Be Confidently Wrong! | Shuffle Mode is On!
What's that? A regular, normal episode of the show? Not a chance!
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love when men cry about body hair bc "it's hygiene" and yet 15% of cis men leave the bathroom without washing their hands at all and an additional 35% only just wet their hands without using soap. that is nearly half of all men. that means statistically you have probably shaken hands with or been in direct contact with one of these people.
love when men say that women "only want money" when it turns out that even in equal-earning homes, women are actually adding caregiver burdens and housework from previous years, whereas men have been expanding leisure time and hobbies. in equal-earning households, men spend an average of 3.5 hours extra in leisure time per week, which is 182 hours per year - a little over a week of paid vacation time that the other partner does not receive. kinda sounds like he wants her money.
love that men have decided women are frail and weak and annoying when we scream in surprise but it turns out it's actually women who are more reliable in an emergency because men need to be convinced to actually take action and respond to the threat. like, actually, for-real: men experience such a strong sense of pride about their pre-supposed abilities that it gets them and their families killed. they are so used to dismissing women that it literally kills them.
love it. told my father this and he said there's lies, damned lies, and statistics. a year ago i tried to get him to evacuate the house during a flash flood. he ignored me and got injured. he has told me, laughing, that he never washes his hands. he has said in the last week that women are just happier when we're cooking or cleaning.
maybe i'm overly nostalgic. but it didn't used to feel so fucking bleak. it used to feel like at least a little shameful to consider women to be sheep. it just feels like the earth is round and we are still having conversations about it being flat - except these conversations are about the most obvious forms of patriarchy. like, we know about this stuff. we've known since well before the 50's.
recently andrew tate tried to justify cheating on his partner as being the "male prerogative." i don't know what the prerogative for the rest of us would be. just sitting at home, watching the slow erosion of our humanity.
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“Your brother is adorable.” The cashier cooed at Danny, peering over the counter with a smile. “What’s his name?”
Danny looked down to the surly, scowling little de-aged Batman currently holding onto his hand, glaring up at the cashier with bright blue eyes.
Things had already been bad enough when he’d gotten caught in a fight in Gotham, but things went from bad to worse when a magician had hit Batman with a de-aging spell and then shoved them through a portal.
Into a different fucking dimension.
Because of course neither of their lives could be easy. And now the two of them were stuck in Iowa in the middle of nowhere, at a truck stop gas station, trying to go on a cross-country roadtrip to reach the nearest hero city and get home.
He looked up and smiled awkwardly, trying to come up with a name off the top of his head — one of the heroes called Batman ‘B’ when he got hit right? B for Batman, right. B… B… Bee… Bees.
“Buzz.” He said, and tried not to grimace as the cashier’s face warped with surprise. “Like the astronaut.”
This was gonna be a long trip.
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I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."
Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."
And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.
There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.
Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.
So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!
(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)
Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.
This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.
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Grandia Xtreme!?
When every contestant gets it wrong in the funniest way possible.
Watch the full episode: https://www.youtube.com/watch?v=nxMhsX1BFDw
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it seems like some of you don't really understand the social implications in regency england for an unpopular debutante when her good friend who also happens to be one of the most eligible bachelors of the ton declares that she's not worthy of courting in her own damn garden after being seen taking multiple liberties with her.
it has nothing to do with the fact that he doesn't return her feelings. it has everything to do with how absolutely careless he was with her. even if he didnt realise he was leading her on, that's what he did. he made things harder for a woman who already had so little by her side. he used to be one of the reasons she could stand being part of the ton, but in that moment he instantly became just like one of her bullies. and obviously that breaks her until she becomes what we saw in the sneak peek for s3.
people will see how her friends treat her and think it's fine to mock her to her face. she is the embarrassment, the laughingstock and it was fine when she thought she had the bridgertons by her side. but now she knows what colin really thinks of her. he validated all the bullies she had, when she was mocked for her looks or her shyness. that is such a painful betrayal, especially when not TWO FUCKING SECONDS ago he claimed that she was special to him!!!!!!!
is that not worthy of grovelling?????? cuz i fucking think it is.
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@lunadys and I have been talking. And maybe this is controversial, but we've always maintained that the Veil has gotta come down. It's like so many people hear, "The veil is thin here, the Veil thin here." And Sera MOCKING Solas for how much he says that. AND HOW EASY TEARS IN THE VEIL FORM. And somehow, the idea that the Veil is unravelling seems to go over some people's heads.
It is breaking apart. It is in TATTERS by Inquisition. We've been holding it together with ducttape and a dream.
It's like the floor is rotting out beneath us, and he's ripping it up. But everyone is SCREAMING "Where will we walk!" and risking the collapse of the entire house to stop him.
Why are we all so adamant that Solas shouldn't bring it down in a more controlled and humane manner? He outright SAYS there is no other way. He outright SAYS every other option is worse. He wants you to find a better way, but in the nine years since the last game, how has that been going?
Varric went up those stairs trying to get through to Solas. And presented him with the same speech they have been giving Solas for a decade. I think SOLAS might have actually been getting through to Varric. In that hushed conversation.
So when Solas says, "I have taken measures to minimise the damage." And ROOK decided that he wants to know what the worst case scenario will look like first hand, and kicks out the flooring supports.
I am shit scared.
And from the look on Solas' face. So is he.
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I think about Leo’s “I’m your least favorite” comment to Splinter in “Down with the Sickness” a lot. It’s likely just a throwaway comment, a way to get Splinter to leave him alone before Leo gets sick too, but I can’t help but wonder if Leo believes it on some level.
Obviously it’s not true, Splinter loves him as much as he loves the others, but…it wouldn’t be shocking if Leo believed otherwise. After all, just in “Many Unhappy Returns” alone, Splinter has, with no hesitation, said comments like “my other sons would have taken this seriously” and “I knew I should’ve brought purple”, said “no” to Leo’s “I love you”, and pretty blatantly didn’t extend any trust in Leo’s plan even after Leo was fairly effortlessly defeating their opponents.
It was only after, when they’d already won, that Splinter finally gives him a “it was all you my son!” And…that’s basically it. Raph is the one who announces his trust in Leo. Not their father, even though Splinter is the one to witness Leo lowering his walls for once (which Splinter doesn’t react well too, because Leo only lowers his walls in the most hectic of times, and because he lowers them only then, either no one is around or no one is in the right state of mind to respond properly, leading to Leo building his walls back up, and the cycle continues.)
Again, it’s not because Splinter doesn’t love Leo, but Leo…can’t be feeling too good about all that. The way he never reacted surprised about any of Splinter’s words too…
He may know that Splinter loves them all, as a group, but individually…I don’t think Leo believes he ranks all that high with that love. Gives another meaning to “I’m nothing without my brothers” huh?
(Of course, I’m willing to bet the invasion changed that understanding, but with that comes the potential misunderstanding that his father’s outright love is tied to Leo sacrificing himself.)
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