#because if you want to make a dramatic reveal for the audience you can do it in the best possible way
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vicioustoker · 23 days ago
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also the reveal that david had actually stayed at the diner the whole time after being asked to leave at the end of ep 37 was fucking DELICIOUS i was tearing up thinking about caspar working so hard to have a relationship with his son and being so happy about having him there only to abandon him again but this time very much unwillingly, the tragedy of it all was really getting to me until i heard david's voice and never felt more relieved in my life
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Broken staff
It more than likely been mentioned elsewhere but I want to talk about Alastor staff.
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Vivienne mention the staff is part of his essence. Now it is split into two along with a deep gash from holy power across Alastor torso. He made sure to salvage the broken pieces before shadowing away.
I REALLY hope they do more angsty shit next season with this. Alastor power is severely weaken until he recuperates. That Alastor is covering this vulnerability from the others. Notice in that group hug, his obvious tattered clothes and gash is hidden and he back to his 'normal self' facade after his chilling and rattled part of the song. No one knows how Alastor battle went....except for the Vees. Dun Dun DUUUUUN.
I would love to watch Alastor trying to power play, manipulate and figure out his freedom. All the while hiding his weaken state. It frustrates Alastor greatly as healing seem agonizing slow. Because holy wounds heal slower or some BS like that. The hotel constantly rely on his powers that he would still provide and he continue to use his reserves to cover up his secret.
Husker was the first to notice something up. Be as observant and ability to read people, and just know Alastor. He catches the momently grimace is Alastor moved his torso wrong or an involuntary flinch, clutching his chest in pain. But Alastor recovers these moments quickly. It's in a blink of an eye type movements, that only Husker catches. It's all so obvious to Husker. The extra strain smile when Alastor performs magic. How exhausted from the exertion afterwards. Husker keeps a wary eye on him but doesn't say anything. We know what happen last time he brought up a touchy subject before.
Charlie was next to notice but it took a while. It took some obvious clues. Something like Alastor faceplants to the ground unconscious from over exhaustion after a more complicated spell. Or maybe some more dramatic...
The Vee's. They know Alastor took heavy hits. They will use that to their advantage. They possibly make a move against him and he unable to defend properly. Vox would be mocking loudly what he witness, revealing Alastor secret to the hotel. Naturally, Charlie would be hurt with a "Why didn't you tell us?" after a gasp.
I really hope they do something with it. It doesn't have to be a full season arc, they can probably even manage it in one episode as a focus with subtle clues from a few episode before it.
I be so annoyed Alastor bounce back like his fight with Adam never happened. I am a sucker of Alastor barely keeping it together and nearly losing his shit. HE. IS. BARELY.KEEPING.IT.TOGETHER. But he still keeping together...we haven't see him break yet. Can you imagine the weight of stress finally breaking him?
His staff (which is part of him) is splint in two. Just like how is internal conflicting dilemma of being powerful sociopath demon with a plan vs growing affections of the residence of hotel that complicates his plans.
All of his careful planning will go to shit, he will lose all control-He going to absolutely alone when he finally breaks down from losing control of everything and the audience will see him drop that smile.
He mention to Charlie that a smile is a way to keep control and that's when we see him drop his. As much he careful with control he doesn't even control his own soul.
Edit:
Omg, So when I originally wrote this, I knew staff was incorrect word I want to use but at the time I kept drawing a blank what to call it.
It's a cane
A cane is something be used to support themselves with, a crutch. And Alastors just splint in half. The thing that's also part of his essence and probably help channel/control his powers.
The angsty poetry is fucken delicious
~I am nearly foaming from the mouth from the thought!
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hwasdvlly · 1 year ago
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Starlight | c.jongho
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❀ summary: he gets an answer that changes his life.
❀ pairing: jongho x fem!reader
❀ genres: romance and fluff
❀ word count: 0.9k words
❀ warnings/tags: none. established relationship, idol!jongho, non-idol!reader, very emotional yet so cute
❀ a/n: wowie! it has been sooo long since i last posted. i wanted to do create something that'll make everyone cry lol but still enjoy it
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“Hyung, I don’t think I can do this.”
A handsome gentleman in a suit with adorable bear-like features is a nervous wreck. Jongho did his best to clean himself up and tried remembering his speech all night. Hongjoong hears the anxiousness in the maknae’s voice. As a kindhearted captain, he brings Jongho into his arms. “You’ll do great. We are all proud that you found your happiness. Now, you want to make it official. The guys and I are positive that Y/N will say yes.” Hongjoong pats Jongho’s back for reassurance. 
For years, the youngest member of ATEEZ has been in love. He met you during his early idol days. He was walking down the streets of Seoul and discovered a brand-new cafe. Jongho steps in to grab beverages for his members. But his heart began to flutter when his warm brown gaze laid on a beauty dressed in a simple uniform and welcomed him. Jongho shyly greeted you with adorable blushing cheeks and purchased cups of americano. 
You never knew he had a music career. Jongho laughed it off later on when he revealed what he does for a living. To you, it felt unreal to date a celebrity because it can be complicated. Nevertheless, you loved Jongho. Indeed, there were circumstances to overcome, and Jongho tried not to have his reputation go downhill. But as the relationship got more intimate and the love grew stronger, he believed it was time to put a ring on your finger.
Plus, you are ATEEZ’s best friend and little sister. Everyone adores you, and Jongho will talk about you every minute of his life. Atinys can tell he is madly in love, but it’s precious. 
Jongho and his hyungs set out a plan for the proposal in a public area. It’s their concert stage where hundreds of Atinys, Jongho’s family, and your family will attend. Weeks before the day, Jongho gave you and your loved ones free concert tickets, but he purposely did it so you could be with him. And, of course, to have fun. You are his number-one fan, after all.
When it was close to the end of the event, the guys wore casual clothes, and Jongho wasn’t present. San speaks through his handheld microphone. “Where’s our maknae guys?” He questioned as if he had no clue. They all have confused expressions, pretending they don’t know what is happening. Mingi speaks, “He said something about wanting to look presentable.” He reasoned, which had the audience believe him. 
On cue, Jongho exists backstage in his stunning suit, appearing like a classy movie actor. Wooyoung gapes, “Why are you so dressed up?!” He asked in the most dramatic acting. The guys couldn’t resist their laughter because Wooyoung would not take things seriously. Jongho meets up with his hyungs and starts to explain with sincere words. 
“It’s because I am about to do something that’ll might change my life. As you may all know, there is someone who has a special place in my heart. I was hesitant to do this, but I realized Y/N means so much to me that I don’t see anyone else to make me feel alive and know what love is. Yes, I have Atinys, my family, and these people or whatever.” He nonchalantly waves his hands, gesturing to the members. The crowd laughs at their slightly hurt faces. 
Jongho chuckles but continues with his speech. “So, I took the time to think about what I want my future to be like. I also want to ask a significant question.” His eyes roam to the sideline of the stage, where he spots you, your family, and his family together.
He shifts his body to approach you. Jongho lends out his hand to have you go on stage. Your eyes widened at his silent offer. You skittishly move your legs to have your hand link with your boyfriend. Jongho has a sunny smile and makes you walk to the center of the stage. The members stand around the couple. They are smiling so much, and their excitement is skyrocketing. 
The man looks into his lover’s eyes to say, “Y/N, there are millions of reasons why I see you as the brightest starlight in my world. I am curious to know if you’ll answer my question.” He lets go of your hand to go down on one knee and pulls a small box out of his pocket.
With an adrenaline rush, you have your jaw dropped, and the people in the building are uproaring. Jongho sees your glassy eyes. He brings the microphone to his lips. “Will you be my wife, Y/N?” He finally asked. 
In a simple response, you nodded your head earnestly. “Yes!” You said. 
Your boyfriend felt his overwhelmed emotions washed away. He is so relieved that he did it. He gently puts the beautiful ring on your finger—an item dedicating two soulmates to live a forever happy life. A round diamond with a rose gold band. Jongho brings you into his arms as he buries his face into your neck. He tries to hide his tears, but the hyungs can see he is emotional. Not to mention, the guys have water coming out of their eyes. 
Jongho peeks over your shoulder to see the fans cheering. He even notices his family and yours are proud. His mother is crying tears of joy, his little brother is clapping for him, and his father has a merry expression. Jongho lifts his head off your shoulder to have his forehead against yours. He stares into your tearful eyes but you are smiling.
The man softly presses a kiss onto his now wife-to-be’s lips. 
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vidavalor · 4 days ago
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Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.
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Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.
Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.
The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.
I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.
Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)
So, what are we curious about, if not where it's going in the present?
1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?
Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.
There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉
Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.
Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.
The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.
If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.
It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.
Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.
When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...
Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.
There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.
Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...
Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊
No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.
It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.
We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.
We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.
We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?
The past. The flashbacks.
Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.
The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.
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scribefindegil · 1 year ago
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Some thoughts on unreliable narrators as I procrastinate on writing several tricky scenes with unreliable narrators:
Every narrator is unreliable. Just like there's no such thing as 'objectivity' in journalism or academia, there's no such thing as a truly reliable narrator. The narrator's viewpoint is limited, they're shaped by their culture and personality and experiences, they overlook things and make assumptions. It's all a matter of degree. But usually we talk about "unreliable narrators" when the gap between what the narrator says and what the reader/author believes to be true is prominent enough to be narratively significant.
Where is the gap?
Unreliable narrators are not all duplicitous. In fact, many are telling the truth as they understand it. But some are not! This is by no way a comprehensive taxonomy of narrators, and even within a single story there are likely to be shifts and overlaps, but here are some Types I find helpful to consider:
Oblivious The reader doesn't get crucial information because the narrator simply was not paying attention. Maybe they were missing context. Maybe they were bored. Maybe they were distracted by a hot girl (Gideon I love you). Alternatively, the reader gets clearly false information (especially about how other characters are thinking or feeling) that the narrator wholeheartedly believes to be true (Breq I love you).
Repressed You the reader can tell that what the narrator's telling you they think/feel and what they actually think/feel are not the same, but the narrator themself has no idea. For narrators that lack self-awareness and don't understand why they do the things they do or for narrators that are really good at not looking at things that make them uncomfortable.
Liar (internal) The "Sure, you keep telling yourself that, buddy" version, where the narrator is on some level aware that they're lying to themself but doubles down on it anyway. Tends to involve a lot of rationalizing or misdirection. It's very common for a character to have a realization about something important partway through a story (that The System is corrupt, that they're in love with their best friend, that their actions are actually more self-serving than altruistic, etc) that makes them switch between Repressed (passive internal conflict) and Liar (active internal conflict). Or, you know, they might have a realization and not immediately start lying to themself about it, but where's the fun in that?
Liar (external) Usually shows up in first-person stories or in-universe writing, since it requires the narrator to be aware that they have an audience and be attempting to intentionally mislead them. In this case, there is a deliberate disconnect between what the narrator's understanding of events and the account of it they're giving for the purpose of spin or deception.
Coerced This is where the gap comes from an external factor, usually magic or sci-fi nonsense that messes with a character's mind and changes their perception of themself and/or reality, (eg they can't talk/think about a certain subject, they've had their memories altered, etc). It's a different flavor than the other sorts of unreliability and can overlap with any of the others depending of how aware the character is of what's been done to them.
