#because i only edit things when people are paying me for them

[trashpandacraft]

hi! ok so i'm going to talk about one of my top-five favourite things, which is: dyeing stuff! this is going to be specifically about dyeing protein fibres (animal fibres—wool, alpaca, silk, etc) in a pretty low-key way in your kitchen.

to be clear up front: this is not the most scientific, most perfectly reproducible, or most Objectively Correct way to dye things. i get a lot of fibre that i like this way, though, and i think that other people can, too.

fibre i've dyed that i think is neat:

you can also dye yarn like this:

yes, i like blue a lot. i also really like variegation and heathering, which is why most of the fibre here has patches of white—it's an intentional choice that i've made. you can make different choices.

here is what you need to dye things:

fibre, vinegar, dye, a pot, heat, and some water.

that was so you don't get overwhelmed by the impending wall of text. here is what you need to dye things (it's the same stuff!), but with way more detail:

fibre or yarn. this is the big one, obviously. i tend to dye in 100-200 gram batches, because that's approximately what fits on my stovetop easily. if you're very nervous about felting or harming your fibre, you can use stuff that's been treated to be superwash, start with yarn (which is harder to felt than fibre is), or use a felt-resistant breed like dorset or suffolk. honestly, though, i learned with merino because that's what i had, and it was fine. again, though, this guide is only for protein fibres. it will not work for things like cotton. the only exception to this is nylon, which will take on some colour, but less than a protein fibre will.

a mordant. this is a fancy way of saying a thing that makes dye stick, and for what we're doing here, it's citric acid or vinegar. your grocery store definitely has at least one of them, though if you can choose, i prefer citric acid, because i love wet wool smell but i do not always love wet wool vinegar smell.

dye. i use acid dyes, and am personally deeply loyal to dharma acid dyes, but ashford and jacquard acid dyes work the same way. if you don't want to buy dye or don't have access to it, food colouring will often work, as well, though i haven't tried this with natural food colourings and have no idea how well they'll work.

a dedicated dye pot. ok, if you're doing food dyes, you don't need this. if you're not, it's definitely best practice, though i don't know how dangerous it is not to. any large metal pot will do, but my favourite option is hotel pans, which are those huge metal pan/tray things that hold food at buffets and the like. i have a full-size one that's 15cm deep, and a half-size one that's 4cm deep. they're great because they let you lay out the fibre you're working with so you can see most of it in a single layer.

dedicated dye utensils. as before, i don't know how much of a huge deal this is. i'll be honest and admit that for several years i had a single pair of tongs that got used for all tong-requiring events, including dyeing, and i'm still alive. i suggest that you have at least a big spoon, and a big spoon and tongs are even better.

something to mix the dye in. yeah, i use empty plastic sports drink or soda bottles for this. you can be fancy and get mason jars or little squirt bottles or whatever, and if you get super into dyeing you'll want to mix up dye stocks, but that's way outside the scope of what we're doing here. i like the powerade bottles that have a little squirty mouthpiece, because it's fun to squirt dye onto things.

personal protective equipment. i think this is the part of things that freaks people out. ideally, you wear plastic gloves and a mask (yeah, like your covid masks) when you're working with dye. realistically, i almost never remember to put on gloves and just accept that my hands are going to be blue sometimes. you should wear a mask, because dye is an irritant, but the world is an imperfect place and i have wicked bad adhd and sometimes i forget. this isn't advice. i'm just being honest. you should use some kind of safety stuff. you probably won't die if you don't.

you might also want some little random bits: an old toothbrush or paintbrush, a pipe cleaner, some toothpicks, etc. this is mostly if you like speckles, or if you want very small patches of colour.

so first: there are a million ways to dye things, and i'm not convinced that any of them are objectively correct. i do what i do and it works for me. some of the things i do are the opposite of what most guides suggest, but i do them because i like the effects they create.

ok, that's all the background stuff you need. let's dye some stuff!

the number one most important thing to remember when you're dyeing is this:

you can always add more colour. you cannot take it away.

that's in fancy writing and bold because every once in a while i forget this, and every single time i end up regretting it.

here is how to dye things:

put water, citric acid (or vinegar), and fibre into a pot. add dye and heat. let cool completely. rinse the fibre in cool water, then hang to dry.

like, sure, we're going to go into way more detail, but push come to shove, if you do that, you're going to end up with dyed fibre. there are a lot of tutorials telling you that you must soak your fibre first, or you must add your citric acid this way, or hold the water at exactly this temperature, and i'm here to tell you that while any of these things can give you different results, those results aren't necessarily better.

the only way that you can totally screw this up is by accidentally felting your fibre, so before i get into the way more detail part of things, i'm going to talk about that.

how not to felt your fibre

i feel like if you've read this far, you know how things felt: wool, heat, and agitation. you may also notice that at least two of these things are required for dyeing. this can be stressful! but you don't have to be afraid of it. there's only been one time that i felted something to the point that it was unusable, and that happened because i literally fell asleep for several hours while the pot was on the stove. you can avoid doing this by simply setting an alarm—this is a good idea anyhow, because you'll want to check on your dye pot!

when you're dyeing, use the lowest heat that you can while still keeping the water at a simmer. if your stove, like mine, has one burner that's wildly unpredictable and sort of out of control, you may want to look for some sort of flame diffuser, also called a flame tamer or a simmer ring. i bought one on amazon for about fourteen dollars, and it's literally just a thick metal circle. it works fine.

you can also keep the heat low by using a pot with a thick bottom, though in my experience those are expensive, and if i had one i would be using it for soup, not wool.

avoid shocking your wool—never put room temperature wool into hot water, and never put hot wool into cold water. leave your wool in the dye bath until it's cooled completely, which for me usually means overnight.

finally, obviously you have to move the fibre around some. you'll need to peek under it in the pan, and when you're done, you have to rinse it and squish out the water. try to minimise handling, though. don't run water directly onto the fibre, don't get a wooden spoon and stir your dye pot around, don't wring the fibre dry when it's done.

you're probably never going to be perfect. i often find that i lose a gram or two of wool where fibres have grabbed onto each other, or where parts of the ends clumped up. it's not really felted, just sort of compacted, but it's not great to work with, and i'd rather lose a gram of fibre than fuss with the clumpy bits.

back to how to dye things

let's take it step by step, assuming a hundred grams of fibre.

put your pan on the stove and fill it halfway with water. add either a teaspoon of citric acid or a tablespoon of vinegar. this is going to help the dye strike, or stick to the fibre. the teaspoon/tablespoon is a guideline, but one that it's fine to exceed. adding more will help the dye strike faster, which can be useful if you're trying to create blocks of colour on your fibre. i usually err on the side of a little more than the guidelines, and just eyeball this—if you feel like the dye isn't taking well, you can add more later.

add your fibre to the pan. this is the first place you have to think about what you want the finished fibre to look like! you can put it into the pan any way you want, but i suggest trying to keep it in a relatively even layer, regardless of what that layer looks like. here are some ways to get specific effects:

if you want a gradient from one end of the fibre to the other, use a rectangular pan and lay your fibre out so that the line of it is parallel to the short sides of the pan

if you want a short, repeating gradient, use a rectangular pan and lay your fibre out so that the line of it is parallel to the long sides of the pan

if you want something that starts with very close repeats that get further apart as you go down the fibre, make an approximate spiral

if you don't want A Pattern (i usually don't) just lay things out in a single layer, more or less

here comes the next exciting part! decide if you want to let your fibre soak or not. again, doing or not doing this gives you some different effects!

soaking your fibre will mean that dye takes more evenly. if you want consistent colours, you'll want to soak.

not soaking your fibre means that the dye takes less evenly. the fibre on top will have less acid available to it, spends less time in the dye bath, and also has to actually get wet before it will start to dye. i actually love doing this, and think it affords a lot of cool opportunities to play with and layer colours.

if you're soaking, leave the fibre there until it's submerged. if not, don't.

now you're going to add dye! decision time, again.

you can add dye when the water is cold, which will give you more even dye coverage, and in my experience gives the colours more time to mix together

you can add dye when when the water is hot, which will give you less even coverage, and tends to encourage the colours to stay more delineated

probably surprising no one, i tend to heat the water first unless i'm starting with a base colour or i'm doing a two-colour gradient.

time to mix up some dye

as i mentioned earlier, i'm assuming that you're using powered acid dyes for this. if you're not, this mixing up part is technically optional—but doing it gives you way more control about how and where you place your colours, so i'm going to assume that you'll do it.

i usually mix dye in some sort of empty drink bottle. regardless of what you're using, before you add dye to anything, put some water in the bottle, wipe off the lip, put the lid on tightly, and shake the bottle vigorously. if there is any leakage at all, do not use that bottle. find a better bottle. if your bottle cap doesn't seal well or if you have an empty condiment bottle that's just a little wonky or whatever, you will get dye all over the kitchen, and your landlord will be really really mad about it, and you will regret your life choices. (if you own your kitchen, you can do whatever you want, but this isn't about you and you know it.)

so you have a bottle that seals tightly! great job. dump out the water and carefully put some dye powder into the bottle. remember earlier how i said you should be wearing a mask? this is the part where you should be wearing a mask.

i know that people are reading this and going, ok, but how much dye do i put in?

my answer is put in the amount that feels right in your heart, and don't forget the number one rule of dyeing things, which is that you can always add more colour, but you cannot take it away.

this isn't a very scientific answer. most dyes have a guideline about how much to use, expressed as a percentage of the dry weight of the fibre, which is what you use to get the whole quantity of fibre dyed evenly. for dharma dyes, it's like 1.5-2%, i think ashford is 1%, and jacquard is more like 2-4%, depending on the colour.

here is the problems with doing that in your kitchen: first, using that much dye will get you an evenly dyed piece of fibre, which—for me, at least—is basically the opposite of what i want. second, and more importantly, unless you have one of those teeny tiny scales used by jewelers and drug dealers, your kitchen scale will not weigh out such tiny quantities with any accuracy. third, if you do it like this, you really have to plan what you're doing ahead of time, because there's a point after which no more dye will bind! the fibre will be like enough thank u that's it i'm good and that'll be it, so you lose some of your ability to decide that actually, you want more green.

you can probably guess, at this point, that i don't weigh the dye. once you've done a couple batches of fibre with a given brand of dye, you'll start to get the vibes for how much you should use. if you really want a guideline, for a hundred grams of fibre, start with a quarter teaspoon of a given colour. you can add more—either more of this colour or a different one—later, as desired.

put your dye in the empty bottle, and then fill the bottle partway with hot water. the amount of water doesn't really matter here, nor does the specific temperature of the water. i usually fill about 3/4 of the way, because that way there's plenty of room for this next step, which is: wipe the lip of the bottle, recap it tightly, and then shake it up real good. the dye powder is going to dissolve into the water, and you now have a bottle of dye!

if you're going for a gradient, you might want to mix up your second colour so you can add them at (basically) the same time for more even mixing. if you're not, or if you only have one mixing bottle, you can do them one at a time.

oh my god we're finally putting dye on the fibre

are you ready? it's time!!

you have basically infinite options for how to do this, and many of them will give you different effects. here are some ideas:

pour the dye all at one side of the pan. and if you don't add anything else, your fibre will fade from the colour of the dye to the natural colour of the fibre

pour two colours, one at either side of the pan. depending on how much dye you use (and remember, you can always add more), this will give you either chunks of colour surrounded by white, or a two-colour gradient

add all the dye to unheated water and mix it gently, then let the fibre soak for a few minutes longer before turning on the heat. this will give you a fairly even colour

pour randomly all over, and you'll either end up with a tonal yarn or a heathered one, depending on how much dye you're using

add the dye to the water under the dry fibre, which will sink in and take up more dye on the bottom of the fibre than the top

if your heat wasn't on before, it should be now, and you're going to let the dye hang out in the hot but not boiling water for a while. how long? well, one of the cool things about dyeing with these dyes is that they exhaust, which means that when the dye has been sucked up by the fibre, the surrounding water will be clear. how long this takes will depend on the specific dye, how much of it you used, how much mordant you used, etc. i try to check every fifteen minutes.

reminder: if you started with room temperature water, the dye's not going to start taking until the water heats up, so don't check it after fifteen minutes and freak out that nothing has happened. it is fully normal for it to take up to an hour for the dye to exhaust. don't turn up the temperature, just give it time.

yay it worked!

at this point, you have a pot of hot water with some beautifully coloured fibre in it! but maybe it's not beautiful enough. maybe you want...more colours.

that's cool as hell and you should go for it. we mentioned two-colour gradients up there, but what if you want something else?

the answer, probably obviously, is adding more dye.

first, a caveat: while you can successfully make multicoloured gradients like this, it's more difficult than you think, and if it gets messed up—all the colours bleed into each other, say—it turns into a muddy mess. my suggestion is to stick to two (or three at most!) colour gradients until you have a much better feel for what you're doing.

let's talk about ways you can add more colour. you have two options: big colour and little colour.

big colour is going to add a lot of colour—you're going to mix up the dye and pour it just like you did before, but paying more attention to places that don't have dye yet. sometimes it's the middle of a gradient, or the white splotches from random pouring, or the half of the fibre that wasn't submerged when you started. or maybe you dyed the whole thing yellow, and now you want to add a blue gradient over top. whatever!

if you don't want to freehand pour, consider buying a couple large syringes, or a bottle with a squeezy top. these are also fun because you can easily get more colour between the laid-out fibre, or even under it.

in the pictures at the start of this post, the red-and-gold top and both yarns were dyed by adding big colour.

little colour isn't going to add big patches, but is going to add speckling, tonal depth, or smaller patches of colour. all of the blue-base fibres and the yellow-and-blue yarn were dyed like this.

if you're still reading this closely, you might have caught that i just said both yarns were dyed with big colour, and that the yellow-and-blue yarn was also dyed with little colour. these are both true! the base colours of the yarn were done to make big colour, but if you look at the full-size image, there are also a bunch of speckles. you can do whatever you want! no one can stop you!

here are some ways to add little colour:

mix up some dye, but use less water. add drops of the dye, either directly onto the fibre (more dramatic!) or in the water (tonal!)

use a toothpick to grab a little bit of dye powder and drop it into the dye bath (similar to the previous one, but a little less predictable)

put on a damn facemask. take a clean toothbrush, paintbrush, or pipecleaner, and just barely touch it to the dye powder. gently flick or tap the brush to add speckles of that colour

find a salt shaker that you're never going to use for anything but this. put citric acid, salt (to make it distribute better), and dye powder into it, and shake it up (with the holes covered, please cover the holes) to make sure they're evenly distributed. gently shake this over the fibre to add speckles, but more of them, and clustered together

put a little dye in a spray bottle and gently mist the exposed fibre, kinda glazing it with colour

another thing is that if you like a natural coloured yarn with dyed speckles, you can do any of these techniques without doing big colour first. the only thing to note when doing this is that you'll want to be very sure to spread out the fibre well, and maybe to consider dyeing one side, then very very carefully flipping it over and getting the other side.

ok, now what?

let's say that you've added all the colours that you want, and you've let your bath simmer long enough that the water is clear, or nearly clear. (if it's not, check troubleshooting, below.)

put the lid on your pan and walk away. if you don't have a lid, just walk away, but it's less dramatic.

the super frustrating part here is that the safest thing to do is wait until the water and fibre is fully cooled before you do anything else.

have i ignored this? yes

has it ever gone horribly wrong? not horribly wrong, but it's definitely caused me to lose an inch or two of roving on occasion

is it way more stressful if you don't wait? absolutely yes

honestly maybe just go to bed and deal with your fibre in the morning

so now let's say that it's morning and you slept long enough that your water and fibre are both room temperature, which often actually feels quite cool on your hands.

you have to drain your fibre. there are two ways to do this:

lift the fibre out of the water. this has the upside of not risking dumping your beautiful fibre into your sink, and not needing to maneuver a full pot of water, both of which are admirable. the downside is that wet fibre is fragile, and you'll want to be careful to support it.

dump the water out of the pan. this has the upside of minimising how much handling you're doing of the fibre, as well as (in my opinion) making rinsing easier. the downside is attempting to keep the fibre into the pot while you dump the water into the sink, and also needing to carry around a full pot of water.

secret third option: dump the fibre (and the water) into a strainer. upside: very easy, and you can keep the fibre in the strainer while you rinse, minimising both how much it needs to be handled and the weight on the fibre. downside: i never remember that this is an option until i'm already elbows-deep in acidulated water, discovering every tiny cuticle tear.

you're going to fill your dyepot with water again so that you can rinse the fibre. you want to minimise thermal shock, so keep the water temperature as close to the temperature of the fibre as you can, and don't run the water directly onto the fibre. i like to pull all the fibre to one side of the pan, and fill the pan on the other side.

side note: if you, smart person, remembered that you can use a colander, simply fill a pot with water, put the colander in the pot, and gently agitate the colander.

if you, person who is deeply relatable, did not remember you can use a colander and now have a pot with clean water and fibre, gently move your fibre in the water to encourage any excess dye and also citric acid to get out of there.

drain your fibre again, and this time, you're going to squeeze it dry. you're still trying to minimise agitation, so this isn't a 'wring it out' situation, it's a 'gently squish it between your hands and/or a hand and the side of the pot' situation.

hang your fibre to dry. remember what i was saying earlier about it being fragile? let me suggest, here, that you do not simply drape the entire length over a single hanger or something and hope for the best. if you literally have a single hanger, at least drape it back and forth a bit, but better if you can use more than one hanger, or a clothes drying rack, or that weird metal wine rack thing that came with your fridge that you've never used, or whatever.

important reminder: drip-drying things will make your floor wet! if you live somewhere very clear with no major roads or pollen nearby, you can probably dry things outside, but if you don't, you'll probably want to position the drying rack in a bath, shower, laundry area, or otherwise over something that will catch and/or absorb the water.

how long it takes for the fibre to dry is another unknowable variable. if it's warm and dry where you are, it might literally be overnight. if it's damp and cool, it can take days. the batch i posted a couple days ago literally took almost a full week to dry. spread it out as best you can, gently squeeze out the water you can, and otherwise you just have to wait.

you're done!

when it's dry, that's it, you're done! you might find that you need to pick off some little lint balls or a bit of compacted or slightly felted fibre from the tips, but other than that, you should be good to go.

like most fibre stuff, this is best maintained by handwashing in cool water. you may see a little bit of dye or colour loss the first time you wash it, which is pretty normal and nothing to worry about.

congratulations! you made it to the end of this incredibly long post, and if you followed along, you've just dyed some fibre!

troubleshooting

this isn't dyed enough! i want more colours!

add more dye! i'm not the boss of you.

this is true even after the fibre is all done and dryed. there's nothing that says you can't dye it again—you can, and i have.

some fibre seems to require more dye than others. silk, for example, dyes beautifully with acid dyes, but also needs way more dye than i expect it to.

remember that if you're dyeing something that's a wool/cotton blend, for example, the cotton isn't going to dye. the only exception is nylon, which will kinda dye, but not as dramatically. this guide will not work for plant fibres.

this is too dyed! i want fewer colours!

please refer back to the number one most important thing about dyeing, which—as you know—is: you can always add more colour, but you cannot take it away.

pull out some more fibre and try again. this has a learning curve, just like any other fibre craft.

these colours don't look like i expected!

this can be about a lot of things.

colour guides, especially if you're looking at them online, aren't always very accurate.

colour guides tend to assume that you're dyeing a single colour at the suggested dye percentage of weight, and using less than that will give paler colours.

dyes, especially if you're mixing brands, can interact with each other and behave in ways you didn't expect.

dyes can also break, which is when they split into their component colour molecules. this happens commonly with blacks and browns, food colouring, and anything that dharma trading has marked as 'advanced'. some people find this very desirable and seek it out; some people are very frustrated by it.

the ph of your water can sometimes affect your dye. i've been lucky enough that i've only lived places with lead problems, not weird ph stuff, so i haven't investigated this closely, but if you're consistently not getting the results you expect, even going for a single, solid-colour dye, look at the ph.

my dye water's not clear!

if you used a quarter teaspoon of dye and a hundred grams of fibre, and it's been, say, 45 minutes of actually hot water and your water still isn't clear, you probably didn't use enough mordant, and you should add some more citric acid or vinegar to encourage the dye to get in there and do its thing.

if you used you used more like a teaspoon of dye, or if the citric acid doesn't change anything, you used too much dye for your fibre. you can either shrug and pour it down the drain, or you can add some more fibre and dye that, too.

my rinse water's not clear!

you probably used too much dye. it's ok—just keep rinsing it, gently, until it's more or less clear.

some colours just like to run—you know how every once in a while you get a yarn and it just bleeds a little bit every time you wash it? sometimes it's just like that. i wouldn't worry about it too much.

my fibre has felty/clumpy bits!

a little bit of this is normal, especially at the ends of a fibre that felts easily (this means you, merino!)

pick off the bits that you don't like—this is generally fairly easy, and involves very minimal fibre loss. i don't bother doing it until i sit down to spin, and then just pull off bits as i come to them.

if there's a lot of felty/clumpy bits, more than you can reasonably pick out, you agitated the fibre too much. there's not much for this other than trying to card it out, which may or may not work.

sometimes this happens because your stove got weirdly aggressive and boiled your fibre. especially for wool that's prone to felting, the bubbling and jostling can be enough to encourage more clinginess than you'd like.

i want my dyeing to be reproducible!

this is kinda doable. it's a handmade thing, so it's always going to have some natural variance, but you can do it.

buy a jeweler's scale that measures in fractions of a gram.

start measuring your dye and acid, and take detailed notes about what you do.

follow those notes in the future, and you'll be probably 90% of the way there.

i want to dye with natural dyes!

i fully support this and have played around with it a little bit myself, but absolutely do not know enough about it to advise you.

the internet is very large and full of many people who are much smarter than i am, and i feel confident that at least one of them is desperate to tell you all about how to do natural dyeing.

i am, at this point, not that person.

i want to dye plant fibres!

i am begging you to find another guide, because this one will not work.

you didn't answer my question!

that's what my inbox is for

i have to reiterate that i'm just a person with real specific interests who started dyeing things because i couldn't find or afford the kinds of colourways that i wanted.

i am not a professional

i will do my best to answer questions, but sometimes the answer is 'just fuck around until you find out'

plant fi—

shhhhh

the end

thank you for reading this incredibly long post! i might make another one in the near future, either so i can show pictures or because i took out an entire section about how to choose colours and pick a colour scheme and work with colours, and i kinda want to talk more about that, but this is no joke almost six thousand words long, so i thought, you know. maybe not tonight.

anyhow, i hope that this was useful to someone! thank you for letting me talk about one of my very favourite things.

