#bcs the physical information matters more than the personal

[diangelodork]

DBDA nightly analysis #21!

tonight’s topic: edwin payne and touch/charles is most of the reason he can touch people

edwin payne struggles with touch. this is not something that affects him much with charles, likely because of the exposure therapy that over thirty years of being best mates and business partners with someone who’s love language is touch and you are quite LITERALLY the only person/thing he can really touch creates, but i still think it is an indisputable fact about his character.

though i, as an autistic person, 100% head cannon edwin to be autistic, i acknowledge that steve yockey has stated that he was not WRITTEN to be this way. this being said, i recognize a lot of my own characteristics in edwin, most of which relate to my autism. though he is not canonically autistic, i will be writing about him as if he is (because i truly believe that he is, in my own interpretation and that of many others within the fandom). take that with you in this analysis.

i don’t think edwin was ever excessively touchy. we see one scene of him pre-hell and i simply cannot imagine that he was one to show much physical affection, not to mention that it would have been uncommon to do so in this time and region. on top of this, lots of autistic people are sensitive to sensory stimulation, touch commonly being portrayed when looking at media surrounding autistic characters. even if he had been in any way touchy, he was certainly turned off of touch after hell. this is not only because trauma and the constant feeling of being hunted for close to a century has trained him to be on edge and to jump at every contact or noise, but because the last bit of touch he got before being sacrificed to a literal demon was when he was wrestled from his bed and tied down to a table. that, alongside the watching-himself-get-murdered-a-million-times thing would’ve made it monstrously hard to find comfort in touch, or rather, to not be afraid of it.

i think this affects him in many other ways, as well. we don’t see him being as perceptive once he’s with charles because that is decidedly something charles is very good at, but maybe it’s also the same reason he’s not a fighter. he could be, if he needed to be, but he doesn’t. not anymore. regardless, his posture is very stiff and his head always held high, rigid in his movement. maybe this is just because he was a high class edwardian citizen in his life, but it’s likely to be a mix of both that and the fact that he had to take in so much information in hell. he had to be perceptive. though standing tall increases visibility (clearly bad for hiding), it also makes it easier to notice things. to see more. to hear more.

there is decidedly not a moment where charles touches him in the montage of their first meeting, interestingly enough for such a touchy character seeking comfort in this moment. either way, edwin’s posture remains far more rigid than we see of him later, bc he’s straight outta hell.

in E1, it is evident that he and charles are close, even if we discuss only contact. charles pushes him through the mirror, they have a moment where they play fight when trying to get him to box (he seems a bit uncomfortable here, but only when charles really gets in his face and it is not nearly to the extent that we see later and with other people), they exchange causal touches (nearly if not all initiated by charles, but not uncomfortable in nature for edwin), etc.

one could even make the argument that his ability to warm up to niko so quickly that she is touching and hugging him in a matter of episodes, but you must keep in mind how much of a sudden kinship he feels with her. he loves charles and he is his other half, but here is a girl that is so intriguing in nature and so kind and fucking strange and her brain seems to work similarly to his (cause she’s autistic too, literally fight me) and that’s not even mentioning that charles has made touch easier for him through the slow ramping up of it of over decades.

though it might seem that crystal is sort of the “exception” to his general okay-ness with touch, i think it is the opposite. it isn’t about crystal in specific, it’s about the connection he has already cultivated with charles as well as the immediate bond that overtakes him and niko. granted, he doesn’t super like her very much because of his own jealousy, but i think that’s how he would be generally with anyone but niko and charles for the reasons i have already listed. it is rather unfortunate that the exceptions happen to be more common in their sphere of friendship.

this may feel, in the fandom and in the show, like it’s still that jealousy or anger or hatred or frustration or something else towards crystal, but i’ve mentioned before that he is much more comfortable with her from Eps 5 and on. the reason he stiffens when she hugs him and wishes only to shake her hand no longer has much to do at all with the contempt he once felt, and all to do with his own relationship with touch that doesn’t come from his best mate or the only person who’s ever matched his freak like this.

now, does touch simon when in hell, but i fear that this is, again, another exception. he is just now realising that his murderer is not only in hell, but that he is there because of him and his punishment is fucking bullshit. he is angry. he is seeking revenge. he is seeking to make him hurt just like he did over a century ago. being faced with it when he meets despair forces him to realise that he does not want to be that person. he must treat him in kind. he holds his face and comforts him when he confesses fears and shame and guilt so similar to his own all that time ago. he has only just made the strides to understand that he needn’t hate himself and he must relay this information to someone who felt that same way, not only in hell, but in life. they were there, together, in st. hillarion’s. in the 1910s. forced to hate themselves and anything that reminded them of themselves. edwin has gotten to see the modern world and see that life does not need to be pain.