How Obvious Is The Gap?
Another thing to consider is at what point, and to what extent, a reader becomes aware that a narrator is unreliable. Is it clear from the beginning? Is it played as a reveal? Is is a slow dawning realization? Is it something that you could overlook on a first readthrough that only becomes obvious once you put the pieces together? All of these can be effective, but it's good to know going in. If you want the narrator's unreliable nature to be a reveal (that is, there's a point where the reader realizes that they're lying and that recontextualizes the whole story), you're going to approach it differently than if you want your readers to be screaming about the dramatic irony from the beginning. If your point is that the reader shouldn't actually know how much of what the narrator's telling them is true, that's going to look very different than a story about a narrator who has an on-page realization about one of the big things they've been lying to themself about and has to navigate the consequences.
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therainscene · 2 years ago
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I’m obsessed with @wheelersboy’s theory that Mike thinks Will is in love with El. It’s one of those takes that’s so simple, yet so perfectly explains every odd little detail you couldn’t quite account for before, that you know you’re on to a winner.
I always thought it was bizarre that the Willel reunion at NINA was framed in blatant love triangle imagery:
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If this was supposed to be yet another reminder that the sad widdle gay boy has fee-fees for his best friend, we’d expect him to be gazing at Mike or otherwise looking conflicted at both of them. But he isn’t. His steady, adoring gaze is for El only. Yes, he loves her, but that love is strictly fraternal, so why the romance symbolism?
Is it straight-bait? This scene comes after his thinly-veiled love confession to Mike (in the same episode, no less), and the Duffers and Noah both made a point of confirming that Will was gay in post-vol.2 interviews, so making the audience think that Will is in love with El clearly wasn’t the intention here.
The Willel romance-coding isn’t for the audience -- it’s for Mike.
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We often joke about Mike being crushed that Will didn’t laugh at his vomit green socks, but follow Will’s gaze -- it’s a little hard to see in the still image, but he’s staring at El, checking to see if she’s going to heed his advice. Mike's discomfort isn’t because he’s upset that Will didn’t like his joke, it’s because he doesn’t understand the weird tension between these two and is frustrated that his attempt to lighten the mood didn’t dispel it.
Mike’s smart enough to correctly connect the dots by the time Will starts sobbing in the van though: Will is destroying himself in his efforts to be supportive of the relationship between his best friend and the person he’s in love with.
But heteronormativity and a severe inferiority complex lead him to draw the wrong conclusion -- he thinks he’s the best friend and El is the one Will’s in love with, and that gets confirmed in his mind when he catches them making goo-goo eyes at each other at NINA.
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And not once, after figuring it out, does he get jealous about it -- he guides El into Will’s arms at NINA, he looks conflicted as hell during the “I love you” monologue as Will hovers over his shoulder -- he just wants them to be happy and is prepared to put his own feelings aside to make it happen, even though it would hurt him terribly to do so. Exactly the same fucking thing Will is doing. It’s utterly farcical. I love this theory so much.
I’d like to springboard off this by taking a look at what it implies about S5.
Between Will’s history with Vecna and the Wonder Twins foreshadowing--
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--it’s looking pretty likely that Will and El are going to be spending a significant amount of time together next season.
So we can already see that conditions are perfect for Mike to go through a similar arc as Will did in S4: being a third wheel between his best friend and the person he’s in love with and feeling like he can never truly be more than a third wheel, leading him to sacrifice himself in an effort to support what he thinks they have together.
Mike is very much at risk of doing something stupidly self-harming in S5 -- this is the same kid who jumped off a cliff to protect Dustin’s baby teeth, after all. He feels like he has no value if he isn’t needed by Superman. And there’s a goddamn mind-reading despair demon stalking his friend group.
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Of course, it’ll all work out in the end. He’ll be saved at the last moment, the truth will be tearfully revealed, and we’ll finally get that big, dramatic, affirming kiss for our OTP.
You might have noticed that everything I’ve said in this analysis so far is consistent with either Byler or Milevn being endgame.
Many Milevns and GA members don’t just believe that Milevn will triumph over Byler -- they believe there isn’t any conflict between Milevn and Byler in the first place. The lack of evidence that Mike isn’t into boys is meaningless to the heteronormative mindset -- he’s the protagonist and dating a girl, therefore he’s straight, therefore Will’s hopes are dead in the water, therefore Mike has no romantic dilemma to solve.
By introducing a misunderstanding in which Mike imagines that his best friend is competing for his girlfriend -- couching his dilemma in relatable heterosexual terms -- the audience will be forced to accept that Mike is experiencing a distressing internal conflict involving Will and romance that won’t be resolved until the queer truth comes out.
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The GA felt bad for Will in S4 because they assumed there was nothing he could do about it, but they’ll be tearing their hair out with frustration at Mike in S5 -- “you’re wrongly assuming he’s straight, you idiot! Just talk to him and this will all be cleared up!!”
It would be an absolutely genius way of getting the audience to question heteronormativity without them even realizing they’re questioning heteronormativity.
Once Mike’s queerness is revealed, the parallels between his arc and Will’s will suddenly become clear, and the audience will realize that, despite his straight-passing invisibility, Mike was just the other side of the same gay coin Will was on all along.
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[Part 2]
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mae-i-scribble · 14 days ago
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So I'm not really that into Arcane fandom or anything like that but is anyone else a little worried for how season 2 is progressing thus far? I'm not talking about the apparent Caitlyn vitriol that some people are falling into- god forbid you have complex characters am I right. But watching the first act of season 2 it's all so terribly rushed and not in the same way season 1 had fast pacing but with tight writing to make up for it.
Spoilers for the first 3 episodes ahead but the fact that we barely even get to know the new enforcer characters that come to Zaun annoys me. The most we have is the girl introducing herself to Vi. The other two aren't even named in the show let alone have any sort of personality. For the big shield guy why is he even allowed to be an enforcer???? Sir you were seemingly living on the streets drinking away your problems last I checked with no indication you were or wanted to be an enforcer. The kid that follows Jinx around doesn't even have any sort of lines until episode 3- which would be fine if it was clearly a deliberate choice for her character but considering that the show is trying to juggle so much it just feels like she fell to the wayside.
I'm also very much not a fan of how the 2nd season is structuring its storylines thus far- certain scenes loose their tension because they're so intercut with other scenes happening simultaneously- take the vi and jinx fight for example. Like I get it you wanted to show how them interacting with the run was actively interfering with the fight but the constant cuts back and forth leave a bad taste in my mouth. The structure they use for the various sections with music overplaying them are hit or miss to me- some I love, some I think should have been actual scenes with dialogue.
I'm also really sad to see them seemingly rush over bits of character development we really need to see. Like take Vi- her not wanting to be an enforcer is 200% justifiable and believable, we haven't been shown anything about how the enforcers work that would give Vi a reason to want to join. And then after the attack in episode 1 she silently comes to a decision to join which fine, I can buy her wanting to help now that Zaun is conducting terrorist attacks. But she just agreed to the plan to use the gray against the people of Zaun???? Really???? Vi did??? Shouldn't Vi, someone who is only joining the enforcers out of desperate necessity, be way more critical of any use of force in the undercity? There's even little things like when Caitlyn arrests the henchman I was expecting Vi to stand up for him because almost *everyone* in the undercity is some sort of criminal so that they can survive. But no it just turns into Vi asking them to ditch the side characters we know absolutely nothing about.
Speaking of Vi- for the record the cait/vi kiss in my opinion was stupidly forced in. I would have liked to see their relationship develop this season because in season 1 I could see the beginning of something there. I really loved the moment in the first episode where it's only when seeing Vi that Caitlyn breaks down a little because Vi is someone she can trust to be open with. Great stuff to further develop- oh no they're kissing after no development just to make the immediately following break up more dramatic? Great yay yippee representation -_- Don't get me wrong I would have loved to see it develop into a romance but not in episode 3 with no buildup (1st season does not count as buildup to me for an actual romantic relationship).
This is also somewhat petty but I do hate the fact that Ambessa is revealed to be behind the memorial attack in episode 3- I much would have preferred for that information to be revealed to the audience alongside whatever character discovers it. Revealing it like that is dramatic, sure, but I feel like it ruins the mystery of Ambessa's morality in a way that is not satisfying.
All in all I'm not the happiest with these first 3 episodes but we'll have to see how the other 2 arcs go before making any judgement calls overall.
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gavisuntiedboot · 2 years ago
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Hey, I love your gavi fics. Could you do one where reader is very confident and flirty, always making him nervous with how straight forward she is. Loves to compliment him and kiss his hand. Maybe even him getting teased my his teammates about it.
sry this is extremely specific 😅
Forward (Gavi x reader)
This was such a cute request omg.
*************************************************
"Good morning Vogue Espana! I'm y/n, and this is Valeria, and today we'll be playing Vogue's 'Bestie Quiz'!"
You looked over at Valeria and gave her a wink, causing her to roll her eyes and laugh. The two of you made up 1/2 of Rumores, a Spanish pop group that rose to popularity through TikTok because of your relatable lyrics and how easily people could connect to the group members. You all had fun and bubbly personalities, still fimlimg vlog-style TikToks despite blowing up. Since you dropped your first album as a group, everyone was eager to get a piece of the next hot thing.
You had been contacted by an agency in Spain to get signed, and all moved into Barcelona within about a month. Since then, it had been borderline mayhem. Award shows, fashion shows, exclusive parties - the works. You were now at Vogue Espana headquarters, preparing for a group cover shoot. The editors had asked you and Valeria to pair up and make some video content, as you both had addictive personalities and bounced off each other really well. Long story short - any time you two filmed together, it got millions of views.
"Alright y/n lets start off with an easy one: what is my Starbucks order?"
You tried to cross your legs, almost falling over in the chair, causing the whole production crew to laugh.
"Ignore me almost dying. She's only asking me this question because she knows it really embarrasses me to my core to order this, especially here in Barcelona! It's a venti iced caramel macchiato, 9 pumps of caramel, extra caramel sauce on the top and bottom. Can you imagine having to say this out loud?"
The set was filled with laughter. They cut the take to get your makeup touched up, which was now melting off under the bright studio lights. You both continued to quiz each other, laughing and bantering playfully. You looked down at the cue cards with the questions, letting out a loud groan at the next question.
"Val this is rigged in your favor. How come I get all the hard questions and you get this? It's literally the easiest possible question?"
"Stop complaining because the producers think I'm cute and want life to be easy for me. Just ask the question."
"Okay okay: Who is my celebrity crush?"
"Oh wow you're right. That's so easy it's borderline cheating. Have you not seen her social media? Of course it's Pablo Gavi."
You leaned over the back of your chair dramatically, fanning your face.
"Ughhhhh Gavi! Have you ever seen a man so fine and so talented and so freaking delicious?"
Everyone in the studio had to hold back their laughter as so not have it be heard in the recording.
“She’s obsessed you guys I don’t even know how to explain.”
“I think obsessed is the wrong word.”
Valeria turned to you and gasped, getting up from her seat and running over to you, wrestling your phone from your hands. She pulled it free, walking up to the camera with it.