[dbphantom]

you know if you guys voted for stretch armstrong i probably would have shut up a lot sooner tonight

[pa-pa-plasma]

people are so weird about stopping for animals on the road. sorry but if you don't have the ability to see that the squirrel standing on the side of the completely straight 40kph road 10 houses ahead is going to bolt in front of you, you can't do that with children either & should not be driving. it is literally a skill issue.

[jaehaeryshater]

The King Come Over and his bride Ygritte Firekissed

art by : @shripscapi

Edited to add: I was hoping that people that did not like this ship could still appreciate the art as I gave them two separate pieces, but people have been coming into my inbox on all platforms, so let me encourage you to block the Jongritte and Ygritte tags on tumblr or twt, as well as me so you will not have to see it if this is you. I also would encourage you to create your own AU as it is very fun. My AU is based on Jon becoming King before leaving the Freefolk, so following his psychology as a character, Ygritte is his only choice as consort as long as she’s alive. You can make your own with Val if you want, but I do not owe anyone to pay for commissions of their preferred characters.

Look at my King dawg we’re definitely getting through the Wall!!!

For the last month and a half, I have been working closely with Liesl to design concepts for Jon as King Beyond the Wall and Ygritte as his Queen. Personally, I’m not invested at all in Jon becoming King of the Seven Kingdoms despite him being my favorite character. He’s not very connected with the South and I don’t feel that it’s his birth right or anything, even being the son of Rhaegar. I am significantly more interested in him becoming King in the North, but my interest in Freefolk culture has led me to be far more invested in the idea of him rejecting Southron society as a whole and becoming King Beyond the Wall (this isn’t necessarily mutually exclusive to being King in the North later on).

The motivation for Jon becoming King as opposed to Mance stems from a theory that has been around since AGOT has come out: that the Others will only treat with/negotiate with a Stark. In the prologue of AGOT, when the Others are speaking among themselves before killing the Watchmen, what if they were confirming with each other that Waymar Royce was not a Stark and that they could go ahead and kill him? All in all, it doesn’t really matter if this is true, but rather that this is a plausible rumor that could easily have been passed down among the Freefolk which could lead Mance to conclude that Jon as a leader would give the Freefolk the best chance of survival. It’s not very hard, at least in my opinion, to imagine an AU like this, since survival is the most important thing to the Freefolk during the events of ASOIAF. But is it plausible that under these circumstances that Jon would abandon his Night’s Watch vows? I think so if he can be led to believe that only Stark blood could defeat the Others, but that is not the only factor. Jon Snow is insecure about his bastard status, plain and simple. He’s always lived in the shadow of his Robb, though he loved him. He’s wanted Winterfell, though he didn’t want to nor had any intention to take it from Robb. But he’s known since he was a small boy that he could never Winterfell and that would never inherit anything because he was a bastard. Jon also has thoughts, at least in passing, that Ned loved Robb more than him. He perceives Ned as having been more proud of Robb, of looking at him differently than himself. He’s seemingly always believed this, but there is a sort of confirmation of Jon’s feelings when Ned allows him to join the Night’s Watch without much preparation on what the Watch is actually like. Fully me making assumptions here, not something Jon has explicitly thought, but it’s unlikely that Ned would have sent Bran off at 14 to the Watch without much warning of what it was like, had Bran not become paralyzed. While we never get this exact thought process from Jon, in my opinion it fits into his psychology and insecurity. All this to say, if Jon is offered to be a figurehead, King, a title equal to his brother, but without taking anything away from the Starks or from Robb, that would almost certainly scratch that itch in him. It would be of his own merit, and there would be people behind him that don’t care that he’s a bastard, don’t see him as less than, and are willing to accept him for who he is. Not to mention that it also lets him feel like a hero and as if he is saving something far more precious than himself. And it probably doesn’t hurt that he would be able to remain with Ygritte as well.

We know from the descriptions of Mance and Dalla, as well as from being told directly by the former, that the King and his wife dress like all the other Freefolk, in thick furs. While the Jon and Ygritte arts from above are not particularly ostentatious by Southron standards, they are in obvious contrast to how Mance and Dalla are dressed. My idea was that Jon, having lived South of the Wall in a Lord’s keep all of his life, brought his own ideas to the Freefolk and added a distinction between a King and all other men. Nothing like in King’s Landing, all changes are inspired by his experience at Winterfell. I tried to think of what was achievable by the Freefolk, that would be difficult enough that it can’t be easily replicated for everyone else, but also keeping in mind of what could be done relatively quickly seeing as the Freefolk are focused on migrating South and saving themselves from the Others. The cultures I took inspiration for the clothing from are the Byzantines, Russians, Incans, Aztecs, and Mongolians. I wanted more “open” and flowy clothing, as opposed to more closed off and excessively modest clothing of 1300-1500s Europe that most of Westeros is based off of. Ygritte is still wearing furs, but they are dyed and there is weirwood embroidery in symbolism of the Old Gods and flame embroidery to symbolize her being kissed by fire. Her jewelry are simply clay beads that have been powdered blue. I didn’t want to give her any jewels as I felt it would be too difficult for the Freefolk to cut them directly and just overall would be against the spirit of the Freefolk. However, getting the blue on the clay like that still would be expensive and take a lot of time. I tried to keep the main color scheme surrounding gray as obviously that’s House Stark’s color. Jon’s clothes are similarly nice, with my main concern being him looking intimidating. I want the furs around his shoulders to be black because I wanted to call back to his time in the Night’s Watch without him keeping his psychical cloak, because I’m sure the Freefolk would not want him to do that. The furs are massive and make his shoulders look far larger, in an effort to make him look more intimidating, especially on a battlefield or in negotiations. He also has weirwood embroidery and his sigil is on the front of his outfit (my original idea was for him to have a flag with his heraldry on it, in which case the sigil would have looked far different, with a full length direwolf). There’s a white wolf on one side and either a crow or eagle on the other side (up for interpretation, both are relevant to Jon and one is one of the animals that can be used a symbol of the Freefolk) and the flame in the middle to represent Ygritte, but also defeating the Others as fire is the way Jon originally tried combating them as a steward at the Wall. The sigil is more than about Jon, after all, as it’s for the entirety of House Whitewolf, the House he founds. I thought the name fit far more in to Freefolk culture than something like Whitestark or something along those lines. Ygritte was supposed to have sewn on the sigil herself, and was very adamant about it, and that is meant to be why the thread is uneven and more visible than it ought to be. She’s not very good at the craft!

As I indicated before, crowns are not something common to Freefolk. That would be something else Jon would implement. Ygritte’s crown is very much like a hat, very casual. The beads are nice but obtaining them wouldn’t be unheard of, and holly most likely would not be particularly hard to come by. The reason I gave her a crown with holly is that during Christmas in the Tudor period and even before during pagan celebrations, people would go out into the woods and find holly and ivy to decorate their houses with. Holly was a symbol of masculine energy and ivy feminine energy. If you found more holly, it was meant to indicate that the man would rule the household for the year, and if you found more ivy then the woman would rule the household in the coming year (this was a way to “tell the future” not a rule lol). I liked the holly better for Ygritte so I’m just saying the Freefolk had the opposite belief. Jon’s crown is made of weirwood, which was important to me as I feel like his connection the Old Gods is also important as it is something that him and Freefolk both use to guide them. It ties them together. That being said, a weirwood crown is often used for Bran so I did not want to use a design that was too similar to the one used for him. Bran’s weirwood crown usually is made of weirwood branches, however, and not weirwood bark or logs, so I feel like it’s different enough. The frozen weirwood sap, as far as I know, is also unique to this design. There’s also some ivy to parallel with Ygritte’s holly.

The remaining bits and bobs I wanted to explain are the blue rose and then the face paint. The blue rose is obviously something associated with Lyanna Stark, who is widely accepted to be the mother of Jon Snow. I originally wanted to give him a rose somewhere, whether he was holding it or it was in his embroidery, but I forgot to ask during sketching, and then it was too late. But Ygritte holding the blue rose isn’t just about Lyanna. It’s also about Bael the Bard, a most likely fictitious person (or at least, the tale is fictitious, though I personally choose to believe it’s real) that went South of the Wall posing as a bard. He impressed the Lord of Winterfell so much that he granted Bael anything he wished; all Bael asked for was the most beautiful flower in Winterfell. This was granted for him, but the next morning he had stolen the Lord of Winterfell’s only child, a girl, and had left the flower in her bed in her place. He hid in the crypt with her for a year and they had a son together. Bael eventually went back North of the Wall and eventually Winterfell, having no other heir, passed to Bael’s child. Under this story, Jon is descended from Ygritte’s idol (maybe idol is stretching it, but she really likes him), Bael the Bard. Not only him, but all the Freefolk including Ygritte, according to her story. Following the story’s premise, Jon also poses as Bael and Ygritte as Winterfell’s daughter, with Jon joining her home under false pretenses and “stealing her”, as she calls it. So the blue rose has significance regarding both the Starks and the Freefolk. The face paint is inspired by tattooing done by cultures indigenous to North America. Indigenous Americans are not the only groups to use facial tattooing, the Vikings were famous for it as well, but Viking facial tattooing had more patterns based on shapes rather than lines and dots. I didn’t like the shapes so much, but the chin tattoo was one was that observed in all sorts of different cultures. Usually the chin tattoos with the line were on women in indigenous America, but I found some on men in other outside cultures. The dots I didn’t see outside of Native American culture and the claw marks on Jon’s cheeks I found mainly among Vikings. Because these all are an amalgamation of different cultures, we did them as face paint instead of tattoos because it seemed disrespectful otherwise. Not enough research went into it to be a proper representation of any one culture so paint was a better bet than a permanent body modification that is sacred to a number of cultures. The only thing that was meant to be a tattoo was the chin tattoo, which like I said, actually is from an amalgamation of cultures. Among the Freefolk (in this AU), dots on the cheeks are widespread, one of cultural mainstays of their people, and are generally a sign of peace, whereas the claws are meant to look intimidating and is applied to look like blood (Ygritte applies it for Jon) and is specifically used for military leaders. I really wanted to drive home the point that the goal with Jon’s whole look is to look fearsome.

I have so much more to say about Jon as King Beyond the Wall, how he negotiates with the Wall, the different rules he sets in place, how he sets up being King as a hereditary title once his daughter Bael is born, etc etc, but then I’d be here all day and approximately one person total read through all this. Oops! Ask in my inbox if you have any questions because I would love love love to answer them. All in all, shripscapi (Liesl) is so talented and she worked incredibly hard for me. She was extremely accommodating and changed as much stuff as I wanted. She never complained about the million times I decided something was not quite right and she sent me so many updates. I would recommend working with her to just about anybody. It was very cool what she was able to achieve and I got it in time for the holidays so I can enjoy my winter themed pfp on twt. So thank you from the bottom of my heart Liesl, and I hope everyone showers her with compliments because she deserves it. I also hope that people that don’t enjoy Ygritte very much can still appreciate the art and the concept of Jon as King Beyond the Wall. Hopefully I’ve gotten across how much I love and care for these characters to a chronically online degree and nobody accuses me of mischaracterizing them because that would make me!!!! very sad!!!

Bonus Jon with weirwood leaves:

[freebreadmoon]

is there anyway you can write a cute, fluffy little story for Walker Scobell?

YES OMG I HAVENT BEEN ACTIVE BC I HAVE MIDTERMS

warnings: fluff, reader plays annabeth (i love leah dont come for me), no use of y/n, reader and walker aren’t dating but are obvi crushing

requests are open!!

You and Walker were filming a buzzfeed puppy interview, sitting in the middle of the floor.

Walker sat with his legs crisscrossed, smiling wide at the brown spotted dog that nuzzled his leg. “Is it on? Oh, hi, I’m Walker Scobell, and I play Percy Jackson.”

“Hi,” you introduced yourself, “I play Annabeth Chase,” you picked up the fluffy fured black one that was by your foot, “and your watching buzzfeed!” You put a thumbs up at the camera, earning a laugh from the boy beside you.

“Wait I wanted to say it, I’m literally the main character—“

“But I’m the best character. Walker, you can say it at Vanity Fair.” He rolled his eyes at you, smiling slightly.

“Okay, moving on! um…what’s the question? What was your favorite scene to film…um…oh thats a hard one. I’m gonna say…either the fight with the Ares kids in capture the flag, or falling out of the arch. The harness thing was annoying to put on, but the other parts were fun.” Walker was only half paying attention, preoccupied by the dogs.

“I think the tunnel of love scene, or the one where Annabeth pushes Percy in the water, ‘cause I got to push Walker really hard.” You glanced at him, watching the smile curl onto his face.

“Yeah. We did like 15 takes of that because she kept laughing.” Walker laughed, shaking his head. “Actually, she laughed a lot. We had to retake lots of stuff ‘cause of her, especially the tunnel of love scene. The boat flipped and she wouldn’t stop laughing.” He shifted closer to you, messing with the puppy you’re holding.

“Oh! the next question…what’s your opinion on each other? Um…walker is the best blonde dude ever i think. like he’s literally my kid i swear, and he was honestly the best choice for percy. i think he’s the reason i even got to be annabeth, im really greatful for him. Aryan is super sweet and cool, he’s my best best friend, we do the stupidest things together, and I can’t imagine a world we aren’t honorary siblings.” You scratched behind a puppy’s ear, letting it lick you.

“Well I was just gonna say you’re awesome but…I guess I think we make a great team on-screen as well as off-screen. She’s a true friend. If it weren't for her, I don't know what I'd do, y'know? She’s like my very own real life Annabeth." He glanced up at you subtly, wanting to gauge your reaction, smiling in victory when he noticed the red tint to your cheeks.

“The…the next one says, how do you feel about fan support? is it overwhelming? Well, my answer is yes, sometimes. Especially with people who are really like into the book to the point where they hated the casting over looks.” You had started to speak a lot quieter as Walker drifted closer, trying to get the puppy off your lap.

“I don’t think much of it.” Walker shurgs. “Only really the edits that I see anyway, those are fun.” He smiles encouragingly at you , finally meeting your eyes.

“…Yeah. The edits.” You smile at him, referring to the ship edits. You’d talked about it in multiple interviews, and you had a favorites folder for them on Tiktok. You raised an eyebrow at Walker, who continued to move closer until his head was on your lap, giggling softly and starting pet his hair like you did the puppys fur.

“Okay, last question…have there been any memorable moments on set? Um…probably when i first met her. I just got the feeling she was gonna be Annabeth, she gave me this ‘what is he doing?’ Look, and it just clicked.” He stayed with his head on your lap, turning so his head is on your stomach when puppies come and attack him with licks.

“They think you’re one of them!” You push him off a little so the puppies can get to him. “And my answer…um…I think when Walker gave me the piece of banana that was in my hair in the show. He kinda just tied it in and left my set trailer, and it stuck. So if you guys wondered what the weird blue fabric in Annabeth’s hair was, it was not in fact a design choice, it was a Percy choice.” You turn so the camera can see the small braid in your hair with the bandanna piece at the end.

“And Percy’s got one too, if you look hard enough.” He lifts one of his feet, showing the vans he wore during filming, and the flimsy piece of bandanna tied through his top shoe hole. You shake your head, laughing at his insistence in staying with his head in your lap.

While you layed on his bed, you scrolled through your fyp, stopping when you see the familiar scene of you two in the buzzfeed room, with his head in your lap. Nodding your head to the song in the edit as you scrolled through the comments.

“IRL percabeth?” He questioned from beside you. You looked at him, not realizing he had started paying attention to you, jumping to get your phone from him.

“No, I’m commenting! And reposting!” He laughed, rolling away from you. You got off the bed behind him, giving up taking the phone and blinking when he simply commented ‘real’.

“Well, so much for ‘it’ll blow over’.” You rolled your eyes, knowing the dating allegations will only get worse after this. Walker smiled triumphantly, waiting for the responses to come in.

taglist: @persassyxo @diorlorenzo @ilovewalkerscobell @paytonthereader @platypusbearrr @kissatelier @riptidelor

[m-ilkiee]

Monsters: Mikey Sano x Reader x Izana Kurokawa

Chapter 2: Shots Fired

series summary: your grievous sin was Emma standing up for you to her brothers. and now you’re going to pay the heavy price for destroying their perfect family dynamic.

chapter summary: Izana Kurokawa demands your attention and he doesn’t take no for an answer. Not even when his demands are outrageous.

cw: DARK CONTENT, MISOGYNY, NSFW, r*pe mention, religious guilt, depictions of PTSD and CPTSD, emotional incest, abandoment issues, violence, revenge porn, depression, filming without consent, drugging, implied domestic abuse, victim blaming, blackmailing, manipulation, gaslighting, mind break, psychological torture, use of firearms

r-18+ (not suitable for 17 and under)

wc: 11.6k

[masterlist] [chapter 1] [chapter 3] [taglist]

a/n: likes are nice, comments and reblogs with comments are superior, anons are also superior too and would make me update faster cause it means people like what i write. this chapter takes an entirely different turn from the old story, some scenes are similar but the context is different. i host polls after this so stay tuned. Edit 02/11/2024: this chapter's end has been edited and changed. I've indicated the edited point, so that you could skip other parts to read it. Thank you.

 YOU haven’t been able to stay asleep for the past few days.

It’s easy to fall asleep after a hard and stressful day at school and your part-time job. Your limbs ache from all the walking and lugging a bookbag far heavier than what you could handle -since all your e-textbooks were on your (now destroyed) laptop and phones were not allowed during lectures. And working from 5pm until 9pm at a restaurant, serving food to rude, overbearing customers only to be paid in pieces was another added stress in itself.

Not to mention, studying until the words are bleary and just looking at a book hurts your eyes.

But then, in all your dreams, everything you’ve pushed to the back of your memory is at the forefront. Your dream starts typically, your normal school day, waking up, dressing in your cute little blue crop sweater and jean skirt with socks. You go to classes, and then you see Mikey’s car waiting for Emma.

Things take a different turn. He’s the one getting out of the car to meet you. It’s like a siren call, him holding out his hand for you to take despite someone screaming for you to stop. You try to reject him, try to run away like the voice said but you end up getting trapped. This time, he’s not using his hands. He’s fully sheathed inside you, robbing you of the thing you hold so dear while you kick, bite and claw at him until you wake up screaming, sweat soaked all over your sheets.

You consistently dream of being violently raped by Manjiro Sano.

The next few hours until sunrise were equally horrible. You’re quietly sobbing into your pillows, praying to God to forgive you for letting Mikey touch you in the first place, assuming your reason for having such dreams was God’s divine judgement for your grievous sin. You’ve lost count on how many Bible verses you stay up reading until your eyes are bleary and the sun comes up.

No matter how much you pray and how many times you recite psalms 127 before you sleep, you can never escape Mikey in the world of dreams. He’s a virus that has invaded your thoughts, corrupting every dream you had and twisted them into nightmares.

