#because i want people to interpret this their own way

[planetsstarsandmoons]

Synastry observations (partly) based on personal experience, part 6:

(18+!!)

(Back after a year! Lol🌜🌛)

Moon conjunct mars: can be one sided asfuhck. I’ve seen it play out. Fully accepting that deeply personal intimacy of having someone’s sex aspecting your deepest emotions and/or the other way around is a sort of intimacy that some people just.. don’t…. want with that other person. This comes as a shocker because to most people, having a synastry aspect automatically means you have to like that with the other person, but Some people are just not into the other person like that! Or have trouble with intimacy. And even though the very primal emotional bridge between (possible) intensity of emotions and (possible) intensity of sexuality really ‘clicks’ and hits like no other, it doesn’t mean that the emotions or sexuality of both of the people will be intense within themselves… or that they will be seen in the same way. Many times I’ve seen this aspect play out in two people who worked really well together, were natural kissers and such, had almost iconically amazing fullfilling sex together, but one person wanted to marry and move into the other person and the other person simply did not want that, got the ick maybe, or simply closed themselves off from that meaning to the connection that one party attached to it but they themselves could not get in touch with, and either abused that power dynamic as much as they could or they ran away. Meanwhile thatother person, and I’ve seen both the moon and the mars person in that situation, is left completely addicted and insecure and an unstable mess because of this, because this aspects didn’t cause them so much to be in love, it caused them to have an addiction to this perfectly fullfilling passion and intimacy that they fundamentally lack in their life. They wanted to marry this person because of that. A friend (the mars person) of mine once puked when they saw their recent mars-conjunct-moon-synastey ex (it was a 1,5 month relationship) walk into a room. He later discovered that for some reason, that extremely intense feeling heartbreak didn’t really have anything to do with her, but more about the affection he lacked from an absent parent in his childhood, and the (obvious to everyone else) fact that he was bordering on a complete burn-out. He desperately needed that dopamine and those endorphins. Meanwhile the moon person was nowhere near in the headspace to have that kind of emotional intimacy so fast in her 1st relationship, so she started finding him less and less attractive, and then it was over. I once had an international student (moon) I think fall in love with me (and later stalk me) after 2 dates. He was a lonely international student in this Nordic country and his mother was sick in Egypt. We could not hold an interesting conversation on our own if we tried, but we were -very good kissers-and the almost-sex was extremely good. I didn’t want to cross that line, because for lack of better words I felt like it would go on to mean too much, be too emotional and too intimate and the thought crossing that border with him gave me the ick/ a fight or flight response, like I would just let this man be wayy too intimate with me if it happened, so I cut it off 🤷‍♀️ All the hormones of interpreting yourself to be totally ‘in love’ are there in the synastry, but it’s not *really* that, and most people in the sorry position even secretely know that, even though it’s confusing because they forever remain adamant that there here was something bomb in their connection.. because there was. But imagine: the moon feels emotionally hit in their core by mars’s… sexuality/attractiveness. Mars sees the deepest inner emotions of the moon and feels… turned on. You see where I’m going with this? The intensity and intimacy is great, but for a real love connection you need synastry on things that lead to mental, spiritual and emotional connectivity too. Can you even have a good conversation with this person for longer than 25 minutes? Do you even.. care about them? and vice versa? Would you love them if they were a worm? I have even more stories but they’re for another time 💆‍♀️

Moon trine mars: so. This one is kind of different. What do I mean? Well I believe that in synastry aspects, planetary influence comes to exist in the context of the aspect. Mars conjunct a planet will get all of mars. Mars square a planet will get the worst/most challenging side of mars (brought out by both). Mars opposite will get the antihero kind of mars -the conjunct mars on a possible (and needed) character delevopment journey if you will- and mars trine and sextile will get the harmonious benific, kind of ‘angelic’ sides of mars. He becomes the Aiden from Sex And The City, the soft woodchipper. This mars is in relation to the moon person a 10th house oriented, responsibility taking man who makes you laugh in the form of making you smile. The moon person becomes enamored with the mars person’s standing for something, his way of solving problems, overcoming obstacles, his professionality and his energetic form of taking action. The mars here becomes the kind of mars that is serious about protecting and heartily keeping what he feels is hitting his mars, instead of fighting with it or having sex with it necessarily. The moon’s emotional being becomes like his healthy objective, that he will protect and will fight/work himself up for in a way that he can control. A trine is harmonious which is kind of how you’ll see the mars person get into that civilised and gentlemanly role (to the emotions of the!!👌) moon partner. Where mars squaring the moon is like a mean alcoholic to the moon, the mars trining the moon will be a driven, shaved man in a suit or a spencer, kissing his wife goodbye before going to work. The moon in this aspect is different too: like water, the moons energy decides to flow depending on the factors and tides of the environment: If the moon has no reason to feel stabbed all the time, the moon won’t act overly sensitive or insecure or reactive to every little thing. Being shown the harmonious and safe/secure part of such a powerful planet like mars, the moon person will let their guard down big time. Typically, in this aspect, the moon person opens up, becomes very emotionally comfortable and shows their real and raw private selves to the mars person in a way that even surprises the mars person. There will be lots of oohs and aahs from the mars person who is *absolutely thrilled* to discover that the moon person is actually way softer than they come across in their personality, or more insecure than they wear on their sleeve, or are actually way weirder than anyone would expect. This is like an emotional theme in the relationship for mars. Granted to mars, it actually is a kind of odd way of special, because Real selves are often only shown to others in despair, crisis, moments of survival, very few deep talks, or during sex, but here the moon person is comfortable being their quirky and complete and utter selves with the mars person just during ‘daylight’ so to speak, as if they were alone in their room doing a talk show monologue in the mirror. It’s because mars made themselves this safe haven but is also a good reason to get excited and happy. So this aspect isn’t so much about physical/primary (so sexual attraction) passionate intimacy as you see, it becomes a personality thing of more mental and earthy(?) substance imo. In couples this aspect creates a forever-kind of ‘fondness’ of each other. In this relationship it’s the sex that becomes the highest feat of romantic bonding, not commitment to each other or affirming affection like with the conjunct or the square, which needs those components to make or strengthen the connection as a romantic one.