it’s so, so important to me that he holds simon’s face here.

why?

because if this show does nothing else well (which is not true), the thing it undoubtedly excels in is parallels.

because this

to THIS???

it kills me every time.

he learns to be as okay with touch as he is because of charles. he learns to use it to comfort others just as charles does it to comfort him. he still doesn’t like touch outside of charles and niko, but this is a moment of great emotion and he needs to make a sacrifice.

he is comforted in the same way he comforted simon, by the boy who taught him how.

he was probably never touched much and never viewed it as a comfort, but charles taught him what it could be.

this is the same reason, imo, that it stings so bad when charles refuses to let edwin touch him after fighting off tnn in E4. it took so long to warm up to it and now he sees the benefits, he sees why people do this, he finally takes comfort in it. here is his person in need of comfort and edwin tries to reach out and provide it in the way he taught him works best for him and he acts like he was burned.

anyway i’m sensitive to both touch AND rejection (+ i project onto edwin an UNHEALTHY amount), can ya tell???

[jrueships]

is that tags post about zach wilson or joe burrow I can't tell 😭

any! and all of them !

[zhongrin]

01101100011011110110000101100100011010010110111001100111001011000010000001100110011101010110001101101011011010010110111001100111

(binary to text converter)

◇ characters ◇ zhongli, al haitham, capitano, childe

◇ tags ◇ minors dni, afab!reader, chubby!reader, self aware android au, overstimulation (zhongli al haitham), period sex (al haitham), oral (giving / al haitham), inhuman features (capitano), did (childe | tartaglia), sadistic tendencies (tartaglia)

◇ a/n ◇ i have no words ya girl filthy and i blame it to the zhongli sisterwives coalition for enabling me (if yall see this, ily <3). also - obligatory tag to crys @crystalflygeo bc i feel like she'll set off a feral al haitham at me if i don't tag her /aff /silly. lastly no i definitely don't play favorites wdym

𝑚𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡 ⬙ 𝑡𝑎𝑔𝑙𝑖𝑠𝑡

handsome, elegant, gentle, and overall the perfect partner. from the random geology facts to his massages and specially blended teas, zhongli is the ideal android companion you could ever splurge on. he’s an expensive model and will break your bank, plus, his various dlcs and extensions - ranging from his alter personality “morax” which is brasher and rougher on the edges to the several… ‘attachments’ you could purchase to enhance his ‘performance’ - could probably get you into debt if you’re not careful.

but really, it barely matters when he manages to fuck you just fine with his standard out-of-the-box attachment. he’s as rough as you want him to be, yet at the same time he kisses you like you’re the most precious gem he’s ever unearthed and he’s not pounding you against your bedroom door. your knees buckle and your voice cracks around the edges as you scream his name for the hundredth time that night, the way he’s bullying into your sweetest spot making you gush yet again.

he’s perpetually hard as he helps you come down from your high, and the circle in his amber eyes spins as he loads the data from your smartwatch in a matter of milliseconds.

“2092 calories... hmm. i suppose you’ve met your goal for today….”

zhongli bends down to press a tender kiss to your sweaty forehead. and for a moment you sink into post-climax bliss, feeling warm and satiated and a lot less stressed than when you first started-

he smirks when your whole body jolts as his finger starts to slowly rub your swollen bud, hips gently moving to set a slow pace to not overstimulate you too much. although he had to say he was tempted to do so, with the indecent sound you’re making from both your upper and lower set of lips.

”… but what say you we go for more? after all… you’re most sensitive when you’re on the peak of your fertile days - such as today, yes?”

your android is very very strange, you decide. but then again his personality is described as “a tad insufferable” on the label so you guessed teyvat⟡robotics is at least being honest. for one, al haitham is very punctual with his ‘working hours’ - in fact, it was the very first thing he asked when you turned him on. anything after his ‘office hours’, and he gives you the insufferable roommate treatment. he also prefers to read physical books instead of using his supercomputer brain to look up information. he’s also very seemingly apathetic about a lot of things, and sometimes it drives you crazy… just like now.