You don’t know how long you can hold on being this sleep deprived. It’s been impairing your school life, trying to find a way to stay awake during classes only for you to fall asleep and miss the rest of it. Even when you got notes from the person next to you, reading them was always difficult because your eyes hurt so much.

Work was even more taxing and stressful, rush week adding more stress than you could ever imagine. You found yourself spacing out more than usual when you were supposed to be taking orders. You were unable to keep up with the fast paced environment, your body feeling like a ton of bricks with every moment you make. Your eyes were heavy lidded, tired from forcing them open throughout the day.

You were so, so tired-

“Hello! Are you sleeping on me young lady?” A voice snapped at you.

Your eyes shot open and immediately you stood back straight. You must have been dozing off while taking the older lady’s order -the very thing you’ve been trying to avoid all day long. “No, not at all Ms-” you started to explain. “-I was just … what was your order aga-”

You flinched when the woman angrily slammed her fist on the table, shutting you up instantly! “So you were sleeping on the job! What kind of establishment allows this?” She screamed, attracting the attention of customers around. “I need to speak to your manager. NOW!”

You instantly began to panic at the mention of your manager. If he heard any of this, he was definitely going to fire you. You cannot afford to lose this job right now, with all your school expenses and saving up money for next session’s tuition.

“No mam!” you begged, keeping your voice even as you tried to reason with her. “Th-there’s no need for that! Please! Let me take your order and I’ll-” you racked your brain for an excuse, knowing fully well your establishment does not offer free meals. “- I’ll pay for your meal! On me-”

“So you’re trying to imply I’m poor?” She interrupted you again, her tempo even higher than before. “You disrespectful little wretch! How dare you? GET ME YOUR MANAGER RIGHT NOW!”

You started begging the older woman, trying to calm her down and de-escalate the situation, but each plea only fuelled her rage. By now, every customer, every employee and just anyone in that place watched you grovel and beg this woman to calm down, some people even videoing your altercation. Your body was trembling as she screeched in your ears, calling you all sorts of names while you relentlessly apologised to her.

“What is going on here?”

You winced at the sound of your manager’s voice emerging from the backrooms. You stood stiffly as he walked to your side, using his shoulder to nudge you out of the way. “Is there something wrong Ms.?” He asked the lady. “What happened?”

“This little wretch!” She practically screeched at you, her finger wagging straight at your hung face. “She was sleeping while I was ordering! And when I pointed it out to her calmly, she called me a hag!”

Your eyes snapped open. You can tolerate people yelling at you, but lying is out of the question. “I did not call you anything! That’s a lie-”

“You be quiet!” Your manager yelled at you, silencing you. He turned to face the woman again, apologising profusely for your so called rude behaviour. “I promise you mam, she will be dealt with accordingly. Your order is in the house, please take that as a token of our humble apology and forgive us.”

You stood there in shock as the woman smirked satisfactorily at her now free meal. “Well, you better get rid of her!” She snarked, eyes scanning you up and down, plopping back down on her seat. “Or you’ll lose me as a patron.”

“Of course mam.” He said sweetly before switching his countenance towards you into a more irritated one. “You, come with me.”

You lowered your head once again in disappointment as you started following your manager towards the back rooms, your head lowered in shame as the eyes followed your every move to your damnation waiting for you in the manager’s office.

Your skin crawled as you felt his penetrating gaze on you, as if judging you. “You know how many complaints I have received this week just from you, (name)? How many orders you’ve messed up?”

You shook your head no in response, not trusting yourself to say anything reasonable at this point. He eyes you up and down again before scoffing at you rudely. “I only let you stay here because you said you were desperate for a job. But apparently, you’re not even bothered enough to keep it.” He spat out. “Unfortunately for you, this is the end of the road for you here. Change out of your uniform and leave.”

“But s-”

“I said you’re FIRED. GET OUT.”

You sighed weakly, obeying your now ex-manager’s order and leaving the office. You ignored the eyes of everyone watching you exchange the too tight black jeans and green top uniform back to your white bohemian skirt and light blue top with your white jacket. Calmly, you packed your school bag and everything you owned with you and slung it over your shoulder, replacing the uniform back to the locker, dropping the key on top.

No one said goodbye to you as you left through the back door.

  IZANA knows it's creepy to be waiting for Emma just outside her college, but it's not like he has a choice when she keeps ignoring any method he uses to contact her.

Mindlessly, he fiddled with his lighter with his back on the wall of the English department building and an unlit cigarette between his lips. Purple eyes scanned the people leaving the building one by one, hoping to find a mop of golden hair amongst the students. His hopes rose with each blond he saw, only for him to deflate when he realised they weren't her.

A few minutes passed and still no sign of Emma. Deciding that he didn’t want to stand around and gape, Izana lifted his lighter towards his cigarette, flicking the light twice and bringing the warm flame to his lips. Breathing in the familiar scent of nicotine, smoke filled his lungs as he tucked the lighter back in his pockets. His free hand took the cigarette from his lips and he exhaled, releasing plumes of smoke from his lips.

His smoking habit had gotten worse within the past week. Izana couldn’t help it, reaching for a light anytime he saw his gifts in the dustbin. Emma hasn’t been this angry at him before. Usually a new plushie was enough to wash his sins clean, no matter how grevious they were. Now, not even the most expensive shoes she’s been eyeing for months could satiate her anger.

All because of you.

Izana knows his little sister like the back of his hand. Like how she loved sleeping with plushies because it comforted her whenever their mother brought her gambling friends into the house and they were loud. Or how he picked up a guitar to learn multiple barbie songs because their mother had destroyed Emma’s CD that he bought with his money to punish her. He knew she liked warm tea during her periods and gentle back rubs to ease her pain. He’s not the best person to be around, with how fucked over he was by life until Shinichiro gave him purpose but he loved his sister a lot and everything he did was to protect her. Life hardened him, made him so jaded that the only thin thread connecting him to his humanity was Emma and he’d do anything to protect his humanity.

Only to watch it slip through his fingers.

First it was Mikey’s stupid friend, Ken Ryugi, who waltzed his way into Emma’s life. Izana didn’t like him one bit- didn’t like how Emma would bite her lip, waiting for him to reply and cry herself to sleep when he didn’t. Her heart was soft, fragile and that brute tore it apart by telling her he wasn’t interested in a relationship yet.

The only reason Ken wasn’t in an unmarked, shallow grave in the middle of nowhere was simply because Mikey was involved.

Now it is you, taking the space in her life that belonged to him and Mikey. You’re pushing both of them out of the equation, threatening their position in their sister’s life and everything they know.

Izana wonders how someone so insignificant was so important to Emma that she was willing to cut communications with her own brothers. It baffles him beyond understanding and at the same time enrages him that she could trust you so easily. That she was willing to turn against him in your name.

He took more puffs, skimming throughout the campus for any sight of her. It didn’t matter how he felt about it, as Kisaki had convinced him to ask Emma and you to go shopping, just to get back into Emma's good graces again. Apparently doing a nice gesture publicly for you would convince their sister to give them another chance again.

Especially because Izana had been the biggest opposition to their friendship.

“But Mikey was a little shit about them too.” he grumbles underneath his breath, cigarette in hand. “Why do I have to be the one to apologise? And why did Mikey get an out while I’m doing all the heavy lift-”

His thoughts were cut short the second he caught sight of a familiar blonde hair bouncing in the wind and stood up straight, tossing the cigarette to the floor and crushing it underneath his black shoes, before rushing to catch up to his little sister.

Izana pushed through the throng of people, violently shoving anyone that got in his way until he finally fell in step with her, slowing down to match her pace. Without wasting time, his hand curled around the girl’s wrist, stopping her in her tracks instantly and earning a shocked gasp escaped her lips.

“Get off me - Izana?”

Her free hand was fast to hit him, but her head was faster in turning around, only to recognize it was just Izana. Her hand stopped inches away from the smirking male’s face, the tension leaving her body and relief taking its place. It doesn’t last long, though as irritation suddenly crawls on her face, instantly displeased at his actions. “What the hell? I’ve told you to stop doing that.” she hissed at him.

A mischievous grin made its way to his face at Emma’s irritation. She always had a pout whenever she was angry at him and it made look even more adorable.

“Were you scared?” He teased, pulling Emma closer to him until she was practically smushed at his side, despite the glare she gave him in response. “You know no one would dare touch you.”

“Get off me. Your breath stinks like nicotine, I thought you said you quit smoking that shit.”

Ignoring Emma’s last question, he decided to change the topic. “Your lapdog isn't here with you?” he asked. Usually, you would be hovering behind her like a damn pest, so you not being around her was rather strange. 

Emma is quick to shove him off lightly, putting some distance between the two of them, clearly still mad at him. "(Name)'s not feeling well, so she didn't come to class today. I'm on my way to get her medicine."

Oh, that's a surprise.

But with you out of the way, Izana could finally have Emma all to himself for today and hang out with his beloved sister. Maybe even make up for the party thing without apologising to you. Without you here, it’s likely Emma isn’t as mad at the whole situation and is playing it up to make you feel like you have someone on your side.

He knows you’re not going to protest if Emma says she’s in talking terms with her brothers again. It’s a win-win situation and he doesn’t have to grovel or ask for forgiveness for some joke that went wrong.

"So that means we can hang out?"

"Excuse me?"

"You don't have to keep pretending you're still mad at me now that she isn't here." He spews the 'she' with so much venom it could kill, before switching up with a sick grin, his hand stretched out. "We can go to Vivienne Westwood and get that Saturn necklace you like, what do you say?"

His words hung in the air as Emma trailed her pointed glare from his hand, back to his cheerful visage. She crossed her arms in response slowly, her yellow eyes burning holes into his face as her lips curled into a sick sneer.

“Are you insane?”

“What?”

“Don’t ‘what?’ me Izana! I just told you (name)'s ill and you're asking me to go with you to shop at Vivienne westwood? Are you nuts?”

Emma’s voice was loud enough to garner wandering eyes of other by-standers, watching the event go down. Izana kept his composure, despite his bubbling irritation beneath the surface of his skin, with a smile -albeit stiffer than before. ‘She’s just being emotional’ Izana whispered to himself, still trying to be rational. ‘Just take it easy with her’

“Oh come on, should I care about her-"

"You should be begging her to forgive you for what you did to her that night!"

"You can't still be mad at me for that shit that happened two weeks ago. And besides, it's not my fault she couldn't take a joke” his words were smooth, buttery, flowing out of his lips like it was the truth, digging his own grave. “I didn’t know your friend was that sensitive-”

“Are you listening to the bullshit coming from your mouth?” Emma roared, her voice echoing throughout the entirety of the department, her face red with fury. Izana had never seen his own beloved sister ever look at him with such disgust in her eyes, her teeth gnashing against each other and hands at her side, clenching against each other. “Is that what you think a joke sounds like?”

“Calm the fuck dow-”

“No wonder you’re fucking single, you’re such a piece of shit to anyone that isn’t Shinichiro!” Emma screamed, interrupting Izana once again, her temper fiery enough to burn a hole on the ground she stood with how heated she was. “How does anyone even stand you for so long? You’re unbearable!”

“Excuse m-”

He doesn’t like where the conversation is going, with how furious Emma was right now. He tried to raise a comforting hand to Emma’s shoulder to ease her tension but she was quick to smack it away from her hard, stinging his fingers a little.

“You’re so unpleasant, how do you even have any friends? How do they tolerate you? To think (name) wanted me to forgive you! Thank god you aren’t my fucking brother, I can’t imagine being anything like you!”

The words left her mouth before she could stop herself.

It was as if the world froze over for Izana. He stood there, wide eyed, his heart beating loudly in his chest as all the voices around him faded into the background. His hand extended weakly at his side, mouth drying up as a lump formed in his throat. 

“I-I-i" she starts to stutter. It’s obvious that she can recognize what she had just said as he blankly stared at her. "I didn't mean i-”

He doesn’t let her finish, turning on his heel and walking away as fast as possible. People were quick to clear out of his way, not wanting to be his target of aggression. Emma followed behind, instantly, shouting his name at the top of her lungs followed with strings of apologies.

“Izana, wait please-” she screamed from the crowd of people, tears streaming from her yellow eyes. He continued to ignore her as he hopped on his bike, sliding in the key and revving up the engine before she could reach him.

Izana zoomed away, turning Emma’s cries into background noise, her words repeating in his head.

“I didn’t mean it! I’M SORRY-”

YOU don't know which was worse, the feeling of helplessness that came with the reality of your life crashing before your very eyes or the splitting headache you've developed after crying in your room for a week straight. Laying on your bed all day, huddled up in a blanket and sobbing uncontrollably was unhealthy, but it was all you found the strength to do these days. 

In all your years of being alive, you've never felt this pathetic. Not when you would be pushed outside in the pouring rain if you made a mistake in making dinner, or had been beaten with a belt in front of Yuzhua and Hakkai because you failed your catechism test. You could protect yourself from your brothers when they got violent. You could run and hide when your dad was really angry and wanted to take it out on you.

Unfortunately, no one told you what to do when your life is falling apart.

Ever since that day, you couldn't find the strength to go to class or do anything for that matter. It was like your entire energy was sucked out of you, leaving your body an empty husk with nothing left to give. 

You only have yourself to blame.

You drag the blankets closer to your body, sniffling a bit. The worst part of all of this is that after this month, if you don’t find a job that pays you quickly, you are going to be broke. It’s times like this that makes you regret leaving your family. You know it’s wishful thinking, but you wonder if you would be forgiven assuming you return home in tears and repentant of your sin of disobedience like the prodigal son in the bible. Life is too hard to live in the outside world without the help and guidance of a parent. You miss your old life, with your own bed and guaranteed food, as long as you did as you were told. You miss how sometimes your parents took you and your siblings to eat out after church.

You miss your mother. You want to go back to her. Life is hard, and dealing with being jobless with nowhere to turn to is harder. You could ask Emma, but she’s already taking care of you and there was no way you would bother your friend about your money problems.

"Hey babes, I got the medicine for you."

Emma's soft voice rouses you out of your self-pity session. The wood creaks underneath her heels as she walks to your bed and takes a seat besides you, the mattress dipping underneath her weight. The scent of her Vivienne Westwood wafting through your nostrils fills you with a sense of warmth, familiarity and at the same time, dread.

You feel guilty. Perhaps it's because you don't know how to tell Emma what exactly is wrong with you. It's easier to give her the half-truth that you caught a stomach bug than say everything. If you even as much as hinted that Manjiro had something to do with the real reason you were a sobbing mess on your bed, you're sure she would overreact and fight with her brothers again.

But still, not telling her meant you were keeping secrets from her. Something you both promised not to ever do as you two became best-friends.

‘It’s for her own good.’ you try to justify it. ‘It’s better I keep my mouth shut.’

Pushing that thought at the back of your mind, you roll over to her direction, pulling down your blanket just a little bit to see her properly. Your heart drops at the sadness etched onto Emma’s face, a forlorn look in her eyes. You hated seeing her down, yet all you’ve been doing for the past few months since you came into her life was causing her pain. You know how it feels to lose family, no matter how bad they were to you and Emma is no different.

“Hey”

Your voice is hoarse from your constant crying, but Emma doesn’t mention it as she reaches a hand to caress your face. “You look better than yesterday. You up to eat?”

You nodded briefly, realising how hungry you were. You’ve barely had an appetite to eat anything, so your rations had been smaller and compact until you regained it back bit by bit, thanks to Emma’s constant care. Pushing yourself up, you sit up and yawn, quickly covering your mouth the moment a bad stench emanates from it. Emma’s face quickly grows sour as well, probably smelling it too.

“You haven’t showered.”

“Uhhh-”

You knew there was no excuse for that one as Emma put the food and medicine away before yanking you off the bed while talking about how gross you were for not showering throughout today. “You’re a girl (name), don’t do this to yourself, c’mon-”

“But-” you start to whine, trying to defend yourself. “I was tired-”

“Nope!” she retorted, pushing you towards the bathroom. “No excuses! I swear you’re acting like Mikey when he’s in one of his moods-”

The room falls silent at her words, the cheerful aura dropping the second Emma realises what she’s said, a wave of guilt washing over her face as she lets go of your hands.

“Fuck- I’m sorry (name)...”

Your heart aches at how heartbroken she sounds right now and shatters even further at the fact that everything, every problem they were experiencing right now was all your fault. You saw it deep in Mikey’s eyes how much pain and suffering your presence in their family had caused, and how his anger reflected that action towards you. You’ve been so entrenched in your own problems that you forgot the mess you made in their family.

“Emma, you miss them don’t you?”

‘It’s not too late.’ You mutter to yourself, your heart in your throat as you steel your resolve. You couldn’t let her make that mistake you made by leaving your family aside. You don’t want Emma to be like you.

“(Name), please don’t-”

“You can’t keep ignoring them forever.” You cut her short, speaking directly to her now. “You can’t keep ignoring Draken either too. You’re miserable.”

“I’m fin-”

“Emma no.” You snap at her, finally having enough of her stubbornness as anger swells up in you. “I see how sad you look everytime you look at your pictures with your big brothers and Draken. Do you think that it’s healthy to keep ignoring them like this?”

“You were the one they hurt, you shouldn’t feel bad for them-”

“It doesn’t matter! I don’t matter!” You yell desperately, now pulling away from her grasp in an attempt to put your foot down. “They are the ones who matter a lot. Those are you family members! People who love you and have protected you for years! Just talk it out with them! They miss you for god’s sake!”

“What the hell do you mean you don’t matter?” Emma roars back at you, suddenly enraged by your outburst. You nearly stumble back at how angry she sounded, fear creeping into your skin as your verbal claws retract. “You matter to me! You mean the world to me as any of them do! You’re my best friend and I love you and if they don’t understand that then there is nothing to make up for!”

By the time she was done yelling, her breathing was heavy and her eyes so intense you couldn’t even stare at her. Your eyes quickly flickered to your feet instead; scared of seeing the disappointment on her face and terrified of her anger. You didn’t like it when Emma yelled, it reminded you of your mother getting angry at you, something you hated doing to her.

Eventually, she took a deep breath and took a step closer to you, her hand intertwined with yours. “Come on, I’ll help you shower.”

You silently follow behind her, eyes downcast and shoulders slumped.

  PERHAPS Izana should be angry at Emma.

It would be justified after the words she said from her mouth, but he can’t because he knows the truth. Emma was just angry as well and she didn’t mean any of the words she had said to hurt him. She said them because of you, however and he realises that every fight they’ve had is over your presence in her life.

Which meant that the true culprit was you.

People may believe in love at first sight, but from the first day Izana set his eyes on you, he could only feel hatred towards you. You were just there, sitting awkwardly while Emma tried to involve you in their conversation and it irked him.

At first, Izana thought it was the fact that the both of you were clashing personalities that made him feel that way, but then you keep getting in his way and ruining things for him. He hates everything about you - the way you picked your finger when you were nervous. Your bright smile you gave to only Emma and how easy it was for her to like you. Just your mere presence in general was enough to set him off because of how simple it was for you to be close to Emma while you barely knew her. It felt like he was losing his only sister to a stranger, and now the Emma who stands in front of him is a mere mockery of his real sister.

And that’s the frustrating part. He can’t do anything to hurt you. He’s smart enough to know that if he does, Emma would never forgive him.

“... Kurokawa, are you here with us?”

Izana snaps back to reality as Kisaki taps the table three times to get his attention. ‘I might have spaced out.’ He thinks to himself before facing the entirety of the table; Tetta Kisaki, the rather shrewd and ruthless dealer sitting, his equally irritating lap dog Shuji Hanma and the little shit that he called his younger brother, Mikey.

Speaking of Mikey, ever since that day he made that phone call and revealed his brand new plan of accepting you into their friend group, he’s been very quiet. Even throughout today’s meeting, he hasn’t said a word, aside from mentioning that Draken was going to be absent and asking where Kakucho was before the meeting began.

And knowing his brother, a quiet Mikey is a suspicious Mikey.

Now that Izana thinks about it, he’s noticed that Mikey, who was on his side initially had suddenly switched to trying to apologise to you. Which was weird, considering how egocentric Mikey could be on the topic of apologising. Izana has his suspicions, but then again Mikey is unpredictable due to his rather dark impulses, so he couldn’t really say anything yet, until Kakucho came back from his task.

Izana cleared his throat and faced Kisaki again, deciding to be as honest as possible. After all, it’s their fault that he’s in this mess, might as well remind them. “Just thinking about how Emma practically called me a bastard and I’m supposed to be okay with it.” He said nonchalantly and the air in the room shifted into an uncomfortable silence for the upteenth time this week ever since that unfortunate day. It isn’t surprising to anyone as to why though, Izana’s complicated relationship with the Sano’s is a sore topic that no one ever dared to bring up.

