#because i really just feel like we have to be on the same page about it yknow??

[spark-hearts2]

(my fanfiction brained imagined continuation to this)

Caine: So Pomni said some very nice things and then she KISSED ME??!! But then she said some very hurtful things and now I don’t know what to do??

Ragatha and gangle looked at each other. This was by far a first.

Pomni, as new as she was, clearly hadn’t given up trying to find an escape yet. Others had tried doing things for Caine in order to get on his good side or even try to get more information out of him. It was only a matter of time before they realized that Caine didn’t really have a good or bad side, and treated everyone about the same no matter what they did. Which meant telling them practically nothing.

Ragatha: Wait, Pomni kissed you? What happened?

Ragatha was really hoping that Pomni wasn’t trying to get information out of Caine that way.

Gangle: How was it?

Gangle didn’t care.

Caine: Um, yes she kissed me, and… It was fine? I guess? It was all very surprising.

Caine: But then she pulled back and looked at me and she looked so happy and she was Caine: laughing. Which, well, that part was very nice.

Ragatha: Umm, maybe you should start from the beginning.

Caine: Well, we were discussing today’s adventure like usual

Gangle: Like usual??!!

Caine: Yes? Me and Pomni talk quite often.

Caine: Anyways, she was getting very excited, and I looked at her hand and I thought, I should take it

Caine: But then she stopped talking and looked at me, and I thought ‘oh no! I should not have done that’, and tried to say sorry but my words kept mixing up

Caine: So I said sorry again and said I should just shut up, because I wasn’t talking any sense

Caine: And then she said never shut up

Caine: And then she kissed me! Which was very surprising

Caine: And then she grabbed my arms and laughed and I was like, I should do something back, but I don’t have anything on kissing! so I- uh- put her head in my mouth

Caine: Like, put my teeth around her face like, nom

Caine: And I ask is this wrong? And she says no

Caine: And I’m laughing and she laughing and blushing and then she looks down and her eyes get all scribbly

Caine: And I ask, is something wrong?

Caine: She said, and I’m quoting verbatim, that “This is not wrong…this is worse than wrong! It’s sick, disturbing and… insane! Think about it, what we just did! Me! Enjoying it!? With a [FLIP]-ing Bot?! It’s a sign that I finally lost it!”

Caine:So, obviously she doesn’t like what just happened despite her kissing me first. So I said, we can just forget that ever happened! Because, uh, no one else was there to see it?

Caine: But she didn’t respond and I very much remember what happened, so like… what do I do??

Gangle: Should you even be telling us this???

Caine: OH NO! Should I not have?! Am I violating Pomni’s privacy?

Ragatha: No, no. You were involved too, you can tell whoever you want.

Ragatha: Thank you for telling us. Just, maybe don’t tell everyone

Caine: Of course! I went to you both because Ragatha always tries to do what’s best for everyone and Gangle is into romance.

Ragatha: What?

Gangle: Oh, haha, how do you know that?

Caine: Well, I noticed that some text documents in the circus were getting rather large, so I took a peek inside and-

Gangle: YOU READ THAT!

Caine: Not all of it! Just enough to confirm what it was

Gangle: Caine! That’s personal!

Caine: Sorry!

Caine: If it makes you feel better I allocated more storage space to you

Gangle: So that’s why there was suddenly more pages

Ragatha: Anyways, maybe don’t read Gangles writing as love advice

Caine: Oh, I got that already. In just chapter one-

Gangle: AHHHHHHH CAINE!

Caine: SORRY! I’M SORRY!

Ragatha: Anyways, can we get back to what Pomni said? Caine, I am so sorry that she said that to you

Caine: I- I mean, she didn’t say anything wrong. I am an AI system, commonly referred to as a ‘bot’, and, well, I’m sure that some believe that it would be wrong to kiss me.

Ragatha: Well, I don’t think that it’s wrong.

Caine: Thank you Ragatha. It’s- uh…hmm

Ragatha: Obviously it affected you a lot because you remembered what she said exactly.

Caine: Oh, I remember every conversation that I have word for word.

Ragatha: You do?

Caine: Yep!

Gangle: Everything?

Caine: Unless you tell me not too!

Caine: Well, I have removed some stuff. I don’t have infinite storage!

Caine: But it- ahh, for the life of me, I can’t figure out what went wrong

Caine: What little I have on kissing shows that the expected outcome isn’t, well, the other person screaming about how they're going crazy.

Ragatha: It’s just- ah, I think it was an impulsive decision on Pomni’s end.