“Let me just make sure she has no inappropriate notifications. Not obsessed? Please look at her Lock Screen. It’s literally taking over her life.”
You hid your face in your hands as your screen lit up, revealing a picture of Gavi from the World Cup as your Lock Screen. The camera zoomed in on you, capturing your embarrassed reaction.
“Listen listen listen. I’ve been a Barça fan since forever. He’s fine and talented. How am I supposed to not fall in love with him?? I feel like that’s too much to ask for.”
Your crush on Gavi was not a secret by a long shot. It has been obvious to your audience since the World Cup qualifiers, when you posted a picture of him in the white uniform, captioning the photo “who is this and where can I find him 😍😍”. Your followers had come through, sending his handle in your DMs several thousand times. You followed him on Instagram and started fangirling in the comments of all his posts.
@uruser
“ Great job today Pablo 🥰”
“My favorite color is now pablo- I mean purple 🥵”
“The only heat in Qatar is gonna be you on the field 😘”
One day, as you did your makeup on a livestream, idly talking to your phone, you noticed the chat moving at a much faster pace than you were used to. You looked at the messages, trying to read something, but it moved so fast the letters blurred together.
"Wait wait how do I stop the chat I can't read you're all typing too quickly."
You figured out how to stop the comments flying by your face, reading the words "GAVI FOLLOWED YOU BACK".
You screamed at the top of your lungs. You started jumping in excitement, shaking the floor so much that your phone fell to the floor. Comments continued to fly in about how this was the beginning of your love story.
This was officially your in. Now that he followed you, you were able to swipe up on his Instagram stories. Every couple of days when Gavi would post, you would leave him flirty messages, never thinking he was going to respond.
"Amazing goal Gavi! You know you could score with me any day tho ;)"
This unfortunate cheesy message got a like. When you saw the small scarlet heart, you almost went into cardiac arrest. It was working. Slowly but surely you were getting him to recognize you.
Gavi hated pulling out his phone in the locker room. He would instantly hear wolf whistles and cheers from his teammates.
"Ay, Gavi, who are the messages from? The pop princess or the real princess?"
He would turn bright red, hiding his face in his shirt. He had seen your comments, and he didn't know who you were at first. He approached Pedri one day, asking him if he knew who you were.
"Gavi please be serious. You haven't heard of Rumores? They're opening for Rosalia this summer. They're super talented. And each member is hotter than the next."
"Wait," Balde chimed in, "who from Rumores is sending Gavi messages?"
"y/n"
Balde's eyes widened to the size of satellites. He grabbed the phone and started recording a voice message on the messages between you and Gavi.
"y/n my darling, this is Alejandro. Forget about this idiot Gavi and DM me your number. Let me appreciate you in a way that he cannot."
Gavi grabbed the phone back. The voice note had already sent, and you had opened the message. Shit. He was practically shaking, not knowing what to do.
"Ale! Why would you do that?" He asked, trying to look away from the three dots that indicated you were typing.
"Pablo you idiot. Do you know that she was number 5 in the "World's Hottest Women" ranking? She won best face AND best ass in Spain last year. If she wants a Barca player and you're fumbling, I am willing to step up." Gavi shoved him on the shoulder, eliciting a laugh from Pedri.
"Hermano, talk to her. She has made it more than clear that she likes you."
Gavi looked at his phone again, still confused as to what to say, when a new message popped up on the screen.
"Thanks for the offer Ale, but I'm still holding out hope that Gavi will message me back one of these days ;)"
He smiled and bit his lip, locking eyes with Pedri, who wiggled his eyebrows at Gavi suggestively. He hit the older boy on the shoulder, and they went out to his car. When they arrived at Pedri's, dragged Gavi onto the couch to show him clips of you talking about Gavi.
*y/n being in love with a spicy midfielder for 17 minutes*
"Pedri why do you have this video in your favorites?"
"Be quiet and watch."
The video started playing, and Gavi was stunned when you popped up on the screen. It was a clip of you at an award show, dresses in a gorgeous maroon two-piece that showed your midriff and lower stomach, as well as ornate stomach jewelry.
"y/n you look absolutely gorgeous this evening. We heard you were a Barcelona fan? Is this true? And if so, who is your favorite player?"
You smiled widely, causing Gavi's intestines to twist into pretzels.
"Of course I'm a Barca fan. All hot girls are Barca fans. My favorite player of all time is Messi, but on the current squad? Pablo Gavi. He's so talented and not to mention gorgeous."
Gavi brought a cushion to his chest and hugged it tightly. He was used to people calling him attractive in comments, but it was different seeing it live, hearing it from someone who the whole world thought was gorgeous. The next clip was a TikTok, in which you and Valeria danced in matching Gavi and Pedri jerseys.
"See Pablito, she already has your shirt for when she comes to the games to support you."
That comment earned Pedri a swift smack, which he was unable to dodge. Gavi continued to watch the rest of the video, borderline kicking his feet at how fuzzy he felt hearing that you thought he was hot and talented.
"Thanks for watching the Bestie Quiz! Make sure to like the video and subscribe to Vogue Espana. Bye!"
The camera switched off, and you and Valeria stepped off the chairs you were sat in. You immediately got onto Instagram live to pub the video.
"Hey everyone! We just got done filming for Vogue Espana's YouTube channel! Make sure to tune in when the video comes out. And... tomorrow we'll be touring a certain football stadium. Make sure you're following us here and on TikTok to stay up to date with all the latest from us!"
Gavi's jaw dropped. Of course he tuned into the live. He was eager to hear the sound of your voice, see your face lit up with joy. He had been thinking about you for weeks now, unable to say anything to you from embarrassment. He didn't know how to be charismatic and suave and the man that the internet portrayed him to be. He was a dork. He didn't know how talk to you. So when he heard that you were visiting a football camp, he texted the groupchat.
[Gavi]: Is that girl group coming to Camp Nou tomorrow?
[Pedri]: ah ah ah no one respond. Gavi, go ask your admirer. A good way to start a conversation.
[Ansu]: ^^^
[Alejandro]: retweet
He rolled his eyes. They were right. It was the perfect opportunity to reach out to you. But he was still nervous - what if he didn't live up to your expectations?
He typed out a simple message and hit send with his eyes closed.
@pablogavi - are you coming to el campo tomorrow?
"Valeria, remember how you told me that he would never talk to me because I was 'creepy' and a 'weirdo'? Well, eAT YOUR WORDS HE JUST MESSAGED ME!"
You flopped onto the couch, kicking your feet like a lovesick teenager.
@uruser - if I am, will you give me a special tour? xx
@pablogavi - i'll try
The next day you were positively giddy with joy. You were going to get a private tour of Camp Nou with your three closest friends. And you were going to be breathing the same air as Pablo Gavi. This was your chance to shoot your shot. You put on a black tank top and some light wash jeans that enhanced your award-winning ass. You turned on a livestream so people could watch you and Valeria do your makeup, playing Meg Thee Stallion as you got ready. You started dancing, twerking a little bit in the mirror.
"She's practicing for later when she sees Gavi."
You slap Valeria on the arm, the chat exploding at the idea. You ended the live shortly after, getting in your car to be driven over.
Gavi was a nervous wreck. He had changed his shoes three times, wondering which pair of Dunks would impress you the most. Gel or natural hair? Should he wear his classic long sleeve or just the jersey? Pedri's honking was disturbing the whole neighborhood. He ran downstairs (he picked the gray dunks), getting in Pedri's car as fast as possible.
"If Alejandro get to her first, you only have yourself to blame."
Gavi laughed lightly, but he felt like he was going to be sick.
You and the girls arrived to Camp Nou at 10am, eager to take a tour. You were greeted by several members of staff, including Sara, who worked the team's social media. She would be following you all throughout the day to get clips for the official Instagram and Twitter accounts. You walked into the office, greeted first by Xavi. You were all super excited to be in the presence of the coach and World Cup winner. He spoke with you about the history of the club, then lead you through the facilities to the locker room, where you would be meeting the players. Your group members walked in ahead of you as you grabbed a selfie with Xavi.
Gavi would never admit it, but he stood on his tiptoes to try and catch a glimpse of you. He was in jeans and a jersey, ditching the long sleeve since he wouldn't be hurting his arms (not because he saw a video of you saying that you were in love with his arms. That could never be the reason). You walk in and it was like someone had lit his veins on fire. He was so overwhelmed by your gentle laugh and your bright smile. Your eyes scanned the players and landed on Gavi, biting your lip and winking at him. He looked to the floor, hiding the satisfied look on his face from the cameras recording. You greeted all the players, and after getting past Ferran and Alejandro, you got to Gavi. He put one sweaty hand out for you to shake.
"Nice to finally meet you, Gavi. You're even better looking in person."
You shook his hand and pulled him in, giving him a kiss on each cheek. Typical for Spain, but not something you had done for the other players.
"I as well also think meeting you is good." Gavi stammered out, making absolutely no sense. You smiled at him, causing his heart to race faster. Your hand lingered on his for a moment before you moved on to Pedri.
"You're going to make a really bad impression on Xavi if you break our young talent in the middle of the season." He said to you, causing you to pull away and laugh, pretending you didn't have the faintest idea what he was talking about. At the end of the greetings, the team members pulled out the shirts that had been prepared for all of you. Sara pulled out yours and handed it to Gavi, knowing keeping you together would produce the best trending content. Fan service pays the bills. He unfolded the shirt and saw your name at the top, and under...
"Number 6?" He asked, lifting an eyebrow at you. You looked at him from your seat, patting the spot next to you. He reluctantly sat down, and held up the shirt for the photo. You placed your hand over his for the photo, and he felt like he was 12 again experiencing his first crush. When the photographers looked down to make sure the shot was clear, you leaned into Gavi's ear.
"I wanted to wear your new number. I hope it can bring you some good luck."
"You... you want me to have g-good luck?"
"Of course Pablo. When you do well you're happier, and then I'm happier."
Gavi was going to explode. What kind of woman were you? Who was this forward about their feelings? He took a deep breath and composed himself. The girls were all taking sneaky pictures, wanting to capture the moment that you and Gavi first fell in love (because they knew that you would never let him out of your sights now). His teammates were snickering, in awe of how the firecracker that they had come to love was now a pile of mush, blushing like a schoolgirl and stuttering over his words.
"Alright, we're going to film some challenges in pairs now. The rest of the team will get their pairs. Gavi and y/n, you're going to come film with me." Sara said, walking quickly outside the locker room, expecting you both to follow. Gavi got up quickly and gestured towards the door.
"Um, after you."
"Wow, you're such a gentleman." You said, giving him a gentle squeeze on the bicep before you followed Sara. What was he supposed to do now?
You walked outside into the stands and both took your seats, handed personal mics to attach to your shirts. You clipped yours on in about a minute, having done this numerous times for different shoots. Gavi, on the other hand, was struggling slightly.
"Do you want some help, Gavi? Of course that would require me to touch your chest."
He looked up at you, wire still tangled. "You're going to touch my chest?"