From Kisaki’s tight lipped expression, Izana is sure that the younger male is picking his words carefully in his head. Even Hanma who would have laughed or said something to intentionally piss off Izana remains silent. Eventually, Kisaki lets out a resigned sigh. “The audit would be done another time.” He states in a cool tone, putting his laptop aside before facing the two brothers. “It’s obvious we’re not gonna do anything useful until you resolve this issue with Emma and her friend.”

“Really?” The white haired male mocks, causing Kisaki to shift in his place, an irritated frown creasing his face. “would you like to hear my pla-”

“We’re not going to kill a civilian and draw attention to ourselves, Izana. I’ve already told you what to do.” Kisaki snapped back, his yellow eyes darting from Izana to Mikey, before narrowing in irritation. “Both of you. Just apologise to (name), it’s not that hard. You don’t even have to mean it, the girl won’t even know the difference-”

“Ah yes, cause that went well the last time.”

“And whose fault is that? I clearly told you to say “I’m sorry” and all you did was make things worse!”

“I’m just brutally honest.” Izana spits back. “And you can’t blame me because I tried, compared to Mikey who sits on his damn ass and has done nothing-”

“I wasn’t the one who called her a cheap hooker!” Mikey interjects defensively, sitting upright after staying quiet from the start of this meeting, finally saying something.

“Oh, so you can speak.” Izana retorts back, his voice cold. Mikey is so good at shifting blame onto others for actions he has a hand in, especially when he knows it would reflect badly on him. Unfortunately, Izana has been in this game longer than his little brother. “I thought you had gone mute with the way you don’t want to talk about the issue beyond pushing me to apologise to her.”

“You don’t make it any easier with how you talk to people.” Mikey hisses back, his tempo rising with each word, but Izana can hear the slight shake in his voice, almost as if he’s hiding something. “How am I supposed to do anything if you keep saying shit like you’re glad (name)’s gone?”

(Name)?

The entire room falls silent at Mikey’s sudden outburst, or rather what Mikey had just said. No one says a word as they all stare at Mikey in shock, eye wide and mouth hanging open like he’d grown two heads. There’s a glimmer of confusion in the dark eyed male before the realisation of his mistake washes over him, his facial expression changing into a mixture of guilt and pure terror.

As if he’s been caught doing something he shouldn’t have.

It’s unmistaken. Izana knows his brother is hiding something and it has to do with you. “You’ve never,” he starts slowly, never taking his eyes off Mikey, gauging his facial expression. “called her by her name. You only call girls who you had something to do with by their name.”

“I-”

“You fucked her, didn’t you.” it’s a statement, not a question. Mikey grows pale and it's more of a sure answer than anything else at all.

“I didn’t do anything bad… she’s still a virgin-”

“What.” Kisaki, interjecting as well, cuts him off, his voice cold. “Did. You. Do?”

Mikey is silent. It’s brief and doesn’t last long as he finally seals his fate with a quiet voice. “It’s not my fucking fault, she wore a short skirt and she was asking for it-”

At the side, Kisaki crumples back onto the dining table seat, his head in his hands muttering a quiet “Oh fuck, I should have stayed with Osanai.” as he shakes in disbelief. Hanma just sits there, clearly perturbed, not knowing how to react but at the same time, not really interested.

“Glad to know I’m not the only screw up.” Izana scoffs as well. Despite how cheery his voice sounded, the furious look on his face says a different story altogether. “Since apparently you’re just as stupid as I am.”

Mikey runs a hand through his golden locs, frustration evident on his features. No one has ever seen him look so frantic, like a little kid who broke something and is trying to hide it. “I didn’t do anything wrong. Sure she said no at first but I knew she wanted it when she relaxed in my touch-”

“That’s not what Emma’s gonna think, you idiot!” Izana barks at him angrily, his temper finally off the rails. “You practically threw away your entire plan before it even started! All for what? Mediocre pussy you could get from some other girl? And you know how Shin is about this shit. If Emma finds out and tells him, we’re screwed!”

There’s a mixture of emotions swirling in Izana right now. The urge to punch Mikey was strong, for daring to not only lie to his face, but also making him look like a fool to cover his ass.

Then again, he knows it’s really not Mikey’s fault but yours. You must have done something to make Mikey hurt you because he knows his little brother doesn’t hurt girls. You have this effect of turning people into worse versions of themselves, making them disgusting, evil and hateful.

You turned Emma against them and now you made Mikey’s dark impulses come out.

It’s you that’s the problem.

“So what anyone find out? They won’t believe her” Mikey snarls back, irritated. “She can’t blame me, I told her to fucking leave but she didn’t listen! She was practically begging me to fuck her-”

“ENOUGH!”

Kisaki’s voice is loud enough to silence the two brothers, ending their argument instantly as they breathe heavily from their prior screaming match. Izana slumps back on his seat as Kisaki sits up straight, eyes narrowed. Mikey does the same as Izana, his jaw tightly clenched as he crosses his arms on his chest, feet crossed. The younger male clears his throat, and starts to rationalise the situation.

“It’s obvious that we’re going to switch gears since this happened. We all have a curated reputation that we need to protect so that people don’t nose into our business.” He turns to Mikey who is still glaring hard at Izana. “Your brother has a point, you fucked up our plan by not telling anyone what you did-”

“You judging me too, Kisaki?”

“Can you stop being defensive for once Mikey and just listen!” Kisaki scolds, just about done with everyone making things more difficult for him. “I don’t care what you did to her, whatever affection or lust you have for her is a you problem. I just want this situation to be in our favour.”

The statement makes Izana scoff in dismal fashion, but he decides to ask out of curiosity regardless. “And how do you intend to turn this situation around? Cause right now she has leverage over us and any careless move can put us in a tougher spot than we can handle.”

Kisaki turns his attention fully towards Izana again, a knowing look on his face as he asks. “Is Kakucho done searching Mikey’s car?”

‘How did he know?’ Izana blinks, but then catches Hanma smirking and doesn’t bother to ask his impending questions. Kisaki always had a nasty and suspicious habit of continuously tailing him specifically, and usually it doesn’t go over Izana’s radar when it happens, apart from this instance. Which meant someone was being a rat in his group.

He’ll deal with that later.

Mikey raised a brow in confusion as well, opening his mouth to protest the invasion of his privacy when Izana’s phone suddenly rings. He picks it up, attempting to step out to answer it when Kisaki raises his hand to stop him.

“Answer it here.” Kisaki said, ignoring the way Izana looks at him like he has two heads. “and put it on speaker.”

He had no reason to comply, but he wanted to see where Kisaki was going with whatever plan he had. With a wry smile, Izana put the phone down on the table and slid the answer button, putting it on a loudspeaker.

“Did you find anything Kakucho?”

Ever loyal, Kakucho clears his throat and starts to speak, his voice sounding strained over the phone, as if he’s struggling with something. “Yes boss.” He answers, a twinge of nervousness coating his tone. “There’s a dash cam on the mirror and a spy cam underneath the compartment facing the passenger’s seat…”

Mikey grumbles under his breath something about fucking Kakucho up if anything ends up spoilt or missing in his car but Kisaki holds his hand up to his lips and shushes him. Izana continues once he’s sure his brother is done complaining. “And did you confirm the anonymous tip that we got?”

He can hear Kakucho shift uncomfortably, the silence on the other side of the phone drawn out until he finally says. “Boss, it’s too … I don’t think we should use this against her.” He tries to reason. “I think we’re going too far-”

“Perfect.” Kisaki chimes in, now looking at Izana with a satisfied smile. Kakucho is about to ask why Kisaki was there but Izana cuts him off instead. “Bring it back. I’ll explain once you come to the house.”

“Okay boss.”

The phone line dies and Kisaki, fairly confident in his plan, looks at Izana once again. “I’m sure you know where I’m going, right?”

Izana may think Kisaki is a pathetic brat who just happened to be smart, but right now, it’s like the both of them are connected and in tune with their thoughts. The tanned male stretches his lips into a smile, one full of malice and at the same time, glee, his eyes light with mirth when he realises what Kisaki was thinking.

Finally a plan he could follow along with.

“Alright, I’m all ears.”

THE walk back to your dorm was quiet.

By the time you managed to catch a bus after spending the entire day looking for a job and getting back to campus, it was already late in the night. Save for only the street lamps that were beginning to dim, everywhere else was darker than usual.

You had read that there was going to be a lunar eclipse tonight between the hours of 10pm - 00am. The time boldly written on the bus’ digital clock before you got down was 10:45pm, so you already assumed it was the cause of the unnatural darkness tonight.

A long time ago before the world weighed you down, things like this would have made you excited. You loved watching the stars when you were young, trying to check on the papers your father bought to see if there was any space news available. You remember borrowing your immediate elder brother’s binoculars as a makeshift telescope, trying to piece out the stars in the sky or see if you would catch a glimpse of the comet that was said to pass through that week.

Unfortunately, you were young and foolish. Wanting to impress your father, you told him all about your book of constellations that you drew up, detailing the first star that appeared every evening, down to your crazy childish theories about aliens and space.

“Can you show me the book?” your father asked calmly. You should have known it was dangerous for your father to be this calm, but you were too blinded by excitement to think and you gave him the book, a bright smile on your face.

Your smile fell as his large hands ripped your book into shreds, before telling you: “Women don’t dream.”

Maybe that was the day you realised the love you craved from your father will never be given to you. You were so young and impressionable, all you wanted was for him to be proud of you, like he was with his sons. Now, you can’t even look at the stars, the memory leaves a bitter taste in your mouth and you try to shake it off as you continue on the path.

You wondered what grievous sin you’ve committed to be so down on your luck like this. Today had been one disappointment to another

You passed by Emma’s dorm building, a sigh escaping your lips. She told you that Draken wanted to take her out for dinner tonight, which shocked you because friends with benefits - according to what Emma herself told you- don’t go on dates or do lovey dovey stuff with each other, to avoid complicated feelings from budding.

Then again, their relationship is based on the fact that they both have feelings for each other, but Draken was not interested in a relationship.

It was already complicated before it began but at least she's taking your advice and talking to them again.

Your eyes darted up to her window, hoping her lights were on. Whenever she was alone, Emma hated sleeping in the dark. She said it reminded her of the times her mother would lock her and Izana in a dark room whenever she brought her customers in. Anytime she was in a darkened room, she told you she could still hear the sound of her mother moaning and a man grunting. Izana would try his best to distract her, playing games or even stealing an earphone and plugging it to his own so that she would listen to music instead of what was going on.

A frown graced your lips when you saw two bodies from the curtain, one tall figure you recognize as Draken and Emma’s smaller dainty figure perched on him, kissing. You quickly averted your eyes and walked faster, ignoring the unfamiliar pang in your chest. Maybe you’re jealous because you needed your friend’s comfort right now and she wasn’t available. You felt greedy for this, after spending a week with her, you should let her be free.

‘She has her own life to live. And I have mine’ you muttered to yourself as you trudged along the path, slowly dragging your feet. ‘I have to stop being so dependent on her.’

Eventually, your thoughts drift back to your reoccurring dream. Losing your job made you realise that if you didn’t do anything about it, your tiredness would eventually catch up to you and ruin everything else you’ve worked for. With an important test scheduled for tomorrow, you knew you could not afford to take another loss this week. You had to power through your sleep tonight, even if it traumatised you.

‘Maybe I should pretend that I like it. Pretend it’s okay and enjoy it so that I won’t have to wake up.’ You shook your head, cursing as you drew closer to your own dorm building. ‘Oh God, how far I’ve fallen. Look at me trying to enjoy a disgraceful act-’

You paused in your tracks at the sound of a leaf crushing. You quickly turned around, trying to ascertain who could be lurking there behind the bushes. Your palms started sweating, your nerves firing at the thought of being watched.

Silence.

You decided to continue walking, assuming that maybe you were hearing things and there wasn’t anything at all. Nighttime always had a way of making you nervous, especially with all the horrible stories you heard about innocent women being attacked around these times. Besides, looking around for whatever may be lurking was a dumb idea.

You should just get out of here.

Eventually, you make it to your dorm house in record time, a sigh of relief escaping your lips. ‘Maybe I’m being paranoid. But at least I’m safe now.’ You think to yourself as you push the door open, closing it behind you.

Weary from the day’s stress, your body starts to give up on you but you push through, trying your best to just make it to your room. You’re sure you would just collapse on your bed the second you got there and forget about anything else.

You finally make it to your room, about to rummage your bag for the keys when you notice the door was unlocked. ‘Oh? Ami must have come back rather early, since I barely see her until 2am.’

(From here is edited)

But as you reach for the handle, a feeling of dread washes over you, the same one you felt when you were outside. ‘I really need to let this go. There’s no harm waiting for me. It’s just my room.’ You mutter to yourself. Your overthinking has cost you a lot, from your job to your academics and right now, you really need it to stop. Pushing whatever feeling was keeping you away, you walked into the darkened room.

The first thing that greeted you was the stench of some kind of smoke -weed, the kind that Ami liked to use whenever she was in the room. You always hated the smell and you recall telling her to leave the windows open whenever she wanted to smoke. Coughing, you quickly covered your nose and mouth with one hand and reached to turn on the light with another. “Ami, how many times have I told you to open the window whenever you smoke? You know I don’t like the smell-”

Your blood turns to ice the moment light floods the room, your mouth dry as you stare at the man perched on your reading chair, a leg crossed over the other, the weed blunt hanging between his tanned hands. His lips are stretched into a sick grin, showing all his teeth, purple eyes shining with an odd mirth as he glances at you up and down.

Izana Kurokawa.

‘Run’

You don’t need to be told twice, quickly discarding your bag and running towards the direction of the door, only to hit someone hard, standing tall in your way. You look up fearfully to see mismatched eyes, a scar running down his face and flinch backwards in reflex. It’s as if he gazes at you with pity, but quickly switches to a blank stare as he stands between you and the door.

You know him from hanging around Emma a lot in the Tenjiku frat house, Kakucho. He’s always around Izana and only loyal to him for some reason that you don’t know. He doesn’t listen to anyone else, not even Mikey. You realise that he might have been the one that was following you when you were walking home.

Begging him to let you pass would be futile.

“Don’t worry, I’m just here to have a little chat with you. I’m not going to hurt you.” His tone is calm, but it doesn’t bring you any comfort. If Mikey could hurt you without any remorse, then there’s nothing stopping Izana from doing worse to you. “And as much as your backside is as interesting as your face, I prefer talking to someone who is looking at me.”

“I don’t want to talk to you.” The words fly out from your mouth before you even think of a more appropriate response but it doesn’t seem to give him any form of reaction other than a dry laugh.

He scoffed. “I don’t care. Turn around.”

Reluctantly you slowly turn to face him again, your body trembling as your fear filled eyes lock with his. Your heart drops to your stomach when you hear heavy footsteps walk out of the door, shutting it behind you, locks turning and trapping you with Izana.

‘Oh God oh God oh God.’

Your fear doesn’t go unnoticed by the white haired man, and he only chuckles at how stiff you were. Between the two brothers, you know Izana thrives in fear, using it to his advantage and it’s not unfounded. Notwithstanding his backing from Black dragons, Izana had taken Tenjiku from a down and out frat house, to a den of crime that holds power, trickling right into the administration of the university. Even his men know better than to ever get themselves in his bad books, because no one can ever escape him, no matter how much you try to run.

It was only a matter of time until he would make you pay for causing him problems, but you didn’t think he’d come by himself. You felt stupid for thinking he wouldn’t care about you or he’d forget how angry he was at you and leave you alone, especially with Emma still not on speaking terms with them.

He motions with his bunt for you to come closer to him and you comply, taking careful steps until you’re standing right in front of him. He eyes you again with a tepid frown. “When you meet a king, you don’t stand before him, you kneel.”

Kneel. You want to assume he’s not serious but you know better than to question him and go down on your knees, focusing your gaze firmly on your lap. It’s humiliating the way he has you at his mercy, without even moving an inch but it’s better to be compliant than to aggravate him even further by being disobedient.

You’ve learned the hard way what could happen if you resist.

From the corner of your eyes, you watch as Izana puts out his weed blunt on your reading table leaving a sorching mark on the table, before reaching behind his waistband. Your mouth grows dry the second you see the gun, your heart pounding against your chest as he presses the barrel to your head.

‘Oh god.’ You gasp as he presses it further against your head, until you’re sure it would leave an indent. ‘He’s going to kill me. He’s going to kill me…’

“That’s odd,” He murmurs. “Usually, other people would be begging for their lives when met with a gun to their head, but you’re quiet. If not for the way your hands are trembling, I’d think you weren’t scared.”

This time, with a gun pointed at your head, you’re careful with your words. “Y-you said you won’t hurt me.” Your voice shakes with fear but you continue. You know men like Izana, he reminds you of your older brother who ruled the house apart from your father, with fear and control. Sometimes, when you were able to stroke his ego, he’d go easy on you. Maybe that would work on Izana too. “That you want to talk.”

“And what if I changed my mind? Pulled the trigger? That’ll make my life easier, yeah? I won’t have to fight for my sister’s love and affection with you.” 

Your breath hitches in your throat when you hear the safety go off and watch as his finger curls around the trigger. ‘Oh God, he’s going to kill me. He’ll shoot me dead. I-i have to say something- I don’t want to die-’

“I-i trust you not to do it.” You reply, your lips trembling as you struggle not to think of your head scattered into pieces on the floor if he chooses to kill you. “You’re a man of your words.”

There’s another complete silence that engulfs the entire room, until you hear a click that makes you flinch for a split second, waiting for the bullet that would end it all. Instead, it’s him putting the safety back on, and chuckling at your reaction.

“You trust me? How foolish.” He laughs, tracing the gun from your head down to underneath your chin and forcing you to look up at him. You’ve only read about people with empty eyes in stories, but seeing it in person was so terrifying. “Is that why you ended up with Mikey in his car?”

All the blood rushes from your head to the tip of your toes. “H-how do you kn-”

“I have eyes and ears in this school, (name).” You’re sure it’s the first time you’ve heard him call you by your name and despite being in a life or death situation, you couldn’t control the shiver that ran through your spine. “You wanted him to touch you, right?”

“T-that is not what happened!” You suddenly cried out, trying to explain your own side of the story. Of all the people who know your dirty and shameful secret, Izana is the worst pick, just your luck. “It was a mistake! I tried to tell him I didn’t want it but I couldn’t-”

“Ah ah -” Izana cuts you off, tilting your chin higher with the gun. “Don’t lie to me. You must have planned the entire thing to make Mikey look bad”

“No! I wasn’t trying to do anything, I just wanted to talk-”

“Really? Cause Mikey told me an entirely different story-”

“No, no I- didn’t… -”

“You were dangling yourself like a piece of meat for him to fuck and he’s a man, you know. He has urges and it's hard to resist temptation.”

“That’s not true-” your lips start to tremble at his words, tears forming at the corner of your eyes. You didn’t want to be assaulted, you just wanted to talk to him about the Emma issue and you wanted to apologise. “That’s not true-”

“Oh but it is.” He said firmly, now leaning in closer to your face until there’s barely any inches between the two of you. “And now Mikey feels like a piece of shit because he couldn’t stop himself.”

“No-” your voice is small, trying to defend yourself but even you are beginning to doubt your own credibility with how he keeps twisting the narrative around until you begin to actually believe him.

‘No! Don’t let him make you think you’re in the wrong! You know what happened!’

“He even told you to leave but you refused to. You were baiting him to just do something to you so that you can tell everyone how bad Mikey is and make yourself get more sympathy points. Am I wrong?”

“No! I would never do that to Mikey!” You don’t realise your tempo had suddenly gotten high or that tears had started to drip down your face, but Izana did. He doesn’t point it out, staying quiet as you start to shout at him. “I would never bait him into hurting me! I just wanted to make up with him because I felt that I overreacted at the party I swear! And then he touched me in the car -”

“And you never reported him to the school authorities? Why? Did you want to blackmail him for money-”

“Because I love him!”

The words flew out of your mouth before you could even stop yourself from saying them.

Your heart drops as a mischievious glint appears in Izana’s eyes. His smile drops slightly, still maintaining the gun on your chin. “You love him?” He says slowly, testing out the words on his lips. “Love? Mikey?” He looks so deep in thought, like the concept sounds so foreign to him that he almost can’t believe it. His gaze falls back to you again, a quiet scoff emanating from his lips. “You really have no shame, do you?”

Unable to maintain eye contact with him, you break away from his gaze, biting down on your lips to prevent yourself from falling apart. When you don’t respond, Izana takes your silence as an opportunity to keep talking. “If you love him so much, then what’s wrong with what you both did in the car that day? It was what you wanted, wasn't it?”