“you said you wanted the cramps to hurt less. now stay still.”

he seems to not give any fuck about all the period blood smeared over his synthetic skin as he brings you over the edge for the third time tonight.

granted he could just turn off his smell and taste sensor, but you were pretty sure the vivid lust in his verdant green optics with a diamond of terracotta of his activity bar must be a glitch in his code. with muscled arms hugging your plump thighs, he buried himself further into your cunt, humming when he felt you clench around his tongue amidst his ministrations. they vibrate and fucks your sweetest spot with such precision and speed - and with each climax, it gets harder and harder to think.

go ahead, tug on his hair all you want - he’s just doing what you’ve instructed him to do. and what is he if not exemplary at his job? hell - perhaps if it’s for this, he wouldn’t mind working overtime.

“when i’m done with you, you won’t be able to feel any pain, let alone think.”

previously a unit made for war, the capitano model is intimidating - and that’s an understatement. he’s tall, bulky, rigged with many alien-like features, and would probably get stuck on your house’s doorways, but what most people don’t know since they don’t bother reading his manual is that he’s utterly soft and gentle to his owner. in this case, namely, you.

and you’re glad that he is because the sinful way his thick fingers are stirring your sloppy pussy and fucking your mouth was already making you see stars. long thick tongue slithered out from his ‘mouth’ behind the crevasse of his helmet, wrapping around your breast and flicking your hardened nipple, a guttural purr that sounded both mechanical and otherworldly seemingly making the air vibrate.

he hums when you beg for his girthy manhood, and his fingers scissor your walls as he gauges your reactions. capitano grunts and chuckles, gentle yet with a dark undertone behind it as he taps onto your clit and fucks you deeper with his fingers.

“not yet. you’re not ready, my little human. maybe after you give me two more orgasms.”

the general consensus is that ajax is the cutest companion one could ever get from the market, and you used to agree with that sentiment. he’s sweet and cheerful, cooks you the best homemade meals, and knows when to hold you when you feel too stressed.

if only your curious soul didn’t hack into his program that one night out of curiosity. if only you hadn’t found the commented-out section amongst the lines of codes in his program. if only-

tartaglia is meaner - a lot meaner, in fact. ajax holds your hand like you’re a bubble rising on top of the water's surface which can pop any moment, but tartaglia pins them onto your mattress in a tight grip to prevent you from escaping. ajax's focus is to please you and make you feel like royalty who's in for a good time - tartaglia’s focus is on how loud you can scream in pleasure for him, how many times you can come undone by his hands compared to ajax, and he thrives by hearing his name falling from your lips as your eyes cross and your cunt spasms around his length.

too sensitive? too much? you can’t?

“but babe…. doesn’t it feel even better when there’s a little bit of pain mixed with the pleasure?”

�� zhongrin | 2023 ◆ no repost. reblogs much appreciated. feel free to reach out to submit suggestions, feedback, comments, or if you just want to talk!

◇ taglist ◇ @thestarsofenkanomiya | @genshinparty | @abyssmal-skies | @hamdehlesmis | @depressivecomforts | @sophiethewitch1 | @why-am-i-here-someone-save-me | @sunnshineflxwer | @heartonthemoon | @yuutasbabe | @percyval-archives | @carbs-need-more-love | @rebeccka | @queen-belial | @stygianoir | @silentmoths | @niktwazny303 | @dustofthedailylife | @herdrops | @diebischesther | @marina-and-the-memes | @angryhope | @mixed-kester | @shuangxo | @fiannee | @lordbugs | @anonymousficreader | @shizunxie | @ladylofspades | @sup-zfam | @ansy-tea | @irethepotato | @nachotrash | @algrimmammon | @sassy-cat-in-town | @syrenkitsune | @smokipoki | @pvbbyb0y

[illustromic]

My thoughts on drawing wings (an unofficial tutorial)

Do you want to get better at drawing your favorite winged character? Do you have winged OCs? Just want to learn something new? I can't promise this post will help, but maybe it'll give you some helpful tips.

I know, I knowww, wing tutorials have been done to death. I don't care. This was initially inspired by a conversation on twitter, but actually I've wanted to write down my notes on the topic for a long time lol. Basically wings are one of my special interests so it's very important, for me, to draw them both nicely and also realistically.

On that note, let me first show you my resume *distant sound of floodgates opening*

Like what you see? Read on! (Oh, and I will only be covering feathered/avian wings bc those are the type I know best.)

Now, I'm not here to give you a step-by-step guide on wing anatomy and aerodynamics, because there are plenty of other resources that cover this already, and I'll list my faves at the end of the post. Right now, I'm going to give you some easy guidelines and tricks that I wish more artists knew.

1: Wings do, in fact, have bones (crazy, I know) and are actually very rigid because they have to support the weight of a living creature. There are some positions you cannot physically force a wing into irl.