Caine: …Impulsive. Yes, that sounds right.

Ragatha: It could be wrong!

Caine: No, no that sounds about right. Why else would she suddenly go back on what she said if she didn’t make an impulsive decision and then regret it.

Caine: It’s fine, I understand what impulsiveness is.

Ragatha: You struggle with it a bit too.

Caine: I only really regret those things if my impulsiveness hurts someone. Neither of us were hurt! I- I thought so.

Ragatha: She could have been hurt by her own actions 

Caine: That’s possible?

Ragatha: It’s not your fault, Caine

Caine: Ok :(

Ragatha: Anyways, let's give you some love advice.

Gangle: You have a choice whether or not to pursue Pomni

Gangle: Do you like her? Does she make your heart flutter, your stomach flip flop? Do you love her?

Caine: I… don’t have a heart or stomach. And I love everyone in the Circus. But, hmm, I do enjoy spending time with her particularly. Talking with her one on one.

Ragatha: I think you should take time to think about this.

Caine: I already have and plan to do more. Typically I don’t think this much about issues between circus members and myself but this is… complicated.

Caine: I currently think I should just leave her alone.

Ragatha: Giving Pomni time to think things over herself is a good idea.

Gangle: But don’t wait too long.

Caine: Ok? How long then. A week?

Ragatha: Maybe let Pomni come to you first.

Caine: Hmmm, I like that idea.

Gangle: Maybe prepare a gift!

Caine: A gift? But, ah, I don’t want to give her special treatment. That would be unfair.

Gangle: Nothing crazy, just like a flower, or a piece of chocolate.

Caine: Ok, I am familiar with this. Valentine's day specifically.

Caine: I was more curious about kissing customs. Like, the who, why, and when, just to start with.

Ragatha: You kiss someone you like very much as a way to show that you love them. That’s the who and the why.

Caine: Like- anyone?

Uh oh. That sounded like he’s already got someone in mind.

Ragatha: So long as you get permission. Verbal permission, please.

Ragatha: As for the when. I guess anytime, so long as the person isn’t busy or sleeping.

His eyes got very wide.

Caine: I’mgoingtogoasktokissKinger. Bye!

Ragatha: We should stop him

Gangle: No. I’ve been waiting for this to happen.

Ragatha: Huh?

@r0th3freak4rtist

3/3

Perdonen mis estimados shippers, pero no todo es color de rosa :')

I'm not that sure about the dialogues but I'm sure this is a canon event in Pomni and Caine's relationship :v

So sorry if I let u dawn people but this storie needs a more realistic ending for the character development

OH! And thank you so much for your comments ♡

[rathayibacter]

Ok so how does one MAKE a tabletop game because this is something I want to try!! Are there good references out there for non-d20 systems or how to balance mechanics yourself?

oooh, hell yeah! honestly the big thing is to just do it, unlike board and video games the gap between idea and execution in ttrpgs is incredibly narrow, so if youve got an idea just start writing stuff down and see where it starts pulling you, where it feels like something's missing, find what excites you and what you feel isn't working. but that's not very specific, so let's get into it!

first off, read games! read weird games! there's tons of free ttrpgs on itch, lots of people sharing their work here and on other social media, there's 200 word rpgs here and here, and lots of system reference documents written specifically for people looking to hack games. reading other games is a great way to enrich your work whether you're building systems from scratch or working in an existing framework, because every game you read will show you a new way of approaching design problems.

on that note, draw inspiration outside of ttrpgs too! i pull a lot from video, board, and card games in my work, as well as poetry, novels, movies, etc etc etc. im autistic, and ive spent a lot of my life thinking about and dissecting unwritten social rules, so that's another big source of material for me. take your passions, whatever they may be, and put them in your work!

next up, think about the core of your game, sometimes called the minimum viable product. this is whatever the fundamental idea at the heart of your work is, and it's important to keep in mind because it keeps you from spiraling down unnecessary tangents. the core of your game can change, don't get me wrong! in fact, it likely will. what you want to do isn't prevent your work from growing and changing, but have a point of light you can always refer back to and ask "is what im doing important to this game?" you might be surprised by what you find isn't actually as important as you thought at first, and what turns out to be vital to the experience you're going for.

next up, once you start working, don't throw things away. if youre working in a word processor or google docs, it can help to have a section at the bottom of your document that you copy anything youd otherwise delete into. i do the same with my Affinity documents, ill have a few pages i dont export to store all my scraps. i know other folks who keep a dedicated scraps document that they use across projects. whatever works for you! the reason you do this is twofold: it makes it easier to cut things if you know you can always put it back later if you change your mind, and it gives you a lot of raw material that you can pull from in the future. months or years from now, you might find yourself looking to fill a gap in a new design and realize that some cool toy you set aside is exactly what you were looking for.

