#because i refuse to lose her

[ride-thedragon]

How would you write Nettles in the season if it was you adapting it? Curious to hear your thoughts and how would you introduce her character,

Oh my goodness.

Thank you for giving me this platform.

HOW I WOULD WRITE NETTLES IN S2.

Episodes 1 - 3

First thing, we introduce her as an Alladin/ Robin Hood character. Demonize the greens and by proxy Viserys for all I care, but Nettles isn't just starting to be hungry. She steals and does it well but is moral about it. Go the easy route and have her share with a kid, or teach a child how to get clams or even leave all the coins she does have for bread. She can have a job or two, but she has a need to provide for more than herself because she was a kid once.

We also see her selling Addam goat. They seem closer than strangers. Like he sees her often enough. She even gives him her congratulations on Alyn returning

Later on, we see that she is a bar maid as well this time with a little less clothes but a face veil. We get the notion that she doesn't like it, but she has to work two jobs because people pay her less due to the scar. The boys can see her again, or someone can allude to the idea that she's never in the same place in a day. They don't know much about her.

Episodes 4-6

We meet her washing blood of her hands from killing and bleeding a sheep. First job introduction for the goat selling. We see Nettles has a place in the Driftmark eco system. She's a member of their society, scar and all. Have people condescend about her, be like she was a thief, look at the scar, but I made her into what she is. She doesn't have that connection to anyone.

Then after that, we see her wandering, just behind people on to grass, then unto a hill with a pan down of a sheep in between the time for both jobs. And we all know why but we will leave it be for now.

Episodes 7 to 8

News about Addam reaches her, and all of a sudden, she looks scared. The first full dialogue with get from her is about what they are doing with the seeds who do that. If he's okay and then she hears about the sowing. Someone says Sheepstealer kills anyone he comes near, so they don't understand why people try. She tries to fight back a smile, but you can tell she's fond of something in the conversation.

We see the same motion. This time, we see the origin of the sheep as one she 'borrows' from another butcher or a run away sheep from herding and carries it up to feed the dragon. She's talking to him like a person as he eats, and you hear someone coming up on another side. She hides in the cave behind her (she clearly trusts this dragon). we see Sheepstealer massacre a random seed with Cannibal and when Cannibal tries to sniff out Nettles, he gets really defensive.

Cannibal flies of and Nettles kind of feel the bond build, he heels, and she climbs on her boy for their first flight, but we don't see her at the table with the seeds.

She's the last claimer in the narrative and yet very undecided on what that means or what to do, We hear her curse for the first time, and the season closes out.

So yeah, she'd be kinda subdued and away because she does exist at a lot of intersections in the narrative. I'm tying to Addam for the bastard association, but we never hear it from her, giving us the mysterious parentage arc. She starts to claim Sheepstealer early because he's on a quicker route to work that people clearly don't take, and it makes it easier. She can tell he's hungry, too. That's where the smart and fearless association comes from. She isn't foul-mouthed just yet, but cursing on dragon back is a great way and reason to be labelled. I think that's how you do it.

[courtmartialme]

how foolish can one man be?

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[phiklimz]

They’re such insane narrative foils I could talk abt it forever

[infectiouspiss]

Ray & Gerard harmonising in Life on the Murder Scene <3

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[dykedvonte]

Jimmy killing himself because he knows he is incapable of living an life without Curly and knows that in the miracle chance they were found and saved they would not let him have contact with Curly and he hates the idea he'd actually have to take responsibility.

Even if he lied, its only a matter of time before Curly is capable of showing or telling what a monster he really is, no matter what delusions tell Jimmy Curly would never do that to him.

He understands that he was the monster in everyone's worse moments but refused to accept that at the end. So he made sure that he died without the possibility of it being actualized as he's the only one that saw death as an escape rather than a release. Jimmy truly didn't believe Curly had anything to escape from even after everything and let him have what he perceived as glory as the sole survivor and thus Captain of the Tulpar.

