven on the dot, you hear rafe park his car in front of your house, and look out your bedroom window to see him dressed in skinny black slacks and a long sleeve, white button down carrying a bouquet of red roses as he walked towards your driveway and front door.

you can't help the small smile that forms on your face as you hurry to strap your heels on and look at yourself in the mirror one more time, before grabbing your purse off your vanity and heading down the stairs.

"where are you heading off to?" your mom asks when you pass by the living room, all dressed up.

"date with rafe," you reply, walking towards the front door.

your parents had never been rafe's biggest fan—they weren't exactly unaware of how often he's made you cry the last couple of months—but they also knew they couldn't stop you from dating whoever you wanted, so they never fought you on it, and you were grateful for that. it was comforting to know they'd support you no matter what happened.

taking a deep breath, you place your hand on the doorknob, and finally open the door when the bell rings.

rafe's eyes instantly widen at the sight of you, his eyes trailing down your body wrapped in a tight, short, satin red dress. "wow," he gasps. "you- you look…"

your cheeks redden at his loss of words. "you don't clean up too bad yourself, cameron."

he smiles at your use of his last name as a nickname, and holds the red roses in his hand out to you. "these are for you."

"you already got me flowers this morning, you know," you joke, taking the bouquet from him. your mom was gonna be pleased to know rafe was back to filling up all her flower vases.

"i know, but…" he trails off. "you deserve the best."

the blush on your cheeks deepen at his words. "give me a second," you turn to walk back towards the living room, and set the bouquet down on the coffee table in front of your parents. "don't wait up."

they don't even get a word in before you're walking away again to join rafe outside.

"shall we?" you ask, looking up at him through your lashes, as you closed the door behind you.

"just… one more thing," a sly smile comes across his lips, as he reaches into his back pocket to pull out a black blindfold.

you stare at it, your mouth agape. "you're kidding, right?"

he shrugs, "i want it to be a surprise."

you groan, but give in anyway. "fine. but if i trip in these heels because i can't see where i'm going, consider us broken up for good."

he laughs at the threat, even though a part of him was afraid you still wouldn't forgive him after tonight. "you know i won't let that happen. turn around."

you do as he says, and he ties the blindfold around your eyes, before taking your hand in his and leading you down the driveway towards his car parked up on the curb. he opens the door for you, and carefully helps you into the passenger seat, before closing the door and rounding the car to get in the driver's seat.

the second the engine comes on, your romantic taylor swift playlist plays through the car's speakers.

"you didn't," you say. he would always complain when you had aux because she was all you'd ever play.

"i guess she's not too bad," rafe shrugs, chuckling as you began singing along to the lyrics of wildest dreams.

rafe continued driving through the island for another ten or fifteen minutes, before he finally pulled the car to a stop in front of his family's beach house on the edge of figure eight, completely secluded from everything else.

he gets out of the car first, and helps you out, taking your hand in his to lead you through the house and out to the back porch.

"are you ready?" he leans in towards your ear, and goosebumps rise along your skin at his proximity.

you nod, and he reaches his hands up to the back of your head to untie the blindfold.

it takes a little while for your eyes to adjust, but once they do, a feeling of warmness fills your heart at the sight in front of you.

red rose petals were scattered in the sand of the private beach, along with fairy lights, a candlelit table for two set up in the center of it all, as acoustic instrumentals of taylor's best love songs played through the speaker situated on the porch.

"you like it?" he asked.

you turn your head to look at him. "rafe, i… it's perfect."

"that's what i was going for," he shrugs smugly, and nods his head towards the set up. "come on."

you both remove your shoes, before he takes your hand in his again and leads you down the back porch to the table in the middle of the beach.

"i can't believe you did this for me," you say, as he pulls a chair out for you to sit in.

"i'd do anything for you," he smiles, taking the seat across from you once you're seated.

—

after a three course dinner and a bottle of wine, which was all served to the both of you by a waiter that rafe hired from the country club, the night slowly came to an end, an endless amount of stars filling the night sky above you.

but while you were focused on the stars, rafe was focused on you.

"god, you're beautiful," he says, causing you to look at him now.

you chuckle, "shut up."

"no, i'm fucking serious," he replied, standing up from his seat.

you watched him carefully as he walked over to you, and held a hand out.

you glance at his hand and tilt your head up at him, "what are you doing?"