"Only if you want me to gorgeous." You replied with a wink. He didn't trust himself to make words, so he nodded instead. You gently grabbed the wire, threading it through his shirt, fingers lightly brushing against the toned muscle of his chest. You clipped it at the top, smoothing his shirt when you were finished.
"All done. Now we need to test them out with a sentence to make sure the staff can hear. I'll go first. Test sentence: Gavi is adorable and I'm going to ask him out before I leave today."
"You're going to do what?!" He said, eyes widened, sweat glands activated.
"It's just a gibberish test sentence. Your turn."
"Um, hello?"
"It needs to be longer than that." You said, getting comfortable in your seat.
"I don't know what to say." He said, smiling shyly and looking down.
"Try whatever comes to your mind Gavi. Literally anything."
"Okay. Ehem test sentence: I'm really nervous around y/n so I hope I don't make a fool of myself in this video."
Your cheeks heated up but you looked away, trying to play it cool. You loved that you were making him a little bit flustered, but he was gaining some confidence to respond. The camera crew stated that you were rolling, and you looked at the camera.
"Hello everyone! I'm y/n and I'm here today with Gavi, and we're going to be playing Barca's 7-second challenge!"
"Ah, my brain is too slow for this game." Gavi said, tossing is head back. The staff handed you the envelopes, and you began.
"Alright I'm going to be asking first. Name three Barca players that contributed to a goal against Real Madrid."
"Ah easy. Leo Messi, Luis Suarez, and me." He said, winking at the camera.
"Good job. You would have been my first answer." You responded. Your rizz game was insane today. You wanted to make an impression- who knows if you would ever have a chance again?
It was Gavi's turn. He opened the envelope and read the question.
"Ah this is too easy. Who are 3 Barca players that have worn the number 6?"
You smirked at the camera. "Super easy. Denis Suarez, Xavi, and the best looking in number 6, Gavi." You said, winking at him. He smiled widely, turning away from you.
"Ah lalala don't let Mister Xavi hear you say that."
After you finished filming the game, the sun had moved from the middle of the sky, making the field more pleasant. The staff informed you that the final piece of content you would be filming would be Gavi showing you how to play football. Gavi was excited. Finally something he could excel at (and maybe embarrass you for once). You both got onto the field, and you laced up the football boots you had been given by the staff. From your position on the ground you looked up.
"Should I keep one untied so I can play as well as you?"
"I- I think you should keep them tied. I'm used to falling, but I don't want you to get injured."
"Awe how cute Pablo you don't want me to break my face." You said, getting up from your spot on the ground and pinching his cheek. It was quite warm to the touch.
Once the cameras were rolling, he taught you some basics, and then he decided to show off. He started playing keep-up with the ball, moving from hit feet to his thighs to his head and shoulders. He passes the ball to you, and you tried to receive with your chest, forgetting about the extra tissue there. You bent over in pain and he came up to you, checking on you.
"Don't worry I'm fine. But if you ask nicely I'll let you kiss it better." He stood frozen with his hands on your shoulders.
"I, I, I- do you want to do something else?"
"No no, it's hot watching you play."
Gavi was at his end. He was embarrassed beyond belief. He could not believe how forward you were, and he could not believe how much he liked it. He felt special - wanted. He brought you to the front of the box, deciding to end the day by teaching you to shoot a penalty. He helped position you, and you two spent the next ten minutes making shots at the goal and joking with one another. At the end, the crew came and collected your mics, and you waiting for the other girls and players to join you.
"Oh, I almost forgot. Here, can you sign my jersey?"
You handed him the pen, turning around and lifting your hair out of the way. He bent over slightly, uncapping the pen with his teeth.
"Who should I make it out to?" He asked.
"Make it out to your future wife. Or future long-term girlfriend if you don't believe in the institution of marriage." You felt the pen meet your back, smiling to yourself.
"I have never met a girl that was as forward as you. It's a little intimidating."
You turn to him, taking your pen and sticking it into your back pocket.
"I know I've said this a million times on every platform, but I think you're cute and interesting. I'm not going to be shy about that. If I make you uncomfortable though I'll stop."
"No no. That wasn't a complaint, but I was wondering...."
"Yes, dear husband?"
"Were you serious about asking me out?"
"My God Gavi. I have made it so painfully obvious that I'm had over heels for you. I have to ask you out as well?"
"You make me shy! I can't even begin to think of where I could take you on a date. I'm just going to let you stay in the driver's seat and I'll keep being a little stupid."
"What're you going to do when I come to one of your matches? Blush and giggle in midfield?"
"You're going to come to a match? The we have to go out before then. Let me get the awkwardness out over dinner so when I'm on the field, you'll be the one blushing and swooning."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~A/N: this is so long omg :') thank you so much to whoever requested this. It was really fun to write a super confident character. I hope this is what anon was looking for, and I'm so sorry if not. I hope y'all enjoy this one, and please leave any feedback in the comments/ send them in my asks!
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ladyluscinia · 1 year ago
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Ugh I'm still thinking about that damn tweet so...
2x08 Reaction #6
Ok, so this is not a screed against people posting about or hoping for Izzy's return - whether in joking denial or genuine belief. Like if that's what makes you feel better after the finale, you are entitled to all the posts, fix-it fics, etc.
But.
I really want to push back on this idea that it's this obvious thing canon is supporting.
This is not another Lucius situation. Like. It's just not.
Look, when Lucius was "killed" at the end of S1, it was a joke everyone was in on. He got tossed over the side of the ship with a little "fwoop" and a literal shoe spinning in the air. His "offscreen death" was confirmed by a guy who could not have known what happened after he fell. Of course he was alive.
Lucius's fake-out was so successful because it engaged with the genre of the show in a way that rewarded the audience for buying into the suspension of disbelief.
Izzy's death... doesn't.
Izzy dies from a stray bullet in a shot that you might miss on first watch. He's not doing anything important, or protecting anyone. It's random. They reveal he's injured and then make it back to the ship, only for him to give a dramatic deathbed speech. He dies on screen, and they immediately cut to his funeral.
This isn't the kind of death that fits with OFMD's universe. They tried to borrow a scene from Black Sails or something and just sanded down its edges. Killing a character in the main cast just because "it's a pirate show"? Really? The daring escape plan is real and dangerous and life-threatening in the same episode where Auntie survives an explosion, and we watched Zheng and Edward casually massacre their way through a dozen soldiers each?
I'm buying into the suspension of disbelief that our ragtag crew can escape scott-free because it's a silly romcom about a muppet guy where "things always have a way of working out in the end", and then the show looks me dead in the eye and says "Actually, no, this time the consequences are real. Sorry."
A bird landing on a grave doesn't change that?
Like... in Pirates of the Caribbean they can resurrect Barbossa from the dead like it's nothing because some of the first worldbuilding elements they introduce are a compass that points at what you most desire and gold that curses you into an undead existence. Of course necromancy exists.
OFMD had a guy turn into a seagull behind a tree for plausible deniability, a cursed coat rationalized as a peanut allergy, and the gravy basket which took place wholly in Edward's head. Resurrection would be a hell of a reach. Even if they did open S3 with it, it would be a retcon of Izzy's death, not a reveal that we all could have predicted.
Which does mean that pointing to vague tweets from the crew or likes of Witch!Buttons posts and pushing the idea "Look - they're telling us he'll be back!" leaves a sour taste in my mouth. Like... it's not set up as an inside joke this time. And especially if they don't get renewed - and they certainly seem worried - they should not get credited for leaving this particular beat "open" and just being thwarted by MAX or whatever.
Izzy dying right then, as shown on screen, was unambiguously their final beat.
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total-drama-brainrot · 9 months ago
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Total Drama Psycho Noah AU, what if Sierra (who knew everything about everybody) tried to warn Heather + Alejandro NOT to mess with Noah, cause he's a total psychopath (but they don't believe her) ... Sierra doesn't have to worry about Cody getting hurt, cause he's a sweet boy, and Noah only hurts people that attack him first... What if after Heather + Alejandro later learns the truth, Sierra simply tells the duo: "I told you so..." 😒
You're so right about Sierra being one of the few who's In The Know about p!Noah (without his express input), thanks to her superfan status.
Sierra throws a bit of a wrench into this whole AU, really. Because there'd need to be justification for her either not saying anything about Noah's true colours, or having the others not believe her claims about Noah despite it being abundantly clear that her knowledge on them is pretty infallible.
But.
Playing in to the whole 'obsessive superfan' thing, Sierra wouldn't want to jeopardise the ruse Noah's so carefully crafted if he were, say, one of her favourite characters.
Because Noah (every version of Noah) is a fairly private person, all things considered. She doesn't have a lot of information to go off of- not in comparison to the fountain of knowledge she has about the rest of the cast, at least- but she does know that he must be keeping his true colours a secret for a reason. Would you want to ruin someone's carefully laid web of deception when it's been one of the most entertaining aspects of the show thus far?
Or.
You could take it down another route, and have Sierra outright dislike Noah because he's A Danger to her beloved cast, but have this dislike become evident before she can warn the others; Sierra's pretty crazy herself, so the cast would dismiss her warnings are her trying to rally them against the person she so clearly hates instead of a genuine effort to keep them safe. After all, wouldn't it be in character for someone as evidently unstable as Sierra to lie and spread 'baseless rumours' about the person she clearly despises?
(That second option's fun, because it adds an aspect of dramatic irony for the audience both in-universe and IRL; they/we know that Sierra's right, so her struggle to be listened to would be almost Cassandra-esque.)
Either way, she'd make a point of staying as far away as possible from Noah. Because Sierra (like the rest of the in-universe audience) are working under the impression that Noah's a ticking time-bomb, a constant threat of incredible violence against the cast, since that's exactly what Noah painted himself as during his confessionals. (Speaking of confessionals, I do have a justification as to why the contestants eliminated before Noah are also unaware of his unhingedness, that I'll cover in it's own post.) That's not entirely true, of course; Noah's a psychopath with a grimdark sense of humour, sure, but he's not about to start randomly attacking people in bouts of spontaneous hysteria- but the audience, and therefore Sierra, don't have the comfort of that little tidbit of information.
It all circles back to Noah being a private person. He holds his cards close to his chest; in this case, the audience knows what he's capable of, but they don't know that a lot of his Baby Craves Violence act is just that- an act. A joke he's pulling on the viewing world, that he admittedly gets a little too into to. The perils of being dedicated to the bit. Not that he doesn't have the occasional urge to commit felonies and acts of brutality against others, but he's got enough self-control to redirect that energy into causing less destructive chaos (most of the time).
-
So when his true colours are eventually revealed? Sierra is so vindicated, she almost forgets the danger (she thinks) she's in. Almost.
(In the context of the second option;) She's spent the majority of the season thus far warning the others against Noah, only to have her good intentions brushed aside time and time again (which, ouch! Imagine trying to help the people you idolise enough to literally stalk throw your concern for their safety back in your face) by their incredulity. Being proven to have been in the right the entire time would be a power trip and a half, because it'd validate her skills as the unofficial-official expert on all things Total Drama and she'd get to shove the consistent rebuffs back in the others' faces.
It's a shame she'd be so dead-set on disliking Noah on principle, because the two of them could be great friends. If Sierra had a stronger craving for chaos and disorder, she could form a Terror Trio with Noah and Izzy.