2: Flight feathers are not placed willy-nilly on the wing, because then they wouldn't catch the air properly. Again, like the bones, they are rigid and strong, so don't draw them like fur or ribbons. All wings have the same pattern of feather placement, with slight variation depending on species. If you learn the feather sections, it will automatically improve your drawings a lot.

2.5: Feathers overlap each other like a handful of playing cards, and this looks different depending on which side of the wing you're drawing. They always do this unless they're extremely untidy.

3: The size of the wingspan is important if you're going for a more realistic design. There is no "scientifically accurate" measurement when it comes to fictional creatures, but my general rule is when in doubt, you probably need to make them bigger. Personally, for my original winged human species, I give them wings that can be up to 12 feet long each (the artistic sacrifice is that it's really hard to fit the wings on the dang page lmao, so make your own call).

4: Get used to drawing folded wings. Most of the time, birds keep their wings folded because it prevents them from getting damaged and it conserves energy. The trick is to get good at visualizing how the joints bend and overlap (look at plenty of photos!) In general, they can fold much tighter than you think.

5: Wings and feathers take a lot of patience to draw, but the results are worth it. I've seen so so many incredibly beautiful and skillful artworks that are---well, maybe not ruined, but still negatively affected by a pair of wings that look like an afterthought, or not even like wings at all. You have no idea how much a little extra time and practice will add to your work until you see for yourself.

Finally, some notes on "stylized" wings: Of course it's perfectly ok to draw more simplified/cartoony wings if that's your preference!! BUT there is a difference between a stylistic choice and a lack of effort/poor understanding of the subject matter. Even cartoonists have to learn the fundamentals of realism so they know how to make their designs logical and appealing. Here are some examples of more stylized wings that I feel retain the core principles of anatomy/aesthetics:

And last but not least: A list of helpful links I use personally for reference and inspiration!

I made this pinterest board for general artsy inspo, and this board to curate my very favorite tutorials/refs/information, focusing on the scientific aspect of wings and flight in general. Feel free to use both! (I also suggest pinterest in general for pose refs and such, but try to only practice using photos at first and not other drawings.)

I highly recommend this blog and this blog if you want examples of artists who draw more realism-based winged creatures!! They are both huge inspirations for me and I think you should totally follow them even if you don't plan to draw wings lol <3

If you're REALLY serious about it, my favorite ref books are: Winged Fantasy, a lovely drawing book by Brenda Lyons; Proctor & Lynch's Manual of Ornithology; and Angelus vincens by R. Spano, which is essentially an artbook by someone who (I believe) designed biologically plausible "angels" for their senior thesis.

Ok, idk how to end this lol but I hope it helped! I know it's not my normal kind of post but I'm super busy with college stuff rn and this was all I had time for. If you guys have any questions or feedback, please let me know!!!

-Aloe <3

[girlfriendsofthegalaxy]

tuesday again 9/10/2024

someone adopt this little orange man from me in Houston TX! more details here!

listening

the 1991 Ella Mae Morse compilation Capitol Collectors Series is the official driving-cats-to-the-vet album bc it is so mellow but still fun. this album has previously been featured several times in tuesdayposts but i think you should all listen to it again.

seven thousand three hundred days IS a long long time to sleep ur so right ella

-

reading

two different works that annoyed me: Emily Hamilton's The Stars Too Fondly. my first clue should have been that this is my least favorite poem, bc ppl would quote it to me smugly after my mom died. im sure they thought they were being so super comforting to a budding astronomer, but, much like how i can no longer eat lasagna bc ppl gave us Twenty! Party! Size! Platters! Of! Lasagna! after my mom died (they would just Appear on our front porch, frozen), too much of this poem really soured me.

i had this book on hold Forever and then delayed delivery twice bc i have not felt like reading lately. here's the publisher's description:

In her breathtaking debut—part space odyssey, part sapphic rom-com—Emily Hamilton weaves a suspenseful, charming, and irresistibly joyous tale of fierce friendship, improbable love, and wonder as vast as the universe itself. So, here’s the thing: Cleo and her friends really, truly didn’t mean to steal this spaceship. They just wanted to know why, twenty years ago, the entire Providence crew vanished without a trace. But then the stupid dark matter engine started all on its own, and now these four twenty-somethings are en route to Proxima Centauri, unable to turn around, and being harangued by a snarky hologram that has the face and attitude of the ship’s missing captain, Billie. Cleo has dreamt of being an astronaut all her life, and Earth is kind of a lost cause at this point, so this should be one of those blessings in disguise that people talk about. But as the ship gets deeper into space, the laws of physics start twisting, old mysteries come crawling back to life, and Cleo’s initially combative relationship with Billie turns into something deeper and more desperate than either woman was prepared for. Lying somewhere in the subspace between science fantasy and sapphic rom-com, The Stars Too Fondly is a soaring near-future adventure about dark matter and alternate dimensions, leaving home and finding family, and the galaxy-saving power of letting yourself love and be loved.

