#because I don't think they could cram all of it into one episode

[meownotgood]

we'll see aki driving tomorrow.........

[delphi-shield]

OLD FOLKS HOME ↪ age gap hcs

the people you love & the shit they do that reminds you of the dreaded Gap (tm). characters included: leon kennedy, chris redfield, jill valentine, claire redfield, rebecca chambers no warnings to speak of. remember kids, if you're gonna date people in their 30s and 40s, you're gonna have different cultural contexts and, most likely, different senses of humor.

Leon is eight levels of irony deep. He started doing Old Guy Shit just to mess with you, and now it's all come full circle. 

It turns out he actually likes watching the weather channel. He’s monitoring storms that are miles and miles away from you, pointing out the feeder bands like it’s some kind of sporting event. 

He's genuinely invested in Ice Road Truckers. He asks you to TiVo it for him when he's gone. You do not have TiVo. In fact, you're pretty sure no one still has TiVo. 

Or you were, until Leon once again committed to the bit and got TiVo.

Really, genuinely annoying about old movies, actors, and directors.

”What do you mean you don’t know who Robert Redford is? The Candidate? Butch Cassidy and the Sundance Kid? C’mon. He was even in an episode of The Twilight Zone. You’ll know him when you see him.”

At least you get movie dates out of it.

Movie dates that he will pepper with trivia about the film, by the way. You don't need the commentary track. He is the commentary.

I'm so, so sorry about this. 🤪 is his favorite emoji. I know. I'm sorry.

Chris cannot fucking hear. To be honest, I think most of them have some degree of hearing loss - but Chris in particular seems to have very subjective hearing loss.

Yes, you were just having a full-fledged conversation. No, he didn’t hear you ask him to take out the trash. He didn’t forget, he just didn’t hear you. Sorry, you were standing on his right - come on, you know that’s his bad side.

Explains basic technology to you because he’s not sure if you know what it is. Then, in the same breath, crams in so many military acronyms he may as well be reciting the alphabet. Does not explain the acronyms.

Like, yeah, Chris. I know what a landline is. Dial-up internet, too. Now, what the fuck is an ORE?

Have you ever gotten ‘ok’ in response to a nude? You’re about to. Completely demoralizing, by the way.

He didn't know you wanted him to compose a poem dedicated to your beauty, okay? He tries to get better, but winds up sending shit like 'wow 👍'

Does the dad thing where he insists he's not interested in watching what's on TV and then stands with his hands on his hips in the middle of the living room, enthralled by the show.

Jill does not understand your music. She will not make an attempt to understand your music. If you see her tapping her foot to the beat, no you do not. She is not interested in expanding her musical horizons.

She only bought you tickets to that concert because she knew you would love it. She only went with you because you’re cute when you’re so into this stuff. She only bought that t-shirt because it would be a good souvenir, and eventually, a good grease rag.

Generalized distrust of social media. Do not show her a tiktok. She will ignore the video and lecture you about data safety. Jill, please. Just watch the fucking cat video.

And then she turns around and opts in to literally everything on the McDonald's app.

If there’s a rewards program, she’s in. Already sold. Didn’t even read the fine print. All that shit she was telling you about how you need to be more careful is right out the window for some free fries.

Anything for the thrill of a good deal. If she had more time on her hands, she would be couponing.

Buys in bulk. No, it doesn't matter if the two of you could not physically eat that much rice. It's cheaper to buy it like this. It's fine. It's good for you.

Gotta stock up on non-perishables, too. You gotta be prepared in case something happens. "Better to have it and not need it than to need it and not have it."

Claire cannot stop shopping from QVC. She's in the kitchen with David. It Takes Two with Mary and Sandra? Wrong. It actually takes three. Mary, Sandra, and Claire.

Infomercials have got her by the throat. You have so many gadgets and gizmos around your home that are just collecting dust.

Gets wine drunk and goes online shopping. Legitimately does not remember what she’s bought.

Absolutely will not let you open the packages. (“Some of this stuff could be for you, you know.” “Claire, last time it was a 10,000 count package of googly eyes.” “And I used all 10,000. You still haven’t found them all.”)

Uses every piece of technology until it’s about to fall apart. Absolutely not interested in having the latest and greatest. She’s one of those people who insists that as long as her phone can make calls and send texts, she doesn’t need a new one.

Speaking of texts. Somehow, she got it into her head that a read receipt is equivalent to a reply. She doesn't get what the problem is. You know she saw your text. Why does she have to reply?

Genuinely doesn't mean anything malicious by it - but also, if you did that to her, you would never hear the end of it.

Rebecca legitimately has facebook humor. They all have some degree of facebook humor, but she's got it the worst. 

Will blow up your notifications tagging you in shit that is just straight up not funny. I’m talking full on tagging you with “😂😂😂”

Unironically sent you a minion meme once.

It's not that she's disconnected. She teaches undergrads. She knows what’s in, even if it’s only from the periphery. It’s just that she doesn’t care. She has no interest in keeping up with trends just for the sake of it. She’s so used to being the youngest person in the room and having to keep up expectations that she just absolutely does not care anymore. She's glad she's not one of the kids anymore.

If it made her laugh it made her laugh, her enjoyment isn’t shackled by feelings of shame!!

If you have a group chat on any platform with your friends please invite her. She's just happy to be included. She'll make a discord if she has to, and she'll brag about it to her students.

Yeah, she says pupper and doggo. She does. Look at her.

[fortheloveoffanfic]

Moves

Hozier x fem!reader

Author's note: loosely based off Suki Waterhouse's Moves. It was also supposed to be SMUT, but apparently that wasn't meant to be.

Author's note 2: y'all I meant to post this earlier but got distracted.

Summary: Y/n has had feelings for Andrew for a while now, and she's pretty sure he feels the same. Can one night change everything?

Warnings: unrequited love, but also, more requited than not.

She likes him – maybe its a little more than like, at this point. She adores the colour of his eyes, the way they’re green when its bright out, but then when they meet at dimly lit pubs or he hangs around late at night and neither of them bothers to turn on an overhead light, they’re this dark, hazel hue. She is thrilled by his laugh – not the polite courtesy chuckle he spares when someone tells a joke that isn’t even funny – she means that full bodied sound that erupts from his throat when they’re watching that one episode of that one show, the way he rocks backwards a little and rests his hand over his chest. And there’s something about the way he says her name too, that makes Y/n giddy inside, especially when she picks up his call late at night, while he’s on tour and the rest of the band is asleep but he can’t seem to keep his eyes shut without her voice being the last thing he hears before doing it.

Andrew told her that once;

"I don't think I could sleep if I tried....I need to talk to you first. Hear your voice so I can just...."

"Just what?"

He paused, hesitating, "nothing, I just like the way you sound. That's all."

Y/n could have sworn that it would have been the call that changed everything. She'd held her breath until around two am, when he finally yawned and said he was going to try to get some sleep.

He must feel the same, Y/n determined shortly after that. Because friends don’t sling their long arms around your shoulders, or kiss your forehead right after pulling you against them.

Friends don’t have moments where their lips get so close to the other’s that it won’t expend any real effort to make them to touch.

Andrew was the one to pull away that night and apologize profusely before blaming it on the liquor. She’s never told him, but she wishes he hadn’t. She thinks about it so painfully often that she swears the memory is burning a hole into her heart – the ache of what could've been, but isn’t.

Y/n is thinking about it tonight. They’re sitting on Andrew's back porch, a bottle of wine shared between them. The backyard is illuminated by the light over the wide, glass door that separates his kitchen from the deck, and the blue hued, inground lights that give the pool that sits between his house and the foliage bordering the woods a glacial glow. Off in the distance, she can hear crickets and the occasional rustle of some other, nocturnal creature moving through the trees.

The mood would be entirely romantic if it weren’t for the smell of barbeque and booze clinging to the thick, humid air. It's why they’re outside; its unusually warm and sticky for an Irish October, but Andrew has informed her its becoming typical for this time of the year. He also said that being outside helps, but Y/n thinks that was just an excuse for them to sit outside in hopes that the fresh air would sober them up.

But she doesn’t particularly mind – even if she’s been bitten by a couple mosquitoes.