"dance with me," he says.

"you're asking me to dance?" you raise a brow at him.

"mhm," he nods. "you gonna say yes?"

"well how can i say no?" you reply, a small smile forming on your lips as you put your hand in his.

he leads you a few feet away from the table, and rests a firm hand on your waist, as you trail a hand up to his shoulder.

he locks his eyes with yours as you both begin swaying to taylor's timeless, and scans your face.

"what?"

he shakes his head, "i don't deserve you..."

"rafe…"

"but i'm gonna do everything i can to make sure i become the kind of guy who does," he cuts me off. "i want to be better, y/n. not only for you, but for myself too."

you smile, and pull him closer, your hand snaking to the back of his head.

"i'm sorry for being such an ass the last few months," he says, and you close my eyes, taking the moment in as he continues. "i know i haven't deserved all the chances you've given me, but i'm not gonna disappoint you again. i want to be the guy you think i am."

you pull away, just enough to have your eyes lock with his.

"you are that guy, rafe," you tell him, and you mean it. "you just need to let him show more."

he smiles, "you're pretty damn amazing, you know that?"

"so i've been told," you shrug jokingly.

he chuckles. "i love you, y/n."

"i love you too."

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[n0thingbutlov3]

need you now | 2 |

in which readers true feelings are revealed.

pairing: spencer reid x fem!reader warnings/tags: angst again (whoops) miscommunication (it’s short dw) fluff, reader is hungover lol, spencer is handsomely disheveled (moans) mentions of blueberry muffins being readers favourite type of muffin (sorry for not being vague but also if you don’t like blueberry muffins??? why) some tears, some swearing, some kissing, suggestiveness at the end of you squint (WHOOPS *evil smirk*) no use of y/n!! wc: 2.1k a/n: call me slim shady because i am back!!! i procrastinated writing this because i was scared everyone was secretly judging my writing and actually hated it and a second part would be a stupid idea but THEN i realised that was a little bit silly so im here B) part one got over 1000 notes (INSANE) all the support has been so so lovely—every note, reblog, and comment means the world to me, thank you!! i hope this part is okayy, feedback is always appreciated :) i hope you enjoy it you choose to read!!! <3 p.s kissing scenes are so difficult to write, i think i done absolutely awful!!!so let’s ignore that…. if you haven’t already and you’d like to, you can read part one here!

Your eyelids twitched as the early morning sun filtered through your bedroom. What was usually a calming wake-up call now felt like being blinded.

You burrowed your face into your pillow, squeezing your eyes shut in an attempt to dull the throbbing in your head. This is why you didn’t drink often.

Asides from the obvious headache and nausea, you always seemed to wake up with a sense of dread; ‘hangxiety’—a friend had called it once. It was creeping up on you now, and even though you weren’t sure exactly what you had done, you knew it was bad. You flipped onto your back, fixing your gaze to the ceiling as if it could tell you what irreparable mistakes you had made last night.

It couldn’t, of course. The only thing you had realised is that you should probably coat it in a new layer of paint soon.

“How’re you feeling?”

You shot up, eyes widening at the sight of a man in your doorway. A man whose sleepy voice and disheveled hair threatened to make you melt, but a man who should not be in your doorway, nonetheless; Spencer.

Your brain was quick to supply you with information then, your memory coming back in hazy remnants. You were upset so you…called Spencer for the first time in months. Yikes. He didn’t answer so you turned to a bottle of high end whiskey instead—yikes, again—and passed out on your couch, only to wake up to your ex-boyfriend in your apartment. Cue more sobbing, a pathetic attempt at asking—no, more like begging—him to get back together with you, and that was it. Well, mostly. There was also the promise of discussing your breakdown in the morning. The morning, which was now.

What the fuck.

“Like I’ve been napalmed.” You weren’t sure you were just referring to your raging hangover.

That prompted a raspy kind of chuckle from him and Jesus Christ—you really shouldn’t have called, because it was going to be infinitely harder to watch him leave when he inevitably told you you were sad loser who needed to get a grip and move on—except, he’d be a lot nicer than that, wouldn’t he? Because even if things were over between you, he was still the sweetest person you had ever met and he’d never say anything to intentionally hurt you. Maybe things would be easier if he did. If he wasn’t so sickeningly perfect—if he just insulted you in the way you were certain you deserved, then maybe you’d get over him quicker.