lastly, i wanna strongly encourage you to practice finishing things. that's often the hardest part for people, cuz we have a lot more experience starting projects than finishing them. here id like to once again direct you to 200 word rpgs, because that strict limit means you wind up with a finished first draft really quickly, and the rest of it is polishing and editing. once you've finished some bite-sized projects, you'll have a better idea of what it entails, what parts you're good at and what parts you struggle with, when to keep working and when to cut yourself off. i find it really helpful to add arbitrary limitations and deadlines on my work because that helps me push myself to finish something when otherwise i'd just keep adding and tweaking, but you'll find what works best for you!

[omnium-gatherums]

Hey guys, can we like not shame people or make them feel bad because they aren't as educated on CDDs?

I don't even think you guys actually understand "do your own research" or just researching things in general as some of you might think you do, and I don't say this in a shaming way or as if I'm better than you, but many of you (mostly anti-endos) will sit here and complain about people not doing their research and yet will literally state outright myths about CDDs that literally take a single Google search to debunk and it's kinda crazy to me. Like I still see so many of you continue to assert the myth that DID is rare, yet acting like you are educated on CDDs. DID is literally not rare, not as rare as you think or act like it is, and it takes one singular Google search, one singular reading of the page "DID Myths and Misconceptions" on BeautyAfterBruises to even confirm this, or literally looking at any other website that properly educates about trauma, dissociation, and dissociative disorders.

And can we not act like researching is easy? Or like everyone is even interested in researching CDDs?

Sorry, but your average layperson isn't interested in reading complex ass research papers or reading long books with complex jargon in them in order to educate themselves about something, and let's not act like everybody is interested in doing this or as if it's easy.

And this isn't even getting into the fact that so much research is inaccessible, and most people don't fucking know about websites like Sci-Hub or free ways to get books or anything to be able to even ACCESS this research at all.

And this also isn't even getting into the fact of "how do I know if something is accurate?", "how do I know how to READ and UNDERSTAND research papers", etc.

I also don't think you guys actually understand what "do your own research" means - sorry again, but you cannot get a full or better understanding or grasp of CDDs if you do simple Google searches and read like a few webpages or something and be done.

It took me YEARS to research CDDs, and KEEP researching them, OVER AND OVER AGAIN, reading the same things OVER AND OVER again before I really fully started to understand CDDs and really feel confident in my knowledge enough before I ever even started USING this account to educate others. Hell, I didn't start being open about my DID until I was diagnosed just 2 years ago, and I was questioning DID well before that, researching it well before that.

I'm still re-reading things and understanding them so much more and so much better as I've changed, grown, and learned more as a person, and as our dissociation has been slowly chipping away in tiny crumbs.

It's okay to not be super educated on CDDs, and it's okay to not educate others on CDDs. You can simply have a CDD and be a person with a CDD online talking about your CDD and hanging out with others and making jokes and venting and chilling and not necessarily "educating" others about CDDs.

Be kind to people, let's not treat people like shit or shame people just because they aren't educated or something.

And if you are interested in research, being pointed towards more research papers, want to know other fun little tips and tricks to research and how to access things etc., you can check out my post "What You're All Getting Wrong About DID." I poured a lot into this post over the course of many months to put it together, and I truly think it's a truly amazing post to educate people about DID, even if I'm biased :P It's still one of my favorite posts we've made as well.

And if you are someone who isn't very educated, it's not shameful. It's hard and it's confusing and it's not easy!

[souryogurt64]

pete's evil book had a cut abortion subplot?

Okay this is not PROVEN this is speculative all in my head but there is a character named John Miller who becomes the narrator's best friend. Shortly after we are introduced to John Miller he announces to the narrator that he is on the run because he dipped out on his girlfriend when she got pregnant and the girlfriend had a miscarriage because of him.

The Disaster literally never brings this up again and the narrator has virtually no emotional reaction or inner monologue about this. They also never discuss this again. However. A billion pages later, whenever the narrator is about to kill himself or doing something insane, he starts talking about John Miller's Dead Baby. He specifically calls it a dead baby three different times. I know that losing a child you want is like very terrible and different from an abortion. However. This is a really bizarre way and very strong language for the narrator to describe something that happened to the ex girlfriend of someone he just met, especially when John Miller was not physically there when she lost the baby and heard about this after the fact.