Everyone else is long gone, and he'd asked her to stay back for a few more drinks while she helped him cram leftovers into his fridge. Its not unusual for her to be the only one left at his place – or vise versa – so Y/n is used to being alone in Andrew’s presence. In fact, she thinks she prefers when its just the pair of them, occupying a quiet space saying nothing but whatever pops into their somewhat inebriated minds;

“I read this poem that made me think of you.”

“I bought you a jacket, but I forgot to pack it.”

“Have you read that book I told you about?”

“Would you read this thing I wrote?” He asks after a couple hours of them going around in circles of menial chatter. Of late, everything Andrew writes is about her, and while he’s thought of telling her that more times than he can count, he can't seem to force the words out of his mouth. It isn’t even that he’s intimidated by her – that would be far too uncomplicated for an overthinker of his caliber. No.

He could never be intimidated by Y/n anyway; he’s known her for too long, too well. She’s the person that puts him most at ease; his heart doesn’t quicken when she touches his arm the way she’s touching it now as she says, “Of course, I’d love to.” In fact, the tick in his chest slows when she does that, he isn't nervous or worried or anything, he's just…. happy. And though her hands are usually so cold, Andrew swears there’s a tingle permeating the thin fabric of his grey Henley when she touches him.

Their eyes meet as Y/n promises to read what he’s written and she finds herself drawing in a shallow breath. There’s something else on the barest top of her liquor-stained tongue, but its refusing to break past her lips;

“I’ll read anything you write. I’d do anything for you, really.”

“Great, great,” Andrew beams suddenly, straightening his back before standing with purpose. “I’m gonna get it, wait here.” He doesn’t wait for Y/n to respond, not even with a nod, before disappearing into the house.

While he’s gone, Y/n tops off those sleek, stemless wine glasses with the remainder of the chilled Sauvignon Blanc and takes a sip of hers, hoping it’ll help combat the sticky heat that’s surrounding the property. She knows she probably shouldn't have anymore; her head is already fuzzy and there’s that tell tale film over her eyes. The one that makes lights stretch out like shooting stars and makes you feel like you're walking through a dream. Andrew must not be any better either, because he stumbled over all too familiar steps on his way back into the house.

“Got it,” he announces as he returns to the patio, raising the notebook over the head in triumph. Andrew is less than graceful when he retires next to her again, dropping the book into her lap. After a lengthy sip of his wine, he leans back onto his elbows. “It's the last thing in there,” his cheeks heat up, the dusty red colour creeping up his cheeks, towards his ears.

He’s a funny sort of drunk; chatty and able to make a joke of literally anything. He’s flirty too, yet somehow retaining his usual reserve. When they venture to pubs, he’ll flirt his way right into a one night stand without even realizing it, and then slink back to her side, rattling off an excuse involving the words, “ehm, well, she isn’t really my type.”

“Yeah? What is your type?” She’d ask, eyes challenging him.

He’ll look at her for a bit longer than usual, squirting his eyes a little as his waning smile fades completely. “Doesn’t matter,” he’ll eventually say dismissively, covering his words with a swing of his drink before changing the topic.

“Its not finished yet,” he mumbles as Y/n finds the page.

“It looks finished,” Y/n frowns, looking down at the way he’s signed the bottom of the page, the way he usually does after scrawling out the final words.

Andrew shakes his head, “ehm, I mean….the idea. I’m not done with the idea.”

“Oh.” They lapse into easy silence when she starts reading, meticulously scanning every line, barely restraining herself from ghosting her thumb over his hurried, untidy penmanship. Y/n can feel Andrew’s eyes on her as she reads. He's still laid back and propped on one elbow as he steadily sips his wine while she tries to get her hazy mind to comprehend everything on the page.

Its a love song or a profession – or she’s pretty fucking drunk and has lost all ability to to comprehend words.

No, its definitely a confession. A beautifully written one. Of course everything he writes is always much akin to poetry; but with this, every word is strung together like tiny bulbs in a reel of fairy lights. Each one in perfect harmony with the other. They’re carefully chosen, as if just one were missing its entire, delicate balance would be pitched into uncertainty.

“Andrew….” He sits up, draining the last of his wine as she lifts her head from the page.

“Is it bad? The worst fuckin’ thing I’ve ever written?” He chuckles sheepishly, rubbing the back of his neck as he flashes her a lopsided smile.

“It's beautiful,” Y/n rasps, suddenly feeling like the air’s been knocked from her chest, or like she’s been running too fast. There’s something besides the night’s oppressive heat surrounding them, something fragile and precious. Part of her wants to say something else, she can see on his face that he’s aching for more, but Y/n is absolutely terrified that if she does, it’ll be the wrong thing and the moment will be shattered into a million little pieces, scattered across the forests behind his house by an unexpected breeze, the way it happened on a night all too similar to this one.

“But?” Andrew is the one that dares to speak, the word uttered softly and with the weight of reproach clinging to its single syllable.

God, what if he’s ruined everything? What if the reason he’s never been able to tell Y/n the way he feels is because a morsel deep within him knows she doesn’t return his feelings. Andrew doesn’t even know if she’s interested in a relationship – or anything adjacent – right now, she doesn’t talk about going on dates and or fancying anyone.

What if the reason she never talks about other men is because she’s somehow gathered how he feels and is trying to protect him from the hurt? That would be awfully cruel, but he supposes it's the kindest thing she can do without ruining their friendship.

“But….” Right before her, in a matter of seconds, a dozen emotions cross Andrew's face and Y/n realizes that, if she’d been in front of a mirror the night he told her he likes hearing her voice before he goes to sleep, this is what she might have seen reflected in it. That cautious hope, with a bit of fear sprinkled in.

Upon realizing that there's no ‘perfect’ thing to say, Y/n hastily leans forward and rests her lips on his, in a chaste, close-mouthed kiss. He’s shocked at first, she can feel it in the way he stiffens. But after another couple breaths spent like that, Andrew wraps an arm around her, flattening his palm on the center of her back. As he relaxes, Y/n deepens the kiss, deserting the book in her lap to cup his face. His beard tickles the inside of her hands, just like she’s always imagined it would, and his tongue and lips are sweet with the wine’s fruity notes.

When they break, faces only inches apart, Andrew lets out a shaking breath while Y/n holds onto hers. “God….I don’t think I would’ve ever done that,” he admits, shoulders rising and falling with deep, heavy breaths.

Sometimes he wishes he had her courage, but most times, he’s glad its hers.

A hint of a smile tugs at her kiss-swollen lips. “I know,” she laughs softly, the sound airy and musical.

Her eyes are twinkling, like two stars plucked from right over the vast bed of darkness hung over their heads. Andrew is certain that no two stars have ever shone brighter, so its fitting that they belong to her – the most dazzling person he knows. Setting his glass down, he lifts his free hand to her cheek, rough pad of his thumb tracing her lips. “I’ve been thinking about it for a damn long time,” he admits. It's hard for him to put a definite number to it, it might as well have been very soon after they met.

“Me too,” Y/n rests her hand over his wrist, offering it an affectionate squeeze.

“I think…..” he trails off, struggling to keep a firm grip on his thoughts. His imagination is running a little wild right now; his mind is already churning out thoughts of his future as it changes shape. It's funny to him how one thing can change everything else.

One kiss, and he swears he’s seeing the rest of his life. Holding it.

“Sshh, we don’t have to talk about it tonight,” Y/n whispers. Talking complicates – they’ve been talking for too damn long anyway, and knowing Andrew, his brain is already three weeks ahead of him. Its sweet actually, because every plan she’s made for her future has been built around him, and now suddenly, he’s doing the same thing. “Lets just….”

“Just what?”

“Do this,” in an instant, Y/n closes the space between them again and seals her lips over Andrew’s. That time, he responds immediately, pulling her against him until the only thing left for her to do is slide her leg over his thighs and shuffle into his lap, pressing her chest to his and draping one arm over his shoulder while she keeps her other against his cheek. The way his beard scratches the area around her mouth makes her smile, and she thinks its something she'll get used to quickly.

All of it is so close to being as commonplace his arm slung around her shoulders and the sound of his voice coming through her phone while there’s a timezone and entire ocean between them. The way his mouth moves against hers, the heat of his hands as they hold onto her waist, the sound of his voice as he says;

“I’m glad you stayed.”