Mars conjunct mercury: best friends aspect! Being able to talk for hours, do any activity together, spend an entire day doing stuff together or going to a daylong event with just the two of you without it ever being awkward. Being able to do groceries together for a pregame with each other before going to do an activity that you’ll also be doing together. Energy, jokes, and things to talk about never run out. Mars’s energy lets mercury’s thoughts and mind race through multiple subjects and important comments at once, and mercury’s thoughts excite slash fire up mars’s energy. Their response becomes fuel for mercury again and so fort. I know two best friends who have this in double whammy almost exact and they are *always* together. Like in the same day, they would hang out, go to do something else/hang out with someone else, then go hang out with each other again, then in the evening one would visit the other at work. I have this aspect with one good friend that I can talk for hours with. Catching up is never awkward and we constantly learn from each other, plus we’re interested in the same things, because his mind/daily thoughts/the things he pays attention to and tells me (his mercury), fires me up and consistently happens to catch my fixation (mars). And what I *do* in my life, the things that were motivation by nature of taking action, triggers his insight! Isn’t that the perfect combination? This aspect makes you very good and close friends, but this alone doesn’t grant an emotional bond. Those two best friends I talked about lacked in moon connections, so they kept surprisingly much of their feelings and what went on in their life/emotional world private from one another, including crushes they had on mutual friends 💀 like how was that possible?

Moon square moon: a link is a link, an attachment is an attachment, so moon square moon is that too. You will ‘see’ each other for who that person emotionally is from the inside. You will acknowledge it, you can even understand it, but trying to emotionally ‘relate’ or connect to the other’s emotional world causes a short-circuit. This sounds like a finished deal, and marriage it often is. This aspect imo means kind of sacrifing a part of crucial understanding of the other partner. But there is another important part: some people do not have moon to moon aspects in their partnerships. Some people can connect with a moon through their sun mercury venus and mars for example, but not be able to deeply feel the other person next to them with their own moon, like what’s possible in a moon to moon aspect. With moon square moon, the two people deeply *see* each other. It’s hard not to because the friction of the square makes them very neon noticable to each other. One moon person might not be able to touch or soothe the other moon person from and with their own emotional angle, because through the square it will inherently cause a (n immediate often) frictive disconnect, but their presence will be enough. They will learn from each other and with enough respect for the other, (seriously) they will be able to teach themselves how to manually get their moons to relate, by in their empathy intuitively touching and patting to learn what the other person feels, and sleutelingen on their own emotional patterns. With the man I had this with. I completely saw and understood how he was. We, to each other’s emotional automatic ways of thinking, understood each other, but could never relate, so in our most intimate conversations we saw each other raw, but were also like.. damn,, you live like this? you do you! 😂

Male Venus conjunct woman’s moon, but the man has venus square moon natal: so this is really too specific, I know, it’s from my personal life, but the observation is such an almost lawful rule that it needs to be said. So the man has a problem with women in a romantic or otherwise emotionally intimate sense. He either sees them as charmless but safe, emotional, and boring ‘kin’, who fullfills his emotional needs but in a way that cannot fullfill his romantic wants, because they fundamentally clash, or he sees them as these charming, pretty, sexy sensual creative people or muses that fullfill his wants and desires, but cannot fullfill his emotional needs because they fundamentally do not mesh/are able to ‘melt’ with each other. So men with this aspect are doomed to have a lonely romantic life where they deeply hurt a lot of women but in the long run also themselves. This is ofc unless the man is capable of self reflection and is willing to do the work and *respect* the challenge that squares require, but since misogyny is a thing that challenge and perceived radically different worldview of the woman practically never gets respected, found interesting/compelling enough for the man to study, or romanticised like the way in which women will handle a natal moon square mars for example. BUT! If a woman’s moon conjuncts that squared venus, they kind of crack the code in a weird sense!? And become sort of “the only woman that can tame this man blabla that he actually respects”. Because the woman becomes like a domineering mother to him. In his moon square/battle/tension her moon, so where his emotional ‘needs’ are challenged by another person’s needs, his moon yields to the woman’s moon because his venus is enamored by the woman’s moon emotional world. You will get two people who are weirdly intimate friends, because both square moons emotionally ‘acknowlegde’ each other’s emotional life and wavelength, in a kind of bizarre to witness way that will have the woman wear the pants and the often so misogynistic and macho guy follow her and her needs around like a (doggo)💀, acting like each other’s bf/gf, but sitting too close to each other?? Kissing? The thought of having s**?? Will make them revolt. From an astrological standpoint, this may be the most significant planetary relationship with a woman that this man will ever have in his life.

A woman’s venus conjunct that sort of man’s moon I have never seen, only conjunct other planets, but I imagine it would be the same but the other way around at the same time. I think she would be only possible romantically intimate partner for the man, the only girlfriend to exist, only girl that he can wholeheartedly register as ‘girlfriend’, who will hold that *romantic* muse place forever, the only one to forever fullfill his emotional needs like a romantic partner does and can, but he doesn’t like her as a person, he couldn’t be friends with her, can’t talk with her, was never even his type, wants to cheat on her, can’t admire her really. This female venus is the sensual and sexual but disrespected girlfriend to the female moon’s sexless but elevated wife. If that man ruled the world and had all the money and the woman who marries him would win the universe, these were both equally bad but extremley solid places you would want to be in, because you’d be one of the only two women that he will ever seriously consider in his life.

Venus square jupiter: I have this with almost every man I get involved with, because their venus is in that way also conjuncting my scorpio sun and mercury. I’ve found with these people that they are confused if they should be charmed by the grand/optimistic/philosophical side of me, or cringe. Either way they are overwhelmed. Venus in crush-mode will be especially interested in jupiters views and opinions and outlook on situations and jupiter is enthusiastic about the romantic muse that they see in venus and become a kind of a philosophical rant-y person near them, in a good way, because they see venus as an equally inspiring and interesting and beautiful (big ideas and emotions) creative peer of their outlook on life. Venus listens and is in awe. Jupiter is like a positive-energy bomber to venus and venus can be confused, overwhelmed, but gets all the butterflies and wants to be swept in. This is an aspect where the other knows or can relate to what the other is feeling the least, because jupiter is making venus live in their own world and venus is in their head thinking out loud. Astrologers say this easily dies out because of it, like an inflated balloon, but I don’t agree. Don’t let your relationship completely ride on this aspect alone and you’ll be fine and it won’t end with a big bang, but stay flickering like smoldering fire like any other venus or jupiter aspect.

Saturn conjunct moon: saturn wants to snatch moon off the market and moon is like “yeesssss”

Mars overlaying 8th house: it’s true what they say… i won’t elaborate 😶‍🌫️ just kidding I will of course. Having been the 8th house person, it’s actually very straightforward: whenever we talked about serious matters like trauma, (lost) finances, our heritage, and our secrets, fears, that’s when I became most attracted to his masculine/sexual side. Those were the moments I would find myself like ‘daym’, just like a 7th house having mars overlay there would have that during moments of romance and partnership.