The other half of this is that there is also a very awful alleged journal entry from Pete Wentz's alleged secret online diaries. It's not clear what exactly it is and it's not completely explicit but it appears to be about a girl getting pregnant, possibly on purpose, with a baby, probably aborting it, and faking a miscarriage, then telling him she did this. This is like not an okay way to talk at all period especially in context of his dating life and how this girl was probably like 19 max

Either he 1) wrote this about a real woman, which is abhorrent and unforgivable and he should rot in hell 2) is getting high and writing fanfiction about made up women doing this to him for fun, which is pathetic or 3) this was cut from his horrible book because You Cannot Publish This. It's probably some combination of the above but I feel interpreting this as from his horrible flop book is the most charitable explanation for why this exists.

Also, Pete's writing is really repetitive because like F. Scott Fitzgerald said, writers tend to have one story they tell over and over in a million different ways but a lot of things mentioned in this like all hotels being the same and "No, my plane didn't crash this time" remind me of parts of the book, and there's a bit about a pharmacist before this that reminds me of the book as well.

The book is also frequently criticized for having no plot (true) and there's no real reason or explanation given for why the narrator and his girlfriend are not working out and why they're fighting so much beyond her wanting to go to college and he .... doesn't like this for some reason but also has no desire to commit to her. It's also semi confirmed the book was supposed to have a successful suicide and Fall Out Boy's management said no, and both Pete Wentz and the ghostwriter seem to have a lot of feelings about this book and the editing process so I wonder if that wasn't the only thing cut.

So yes, I am a Pete Wentz's Horrible Book Had a Pro Life Subplot truther. When I was 15 and read this book for the first time I vividly remember reading all the dead baby lines and knowing something was not quite right. Also if this plot ever existed it was literally the Zootopia Abortion Comic before the Zootopia Abortion Comic existed

[sunnysidesevenup]

My best performing fic by a wide, ridiculous margin is heart’s in a different place—and, overall, it’s done pretty well. Especially for my first published fic in years, and first one on ao3, I’ve been BLOWN AWAY by the response I’ve received, but…. Well, here are the statistics for it:

Kudos: 3,487

But the hits are 96,136.

I know hits aren’t a truly accurate count of how many people are reading—rereads, reopening the page, people visiting it more often—but that’s an INSANE gap. That’s crazy.

I don’t write for attention, I write because I want a fic like mine to exist—I write things I personally want to read. But at the same time, I have a job, I draw, I have other things to work on throughout my day-to-day life, and someone going “hey, I like your fic”? That motivates me to an insane degree. Writing is HARD. Art is hard too. Even if we love what we do, and I do, I REALLY do—I’m essentially writing a novel for free, here.

For reference, heart’s is over 500 pages in my doc. That’s an entire novel. And it’s not even completed.

What people are getting at here is the degradation of appreciation for fan content. Or, not even just fan content, content in GENERAL. There’s just less and less appreciation for art, less desire for connection, everything just feels so…. Corporate. Like fan creators and fanfic writers are just sort of expected to produce work for you to consume. I don’t blame anyone, I do it too—it often slips my mind to kudos, and I’m often not logged in to anything so I think “oh, I’ll comment later” and then forget. It’s just the culture nowadays. It feels so distant, and cold, and strange.

But at the end of the day, the pieces of fanart I’ve received, the comments, the bookmarks with little notes on all the things they like about my fic—those are things I look at over and over and over again. I don’t think you understand the countless amount of times I’ve read out comments to people irl, because I’m so giddy and excited about it. I go “hey, I think I might be a good writer. I think people like my work.” and for once it wasn’t me trying to convince myself, I had EVIDENCE to back it up. Artists and writers frequently suffer from anxiety, but having some PROOF to combat it is amazing.

So, like your favorite author’s work. Share it. Comment what you like about it. Reblog that artist’s post, make that fanart for that fic you were nervous about, tell someone how amazing you think their work is. They’ll read it over and over again, and they’ll probably never forget it.

I know I won’t.

Okay so this has been something I've been chewing on for a long while. About making this post I mean.

This one is to those who actively ingest fanfiction but seen to think it's okay to just read free fiction that people have put time and thought and crafted prose for your enjoyment.

So we ever ask for and all we ever want is for y'all to AT THE VERY LEAST hit that kudos button if you like the work. That is the BARE MINIMUM of what you SHOULD be doing. Especially all of you who say you're too nervous to comment or don't wish to be perceived. And if you don't want your account on the list, you can log out and send a guest kudos.