[kittenscookie]

Okay I've been thinking about Owl House a lot lately and...Guys I'm just so damn angry. Because I rewatched the first episode of the finale and realized something. That first episode is a season finale—That whole episode is one season's worth of content crammed into a single episode. That's at LEAST 12 episodes in 60 minutes—five minutes for each damn episode. But remember the first season of toh was nineteen, the second was twenty-one. If we assume the team would have continued with around that many episodes the average is around twenty. Twenty fucking episodes is sixty minutes—THREE MINUTES AN EPISODE.

This then led me to thinking about my other cancelled show with LGBTQ+ representation—Steven Universe. It's basically the same shit, except somehow fucking worst. The diamond arc should have been it's own fucking season, curing the corrupted gems and them having to get reintroduced to gem/human society should have been a damn season too! The two year time skip makes sense when you really think about it—that's the least amount of time it would have taken to get all that shit done in universe! A year to get the gems readjusted, a year to dismantle the diamond empire—plus episodes filling in gaps/unanswered questions. No wonder Rebecca fought so damn hard for SU Future and the movie! It was a desperate attempt to give herself and the fans some kind of closure! And don't forget! Steven universe seasons were LONG—the median amount of episodes was twenty-four.

This shit wasn't bad writing, it was rushed writing. Desperate attempts to cram what should have been at LEAST two seasons into a few short episodes. Can you imagine this? Sitting with your coworkers and trying to figure out how to make at least forty episodes only 3–6? What can be kept and what has to be left to the imagination? Think of what we fucking lost at those tables—Spinel could have been teased and had a better build up, we could have gotten a Wittebane Brothers flashback, we could have explored the characters in both shows trauma. I'm not just mad—I'm livid and not even for us. For Dana Terrace, for Rebecca Sugar. To have something you created thrown away without a care. I'd be in fucking tears.

Fuck Disney, fuck Warner Brothers.

[flower-boi16]

Thinking about this further, Viv could have made good use of the eight episodes she had if she just chose to take the time to rework the story and actually knew how to pace things. Cuz here's the thing, there are other seasons of TV shows I've seen that have had just as much if not LESS time to tell they're stories but are better paced and structured than HH.

The third season of The Owl House had only three episodes to tell it's story. Two of those episodes are 44 minutes long and the last one is 55 minutes long, so it's at least 6 and a half episodes of TOH and Hazbin Hotel, since both shows have similar runtimes. That is LESS than what Hazbin has, which is eight episodes.

There's also Scott Pilgrim Takes Off, a show that, like Hazbin, has eight episodes, so it has the exact same amount of time that Hazbin does to tell its story (I've seen the first six episodes of the show and it's already better paced than Hazbin).

The thing is, the reason why these things have better pacing than Hazbin despite just as much or even less time to tell their stories as Hazbin is because the writers of those shows actually knew how to pace things out and which things to focus on for the story. Viv clearly doesn't know how to pace things and it results in a mess.

And, mind you, The Owl House specifically got its third season cut short by Disney, so Dana and her crew were forced to completely rework 2B and whatever plans they had for season 3. They made sure every second counted when writing TOH season 3 knowing of the short time limit they had. And, the season ended up being an absolutely phenomenal conclusion to the show that provided a satisfying end to the story & characters, and it also ended up being better written, and better paced than Hazbin, despite having less time to tell it's story.

Hazbin could've had decent pacing if Viv didn't try to cram so much into eight episodes because it makes the show feel cluttered and unfocused. The show was already renewed for a second season, why not save all the big stuff for it? I don't know why Hazbin had eight episodes and who made that decision, whether it was an executive or Viv herself, but either way, she should have made good use of the time she had...but she didn't.

And, ultimately, it resulted in everything feeling rushed.

[sciderman]

What do you consider to be good Deadpool adaptations? This movie was my first Deadpool content in like a looong while so in need some more accurate Deadpool stuff

having a crisis of faith these days when it comes to good deadpool adaptations – there are SO few offerings... but, as far as deadpool adaptations go, the first deadpool movie really does hold up, i think. it's so sincere, when you revisit it. we're lucky to have gotten that movie. it's by no means perfect, but it's sincere. deadpool 2 is an even more wobbly time on it's feet, but i still like that portrayal of wade. i think both of those movies do a much better job doing whatever they're doing than dp/w does. they're movies. about deadpool. could they be better? oh absolutely. so much better. but... you know, i take what i can get.

we don't have much in the way of deadpool adaptation - you'd be surprised. he makes very few appearances in any other form of media. he has a video game that i don't like very much by virtue of being sensory overload for me - (but i think maybe it's fitting of the character) - he's shown up in a few tv series - his appearance in ultimate spider-man might my favourite one, just because it's so completely unhinged.

i really love that stupid episode. it just gets so many genuine laughs out of me i don't know what to tell you. his VA is unbearable, but the writing just - it's genuinely funny. and i just think it's a thoughtful portrayal of deadpool too. there's a lot to chew. from his consistent unreliable narration of himself - his patented approach of being entirely dishonest not just for tactical reasons, but because he just doesn't like confronting truths about himself - the clever ways he breaks the fourth wall, the clever ways he deflects, his ego plays - and his parallels to spider-man - it's incredible how effortlessly they managed to cram all of that into a fairly short television episode for kids - i think it's one of the best adaptations of deadpool. i feel like the writers genuinely knew and understood wade's whole thing and brought it across so effortlessly. i love how fully-formed this wade feels, and i'd honest to god really like to write about him. one day, just you wait. one day i will.

[centaurianthropology]

My thoughts on C3E77

So apparently this one was controversial?

I'm going to say right now, I really loved everyone's decisions. They all fit the characters, but more they fit the players. I know that there are claims that Tal ignored all the warnings, but I actually think Matt may have misjudged the situation going in.

Ashley made it clear on 4SD that she did not want the shard. I think she's not really feeling the Dark Fearne storyline (and that's fair), and Matt seems to have missed that she genuinely didn't want to go down that route. Maybe he thought she was playing coy? Maybe they've been playing together so long he thought he knew a story she'd enjoy and missed her signals that she wasn't into it. I've done that before with some of my long-term players.

However that went down, Tal and she had a conversation after 4SD about what they wanted to do, and it was clear going into the episode that they at least had it planned out who was taking that shard, and it was going to be Ashton from the off. The fact that Matt was not expecting that somewhat surprises me. As Taliesin said: he put a big red backstory-shaped button in front of Ashton, and Ashton is terrified of losing people. If Fearne didn't want the shard, Ashton was going to dive on that grenade head-first. And part of Ashton wanted it. They are told they can't do something, and they will go about proving that old tree and everyone else wrong in the most self-destructive way possible. They are intensely punk in that way.

Matt may have designed the shard for Fearne, but this is not the first time that an item meant for one player ends up with another. Deathwalker's Ward was made for Percy, but through the events in the Sunken Tomb, it ended up with Vax and led to a hell of a story. And now something meant for Fearne goes to Ashton, and I have a feeling we're now in for another hell of a story. Because Ashton is now, essentially, a lava genasi, with three impossible things crammed into their broken body. Will they survive the campaign? I have no idea, but it has become clear that they don't expect to.

And honestly? This may well be what the Hells need, not in terms of power, but in terms of really realizing how self-destructive they all are. Marisha may say that no one loves a martyr, but Laudna was very much ready to play that role earlier this episode. Imogen is very self-destructive. So is Orym. So is FCG. The only two who have shown any degree of self-preservation are Fearne and Chet. The rest are bombs waiting for the most poetic moment to go off.

And today one of them did for a moment. They finally saw the end result that their self-destructive tendencies get them: Ashton blown into a thousand pieces, scattered across the top of the ziggurat. Deanna's ring saved him. Fearne's Aura of Life and FCG's Aura of Vitality saved him. Ashton could only roll and take damage.

Matt may have not designed it this way, but this was absolutely Ashton's 'where do you get your strength from' moment of the campaign, but in a very different way than Grog or Yasha experienced them. Because Ashton might just need this realization slapped into them by all their friends: this was dumb and they would have died because they didn't trust their friends. Because their strength and their salvation truly came from the people that love them.

Ashton has been, up until this point, a bit gung-ho to die for his friends. Honestly, they all are, and it's about time he and all the others learned how to live for their friends.

Anyway, hell of an episode, and a brutal but thrilling last hour. I was grinning right along with Sam. The mad fucker pulled it off by the skin of his teeth and by the grace of two friends dumping every bit of healing they had into him.