Moon opposite mars: I talk about this aspect a lot because it just fascinates me. Moon opposite mars in the context of all the other mars aspects is almost funny because in the beginning, when the insane kind of unsettling attraction is noticed between two people, mars doesn’t really want to be in this situation and moon doesn’t like the fact that it exists at all. I feel like it’s a karmic aspect for mars and somewhat for the moon. Moon will feel every single jab from this aspect but because that jab fundamentally hits them in their *feelings* they will just think: “what was that, what even is that? Who is this mars person making me feel single intense emotion at once?” Even typing this synastry aspect out is making me laugh. It’s moon doing what? Opposing. Oh god. And the lucky planet it’s being opposed is… mars 😂🤦‍♀️🤦‍♀️! Imagine the moon one day going like: “f*ck you! And you, and you, and you,” then pointing to mars “and ESPECIALLY you!” Mars turning around and saying: “what are you saying f*ck me for?” looks at moon, boom, falls in love. Kind of disrespectful, but it isn’t meant that way? Which can in short make the connection even more uncomfortable for the moon, or completely the opposite. The intrigue in this aspect lies in how fundamentally foreign (because they’re opposites!!) these people are to each other. This aspect is an up and down and up and down one, because to have the closeness that they both desire and even need, they have to do the work and understanding to become closer and win each other’s trust and affirmation. Mars is challenged to channel powerful frictive energy from the fixation that the opposition creates into creating an environment that caters to the moon’s emotional needs. It challenges itself to encompass all of mars’s qualities, both the ying (harmonious) and the yang (not necessarily that) in a hyperaware manner, and that’s one of the reasons he comes to have like ‘multiple personalities’ in this aspect. It doesn’t help that mars always manages to come across the wrong way to the moon person, can hurt the moon unintentionally, but can also in a burst of martian energy try to fight with the moon when aggravated (caused by their opposing natures), can come across too sexual and disrespectful by the moon person when they intensely show their attraction and preferred treatment to the moon. When Mars tries to be nice, it doesn’t come natural for them to do that imagining what the completely opposite person would want. When mars succeeds, a very real and mental bond is created that is extremely raw. In the healthy romantic version of this, the moon isn’t really easy sex for mars like I’ve seen male astrologers describe it. I’ve seen men describe it as ‘deer’, which can create reaally different outlooks depending on your respect and goodwill to the more vurnurable person. Goodwill especially can make or break this aspect. I feel like this can either be one of the most pain-in-your-stomach disrespectful cortisol aspects, or the sweetest and most genuine and wholsesome emotionally intimate aspects.

A little story I wanted to share: an astrologer on 27th november 2023 gifted me a moon badge on tumblr and I only opened it on 21th november 2024, because I thought it the little pop-up present on my home page was a tumblr advert 🥲 I almost cried because it was such a lovely present around my birthday and as it goes I didn’t say thank you or acknowledged it for a year even though it was an awfully sweet gesture and I really appreciate her 🩷🩷🩷🩷🩷🩷🩷🩷❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[dykedvonte]

One of my mutuals opinions is the "bro code" thing, that Curly is one of those guys who wouldn't care about the victim because the perpetrator is his friend and I'm really banging my head on the wall like that other anon. I've only played through the game once but Curly's behaviour/reactions etc read completely different from the "bro code" thing and I have to wonder if my mutual and I even played the same game.. like the constant digs at him from Jimmy, his body language in his face reveal and so on like you mentioned in your post. While this game is a little different obviously, it kind of reminded of a point in Alice Madness Returns that makes it very clear that Alice's pain blinded her to the abuse of the other children and her failure to act earlier because of it. Curly is guilty of a similar inaction but it doesn't change the fact he was a victim of Jimmy too. I don't think I can look at it any other way because both of these games have really stuck with me.

I genuinely think it really is the idea that people want a simple easy to blame problem and the idea that the only relatable victims of abuse are those that "surpass" it or do a lot to help others. When it comes to victims, especially those that don't fit the typical demographics, who either accidently perpetuate it, enable it or aren't ideal in some way shape or form, people jump to ignore what they went through as it's easier than dealing with those conflicting sentiments.

The bro-code conversation in Mouthwashing stems from a concept I generally dislike that there had to be something about Curly that made him meet or keep being friends with someone like Jimmy. I think people genuinely underestimate how many like decent and good people just know an asshole or are friends with someone who is really bad outside of their view/established dynamics. The game makes it clear none of the inaction against Jimmy is because of a lack of care, it is a lack of understanding from the privaleged postions they have as men to not have to worry about what Anya does/went through and the type of extremes men like Jimmy will go through to cover it up. They are all too preoccupied in their own strifes.

Another thing I see being oversaturated the idea that you have to be a freak, misanthrope or have a disorder to do the thing Jimmy does. The game is an escalation, it's a spiral that I don't see people comment on that Jimmy was not likely having the mood swings and episodes of rage/frustration we were seeing in the game. This is after they all start experiencing the worst moments in their lives that he got THAT openly bad. Of course, this is just my interpretation but much like in real life, people that go to extremes like that usually live mundane lives. It's a pressure cooker affect to where the stress made them pop. It's self inflicted but still the case.

I really think people need to be more willing to acknowledge that not everything needs to be an extreme or in black and white or easy to understand. It doesn't need to be happy or have an answer or solution, especially in the cases where the abused sadly helps perpetuate what they experience. It's not he should've known better from experience or shouldn't he have known what could've happened because victims tend to not like to think in matters of the worst. Not to mention, especially in cases of abuse where it feels so personally directed that you don't expect to happen to someone else.

[phantomrose96]

Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)

Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”

[myersesque]

ok. so. viktor is my favourite character in arcane. i am also physically disabled and hate the Magical Miracle Eugenics Disability Cure trope with a fiery passion. naturally i have a lot of opinions about where his character is going, but for now, here's a relatively simple one:

internalised ableism has always been part of viktor's character. he describes himself as "a poor cripple from the undercity" (yes, quoting how other people speak about him, but still); he shies away from the spotlight even when jayce encourages him; as a child, he directly acknowledges his disability as the reason other children don't associate with him.

i watched a video essay recently ("how arcane writes men" by schnee) that identified viktor's tendency to just suck it up and push through his problems rather than dwelling on them as a stereotypically masculine trait, which he is written to both subvert and lean into. whilst i agree with that to some extent, i think for viktor specifically it's more of an insight into a very common mindset for disabled people to have; a lot of us do not want to be pitied, and understand that acknowledging our hardships will often unfortunately lead to being treated as attention seeking. he doesn't dwell on things because he can't, unless he wants to be looked down on more than he already is; he's already had to fight to even be acknowledged as more than somebody's assistant, or respected as a zaunite living and working in piltover. i can't imagine he's keen to show any further "weakness"; he only ever cries when he's alone. it makes sense that he'd want to save himself rather than relying on anybody else.

