#because I WILL be emotional

[jorvikzelda]

Back at the house with knots in the wooden ceiling. :,)

When I think of jorvikpov and MC’s cottage I think of the knots in the ceiling and the lonely moon shining through the window. It wasn’t always that way. I stayed in this house for the first time in winter 2022. Late at night I would look outside at the moon and stars & then up at the ceiling, just barely illuminated in the pale blue moonlight, and I would feel something still half undescribable. A deep longing for something I couldn’t place and yet the feeling that I was right at home. I think that’s the feeling jorvikpov is made from.

I think maybe I’m beginning to understand what it is I long for. What it is that feels like home.

It makes me emotional that jorvikpov is coming to an end, but I think I’m ready. I think it’s time. I think when I’m done, it’s going to have changed me not in ways I wanted or expected it to but in ways I desperately needed and in all the ways it ever could.

When I’m done, I will be ready to let it go.

[some-pers0n]

I'm always entertained by people doing those "canon VS fanon" memes where both are misunderstanding characters to such a violent degree 'cause like

[puckpatties]

i love you forever and ever girldad chilchuck

[artsymeeshee]

Boys being boys

[egophiliac]

in honor of Azul's time to shine 🐙

[jjkyaoi]

the headcanon of regulus just being able to cry on command is horrifying but also the funniest thing i’ve ever fucking heard. like i imagine regulus is hanging out with the marauders, post black brothers reconciliation, and him and sirius are bickering and sirius JOKINGLY goes “well it’s not MY fault it’s impossible for you to show any emotion” and regulus blinks. and then just fully starts sobbing.

and james and remus and peter are all like ?!?!?! what the FUCK . RIGHTFULLY SO. and james’ heart is hurting so bad because he’s never seen regulus cry before and he’s trying to comfort him and hold him and regulus, (who is gay and a little shit) is just letting himself be hugged and letting james pet his hair or whatever and remus is like. sirius what the fuck apologize to your brother??????? because sirius has been sitting there the entire time unmoving and he just raises his eyebrows, completely unimpressed and deadpan when he goes, “you guys do know he’s faking right”. and then when remus and james both are like HUH??? torn between bewildered and angry with this reaction, regulus just extracts himself from james, face completely neutral but with tears drying on his cheeks, no sign of the heaving, hyperventilating sobs he’d fallen into literally a second ago and says “i win”. it terrifies peter so bad that he can’t look him in the eyes for a week

[revvethasmythh]

"I just think about the time we've spent together, and I start to fantasize about the way things could've been, about different choices and every little thing that's come our way, and those thoughts fade into a dream as I slip off to sleep to the sound of your breathing."

+ Sam taking emotional damage

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[hansoeii]

stede bunnet

[wren-kitchens]

im annoyed and a little pedantic so can i just say as a blanket statement

queerbaiting is when the promotion for a FICTIONAL STORY intentionally hints towards two characters having a romantic relationship, without any intention to follow through in the show, in order to get queer people watching without discouraging the homophobic enjoyers of the show

queerbaiting is NOT:

a celebrity who you think is queer because theyre gnc or they have a 'vibe'. that is a real person and they cannot queerbait

two friends of the same gender pretending to flirt with each other for fun. those are real people and they cannot queerbait

a show with two characters of the same gender who are canonically friends that YOU PERSONALLY think would be better in a relationship. that's not bating, that's shipping, and subject to opinion

there are more but those are the main examples of people misunderstanding what queerbaiting is and being mad at something that isn't actually a problem

[sadmages]

In my mind palace my tav and Astarion are playing the exact same game of 5D chess and they don't realize it yet

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[catharsistine]

The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭

[artsymeeshee]

Sometimes a hug is all that’s needed

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.