[remember-digimon]

Good ol' reliable Joe!

When I first watched Digimon back in the 2000s, Joe was the character I related to the least. Now, as a big grown up in my late 30s, I finally understand what Joe is all about.

At first glance, Joe is anxiety incarnate. In the dub, he gets the 'nerd' trope that Izzy avoided for the most part. Joe is always allergic to things, worried about the slightest danger, and constantly trying to be the voice of reason. His 'voice of reason' however is more 'voice of general complaints and worry.'

If I recall correctly, in the original Japanese, Joe is like this because he's the oldest, at 12 years old. He feels it's his responsibility to make sure everyone is safe since he's the upperclassmen in this situation. In the dub, he's just a worrywort.

Joe takes on responsibility that he could easily delegate to other kids. In the episode where Gomamon evolves into Ikkakumon, Joe tries to break up an argument between Tai and Matt about climbing a mountain, only managing to get drawn into the argument himself. Later, he decides that he should climb up the mountain on his own as a compromise. He doesn't even bring Gomamon with him; Gomamon tags along anyway, of course, but initially Joe intended to go by himself.

He shows initiative, that's for sure. At least when the pressure is on. Others have noted that Tai, Sora, and Joe are the action-takers while Matt and Izzy act more defensively with Mimi, Tk, and later, Kari in mind. I like this thought, especially for Joe. He is often stumbling into danger out of his need to be the 'adult' of the group, feeling responsible for everyone's safety.

One thing we should discuss is his crest. I want to go more in depth on the crests on a different post, but here I think we need to talk about Joe's crest being changed for the dub. Originally it was the crest of faith.

Honestly, I do think reliability fits Joe a lot better. It is awkward for that to be a trait of a child (Remember, their crests were developed back during the original Digimon Adventure OVA, when Greymon fights Parrotmon). But I do think he exemplifies being reliable, because it's the right thing to do.

Conversely, Joe doesn't really expect others to help him. He wants to be relied on, but doesn't want to rely on others. He saves TK from drowning in the bay without thinking of his own safety.

Joe is also the studious member of the group. At one point, while they're temporarily back in Odaiba, Joe takes a practice test and fails it. This causes him a lot of anxiety. It feeds into the situation at home, which is another point I'll get into shortly.

In Our War Game, Joe is unreachable because he's taking an entrance exam. He's in a panic the whole time, showing how important it is that he does well. No doubt he's one of those cram school kids.

As for his family, we do meet his older brother Jim, but not his parents. In fact, Joe's parents are the only ones we don't meet out of the original 8. We do hear a lot about his dad, though, who has high expectations of his sons. Mr Kido wants both of his sons to be doctors like him, and on his terms, too. Jim says he wants to go to less developed countries to practice medicine, and that their father doesn't approve.

Jim also doesn't seem to have much faith in Joe becoming a doctor due to his high anxiety, and the fact that he faints at the sight of blood. Joe seems apprehensive about it himself, even though he does eventually go into med school and become a doctor.

To me, Joe's story is one of perseverance. When he's working off his debt in the diner, he fully expects to work there until it's paid off and is genuinely surprised that Matt would offer to help. When his test scores fall, he resolves to work harder. Even though he doesn't like the idea much at first he does eventually become a doctor. I can see how the original script would give him the crest of faith with all that in mind, but I still think reliability fits him better. He doesn't just have faith that things will work out, he's proactive in making sure they work out. Even if he's a little clumsy about it.

[mdhwrites]

I’ve been watching Amphibia while studying. I should definitely do a rewatch during the summer, but it’s occurred to me that Amphibia’s strengths are criminally underrated.

Amphibia feels like a more focused show than TOH. It has its flaws ofc especially in Season 3, but Amphibia’s cast comes across as a lot more developed than TOH’s cast. I mean, Andrias got a dedicated flashback episode and Belos didn’t???

Amphibia’s execution of the found family trope is one of the best things I’ve seen in animation. In contrast, I always felt that King, Lilith, Eda, and the Hexside crew are plot devices to get Luz where she needs to go. Eda has some depth but generally speaking TOH never “got into their heads,” unlike with the Plantars, Sasha, Marcy, Grime, and Andrias.

And I gotta praise Amphibia’s ending!!! I wish more kids cartoons embraced the idea of permanent, bittersweet change. The idea of letting things go but not forgetting them.

So while I agree Amphibia is more focused, I actually don't think that's what the bigger difference is between TOH and Amphibia that I think needs to be highlighted. No, instead, I'm interrogate something you said: Does Belos not get a dedicated backstory episode? For that matter... Does he potentially get MORE time spent on backstory than Andrias?

Andrias literally only gets The Core and the King. He actually gets VERY little screentime, mostly because the effects of his cruelty are more important than what he does himself. So for backstory, he gets 11 minutes. MAYBE you could stretch to like 12 or 13 if you want to include hints to Lief but that's all post her time with him. So 11 minutes because Andrias only gets one segment, not two.

What does Belos get?

Well... I think everyone just forgets about Elsewhere Elsewhen. That IS backstory. That is previous characterization. It's not a flashback but it is still interacting with a Belos earlier in the timeline, like a backstory exposition dump or a flashback does. And interacting with Philip is the main purpose of the A plot of the episode, even if it takes a bit to get to him and then he dips out before the end.

As the author of the journal though, he also counts for backstory whenever passages of the journal are told to us. It's unreliable but it is still previous characterization. So stuff like Eclipse Lake and the end of Looking Glass Ruins adds a little here and there.

Then of course... What the fuck do you call Hollow Mind if not a dedicated backstory episode to Belos? The majority of the run time is literally go through his brain, and his memories, to show his rise to power. His backstory. And while there is technically a B plot, it doesn't take up much time so probably at least a third of the episode is spent on this and these are 22 minute episodes. If just two thirds get spent on backstory, that's more than Andrias gets.

So why doesn't it feel like that? Why does it feel like we get a VERY complete version of Andrias' backstory, despite seeing cumulatively three days in a row of his life, while it feels like we were never told Belos'?

Efficiency. Amphibia is a VERY efficient work. It crams a LOT into its run times. It's part of why the episodes are so satisfying because they actually manage to tell complete stories with morals, sometimes their own A and B plots in an 11 minute segment and actually move the characters forward a full step within the span of that time. It does this while also being hilarious and action packed, much more than TOH or, honestly, a lot of cartoons. Not every episode segment counts for this but ESPECIALLY the important ones do and The Core and the King should be taught in classes for how to get across a character's motivations and backstory in a nuanced, breezy way while also being DENSE. AS. FUCK.

In eleven minutes, we get a clear idea of the utopia that Andrias used to live in, the cost of that utopia, the pressures upon him as a prince, how deep his relationships are with two other characters, Lief gets some genuinely good characterization that helps explain her choice, a logical progression of events that matches with the sillier side of Andrias we know of, an escalation and then a climax. We can VERY clearly see what Andrias lost, what he is trying to get back, and why he would want it back on multiple levels, both societal, familial and even personal, that will motivate into being a MONSTER for a thousand years. All while still being a lot of fun and having some really great jokes. It introduces so many elements but it never feels bogged down by any of this. Instead, it chose the PERFECT moment to get across everything it needed to and left very few questions that you as an audience couldn't figure out yourselves. This also all while being explicit about much of the motivation and what not instead of relying on background details.

Which TOH can't claim for Belos. In Elsewhere Elsewhen, we see that Philip hates witches, that his journal is unreliable and that he has ALWAYS been an asshole and a manipulator. That's befitting who he will be but doesn't actually tell us jack shit. It also includes I guess how he met the Collector but that's moving plot, not expanding on your villain. Because the journal is unreliable, it tells us very little to nothing about him except for some reason he donated his journal to the people he fucking despised. Then Hollow Mind shows how he came to power... But not who he is. Not his motivation, what he actually wants to accomplish besides murder, etc. like that. The paintings in the background tell you far more just by being far more suggestive of what he's been through.