the dangerous thought process of "fixing" people with the hexcore begins with that desire to save himself. at first he's just trying to stop his illness from killing him, but then he progresses to carving runes into his leg, seemingly in the interest of fixing his limp - which works, albeit temporarily. he seems aware enough of the implications of what he's doing to be somewhat ashamed of it (or, at the very least, enough to hide it from jayce). i've seen a lot of (mostly able bodied) people interpret the scene of him running down the pier as victorious, but it always felt bittersweet and scary to me; the dark, painful fantasy of "fixing" the thing the world has always looked down on you for, and the unsettling knowledge that you were never supposed to exist that way. a man experiencing a moment of joy only when he has detached himself from a core aspect of his being; self hatred disguised as progress. he only seems to register the horror of what he's doing when it kills sky.

it's not a leap to say that, with the hexcore dulling his emotions and blurring the lines of his ethical code, he would turn this externally. self loathing so insidious that he mistakes it for kindness and mercy and points the blade of it at the people he swore he'd help. before merging with the hexcore, he was desperate to destroy it and rid himself of its influence, hindered only by his physical inability to do so; under its control, he's seemingly lost all those inhibitions, wiped clean of his understanding of its danger. no longer "clouded by emotion", no longer human enough to know better, no longer suspicious of the arcane.

what viktor becomes in season 2 is, i believe, a hellish mix of his own internalised ableism and the hexcore's desperation to spread and survive. his genuine desire to help people has been warped into stripping people of their individualism, forcing them into some predetermined ideal in the name of healing (very "the empty child" from doctor who). it's his own character flaws mixed with the inhuman apathy of the hexcore. the road to hell is paved with good intentions, and also dressed up so nicely that you don't even realise you're headed downwards.

this is not what viktor stood for, but rather a perversion of his own insecurities, with a fresh coat of hexcore paint to stop him (or his followers) from scrutinising it too closely. they took the guy who dedicated his life to bettering humanity, and warped him into something doomed to destroy it.

(or something like that. idk. i haven't slept.)

[tapestryundone]

constantly thinking abt the long quiet and the shifting mound and their relationship w humanity. because the two are very much not mortal and even in the what happens next ending its very ambiguous if they ever WILL be or Can be. but even still they have both felt what its like to be mortal

i feel like its vague if the entity the two used to be even percieved its own existence. the way the narrator talks about it makes it seem like the two only existed conceptually and as a result lacked a complete sense of identity, and didnt need to, and wouldnt want to. but in the same way a thought cannot be unthought, the narrator gave them a glimpse into what it felt like to be mortal and the two can never un-know it, even if it wasnt exactly the same

the long quiet in particular seems especially tied to humanity and in some aspects seems to want to BE human (which feels so potent given how decidedly Not human he is). the game tends to imply that every option you get is a thought he DOES have, and in the spaces between, the choices dont seem as influenced by a given voice, which highlights even more how much he feels conflicted on his own nature that he gets Multiple options to express discomfort with himself being a god

it just gets to me how one of the options during the fight is literally "appeal to your shared humanity". because even if the two are gods, their separation and reshaping has given them humanity that they can never un-feel. for how much the shifting mound grieves what she once was, she cannot will her humanity away. shes mourning what the two of them once was and is desperate to have it back at any cost, even though they can never be together how they once were.

even if the long quiet goes with her, theyre still apart and lack balance, because the two once just Were and werent two parts. they werent both halves, they werent two concepts, they were just one concept that happened to, by human eyes, consist of two halves. and the narrators insertion of humanity into the mix in order to separate them, separating them into concepts that humans understood, manually put into existence a struggle for equilibrium where that balance had simply Existed

but theyve already perceived what felt like reality and can never un-see it. they were separated and Need the other to feel whole and for reality to BE whole but the moment that either of them realized their own free will, the moment the two fully came to feel like people, they could never be together the same way once again

im struggling to come up with a metaphor that isnt silly but its like if you took a piece of fabric and cut it in two and made them both into shirts. youve added a piece of humanity into them and doing so cost its original form. to take them apart and try to put them back together would never get you the original, whole piece of fabric back, because theyve been completely changed by their own unique destruction and reconstruction

they were separated in a way that gave them humanity that they have such conflicting feelings on. both seem to have a deep love of humanity but vastly different ideas on what humanity needs to thrive, because its in their natures

in order to get one to kill the other the narrator let the long quiet interpret the both of them as mortal. and for a being of perception and an god thats being lied to, this became part of their limited view of the world, on top of all the other reasons that the two gained humanity. the long quiet couldnt be told what to do if he didnt have the ability to potentially act on the narrators desires, and the shifting mound could never die if the long quiet didnt believe her to be capable of death

the narrator gave the two humanity and the shifting mound is very reasonably distressed by this. because the two of them never asked for this but they cant undo it. it is her OWN subtle desire for things to be the same as they used to be, her own piece of that stagnation that also led to her experiencing humanity, that makes her so adamant during the fight. she misses the long quiet and wants to undo a change that cannot be undone in search of a constant state of being that was taken from her

and the long quiet felt so closely tied to mortality, both its existence and absence, that no matter what, he wants to aid humanity. but hes been lied to and denied autonomy to the point where he doesnt know what that entails. but he wants to be a part of it. he was given fake mortality and cant seem to figure out how he feels

the shifting mound is set in how she feels it best to aid in the existence of life. she is stagnant in her feelings because its all that feels right to her. the long quiet is ever-shifting in how he feels it best to aid in the existence of life. he is changing in his feelings because its all that feels right to him

getting to the heart of the shifting mound allows them a moment to discuss it as the closest they can get to mortals. the two care about their impact on life and what it means to be alive and what better way for the two of them to truly decide what they want to do about it, outside of the conflict thats been forced between them, than as the mortals they never were?

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[sepublic]

I also want to add to the Blight family dynamic with how Edric is apparently the least-favorite? In addition to him being the screw-up of the family, as seen with his storyline in Reaching Out. There's Dana half-joking that he's Odalia's least favorite child. Which suggests that Odalia doesn't entire see the twins as a unit, or does so in-part to find something to do with Edric.

I know Odalia brings up the twins as being perfect to Amity, but that's the thing; We only see her bring up the twins as a way to belittle Amity. But given Amity's first two appearances are about her being pitted against a peer by an adult she yearns for the approval of, I wouldn't be surprised if the twins had to hear the reverse, and neither party has it so good after all. It's all just a way to get them to compete so they do better.

This is personal HC/interpretation fueled by authorial headcanon, but between Amity as the Abomination engineer and covenscout that Odalia failed to be, possibly her way of ingratiating Blight Industries with the Emperor's Coven before it happened on its own... And Emira as the designated caretaker, the eldest matriarch who knows how to grab attention as an illusionist;

It feels as if Edric occupies this weird space where he's not really either parent and doesn't fill in a role Odalia can predict so she's like hmm. What to do with you! And she settles for continuing to lump him in with Emira because she loves the Twins aesthetic but otherwise can't be bothered to acknowledge both as individuals, plus Ed can back up Emira's showman purpose. So it's Edric just being dragged around by Emira, yet ironically Emira also feels like it's the other way around with herself and her siblings due to her parentified role. It's very much both when you're stuck together.