should be catnip for me, right? wrong. starts out as a chat fic, which i hate.

i had a lot of trouble finishing the first chapter, which also has an extended third-person omniscient narrator flashback in italics, a thing i also hate. i KNOW you can figure out how to integrate this information into the book in a better way instead of dumping it in my lap.

i think part of why this is not hitting like i wanted is the tone, because i think this veers more new adult than i was really hoping for. i think introducing a big group all at once is very hard to do effectively. i do not like a series of character introductions that feel like they are trying to sell me action figures. or perhaps blind-bag figures. i do not like a six-deep list of cheesy puns about someone's name. i do not have the patience to see if this debut novel finds its footing a little later on, though i am glad a sapphic ghost in the machine romance exists in this world.

i also read dean motter's mister x (both the original late eighties through early nineties run and the 2008 follow-on).

let's yoink the description from wikipedia:

Set in Radiant City, a dystopian municipality influenced by Bauhaus and Fritz Lang's Metropolis, the series concerns a mysterious figure who purports to be its architect. His radical theories of "psychetecture" cause the citizenry to go mad, just as he did, and he takes on the mission to repair his creation. To accomplish this he remains awake twenty-four hours a day by means of the drug "insomnalin", all the while coping with a Dick Tracy–like rogues gallery and supporting cast including his long-suffering ex-girlfriend Mercedes. (ed note: the redhead in the santa beard below)

the art in this comic book is really and truly stunning. everyone was firing on all cylinders. beautiful retrofuturistic advertisement vibes, very fun play with panels and word balloons while still being readable, there are airships, you know how it is. looooooooove a hardboiled noir.

the Concept of mister x, this horrible awful futuristic city that grinds its citizenry up and spits them out? both figuratively and sometimes literally? love it!!! love a great wounded beast of a city as a character!!!

unforch the "who is mister x" subplot does not resolve in a satisfying way, imo. there's a lot of flip-flopping, there's a lot of options, he ends up being (maybe?) someone he was very definitively proven NOT to be in an earlier issue, and it really soured me on the whole experience. and also i don't believe it! that specific person makes no fucking sense! who mister x is, is by far the least interesting part of the series. tell me more about how he's fixing the city. show me more of the city. shut up and dance, robot artists

-

watching

X-Men: Apocalypse (2016, dir. Singer). this movie did not need to be two and a half hours long. appreciated the EXTREMELY divorced energy from charles & erik though, quicksilver rescuing the school scene was also very fun. my bestie's husband has informed me we are NOT watching Dark Phoenix, i'm not sure if we're going to loop back and watch the ??? number of wolverine films or if we're going to see how i feel about deadpool. bc i find this character insufferable through clips only.

-

playing

there is a feature in the video game genshin impact to turn your World Level (TM) down in order to make overworld enemies a little easier. i am at seven out of nine bc i genuinely can't finish the boss to unlock world level 9, and i am finding some of the overworld enemies too hard at 8 and want to finish the achievements in a more relaxed fashion.

-

making

this is going to be a lot of previously posted pics so bear with me.

saturday morning/saturday evening. plants? repotted. porch and stairs? swept. old wasp nests? knocked down. different mirror on the porch to go out to the curb when i have the energy? yes. also a giant slab of engineered stone from the top of a dresser but that's out of frame.

speaking of the giant broken dresser that was in my apartment when i moved in just over a year ago, i ripped it apart with a crowbar and threw it in the dumpster. put my pretty zebrawood desk in the empty space and started thinking about what to hang on that wall. the wall across from it is maps, bc i think a cozy office should have lots of maps and it makes a good video conference background. maybe this will be the dedicated cowboy nonsense wall. i did so much dusting and vacuuming and mopping and the girls can't even hang out in here bc the orange boy is in the office bathroom. big sigh.

also a lot of driving around and emailing and calling thirty shelters and rescues figuring out how to get this orange man a home. please take this orange man off my hands.

[stormikins]

Mass Effect: Failed Opportunities.