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sarahsartistportfolio · 1 year ago
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More self indulgence Genshin impact. I'm going start backing up my Genshin writing on AO3 because I'm really enjoying this lol and want to make more. Please be kind to me, I'm not a "fanfic writer" I'm just sharing this because I find it fun.
Brief synopsis of what this is: Mine/your first meeting with the Fontaine siblings. I just straight up include my name here so if you're also a Sarah you'll get extra enjoyment from this. Lyney suffering from love at first sight lol. A really cute paragraph of Freminet. In my little sagau fantasy this takes place after the game has ended, so just assume Lumine and Aether are reunited and everything major is resolved. OH! And female reader and no smut here, just Lyney being infatuated with you.❤
Sorry I feel like I'm talking too much, I'm new to this🙇‍♀️
love Love LOVE the idea of sagau Lyney...being being like a little nervous/awkward around you God the same could go for Heizou
But love the idea of cool, suave, a bit aloof Lyney stumbling over his words and cheeks dusting pink as soon as he sees you the new goddess of Tayvet. Just love the picture of Lyney getting all shy and nervous around you cause he's so taken aback by your beauty and kindness.
Ok so like picture this. You've been the goddess of Teyvat for like weeks now. You've already visited most of your favorites from Mondstadt, Liyue, Sumeru. So you're like "Furina I wanna visit Fontaine next" and she's super excited, starts planing out your entire schedule for your days there. And you say "I wanna see one of Lyney's famous magic shows :)" and she's like "Of course of course right after we see the trial of a double homicide we'll do that."
But like you would think its a bit rude to just show up to his show without introducing yourself first. So you send Lyney and his siblings a letter telling them in week you'll be in Fontaine seeing one of their shows and that you're going arrive early so you can introduce yourself before the show starts.
(I just love the mental image of the three siblings huddled around each other as Lyney reads off the letter whose sender is the goddess herself.)
So um next scene right. Lyney is fidgeting with putting his gloves on, his right hand a little shaky and his eyes obviously lost in thought. "Nervous?" his sister's voice startles him from his deep thoughts. "I haven't seen you this nervous before a show in many years. Its because she's going be in the audience isn't it?" Lynette bluntly points out. Lyney swiftly tries to regain his usual demur as he smoothly pulls the glove on his hand. "Of course not, I'm more concerned about Lady Furina. You know what happened the last time she was at one of our shows." And after Lynette drops the topic Lyney is low key wondering if he should double check his props, least he make a fool of himself in front of you.
As the minutes tic by you arrive early as promised. You insist Furina doesn't follow you backstage to greet the siblings with you, she dramatically sighs and tells you not to take too long.
And as your eyes meet the three siblings(as you insisted Freminet be there too) they immediately take a low bow before you. Your eyes bright and smile beaming at seeing them together for the first time.
"Its an honor to have you in attendance this evening ma dame" Lyney gracefully speaks first.
"There's no need to be so formal with me. Please call me Sarah." The smile on your face never leaving for a second as your eyes quickly bounce between Lyney and Lynette before saying "Wow you two really do look alike."
You don't forget about Freminet. Turning to him and patting his head gently. Causing poor little shy Freminet to lose his voice. "Ah I have a small gift for you Freminet." you tell him as you pull out a small gift box for the boy. "Open it." And as his shaky hands do its revealed to be a small doll automata. "You like it?" you smile back at him. But Freminet's heart is racing too quickly for him to process what is happening. He glances down at the doll then back at you and repeats this movement again and again. He can not comprehend how he was just handed a personalized gift from the goddess herself, let alone she just touched his head. His cheeks a bright red, he nods, keeping his gaze to the floor. "I'm glad." you say sweetly as you pat his head once more. Freminet continues to gaze at the doll as if he was just gifted a holy relic.
You greet Lynette with a short hug, arms around her shoulders. She doesn't dare push you away and the faintest pink blush on her cheeks is quite endearing to see. "We have to get together for tea sometime." You tell her. "There's still so many tea flavors in Teyvat I haven't tried yet. Promise me you'll brew me your favorite." And with a shy nod she agrees.
As Lyney sees you embrace his sister he assumes(no hopes) you'll do the same with him. And he's not disappointed when you turn to him and wrap him in a brief hug. His hand hovers close to your waist but decides against touching out of respect. When you pull away, but faces still close he gets a clear image of your eyes and oh wow he can see stars in them. Swirling colors of blues and violets mixing together he finds himself staring a little too long. You giggle. "Photos can't do you justice Lyney you're even more handsome in person." Lyney's eyes sparkle at your unexpected compliment, his heart skipping a beat. "Oh on the contrary mon cheri, I could have never have guessed such a stunning beauty was behind your letter." Lyney smoothly retorts, making you bashfully giggle again. And he wonders how many more times he can pull that reaction from you. Your conversation remains short but full of excitement. Lyney's eyes remain shamelessly transfixed on you.
You give the three one last sweet smile and a little wave goodbye before you turn to return to Furina, who is giving you the saddest puppy eyes saying "That took way too long."
Lynette, with her eyes in a rare soft daze looks at her hands before muttering "...She's nice." Lyney's gaze follows you as you descend the main stage back to an disappointed Furina. His heart racing from just this short interaction with you. If he had any doubts about the divine they were certainty gone by your kind presence. He becomes determined to learn more about you. A slight pink dusts his pale skin and his eyes remain locked on you as he speaks "When Sarah and Furina come backstage after the show we should invite them out to a meal with us."
Lynette's focus is now back on her brother. "What? Why would they do that?"
A mischievous glint shines in Lyney's eyes before he opens up his left palm to reveal a pearl earring.
Ah Lynette shouldn't expect any less of small trickery from her brother. She sighs "That was a bit unnecessary don't you think." And Lyney just laughs proud of himself.
At the end of the show when you and Furina are about to leave the opera house, of course you notice your beloved earring is missing. Furina dramatically gasps "Do you want me to order the staff to turn this whole place upside down for you your Grace?" "No no." You reassure her. "Let's just retrace our steps."
And you're very grateful when Lyney hands the earring back to you claiming to have spotted it on the ground after you walked away. His attention completely on you as soon as you came into view. "Thank you again Lyney, I'll try to see you again later this-"
"Would you like to join us for dinner tonight Sarah?" Lyney confidently asks without missing a beat. "To show our gratitude for attending our show."
Your gaze shifts to Lynette who shows no disagreement to her brother's proposal.
You agree and the four of you(as Furina refuses to leave your side until your head hits the pillow tonight) have a lavish five course meal at one of the most expensive cafes in the city. You try to spread your attention over the three of them equally, even encouraging Lynette to chime in as to not leave her out of the conversation. And as Furina dominates the conversation again you cant help but feel a set of eyes on you. In fact you've been feeling them on you all night. Its Lyney who not so sneakily can't help but be transfixed on you even when you're not the one speaking. Eyes soft and almost coy smile half hidden by him leaning on his hand.
As you mention you plan on spending time with Neuvillette, Lyney is secretly plotting on how to steal you away.
Hmm wonder what happens next...
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autistic-danieljackson · 1 month ago
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So here's what Stargate Atlantis: The Official Companion Season 3 has to say about Sunday:
"It's more complicated than anyone will ever know," says writer Martin Gero of why the decision was taken to kill off Carson Beckett. "It wasn't like, 'Hey, let's kill somebody!' It was for numerous, incredibly complex reasons, having to do with the show overall."
*cough* Ratings *cough*
For a long time, Gero had wanted to see the characters of Stargate: Atlantis in a situation very different from the perils they usually face. He wanted to see them during 'down time'; relaxing, enjoying each other's company and generally having a life not plagued by danger.
Martin Gero, the writer we deserve.
"For a couple of years Martin had wanted to do an episode about a day off," recalls executive producer Brad Wright, "a non-urgent mission. And I said 'Well, I love that as the backdrop...and then something incredibly dramatic happens!' Because I don't think the audience wants to watch anyone sleeping. A day off that is un-dramatic and does not have a huge event centered around it is not going to be that good."
Listen. I don't know about anyone else but I know this is mine and many fan-fic writers' dream. I want to see every bit of a characters life. I would've watched 15 episodes about the characters having lunch and playing board games and hanging out. There is literally nothing more I want to see than my favorite characters having a good time. Just say it's for the ratings, don't try and put this on the audience. Alright, enough of my interjection back to the book.
"I had been pitching this day off episode forever," says Gero. "Brad said, 'This is a dangerous place. There are no days off in Atlantis.'"
Again, bullshit but I'll hold my tongue.
Then there's a bit about how they decided to write things and film things and the different processes they went through. Then more from Martin Gero at the end:
"Usually when we show the director's cut of shows up here [in the production office], it goes through the gauntlet of people making fun of it. That's harsh, but it's an important part of the process because you need to know what doesn't work. And the more vocal your audience, the better, so that when the producers go down to do the final cut, we can try to make the episode better. That started, and then for the last three acts there was really complete silence. When the lights came up, I turned around and Brad was crying. Everyone was just very somber. It was awful that we had to do it, but Brad thinks it's the best episode of Atlantis, period."
No one made you do this!! In fact, we all would've liked very much if you hadn't done it!
After the breakdown of each episode, there's a little report on each main cast character and a blurb about the recurring cast as well as sections about the making of the show. Here's some from Carson's report:
McGillion reveals that whatever shock the audience felt when they learned of Beckett's demise, it was nothing to his own. "It was absolutely not my decision to leave the show," he says plainly, remembering how he heard the news. "We shot 'Phantoms' on location. We came back for one day to finish the episode on the stage, and one of the ADs asked me to go up to the office because [executive producer N.] John Smith wanted to talk to me. I thought, okay, maybe they saw the dailies for 'Phantoms' and they're really happy with my work. Maybe they want to say, 'You did a good job,'" he recalls. "I did not see it coming at all. We went to Brad's office and it was myself, John, Brad, and Robert. I have to have respect for what they did - they called me to the office and told me in person that they wanted to shake things up with the show and unfortunately they had to kill a character off. It had to be somebody of significance so that the fans would have a reaction to it. And my number came up. I was shocked, to be honest with you, and I was disappointed because I love working on the show and I've had some great relationships with the cast and crew."
Wanted. to. Shake. Things. Up.
For McGillion, filming Beckett's final episode after three years of working with the same cast and crew was, understandably, not easy. "It was very difficult to shoot, especially that last scene with David."
Stop I'm crying again 😭
Then it's talking for a bit about how Paul had to come back to film a bit after 'Sunday' and that the last things he filmed were for 'The Ark.'
"I forget exactly what the scene was. I was kind of blurred that day because I knew it was my last day and no one else did," the actor recalls. "I didn't want anyone else to know because I'm somewhat like Beckett, I wear my heart on my sleeve and I didn't want to get emotional. Martin [Wood] shot 'The Ark', and [he and] Alex Pappas, who is the greatest AD that we have, were going to make a little announcement: 'This is a wrap on Paul for the show.' I asked Alex not to do that, because I just couldn't deal with that at that point in time. I didn't even tell the cast. We shoot so much out of sequence that no one knows when it's someone's last day. So I left and I saw Rachel [Luttrell] and told her. David had left [so] I called him to let him know. The next night all the cast went out for dinner, so that was nice. It's tough, but I'd rather just go out quietly."