Edric does develop a thing for Potions but that's mixed magic, but on the other hand Odalia would totally make exceptions to expand into a new market, and the Potions industry could easily be a kindred spirit to her anyhow. Maybe he partly got into Potions as a way to earn his own function within the family; Dana once considered a storyline where Edric vied for Odalia’s approval against a fake Abomination child she preferred to rely on to win a competition over her own son! So the effort for her attention is characterization Dana might have in mind. But then Edric liked Potions for its own sake (as I HC with Emira initially doing Healing because of her parentified role), plus Beastkeeping is very much for himself.

And I've noticed that out of the three Blight kids, Edric is the only one not to interact with their father in the epilogue; He's next to him at Luz's Quincenera but he's also next to Emira. There's Doylist factors like paying off Eda and Edric's dynamic by having him at the university, and not having the space to have Edric reunite with Alador during that whole sequence. Because him and Amity both work away from him, yet Amity at least gets to hug her dad!

But I like to think it implies that Edric hasn't forgiven their father, which could play into what I've said before! Edric being aware he doesn't fit into their mom's plans as the unfavorite. Maybe there's some freedom in this; But it also makes him resent his mom for neglect specifically, and by extension his dad for being the master of neglect because at least Odalia pays attention to her daughters. And that considered storyline of the fake Abomination child… Alador would’ve had to create it for Odalia, right? His own dad supported this ‘replacement’.

So while Edric's willing to accept Alador's change of heart and not speak on behalf of how his sisters feel, he's not comfortable enough to hang out together as father and son. Edric can handle being in the same space with Alador when there's a bunch of other people as a buffer, when they're both focused on someone else anyhow. But as a pair it's like... Eugh. It might be sad, but never say never; And more importantly it’s rep for abuse victims who don’t want to forgive, even if their abuser IS doing and meaning better. Victims are entitled to that!

I also have to think back to this Grom art Dana posted when the episode came out, under the HC that the twins got stood up because like. Edric is doing some comforting of his own. And this was likely drawn shortly before the episode itself came out; So when Dana and the writers would’ve been writing S2A, which leaned more into Emira having the Eldest Daughter role. And the implication she has to look after her own twin of the same age.

Retcons and changes are always a thing but I could see a story; Edric trying to take care of his sister himself, both out of genuine concern but also as a way to make himself as not just the useless child nobody knows what to do with. To give himself a real agency and purpose. And this works just fine with Emira! Better that than to be the one doing the emotional labor all of the time. Offering his jacket isn’t much, but it’s something Edric can do to have some control in his life, and it’s solidarity with his twin, an acknowledgement that he sees her parentified status and is trying to help with that.

[iandoubt]

thisss a million times this! The thing that people forget about the secret soulmates ordeal is that Grian chose BigB, but he did not choose to be paired with Scar. He made it clear from the beginning how he didn’t want to be with Scar. (Interjection: this is all c!s, and not hating on scarian also a valid ship just me rambling about how I like to interpret it and also it’s very grammatically incorrect and probably pretty repetitive because I didn’t really read through it lol) He was forced to team with him by their shared health, but the term “cheating” implies that Grian chose to be with Scar and then later went back on that. Secret Soulmates, meanwhile, was purely for Grian’s emotional benefit. They gave each other hearts and cookies and there was nothing in particular about the two of them that screamed alliance made for practical reasons. They were just kind of keeping each other company, BigB needing it because his soulmate was away so often that the guy had joined a singles support group, and Grian needing it because well if I write all my thoughts on why in this one sentence it’ll go on forever. Even from third life, Grian shows bias toward Bigb, commenting that if it comes down to it he doesn’t think he’ll be able to kill him even though Bigb is on the opposite side.

But back to my point about why I think Grian is lonely: in double life, Scar behaves with Grian the same way that he behaves with him in third life, where he was reckless and Grian just had to go along with whatever scar said because he was indebted. This in contrast to double life, where the soul bound puts each partner on equal standing, but Scar, probably without realizing, takes the lead, but Grian is no longer content to follow. Scar takes for granted that Grian will always follow him, hence the reason he seems more inclined towards petty vengeance than actual anger or even worry when he finds out about BigB. He is confident that Grian will always come back to him, which, when Grian doesn’t want to, makes things. Complicated. Really, he builds himself a panda reserve, Grian made it very clear that he’s not super fond of the pandas, but Scar is operating on how he knew Grian in third life, before Grian joined the south lands where equality (sometimes rather than equity even when thats not really good, but that’s it whole own shebang) was like their whole shtick, so he thinks that everything he builds for him is for both of them, because in the past he was in charge and had to take the lead. So Grian seeks out someone he wanted from the beginning of both that season and of the series who is, as prev stated, very calm. Scar wanders off to go do something dangerous expecting Grian to follow because that’s what he would have done in third life, but Grian is like okay, you go do that, and goes over to go do arts n’ crafts with BigB. BigB, also, has been constantly on the outside of groups and rarely having an alliance of his own because other people find him creepy or scary or unnerving, which is something he encourages, and even seems to enjoy, but Grian is usually the only one to not be scared off by BigB’s bigbness, like in secret life when he was like this base is scary but it’s also cool, hey is that your initial in the roof and he is literally the only one to notice that and Bigb is just so excited that someone noticed something about his base that wasn’t hey this place is terrifying. They just genuinely enjoy each other company. They can just be silly and definitely not bossy together and have fun! They, for all their fanon characterization, and actually probably one of the healthiest c!relationships in the whole series, because they actually like each other, chose each others company out of their own free will and for no other reason than their affection for the other, and are not toxicly codependent. Idk this is a pretty long and probably incoherent ramble, but I felt compelled because please for the love of all that is sculk someone put some biggri on ao3 that is literally anything other than cheating in scarian angst fics. Thank you prev for reminding me how much I love this pairing.

I know that Grian said “Bigb treated me right” just to get a rise out of Scar but I feel like this is a good opportunity to talk about how much (in my opinion) Grian and Bigb as a pairing are slept on

They both have this chaotic energy that feels complimentary, Grian’s pesky bird-ness and BigB’s whimsy. They both have this quiet rebellion or discontent against the games. BigB knows that it’s all for nothing and doesn’t play into the Watchers’ emotional manipulation, whereas Grian (up until wild life) tries to escape and fight the Watchers’ hold on him.

I feel like BigB’s calm energy is a sigh of relief for Grian. That he can trust someone, and be trusted, without it being another game. That he doesn’t need to constantly worry about survival, and can just enjoy existing. They just want to frolic in a meadow and have a nice picnic your honor

I feel like there’s so much more to this pairing beyond the secret soulmates thing and that their chemistry is actually reall nice! And have a lot of potential for AUs and fanfics!