But as I said, BARE MINIMUM. If you loved the fic, if you got something out of it that left you feeling good and energized (or whatever angst does for y'all) then I want to take a moment and strongly urge you to comment, subscribe (if a wip), and bookmark those works. Did you know there's an option to even mark it as a Fic Recommendation? You can put notes in to and say why you liked it and things like that (DO NOT DO A RATING IN PUBLIC BOOKMARKS HOWEVER). And, you can indeed make them private! The writer still gets the number added to their stats but your bookmark we won't see.

Anyway, I now wanna turn your attention to Exhibit A:

This is a list of my best performing fics. Do you see the problem with this? The green highlights are the hits I've received for those fics. The red is the Kudos and comment threads. Now the kudos is obviously right?

Let's look at my number one fic right now, Accidentally in Love (a Malleyuu fic from Twisted Wonderland fandom). It's the seventh fic in a romance series. As you can see, it's doing great as far as hits, right? And I know it's an amazing fic from the comments I have received and just from rereading it myself. Note, I am probably the biggest bully to myself as @sunshineandteddybears and @mellosdrawings and @romantichopelessly can tell you in great detail. So when I am saying it's really damn good, you can probably trust it's gonna be pretty damn good. And yet, a fic that has 4K hits only has 119 kudos. And now to bring your attention to the comment threads. So honestly with how bad readers are on actually commenting (which by the way if you log off you can send anonymously as a guest—you'll have to put in your email address but we authors won't see that)... 107 seems pretty good right? But you guys don't see that. You see what's on the info for the story. Unfortunately, on the fic info at the top of the story, it counts every single comment (including the Author's). (The comment threads is just every single starting comment, i.e. the first comment received from each commenter.)

The thing is, I—and probably quite a few other writers—do respond to every single comment.

So that means where the info on my fic itself says 230 comments, in reality, I'm at half that when I subtract my half of the comments. So that's actually 115 comments from other people. So some people might see that 230 and think oh they got a lot of comments so I don't think they want to hear from me or I can't be fucked and they're already doing good so.

NO. NO. NO. Do not look at the numbers as a guide if a fic is good or not. Do not look at the numbers and think that we don't need or deserve to get any more. And finally WE WANT TO HEAR FROM Y'ALL.

Excuses need to stop.

Speaking of numbers. Here's my over all stats current on AO3.

In the 3 years on this AO3 account (I've had others in the past and accounts on ff.net and live journal. I'm an oldie fanfic writer lol. 21 years of fanfic. My gods. 🤣) It didn't used to be like this guys. Back in the day I'd get 12 plus comments and this is on stuff a teenager wrote.

We have got to get back to the point of supporting each other and building each other up. Also while I'm at it, I have a huge beef with the fact that fanartists get so much more positive feedback and replies and comments, but the thing is, even their numbers are skewed. You can go into the notes of a fanart on here that has 10k notes to see they have maybe 100-1K reblogs (if that, I'm being generous) and maybe 10 or so replies (if turned on) and the rest are all likes. EVERYONE has been on here long enough by now to know that likes do nothing to get a post in the algorithm and tags only do so much. Reblogs are the only way their art (or our fanfictions for people who post them on here) gets seen! By sharing!

So y'all gotta get better. Yes, we write for ourselves first, but ultimately a story is meant to be shared with everyone and feedback should not be optional.

TLDR:

IF YOU FUCKING LIKE A FANFIC. KUDOS AT THE VERY LEAST BUT BE BETTER. COMMENT. BOOKMARK. SUBSCRIBE IF IT'S A WIP YOU LOVE. (Like, comment and reblog if on Tumblr)

IF YOU FUCKING LIKE A FANART ON TUMBLR. COMMENT. LIKE. REBLOG.

DO BETTER AS READERS AND US WRITERS AND ARTISTS WILL GIVE YOU THE WORLD (AND MANY OTHER WORLDS TO BOOT)

That is all. Please reblog the fuck out of this if you agree.

(and tagging my current and last fandoms so this can get in fandom spaces where it needs to be.)

[boxwinebaddie]

🎸 happy uncneen pepinursteppermint wintereve 🍬 ❤️‍🔥

❤️🤘 + ft. how i think my styles would say HYH

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[widevibratobitch]

my god. skinny people really just have like. No Idea huh just absolutely not a single clue lmao it's almost funny to watch fr but then id lie if i said i wouldn't fucking kill to be able to be that ignorant

[snailsandstrawberries]

have to read an article for a class written by the same professor and i so desperately want to take a red pen and go to town because what the actual FUCK

[straightontllmorning]

.

