#because he was fine as hell in it

[jeonseoguu]

self indulgent jotahan 😼 (for me and @mrmillipede)

cw: freaky stuff after the cut

[kelin-is-writing]

HELLO???? PRO-HERO TOUYA???? I’M FOLDING SO BAD—?????

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[lazylittledragon]

DID ASTARION GET A TATTOO ON HIS RING FINGER TO MATCH DORIAN+HIS FAM?!?!?!?!?!? I'M DYING

YES OF COURSE HE DID <33

[lucabyte]

A belief in Nominative Determinsim

[musubiki]

its been a while since my last summer mochi 🌺🏖️

[itsnotacostume]

we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?

[sanasanakun]

People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).

Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.

[laurrelise]

i’ve done another silly little doodle :3

[waitineedaname]

I think the Bradleys are unintentionally the funniest part of fmab. Wrath is the leader of a country but King is his first name, not his title. His adopted ten year old son is actually at least 350 years old and his oldest brother. Mrs. Bradley somehow seems unaware that her son does not age or get injured. Pride is so scary and fucked up that even other homunculi don't like him, but he apparently goes to school like a normal little boy and writes essays on how cool and awesome his dad is. Wrath and Pride both hate humans but they both agree that Mrs. Bradley is pretty great. When they die, Wrath ages several decades in like seconds, and Pride gets turned into a fetus. What the fuck is up with them

[plutonious]

elesa and emmet accidently get cilan absolutely wasted a few days after his 21st. he's in the torture chamber(bar bathroom and elesa's apartment)

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[agoraphopia]

Yandere Xiao as an idea devastates me to my very core. I think the self loathing he’d experience would be near debilitating.

There’s the concern for your safety paired with such intense longing he knows he shouldn’t allow to fester. Yet he indulges in checking up on you, in itching that ever present paranoia that whispers imagery of you down dead in a ditch somewhere.

At the end of the day, it’s all excuses and Xiao isn’t oblivious, especially not when his feet are weighed down heavily as he watches over your sleeping form, carefully scrutinising the rise and fall of your chest.

Is that a breath?

…

…That one definitely was, but just in case, let’s watch for another.

…

That next was a bit shallow, perhaps a trick of the eye? He needs to see another to placate the fear of losing you.

It’s a cycle that continually plagues him some nights right into near dawn’s rising.

Staying away eats at him like he were at the mercy of a swarm of locusts that conjure up ill fated deaths that could easily befall mortals such as yourself.

Yet the guilt that manifests whenever he’s nearby is on equal levels of excruciating.

On his own, non Yandere Xiao already deems himself as unworthy of harbouring such inappropriate feelings when he sees himself as little more than a weapon.

In Yandere form? That sentiment is doubled.

However, if you were to be gravelly injured, it’d be enough to incite a knee jerk reaction where you’re locked away in a serenitea teapot of his own he personally attained in that ‘just in case’ fantasy he, in his best efforts, seldom dwelled upon.

Even if you loved him back, I think he’d struggle to believe you. The same can be said for Non Yandere Xiao. Except with Yandere Xiao, he reasons it to be a lie, a method of manipulation you’re attempting at employing. If not, then it’s false, a fake love birthed from pity (something he innately despises, but markedly doesn’t blame you for in the slightest, only himself as always) for his extremities that lead him down such a dark road.

It would take a lot for him to believe otherwise.

[eelclaw]

stupid fucking bastard. i am not coping with the leaks

[ar-mage-ddon]

extremely messy doodle dump that devolved into me anguishing over trying to figure out how to draw that damn default hat at other angles