#because have you SEEN the kid?

[miiilowo]

the fact the fnaf kid's hair colors in the movie match up with the animatronic they were stuffed into (w the exception of bonnie) feels deeply fucked up cause you just KNOW william did that shit on purpose. like yeah lets make a matching game out of this why not

[puppetmaster13u]

Prompt 297

“I feel like we should be concerned about Tim.” 

“Honestly we should always be concerned about him, but what made you realize it this time?” 

“Have you seen his search history- wait no you haven’t you haven’t been in the cave all day, look at this-”

“...'Is it legal to adopt the ghost of a kid? Can someone call CPS on a family’s ghost? How to take care of ghosts 101? How do you get a ghost of a child to not be scared? What to do if you find ghost children in your home? What the fuck…?” 

“Exactly, I think he needs an intervention.” 

Or in other words, after getting thrown into another dimension thanks to the GIW destroying most of Amity, a trio of ghost children decide to crash in this seemingly abandoned apartment building. No one seems to live here anyway… Tim Drake on the other hand, gets a notification that there’s someone in his main safehouse that he might’ve slightly forgotten about thanks to having his house-boat now, and sees a trio of starved looking ghost kids

[fluffyartbl0g]

Everytime I go into the Zosopp tag, I just see people SCREAMING CRYING SOBBING about the lack of posts IN the Zosopp tag. THE ZOSOPP ECONOMY IS IN SHAMBLES

[mugentakeda]

more jetko tomfoolery

[ewwww-what]

friendship so strong it grants you a sixth level spell slot. I have words to say.

[satorusluver]

Sorry but "slightly evil" canon L is just so interesting to me.

The L who calls himself justice, but the real reason he's spent his life catching criminals isn't out of a sense of justice; it's because it's fun for him.

The L who's willing to lie and cheat and break the law, to use thieves and conmen to achieve his goals. Because it's all a game to him and he'll do anything to win.

The L who's incapable of trusting anyone, perhaps partially because he projects his own sly nature onto others, and because he's had no one get close enough to him to change his mind.

The L who doesn't know how to love in a healthy way, or how to love at all, and isn't sure he's even capable of it, but who knows that he feels something for you he's never felt for anyone else.

The L who would have no idea what to do with the emotions he feels for you, who wouldn't know how to open up his heart and his life and be vulnerable with another person, but who finds himself for the first time in his life wanting to try.

The L who knows he is a monster, and has always been content with being one, until you managed to work your way into his heart.

[poorly-drawn-mdzs]

Custody Battle: START

[First] Prev <--> Next

[posi-pan]

for anyone who has ever seen someone claim pansexual was coined on social media by teenagers in the early 2000s, the 2010s, and even in the past few years, and believed it or wondered if it’s true, or known it’s not true and been annoyed by the misinformation, this article is for you!

after listing out all of the claims i’ve seen, i succinctly debunk them by laying out a brief overview of pansexual’s history dating back to the 1960s, both as a term generally indicating universal appeal/inclusion and a term indicating sexual freedom/attraction to all genders. i include a look at pansexual’s use specifically within queer spaces, with a focus on bisexual spaces, as well.

i also touch briefly on omnisexual and polysexual existing in similar contexts to pansexual dating back to the 1960s. and finally, i discuss a little bit about how when, where, and by whom a label is created doesn’t determine the validity or usefulness of it, because these claims come with the implication that new labels, labels created by kids, and labels originating on social media aren’t legit forms of queer expression and identification.

happy pan week! 🥰💗💛💙

[magicpiano]

Batfam AU where after Jason's adoption and him becoming Robin, he and Dick just don't get along At All. They basically can't even be in the same room.

Tim notices this because of his stalking and just can't let it go. Nightwing and Robin are his heroes, his idols, they can't fight! Reality doesn't fit with his imagined idealistic version of the Waynes who are a perfect happy family.

So naturally Tim decides it is his duty to do something about it. So he creates a series of elaborate plans to force Dick and Jason to interact and work together in hopes it will fix their brotherly relationship.

This does eventually work but Tim accidentally becomes Gotham's newest rogue in the process. Whoops.

[dadvibrator]

T4T detrans kink not from transphobic trauma but from the longing of feeling desirable when you used to be a girl, when cis guys would want you. when you had long hair and hardly any body hair and straight boys flirted with you.

but you were trans. you felt awkward in that mold of girl and boy. you were probably gay too, and you liked these boys. but not in the same way they liked you, not the same way other girls around you liked boys. and you missed out on a lot of fun experiences growing up because of this

and now you’re on T. and that’s amazing. and maybe cis gay guys are even into you, and that’s cool. but they just… don’t really get you. and you don’t really get them. sometimes you kinda wish you could be that young girl again, and have the guys you’re interested in wanting your attention and putting in the work to have you as their girlfriend. you used to have that, but you missed out on those opportunities

and let’s say you try to hook up with straight guys. the problem is. not that many are gonna be into you, you’re too hairy, too many, voice too deep, and even if they are okay with that they just wanna fetishize your trans body. they’re not seeing you how you want to be seen. you want to be GIRL. you want to be feminine again and wanted

but with a trans guy? happily seeing you as a girl? seeing right through you, loving those curves and your soft skin and recognizing the girl underneath your transition? he understands and he gets it. and you see HIM how he needs to be seen. as the young man going after girls like he never got to when he was young before his transition. because cis girls just don’t get it. but you get it.

[marzipanandminutiae]

Another Logic Exercise With Marzi

Claim: during the 19th century, homeowners built in "disappointments rooms" in which to chain up/hide disabled or mentally ill children (or modified existing rooms into such), with special features like metal floors with grates or doors that locked from the outside only

Discussion questions:

Most builders were hired locally back then. Do you think that entire crews of builders constructing or renovating these rooms could have been trusted to keep quiet about their existence?

The original "disappointments room" that went viral online was in the 1857 home of Laurie Dumas, in West Warwick, Rhode Island. It featured a metal floor. Would a child trapped in a room with a metal floor make or less obvious noise than one in a room without? What does this mean for the effectiveness of such a room as a hiding-prison?

Above, but with the fact that the room has exterior windows on the front of the house.

The girl they assumed was locked in there- Ruth Carpenter, who died in 1900 at age 5; no known evidence of disability or mental illness -has a very public grave and was therefore known in the community. Is it likely that a child that people wanted to hide away would be publicly acknowledged?

Laurie Dumas was told about "disappointments rooms" by a random lady at the public library. Is that a reliable source?

Would building a purpose-made room to lock someone away be more or less cost-effective and private than just confining them to an existing room in the house or institutionalizing them?

Is there any other sort of use for an attic room that IS attested at the time? Like, say, a nursery, staff bedroom, storage room (coal or otherwise), etc? Could a given alleged disappointments room be explained by one of those known, documented room types?

And once again: am I believing this because it sounds like a horror movie- there literally is a horror movie about this concept, in fact -and I want to believe it even though it falls apart when one applies logic?

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[puppetmaster13u]

Prompt 209

Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that. 

What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!

Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke. 

… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes. 

He better not be turning into Bruce he swears-

[harrowscore]

can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.

[ohitslen]

College (uni??) AU catering to my own interests as it should always be hehe :)