[jannacalendar]

I understand why it wasn't possible, but it's such a shame we couldn't get Jenny back for The Wish. She and Giles fighting a losing battle side by side and being hardened from it, but remaining each other's solace. Them piecing together the puzzle Cordelia presents to them and having faith in a world better than this, only for Anyanka to try and throw them by hinting at Jenny's death should they return. Giles faltering at the thought of losing her and Jenny, once again, sacrificing herself and destroying the necklace. The way she sees it: she'll either be dead by The Master's hand or by her own, and only one of those inevitabilities gives the man she loves a chance of survival. She kisses him as she plunges herself into the abyss, wanting the last thing she experiences to be his love.

Giles waking up the following morning, the pang in his heart he always feels whenever he remembers Jenny accompanied by a newfound feeling of emptiness, and he's not quite sure why.

[nemo-in-wonderland]

Ok, i just heard Tim Downie reading Gale's letter from the epilogue, and i am not exaggerating when i say that i will need therapy after this.

[pseudophan]

gonna be so sad when tonight is the first preshow space with good audio and i'm asleep because i have a psych appointment tomorrow

[hyperfixatinator]

I have a few doubts about how Phoenix could've forged that bloody fifth ace in AA4. I'm not outright denying he did it, but if so it's probably different from how Turnabout Trump framed it.

Let's start with what we know logically about Phoenix and Zak's last poker game.

There were two decks of cards; one red, and one blue.

Each deck had four of each card. This means each deck started with four aces.

The last game used the red deck.

The above point means the fifth ace Orla snuck into Phoenix's hand was a red card, making five red aces in total that game.

Kristoph took the real (fifth) bloody ace with him out of the crime scene.

Based on this and other information we have from this trial, I have two questions:

When did Phoenix forge the bloody ace?

Where did Phoenix get the red ace he used for forgery?

Phoenix said that he picked it up while he was at the crime scene, but this contradicts the evidence!

There were five red aces in play at the time of the murder. Kristoph already took one, and using a blue ace was out of the question. If Phoenix really took a red ace before the police arrived, he would've only had four to choose from.

Yet, all four were still at the crime scene after Phoenix was arrested. They were even submitted into evidence by the prosecution at the trial.

Unless there was somehow an unspoken sixth ace in the red deck for no reason, this tells us Phoenix lied about taking a red ace with him that night. Plus, having forged evidence on his person during arrest and detainment could've ended terribly for him.

He couldn't have forged it before the match since he wouldn't have known he needed an ace card at the time. And his pockets were clean when Zak searched him.

This leads us to believe the forged bloody ace was created sometime after Phoenix was arrested. But how can he do that when he's stuck under surveillance in the detention center?

The secret is Trucy.

(this is where it progressively dips further into headcanon territory)

With Phoenix locked up, Trucy would be the most likely candidate to pull off a stunt like this. As a magician, Trucy is all about illusions, and she's not above using them to get loved ones out of legal trouble.

Trucy's magic profession also means poker cards are a natural tool to have in her arsenal. Cards are her "stock and trade" after all.

As Phoenix put it, it's a naughty magician's trick. One she felt was necessary to save the only family she had left.

Now, here's why I still think Phoenix could've been telling the truth about forging the bloody ace himself. Even if Trucy was the mastermind of this plan, I don't think Phoenix would let her be the one to actually forge it for an important reason.

Apollo.

Him unlocking his latent perceiving ability was crucial for the trial, but it could've also become a double edged sword.

Phoenix only had his prodigy daughter for reference as to how strong a perceiver's senses are. If Phoenix ever had to lie about being the forger to protect Trucy, the risk of Apollo seeing through it would've been too much to stomach.

Even after the trial's over, it's better for Apollo to hold a grudge against Phoenix instead of Trucy. He couldn't let their secret sibling bond die before it could start.

So what better way to hide a lie than to make it true? All Phoenix would have to do is put a blot of red ink on a card Trucy snuck in during visiting hours and let her work her magic.