TOH is fucking awful when it comes to density. Most episodes, not even just Belos, have the problem of only taking half steps. Each of Belos' parts are those half steps. Revealing only one or two elements when it easily could have shown more to be more satisfying. As an example: Amphibia has a GREAT episode between Ivy and her mom about rebellion, the consequences of fighting what your parent wants for you, why they might do the things they do, etc. like that. In 11 minutes, we get a genuinely complex relationship between Ivy and her mom who haven't had much talk about each other or their relationship up until now. Meanwhile, TOH decides to focus on Luz being expelled for the episode about Amity and Odalia, meaning Amity is in like... Three, maybe five minutes of that episode? A full minute of that being the intro to the episode where she's just showing off the abomaton?

Because it isn't actually focused on Amity, the relationship between Amity and Odalia isn't actually explored. Because they can't explore that, they also need to now make Odalia cartoonishly villainous so as to fit the fact that Luz also spends very little time with her due to making the conflict be about Hexside so we have to waste some time with a stock standard montage of Luz, Willow and Gus trying to get back in. And by the end, what is the resolution between Amity and Odalia? "Get in my way again and I will kick your fucking ass."

Much deep. Very brave.

There's TONS of stuff like this where Amphibia is genuinely the work trying to do more interesting, more meaningful and deeper things than TOH and managing to do it in literally half the time. If not even less. That breakneck pace is part of what makes Amphibia feel like a kids show but it's also what makes it just more enjoyable to watch.

Which actually makes TOH fit in better with our current era of streaming television. TOH is constantly baiting you for the payoffs it promises. It keeps swearing that its elements are deeper than they appear so make sure to tune in next week because this SURELY can't be all there is to, right?

Unfortunately, that is all there is to it. And once you realize that and look at the show with that sort of lens, it starts falling apart. It's part of why TOH should be thankful it was shortened. It lets people more easily claim that it just needed another season. Another fourteen episodes. That TOTALLY would have solved all the problems with episodes that happened even before the shortening.

That is extremely rarely how this works everyone. Sorry.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[ladyluscinia]

I think they were so worried about not getting a season 3 they ruined both the viewers expecting one and the viewers who would've liked it to end there. they've created an easily destroyable status quo because of course something needs to happen to get everyone back together for season 3. so it's not even a happy ending; it's so fragile, it's designed to fall apart the second that anyone learns that the show is back on. i get not wanting to bank on having a third season and wrapping it up but like. Galavant did that and did it better. WITH THE HEROES RETIRING AND THE TWO MINUTE MARRIAGE CEREMONY TO BOOT. But it gave an outline of where the plot might go from there and how the adventure will continue if it gets to. And it never got to, and season 2's ending is good because it's not /fragile/--it's not a cliffhanger, but you get the idea that they could keep going from there still. whereas this one didn't want to be a cliffhanger so much that they created the most breakable new status quo in history and if there is a season 3 it'll immediately be undone and I'll probably still watch it but like I'll /know/, y'know? They could fix everything in the first episode of season 3 and I'd still have to know that at one point, this was considered an acceptable outcome.

The thing that is driving me absolutely insane is they DID NOT HAVE TO DO THIS!

There's so many people looking at it like "well it's a shame that 2x08 clearly had to cram several episodes into one for budget reasons and it made the development weaker but that's the situation MAX put them in" and I cannot emphasize enough how much that is not true.

MAX did not break it to them after episodes 2x01 - 2x07 were written and half filmed that they would have to wrap up the whole plot in 30 minutes. Like absolute worst case scenario they had 10 eps mostly written and budget came back 20% over and they had to reduce to 8 total. More likely they knew they were getting 8 from the start.

It is absolutely nobody's fuck up except David Jenkins and his writers' room if they were unrealistic about what character beats were needed and would fit in the timeframe to reach a satisfying wrap up.

Worries about no S3 were on the table the moment it took until JUNE to get confirmation of S2. This wasn't sprung on them. If they wanted their story to have a "just in case" happy ending and then a "fully realized arc" happy ending, they should have fucking acted like it???

I was shocked when the first three episodes that dropped were so hardcore on destroying Edward's relationships and laying bare exactly how deep his issues went. It only made sense to me if they were going all in on getting a S3 and prepared to spend all of S2 focused on the implications of all that, and then the not-even two week in-universe timeline of the season reinforced my understanding that was happening.

"Shame we don't have time for our main couple to even start addressing their relationship or having moments of self-realization and sharing their issues," says guy who decided to make the first half of S2 about adding more problems on top of well established ones from S1 and the second half of S2 about throwing in a second breakup cycle instead of dealing with the fallout from the first.

Want Edward to end on a beat of feeling part of the found family? Well maybe adding a timeskip after 2x05 and then a crew chat in 2x06 where you make it clear he did an apology tour offscreen could help, but you also could have just not focused hard on him poisoning his relationship with every single one of them in the first place???

There's multiple different ways you can do Act 2 of a three act structure, and they did not have to choose one that ends on another dark cliffhanger beat or right at the open ended turning point toward growth? Like they didn't even do the one they picked in a way they could fit in their season. I feel like by the end of a struggles Act 2 both your protagonists need to have self-realized their issues and maybe had one conversation about it? Edward still wasn't talking about his guilt, and Stede wasn't talking about anything.

They aren't even at the turning point of growth and out of the backsliding / lessons learned era yet, that's why potential S3 will start on another backslide when status quo breaks and Stede starts "that's nice, dear"-ing Edward during the day and slipping out at night to vicariously listen to pirate stories or whatever (and they frame it like he's cheating).

We have two out of three seasons in a show that might only get two, and I feel like the characters have barely moved from their starting position.

Like idk maybe they are really good at coming up with character flaws - ex: Stede is repressed and bottles up his traumas until he mentally checks out / runs away - and just drawing blanks on how to believably "fix" them, but just going "well what if we just used this flaw to throw another miscommunication roadblock in their relationship?" is not getting them where they want to be.

The season was fundamentally designed against their stated goal and did not make what seem to be necessary writing concessions to the reduced screentime if they wanted their finale to land as an even plausibly happy ending. It's hollow.

And possibly not even salvageable in S3 since they aren't demonstrating the skills to salvage it.

[toastofthetrashfire]

DFF: Did Tee like Non?

This horrifying theory is dedicated to @slayerkitty and @peatbogbody (you're welcome😆)

Tee gets upset that Jin is touching White in a romantic way while acting. This could just be Tee being a red flag boyfriend. The way he talks to White later about this suggests he's a bit controlling. But...what if he also was a love rival with Jin in the past and he's worried it'll happen again with White. And what if their rivalry was over Non?

This is admittedly a shoe-string theory that I don't think I'd want, cause look how quickly he took advantage of Non when he realized he could. But let's lay out the evidence:

From their first interaction, Tee seems unnerved being around Non. He avoids looking at him, only stealing glances. And the show focuses on these looks more than one would expect. Is this disgust like Top and Por express, or is he grappling with attraction he is trying to hide from himself and others?

After Jin praises Non, Tee is quick to criticize. We know he's grumpy and cynical, but he also doesn't tend to offer his opinion much when it comes to the details of the project after this point. Perhaps he sees and feels threatened by Jin's immediate understanding of Non.

I bet it is frustrating huh Tee 😉

He positions himself so that he is only glancing at Non. His back to him makes him less vulnerable.

He glances slightly irritated at Por and Top as they harass Non. But agrees when they say he should come to cram school. It's hard to know what's going on in his head. Either way he still remains a silent bystander stealing glances. Does he agree cause he's going along with the group? Or because it means more time around Non?

Color time!!! Fluke, Top, and Por are all in shades of blue and grey. Jin is in yellow and white, showing how he doesn't follow the others perhaps. But look at Tee. His shirt has some blue but is red and white. Another outlier?

But, Non's color is red.

Here he's wearing a shirt with blue, trying to fit in, but when he raises his hand we can see that it has red on it still along with his bracelet. And Tee is matching him. Likely this represents their shared financial struggles and the fact that Tee will be dragging Non into trouble. But it could also indicate a growing attraction on Tee's part.

We have the three primary colors: Blue (Top, Por, Fluke), Yellow (Jin), Red (Non and Tee)

Once again we have the group in street close rather than uniforms. Top, Por, and Fluke are in blue and grey again. Non has green which is close to blue but not quite a match (he can't quite fit). Jin is also once again in yellow and white. It's a bit darker so perhaps a bit closer to the shade of green Non has on, but not quite enough to read as a match. On the other hand, Tee is wearing red and blue. The blue pairs with the rest of the bullies but the red matches Non's sweater and backpack.