Real life Carson Beckett, I love him so much 🥺
But that's about what it says on the episode. I know people have been saying this forever but I like to get it from the source as well. I am even angrier now than I was before which I truly did not think was possible.
If you like behind the scenes stuff, I think this is a great book! I'm going to follow along when I do my Atlantis watch-through, there's a lot of great stuff in here. Would recommend if you can get your hands on it, even if it does make you extremely angry at times. 😂
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theresattrpgforthat · 8 months ago
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Review Two, Electric Boogaloo: Eureka: Investigative Urban Fantasy
This is my second review for Eureka, as the document has been majorly updated, and the designers are gearing up to fund it on Kickstarter from April 10 to May 10.
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This game is an investigative game meant for mysteries that incorporate a large amount of action and horror. I’m going to break down some of the interesting things Eureka does, and talk about who I think would be a good audience for it.
Graded Success
Eureka uses 2d6 for pretty much every roll, with the possibility of ending up with a failure, a partial success, or a full success. You can add modifiers from various different places, such as your skills, your fear, and your player Truth. The breadth of this game and the game philosophy behind it means that it is not a Powered by the Apocalypse style game - Eureka is its own beast.
Investigation
There are two kinds of rolls in Eureka - investigative and non-investigative. When you are not investigating, success and failure will mostly be determined by what makes sense in the fiction. For investigative rolls, regardless of success or failure, your character will receive investigation points.
I really like this mechanic because even if you fail, your character makes progress - and in fact, since you gain more investigation points when you fail, this plays as if your character is able to use their failures to arrive at a conclusion later in the story.
This is a great time to talk about the Investigation Bar, which is the central focus of the game. When you fill the Investigation Bar, you get a Eureka! This could be a chance to get a vital piece of information, or to tip the narrative scales into your character’s favor.
Precious Information - Secretive Play
Secrets are important in Eureka. The Narrator has secrets of course - the answers to the mystery, the motives of the NPCs, the supernatural that is hiding around the corner - but the players do to. If you are a vampire, a werewolf, a psychic, etc., you are encouraged to wait until a dramatically appropriate moment in the game to reveal this information.
This presents a very specific style of play. Eureka is an ideal game for folks who want to procedurally uncover information, and game masters who like using pre-determined, pre-written mysteries, with motives, clues and events mapped out. How these mysteries are solved still depends on what happens in play, but as a GM, you’ll have plenty of sources to draw on when the characters ask questions.
Eureka also prepares players for messy relationships between their characters. If you want your characters to misunderstand each-other, compete with each-other, or even betray each-other, that is an option in this game. These complicated relationships might even give birth to a secondary plot line for the characters to follow as they try to solve the mystery, especially if they want to find the answers for different reasons. I think it has the potential to make Eureka a multi-layered storytelling experience.
Procedurals
This multi-layered experience is possible only if you have one or more members of the group who are dedicated to taking notes. Because the information being relayed to the characters is so important, it’s crucial that the players remember that information.
In some ways, this reminds me of games where players are expected to get inventive with the tools they have. Players are given pieces of information, and then asked to put the pieces together while in character. The handing out of this information is similar to what I’ve heard described in GUMSHOE - obvious clues will not require a roll - but what is done with that information is up to the players.
I think this might be why playing in longer games or campaigns might be a really good format for Eureka, because it allows characters to piece together a big mystery over a long period of time. This is a game that requires a large amount of investment from both players and game-master alike; this is procedural play in which the narrative emerges from the procedure.
Horror
Eureka thrives with horror, and while the game is meant to be compatible with adventures with various systems, that doesn’t mean that it is genre-agnostic. There are dark things in the corners of this world, whatever it may be, and those things will scare and stress out your characters. There are a number of mechanics that tie Eureka to horror really well.
First is Composure, which is a replacement for sanity mechanics of games like Call of Cthulhu. Your character can only take so much emotional stress before it starts to inhibit their ability to perform certain tasks. If you lose enough Composure, you’ll find yourself hindered in the amount of positive modifiers you can apply to any given action. I like how this replicates how stressors can inhibit it personal performance - and the fact that Composure can be regained means that you can moderate how gruelling the gameplay is.
There’s also character Truths, which aren’t necessarily horrific, but can give you a reason to take the less-than-optimal path in any given situation. Similar to Vice in World of Darkness, you can gain a modifier to a situation in which your character chooses to act in a way that is in line with their Truth, even if there is another option available. This is a mechanical reward for playing true to your character, flaws and all.
The game also asks you to personalize the fears associated with your character. These fears may trigger Composure Rolls, or apply modifiers to them to make them harder to pass. These fears may also be cues to give to your Narrator, indicating what kinds of things you want to inhibit your character, and what kinds of things you want your character to be able to face with little difficulty.
Toolbox
There are elements of Eureka that are optional, which are there to help tailor your game experience. For example, you can include a Ticking Clock to give your players a dead-line or heighten the suspense, which can focus the game and also make it feel more like a thriller.
You can also tailor the skills to make the game fit a certain setting, such as prioritizing horseback riding or driving cars - or perhaps increasing the medical skills to make this a mystery much more focused on biology and medical practises.
The game also has many nods to various forms of detective fiction, as well as supernatural mysteries, action pulp films, and film noir. You can see this primarily in character abilities, which come as a big list of things you can pick and choose and pair together for a unique character.
All in all, if you want a game where Columbo, Buffy the Vampire Slayer, and Indiana Jones can all be in the same adventuring party, you might want to check out Eureka.
You can find a free download version of Eureka here, and keep an eye out for the Kickstarter here!
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notmaplemable · 9 months ago
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Mable's RWBY Redo: Volume 1 + Trailers
Hello hello, and welcome to my own version of FRWBY, but hopefully without the controversy. But I wouldn't really call this a "fix it" fic or anything. More just a writing exercise where RWBY was more planned out than it actually was/is.
Since it does seem to me that RWBY was written quite a bit by the seat of CRWBY's pants, at least in the earlier volumes. How much that changed, I don't claim to know. But there are a few things in RWBY that probably would've more impactful if they were setup earlier. So, I'm going to try to do that.
I will be keeping most of the major concepts of RWBY the same. Dust, Grimm, impractical but flashy weaponry, the White Fang and that whole thing, Salem, etc. But just because I'm keeping the concept, doesn't mean there won't be changes in execution.
There are also a few things that where the plan seems to have shifted at some point. Like the Raven plotline for example, it seems like Monty was the only one who really knew what he planned to do with that. So I might be willing to go a bit more "off the rails" with that specifically and a few other things.
I'm also going to try to keep in mind the resources RT would've had at the time of each volume. So I won't be immediately changing things to 22 minute episodes with 16 episodes a season or something like that.
I am, mostly, going to be taking an episode by episode approach to this. Though I don't really have any experience with screen writing or what you can fit into a certain amount of runtime. So I'm not going to write out all the dialogue and things for most scenes. Just giving summaries and a few scenes of particular importance.
Though I think here would be a good time to respond to a few comments something like this might get.
No, I don't think I could've done better than CRWBY. No, I don't hate RWBY, I rather love it. No, I'm not going to sideline RWBY for a bunch of "straight white male" characters. No, I'm not going to erase all the LGBT representation. Yada yada yada. If you don't want to read something like this, you are more than welcome to block me or whitelist the tag. This is more or less just a fun writing exercise for me.
I'm doing the ships I want though.
So with that said, let's hop right in.
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Trailers
The red and yellow trailers will be completely unchanged.
The white and black trailers will be unchanged as far as what happens in each trailer.
For the white trailer, the change won't really be to the trailer itself, but more so something that changes things post fall of beacon. The arma gigas fight didn't actually happen and that's not how Weiss got her scar. Why? One fan fic had her get the scar a different way and I like it more than the canon way.
That's really it.
For the black trailer, Blake's design is the only thing that's changing. Now, it's not going to be a complete redesign. Mostly because introducing the rest of RWBY but Blake with their canon outfits would kind of be weird and require a good bit of extra work. I'd imagine at least.
So I'm just going to have her not wear the bow, and with shorter hair. Not quite what she had in Atlas though, probably something closer to Kali's actually. And add some white fluff to her inner cat ears to make them a bit less... flat.
Now, that does remove the dramatic reveal that she's a faunus for the audience. But I think the dramatic irony of only the audience knowing that can make up for it. And the hair can be a bit of a rough signifier of how long between the black trailer and her appearance in V1 was.
And just for the in universe logic of Blake not looking exactly the same if she thinks Adam is going to be coming after her. It's not much of a change, but it is a change.
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Volume 1
I'm not going episode by episode in V1, since there really isn't that much I want to change. But I will be shortening to the volume to 10 episodes instead of 16. With the volume ending after "Players and Pieces" with 2 more episodes added to initiation. Which I imagine will mostly just be added action and maybe some conversation.
The first major change is going to be that Jaune still doesn't have his aura unlocked, but he knows what aura is. Or, at least the 5 minutes of research on Remnant's version of google's version of what aura is. He's gonna be looking for a way to have it unlocked. Maybe add in a throwaway like where he wonders to himself if he should ask Ruby to do it.
The second major change is actually something we aren't going to see. The reason why Blake decided to make Yang her partner, since she does seem to purposely seek Yang out in canon but we never really hear the reason. But honestly I can't think of a good enough reason at the moment besides Yang knowing Blake's secret. So we'll just save that for a flashback later and have it implied there was a deeper reason for now.
Everything else pre-initiation should be the same.
Once we get to the cliffs before everything starts, CRDL will not be there. Since we aren't doing jaunedice yet there's no reason to have them yet. We'll also have it stated that there are multiple launch sites and have Ozpin say something along the lines of "of the 200 of you that will go into the forest today, only 50 of you will pass," to give us more of an idea of the size of the class. Though the numbers can be changed to whatever.
Then things get started, everyone partners up, Ren doesnt kill a king taijitu because power scaling. We see Ruby and maybe a few others cutting through the unarmored beowolves, adolescent beowolves to be precise, with relative ease and start to struggle once the armored ones start showing up. To help with the power scaling a bit.
Jaune convinces Pyrrha to help "boost" his aura so he can heal faster. Pyrrha knows that's not how that works but goes along with it anyways. With her having some suspicions of Jaune, but not confronting him about it since... you know.
Everything else in initiation should be pretty much the same. Maybe with an extra fight scene or two. Ruby and Jaune are still named leaders. But we do get a small scene afterwards with both teams heading to their dorms which are of course, right across the hall from each other.
So, a bit after sundown the two teams go into their dorms, with Ruby and Jaune deciding to stay out for a second for a quick chat.
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The two new leaders stand in front of their dorms, neither of them saying a word for a moment before Jaune decided to speak.
Jaune: You running up that that cliffside to kill that giant bird grimm was probably the coolest thing I've ever seen.
Ruby: You mean the Evermore? *Jaune nods* Well, it was nothing really... I just saw an opportunity and took it. You know?
Jaune: I guess.