“So, I-ah-uber’d breakfast—“

Your inner turmoil came to a screeching halt at those words.

“You uber’d? You?”

He scoffed, a light blush dusting his cheeks.

“The team’s been very into it lately and I always finish my paperwork first so it only makes sense that I—stop laughing! I can uber!”

“Sorry! I just can’t imagine the great Doctor Reid stooping to the levels of a fast food delivery app. Do you ever order to the wrong place?”

“No.” he said, unconvincingly. “Well, only once—“

You were laughing again.

He whined, turning on his heel.

“Just take your aspirin and hurry up!” He grumbled petulantly as he left the room, but you could hear the smile in his voice.

After a quick freshen up and taking the pills placed on your bedside table—as per his request—you padded through to the living room, joining Spencer on the couch.

You gasped delightedly as he pulled out muffins from a brown paper bag. To be more specific, blueberry muffins; your favourite.

“Did you know that blueberries are good for fighting hangovers? They’re rich in vitamin C, which helps break down and metabolise blood alcohol. Muffins too, they—what? Do I have something on my face—“

“No! No, sorry,” You had been caught staring—ogling, more like. “I just missed…that.”

“What? My incessant rambling?” He was joking, but you could hear the insecure twinge in his voice—the one that told him he was too much. Over the course of your relationship, you had showed him that he didn’t have to think like that around you—that he was never too much; he was perfect in your eyes. You hated that he doubted that now.

“Yes, actually.” You tried to keep your tone light, unserious. But there was nothing unserious about just how badly you had missed the man sitting beside you. How you could hear his voice in your mind when you drove late at night, giving you statistics on accidents. Or how on other late nights, you swore you could feel his hands ghosting over your skin—only to find out it was your imagination.

If he could see how truthful you were being, he didn’t acknowledge it, turning his attention back to the coffee table.

“I’ll, um, save you the facts on how beneficial coffee is for hangovers, anyway.” He smiled awkwardly, shuffling a paper coffee cup to where your muffin sat.

“Thank you,” you mumbled, “for the coffee, not the withholding of information—i’m a real fiend for coffee facts…especially when they’re related to curing hangovers!” You said a little too cheerily, trying to alleviate the awkward tension. Although, that only seemed to make it worse.

Spencer just huffed out a little laugh in response, taking the wrapper off of his muffin.

The rest of breakfast went by in silence. Not the comfortable silence you always seemed to have with Spencer—when you were together, you reminded yourself—but a strained one. The kind of silence that occurs when there’s something left unsaid, and you’re just waiting for someone to spit it out.

Spencer broke first.

“So we should probably talk…about last night.”

You finished the remainder of your coffee, setting the empty cup down before turning your whole body to Spencer, tucking your legs up underneath you.

“Right, yeah…”

A beat passed, Spencer’s eyes darting around your face—assessing you.

For someone who had imagined this conversation in your mind countless times, you certainly weren’t saying much.

“I—uh…was very drunk.”

Something in him shifted, like he was putting up imaginary walls.

“So you didn’t mean…any of it?” His brow furrowed, his nose twitching slightly.

“Well no, but I—“ You what? Meant every word you said and more? You couldn’t just say that. You had just got a small part of Spencer back and you didn’t want to ruin it by coming on too strong.

He waited for you to add something, anything, to show him that maybe, maybe there was a tiny part of you that still wanted him as badly as he wanted you. But you didn’t. You just sat there, playing with the fabric of your—his—t-shirt.

He couldn’t do it.

He was so tired of loving people only for them to leave like he had meant nothing to them. Was that all he was to you? Someone you could call when your inhibitions were lowered, looking for comfort? He would do anything to be back in your life again, but he couldn’t be a person of convenience; someone you only wanted when you were lonely.

He ran a hand through his hair, swallowing down the tightness in his throat.

“You were drunk and you got carried away, I get it. I think I better go though—“

“What? No, I—“ You bobbed your mouth like a fish, trying to find the words necessary to keep him here. There were too many of them and yet none at all. None except for three. Three words that you wished you had the courage to say months ago, or weeks ago, or last night. But you never claimed to be a courageous person, and you weren’t about to spill your heart out again only for it to end up in rejection.

