#i finally finished reading dungeon meshi

[puckpatties]

i love you forever and ever girldad chilchuck

[spoopy-cactus]

Random idea

[voidfishing]

Hooray~

[violentlydefending]

i love getting into things when they're about to end it's perfect. least amount of waiting for new stuff until completion but also getting to join in on the excitement of finales as they come it's great

[cathodic-clairvoyant]

Marcille Dungeon Meshi really is the character of all time, she either has nothing behind those ears or she is firing on all cylinders with her expression, no in between

[indigonite]

That’s a red flag to YOU! To Marcille she’s just charming.

Had this idea ever since I finished reading Dungeon Meshi and finally got around to finishing it.

(on youtube for better quality)

Music - “Red Flags” by Tom Cardy

[officialbillhader]

I have 7 books checked out and 5 on hold and i need to get through all of this before the iliad i have on hold becomes available

[rosebdraws]

finally finished reading dungeon meshi and I would die for them…

[sensiblegh0st]

im sorry i got possessed and drew this

just realized that how dungeon meshi set up its worldbuilding means if you got top surgery and died and got resurrected your boobs would grow back

[swampjawn]

Why The Dungeon Meshi Adaptation Worked So Well

The final episode of Dungeon Meshi season 1, (ep. 24) is like if you took all the best parts of the series so far, all the elements that make it what it is, arranged them all into a luscious charcuterie board, and scraped the whole thing into your mouth in one go like the hungry little bastard ye are.

Series director Yoshihiro Miyajima has shown his dedication to the story and ability to stay true to the source material while enhancing the most important elements and making adjustments when needed to better fit the medium, and that's on full display here with the final two anime original scenes that hint toward the future of the plot and take what would have been a good but not amazing ending for the season and turn it into a great one.

As well as Nobutoshi Ogura's storyboards, whose symmetry and point-of-view and reflection shots always add a touch of foreboding and personality to what's already there in the manga.

Or the addition of color to the scene in the tram where the deep green benches and warm orange glow of electric lighting gives it the comforting atmosphere of respite from the hectic action that came before it -- or a calm before the storm (?)...

But most obvious to me in particular was they carved out a spot for many of the eccentric key animators who have defined the visual style of the show (and who I've pointed out specifically in past episodes of my breakdown series) to go nuts and do what they do best.

Ichigo Kanno's bombastic action with stylized character designs and insanely detailed wrinkles and shadows:

Atsushi Yoneda's clean line work and uncomfortable realism:

Haruki's character acting and subtlety:

Despite the slight awkwardness of having to finish off the changeling plot in the first half, this really is a culmination of everything that's come before and a great end to the season.

There's a whole lot more where this came from, and I get a lot more into the details of the animation in this video where I broke down the entire episode in detail, so if that's something you're interested in, check it out!

Thank you for reading, and double-dog-thank you if you've been here through this whole series -- I had just started trying to figure out how to use tumblr when I started making these breakdown posts and the response has been amazing both on here and on youtube, so thanks!

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[mikkeneko]

have finished reading Dungeon Meshi, and it was a very impressively cool and coherent work of art that has a lot to say about hunger, desire, consumption, and the interrelatedness of life! but there are two points near or in the finale that I thought were just hilarious:

1) when the layout of the dungeon changes, and the rumor begins to spread among the adventurers in the top levels that "someone has defeated the lord of the dungeon and become the dungeon's new master! …It's Laios!"

the reaction among everybody who has ever met Laios is some variation of "…huh. Laios? THAT guy? I didn't think he had it in him! Wow. Cool. …….....Oh NO."

2) that the huge dramatic climax of the story with the fate of the world teetering on the brink and all our heroes helpless to stop it resolves with a "WHAT HAVE YOU GOT IN YOUR MOUTH?" *chews faster* "SPIT IT OUT RIGHT NOW!!" like a misbehaving dog

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[catsandbats13]

Finally finished this Farcille fan art I drew ages ago! I’m not sure if I like it but I’ve also been staring at it for weeks 😅 I may come back to it and tweak it at some point but I also just wanna be able to call it done so I can work on other stuff lol

I still need to read the manga, I’m all caught up on all the dungeon Meshi episodes but I’m dying to find out what happens next!

[room-surprise]

Kabru from Dungeon Meshi's Ethnic origin

(Masterpost of evidence available here now!)

I've seen folks talking about this, which makes me SOOOOO happy. I've been trying to tell people that Kabru is *some kind* of fantasy version of Indian since at least March of 2023, which is when I finished reading what was available of Dungeon Meshi at the time. You may have seen my post in the Kabru tag about his name suggesting that he's of Nepali origin! I'll go into this in a LOT more detail when I finally publish my big Dungeon Meshi research paper (soon, I promise, I hope), but this is such a wonderful win for Kabru fans that I wanted to make a post about it! So many helpful fans were able to identify the sweet Kabru's trying to talk about is rasgulla, which means I didn't have to actually do any research to figure it out like I normally would have. Though since I know Kabru's meant to be from someplace like India, it wouldn't have been hard to search for "Indian dessert white ball" and figure it out.

Rasgulla (literally "syrup filled ball") is a dessert popular in the eastern part of South Asia. It is made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. This is done until the syrup permeates the dumplings.

While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact locus of origin is disputed between locations such as West Bengal, Bangladesh, and Odisha. The name rasgulla is derived from the words ras ("juice") and gulla ("ball"), and other names for the dish include rasagulla, rossogolla, roshogolla, rasagola, rasagolla, and rasbhari or rasbari. Rasbari is the name of it in Nepal, so I think that's probably what Kabru would have called it if Milsiril hadn't interrupted him.