[whentherewerebicycles]

ok and now some thoughts about my early experience of parenting.

it kinda rocks... i really like it. i will definitely have a second kid if finances and biology work out. my life is so much better with this little guy in it. the sacrifices so far are mostly minor and are much more logistical than personal. i have to work more hours than i'd ideally want to because there's only one paycheck. i have to try to cobble together more sleep than i used to because i am pretty tired at the end of the day. i can't go to the gym or run an errand or go write at a coffeeshop for a few hours without hiring a sitter or asking my friends to help out. but the tradeoff is i get to be this little kid's mom. he thinks i'm pretty funny and he's interested in everything i do and he calls to me to get me to come over to his mat and talk to him and he likes to grab my face and hold it still so he can study it real intently and when he's upset he wants me to snuggle him until he feels better. i would pick that over getting to run into a store without the stroller a million times over.

i remember reading this book years ago where someone (paulo freire? someone influenced by freire's pedagogy?) recommended that all teachers, no matter how long they'd been teaching, carve out time every six months to reflect on their teaching practices and consider whether those practices were aligned with their core/guiding values as educators. i obviously love this idea because i was born to engage in sustained reflective journaling about my values lol. but also: i do think there's value in setting aside time at regular intervals to check in with yourself about the way you are living, or about whatever you are practicing, whether it's teaching or your work with others or, in this case, parenting. so idk i might try using his birthday and half birthday as time to journal both about my kid and about my own practice of parenting.

do i have a practice of parenting?? that sounds too fancy for someone who is only six months in lol. but i do enjoy thinking about what i'm doing and i like trying to connect the day-to-day choices i'm making to larger principles. i have written about this before but idk i think i am somebody who derives a strong sense of security and groundedness from having a loose framework of guiding values i can refer to when making decisions. and i guess in this first round of reflective journaling i will try to articulate what some of those emerging values/principles are. here we go:

I am making a conscious effort to not sweat the small stuff. there are one million things you can be worried or stressed about in parenting. and there are one million ways you can fall into the trap of thinking that if you just control every single variable nothing bad will happen to your kid. i am trying, inasmuch as i can, to avoid at least a few ways of falling into that trap. i have worked really hard to choose flexibility instead of rigidity when it comes to, for instance, letting other people care for my kid. it's okay if people do things differently than i would - as long as he's safe, he can only benefit from being exposed to different caretaking styles and adapting to different people's ways of engaging with him. i also made a decision early on to not engage with any parenting content on social media (this means ignoring the dozens of insta reels my mom sends me every week lol) and that has been really healthy/good for me. there is TOO MUCH information out there. it is way too overwhelming. you could spend your whole life worrying and i want to spend my life doing other things, like funny accents and comedy bits for the baby.

i am working hard to not interpret other people's parenting choices as a judgment of my own. i really believe that there are lots of different ways to raise healthy, well-adjusted kids. we can make different choices (small and big choices!) and still arrive at the same outcomes. i just really don't want to be the kind of person who takes it personally when people do something differently than i would've! i want to be secure enough in my choices to be able to accept and appreciate a whole range of other parenting styles. i also want to be humble enough to realize that i don't have it all figured out and might learn something from reflecting on someone else's parenting choices. anyway this has been a challenging one as i sometimes DO feel quite judged or shamed by other people's choices. but i also think it's ok to feel that reaction as long as i can keep making space for myself to take a deep breath and think through why i feel like that. idk! work in progress but i've only had six months of practice lol.

i am also trying not to interpret other people's anxieties as anything other than them working through their own stuff. to give one example: i love my mom so much but she is just, like, vibrating out of her skin with anxiety at all times about literally everything. and she has really found an outlet for that anxiety in grandparenting. i get dozens of texts a week about what exercises i should be doing with him and what experiences i should be making sure he has and where i should be taking him and what i should be saying to him and what i should be asking the doctor about and so on and so forth. this obviously could be pretty stressful, and i know that my brother and SIL find it so stressful that it is kind of negatively impacting their relationship with her. but idk i feel like with my mom i spent a lot of my life taking her anxieties personally, thinking that she thought i was incompetent/incapable/irresponsible/whatever. and then at some point in the last few years i was just like oh... this isn't about me at all, is it? this has absolutely nothing to do with me. this is just her fear and her terror of doing things wrong and her overwhelming need to avoid shame, and all of that emotional stuff just happens to be playing out in this relationship because we are close enough that she can lets her emotional walls down and let me see the churning river of anxiety that runs through the heart of her life. i wish that she didn't feel like that. but it's also not something i can fix or change. the only thing that is within my control is the choice not to take it personally, which in turn helps me put some guardrails around it so that it doesn't impact our relationship. idk i think this will probably be an ongoing thing i have to sort through for myself. but also she is who she is and i love her and it is important to me that she be a big part of owen's life. so we will figure it out.

I refuse to optimize my parenting because i refuse to see my child as a thing that needs to be optimized. this is in some ways hard for me because in many respects i am all-in on the very american philosophy that everything can be improved endlessly, including yourself and your family, if you just work harder and care more and give endlessly of yourself to the work. but nope! nope. not for parenting. not for my kid. i want him to have experiences and be exposed to new things, but not so he can "get ahead" or excel in things. i want him to be curious, engaged, interested, flexible, alive to the world, open to new things. i do not care if he is bilingual by age four or has a STEM curriculum at his daycare or goes to a top college or whatever. and i want the choices i make about what we do together and how we spend our time to reflect that. idk he's still so little that this is not super relevant yet but i can feel some of it creeping in.

lastly: i am trying to approach all aspects of parenting with the fundamental belief that i am and will be a good parent. i feel like our culture wants women in particular to spend all their time feeling guilty and inadequate as mothers. we also don't get a lot of external feedback on whether or not we're doing a good job as parents, which i think can make us frantic for validation and riddled with self-doubt over whether we are doing Enough. but i want to just like, try to cut some of that out and just answer it for myself. i'm doing a great job. i'm a great mom. i love my kid and my kid loves me. as i learn more about my child and myself as a parent i will undoubtedly adjust my approach to parenting many times, but making adjustments doesn't mean i was doing something "wrong" or "bad" before. it just means i want to try something new or shift gears a little bit. idk maybe this sounds dumb but i actually think it is proving kind of powerful so far as a strategy for managing parenting anxiety. i just assume that my parenting instincts are reasonably good and will guide me to make reasonably good choices, and if something turns out not to work, i assume i am a good enough parent to figure it out and adapt accordingly.

ok!! good journaling session and now it's time for bed!!