Spencer stood, making his way to your bedroom to grab his shoes and coat. He didn’t care about his other clothes, he could buy more—he just needed out before he broke.

You sat dumbfounded on the couch, willing yourself to do something, say something. It was like you were frozen. And you stayed frozen. As Spencer shuffled around your bedroom, as he returned to the living room—completely avoiding your gaze—even as he searched for his keys. You hadn’t realised he had driven over here. He didn’t usually drive unless he had to get somewhere urgently. Were you someone worth seeing urgently to him?

He picked up his keys, heading for your door and only then did you realise how dire the situation was. If he left now you weren’t sure he would ever come back.

“No—wait, Spencer!” You stammered, lunging off the couch to try and stop him. He unlocked the door, moving to leave when you grabbed onto his jacket sleeve.

“Please don’t—I love you!”

“What?”

He turned to face you and you noticed just how wrecked he looked—not at all dissimilar from how you had for the last few months. Had he looked like that the whole time?

You must’ve been staring because when you came back to your senses he was calling your name exasperatedly.

“Do you mean it?”

You were fed up living like this; harbouring so much love for someone and not being able to express it. Even if he didn’t love you back, even if he was over you, you couldn’t go another moment without at least telling him how you felt.

“Yes,” you heaved, “I love you—I never stopped loving you, I was just…” You knitted your brows together, unsure how to phrase what you were feeling.

“I’ve never loved someone the way I love you and that’s…terrifying. I thought the way I felt was wrong, like—when you were on cases, I missed you so much, more than I thought humanely possible and—well, I never wanted to be the kind of girl to base her happiness on another person because that’s how you get hurt. So, I thought the only way to combat that was by…distancing myself. I thought if you weren’t in my life anymore then I’d be able to get a grip and become more independent—“ you huffed, trying to stop the wobble of your voice. “but it didn’t work, because then I was just missing you twice as much, except I couldn’t see you at all—“

“You could’ve answered my messages, we could’ve—“

“So you could return your key? Then things would actually be over. Why do you think I ignored your messages?”

“Why do you think I kept messaging? Angel, I was never going to return that key—at least not willingly—I just wanted to see you, to see if you were doing just as horribly without me as I was without you. You know, I couldn’t even focus on cases—Hotch even suggested I take some time off.”

You frowned, your voice impossibly small. “I’m sorry.”

He took a step toward you, cupping your cheeks in his hands.

“Don’t apologise, you were dealing with your emotions in the best way you knew how. I just wish…” he swallowed, his adam’s apple bobbing. “I wish I hadn’t let you go so easily.”

His eyes were shining and—God, you wished you could take it all back. All the pain you had caused him, caused yourself, just because you were too scared to talk about your feelings.

“I wish I hadn’t left.” You blinked away the tears that were threatening to spill from your eyes. “Y’know, I read a book on astrophysics because it reminded me of you. I didn’t understand any of it but I couldn’t put it down. I still—“ you let out a watery chuckle. “still have it in my bedroom somewhere.”

Spencer smiled, swiping under your eye at a tear that must’ve escaped.

“Yeah? Maybe I can read it to you—help you understand it.”

“I’d like that.”

You didn't know much about celestial bodies or the ultimate fate of the universe, but you could've sworn you'd seen the stars pictured in that book in Spencer’s eyes when he looked at you.

“Say it again.” He mumbled, tilting his head down so that your faces were just inches apart.

“I love you.”

And then his lips were on yours, impossibly soft and everything you had been missing since you had broken up. He kissed you like you were the oxygen he needed and all you could do was sigh into him because you knew the feeling.

He leaned back all too soon, resting his forehead against yours.

“Well, I should probably go—“ He smirked, but you cut him off before he could continue his teasing.

“You’re not funny.”

He narrowed his eyes, sucking his teeth.

“I don’t know, I—“

You pressed a firm hand on his chest, bunching the cotton of his t-shirt into a fist.

“Stop. Stay—we can have a pyjama day and maybe for dinner, you can show me just how tech savvy you’ve become and uber us some food—“

He rolled his eyes, kicking the door shut before pressing his lips to yours with more force this time.

“Stop talking.”