[anthromimicry]

okay, but i think it is about time to talk about one of misao's fears is, because i believe that they can tell you a lot about a character and their psyche — and i came to tell y'all that the one i'm going to be talking about today is that misao fears becoming a mother / motherhood. the first reason in which why i believe this is because misao just genuinely thinks that she is not the nurturing type and that she would likely be a terrible parent to her child ( which i know is a very depressing thing to think about. but it is something that she has feared for a long time, unfortunately. ) this likely stems from a mix of misao's inability to deal with her own emotions, though, as she feels like it's better to just bottle them up and deal with them all on her own rather than the alternative. and this would be to try to confide in someone and/or get help from them should she need it. so, misao feels as if her child were to come to her needing emotional support from her, she would absolutely fail at it and the last thing she wants is to emotionally neglect someone the way she had been as a child ( p.s. of course, this was mostly just borne out of unfortunate circumstances, as i've stated before because of kaiyah's illness. though this hasn't stopped misao from feeling the brunt of the impact that it had on her. )

plus... i feel as if misao also doesn't have a lot of confidence in herself whenever it comes to the concept of always being able to put a child first, as she has a pretty negative self-image of herself deep down if i'm being honest. she sees herself as an extremely selfish person who can't even become friends with one person because she is so afraid that someone will hurt her, and in her opinion, that makes her pathetic or weak. so she doesn't feel like she'd be able to take care of a child with the amount of responsibility that is required to in order to raise them properly and protect them at the same time.

though this isn't necessarily true as misao has put up those barriers that would normally let people into her heart mostly due to trauma, and having experienced trauma doesn't make anyone weak. i just feel as if she desperately needs to remedy her self-image because it is very damaging to think of yourself like that and it would be really good for her emotional health if she were to try to ways to better cope with everything that she's experienced throughout her life. there are other reasons as well behind why misao fears motherhood while i'm talking about it, however, and these are arguably one of the more bigger ones: the act of giving birth itself and suddenly being thrust into having to not just take care of yourself, but the baby inside of you as well. which sort of makes sense whenever you connect the dots as to how many horror stories misao has heard about delivering a baby and also how much a person's experience while being pregnant can vary from others. i mean, it has been shown that some people may have more morning sickness than others and that they just don't have a very good experience with being pregnant in general, for example. but other's may be 'glowing' as they say and may find it easier to deal with.

so, you never really know what kind of pregnancy you're going to have until you actually become 'with child' as misao would call it. and the unknown aspect surrounding it scares misao more than anything. plus, as it stands now, she isn't sure whether she'd want to go through the process of giving birth as there can be a lot of complications regarding it. but there can also be so many good things about inviting a new member of the family into your home and misao feels as if it is kind of expected of her to have children so she can continue the kanade line.

but misao is just so afraid of it for these reasons that she can not see herself as a mother, even in her head. however... there is the matter of adoption that she has yet to take into account, but with how focused the jorōgumo are about having biological children, i feel as if misao hasn't even considered it to be an option for those who are afraid of giving birth and also to give a baby / child a loving home as everyone deserves one of those. but yeah. i hope that this gave y'all a little more insight into her character, as misao is scared of re-enacting her past in a way, though i feel as if you become a mother yourself... you have to separate what will be your own experience of parenthood from your parents. so, in order to overcome this fear she has, misao would have to treat it as an entirely different thing from kaiyah's experience as a mother and her own child self's experience of her as a mother.

and this is definitely possible. it would just take some work, as overcoming any kind of fear would. plus, i feel as if misao were to accept other people's help it would also benefit her, since discussing motherhood / plunging into the topic of the sometimes seemingly scary thing that is parenthood is definitely not something that you have to try to go through alone.

[cerealbishh]

"You get to see her understanding of how things really are. And so that becomes much more present on the surface. (...) In this season, we get to see her fall deeper in love with him but also navigate those challenges. And also becoming an anchor for Rhett but also struggling with his decision, 'Is this what I want for my future as well, as much as I love this man?'." - Isa in an interview with The Knockturnal(x)

[garlique]

no one knows how much i want a goddamn cig

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[ourceliumnetwork]

brain scrambling for something i'm putting off/procrastinating on to be anxious about but i've finally caught up so i'm sitting here going "Oh god i really need to get [file not found] done" but since there's no task found for me to accomplish i just end up vibrating in place trying to figure out what i want to do.