Then after we get a shot of Non smiling (and Jin smiling back), Tee turns away like it's too much and gives us this very Kiyoi reaction. Ah his smile is too bright must disparage him and these feelings. He's even got a little catch phrase now.

Again these looks could mean a lot of things but could one of those things be a little jealousy perhaps?

We get another shot that focuses on Tee stealing a glance at Non. It was too hard to get a screenshot but his eyes flicker up as Non passes. This is just before the camera is brought in, so Tee presumably isn't yet eyeing Non as a serious target for his uncle since he thinks he can get the money he needs from the film tickets. Still, I remind you, shoe string. This could just be him refusing to open up to Non being in the group or him considering but not actively pursuing Non as a target.

And here we have a nice parallel. The shot from episode 6 is clearly out of context so take it with a grain of salt. But the parallel is interesting.

So will Tee develop true feelings for Non now that he'll be spending more time with him? In either case, he's still doing awful things to him and is not getting off my shit list that easily.

[steamberrystudio]

26/08/2024 Devlog

Hallo everyone!  Tumblr devlog time. Sorry I missed the last one. Sometimes I just miss the notification when it pops up. Sometimes I remember on the off week but don't want to throw off the schedule and end up just waiting for the next one to roll around.

Summary:

Finished Yren's Play test

Finished Raif's Play test

Finished Noel's Play test

Started Kav's Play test

Finally got the colour slider in the game with help from Windchimes

New music room (slightly redesigned)

New gallery screen

Bonus scene page

Wrote the rest of the ch1 bonus scenes

Got the affinity indicators coded

Multiple new BGs

Finished Yren's Ch 2 CG

Started Noel's Ch 2 CG

Worked on coding sprite expressions

Set affinity scoring up through Ch 5

Worked on the premium and public game guides

Writing/Playtesting:

I have been working on my own play test of the game which is essentially another round of reading and editing. Last time I said the script was 616,000 words. Well it's now 621,000 words. 

I'm not just cramming in filler. A lot of that is additional choice options. Sometimes I would find places where you went a really long time without choices. Others I would encounter a choice menu that had 3 options when it needed 5 or 6 options (one for each LI).

Adding menus and choice options can increase your word count pretty rapidly so that is where most of the increase has happened.

I'm also fixing a lot of small continuity issues. This usually results in a small variation or callback being added into the script for clarity or to correct a seeming contradiction. For instance, at one point I realised that I  needed an additional variation in Ch 5 to account for a game state that wasn't accounted for in the existing options. And I had to do it for all 6 LIs. Which meant that a 200 word variation became a 1200 word addition to the word count.

So yeah, those things add up fast when you have 6 LIs.

I am continuing to work on this. And I will do one full play test of everyone's "best" ending before beta testers touch it.

I also have decided to add in "bonus scenes" these will basically unlock at the end of some chapters. Some of these will be POV scenes and some will be other scenes and content told from the MC's point of view. These are just extra scenes that I think help flesh out the characters and relationships but really didn't fit into the main story because you just...can't fit everything in the main story. I will be writing any bonus content as I work on the episodes and as I get ideas for them.

I don't have any specific rules I'm going to hold myself to for bonus content. They're just fun extras. They may be quite short in some cases. The ones for Chapter 1 are 1400 or so words.

Art:

Art wise, I've received new BGs - they're about 90% done at this point.

I also completed Yren's CG and started on Noel's. Raif's is already done, Kav doesn't get one for Ch 2.

So yeah. Getting those completed bit by bit.

Other Stuff:

Lots of other stuff. 

We managed to get the colour slider set up for Wil's sprite (we being me and my friend from Windchimes games). This required re-colouring the original sprite and original CG for Wil in greyscale and then coding in everything necessary to have Wil colourised by Ren'py rather than by  me.

As you can see from this Wil's hair and eyes are not colourised. Wil's eyes being silver/grey are just kind of a plot element and is related to their species. And while I contemplated having Wil's hair be on a slider too the reality is that the hair styles were not designed to be colourised in this way and some of them don't look as good. Particularly the curly hair which doesn't have strong outlines or, really the same type of shading to give it depth. Some colours looked quite good on it and others looked quite bad.

I tried redrawing that hair half a dozen times to see if I could make it look better while retaining the same overall look and feel and it just was not possible. I could have redone the hair but frankly. I didn't want to. And some of the other styles didn't look *amazing* recoloured. They were just okay.

I think if I want to revisit the slider in the future then I just need to approach the art with that in mind versus trying to add it to art not designed for it.

But in any case, Wil having only black/silver options was also originally with intent so I don't mind keeping with that set up.

In terms of other features that are finally in game we have affinity indicators, a newly designed music room, the bonus scene page, the gallery screen and things like that.

I did the affinity scoring up through Chapter 5 which is when the route gets locked in. That was primarily so I could test that section properly. But yeah. That's done.

And I've been working on coding sprite expressions. If you have been following me for a while you know that sprite expressions are an *ordeal* for me.

I have a lot of expressions coded in which means I tend to change the expression every 1-4 lines - especially for the main character. Gilded Shadows had about 6500 expression changes per route. Including the common route, that's about 60,000 expression changes coded manually. Which is a lot.

About half of those probably...were Morgan. She is on screen more than anyone else, of course. All the narration is her internal dialogue. She is on screen for it and her expressions are changing based on what she's thinking.

WSC is very much the same.

So the expressions are a lot.

I got Wil's expressions completed through Chapter 2. This chapter is about 50,000 words and of course I've been working on a ton of other things so I've only dedicated an hour or two a day to work on expressions. It's very tedious. It's also impossible to not edit as you go because you have to read the script line by line to decide what expressions people are using. Inevitably you see typos and stuff that you fix as you do expressions.

So it's just kind of a time sink that isn't *difficult* but does tend to take some time.

Upcoming Weeks:

My huge checklist has become smaller and smaller over the last few weeks.

The main things now are...CG creation, flowchart set up, coding expressions and getting my play test done. 

Those are kind of the things that have to get done before Episode 1 can go to beta testers on Patreon.

There are always features and elements I consider big milestones when they get ticked off the main list. The colourised sprite was one of the remaining "big ones" - the flowcharts are another.

Anyway, that is all for this update. I will hopefully see you all again in *two weeks* this time.

(I swear I need a less easy-to-miss reminder). LoL

[linkspooky]

Hey. Long time follower here. Your metas, your discussions of "bad victims", your nuanced view of heroes and victims, your favoritism towards "losers"...not only did you heavily influence my own writing and my own favorites in different medias (I'm entirely blaming you for me being a Makima stan) but you helped through an extremely dark time in my life. I don't think that you just made me a better writer, you also sort of saved my life. I'll always be grateful for that.

There's something I want to ask. You answered to another ask that you don't regret reading MHA because focusing on what doesn't work about it made your writing stronger. Do you feel the same about Homestuck? Or about the more disappointing parts of Tokyo Ghoul (and, while we're being candid here, Avatar?).

Thank you for your compliments they're very encouraging to read.

At this point this blog is becoming the bad victim lovers support group where we all hug each other and cry over how MHA is treating all of its bad victims.

HOMESTUCK: Honestly, my main problem with Homestuck is that ACT 6 was so long and uneventful full of characters not doing anything that by the end of it the only character I was invested in was Vriska. ACT 6 also did go out of it's way to kill my enthusiasm for everything I liked in ACT 5, especially John Vriska. I've never seen a comic throw out all of its previous development that the audience was invested in and like everything that was foreshadowed - oh wait My Hero Academia. Unfortunately Vriska is an all-time-fave so I still write Homestuck Fanfic about her to this day. I used to like think the finale of Homestuck was one big "meh" but after years to reflect upon it, I do like Vriska's arc ending on a final note of Terezi searching for her in the void, possibly forever, and the ambiguity of whether they'll reunite.

TOKYO GHOUL: I remember being mad about Kaneki getting a happy ending that he didn't earn. Kaneki was a character that really frustrated me for a long time, but I came to realize that if you like remove Kaneki from his group of codependent enablers he's actually a really interesting character when he's alone. So he's a character I love to explore in fic, even if I disliked what they did with him in canon. Also, Tokyo Ghoul killed off its biggest victims Furuta and Rize in a really cruel way, but it didn't kill off every single victim so it just disappoints me instead of making me sick to my stomach like MHA does.