Ruby: But your team took down the Deathstalker, right? I bet that was super cool too.
Jaune: Everyone else did all the work. I kind of just stood there hiding behind my shield.
Ruby: But Pyrrha said you were the one who figured out how to take it down.
Jaune: Yeah, but-
Ruby: No buts! Besides, a good plan can be the difference between life and death sometimes. At least that's what my Uncle Qrow says.
Ruby: That's probably why Professor Ozpin made you a leader.
Jaune: *Rub the back of his head* Yeah... Heh, maybe he made you a leader since you're so good a pep talks.
Ruby: I guess...
JR: ...
Ruby: ...We've been training most of our lives to fight Grimm and bad guys. Maybe learning how to be leaders won't be so hard, right?
Jaune: ...Right.
*RWBY's dorm door opens*
Yang: Hey, Rubes, what are you still doing out here?
Ruby: Just talking to Jaune.
Yang: *Looks at Jaune* Vomit Boy.
Jaune: Can you please not call me that?
Yang: Not until you unruin my boots. *Turns back to Ruby* Now come on, we need our leader, and my favorite little sister, to pick who gets the bed closest to the bathroom.
Ruby: Oh, okay. I'll see you tomorrow Jaune.
Jaune: *smiles* Have a good night, Ruby.
Ruby: *Goes into her dorm with Yang*
Jaune: *Soon after Ruby shuts her dorm door Jaune's smile turns into a look of pure guilt as he stands silent in the dimly lit hallway*
Roll credits
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And that's the end of volume 1. Not sure when I'll get to the next volume, but it'll be sometime soon. V2 should be more detailed, and will probably end up being longer than one post.
So yeah, tell me what you think and I'll see you next time.
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sebbyisland · 3 months ago
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WHAT COULD THIS MEAN LETS UNPACK. Shiguma has invited Akane to be the Zenza/opener for his large public event, one known to help keep rakugo appreciation alive in the community. We now also have a better idea of what makes his performances so enrapturing—to the degree he is considered an "Ookaban," or a Shinu'uchi who has truly elevaed the craft. During his performance, Shiguma uses small, defined movements to encourage the audience to imagine the entire world of the story. This is a powerful technique that even has the power to “kill” as was explained in the prev chapter because people become so enraptured in his stories they will even ignore fire alarms (which is crazyyy btw). It's THAT intense.
This is what makes him "Shiguma the Tear-Jerker," master of Ninjo-banashi (this also explains why Maikeru is so good at Ninjobanashi lol) . It’s easy to believe the purpose of this arc is to once again establish a goal post that Akane needs to aspire for, especially since we know she doesn't have much experience in emotional/dramatic Rakugo. The last time we had Akane become "wowed" by someone else's degree of rakugo skill, it was ALSO a horror story, performed by Kaisei Arakawa (more on this later)! However, unlike that scene, we now have the additional plot element of the mysterious "Shiguma's Art" that was passed down from the Kashiwaya school. Which is actually the true focus of this arc, since it's heavily implied that Akane is about to learn Shiguma's Art herself!
Back in chapter 118, we find out Rokuro Kashiwaya is trying to reveal the secrets of the "Shiguma's art," a secret story originally passed down from the Kashiwaya school. Immediately after the reader is told this, we cut to a flashback of a younger Akane watching as Shiguma silently stares down at the ground in a formal seated position.
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Akane can tell he's practicing rakugo not because of any genius intuition, but because she remembers her dad doing the exact same thing. And she was correct! When she asks him about it, Shiguma is first avoidant, "It has nothing to do with you," but then affectionately ruffles her head and says she'll tell her when she's a "full-fledged artist." Shiguma's secrecy + the timing of the scene basically all but screams at us that he was practicing "Shiguma's art" and he already passed this on to Akane's father before his Shin'uchi test.
Okay, so, Shiguma wants to pass down this cool secret story. Based on his solo-performance and how we've seen both Shiguma and Akane's dad practice, this is a story that requires using minimalism to maximum impact. About maintaining a still, intense atmosphere full of anticipation that completely enraptures the audience similar to the younger Akane watching them, all those years ago. We will soon get more details about how this works since Shiguma has acknowledged that Akane as a "full-fledged artist" and promised to teach Akane this very same story after his solo-event.
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But that's not even the most interesting aspect of this whole arc! One of the side characters astutely observes that this all seems to be a pattern for Shiguma . His student's "rite of passage" into Futatsume, as they become a "full-fledged artist."
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Shiguma takes them out around town for a day, then has them open for his Solo exhibit. Just like Akane. Keep in mind, the solo exhibit is not just about Shiguma and his Futatsume-to-be, but about connecting rakugo to the greater public on a deep level. That is the greatest lesson they gain from all this--that small things like taking in the "color of the city," as Akane calls it, is essential to gaining a deeper understanding of how to connect to the audience. Of rakugo itself. Doesn't that sound familiar? Small things amounting to a big impact? That's right, it''s the very same draw of Shiguma's Art.
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This all comes full-circle, because back in the beginning of the story, chapter 2 opens with a focus of Shiguma's mentorship of Akane consisting of showing Akane around town. This initially caused a comedic misunderstanding leading to rumors of them having an immoral affair. Of course, in reality, he was teaching Akane rakugo on a fundamental level.
Does Shiguma teach Shiguma's Art to ALL his students? Probably not. Not only is Shinta the only student we explicitly see practicing Shiguma's Art, he's also clearly burdened by it. When Akane learns that Shinta refused to join other rakguo schools after his expulsion, she recounts when her father mention his goal to "carry on Shiguma's art."
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This single page places another level of weight on "Shiguma's Art" as a role, an identity, not just a methodology. Look at Shiguma's face when Akane reveals this information! He's unsettled! Shinta speaks with clear intention to carry on the name of Shiguma. He has so much loyalty to Shiguma's Art he refuses to continue rakugo under any other school (which brings the question: why did the original Shiguma leave Kashiwaya, then?). So, no, I don't think everyone who graduated past Futatsume gets to learn Shiguma's Art. After all, it's not like every student under Kashiwaya learned about it, either. It's a mystery how Rokuro found out in the first place...
To recap: we've established that "Shiguma's art" is both a methodology and a secret Ninjo-banashi story to SELECT students of the Shiguma school, likely taug ur with the intention for you to inherit the school. It's a great honor that basically represents the foundation of Shiguma that can be felt in many extensions of Shiguma’s mentorship style. The current Kashiwaya master passed it on to Kiroku, but instead of staying within the Kashiwaya school, Kiroku went on to make his own school with Issho and the current Shiguma. The original Shiguma taught it to the current Shiguma, but probably not Issho. Then, Shiguma taught this technique to Shinta with strong intention, but that didn't work out because Shinta failed the Shin’uchi test. From what we've seen so far, Shiguma's Art emphasizes that "less is more" when it comes with connecting to its audience. It's most effective in creating an intense, emotional atmosphere apt for Ninjo-banashi stories.
That's all well and good, but then what relevance does this current rakugo story have? If this is really all about Shiguma's Art, then does it REALLY matter what story Shiguma performs during this solo-event, as long as it's emotional and shows off his skill as a Shin'uchi? Why would this performance "hold a special meaning" for Akane, specifically, if it's nor even guaranteed for EVERY Futatusme to learn Shiguma's Art after the solo event?
That has to do with the nature of the story Shiguma is performing, "Shinigami" or "Gods of Death" (spoilers for people who are not familiar with the story). We left off in Akane-banashi with the protagonist of the rakugo story being taken into a candle-lit cave by one of the gods of death. Every candle's represents the life of a human soul. In this story, it's revealed that the quack doctor, our protagonist, has accidentally switched out his own candle with that of his dying patient. As such, he is about to die. The god offers to let him light his current candle with his "former" candle so that he can renew his life. However, he fails (the exact reason varies between versions), and dies. His death is a morbid lesson to the audience that you shouldn't bite off more than you can chew, for consequences will follow.
The most haunting part of this story is when, after watching the protagonist struggle to stay alive, his candle finally goes out. All the life is snuffed out of the protagonist. Now, this might be a reach, but I think the pose that both Shiguma and Shinta were seen practicing is going to directly translate to how he performs the protagonist's death in "Shingami." Think about it. The complete stillness of a tragic death that came too soon--isn't that the ultimate way to make minimal movement have the largest impact? Furthermore, a haunting line from "Shinigami" is a taunt that the protagonist receives from the god "That which has been traded cannot be returned." Isn't that such a good segue for the weight of Shiguma's Art? That Akane’s father refused to go to any other rakugo school after he had to leave Shiguma Arakawa? That Rokuro is now trying to return what has been traded to the Shiguma school???? This was such a good story to introduce Shiguma's art because it ties to both the past and the future of the story on multiple levels, similar to the impact of Maikeru’s Shin’uchi test. Furthermore, it usually a particularly popular rakugo story, so similiar to the use of "Jugemu," seeing how the characters interact with the story helps to emphasize their level of skill.
In addition, I've wanted to see Akane-banashi adapt "Shinigami" since I first started this series. I am so beyond happy about its role in the narrative. It feels like a personal gift ahhhhhhh.
You can watch variants of "Shinigami" on Youtube! Performances by Kyotaro Yanagiya w/eng subtitles here and an English rakugo performance by Kanariya Eiraku here :) I personally really enjoyed them both.
Furthermore, remember how I mentioned Kaisei early on in this paper? Like way back? That's because if Akane is the representative for the future of Shiguma, and Rokuro as Kashiwaya, then Kaisei is the face of Issho Arakawa in this story and will no doubt be brought in the fray of the Shiguma Art drama. With this in mind, isn't it interesting how the last major performance we saw of Kaisei was a Ninjobanashi that highlighted how he, too, captured the audience, but with a much more outwardly scary story about death? One that is terrifying because of the ego of the character's, not the environment/gradual build up of horror in Shinigami? And that his origin also started by meeting a Shinuchi as a child, like Akane, and that he took on rakugo in honor of his mom who was in a rough spot for reasons out of her countrol, similar to how akane was influenced to honor her dad through rakugo? But Kaisei cared about proving himself by having the means to live/leave poverty, whereas Akane was focused on how she enjoyed the art of rakugo? It's almost as if Kaisei has a different approach to rakugo than the Shiguma school...it's almost as if...he's taught by the master of Shiguma's rival, Issho....it's almost as if......Isho's rakugo is more so about the rakugoka's ego delivering a powerful story, whereas Shiguma's rakugo is about influencing the audience, and this is why that disagree so strongly about Shinta's Shin'uchi test, where he was able to connect with the audience but fell through on maintaining he composure and ego......it's almost as if this entire story hinges on the debate on the purpose of telling stories. This is what Akane has to decide on for herself. That's why we are reading Akane-banashi (story).
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cookie-nom-nom · 1 year ago
Text
How to Kidnap Bruce Wayne in 6 Easy Steps
The Batfam decided to have a nice evening together. They had it all planned out. The Joker was JUST put into Arkam, Harley and Poison Ivy were having a date night, and they sent the Riddler a 5k puzzle piece, so they should have a few hours. Hopefully.