[stepinthyme]

The Red Means I Love You

Alice Wu Gulliver x Necromancer!Reader

Your girlfriend told you she'd be gone to finish some buisness, and you feel her death happen. You refuse to let her go.

Word Count: 1k

Content: second person, no use of Y/N, ressurection, kissing, fluff, blood and gore, Alice is naked but that is not the focus here. Reader is refered to as "girlfriend" at one point, but otherwise this could be read as gender neutral

A/N: If no one will feed me, I will feed MYSELF. I may cross post this to ao3 in the morning, but I needed to get this out of my head while it was all still fresh. This is very heavily inspired by Marcille's ressurection of Falin from Dungeon Meshi, but fuck it, if Billy's allowed to ressurect Tommy by putting his soul into another kid's dead body, then theres gotta be at least one other person able to do necromancy, and why not do lesbianism. Alice is probably a little ooc but I did this in like an hour, cut me some slack.

Today, running the butcher’s was very slow, predictable for the sleepy little metropolitan area of Eastview and Westview. It was run of the mill and average, what everyone in the town basically forced it to be ever since the scarlet witch scared half the people within a three mile radius.

You were just finishing the last of closing procedures and headed into your apartment above the shop, making a quick dinner and settling in for a simple night watching tv when you could feel it. The moment Alice's life was snuffed out. No, more like drained out of her, in a drawn out action. She had told you she was just going to finish some family related business, that she'd be back before the night was over. She'd be back before you knew it. Kissed you on the cheek and everything like she did when she'd head off to work.

Before you had even really processed anything else, you were already setting up the ritual, drawing out a sigil with chalk, placing candles in the appropriate places, scouring your cabinets for all the assorted offerings needed.

You and Alice had met because you were outcast witches. She had distanced herself from the craft after the death of her mother. And you were known as the disgrace of all green witchcraft. You were an odd duo, but you were happy so long as you were together. She had asked you a few times how you had earned your title, and you always laughed it off.

She was going to finally learn why you were called that very quickly.

You were grateful for your day job as a butcher, as you used magic to carry large cuts of cow and lamb, bones and all from the commerical freezer to the living room. plopping them haphazardly onto the sigil. It wasn't her body, but it would do in a pinch. You would deal with any consequences later. You lit the candles and got onto your knees, placing your hands on the sigil as you began the incantation you had done at least a dozen times. Your voice almost seemed to echo through the room as forbidden magics are called upon.

In a basement a couple miles away, death reaches out for a soul, only to see her violently yanked away from her grasp, disappearing from sight.

You continue to shout as the meat and bone fuse together, almost melting as it reformed itself into a human shape, features slowly refining itself to resemble the soul now bound to it. The last touches are added as your girlfriend, albeit covered in blood and naked, now lies in the middle of the circle. You nearly collapse, but you stare anxiously, hoping, praying, that it worked.

Alice's eyes snap open as she bolts upright, gasping for air. You release a breath you didn't realize you were holding as the tears finally roll down your face and pull her into a tight hug.

“Alice! Alice, I thought I lost you, I..”

You continue to squeeze her, kissing various spots on her face, not caring about the copper taste of the blood. Alice seemed to be finally coming out of shellshock as her hands found their way to tangle in your hair. Her eyes met yours.

“Is… is this real? Am I really here?”

“Yes Alice, you’re really here, I promise. You're here. I'm here.”

Without much warning, you were pulled in for a deep kiss. If you didn't know any better, you'd have thought she hadn't seen you in months with how desperate it was. Your tongues danced with no clear rhythm as you tried to get enough of each other, only stopping when you both needed air. Alice let out a huffy laugh of disbelief.

“How did you… how did you even do this? I was dead. I saw death.”

You glance away, picking at some of the melted wax on one of the candles, suddenly conscious of what you had done, how much of an overreach it might have been.

“It's. A long story, trust me. I understand if you don't want to be around me anymore after this, I just-” Alice gently takes your hands in hers, rubbing circles with her thumbs.

“Hey, hey. It's okay. Look at me?” You meet her gaze once more, her warm eyes looking softly at you.

“It's okay. What happened was weird, yes. But I think quite literally breaking the laws of life and death is maybe the most romantic thing a girlfriend has done for me. Just don't make a habit of it, okay?” You can't help but laugh at that.

“Only if you don't make a habit of it. What even happened?” Alice paused at that.

“It’s also a long story. I’ll tell you after I get cleaned up. You should probably too, considering” she gestures to your now bloodsoaked clothes, and you nod.

“I’ll take care of the cleaning in here while you shower, and I'll meet you in the bedroom later after I get washed up. If you're still awake by then, we can exchange stories. Otherwise that can wait till morning. Alright?” She nods, placing one last kiss to your forehead before attempting to get up and then immediately falling over. You stand up, offering a hand to her.

“Need help?” She takes it, and you help pull her up, resulting in a much more successful attempt to stand than the last one.

“I thought I was supposed to be the one protecting you.” You can't help but giggle at the remark.

“Everyone needs help once and a while. The usual doting can wait for later.”

You walk with her to the bathroom to make sure she doesn't fall again before even making it to the tub, before heading back to dig through the supply closet. You pull out the cleaning supplies and head back to the living room area, and the now giant stain of blood and chalk on your floor. Necromancy is a bitch, but it's all worth it now that you have Alice back with you. Whatever happens next, the two of you can sort it out together.