ATLA: I actually think the Avatar the Last Airbender ending is fine. Which like, isn't saying much because I think the Season 1 finale and Season 2 finales are some of the best things ever put to television. The worst sin that the ending does is number one lack of foreshadowing in earlier in the season and number two rushed plot points. Aang not wanting to kill the Fire Lord makes sense. I think the reason a lot of people criticize this and call it an ass pull is that it's not even BROUGHT UP until the finale. Vash the Stampede is pacifist and one of my favorite characters, but it's established from episode 1 that Vash is constantly up against people who want to kill him and he either has to run away or find a way to fight back nonlethally. Azula's insanity and mental instability could have been a thing, but it's not foreshadowed at all so all it ends up doing is conveniently nerf Azula for Zuko, and also being ableist. The worst problem is while there are epic fights it doesn't feel like an ending, because everyone's character arcs are 3/4ths of the way through. ESPECIALLY ZUKO's. Like people say Zuko is acting out of character in the comics, but I think Zuko is the only person in character in the comics because that's how Zuko without a proper end to his character arc would act. It really feels like they had plans for a fourth season that they didn't get, and their solution was to cram an entire season worth of development in everything post the eclipse on season 3. The fact that Azula is left as such a hanging thread is like proof of that, and the fact that Azula's last shot in the series is just her crying and screaming with like no follow up afterwards is something I've been bitter about for fourteen years.

I could write an entire post about how Zuko's redemption arc is unfinished though. It's like the same problem as Catra. I like both characters and I'm glad they got redeemed but they crammed in the entire redemption arc into 1/2 of the last season and that simply wasn't enough time.

[its-cartooncrazy]

Okay i finished my dunmeshi reread where I was trying to predict which chapters will go into which episodes for season 2 (assuming 24 episodes)

I made some questionable splits towards the end tbh but I ended up with 24 without pushing too hard so. I guess I'll write down my thoughts here mostly so when season 2 comes I can compare them

So I'm gonna add my screenshots from my notes page so I'll explain that the yellow numbers was me guessing from chapter titles and my poor memory, and the pink is from my reread and focusing on content.

I started by looking at season 1 and how they split stuff up. Every episode was two chapters, save for a few that either didn't need full episodes, or were a lot of action which takes up more space in comics. (I don't know where exactly the dragon chapters split, but the 7 dragon chapters + good medicine were 3 episodes, so that makes 2 episodes of 3 chapters there.) They also preferred to keep 2 part chapters in one episode, but also didn't shy away from doing it either.

Theres only enough chapters left for 22.5 episodes at a rate of 2 chapters per episode, so we actually never have to group three chapters into a single episode again!

That being said...

On Floor One features would be a banger season opener. It features a couple of fight scenes, so it shouldn't be too long. I wouldn't want to split it into two episodes anyway because for a season opener, I wouldn't want to be away from the main cast for too long.

(It also, oddly enough, cuts back to our cast and gives them little name badges, which is a joke about the changelings, but also its very fitting to reintroduce our characters in their first appearance in season 2)

Bicorn / Stewed Head go together very easily, as do Succubus 1 + 2

Jumping ahead a little, roasted walking mushroom and 6 days would fit together nicely, especially with the Winged Lion taking place during the Succubus chapters, but. I don't wanna squeeze that in with them...

I think if trigger do their thing, 6 days could be an episode all on its own (and it could be one of the best episodes, too) And hey, if they need more content then there's a couple of monster tidbits extras that take place here that they could add!

Confit was the problem child. I wanted Rabbit and Curry to get their own episodes, but I also wanted 6 days to stay alone, which left confit alone. It features a fair bit of important stuff: reaching thistles house, cleaning up, finding the book (and opening it I think), and eating the phoenix, so I wouldn't feel right cramming it with something else.

So I ignored it for the time being, to see if Rabbit and Curry could be split in half.

Confit would lead well into rabbit 1, with them arriving at the house and having a meal, and then rabbit 1 takes place shortly after the meal. Rabbit 1 ends with laios getting got by a rabbit. That seems like a pretty fun cliffhanger to be honest. Rabbit 2 ends with them comforting marcille, and then curry 1 cuts away to several scenes viewed through the eyes of the mage, ending with them showing up at the house. And then...

Grouping curry 2 and thistle 1 together is kinda evil actually. Sibling flashback scene, that fight, and then thistle backstory?? Yikes. I love it actually. So yeah I'll go with that.

Thistle 2 and 3 feature the dragon fight (placing the teaser at a predicted episode 9) and then thistle 4 and 5 include the chat with laios, the lion eating thistles desires, and then the wrap up meal. I'm pretty satisfied with that if a little disappointed we don't end an episode with laios in the plant

Bavarois and whatchamacallit are both the canaries' interrogation so thats easy, ending with a cliffhanger of sorts where the lion is fully released by marcille.

Lord of the Dungeon 1 and 2 are both pretty full chapters. It continues the fight with the canaries, which unfortunately features a lot of talking still, and then the aftermath with our group waking up to a room of unconscious canaries and spider guts like that one community gif.

Dungeon 1 is actually a shorter chapter. Putting these two together would possibly make for a kinda sparse episode. So, we have a full episode and an empty episode. Can we borrow a scene from lord of the dungeon to even it out? No! Because almost all of Lord of the Dungeon 2 is kabrus epic fumble, which isn't a scene that can be cut up neatly. Let's set those aside for a bit and see if the solution comes from the next few.

We have three single chapters before our next grouping, which doesn't split nicely into 2s like I want it to. Unfortunately, none of these are particularly short, and we're past the point in the series where we can skimp on the details. Parasites starts with a shortish scene with marcille and frozen falin, so I wondered about giving that to dungeon, if I could group the three together with slightly less content, but I think there's still probably too much content to get through with those three chapters even without that scene. (Not to mention, I don't think season one ever split any part of a chapter between episodes, so I'm reluctant)

Honestly, I thought for a long time about how to arrange these chapters and never came to a conclusion, so I just moved on for a bit, to see if answers were in the next section. (Spoiler alert: they were!)

Marcille 1 is kind of a misnomer (if I know what that word means) since it doesn't actually focus on marcille at all, and instead shows people around the world reacting to the dungeons opening. I don't feel as bad separating it from the rest of marcille in that case. (It's also a short chapter but local cuisine has a fair bit in it so I think that won't matter)

So to sum up the last section before we move fully into the marcilles, we have Lord of the Dungeon, Dungeon, Parasites/Food Chain and Local Cuisine/Marcille 1. Phew, that was a lot of effort just to end up splitting them into pairs of chapters. (Dungeon may still borrow from parasites, but that's up to them. Yknow, if they were still looking at how to split them up in this stage of production or whatever XD)

Marcille 4 ends with the group hug and, as sad as I am to not get a week to sit with that scene, it wouldn't work as well as an episode ending during the big finale battle segment, so pairing it with Winged Lion 1 (mostly chatting up on that tower, concluding with them getting gobbled up by the monster pile lion) works pretty well and gives a good cliffhanger.

Winged Lion 2 and 3 gives us Lion backstory, and then laios becoming dungeon master, ending with him plopping his head back on like its nothing. Lmao I can't wait to see what the outtro is for this episode.

Winged Lion 4 is short, actually, and with the action of Winged Lion 5, that episode might be a bit sparse. But, well. Iunno I figured it's fine? Look, I started to give up and make weird decisions around this point. Winged Lion 5 ends with everyone freezing and then laios picking up "laios".

Winged Lion 6 I gave its own episode. It doesn't have enough content for that, to be honest, but I gotta put some single chapter episodes in here somewhere and where better than laios eating laios and laios and laios and laios and then the winged Lions desire to eat desires. Idk I said I gave up, didn't I?

Starting here, I start to worry about momentum. How long can you keep people interested after the Big Bad has been defeated? Def-eat-ed lol

The Island I also gave its own episode, just 'cause, I guess. It features the action packed escape from the dungeon, everyone washing up safe and sound, and then searching for laios, ending with a nice hug. I didnt seem to take my own advice tbh, that ending doesn't really force you to keep watching. Hm.