[russeliarat]

So I've encountered some WILD vague posting about the CCCC fandom and it's arguments about gore fics. I haven't directly interacted with this fandom for over a year - not because of anything bad, I just moved on to other interests to be clear, however the fact that this issue that I encountered a full YEAR ago is still a prominent issue in the fandom is crazy. And according to my boyfriend, who still actively engages with the main section of the fandom and their fanfictions, it's apparently gotten a LOT worse.

So I'm gonna be clear, I still engage with CCCC and CJ's media. I still listen to his music, I still engage with art on tumblr, as well as headcanons, I still draw HMSW (plus two of my system's cohosts are directly sourced from the media). I just haven't read the fanfiction or gone on CJFS for a while. Hearing that this has been so bad, it's come to vague posting back and forth on tumblr makes me so fuckin fed up with this shit.

Read to the end of my post before you form an opinion on this, I have nuance, okay?

Hi people, maybe it doesn't take a genius to take a step back and figure out that saying that you should be allowed to make reasonless and intense gore, abuse, and torture fics about a REAL GUY'S personification of his own personal struggles with mental health and suicide is insanely entitled /neg.

Heart, Mind, Soul, and Whole are not just independent characters from Chonny Jash. They are his (self-admitted) personifications of his mental health struggles, thusly, they are him. CJ has said that Whole is just him.

Excusing making fanfiction about intense abuse and gore and torture and cannibalism and god knows what else about HMSW on 'they're AUs' or 'they're interpretations' is not okay. Usually, I'd agree that you should be allowed to make fanfiction freely without people telling you what to do. HOWEVER! This is a real man's struggle with his mental health so I think that there are certain lines and boundaries that should be placed out of respect for CJ. Reasonless gore isn't necessarily bad, but reasonless gore about a real person's struggles is above and beyond disgusting. I've seen someone argue that saying that is government state censorship...

Guys, there is a distinctive difference between 'reasonless fluff' and 'reasonless gore'. One is wanting them to get along and be nice. The other is wanting them to torture each other. I don't think it takes a genius to understand there's a huge difference between 'I want them to snuggle' and 'I want violence to be done upon them'.

I think over the past year, I've kept this idea to myself because I wasn't directly involved and I didn't want to face the backlash at the time. Then my boyfriend got slammed in dms by someone who had these views, so now I'm pissed. I have personal shit in the game now and I cannot hold myself at bay anymore because I'm at my wits fucking end.

I think a lot of writers who delve into these intense topics should keep in mind 'what would CJ think if he saw that I was making fics about gore/abuse/torture with characters that personify himself?' Not because all gore or abuse is bad, they can be used for some wonderful symbolism or tension when pulled off with meaning and though and tact - rather, it's because some people take it way too far, sometimes without realising. I've seen a lot of people I was close to get stuck in an echo-chamber and not realise they spiraled from the headcanon that The Juno Incident was a violent blinding to something as intense as frequent abuse or gore between HMS.

I want the people on the opposing side to realise that I'm not going after gore or violence or intense themes. Some of my favourite pieces of media contain very violent, gory, abusive, intensely triggering themes, and sometimes, they are reasonless and because the developer or writer wanted to explore different forms of horror and fear. I don't personally believe that those kinds of themes should carry over to CCCC because (for the fifth time I'm mentioning it but I feel like I really need to drill it into some people's heads) the album is about a real person's struggle with suicide and his own mental health.

I'm not trying to censor anyone's views, it's just that I think sometimes there's just general common sense boundaries surrounding fandoms that are about someone's mental health.

An additional point is how often these fics tend to be quite ableist and I do see these writers project their internalised ableism onto HMS, which is a much bigger issue in the fandom since about 90% of people headcanon Heart as being somewhere on the blind spectrum and Mind as having some sort of issue with his voice that means he needs to use a vocal implant/Mind being a robot (which can very quickly spiral into ableism depending on how it's used).

Frequently, I see people portray Heart's blindness as making him weak or helpless and the same with Mind and Soul if people headcanon them as having implants or prosthetics or some form of disability and use it in their gore fics. Due to a lot of gore/torture fics using helplessness from injury as horror, it can very easily become quite ableist. I've been in fandoms with a whole month dedicated to harming their faves, and this can be an issue with them as well, not just the CCCC fandom. It can be done without ableism, but more often than not (especially in the CCCC fandom) people aren't looking for it when they write and can create ableist fics about a helpless character because their new/old disabilities.

I also saw someone talking about mischaracterisation and how that ties into this whole thing, but that's for another time because it's partially a separate topic that I could do a full length thesis essay on, so I'll do it another time.

TLDR; Don't make gore/torture/abuse fics about a real person's personifications of himself and his mental health/suicide struggle. That's fucked???

[love-and-doom]

I hope I'm not offeding anyone because I promise that I have no desire to ruffle feathers and I agree with others that have said that we are all free to take media like we want and that with ambiguous storytelling there's room for different interpretations and I may also add that different visions and opinions make the world and fandoms more rich and fun so please don't take this in a bad way but I gotta say that this talk about haladriel being romance or not confuses me Romance is a genre and like all the others it has its own tropes and archetypes and all the interactions of Galadriel with Sauron in this show abounds with them so I can only but disagree with those that vehemently denies that theirs story is romantic because that's how it is framed in the show Maybe people is thinking about romance in a colloquial way and I get why this would sound strange but I prefer thinking about the story itself and the ways in wich it is being told than that in every day lingo

[healingwordswriter]

Why “Defying Gravity” from Wicked is a perfect song for Sun Wukong

Hello Lego Monkey fandom, this is really my first post ever as I often don’t post stuff but I really wanted to share this BECAUSE I love both musical theater, Wicked to be exact and Lego Monkey Kid of course. So this is an analysis on why I believe this song is perfect for Sun Wukong’s character.

Beware Spoilers for both Wicked the musical and the movie

Some context is necessary to explain why I find this correlation for those not familiar with Wicked. In the musical, “Defying Gravity” is the end of act one, and is one of the most important parts of the musical, not only for the story, but for the character of Elphaba as well. Elphaba the wicked witch of the west, had been discriminated her whole life for being different, for having a green skin which made her be isolated, so she often tried her best to win people’s approval her personal dream being meeting the wizard of Oz, hoping to get recognition and love by working with him. But after he falsely accuses her for a crime she did not commit, Elphaba realizes she can’t win love that way, that she doesn’t want to spend the rest of her life being walked over, so she openly defies the wizard, saying “he is the one who should be afraid of me” showing her true powers as a witch, saying proudly no wizard will ever bring her down. Of course, Oz from there on starts seeing her as a villain and a monster, but she is true to herself now and unafraid to defy the authority of the Wizard.

But now how this applies to Sun Wukong?

Despite having different contexts, Elphaba and Wukong share a very important trait with one another. That being, how both defied a high authority in their respective stories, defying everything everyone else knew. Being unafraid to act and make a change, having the enough confidence and bravery to say that no one would ever bring them down.