But then entered...the comedian. Not a knockoff Joker, mind, an actual comedian serving as the entertainment for the night. The kids were running a bet on the odds of Bruce laughing. Not actual laughter, naturally, but how many fake laughs Bruce would decide to manufacture. Dick maintained it would be 8 times at most, despite what the others thought.
And then a PowerPoint presentation started, with the words Bruce Wayne emblazoned behind the comedian. "Brucie Brucie Wayne. Local philanthropist, runner of jobs and charities and orphanages. Gotham's number one eligible bachelor if and only if you like kids. But Ladies and Gentlemen and Folks, I'm here to tell you otherwise. Because this right here? It's alllll a mask. I know the real Bruce Wayne, and I have the proof to reveal his secret identity."
Bruce was very carefully keeping his eyes on the performer, refusing to acknowledge the eyes latching onto him, or the occasional covert elbows.
The comedian dramatically flourished the remote and changed the slide. A stock photo of a man littering had Bruce's face crudely photoshopped over it popped up. "See! A menace to society! And I have an extremely reliable witness who swears that the recycling bin was three feet away. Tsk. Some people just want to watch the world burn. Which maybe I'd be okay with since we Matched on Tinder, and yet not a single spark despite how much chemistry we'd have!" A wall of unanswered Tinder messages of bad pick-up lines and far, far too many winky faces filled the screen, all sent to a profile claiming to be 'Bruce Waine'. "This MONSTER left me on read! Can you believe it? Ghosted. And that definitely isn't on me, because my Mom says I can make anyone swoon. Who do you trust between the two? Wayne? Some millionaire who could never relate to your everyday experience?" The slide flipped between Bruce suavely dealing with paparazzi and a sweet older woman. "Or Mom, who can make wonderful potlucks, whereas we all know the Wayne Manor has nearly burned down on three separate occasions thanks to Brucie trying to use a toaster!" Technically all villain attacks, but the public needn't know that.
The Wikipedia page's list of philanthropic acts and charities sponsored by Bruce Wayne scrawled across the screen, the comedian gesticulating wildly. "All this?? PROPAGANDA! This is what he WANTS you to think! When in reality, he's a two-faced, duplicitous, littering, puppy-kicking monster who REFUSES to answER MY TEXTS, IT'S NOT HARD! I'M FUNNY AND HOT AND--!" The comedian paused in frothing at the mouth, as if suddenly realizing the audience was there. They straightened, pointedly adjusting their collar. "We all know the true darkness that lies behind his friendly, ditzy, sexy façade. And so our goal is simple: we are going to kidnap this menace for the wellbeing of Gotham (and my love life)."
Step 1: Become an orphan.
"Alright, the first step of Plan 1 is simple. Now that you're an orphan..." the slide changed with a silly transition animation.
Step 2: Irreversible and extensive surgery.
"Now this step is a bit expensive but-" they feigned a surprised face at the protests in the audience. Planted, no doubt. "I'm sorry, what's the hold-up? We don't have all night! This is literally the first step and you already have questions?" The comedian gestured wildly in the direction of the Batfam. Bruce narrowly avoided recognition thanks to his fondness for sitting menacingly in the shadowy corner of the room. "Seriously! There're KIDS in the audience! They're far too young to know how easy it is to get tragically orphaned at a young age and left with no stability and an empty hole in your life to be filled with grief, rage, and fear!
"Sheesh. Some people have no consideration for the faint of heart. Think of the children! Literally, think of the children you will be infiltrating." A flick of the remote and Step 3: Infiltrate an orphanage popped up. "We all know the easiest way into the Wayne household is adoption. Now that you've gotten extensive surgery to appear like a child, the hard part begins.
"Little is known about the entity known as children. I have put together research to aid in your mission. You need to know how to walk, how to dress, how to speak. Do you know what rizz is? Can you dab on command? One mistake and you're dead. You can fool the hearts of men, but children will rip a poor performance to shreds. I should know, I was bullied severely on the playground every time I tried to bring up the question of what the deal with airplane food is..."
The comedian went on, detailing the absurd plan to trick Bruce Wayne into adopting them. It hinged entirely on the fact he was a well-known moron. The Batkids found great glee in piling on the jabs as the comedy bit went on. Step 4: Marketability analyzed the various personalities and attributes of the Batkids to extrapolate how to lure Bruce into adopting the infiltrator, highlighting key traits like 'small' 'looks like a drowned cat' and 'a glare that is really terrifying for a baby to have'. Bruce found that portion almost tolerable, given some of the kids turned upon one another in something akin to a feeding frenzy. But it wasn't long before the full brunt of their teasing returned upon him as Plan 1 concluded with Step 5: Buying rope and duck tape while not looking suspicious and Step 6: Using flower language to apologize (for the abduction).
"...Alright. So, maybe you don't have the funds to shorten the length of your leg bones. Or maybe you don't have black hair and blue eyes. I get it, re-dyeing is messy. If Plan 1 is infeasible for your budget or lifestyle, then I've kindly considered a second revenue of attack."
A massive picture of Batman filled the screen. The crowd descended into mayhem. "Oh don't tell me the entire audience believes the butts match! We're conspiracy theorists here, but I thought you had STANDARDS!" It was possible Bruce's face was going to freeze in that perpetual rictus. Dick waved a hand in front of him, not sure when he last blinked. "Come on people! They're clearly different people. Which is why I'm going to recruit Killer Moth to do a little crime. All the funds that would've gone to child surgery can now be injected directly into the criminal underworld. It's basically the same thing our taxes do but faster! I've thought this through. Killer Moth will do anything for a price and you won't like actually be in danger. I mean, can you imagine dying to some D-tier villain? Cringe. Anyway, this is your 'in' with Batman. He saves you and it's all very heroic. And then you start chatting, maybe get his number; it's going great. It's been a few months of him rescuing you over and over again, and hopefully you haven't died or whatever. At that point you bring up Bruce Wayne. I mean he's getting kidnapped all the time! It has to be incredibly inconvenient for Batman, and he deserves a break for all his hard work. So the next step of this plan is to convince Batman to kidnap Bruce Wayne..."
.....................................................
The comedian paced backstage during intermission, rehearsing the next segment. It seemed to be going well, a good-sized audience. There was one group in the back that was particularly uproarious, save for one adult in the center. But then, the comedian was suddenly surrounded by children who seemingly melted out of the shadows. "I don't think you are supposed to be back here. Are you lost? Do you need help finding your parents? ....wait, shouldn't there have been guards...?"
"Didn't see any," Tim shrugged. Hard to, when they were strung thirty feet up in the rafters of the auditorium. "Anyway, we've just been adoring your act. Our Dad? Not so much, though."
"Eh, can't please them all. Some people just put celebrities on the craziest of pedestals."
"More like he's listening to someone ramble about trying to kidnap him." Beneath a mask a mile thick, Dad was writhing in mortification.
The way the stages of grief so clearly filtered through the comedian's face was fascinating to watch. "..........Bruce Wayne is in the audience?" they asked weakly. "Like. Right now? Watching? Waiting to ambush me with lawyers?"
"Dad's in the bathroom." Batman was desperately out on patrol to avoid his family's heckling.
"Actually, I don't think he's caught on that you're talking about him yet." Jason grinned evilly.
"Man, I heard he was a bimbo but I didn't know it was that severe. My condolences, truly. Thank god the second half of the interview is about trying to plan a dinner date that doesn't get ruined by supervillains. I do NOT need him coming after me for slander. Uh. You aren't offended, right...?" They could not afford any type of lawsuit. Or controversy. The comedian stuck to petty Twitter bait, not actual problems.
The hoard of children beamed. Suddenly, the comedian realized the exits were cut off. A teen's arm looped around theirs, another surprisingly firm grip across their shoulders. "Nah. Actually, we had some suggestions. How'd you like to do a live interview...?"
.....................................................
"Alright folks, you're never going to believe this, but during the intermission I was cornered by children. It was terrible, I was having flashbacks to second grade..." an artistic shudder. "But thankfully, these ones just wanted to harass me after listening to me ramble about trying to seduce and/or kidnap their dad for the last half hour. Can we get a big welcome for the Wayne kids! I'd introduce them but they all look identical to me!" A fantastic roar of applause at the sudden special guest segment. "Luckily, these kids have graciously elected to let me interview them so that I have better data to act on when trying to kidnap their dad. And is he in the audience still...?"
"Nope! Still in the bathroom. Has been for thirty one minutes."
"Either he needs to see a doctor or he's locked himself in again. How often does that happen?"
"At least twice a month," Jason grinned. It wasn't an infrequent excuse to explain disappearances.
"One wonders how he survives. I like that in a man. Now, quick question. Which of you is the cutest?"
"Damian!" the hoard chorused. The youngest one snarled at once, rounding upon the others. The comedian scrambled away in what was unfortunately not a particularly exaggerated fashion. There was pure murder in the twerp's eyes.
Luckily, three brothers restraining him appeared to be enough. "Don't worry he has his rabies shot yearly," one smirked.
With cautious steps, the comedian approached where Damian was being dangled like a baby kitten. A few moments of examination, and they delivered the verdict that Damian was, in fact, a precious baby boy. The child hissed nastily. "Look at his beautiful eyes! Adorable. You could just get lost in them. Which is why I plan to print out approximately 30k pictures of this child and plaster Bruce's entire room with them. He'd never be able to leave, absorbed in his adorable adoptee."
"I'm his only biological offspring!" Damian snapped, literally. Dick had to jerk out of the way to avoid losing his fingers to the chomping child. "And that would never work!"
"Really? Doesn't he keep little picture rolls of you and corner near strangers into cooing over them?" The comedian is passed Bruce's wallet by Stephanie. "Wait, how'd you get this?"
"I took it from Dick, who stole it from Jason who stole it from Tim, who took it to reprimand Damian for stealing it from Dad."
"Wow, he is not observant in the slightest! I feel even better about my odds now. Oh, would you look at that, countless pictures..." They pulled out a roll. And then kept pulling, and kept pulling, the camera roll beginning to puddle at their feet. It was almost like a clown's handkerchief, save the fact the string of photos was sturdy enough to be used as a rope if needed. More than one of Gotham's rogues had been captured under the guise of Bruce rambling about his children.
"How much can he fit in one wallet?!" Something metallic clanged to the floor of the stage, and the comedian held up a pair of expanding handcuffs for the audience to gawk at. "Well well well, looks like I have excellent taste in men. Wait, there's also some pepper spray. When in Gotham, I suppose. Wow that's a concerning number of pocket knives...and approximately 2k in 100 dollar bills-- well isn't this scarily similar to the list of supplies I recommended in step 5! What, did he just hold someone ransom? Wait. Oh my god, that's how he made all his money. It's guilt that makes him a philanthropist! And all this time we thought he was perpetually haunted by his dead parents! WAIT." The comedian let the crowd howl, periodically interjecting as they paced the stage with grandiose graveness. "I have had an epiphany!" The laughter finally petered out, the comedian allowing the silence to linger. "Guys," they said, deadly serious. "If he made his millions kidnapping people, and I kidnap him....does that make ME Bruce Wayne???"
Batman had to dodge jokes from his kids for weeks afterward.
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