“Not like that…”

“But you claim to love him.” Izana is calm and cool, while you’re stuttering on your words, making you look like you’re the one who is wrong. Like what you’re saying doesn’t make any sense to begin with and he’s the one saying something of reason. “And yet, you didn’t even notice he wasn’t himself that day. Or did you take advantage of his fragile state of mind?”

“I would NEVER-”

“You would, because you get to be the so-called victim and he gets to be the villain in your own story. Do you really know the implication of your actions?”

“That’s not right.” You don’t even realize how quiet you’ve gotten, your voice full of uncertainity. “I didn’t … it’s not…”

“Shut up.” He cuts you off again with a firm tone, tapping the gun on your chin gently to enunciate his point. “The reason why I haven’t put a bullet through your head as much as I want to is because I love Emma. I love Emma so much I’d kill for her and I’d resist the urge to kill for her. That’s how Sano’s love. That’s true love. That's something you'll never ever experience.”

You stay silent, trying to understand what exactly Izana was calling love. He leaned closer, making you feel even smaller. “If Emma finds out, she’ll think Mikey intentionally hurt you and she will hate him. But I guess that’s what you want, isn’t it?”

“Never. I don’t want her to hate him” your inner voice telling you it’s not your fault, is nothing more than a whisper, the feeling of guilt and shame overtaking you until you’re almost suffocating. “I just want them to be happy…”

“Then you know exactly what you’re meant to do, right?”

Of course you know what to do. Ever since you were child, it’s been drilled into your head. Whenever your brothers hit you a bit too hard or your father went overboard with his belt and you ended up in the hospital, your mother would take you aside to issue a warning that still rings in your head. That had terrible consequences if you refused to follow through with it.

You nod weakly. It really doesn’t matter what is right and wrong when it comes to the Sano’s, but what they want. Izana taps the gun on your chin again, shaking his head. “I need a verbal answer.”

“I won’t tell anybody what happened. Especially not Emma.”

Satisfied, he withdrew his gun from your chin and your face falls onto his lap, unable to support your head any longer. You feel a hand reaching down to pet your head, like you were a dog who had just been tamed by her new owner. The strength to push him off or stand up had left you, feeling drained as the weight of guilt settle down on your shoulders, heavily. You know you shouldn’t believe anything Izana says, but then again he does have a point. Maybe you should have been more receptive of Mikey’s touch or at least be polite about declining him instead of shoving him off and hurting his pride.

You feel so utterly powerless. Despite being wronged, you know there’s nothing you can really do to save yourself. You don’t think you can bear the traumatic experience of being an outlier again.

Mikey. You don’t want to hurt him. You don’t want anyone thinking he’s a bad person over a singular action.

'Maybe it’s not as bad as I think, I did enjoy it mid-way, so it should count as something. Right?'

You feel sick just trying to think about it.

“You know, if you’re this obedient, we can get along just fine.” He hums, breaking the silence as he pets your head gently. You hate yourself right now. How easy it is to do whatever it is that you’re told because disobedience is not an option. “I’m sure you wouldn’t want to know what I’ll do to you if you break your promise.”

“No” your voice is quiet. You feel tired, sick maybe, you don’t know. Maybe it’s the weed he smoked earlier affecting your judgement and reasoning. Or it’s the lack of sleep that has made it difficult for you to think straight or stand up. Either way, you don’t care. “I don’t.”

“Good girl.”

You know he’s mocking you, but you accept it, like you do with every circumstance thrown at you.

Bonus:

  IZANA looks down at your sleeping figure with a curious gaze.

For a moment, he almost pities you. Despite the faint glow of the room lighting, he can see the dark circles underneath your eyes and how stressed you look. For someone who is actively working to pay her fees while sustaining herself with no one caring for her, it must be hard being abandoned by society.

He can see why Emma picked you to be her friend, she always had a trait of picking up stray animals who had no one because she wanted something to protect. It’s no different with you, the way she’s so fiercely loyal to you and why she wanted you to be accepted by their family. No wonder she was hurt when you were vehemently rejected by them.

If he had a conscience, he’d feel bad for you. You love Mikey, of all people, someone who only saw you as a nuisance and to push the blame of his actions onto. All those times Mikey was cruel to you must have hurt the most because you truly cared about what he thinks about you.

He’s careful when he lifts your head from his lap, not wanting to wake you up. He puts your head on the chair and turns to leave, already overstaying his welcome. He’s done the thing he was supposed to, ensuring you stayed quiet about Mikey’s actions and there’s no need for him to be here any longer.

As he walked to the door, his mind goes back to you. In a way, you and him were similar. All alone, unwanted, with nobody in the world to care about you, cold, uncaring parents who didn’t think twice in terms of abandoning you both. The only difference between you and him is that he grew a backbone and you haven’t. You’re like a kicked dog who continues to stay on the ground to get kicked, in hopes the person kicking you stops eventually.

As long as you stay on the ground, people like him will keep kicking you.

He knocks loudly on the door and the locks turn. Kakucho opens it for him, peering inside with a worried gaze, his eyes settling on your body slumped over a chair.

“Did you hit -”

“I didn’t touch her.” Izana snaps at the taller male, stepping out of the room properly. “She’s fine, physically at least. Emotionally she’s a mess. But that’s Mikey’s problem to fix.”

“Huh?”

It wouldn’t hurt to tell Kakucho your little secret.  “Apparently (name)’s in love with my dear brother Mikey so she’s keeping quiet what he did to her.” a cruel smile stretches across his face. “How pathetic.”

Kakucho frowns at Izana’s statement, but as usual he doesn’t say anything in response. Instead, his eye darts back to your form again, taking a good look at you, his eyes softening. Ever the gentleman.

“She shouldn’t really stay like that Izana, she’ll get a stiff neck-”

“Kakucho.”

That was enough to end the conversation.

special thanks to: (please turn on your mentions in 'settings' before filling the form.): @officiallyjaehyuns @haikyuusboringassmanager @ilybbg @merrymerrykiss @cockonoi @Rindou24689 @short-cxke @kokoch4n3l @GenAwi @ryuguji-sana @nuyoo @reiners-milkbiddies @kiwixpi @gh0stgirl333 @brisssaaa009 @fushiqruo @kawaiikoalagarden @damidamimongalam @raven-nevra @ilovetwodmen @kodzubaby @straightfromheaven @manchie55 @pikibee @tomeyano @matchamilktea-05 @tenjikusstuff4 @m0onz1 @hapikiou @rainnyzz @Lovelyartistz @lik0 @maraya-007 @thisismarisaaa @reeyy0-2 @littlemisspropaganda @cherie026

[stardust-maple]

Edit: look I didn't do a good job explaining what these were for the first time so I've got a second edit at the bottom of the page that explains things better.

-----------------

I made my own pain and fatigue scale charts. Because I'm so adept at overcoming my symptoms the normal pain scale doesn't really work for me. I adjusted my numbers so that I could change the number into something I could tell a doctor when they inevitably ask me to rate my pain.

[Image Description: Pain Scale Chart with rainbow gradient background for each row, starting at red and ending at blue.

Row 1: Mine Drs Pain Scale Description

Row 2: 10 X I am not leaving my bedroom or bathroom, someone needs to bring me food and I need something to dull the pain or the pain will cause tears.

Row 3: 9 X I am not leaving my bedroom and bathroom for anything other than food.

Row 4: 8 10 Speaking is difficult. It is no longer practical to do activities outside of the bathroom or bedroom, but they can be done with assistance.

Row 5: 7 9 Necessary care activities are sacrificed. Academic activities and social activities can no longer be tolerated.

Row 6: 6 8 My pain is tiring. Paying attention is difficult. All activities require pacing and extra effort.

Row 7: 5 7 My pain is so distracting it is making me tired. It is hard to think. Necessary care activities are no longer all doable.

Row 8: 4 6 My pain is so distracting it is making me tired. It is harder to think. Necessary care activities are starting to be limited.

Row 9: 3 5 I can continue to do most activities

Row 10: 2 4 My pain bothers me but I can ignore it most of the time

Row 11: 1 3 My pain bothers me, but I can ignore it most of the time.

Row 12: 0 2 I am aware of my pain only when I pay attention to it

Row 13: X 1 My pain is hardly noticeable

Row 14: X 0 I have no pain. END Image Description]

[Image Description:

Fatigue Scale Chart with rainbow gradient background for each row, starting at red and ending at blue.

Row 1: Mine Drs Fatigue Scale Description

Row 2: 10 X Can barely sit up, needs assistance to get out of bed. Holding conversations is impossible. Laying down for most of the day is necessary. It is difficult to eat. Focusing is strenuous.

Row 3: 9 X Able to walk and stand for short distances. Holding conversations is difficult. Laying down for most of the day is necessary. It is difficult to eat. Focusing is strenuous.

Row 4: 8 10 Able to walk and stand for short distances. Holding conversations is difficult. Sitting for long Periods of time is difficult. It is difficult to eat. Focusing is strenuous. Preparing a meal isn’t possible.

Row 5: 7 9 Holding conversations is difficult. Sitting or standing for long Periods of time is difficult. It is difficult to eat. Focusing is strenuous.

Row 6: 6 8 Sitting or standing for long Periods of time is difficult. It is difficult to eat. Focusing is difficult. Preparing a meal is difficult.

Row 7: 5 7 Standing or walking for long periods is difficult. It is difficult to eat. Focusing is difficult.

Row 8: 4 6 Standing or walking for long periods is difficult. Focusing is difficult.

Row 9: 3 5 Cooking for longer than 15 minutes is extremely challenging.

Row 10: 2 4 Not everything can be done in the day. Activities are slowed down. Difficult mental challenges are sacrificed.

Row 11: 1 3 Tiredness makes it difficult to enjoy fun activities.

Row 12: 0 2 Things take more effort than usual, but everything is still doable.

Row 13: X 1 Slightly tired but still able to carry on as normal

Row 14: X 0 Not tired at all

END Image Description.]

Feel free to use them yourself if you like them!

---------------

Edit p2:

So these charts I made them for showing people and using them to talk about my pain. The numbers are just sort of a reference point . The words are what's important. The fact that it is a relationship is what's significant.

I've got chronic pain and chronic fatigue. I'm never not in pain and I'm never not tired. These are based on the main pain and fatigue scales that I usually get shown at places that aren't specialized in treating pain or fatigue.

I use these when talking to my family, using the number that relates to the mine side. I use these with my non pain doctors who don't treat my pain or fatigue. I use the Drs number when talking to Drs. Anything that in those X spots is also 10. Drs don't like pain larger than 10 because they think you're faking it.

I made these after getting covid. It was about a year later and I still couldn't describe my pain in terms of the standard scale because I couldn't conceptualize pain properly because covid had completely broken my internal perception of pain intensity. Because I went from never having gone to 10/10 or ever being there for very long to about 2 weeks of what I could only describe as 13/10 pain. It was logarithmically higher than anything I my brain could process. And my brain didn't process it. I just sort of cried a lot, slowly.

If you are ever using a personalized pain scale or something you found online with a doctor you should show them what you're talking about. You need to make sure they understand you.

I posted this because I was having a hard time saying that while I was at a 3 in terms of abilities, I was in just as much pain as when I had been previously at a 5. I needed something that showed what I was talking about.

It feels very strange adding all these disclaimers so far after, but I've been thinking "it's too late" every time Ive realized someone might use it in a way that wouldn't help them. And then ignoring the problem for a while.

We've got 3k notes on this. People keep looking at it. The disclaimers are nessesary. I'm sorry they weren't there before.

I just remembered that I specifically made this because I needed to be able to point at a number and have my parents be able to know what that meant. They don't have training in the pain scale. They don't know what it means. But they do know what I mean now when I say I'm at a 6. They understand me.

The point is, this says that it's used for talking to doctors and it's really not. It's for my family mostly. And my PCP who keeps asking what pain I'm at and I just need to say a number that communicates the thing she wants to know (that's why the Drs thing is on there. That's the number she needs. She doesn't care. It's weird. She's weird.)

But it is mostly for my family. It's for describing how I'm doing.

Do not use this in emergencies!!! Do not use this with pain specialists without showing it to them!!!

[pix-writes]

For the NSFW requests; what kinks do Stan and Ford have? 👀

👀 I've got you, anon 😉

18+ under cut, minors DNI

Stanford:

Edging - likes to experiment with it to see how far he can go, what are the limits of his patience? He's working out his self control like he's stretching out a muscle. And with you as well, how far can you stand to be teased? Knows it's worth it for the intensity of the orgasm(s) when he finally gives you what you both want. Likes the sense of control he gets from it too!

Biting - likes when you bite into him when you get close/overstimulated/want to keep quiet, makes his feral side come out, wants to mark you too as he nips and nibbles at your skin, all over. A darker, protective (*cough* possessive*cough*) part of him enjoys seeing the hickeys and marks he leaves on your skin. Ford has a lot of scars and other unwanted traces on his body (laser tattoo removal can only do so much), so he feels so loved when you leave marks on him.

Temperature/nipple play - warm wax (and ice) on his body gives a contrast of overstimulating sensations that feels nice to him, have no idea of how or when/if he finds this out though, perhaps it's a way for him to feel light pain in a good way? Likes when you pay attention to his nipples too as they're sensitive.

Clothed sex/dry humping - (kind of goes with the kink below) actually really turned on by dry humping, gets incredibly flustered even though neither of you have taken anything off yet.

Tights - idk why it just seems right to me. Ford loves how the fabric feels and how it smooths over your skin. Maybe he's always been attracted to how they look on people in the past, but it's not until you are grinding against him fully clothed that it really awakens! The silky feeling of your tights on his cock, the thin layer between him and your heat has him staining them with his pre cum. (EDIT: tights aka pantyhose or stockings, I always forget Americans have a different name for them sorry)

Praise - will praise you a lot but he likes it back the other way, I hc Ford is a perfect switch, so whether he's taking the lead or not likes to know he's doing well, has been starved of affection for so long so praise helps him to know he's doing good.

Stanley:

Restraints - here's the thing, Stan's been put in cuffs enough times to hate it, but he's also quite adept at getting out of them (as long as it's a situation where he can of course), he figures that he wouldn't hate it as much if his pretty partner is the one to do it to him 😏 ya know? Though most of the time, it makes him feel a bit too helpless/claustrophobic, but he'll tie you up or put you in cuffs any time (he always has them nearby), gets him going because he gets to tease the hell out of you and you can't do anything about it! (I have a hunch that he's a teensy bit of a brat tamer) Spanking is another he likes too, in theory more than practice, because he may be game for a lot of things but doesn't want to hurt you, feels conflicted about it. Kind of loves it when you give him a firm slap to his behind, as long as he knows you're going to do it (he's hypervigilant), likes when you say nice things about his ass.

Primal play - doesn't know that it's called that but there's something in the playfulness of chasing each other around the house etc., that does it for him in a more serious way, likes to chase you more, though doesn't mind if he's the one on top or bottom, sometimes is nice when his partner is doing the work and he gets to lay back and enjoy the view.

Sir and begging- likes to be called sir (the fact that Alex said this on a stream is WILD, joking or not, and it's been burnt into my brain ever since!), never been really seen as a figure of respect and melts his brain a little to be treated reverently, likes when you beg it's basically praise for him for pleasuring you so well

Marking - likes to mark you but loves it even more if you leave some on him, he'll keep it there for others to see, he's a taken man now 🥴 - that's his expression after you've kissed him and left him with lipstick all over his face

Painted nails - doesn't have to be those fake nails really, he just likes to see them with some colour on them, thinks it's attractive, the way they look when you're placing your hands all over him and maybe scratching across his chest?

[gracieheartspedro]

More Than Friends

how to help the Palestinian people

pairing: best friend!ellie williams x fem!reader (set in the jackson era)

description: you and ellie have been friends for awhile. while at a party for tommy’s birthday, you try to catch the attention of your crushes. sadly, they are all over each other. in a childish effort to get them to pay attention, you two try to make them jealous. 'cause that always ends the way you think, right?

word count: 3.3k words

warnings: MINORS DNI! this is 18+, smut, wlw, f!receiving oral (reader), fingering, jealousy, semi-public sex, dirty talk, tons of nicknames, no mentions of reader's appearance. talks of sexuality, but it's vague. reader wants to fuck whoever, it doesn't matter lol. let me know if I missed anything!

author's note: I wrote this after watching one too many ellie edits on tik tok. it was written in two hours, so it's not my finest work but it scratched my little ellie itch. okay, much love xoxoxoxxo

“So… you really like Dina, huh?”

Her face twists immediately at the question. She throws herself back in the wooden chair, cursing under her breath. Her arms cross over her chest, her t-shirt riding up a bit above her jeans. 

You saw the way Ellie looked at Dina. She looks at her like she hung the moon. She was always fumbling over her words around her, nervous to say the wrong thing. When she did try to flirt, it came up awkward and strained. And you understood her predicament because you were the same way about Jesse. 

You both were pining after two people in a committed relationship.

“It doesn’t matter anyway,” She mumbles, gesturing towards the center of the room where Dina and Jesse slow danced. He was leaning down to whisper something in her ear and it made your stomach flip. “She would never go for me.”

You felt bad for Ellie. She was everything you wished you were yourself; beautiful and funny. You felt like you were the only one, besides the Millers, who got her dry humor. You two had met in class about two years ago, now. You were a newcomer to Jackson, arriving about two months prior with your mom. When you got seated next to Ellie, you could tell her give-no-fucks attitude would mesh well with your give-too-many-fucks attitude. Over the years, you two had really rubbed off one another. You two were inseparable. 

“You’re the whole package, Els,” You say before nudging her shoulder with your elbow. You two are moping at a table near the exit of the food hall. It was Tommy’s birthday celebration, so everyone in Jackson got together to plan a big bash for him. Ellie felt obligated to come and your mom was pretty close to Maria. More time spent with your best friend wasn’t time wasted, so here you are. 

“At least she shows you the time of day,” You say under your breath. 

Jesse had been pretty flippant with you. He could never remember your name, let alone that you two shared the same street in Jackson. You also once shared a table at the mess hall. He was so tall and strong. Your crush on him was more physical than it was emotional. He was funny, sure, but you mainly just wanted to get him alone. 

“Why are we doing this to ourselves?” She ponders, finally looking away from the canoodling couple across the room, “We could do so much better!”

You know she’s just trying to convince herself of something she doesn’t really believe. The tone of her voice changes when she’s lying. 

“Like who? Slim pickin’s out here, Ellie. We have them and maybe 4 other undesirable people. There’s always the butcher’s son, he always had eyes for you.”

She grabs her cup from the table in front of you, “Yeah, men are… not my type.”

You turn your body so your legs are nudging her thighs, “Then, you really don’t have any choices.”

She nods her lips in a thin line. “I wish I could just.. Just go up there and talk to her. Ya know?”

“Why can’t you?”

“The same reason you can’t just go up and talk to Jesse.”

You roll your eyes, leaning forward on your knees. Your body is practically in her bubble, but she just sits back with her arm over the back of your chair.

You and Ellie had no real boundaries. You had no qualms about physical touch and Ellie never said anything or seemed to mind. You two have shared a horse countless times and even a bed. She never steered away from you.

“Well, Dina will talk to you if she sees other girls talking to you,” you state, reflecting on the last time everyone in Jackson got together. Some random girl came up to you two and as soon as Dina saw Ellie laughing with the other girl, she scrambled across the room to see what the fuss was about. You saw the same glint in her eyes that Ellie had. 

For some reason, it made you kind of jealous. 

You never tried to explore those knee-jerk emotions you had for Ellie. She was your best friend and you were positive she never felt romantic feelings towards you. Plus, you weren’t sure of your feelings about your sexuality. You always told Ellie you just liked who you liked, not really putting any importance on what was between their legs. You weren’t very experienced, but you had hooked up with both genders and liked it all equally.

“That was a coincidence, bug.”

That stupid nickname that she called you. Born from the one time you practically attracted every infected in the area with your scream over a huge beetle. She could not let it go and ended up calling you bug, just to annoy you. 

You finally look up at her freckled face, waiting for her to crack a smile. When you squint at her with contempt, she smirks. 

“Why don’t we find another girl and test the theory?”

She glances around the populated party, “Everyone here is over the age of 40.”

You turn back to the crowd of people around you and see that she’s right. 

You mull it over, your brain working to find a way that you both could get their attention. You two could simply say fuck it and go watch a movie and forget this stupid encounter happened. Joel would probably chew Ellie out, but when doesn’t he do that? 

Your next idea is something dangerous but something you had thought about before. You had never brought up the idea to Ellie because you were afraid of her reaction. 

“What’s your idea?”

She could read you like a book. You pursed your lips, wondering if you should even propose the idea to her. 

“How desperate are you?”

She laughs out loud, completely taken aback by the query. “Jesus, what are you thinkin’?”