Falin 1 and 2 gives us everyone pitching in to prepare to eat laios sister, and also mithrun 🥺, but much like the last episode, doesn't end on too captivating a note (although it is a very good scene, it just doesn't lead in to the next episode so much) so I guess I really didn't take my own advice much. I swear I took this into consideration while I was reading but I guess I gave up lol

Falin 3 is the izutsumi show, where she asks everyone what they're gonna do now (not cooking, I mean in life!!) and ive put this one by itself because there are plenty of scenes that could be expanded upon, and also izu deserves a whole episode to think about her character development because she is the best and I love her.

This also lets us group falin 4 and dungeon meshi for the season finale. Another reason I wanted falin 4 to go in this arrangement is that this is where laios becomes king, which really just screams "finale" for me. We also get falin waking up, and a sweet epilogue of laios' fantastic reign, plus him being good with kids <3

So uhhh. Yeah. That's how I would split up the chapters. Quick recap/summary to make it clear hopefully:

1: 53,54,55

2: 56,57

3: 58,59

4: 60,61

5: 62

6: 63,64

7: 65,66

8: 67,68

9: 69,70

10: 71,72

11: 73,74

12: 75,76

13: 77,78

14: 79,80

15: 81,82

16: 83,84

17: 85,86

18: 87,88

19: 89,90

20: 91

21: 92

22: 93,94

23: 95

24: 96,97

That was a lot of waffling to end up with mostly just two chapters per episode tbh. If you've made it all the way, I hope you don't consider your time wasted lol. Looking forward to seeing how trigger does it!

[crushedcoffeecups]

my genuine thoughts on the amazing digital circus episode two because someone has to hear all these thoughts and it sure aint gonna be my friends anytime soon:

the pacing felt off - not sure why, but if i had to guess i think it would be due to how much info and exposition was crammed into the first episode, with very little in the second episode made it feel weird. i literally got halfway through and went 'how am i halfway when nothing has happened?'

like the whole scene when they were arriving at the candy kingdom (i dont remember what it was called currently) felt a bit too long, like they dragged it out a little to fill time (or to show of the animation and design, and if so, valid)

i think the pilot also had more visual comedy aspects to do with 3D animation which i really appreciated. they did keep some in the second episode but less so

Jax definitely came off a whole lot meaner this time, but after revisiting the pilot he's basically the same level of mean just without the comedy or charm. im assuming that they're doing this to keep it in the audience's mind that Jax is an asshole so when he does some cruel shit later on it doesn't seem like such a 180

on that note, this episode also just felt a lot less funny. it might be that it purely wasn't my kind of humour, but i thought the pilot had a fair few good bits and the second episodes comedy just didnt really hit with me

i think also there are specific moments that felt they were building suspense/tension for either comedic or dramatic reasons just for nothing to happen, which felt disappointing. best example would be Kinger throwing the lifesaver (what did he throw?) the second time, going to check on the rope, for nothing to happen. felt like a set-up with no pay-off

and a similar point, and it could just be an emphasis on how old and immortal these characters are so they're used to this shit, but none of them react strongly! to anything! Jax is thrown over the side of the truck with no reaction, the knifes everywhere don't illicit a strong response, Ragatha watches herself get IMPALED IN THE CHEST? and they fall from a cliff and dont even scream. no reaction to anything. it just felt weird.

HOWEVER, it is not all bad. Caine and Bubble are still great (i think a large part of why i did not find this episode as funny is likely coz these two had very limited screen time)

i loved the little gators designs, and the plot line of existential crisis followed by acceptance and then just being smite by god

character development on Pomni felt sweet, great symbolism in one short little moment

i'm real interested to see more of Zooble, and a bit more into Jax's development (i saw his expressions at the end, dont think i didnt)

i think the characters mostly stayed the same (besides Jax and Pomni of course) so im excited for exploring them more in the future!

the possibility of the gators returning is very interesting

the designs of the locations were all very pretty

i did still like this episode, although i enjoyed the pilot i lot more. i'm excited to see where this series goes! and massive kudos to doing this independently, regardless of how this series ends up ill always have respect to the creators for not going to a big boss company to produce it

also dont get me wrong i definitely love this series and i love jax i can criticise and love things simultaneously

[canonizzyhours]

I've been dying to talk about this, so bless whoever is running this blog. Really appreciate having the space to do so. But okay, the sudden jump in Izzy's characterization and motives in season 2 really quite bothered me, to the point where I can't even jump on the "Calypso's Birthday is the best episode" train and things equivalent. As someone who did view him as more of an antagonistic presence in season 1, and someone who believes him to be rife with toxic masculinity, a lot of the jumps in this season just felt...unearned?

Maybe unearned isn't quite the right word, because I don't think anyone has to earn kindness or anything of the sort. Maybe jarring is a little better suited.

But I digress. It was just so odd to me to see him go from telling Ed that his softness and femininity was "a fate worse than death" to wearing drag makeup and singing a love song in front of the entire crew. You know??

I was actually quite on board for the developments in the earlier episodes—excited, even! To see him experience the repercussions of his actions, and have to quickly backpedal and change his tune before even more damage could be wrought was very interesting. I also liked seeing the rough and tough façade crack. I adore seeing any sort of toxic masculinity begin to falter. So I actually really loved seeing him cry, seeing him receive comfort from Frenchie and Fang, and just...slowly unspooling whatever mentality he had been locked in.

That's just the thing though—slowly. It felt natural in episodes 1-5 to me, because he was working alongside the crew and being more receptive to their kindness—to the atmosphere Stede had fostered. And even him working alongside Stede felt natural to me because it was like, "Okay, this twat is here and he's here to stay, so I might as well learn to work alongside him just as I have with everyone else." Not to mention also that Stede showed kindness and mercy numerous times, which I'm sure has to resonate with anyone on receiving end.

But then all of a sudden comes episodes 6-7, and so many moments that just had me scratching my head or feeling outright uncomfortable. The drag show in particular, but also the morning after interruption, the "made your boyfriend blush," the "I think you're good for him," etc etc. Because, genuinely, where did any of that come from? Where did acceptance and vulnerability to that degree come from?

The morning after interruption just feels so off to me that it has almost become my new "Oooo Daddy" moment. Meaning, I watch Ed and Stede talking, but then skip over Izzy interrupting them. I just can't even watch it. Because, Izzy joking about gay sex?? Izzy congratulating them for having sex??? Where and how???

Him being more receptive to kindness and camaraderie is one thing, as is working better alongside those he had a problem with. I'll gladly take both of those developments. But him suddenly just being okay with the things he thought deserving of death? The things he called Ed a slur for? The things he thought "did something to his boss' brain?" And then some, because he was even allowed more open vulnerability and femininity than Ed was???

And also, I know that a lot of his vitriol and toxicity stemmed from the fact that he didn't want to lose his anchor: Blackbeard. Blackbeard was power. Blackbeard was a threatening name to stand behind. Blackbeard was something of a shield for him. With Blackbeard in place, he had credibility and power of his own—the ability to throw his first-mate status around. Without Blackbeard, as shown at the end of episode 9 in the first season, he has none of that. No backing, no power, no credibility, no ground to stand on. And anything that came to threaten that, aka Stede, was immediately a giant no-no, because it would take that safety net from him.

But then, when he crams Ed back into that box at the end of the first season, I think it's the breaking point. The horrible pit Ed falls into finally clicks something in his brain, and makes him realize it's not sustainable for anyone. Like, after years and years and years of trying to hold Ed in place, it's finally bad and severe enough for him to realize that that's no longer an option, that it's damaging and that there are repercussions.

Which, again, nifty development! No longer being ugly towards Ed for his own personal gain? And maybe trying to stand a bit on his own? Sign me up!

Yet, to me, that still doesn't explain the sudden jaunts towards queerness and femininity! It still feels out of place with everything he said and did in the first season! Not only to Ed, but to Stede, Lucius, etc etc!

And maybe, admittedly, I'm even more bothered by all of this because it throws even more fuel onto the "he's the main character" fire. He gets so much of this limelight, and for what? Surely because his days were numbered, and so there was this inclination to give him his moments. But I couldn't really enjoy any of them, because they just felt so...off, and I knew they would only give a select group even more kindling.

Which is unfortunate, because queer joy is beautiful, and should be celebrated. As should growth. As should kindness. But in this instance, it just feels like so many pieces are ill-fitting, or that, with an ironic quote usage here, that, "the atmosphere on this ship is...fucked."

Anyway, thanks again for the space, and for allowing me to say my piece, as jumbled as it may be.

#124.