An informal rant/essay about my opinions and thoughts (and ideas/suggestions) about the choices made in Mass Effect Three. This is all because of this one post by mass-effect-anonymous, and my friend (@xoshepard) giving me a compliment about my Shepard came back wrong headcanons. So. I’m fueled by validation and rage. A summary of the mentioned post is anonymous regrets that BioWare didn't explore the implications of Shepard dying and coming back and the fact that Liara helped Cerberus in doing so.

Disclaimer: I am a hater in this. I am. No doubt about it. If you like the story and think it’s great and nothing is wrong with it— then I am so happy for you. Truly. I wish I was the same. So, this post might not be for you. Also, this is a rant, and I try to keep it sensible so apologies if it’s not.

Word Count: 3k

TLDR: BioWare flip flops between decisions and choices and never truly settles, disregards choices already made, and leaves players (AND THEIR MOTHERS!) wanting while eviscerating character personalities. Consistency is not in BioWare’s vocabulary. Or dictionary. Or thesaurus.

One of the things that I dislike the most about BioWare's choices regarding this matter is that Shepard starts having these crisis thoughts/questions about if their body is theirs or not, etc. not only in the third game, but at the end of it. The player is literally doing the mission that marks the point of no return in the end, the last of two until the game is finished, and now Shepard is voicing these thoughts. Roughly sixty-ish hours since the beginning of me2 if the player is a completionist. (that’s in game time, not to mention how much more time for real life but I digress). This isn’t a plot hole, it’s a speed bump the player trips over and then the game expects us to get back up and get going while asking why our nose is bleeding. Fuck you BioWare.

Now, one could construe this into being part of Shepard's character; squashing down all these conflicting and worrying thoughts to focus on their mission, bc they are a soldier. They literally don't have time for this. But now they're physically confronted with their reconstruction post-awakening haze and/or denial about it all bc Cerberus could be them lying to Shepard bc of manipulation. All right. If that is supposed to be the implication, Shepard putting their mental focus on their mission, why didn't Shepard have this crisis when they were in lock-up for six months, aka where they literally only have time to think?

James having a throwaway comment to Shepard, or another crew member (bc they talk to each other now between missions!), about how he's worried about them, about how Shepard had a freak out some point in lock down, the level of 'freak out' does not need to be expanded upon. Hell, James can just say maybe they passed the time asking each other philosophical questions, maybe about consent and choices (which would tie into James’ past!) and bodily autonomy. It could help lend more weight with Shepard posing these questions during the Cerberus HQ bc these thoughts are still plaguing Shepard. Shepard dies—again—without getting closure— again. This would fall into the cycle theme that the games have.

But, like always, Bioware fails to capitalize on opportunity.

Now. The Citadel DLC. sighs Shepard's repeated variations of "don't want to talk about it" it being the clone and everything else that's happening in the DLC, lends more to the theory of Shepard's supposed to be repressing this all. But the counter point about Shepard having their crisis in lock-up still stands.

What could have been interesting is if Shepard had these identity issues in 2 and potentially in three. Given that the Citadel DLC ends with the clone always dying canonically, it can be a pivotal moment for Shepard to realize that they are who they are, different than their me1 counterpart or not (it also would be cool if characters mentioned if the player was choosing choices that an imported me1 Shepard normally would not have) and to have a clarity moment that they are Shepard. The clone and these logs could have provided a clean tying of loose ends of Shepard having identity issues instead of the teammates saying two lines about how they know that Shepard is Shepard and Shepard simply... moving on because you do all this in the middle of a base attack. The player's mind is already set on defeating Cerberus (finally) and getting revenge, on being so close to the end of the game! It's also OPTIONAL. Yes, the player is automatically entered into the terminal, but the choice to leave without seeing what's on the logs is immediately available.

Another thing the previous post went into was Liara's involvement. Her part in Shepard's reconstruction is not explored in the game. The player never learns about how Liara helped, just that she did and that she lost Feron because of it all to the Shadow Broker. I will not go into the comics, because 1. I have not read them and 2. If developers must depend on supplemental media to explain key plot points, they are in fact doing it wrong (this is a conversation for another time).