You lick your lips, trying to make sure the idea comes out as a whisper.

“Why don’t we make them jealous? Just you and me?”

“How though?”

You bite the inside of your cheek, “Well, I’m a girl.”

You glance back at where Dina and Jesse were just dancing. They are both now facing you two’s direction, Jesse engrossed in a conversation with Tommy. Dina is just sipping from her glass, not really staring anywhere specific. 

You look back at Ellie who’s also looking at her, but meets your eyes when your face gets closer to hers. 

You would tell her how beautiful she was all the time and she just would roll her eyes and change the subject. You were physically attracted to her and there had been a couple of times you had thought about kissing her and wondered what her lips would feel like against yours. 

But she was your best friend. 

“Wrap your arm over my back,” You are still positioned, your elbows on your knees, your knees facing her thighs, “And rub it.”

She furrows her eyebrows, but she submits and brings the arm that is slouched over the chair to your lower back. You nod, watching as her lids lower. Her hand creeps up and down your side, her fingers grazing your ribs, up to your side boob. “Now what, bug?”

“Now, slowly move your hand up my back,” She does it as you’re speaking and the movement makes the hairs on your arms stand up, “Grab the nape of my neck.”

“Why are you making me do this?”

You lift up off your hands, bringing your face closer to hers. She doesn’t budge, sitting still and only focused on you and your words. 

“Because,” Her hand grabs the back of your neck, before slowly bringing it forward to collar bone. The gentleness of her touch and the fact that it’s your Ellie, makes every sense heightened. You don’t even realize how her touch is making you feel until you see her crack a smile. 

“Because why?” She whispers, her voice teasing. 

“Cause I want them to see you touch me.”

It comes out needy and desperate. Her eyes change when it slips from your lips, instead of being playful, she’s looking at you like you’re her next meal. She leans forward, her face millimeters from yours. 

You had never talked to Ellie like this but at this moment, you were completely transfixed on her. She was wearing a flannel over her shoulders covering her usual gray t-shirt. The sleeves were rolled up exposing the tattoo Cat did on her a year ago. 

You always thought it was hot, the way it trailed up her arm from her delicate wrist.

Her jeans are ripped and her legs and man-spreaded like she was carrying something in her jeans. 

And she smelled like pine. You loved it when you got the privilege to sleep next to her because her linens always smelled like her. You would love the idea of getting into bed with her right now.

“How do you want me to touch you?”

You chew the inside of your lip, “Any way you want to.”

She chuckles before brushing her hand down your exposed arm, “Is this for the bit or do you want me to genuinely touch you?”

You notice her being sincere. You think back to all the times you joked about sleeping with Ellie, and while at the time you chalked them up to being jokes, deep down, maybe it’s actually what you wanted. 

With the way she’s looking at you now, you prayed on every star that she would continue pushing your buttons. That somehow she would forget Dina even exists and realize it was you all along.

“Hey guys,” Her voice brings you out of your horny daze. It was the last voice you were expecting, and you can tell by the look on Ellie’s face, she is thinking the same thing. 

“Oh, hey Dina!” You quip up, not moving all the much to ensure she sees Ellie’s hand on your bicep. 

“You two busy?” The way she asks is almost too demanding. You glance back over at Ellie whose color is draining from her face. 

You shake your head, finally sitting up. Ellie’s hand doesn’t leave you though, instead, it just drops to your thigh. You try not to acknowledge it, as you notice Jesse coming up behind Dina. But now it feels so heavy against your legs, the weight of the situation finally hitting you. 

It worked. 

“We are just talking,” Ellie manages, her voice cracking. 

Jesse comes up behind Dina, wrapping his arms around her. You’re suddenly grateful that Ellie’s hand is still on you, the jitters hitting your system subsiding by the physical feeling of her being so near. 

“Looked like more than that,” Jesse jokes, his smile taking up a lot of his face, “You good Ellie?”

“Ellie was just telling me about the patrol she just went on with Jesse,” You explain quickly, making sure to look at Dina and not Jesse. “She told me about the infected y’all ran into!”

“Oh yeah, shit was crazy,” Jesse squeezes Dina tighter, “We gotta get back out there again, Ellie. You were a beast at taking those suckers down.”

“U-uh yeah, absolutely.”

You grab her hand as a reassurance. The exchange gets awkward quickly, none of you knowing what else to say. 

“Well, we should get goin’,” Dina says tapping Jesse’s arms, “See you two around?”

You two just nod. They walk away, not saying much of anything else. You stare at the wall, humiliated by the last 10 minutes of your life. You were unsure if you could even look Ellie in the eyes again. 

Ellie huffs loudly, sitting further back in her chair. “Well, that failed.”

You start to agree until that little bit of Ellie that’s rubbed off on you starts to come up your throat. The not-giving-much-of-a-fuck is creeping up on you. 

“Did it? Because I think it went exactly how I wanted it to.”

You finally return your eyes to her bewildered expression. You pull her hand off your lap as you stand up, yanking her up after you. 

“You wanted it to go like that? What was the point?”

You pull her closer to you before raising your lips up to her ear. Her hair is tucked behind the crest of her ear, so it tickles your nose a bit before you speak. 

She turned you on, so now you needed her to do something about it. Here’s to not giving a fuck. 

“The point was to get you to finally touch me.”

The temperature in the room rises a million degrees. Ellie’s eyes light up at the statement and you know that was exactly what she wanted to hear before Dina came up to you. 

You start to pull her towards the kitchen door, right near your table. You remember finding a hidden supply closet back there last Christmas party. Your skin was on fire as you dragged her through the appliances to the somewhat large closet. It was practically empty, void of anything anyone at the party may need, so it was safe. Plus it had a lock. 

As soon as the door shuts behind her, Ellie’s on you. Her lips hit yours and it was exactly how you imagined it. She was quick and eager with her kisses, her tongue plunging into your mouth immediately. She was grabbing your hips, pushing you towards the wall where all the brooms and mops were. You try not to trip, giggling as you pull her face closer to you. 

“So this is what you wanted?” She pulls away from you for a breath, “Using making Dina jealous as a ploy to get to finally kiss you?”

Your hands find the spot above the hem of her jeans, right under her t-shirt. Out of instinct, you start to unbutton her pants. 

“Actually, that wasn’t the plan.”

Her eyes are trained on your lips, “Is that so?”

“No, but you were playing the part way too well and I realized something.”

“What did you realize?”

The overhead light was so dim but you could still somehow see her cute freckles. 

“That I want you more than I want anyone else. I need you to touch me more often.”

She chuckles, her fingers still pressed into your hips, “Well, bug, I’m touching you just like you asked.”

She drags kisses up your jaw and neck. You try not to fall apart over that alone. Ellie always talked about how inexperienced she was, but she’s probably the most tentative kisser you have ever encountered. 

“Can you touch me here?”

You press your hands to the zip of your jeans. She looks down at your body to where you’re touching and she clicks her tongue. 

“Ask politely, baby, and I’ll do anything you want.”

The nickname change makes your heart stop. 

“Can you, my sweet best friend, touch me and get me off? Please?”

She groans at the question, a sound you never thought she’d make for you. 

“Of course,” She grabs the belt loops of your pants before yanking them down your legs without resistance, “What are friends for?”

You know you’re soaked by the way she smiles up at you. She gets down on her knees, looking up at you, as her hands slowly start to spread your legs. You are standing against a wall, watching your best friend’s face creep close to your center. 

It’s the hottest thing you’ve ever seen. She pulls at your panties, toying with the fabric before you take matters into your own hands and pull them down your legs. 

She brings her lower lip between her teeth, “This wet for me?”

You could slap the stupid smirk off her face, but before you can even say something snarky back, she slips her digits between your glistening slit. Your body practically buckles at the prodding, so you brace yourself against the shelf next to you.

Your normal reaction to feeling good is to close your legs together tightly, but Ellie has her left hand mounted to your inner thigh, keeping you open for her, while the other one is slowly creeping up to your weeping hole. She’s gentle when she puts one finger inside you.

Once your body reacts around her, she pulls her finger out to inspect how wet you are. After she’s satisfied with her findings, she adds another which causes you to mewl at the sensation. 

“Ellie, please,” You beg, trying to get more friction. She’s not letting you do anything but watch. 

“Mmm,” She hums before moving her face closer to you, “Love to hear you moan my name, bug. You wanna be a good girl? Keep begging.”

You never took Ellie as someone who loves to hear her sexual partner beg, but it turns you on even more. 

You watch her close in on your clit, her tongue finding the bud and flicking it a couple of times. The moans that come out of your mouth are so deprived. Her fingers slip so seamlessly in and out of you, that you try to remember a time you were so wet. Nothing comes to mind because all your brain is thinking is Ellie, Ellie, Ellie. 

“Please, please,” you plead, trying your best to egg her on so she goes faster. It works because she picks up the pace fucking you. Her mouth suddenly closes around your clit, and she sucks. 

Your one hand is still gripping onto whatever is next to you, but your other hand has to rest somewhere. Her short brown locks are right there, so you grab on. 

Her mouth leaves your clit, and instead, her tongue licks up and down your weeping hole. When you bring her closer in, her nose starts to stimulate your sensitive bud. 

The sounds are so wet and depraved, you’re sure the bubbling in your stomach is about to come to a tipping point. You find yourself grinding forward, trying to get friction on your clit again. Her nose prods the spot over and over again as you grind down onto her face. 

Ellie hums as she fucks you, trying her best to push your limit. You know you’re close and you are sure she can feel how tight your pussy is gripping onto her fingers. She knows you’re close so she kicks it up a notch and shakes her head between your folds. That motion alone sends a tidal wave within you crashing to the shore. You pull her hair so hard, you know it probably hurts but fuck, you needed her to feel how good she was making you feel. 

The white-hot feeling starts to subside and you are panting like you just ran a mile. You finally release Ellie’s head, letting her come up for air. Her lips are saturated with your slick and it looks like she’s drunk on you by the way her eyes are half shut. She pulls her two fingers out of your tight hole, making you whine at the emptiness. 

She stands up, bringing her two fingers up to your lips. 

“Wanna see how good you taste?”

She’s so fucking dirty. It gets you so riled up. 

You grab onto her wrist and bring the fingers up to your mouth. You suck them dry, giving into how absurd this is. 

“You’re a freak, too,” She beams at you, before bringing you into another feverish kiss. You were so mesmerized by her. She grabs onto your hips, pulling your naked bottom half to her still-clothed legs. 

“Why didn’t we do this sooner?” You grumble, still recovering from the drilling you just had. Her hands travel up your sides, under your t-shirt. She is holding onto your ribcage, looking at your exposed tummy as the shirt rides up. 

“I didn’t think you’d go for me, especially when guys like Jesse are your type,” She explains, so enthralled by the way your body looks to her, “I don’t know if I can let him have you, now.”

You smirk, your hands twisting around her shoulders, “Oh, I see. Well, if he can’t have me, then Dina can’t have you.”

“Well, thank God they have each other, then.”

[politicalprof]

On the election:

Thoughts? Sure. Lots of them:

--I have said from the beginning that this is a turnout election. Get me 2016 levels of turnout and Trump could well win. Get me 2020 levels of turnout and Harris would probably win. 2024's turnout is much closer to 2016 than 2020, so the electorate was whiter, more male, and older in 2024 than 2020. The people Harris needed to vote, didn't. Thus Trump won all or most of the swing states, and won the popular vote -- the first Republican to do so since 2004. (This is why I was a not a poll watcher: percentages in a poll do not translate directly into actual voting; in a turnout election actual voting is what matters.)

--I used to ask my classes, "will we have a Black president or a female president first? (Yes, I acknowledged the obvious "Black female" hole in that question.) The Black question was answered in 2008; we now have a further answer in that a candidate of the nature of Donald Trump has beaten two immensely qualified female candidates, one white and one woman of color -- both in low turnout elections. Apparently, America really, really, doesn't want a female president.

--Dobbs didn't matter, at least not as predicted. Women didn't "vote Harris" despite all claims they would do so, at least not at the predicted rates.

--Demography is not destiny. The Latino vote has moved toward Trump in three successive elections. I'd guess this is *because* of his anti-immigrant stances, not despite them: pulling up the ladder after you "make it" is an old part of American political life.

--[edit/added]: it's a global "throw the bums out" cycle. People are pissed for lots of reasons, and fairly or not, the "in power" people are feeling the pain. Such is the nature of political timing.

--The urban/rural split is a hell of a thing in American politics, and it's only going to get more intense over time as rural areas continue to empty but still get two Senators forever and ever and ever.

--There are a LOT of people who don't think of politics in either ideological or governance terms. They're not interested in whether a candidate means what he says or is capable of achieving the ends being promised. Rather, politics for these people is *entertainment.* What matters is the show. The "right" people need to be publicly valorized; the "wrong" people need to be attacked, humiliated, and hounded out of the public square. It's bread and circuses. As long as the entertainment continues they'll put up with the regime whatever it is doing to them in the background.

--Donald Trump remains the greatest politician in American history at dominating the news cycle, and thus feeding the entertainment machine. Every crazy, cruel, cantankerous thing he says gets re-amplified over and over again, driving everything else out of the political ecosystem. It's evil. But it's genius.

--I have long said that Donald Trump will never pay a meaningful price for his crimes, his corruption, and his cruelty. He will die in a golden bed surrounded by a harem of women and teams of acolytes singing his praises. It's not fair. But it's almost certainly true.

--A brief note on tariffs: when America relied on tariffs, the government was much smaller than it is now (meaning it needed less money to operate), and US economy activity was mostly concentrated in the US (meaning that it was hard for other countries to put retaliatory tariffs on US products). Neither of these things are true today. So, good luck with that.

I'm sure there's more. But that's a start.

[shurisasthmaticgf]

the curls are curling: lando norris x black social media influencer fem! reader

summary: the secret behind why his curls have been consistently looking perfect is revealed.

authors note: i am still very new to formula one so please don't jump me if there is some slight inaccuracies. i did my best to look things up if i wasn't sure about them. this fic isn't based off of any grand prix in particular either. also, this is a work of fiction meaning it's not REAL so please remember that as well! constructive feedback is heavily encouraged and very appreciated 🫶🏽

heat pooled through the open windows of the house as you ran around to try and get yourself ready for the long day ahead. you woke up an hour ago to give yourself two hours to get ready because today was a race weekend. usually, you only needed about an hour to get you and your boyfriend out the door but today you'd gotten up earlier to film a vlog.

the whole social media influencer thing was still fairly new for you, only having started to consistently vlog and post a few months ago. before you'd started dating lando you were posting here and there about your day to day as a university student and intern for a large company in the city. every so often one of your videos got a couple hundred thousand views but you didn't really mind that your other content only got a few likes...that was just how tiktok's algorithm worked.

once you graduated from university and your internship ended you didn't have much to vlog about until you decided to film a race weekend and post it. what you didn't expect was the video to get millions of views and likes overnight. a massive influx of fans followed but you didn't really pay too much mind to the number, this was just something you liked to do and people also liked to watch. with time you ended up opening a youtube channel where you posted longer vlogs and other videos, and tiktok became a place where you posted 1-3 minute clips of your longer videos. one thing you never really did was center your entire vlog around your boyfriend. sure, lando was the entire reason you ended up at races but you were also your own person...that and lando was oddly camera shy when it came to your vlogs so he often wanted you to edit him out if he happened to end up in the frame.

which is how you ended up in your bedroom with your tripod pointed the camera directly at you. you smiled widely, hoping that it masked the fact that you were nearly half asleep, "good morning everyone! it's race day and i'm gonna be taking you along with me. everyone's been asking for a longer race day vlog so i'm here to give you all what you want. first lets get into the fit- these pajamas were sent to me from Brooks Avenue, if you like them you can use the code Y/N for a little discount on your purchase!" you backed up to show off your pink and green pajamas that would have definitely cost an arm an a leg if they hadn't come in a PR package. the matching pink and green satin bonnet on your head slowly slipped down your forehead leaving you to push it back up with an annoyed huff. you explained to the camera once more, "okay and first i'm gonna brush my teeth then do my skincare routine...he's in the shower right now so the lens might get fogged up, sorry in advance." you knocked on the bathroom door to let your boyfriend know you were coming in before pulling your skincare products out of your travel bag. quickly you brushed your teeth with until you felt like you'd gotten rid of every trace of morning breath.

just as you finished your skincare routine, the shower turned off and you slipped out of the bathroom. while lando finished in the bathroom you sat back down at the vanity and situated the camera back in front of you. slowly you slipped the bonnet from your head and untied the silk scarf under it, letting the large twists in your hair fall against your shoulders. to the camera you explained, "it's gonna be really hot today so i'm just gonna pull the twists back with a ribbon and call it a day i think." you pulled a jar of edge control and a brush from your bag and began styling your baby hairs, effortlessly into swirls and swoops. a laugh fell past your lips as you admitted, "honestly the only reason i still do this is so my forehead looks slightly less...megamind-esque in pictures." when you finished you tied another scarf messily around your hairline and began gathering your twists into a ponytail to secure it with a holder and ribbon.

the bathroom door opened and lando walked back into your room, fully dressed but his button down left wide open exposing his bare torso. in his hands he held a blow dryer and two bottles, one leave in conditioner and a gel you'd bought for him a few weeks ago. you finished tying the bow around your ponytail then took the two bottles from him and plugged the blow dryer into the wall. a hand gently pulled on your hand and you looked up to see sleepy smile grace his lips, "good morning, beautiful." you drew closer to him, wrapping your arms around his neck and letting him pull you in by the waist. his head nuzzled into your shoulder as your hand found the back of his head, stroking his hair softly with your fingers you murmured, "hi baby." you could feel the shy smile he wore against your shoulder until you pulled away from him. you pulled a robe from the back of the door and told him, "put this on." he knew most of the reason was so he didn't stain his shirt with hair products but another part of it had to be the fact that his shirt was wide open.

lando sat in front of the camera and you laughed at how awkward he looked compared to normal. you prompted, "baby, say hi to everyone. they ask for you all the time." he stiffly waved a hand in front of the camera and you sighed, "i don't know why you act so funny around my camera but everyone else it's fine." he mumbled a soft, "because it's you..." but only the mic on the camera caught it. he sat on the bench in front of you and slightly leaned back into your body before letting his eyes flutter shut.

meanwhile you showed the leave in conditioner to the camera, "this is the kinky curly knot today leave in-" despite his eyes being shut lando let out a small laugh and you asked, "what?" he mumbled cheekily, "kinky." you let out a exasperated sigh, "oh god you're like a child...anyways i was saying, i put a little of this in his hair but not too much just a tiny amount to add moisture." squeezing the leave in conditioner into your palm then applying it to his hair you hummed along to a sza song that ran through your head. the gentle work of your fingers running along his scalp nearly lulled lando back to sleep. you worked through his hair with a practiced ease, adding product and coaxing the curls atop his head to take perfect shape. not wanting to disturb his peace, you silently showed the matching brand's curling custard and then applied that lightly to his hair. once you'd finished you turned on the blow dryer, accidentally jump scaring your boyfriend under you. a soft melodic laugh fell past your lips and one hand fell to his shoulder before you leant down and pressed a gentle kiss to his cheek, "my bad babe." the camera didn't miss the way he leaned into your touch, pushing his cheek closer to you with his shoulders dropping further in relaxation.

not even half an hour later you were done and the light brown curls on his head were perfectly defined. you wiped your hands on the hand towel you'd slung over your shoulder earlier and laughed when you realized your boyfriend literally fell asleep. you gently cupped under his chin and pressed another kiss to his cheek. just above a whisper you mumbled, "all done, bubs. " he opened his eyes and smiled while you mused, “my pretty boy.” his cheeks flushed slightly, “thank you” and you brushed a few curls into place before looking at his reflection, "of course." he stood up and pulled you out of the frame to gave you a quick kiss before going downstairs where you'd meet him when you finished getting dressed.

the white and navy blue floral sundress you wore was both nice and simple enough to wear for today. simple gold jewelry and a pair of white sandals finished off your look and you grabbed the camera to show your reflection in the full length mirror on the wall, "all dressed so i'm gonna go meet lando downstairs and i'll see you all a little bit later!" you stopped recording and went downstairs to find your boyfriend sitting and ready to go, his cheeks burning pink when he laid eyes on you. a subtle fluttering erupted in your stomach at the familiar gaze, the one that made you feel like the only girl in the world.

*extra*

you scrolled through your social media accounts, something you never really did if you didn't have to. the first thing that came to your attention was the flood of pictures and comments that were about your boyfriend's hair. for the past few races you'd been doing his hair and more and more fans were noticing it looked better than normal. honestly, you found it amusing that people were bringing it up and so much at that, so you decided to add to the conversation just a bit:

fans reactions to recent vlog upload:

[rebel-girl-queen-of-my-world]

As a Jewish advocate for Palestinian rights, let me tell you something. I’m fucking hurting right now.