Sun Wukong is know in media as a character that is not afraid to challenge those who stand in his way, no matter how big they are, he doesn’t let anyone walk over him and is firm on his beliefs. Of course, in the past is true that he used to be selfish and impulsive before his journey to the west, but in LMK even before his journey, something he had clear like we have mentioned before, is that no one had the right to walk over him, less the emperor or heaven. No one had the right to tell him who he was or dictate his destiny just because he was a demon. So this rebellious side of him wasn’t only to cause chaos, this side of him also show us how since always, he was confident and genuine to who he was and his people in flower fruit mountain and most importantly, was loyal to his own beliefs and fought for said beliefs even if others considered him a monster or harbinger of destruction. Just like Elphaba. He will defy those who think he should be below them just because he is different, he will fight those who want to bring him down and he will be loyal to what he believes is worth fighting for.

Now with these clear we can see the lyrics, and how I interpret them is they were from Wukong’s POV specifically the last part:

So if you care to find me

Look to the western sky

Literally, he was in the western sky as he did a journey to the west, he was in the western sky traveling with his master and friends to get the scriptures. Literally you can hear west and think about him.

As someone told me lately

"Everyone deserves the chance to fly"

The monk always helped Wukong as a mentor and was the guidance he needed when he was out on control on his life, so I personally viewed this line as something his master told him, and he then used it as a philosophy to think everyone deserves to fly, to be free, to dictate their own destiny and life.

And if I'm flying solo

At least I'm flying free

To those who ground me

Take a message back from me

This, this is how Wukong starts to defy heaven, the emperor. He may be alone, but he is free, heaven more than once tried to have him tamed, to have him controlled, to ground him but he refuses this control. Even when they put the golden circle on him, he never stopped fighting for his independence and freedom.

Tell them how I am defying gravity

I'm flying high, defying gravity

And soon, I'll match them in renown

His legend to this day is still known, he started everything as he wanted the respected of heaven and in the end he showed them he wasn’t inferior to them, the name Sun Wukong is a name they will always remember.

And nobody in all of Oz

No wizard that there is or was

Is ever gonna bring me down

Just imagine it, Wukong in the sky, with his staff in hand, confident, strong showing his power, being imposing. Looking at everyone from his position, thinking about the choices he has done, reflecting on his life. And then he says it’s, how no one in all China, no Emperor that there is or was is ever gonna bring him down. He flies free, while the people in heaven scream in horror and anger, calling him names, seeing him as someone evil and cruel but Wukong is happy, finally free from heaven and those regrets that brought him down. He remembered how it feel like to fly and won’t forget it ever again.

And that’s pretty much the analysis, this song tbh could be applied to when Wukong first defied heaven with the brotherhood or if he is in a similar situation like in Black Myth Wukong in where he already did his journey but he is still fighting heaven for his freedom and independence.

Even so, in the end I believe Wukong and Elphaba share this free and brave spirit that defied the odds when no one else could. In the end I just did this analysis for fun and using Lego Monkey Kid Wukong mostly for this analysis, but hey it has never been a crime to mix to hobbies so.

To conclude all I can say it’s that I love these two pookies and to please go watch Wicked and LMK as the two are gems ✨

[temblando]

Noel Gallagher Chart Analysis

Sun in Gemini 7 degrees:

very charming, sociable

Sun sextile Saturn:

very hardworking. His ego would be intertwined with hard work So if he works hard, he’ll feel good about himself. And if he doesn’t, he’ll hate himself for that

Moon in Aquarius:

Gemini sun+Aquarius moon? Will seem very detached. But again, a very interesting person to be with. Very clever, smart. Could think of unique stuff that nobody ever thought of. Oh yeah, if he feels sad or upset, he’ll just try to not feel his emotions. Like he’ll be staring at the ceiling or the wall. And I don’t think he’ll open up well. He’s charming but will never show his emotions to a lot of people

Venus in cancer 21 degrees :

he’s attracted to soft and nurturing people. He would also like people who expand his worldview, free-spirited people. Venus in cancer gives off very sweet and beautiful vibes. Feminine vibes.

Mars in Libra 15 degrees:

he is not that confrontational, like at all. But if someone makes him mad, I think he’ll be really passive aggressive, kinda manipulative as well. Could make up gossip or mean things about said person. mars in Libra and with a Gemini degree, he could definitely ruin your social life once you get in his way.

Moon trine mars:

this could be one of his manipulative aspects of his personality. He knows how to manipulate emotions like he wants to. Originally I thought that this could mean that he would be able to control his own feelings well, but I thought wait what about other people? Oh I thought that he could control his feelings very well, like he wouldn’t lash out or cry when he’s super sad. Also could mean that he has a good mix of feminine and masculine traits in his personality.

Moon square Neptune:

could be depressed?moody? Oh and substances(alcohol, drugs etc) could make him really unhappy. But he’s more susceptible to them than other people. And he’s more likely to get hurt by small things because he feels emotions more intensely than other people. But moon-Neptune placements are generally associated with creativity so there’s that.

Mercury square Chiron:

what traumatized him most were hurtful words from other people. He remembers a lot of hurtful stuff and hurtful memories play in his head a lot. And he could doubt his intelligence a lot. He could be wary of his surroundings.

Chiron trine Jupiter:

on the bright side, I think he can learn a lot from his sufferings and teach others about it? Very wise scholar who gives out a lot of good advice to young people who are struggling vibes. I think he could help others who suffered just like him.

Venus sextile Uranus: very spontaneous and Unpredictable, but people like that vibe from him. He stands out a lot because his style is unique. Also he changes his appearance a lot and it’s well received? He could be very independent in relationships or he could attract unique people in his love life.

Venus trine Neptune:

my friend has a similar placement, except that it’s square. Venus square Neptune is interpreted as being delulu in love. But Venus trine Neptune..Oooh an artist placement definitely. Very creative. I think he has a vision in his head( oh I want to write this and that chorus)and he could express it very easily with this placement. He’s a soft and gentle person. Very feminine He sees a lot of good things in people. And when he’s in love, he’ll be very lovey-dovey and his sweetness will be well received.

Venus sextile Pluto:

he could be very magnetic. His style and personality attracts a lot of obsessive fans. He could be attracted to intensity. He wants love that’s kind of mixed with obsession. Could be jealous and possessive about his partner or the other way around or it could go both ways? And he could be kind of secretive about his love life.

Conclusion:

Noel Gallagher is very charming and smart. He is hardworking and could use his talents well to get what he wants. Bit manipulative and could play dirty when he wants to. Also he is very sensitive and empathetic. He has male qualities but also female qualities, a healthy mixture of them. He could be hurt easily and he would not let it go easily but he could overcome it and become a wise teacher of some sort.

[wis-art]

kroppen/ciało

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2