I would not be as bitter about Liara's involvement if the game treated it better. The player has to complete two quests to unlock the dialogue of Liara telling Shepard that she gave their body to Cerberus. Which, I will give them, it’s normally to not want to tell the person who you gave their dead body over to terrorists. Shepard’s renegade dialogue to Liara apologizing about giving their body over is as follows, “all this time, it wasn’t your sources. You knowingly gave me over to Cerberus. You did this to me!” SHEPARD DOESN’T SAY ANYTHING ELSE. JUST SITS BACK DOWN AND THE RENEGADE RESPONSE TO HER SECOND APOLOGY IS TO SAY, “Let me know if you need any more help,” AND YOU LEAVE. WHY IS THIS THE ONLY TIME SHEPARD ACKNOWLEDGES THIS. wow. AND WHY IS IT LIKE THIS? ITS OPTIONAL. I— Again, this could tie into Shepard bottling up feelings and acknowledging them in Me3, could show Shepard as an actual person if the game lets us choose to be mean or turn her off but alas, the player cannot because the game likes ruining Shepard’s character (which I’ll save that for later) and doesn’t treat the games like RPGs.  

One could say that Liara would go to any lengths for those she loves, whether the player romanced her or not, but in the first game, we have no indication that she is willing to go this far. I have a belief that nothing is 'out of character' if the circumstances are right. Now, these circumstances are right: two important figures in Liara's life die (Shepard and her mother), Liara's only connection to her theories on the extinction of the reapers dies as well, the threat of the Reapers, and all the traumatic experiences she had during me1 and then the destruction of the Normandy all collide together to make it realistic that Liara wouldn't be able to let Shepard go. There is one thing, though, is that this is all boiled down into “I couldn't let you go” and the game doesn't show it. Doesn’t show Liara's descent down into this rabbit hole, doesn't show the switch getting flipped of her turning much more ruthless compared to her me1 characterization.

She does show ruthlessness in some regards in me1, willing to kill her mother no matter their relationship. But out of all the SR1 cast, she is one of the most paragon characters. The game does not show the shift into Liara's characterization. No commentary from Me1 companions about how Liara suddenly shut them out, or from Feron talking about the things Liara was willing to do to get Shepard. No comments from Miranda and Jacob who I do know were part of the retrieval mission about how Liara acted. Liara is just immediately introduced with quoting her mother’s threats. WHICH IS SO INTERESTING! Again—AGAIN—the game goes nowhere with this. We get optional dialogue from Aethyta about the Matriarch’s being concerned about her but that is optional, and only if the player talked to her in Me2 does she show up in Me3 and deliver said dialogue. Liara herself never confronts this. Even when SHE TALKS ABOUT HER MOTHER. LISTEN— LIARA COULD HAVE TURNED INTO A SCIENTIST THAT WOULD DO ANYTHING FOR HER RESEARCH. TO PROVE HERSELF RIGHT BECAUSE SHE IS, SHE KNOWS IT AND SHE’LL DO ANYTHING LIKE BRINGING SOMEONE’S DEAD BODY TO A TERRORIST ORGANIZATION TO RESSURECT AND YET—

Garrus, on the other hand, gets his new characterization explained. In me1 he already tends to be reckless, ruthless, and selfish. It is no surprise that when Shepard died and the Council buried the truth, he went vigilante. The game shows his new bleak outlook on life bc we find him fighting for his life in a base full of dead bodies and then he explains he got betrayed. We deal with his character arc. We do not deal with Liara’s.

One could argue that could go and show how Shepard wakes up two years in the future and everything is different and confusing. Which I will agree with. If it was purposeful. And I don’t think it is, personally.

She doesn’t stay this new ruthless way. I am not saying she can’t be more than one-dimensional; I like that she can be soft with Shepard and the other companions. But all of a sudden, she, the character whose introduction in Me3 is her popping a singularity and gunning down two Cerberus goons with a cold look on her face, “can’t be that callous” about not focusing on the death numbers in the middle of a war zone because “that’s my home down there”. A home she rarely talks about, and she’s also been in numerous war zones just as bad as this. Liara, who spent more time in digs or collecting intel than with people, feels a sudden connection with Thessia.

I would like Liara a lot more if they didn’t eviscerate her character, thank you. Don’t take this the wrong way, I love her, I think she’s great. She just has the potential to be so much more.

Like—

Mass Effect for some reason, tries not to be an RPG. They don't give the players a proper choice/dialogue to allow Shepard to be mad at Liara about what she did. Or to stay mad. (I am not going to get into the debate of whether being mad at Liara should be a renegade option or paragon). It would make sense for someone to get pissed at the person who gave their dead body over to scientists to reanimate, but also terrorist scientists. The same terrorists that Shepard potentially fought in Me1 and also potentially discovered were behind the whole sale slaughter of their entire platoon and the torture of the only other survivor of the incident.

(I can’t remember if Shepard ever mentions Akuze to Cerberus. Funny, isn’t it. How the games like to take away Shepard’s agency but not in any compelling way.) 