I hate Hamas because they have made the plight of Palestinians so much worse with their actions in that now even fewer people will be willing to acknowledge their 70 years of suffering.

I hate that they will be used as an excuse to demonize all Palestinians, and the US is already upping their already astronomical military funding for Israel.

I hate that they’ve committed unforgivable violence in the name of a cause that is just.

I hate the Israeli government and the IDF for creating the conditions for this tragedy and countless others stretching back to the Nakba.

I hate how they have perverted my culture into a settler-colonial ideology and perpetrated on the Palestinians the very kinds of pogroms my own family fled Europe to escape.

I hate that so many Jews in Israel and throughout the diaspora face ostracism from their communities and families for speaking out against the atrocities Israel has been committing against Palestinians.

I especially hate how many of my fellow Jews have bought into an ideology that can handwave the bulldozing of homes and schools, the imprisonment of children, the bombing of residential homes, the displacement, the massacres. Virtually all things we have suffered as Jews at points in our history.

My heart aches for the innocent people murdered across the board - no matter who the bombs came from. Even though part of me thinks settlers aren’t innocent, what can you really do if you just happened to be born there? And even if you moved to Israel, do you really deserve to die? No.

But neither do all the children in the Gaza Strip currently being bombed in a revenge attack that, with the denial of food, water, and medical aid, violates the Geneva convention.

But to everyone who is posting now about Israel and these “unprecedented tragedies” - yes, these are tragedies, and my heart is so heavy with them. But they are not unprecedented. Where were you when the same things were happening to Palestinians for decades upon decades? There’s a monumental amount of video evidence of atrocities against Palestinians, but somehow people have managed to miss all of that. If you’re only paying attention to the suffering of certain people, ask yourself why.

If you’re only now posting about “of course Palestinians should be free” in posts primarily about mourning the killing of Israelis, where were your voices before now? Those of us trying to organize and fight for Palestinian human rights could have used you.

If more people had spoken out against our government’s support of what Amnesty International and countless other human rights organizations have called an apartheid regime, who knows what could have been possible.

Edit: Since this is getting a little traction, I wanted to leave these links here. Both are very reputable organizations that are providing humanitarian aid:

[my-castles-crumbling]

📝🦊Cas🏳‍🌈🎵 - they/them/she/he - queer - married

Click to view only Marauders/Harry Potter content Click to only view asks/advice

Decorate my tree!

Age: Over 21

Fandoms: Marauders with a side of drarry.

Ships: Jegulus, Jegulily, wolfstar, rosekiller, pandalily, dorlene, drarry.

Music: Taylor Swift, Conan Gray, Olivia Rodrigo, Lana Del Ray, Hozier, Renee Rapp, Chappell Roan, Gracie Abrams

AO3: my_castlescrumbling

Writing: Requests open!

Link to list of crisis hotlines for many different countries Link to Marauders Knowledge Quiz Link to list of requests (requests are open)

***Please allow me 3-5 days to get back to advice asks! Remember to check back if you write anonymously, you won't be tagged. If I don't reply after 5 days, please resend, sometimes tumblr eats my inbox messages 🙄

(Also please note that I am not a professional. All advice is just one random person's opinion. When you send me an ask you are acknowledging I am not liable for whatever happens if you chose to listen to a random person on the internet 😋)

Please do not post any of my work on fanfiction.net/wattpad. I welcome collaboration, podfics, and translation with permission. I do not support the use of AI in fanfiction/fanart. I do not want to join any websites that involve writing fanfiction for pay.

If you are a minor, please do not interact with any content I mark explicit-minors DNI. This is for both my protection and yours.

Below the cut:

My ao3 Fics

My Microfics

Fic Recs

Request/reading boundaries

Advice/ask boundaries

LGBTQIA+ resources

Writing tips

Song covers

My ao3 Fics:

Note- I am writing all fic ratings. If you are a minor, please take heed. If the fic is rated E and you are a minor, do not interact with it.

AHHHH this got to long! Click here to go to my google doc version of my masterlist!

My Microfics:

Jegulus Microfic Archive

Wolfstar Microfic Archive

Rosekiller Microfic Archive

Jegulily Microfic Archive

Explicit Microfic Archive - Minors DNI

Kinktober Microfic Archive - Minors DNI

Fic Recommendations:

AHHHH guys this list got too long! Please click here for a link to a google doc I made with all recs!

Request/Reading Boundaries:

A lot of people have asked to send me things to read or requests for writing. I LOVE when people send me these things, but just a few boundaries:

No MCD

No incest

No illegal age gaps

No noncon, in any sense

No EDs, SH, or SI

Advice/Ask Boundaries:

Advice about sex (how-to, positions, etc)

Personal topics like my own intimate life, my own personal information (IRL name, names of family members, etc)

Topics that I am not educated on, or do not have a right to give my opinion on. While I am happy to talk and give advice about LGBTQIA+ issues, I am uncomfortable sharing my opinion on issues that I am still working to learn about, because I don't want to spread false information or be unintentionally hurtful. Also, since I hold a lot of privilege, there are certain topics that I would rather amplify the voices of others about, rather than taking up my own space.

LGBTQIA+ Resources:

Here are the websites I often link to when giving people advice. I'll add to these as I find more!

Need help? The Trevor Project has Crisis Counselors

The genderbread person- (sexual attraction versus gender versus romantic attraction)

List of nonbinary identities and definitions

List of ace identities and definitions

A highly-reviewed chest binder that ships to like a hundred countries

Pronouns explained

LGBTQIA+ travel safety guide- world

LBGTQIA+ rights/safety by state in US

United States LGBTQIA+ student rights

The Trevor Project- Sexual Orientation Information

The Trevor Project- Gender Identity Information

Pronoun closet (try different pronouns)

Writing Tips:

Write a lot.

Don't worry about mistakes or editing. Just write a lot to get your ideas out. Practice makes better, and writing a lot will help you gain confidence. You don't have to post it anywhere of you don't want to!

2. Try microfics!

Microfics are a great way to practice writing certain ships, or just practice in general. They're also lovely for getting a feel of posting! They're low-pressure and low-commitment, which is lovely!

3. Find people to write with.

Whether it's people online or in person, find people to talk about writing and write with. It's very motivating and helps hold you accountable.

4. Be gentle with yourself!

This is supposed to be fun. Don't beat yourself up or be too hard on yourself.

5. Write down your ideas.

Ideas come at weird times. Write them down, because you'll forget them.

Song Covers

Sometimes I sing...

People Watching - Conan Gray

Gravity - Sara Bareilles

Blank Space- Taylor Swift

Idontwannabeyouanymore- Billie Eilish

Sparks Fly - Taylor Swift

So Long, London - Taylor Swift

[the-gay-prometheus]

Thank you Dean and Cas, you can go back to superhell now or whatever.

OK. Now that I have your full and undivided attention.

What the &#!* is happening in Pennsylvania?!?

Hi. You can call me Jay or Victor (I go by both interchangeably). Who the heck am I? I'm just a guy who happens to be privy to a few of the finer details about some of the things going on regarding the election here in Pennsylvania due to my proximity to someone who is involved in the electoral process.

Skip to the "keep reading" if you don't care about the how or why I'm making this post and just want the details about what's going on.

You may have recently seen a post going around talking about how somebody has paid for many many many mail-in ballots in Pennsylvania to be challenged and therefore slowing the ability for those ballots to be counted or putting them at risk of being discarded entirely.

Note - the version of the post linked there is the EDITED version that includes my initial responses (thank you to OP @/feralcringeman for editing my addition onto the post!!!! and also a massive thank you for making the post in the first place!!!!! I'm glad more word is getting out about this situation!!!!)

I am not trying to undermine this individual's post by any means. However, thanks to the way Tumblr works, I am concerned about the fact that most people are only seeing the initial unedited version of the post and are not looking into the reblogs to see my responses.

THESE RESPONSES ARE IMPORTANT.

I'm not just saying that to be self-important or whatever - I'm saying that because it is extremely important that people understand exactly what is going on so that, if and when they take action, they take the correct action and don't start throwing accusations that will ultimately end with them not being taken seriously.

To make sure this updated information gets out to a broader audience, I am making my own post with everything you need to know included. Find out everything you need to know that I am able to tell you under the cut.

Here are the key things you need to know:

The emails in the original post are legitimate. Mail-in ballots are in fact being challenged in Pennsylvania, and there will be court hearings regarding the legitimacy of these ballots

These challenges are not being made by Donald Trump himself - they are being made by avid supporters of his.

These challenges ARE LEGAL by Pennsylvania law, and the law does require a payment to be made per ballot being challenged by the challenger

There was recent news about fraudulent voter registrations being received in Lancaster County. These have absolutely no connection to the individuals responsible for challenging the mail-in ballots

In Pennsylvania, there is a law stating that any Pennsylvania citizen may come to their county's director of elections and claim that certain mail-in ballot applications may be fraudulent. When they do so, they must pay cash out of pocket per ballot application challenged. This money will go toward whatever the county needs to put it toward (usually paying off debt). The amount required to be paid per challenge is $10.

A group of avid Trump supporters worked together to make use of this law in 14 counties:

In my county specifically, I am aware of an individual who paid over $7,000 in cash to challenge ballots - that is between 700-800 challenges in my county alone.

Across these 14 counties, the number of ballots being challenged is over 4,300. That is over $43,000 paid in cash out of pocket by Trump supporters in Pennsylvania specifically with the intent of attempting to, at worst, nullify perfectly valid mail-in ballot applications and void valid votes, or at best, slow down the vote counting process by forcing the counties to conduct court hearings regarding the legitimacy of these ballots.

The good news is, many of these counties are not taking these challenges seriously whatsoever. In some cases, the judges are literally just throwing out the challenges. In other cases, the ones who made the challenges are withdrawing their challenges because it's clear that their challenges won't be taken seriously. That said, some counties may take them more seriously and hold more intense trials. In some cases, the challengers may appeal the more swiftly made court decisions and force yet another court case, slowing things down even more.

What does this all mean?

Trump didn't cheat (at least not in this specific case). Technically his supporters that made these challenges didn't either. These challenges are 100% legal under Pennsylvania law. They're ridiculous, but they are legal.

So does this mean you shouldn't raise your voices about it? That you shouldn't contact the White House and include this situation in your note about how there was foul play in this election? Absolutely not. You should include this situation, but do not frame it as cheating, because it isn't. Frame it as just another way that this election has not been run entirely fairly, because while it is legal, it means that there are perfectly valid votes that are still waiting to be counted while extremely tight races are already being called.

~~~

With all that out of the way, what was that thing I said about fraudulent voter registrations in Lancaster?

This is a completely separate issue, as I've mentioned, and it's already been discovered that the vast majority of registrations flagged as potentially fraudulent have been verified as legitimate. What is important to note is that these were voter registrations, NOT ballots.

News of this situation has gone national, so of course Trump picked up on it (and visited Lancaster not once but twice after the entire issue came to a head). But Trump is Trump, so what did he say? He said that these were fraudulent ballots, fraudulent votes. That is not true.

The issue was voter registrations, potentially being conducted by paid political canvassers that were being given quotas on how many registrations they needed to get in order to be paid. Whether that bit is true or not is still being investigated - if it is true, it's very much illegal.

As I said, the good news is that the vast majority of the over 2000 flagged registrations have been verified as legitimate, and the number that actually does seem to be fraudulent so far is hovering below 20% of the number of registrations initially flagged.

Again, this issue is completely separate. You may see it being lumped together with the current issue of ballots being challenged, but these fraudulent registrations are linked to an entirely different situation and have nothing to do with Trump or his supporters.

~~~

So! That's the tea on what's happening here in PA. It's not as bad as it initially might sound - not to say it isn't bad, it's just not as bad. Feel free to ask questions, I'll do my best to answer with the information I have/the information I'm allowed to give.

And also, on a slightly lighter note, I think we should all collectively laugh at the idiots who paid a grand total of $43,000+ in cash for literally no good reason considering most of these challenges are just being or going to be thrown out. Lmao. I hope our counties' treasuries are enjoying those donations.

[queers-gambit]

Menace

prompt: ( request that i accidentally deleted ) in essence, "drabble about Tangerine going to the bathroom and texting Reader 'come here'."

pairing: Tangerine x female!reader

fandom masterlist: Bullet Train

word count: 4.4k+

warnings: cursing, OC!Tangerine, we talk mental health (social anxiety), established relationship, busy public work settings, the request and then some, alcohol consumption, smut, bathroom sex at a work event (Cherry, what the fuck?), handguns and mild depiction of violence 'cause it's Tangerine, i give him a 'real' name (Aaron), not edited.

"This is such bullshit, sugar, c'mon, fuck are we doin' here?" Tangerine snipped in your ear, his arm curled protectively around your waist as he glared at those in rich suits and expensive colognes around him. "We don't belong 'round this lot, they're just here t'wave their money. There's no real reason for us bein' here, sweet girl, c'mon, let's just shove off. Better than chokin' on whatever this lot's wearin' - I mean, Christ Alive, smells like a bloody Bloomingdales, don't it?"

You smiled prettily in case of watchful eyes, telling him sternly in a sweet tone, "Lovie, I told you, my boss said we were needed for at least cocktail hour. We can leave before dinner, okay?"

"This is gonna last fuckin' hours, princess, c'mon, we should just go," he grumbled. "Fuck these people and these bullshit fundraisers."

"We'll be okay, I promise," you soothed sweetly, the honest opposite of Tangerine - leaning in to press a soft kiss to his cheek. You were constantly touching one another and early in your relationship, you realized how much you loved kissing him and completely forewent lipsticks or glosses because of it. Another peck and you told him in a soft tone, "C'mon, just remember we said we'd pick up Changs on our way home and there's that bottle of nice Merlot A - I mean, Lemon gave us," you almost used your boyfriend's brother's real name, but caught yourself with plenty of time.

"Hmm," he smirked, his favorite takeout place being a happy distraction. "Cheat day sounds nice, yeah, but still don't make this go any faster, now does it?"

"No, but we're not gonna be here forever," you soothed, turning into his chest to pet the expensive material of this navy three-piece suit. "You look so handsome, my love. Really love seein' you in navy suits, and the white button up looks really clean with it." Tangerine smiled down at you, the bustle around you melting away as he could only hear, see, smell, feel, and focus on you. Then, you spoke coyly as you fixed his tie, "If you behave the rest of the night, I promise I'll make it up t'you. Yeah? Maybe wear that li'l white thing you love?" He perked up, but before he could respond, you ended, "Or maybe I already have it on - anyways, so, listen t'me, I have to go talk t'some people and do the job that pays me, so I suggest you just take a deep breath; get another drink, find Lemon, and then we'll go soon, okay?"

He looked around the usual investors his private employer had to shmooze for donated funding and frowned when he was acutely aware of not just the sheer number, but how many "important" people attended the evening's gala. The Black Market was funded by multiple someones; most of whom were in this very room and while under the radar, it still made Tangerine feel as if a huge target was painted on the building's wall. There was always a need for services outside the law and these richie-riches couldn't take the money with them to the grave, so, they donated money if it meant they were "well taken care of".

The Twins' handler insisted they attend the gala tonight; being well aware that they were more like show ponies for being on display for investors to see. Putting a face to names made myth into reality, and your boyfriend was a hot commodity due to his skill as a contract killer. He and his brother were legends around the various active agencies, investors happy to see their money going to good use; all wanting to know what they had bought for a price-tag of several billion.

The common conversation of the evening was how readily available The Organization was able to offer their services with no questions asked, no matter what. Tan hated these events, feeling nauseated, overstimulated, overwhelmed; overall, exploited by his employer as attendees gossiped about the Bolivia Job, the Kyoto Crash, the Libyan Disaster, and a few other memorable jobs Tan and Lemon were involved in. Their beady little eyes followed him around, mouths hidden behind crystal flutes of champagne, and bodies always shied away from him as if he were a wild beast.

Sure, they pay to sit and gather in the arena, but flee when the raging bull they've helped antagonize gets loose.

Then you came along and took on the brunt end of these social events. Tan was never quite sure how you got involved in this life, you always giving a new answer, but knew you had gone to university for multiple degrees - one being in something called "communications". Now, if you had asked Tan a few years ago, he'd've said that was a bullshit job, bullshit degree, a total waste of time. Now that his popularity had grown and he was exposed to more social obligations, he was was beyond grateful to have someone navigate this with him. Tangerine's bad attitude most of the time was just a deflection, being why you and Lemon could handle him; knowing the lad's anxiety often choked him past logic and made him a sarcastic, violent cunt.

When Tangerine forced himself back to reality after glaring at the other warm bodies mingling around, Tangerine's arm contracted tight enough that he could bring you in for a quick kiss. Quietly, he muttered in your ear, "I'll give you half an hour, darling, no more."

"No less," your eyes rolled but your lips were spread in a grin. He chuckled and softened his expression; whoever might've been watching feeling something akin to shock and awe (like one felt when they saw a lion in person for the first time), knowing Tangerine was a horribly stoic, violent, and short-tempered man. To see him now, amused and soft with such a beauty of a woman - well, it was jarring. He was still known to be an asshole, but it seemed you had a stronger leash on Tangerine than his handler ever did. But perhaps, no stronger than Lemon.

"Right," Tan sighed. "What was first on your list fa' me t'do?"

"You're gonna take a deep breath, get another drink, and then find Lemon," you repeated softly, "but I'm gonna say you owe me a kiss before that drink."

Tan huffed.

"That wasn't a deep breath, Tan, c'mon, we've been over this," you mock glared, feeling both his hands secure to your hips. He pet the expensive silk you wore with his thumbs, the pocket square resting over his heart a tailored square of the same material.

"Sweetheart - "

"In through your nose, out through your mouth, Tan," you cut him off. "Together, I'll do it with you, c'mon. In..."

Tangerine adjusted his stance in those shining Italian leather shoes you gifted him for Christmas that year. He took a steady breath in through his nose when you did, watching for your subtle nod, then exhaling slowly through his mouth - when you did. Again, together, in through the nose, your nod after about seven seconds, then exhaled through the mouth. After one more, you smiled at him in encouragement, both hands splayed on his lapels; his own moving so they coiled around you.

"All right," he grumbled, "yeah, it helps, pretty girl."

"Yeah?"

"Yeah, yeah."

"Feel better?"

"Don't push it, plum," he mumbled, bringing you in closer so he could kiss the hinge of your jaw, just below your ear while stroking your spine with his fingertips. "Thank you," he whispered, mustache tickling your skin, "always know how t'get me out me head, don't'cha?"

"I try, but you don't always make it easy, you know?" You rolled your bottom lip between your teeth to smother your grin, leaning into his chest. "Kiss me, please, then go get a drink and find Lemon. Don't talk to the investors," you warned, adding, "please."

This made a mischievous smirk spread across his lips, "Awe, hey, c'mon, aren't they here t'see me? I can say hello. You won't even 'ave'ta introduce me, they'll know me."

"Okay, yes, they're here t'see the lot of yah, but they're not here to get yelled at, yeah? Or called cunts? Insulted in any manner?" You sang in a light tone; caressing his cheek to guide him to your lips for a long desired kiss. The hand on his cheek curled around to grip the back of his neck, gently tugging the neat strands of hair as you tried to convey your pride.

Social anxiety was a bitch and though he'd deny it vehemently, Tan was riddled with it. Seeing him endure this evening (despite the constant complaining) was a mighty feat, wanting your kiss to spark something in his gut that would cause his confidence to soar so it'd put a bit of "pep in his step" to get through the rest of the evening.

And boy, did it.

After parting ways, Tangerine was left to get his drink with a full-chub that made him shake both legs out in an attempt to hide his arousal. Yet as he watched you melt seamlessly into the crowd, he couldn't get the picture out of his mind that maybe you were wearing that white thing he liked. Tan leaned on the bar top, cock stirring to life with each passing second; watching you mingle and mix and shmooze investors and wanting nothing more than to interrupt and get you alone. With his drink, he located Lemon, trying to forget the way his cock was begging for attention while you worked your magic on these walking-talking-money-bags.

"All right, bruv?" Lemon asked, the two standing with a few other agents that were wrangled in for the event.

"Hmm?"

Lemon glared, then snickered to himself. "Oh, fuck me, mate, you're fucked, aren't you?"

"Come off it," Tan took another slug from the expensive whiskey glass. "'S only me second."

Lemon blinked in shock, "That's not possible. You hate these fancy things, you don't like bein' sober at'em."

"I've been distracted."