It's a technicality, but at least Phoenix can distract Apollo with a custom-made truth.

[harvestmoth]

more rejuv things but its. its just this guy again, im sorry shes all i can draw

[twentyfivemiceinatrenchcoat]

thinking abt kenny and his anti-neet agenda

[flamestar126]

Someone has a crush 😗

[doctormastertardis]

I'm trying to understand the love for Clara Oswald, so I am rewatching her episodes... :) I'm not a hater, after all lol...

I also just want to re-hash my memory on The Great Intelligence, because I HAD this nagging theory about Ruby Sunday and her "snow" ability, which is connected to my theory that Ruby is a human embodiment of the TARDIS, which is also connected to my theory about why the "old Gods" of Classic Who are coming back in relation to The Flesh + Nestene Consciousness, which circles back to my theory on the return of the Toymaker's connection to the Timeless Child Arc (aka origin of the Doctor).

ANYWAY... back to Clara :)

I think the set-up between Clara and Eleven was well-written actually!!! I always did prefer her "incarnation" as Oswin Oswald over her "21st century existence". I even hoped she would ORIGINALLY be a scientist from the far future, and THAT was one of the reasons why I was initially disappointed regarding her character-trajectory.

I can understand "The Hybrid" concept from an interpersonal viewpoint. I can appreciate it as a metaphor for a toxic, co-dependent relationship only IF the audience is willing to shed light on the Doctor's history with his OTHER human companions.

And yes, it is inevitable that the Doctor as a "whole entity" (not necessarily just Twelve) would give back Clara Oswald the Gift of Eternal Life, as she did end up DEAD because of her carelessness and over-confidence due to Twelve enabling her when he tried to bring back Danny from "hell" per Clara's request.

These are a bunch of domino effects that resulted from Clara jumping into his time stream... Perhaps, Twelve's "duty of care" stemmed from the fact that he wouldn't exist without Clara. Literally. She saved him across all his timelines from the Great Intelligence (dun dun dun)-- he'll be back, mark my words. Perhaps, that was a metaphor for co-dependence. I mean, duh, it is!

She saves him from "dying", and he in return stops her from "growing" as a person.

I would have probably been satisfied with Clara if her story had ended when she jumped into the Doctor's time-stream, but alas- we wouldn't have Missy if that was the case. AND WE ALL LOVE MISSY <3

Might I also remark that it is *GOOD* writing that they also included "Me"/Ashildr (code: warrior) in The Hybrid plot, because the Doctor made this Viking girl immortal and "less human", and in a parallel circumstance he did the same for Clara... He quite literally stopped Clara's death, the same way Clara stopped HIS many deaths.

So yeah, ok, Clara didn't deserve her own TARDIS (imo). But seeing as she's "stuck" with Me (who I personally interpret as Clara's very own "dark" Doctor replacement; hence the poetic name "Me"), I think having her own TARDIS is more of a KARMA-- like, a traumatic time-machine that takes you anywhere BUT home?

In hindsight, I was bitter about the fact that Clara Oswald got her own TARDIS because it renders all the other human companions "unimportant"? Now that I'm older, I'm realizing that Clara "mirroring" the Doctor from a perspective of a broken heart (per se) can definitely be narrated from a perspective of:

"WOW THEY REALLY WERE TOXIC FOR EACH OTHER BECAUSE THEY BOTH WANTED TO AVOID THE INEVITABILITY OF DEATH."

If I decode The Hybrid in terms of human relationship, I would say that they stopped each other from GROWING. Because "death" = rebirth. And without death, life becomes stagnant.

[mishkakagehishka]

I just . Repeating "characters are tools" you end up erasing so much about arashi's character and motivations and interactions with other characters if you avoid using her pronouns aka avoid showing she's transgender. It's on the same level of frustration with the translators i had when i saw they had Mika speaking standard English, there's a LOT that gets lost if you don't show those little things.