"No shit, 'cause your lady's here, gotta be on your best behavior, don't yah?" Lemon snickered, sighing as he shook his head and accepted the champagne being passed around by a waiter with a full tray. "But enough that you ain't been drinkin'? Yeah, right - oh, shit, wait," he beamed, "didn't Y/N get that administrative promotion? It's that, ain't it? Ho-ho!" He laughed, "Yeah? Don't tell me you've been her arm candy all night, mate?"

"We've been tucked away, actually," Tan admitted, missing the way Lemon blinked in shock 'cause he was searching for you in the deepening crowd. "She knows I don't like these things, right, so, we stood away from 'em all, ova there," he pointed off to where Lemon knew was roped off for VIPs. "We were just talkin', laughin'. She makes these shitty li'l jokes, you know? Kept us more entertained than the rest of these fucks," Tangerine chuckled, hand hiding his grin of amusement as he wiped around his mouth to play it off.

This made Lemon nod with impression, "Yeah?"

"Yeah, but," Tan sniffled, "duty calls, she's gotta work a bit, get some donations goin'. Apparently, I'm not allowed t'talk t'the fancy donors."

Lemon checked his watch, "Fair enough, you did punch that Sultan - "

"Oh, come the fuck off it, that was three years ago! He was fine."

"You broke his nose, mate. You want another?"

Tangerine skulled the last of his drink, shaking his head. "Nah, I'm good, mate. Might be time t'go soon."

"I'll leave when you two do, wouldn't wanna be stuck here alone," Lemon agreed, the two turning away to stand at a cocktail table together and away from the others. "This is why we don't work inna office, this lot - Jesus, fuck. Oh, shit, oi, mate, you seen who all's here tonight? Fuck's sake..."

"Yeah, mate, I've seen 'em all, but there's too many t'know who the fuck you mean specifically." He pulled his phone out as Lemon rumbled on in excited impression about the evening's guests to send you a quick text,

wrap it up, pretty girl. i got things i wanna do to you that ain't for others to see unless they pay.

He could see you from where he and Lemon stood; and when your phone chimed, you checked it almost instantly, smiling at the message. He waited for your rapid reply,

if my panties had a crotch, they'd be soaked. love you in blue 💙

That was enough for Tangerine, who nodded at his brother, "Gimme a minute, yeah? Gonna pop off t'the loo before we go. Have another," he pointed to the drink in Lemon's hand as he backed away, "but not that frilly shit, mate, have a real fuckin' drink. Oi!" He snapped his fingers at a passing waitress, "Sorry, sweetheart, yeah, my bruva, there," he pointed at Lemon, who waved awkwardly, "will take a double whiskey, on the rocks, yeah, and he likes them lemon twists. That somethin' you can grab for him, love?"

"Absolutely," she nodded, high-strung ponytail swishing.

Tangerine snickered lightly, shelling out a hefty tip that she accepted, "And bring him a Lemon Drop shot, too, please."

"Anything else, sir?"

"Ah, if you'd like, maybe your number for him, too?" Tan instigated, hearing Lemon groan and grumble in embarrassment. "My bruva, there, he's bloody golden, yeah? Can't do no better, man just has no flaws - less we count tha' he's a wee bit shy, innit? Pretty ladies intimidate him a bit, but he's the bravest man I fuckin' know. Just gotta warm 'im up a bit, don't'cha know?"

"He sounds like a real gentleman. But maybe I can give mine if you give your number to my friend?" The waitress countered, pointing towards the central bar that the servers operated out of. There was a decently pretty girl with dark hair, twiddling her fingers at them with a pearly grin. "She's sweet, kind, absolutely wild in bed - "

"Sounds like an even deal, sweets, but you see - I've got a woman, yeah? And my lady? Well, she's kinda one of your bosses tonight, so, uh, might not be a good idea now, would it? She gets all territorial, protective, likes what's hers t'be just hers - ain't real big on sharin'." The waitress flushed in embarrassment. "But my bruva, here," Tan pointed back at Lemon while unlocking his phone, "he's a fuckin' don, yeah? Ain't nobody gonna treat cha' t'a better night. Oi, hey, I'll be back, bruv," he called to Lem with a smirk, then reminded the waitress, "double whiskey, lemon twist, on the rocks. And that Lemon Drop, please."

"Of course, sir, right on it," she agreed, Tangerine finally backing away fully. He typed you a new message,

meet me in the bathroom right now

Inside, it was decently spacious; unisex, six stalls, made of pristine marble, veiled fluorescent lighting, and there was a lock on the door - which Tan cared most about.

He planted himself behind the two other men at the walled-off urinals, hands clasping together in front of him. "Right, then, you two," he gestured between them, "got 'bout 30 seconds to finish yourselves and get the fuck outta here." He pulled the usual gun from his waistband, threatening, "Or I'll give you fuckin' fucks a show 'bout all them stories you love whisperin' 'bout. Yeah? How's that? Hey? Thirty! Twenty-nine! Twenty-eight!"

They were barely zipped up and gone by the time Tangerine got to second 21; you entering right as the two were scurrying for the swinging-open door. You yelped a little, jumping out of their way, offering Tangerine a strange look and musing, "Uh, what was that? You fightin' in the privy, again?"

He put his handgun away as he stalked towards you, "Just makin' sure we wouldn't be interrupted."

"Tan, hell no, there's so many people!"

He yanked you from the doorway, making sure it was shut before locking it loudly. "Then we gotta be quick, don't we? C'mon, doll, real fast, bosses won't even question you bein' gone."

"I still have work - "

"Nah, nah," he pawed your gown's skirts upward, "you been teasin' me all fuckin' night, lookin' too fuckin' good - I can't wait, baby. Just look so Goddamn pretty, feels like I'm losin' my mind. Lemme see yah," he got the silk bunched around your waist, gasping loudly when he saw your panties. "You really did wear 'em... Like the good girl you are," he purred, one hand dropping the silk to run his hand over the strappy and lacy material you wore. "Swear I'll take my time with yah at home, the way I want - but can't do that here, just needa be inside yah, sugar, c'mere."

"Baby," you gasped when his fingertips ghosted around your cunt that was bare due to the crotchless cutout. "I only need a-a-a," you trailed off, panting when one finger suddenly plunged into your cunt, "ohhh, shiiiit. Yes, baby, oh, God!"

"Keep talkin'," He smirked, backing you up towards the marble counter. "C'mon, tell me off. Tell me what's more important right now, huh? More important than this? Is it work? Huh? Work got you distracted? Wanna get back t'it instead of bein' here with me?" The heels of your palms slammed into the pristine counter, whimpering when he pumped erratically. "Aht, here you go," he smirked, pausing to pull his hand free of your warmth; seizing your waist and helping hoist you back onto the sink's ledge. Your lips meshed sloppily with his, Tan letting you dominate the kiss because you were mewling - so desperate for him, you were nearly suckling on him; hands trembling as they held his cheeks with your manicured fingertips. When your legs instantly spread to accommodate Tangerine's hulking form, grinding your hips into him, he seethed, "Good girl," before sinking his digit back into your wet heat that halted your ministrations out of pure relieving pleasure.

"You're a menace," you panted against his mouth when you remembered reality, Tangerine's belt rattling open and his zipper teeth shrieking when you shucked them open. "Gimme," you whispered, reaching for him; dropping his pants the rest of the way to take his pulsing cock in hand. "This what you wanted? Right? Why you texted me? Interrupted me?"

"Exactly," he licked his lips before smashing them to yours in a suffocating kiss, always the one to help you push boundaries and do things you never thought you'd ever do if not for him. "Why're you so wet? Huh? Why's that? Had this on your mind, too, didn't'cha, dirty girl? Why else would you wear my favorite?"

"'T reward you for tonight," you panted, giving his cock a few pumps. "'S my scene, not yours, just so fucking proud of yah - for how you did, gettin' through it," you guided him to your weeping entrance after pushing his hand from you, both gasping when his cockhead notched on the lip of your cunt. "Yes, yes, yes, yes," you chanted, praising him as he sunk his hips into your own; effectively blurring your mind.

He grunted, needing a single moment to press his balls between you two as he waited for you to accommodate to his size. Forehead to forehead, your eyes remained shut; breathing the same air, feeling your insides fluttering at the size of him. His mouth was at your ear, demanding, "Tell me again, pretty girl."

You knew what he wanted, letting your legs spread a little wider and held onto his shoulders since this position didn't allow for much else. You whimpered, "You did so good tonight, baby. Oh, fuck, I'm so proud of you - you did so fuckin' good." He groaned and retracted his hips, beginning a brutal pace and messy rhythm to pump himself in deep strokes. You had to hold onto his upper arms now to allow him space to move. "Always so good for me, but tonight? Fuck - you're so good, Aaron. So fucking good - and tonight you were fucking amazing. I'm so proud, so fucking proud of you," you whimpered, his hands holding your hips so the counter could pose as leverage to allow him the angle to pound up into you while shifting you down on him.

"Almost there, baby," he begged, eyes all over. He loved the sight of your 'panties' still on; the criss-crossing of the straps and pattern of the lace still in place while his cock made a mess of you. Your gown glittered in this light, your skin tacky with a thin layer of sweat from your arousal that made him dip low and lick a bold stripe between your breasts. "Lemme see - lemme get a taste, doll, want you in my mouth," he muttered against your cleavage, still holding you on his cock as you pulled a tit free. You gave a shrill yelp when Tangerine surged forward suddenly and bit harshly on your budding, sensitive nipple; but it was in-sync with him changing the pace of his thrusting to something borderline painful.

It wasn't a secret he was well-endowed, there wasn't much to the imagination with the way his suits are tailored.

But having ten(plus) inches; fully swollen, engorged, jackhammering into you at this angle? It wasn't the most pleasurable at first, but with Tan licking, nipping, and sucking at both nipples now, you endured until moaning authentically. You were all but hanging off the counter by now, Tan the only reason you weren't on the floor; using upper body strength to hold onto him while slithering a hand toy your stomach to toy with your enlarged clit.

It took very little time of harsh pressure from your fingers to come undone, pleasure mounting to a crescendo before shattering your grip to reality. With a gasp, your hips humped into Tan's by your own blinding vocation; arms tight around his shoulders to remain upright as you milked yourself.

The contraction of your cunt was all Tangerine needed, and four slaps of his balls later had him doubling over and pinning you in a small slam, chest-to-chest, to the marble.

"Oh, my fuckin' God," you panted in appreciation.

"Shit," he realized, "shit, fuck, did I hurt you? Fuck - baby - "

"I'm not hurt," you panted, keeping a tight hold to refuse him from standing up, "just happy."

He deflated with a small chuckle. In your neck, he mumbled, "I can't feel my legs."

"Wanna sit?"

"Nah, not here," he mused, licking the sweaty skin of your pulse point. "Just had t'wear the li'l white ones, didn't'cha?"

"You get all worked up when I do."

"With good reason, should see yourself the way that I do - Goddamn, doll. My girl's divine, too good for these fuckers out here."

You were about to retort, but there was a loud, rapid banging at the locked door. "Hey! Hey! Whoever's in there! There's people that need in, you fucking arseholes! Get your dick wet at your own place, you broke bitches!"

You gasped and slapped a hand over your mouth as Tangerine finally stood off you, keeping you balanced on the counter as you sat up. "Oh, my fucking God, Tan! I-I-I-I'm gonna get fired! Oh, holy shit! This isn't happening!"

"No - "

"Aaron, we were literally just caught - "

"Hey, hey, just breathe," he paused, sighing as he caressed your cheek. "Let me handle this for us, okay? The way you protect me, let me protect you. Yeah?"

You nodded mutely, looking ready to burst into tears. After Tan pulled out and helped you clean up (ignoring the warm cum that dripped down your inner thighs), he simply wrapped you in his navy suit jacket, rolled up his crisp white sleeves, and pulled out his handgun. "Oh, baby, don't - "

"Trust me," he purred, arm secure around your waist. "Oh... Shit, hang on," he set the gun down to use his hands and fix your hair, your heart soaring by the sweet, domestic gesture. "I got'cha, pretty girl, one sec - there we go, yeah," he smirked, looking proud of himself. "Yeah, all right, there we go," he cupped your cheeks, "all perfect."

"Thank you," you whispered.

"Now, we're gonna walk out with confidence. Just don't stop, don't look at anyone. Actually, look a li'l smug," he instructed. "And we're just gonna grab Lemon and get outta here, yeah?"

You pouted lightly, "After I get the O-K from my boss."

"Nah, we don't ask permission, just forgiveness."

"Terrible philosophy."

"I prefer effective. Ready?" He asked, picking his gun up again. You nodded, latching onto him as his arm secured around you again, then approached the door. He unlocked it loudly and yanked it open, glare instantly taking over his expression as you were met with a gaggle of angry, grumbling patrons. "We got a fuckin' problem?" Tangerine sneered, his gun winking in the dim lighting; those who were waiting instantly backing off.

You did as he advised: didn't look at anyone, didn't stop, looked a little smug. He lead you through the throng of people, hearing a woman sneer under her breath - gasping when Tan turned his gun on her. "Tangerine!" You snapped, the people around you all freezing.

"Got somethin' t'say?" He taunted the woman, who shook her head. "No? You sure? Now?" He asked, shifting the weapon over to her date's forehead. She shook her head again. This made Tan smirk, "Jealousy ain't pretty on anyone, love. Keep your fuckin' mouth shut."

"Let's go, now," you insisted, tugging on his unbuttoned waistcoat to walk away together. "Can't shoot everyone who offers insult."

"No, but word will spread," he smirked. "Ain't nobody gonna say a fuckin' word to yah now. And if they do," he shrugged, "you'll tell me. All right, now, uh," he paused you both, nodding ahead, "that's a bit of my doin'. Question is, do we interrupt?"

You peered around a person or two until Lemon and a pretty waitress was in sight. She was giggling and grinning, the two deep in conversation; just enraptured and toying with each other's hands.

"We should probably let him know we're leaving. Maybe text him?"

"So, we are leaving, huh?" Tan smirked. "No more precious work to go run off to?"

Your lips moved beside his ear, licking the shell before speaking so your cool breath fanned over the wet skin, "I can't work with your cum leakin'."

His hand groped your arse cheek tightly, "If you do, I promise t'make yah my li'l Twinkie, huh? Fuck you all night, like you deserve."

"Oh, now you wanna stay? You fuckin' serious?"

"Yeah, but, now it's a game."

"You're a fucking menace!"

requesting rules and masterlist

Bullet Train masterlist

[waltricia]

Regardless of whether anyone actually reads this, I need to show appreciation for the writing, blocking, and editing of the last scene of 3x03, “Forces of Nature.”

Recently, I noticed that the LW line “this author is captivated” was very specifically placed over a shot of Colin and I knew it was intentionally done to convey the double meaning of the narration being about her and him.

Since then, I’ve realized that the same thing is happening throughout that entire LW narration. And it is fucking BRILLIANT.

So, first of all, this is the transcript of the narration:

“This author believes that all of man’s greatest inventions are nothing more than a distraction from what is most natural to us. Our instincts. The innate animal impulse that is inside even the most sophisticated of us. For when all is said and done, our nature will always win out. It seems Lord Debling’s instinct has led this man of nature to the most surprising pick of the season in Miss Penelope Featherington. Suffice it to say, this author is captivated. For in the battle between man and nature, it is quite clear that the battle is in fact between man and himself.”

Now I’m going to break it down with captioned stills so that you can see which words line up with which frames and I’ll explain what I believe it all means.

“This author” - When it’s first said, it’s on Pen. The second time it’s on Colin. I think there are several meanings here. Firstly, she’s Whistledown and she’s published. He will be, assuming he publishes his travel journals or whatever. Secondly, I think it highlights how they will be united, in the Whistledown storyline along with everything else. There’s a third meaning, but I’m going to get back to it later, once we get to the second use of “this author.”

This is the Innovations Ball, so on the surface, LW is speaking about man-made technology versus the natural world. But with the introduction of “man,” the shot immediately cuts to Colin, so the second layer of the narration is about him. All of Colin’s invented personality traits are a cover, hiding his true self- his sensitivity and his feelings for Pen. Obviously, this echoes what she wrote about him in 3x01, but it’s different. The context is the same, but this time, she’s not speaking directly about him, and really, she may very well not be thinking about him at all in writing it. After all, she still doesn’t know about his feelings for her. But we know. And the feeling of what she’s saying this time is less jarring; more, fittingly, natural. Because he’s starting to confront all of it as well.

In this shot, Colin has been walking across the room to get to Pen. There were people on his right, obstructing his view of her, but as LW says “natural,” Colin passes those people and, though we cannot yet see Pen, we can tell from Colin’s face that he finally clearly can. She is what is most natural to him.

He comes up to her and says that he has a question for her. The narration starts again. But on this shot, it’s only the one word, “our.” Aside from this just being romantic, I think it highlights that the narration is about both of them. But I also think that it’s not just about them. It feels to me as if, metaphorically, it’s written by both of them. Hence, my emphasis on the importance of “this author.”

We cut to our first close-up of Colin in this particular intimate sequence of close-ups. And we’re really in his perspective now, as he’s struggling to manage his feelings.

Again, he had been masking, trying to be like the other “sophisticated” gentlemen.

But a shift is occurring within him.

And this where I really hope there is at least one other person out there paying attention because all of the elements are coming together to tell us something incredible here. We have our beloved Julie Andrews delivering the line with a profound heaviness. We have Kris Bowers’ “Call Me Simon” coming to a close, sounding like a clock striking midnight. And we have the decisive sentiment of the words themselves. I'm convinced that the words “done” and “win out” being said on Pen speak to the finality of Colin’s feelings. If there was uncertainty before, it is gone now and there is no turning back. He is in love with Pen.

But before Colin can say anything else, Debling steps in and takes Pen away to dance.

Side note: Amazingly, I can back up my theory with this shot and another one of my theories:

I had said, when the trailer came out, that when true red shows up behind Colin, that indicates his love for Pen. This is the first time we see that happen.

But anyway, back to Whistledown…

Debling is the literal “man of nature,” while Colin is the metaphoric “man of nature.” Both have picked Pen.

We’ve finally come to the second “this author” and here’s the third thing I wanted to say about it: Possibly my favorite thing about this sequence, is that it acts as a vehicle for the representation of the Polin role reversal. From one end of the Whistledown narration to the other, Pen and Colin literally and metaphorically switch places, seamlessly. They exchange their physical places in the room. She’s the wallflower, then he’s the wallflower. She’s the author, then he’s the author. In a metaphorical sense, they’re both writing this Whistledown piece. This whole sequence serves to show us how Colin and Pen have really been equal this whole time. They’re just star-crossed. It’s like what Luke has been saying in interviews, Colin and Pen keep missing each other. They have brief moments where they eclipse each other and then they slip right past until the next time they orbit around to each other again.

Ok, here’s the final stretch, and it is a fucking fascinating maneuver:

The battle isn’t between Colin and Debling. In fact, Debling doesn’t signify at all here. I’d say there are actually three other battles being referenced: Colin and himself, Pen and herself, and Colin and Pen. The first “man” of that sentence is said on Colin, while “nature” is said on Pen. So in the battle between Colin and Pen- for there is a battle, as Cressida will mention in 3x04 when she says “Eros and Psyche, battling it out”, and also there will be more blatant battling in part 2- the real battles Colin and Pen are facing are the ones within themselves.

Of course I’ve already written about Colin’s battle with himself.

The reference to Pen’s battle with herself is particularly interesting to me. At first, I didn’t see it and I didn’t understand why that bit of the narration was spoken over the Pen and Debling dance instead of over Colin. Then I realized that the second “man” of that sentence is said directly on top of this shot where, again, it’s not about Debling; it’s her face we’re seeing. Then, Debling spins her and the “himself” is on Pen too. And I know I’m right about this because the shot was in the trailer and I watched it so many times. And I noticed that Sam Phillips is very specifically looking away from the camera in this moment. I figured it was because we had to know that the moment was about her. And I was right.

Pen’s journey is her reconciliation with herself. Colin and Pen really have the same inner battles. They both need to drop their masks. That’s why the mirror scene is going to be so important- it’s about exposing and embracing the bare parts of both of them. They are already equal and united. They just need to see it.

Ok that’s it. I’m done. I got it out. And I literally can’t add any more images to this post. To anyone who will have read this fuckin novel I just wrote, thanks for sticking around. These ballroom sequences are particularly difficult for the cast and crew to do, and there is obviously so much complexity in this one, so I feel like it should all be acknowledged. Someone has to acknowledge it, and if that has to be me, I will gladly continue using up my Friday afternoons to do so.

To the cast and crew, to the captain of the season 3 ship, Jess Brownell, to the director, Andrew Ahn, and writer, Eli Wilson Pelton, to everyone’s favorite choreographer/movement director, Jack Murphy, to Luke, Nic, and Julie fuckin Andrews, I see you and I love you. Please keep doing what you’re doing. It’s all worth it. ♥️