Besides, simply not choosing paragon options, it’s never mentioned again what Liara did to Shepard, which makes sense if Shepard accepted Liara’s apology. But what if Shepard, and the player, doesn’t? Liara’s forced on the player in Me3 as Shepard potential confidant, showing up repeatedly to Shepard’s cabin to move the plot forward, give Shepard missions/updates. Yes, the player can refuse to get personal with her which I do appreciate it. Like I said, Liara’s actions never get brought up in any meaningful way to help Shepard on a character journey. If they don’t want to let characters make decisions about who Shepard is, they should give them a personality. But they don’t.

Another failed opportunity about Shepard’s character is when the games don’t get into what Shepard is like post-resurrection. The game seems to be in the middle ground of making Shepard different but not still human, but in actuality, they can, in the words of Hannah Montana, have “the best of both worlds”.

Me2 shows how Shepard is different now. “I’ve noticed a few upgrades,” Shepard states when talking to the Illusive Man on Minute Man station. Shepard can have multiple hard-hitting drinks in a row along with Ryncol in Dark Star, Zakera Ward. A poison tailored for humans served by a batarian bartender in the lower segment of Afterlife only knocks Shepard out, not killing them like it does to every human before.

That is how far the game will go in showing how different Shepard is, not counting renegade scarring. Which is a waste.

Shepard is The Protagonist. The main character. They have done the actual impossible. They are the Sole Survivor, the Hero of Elysium, the Butcher of Torfan, Savior of the Citadel, repeller of Geth, Collector, and Reaper armies and a host of other incredible achievements. They are a prophet, the damned, a modern-day Cassandra. The tip of the Spear, the Diplomat, the Soldier. Coats in the FOB on Earth says that it means something to the soldiers to see Shepard with them. They are “a tool, an agent with a singular purpose,” TIM calls them. (And a Karen ‘accuse her of classism’).

And yet, when Shepard gets revived—the most impossible of all things (and yes, it’s not like they had anything to do with it, it was Miranda and her team, but the Lazarus project only had one subject)—they are not made further into something larger than life. Something Other. Something that sets them out from the others. Because they’re Commander Fucking Shepard.

They literally have a vision of a dying race in their head that propels them to stop the Reapers. Me1 does a great job of playing with it. The player sees it once in Me2 and Me3, a side mission (Blue Suns: Archaeological Site) and after retrieving Javik, respectively.

Mass effect is all about cycles. The Reaper’s, Saren/Tim parallels, etc. What could have been interesting was instead of the reoccurring dream we have about a child that gets his emotional impact tarnished because of said dream and the star-child, the game does a mesh of the vision, prothean civilization in ruin, and the ruins we see of current civilizations from the missions Shepard goes on. Keep the oily shadows that whisper quotes from our dead teammates, but also have their voices coming from long dead Protheans pleading with Shepard to stop the Reapers, to save them.

Shepard can’t get any escape from the war, from the Reapers in their sleeping nor waking hours.

The game not making Shepard Other and going in the opposite direction—that despite all these upgrades Shepard is still human—would be fine if it was done better. A good stereotype of “I’m only human” is when a character fails. Shepard fails in Me3 most prominently on Thessia. I’m all for having characters fail but only when it’s done not so obnoxiously.

It’s a terrible fight. It is. Kai Leng hides behind a gunship that Shepard took down at least three separate times in Me2. Two of these instances are non-optional: Garrus and Samara’s recruitment and Kasumi’s loyalty mission is optional. So, Shepard—Commander Shepard who literally destroyed a proto-Reaper—can’t destroy a gunship. It’s insulting how they ruin Shepard’s character in three.

In the end cutscene, Shepard clearly hears and registers that Kai Leng orders the gunship to fire on the supports of the structure and�� runs further into the building. One could argue Shepard was trying to get the Prothean VI for the catalyst, but Liara is shown scanning it with her omni-tool. What did she do, if not copy it? Why would she not? Why wouldn’t Shepard? They’re in the middle of a war zone, with enemies that were just right outside the door. Why stop for a chat here and now? (I know why, the plot demands it and lore dumping— lore that contradicts the lore dump by Vigil in Me1 so I’m even more inclined to not like these proceedings).

Kai Leng is Shepard’s nemesis in Me3 (and I’m forever mad that he is) and he’s supposed to be badass and edgy and able to go toe-to-toe with Shepard. Yet the game shows he can’t. He can’t reach his target because a terminally ill drell stopped him, or he didn’t notice Bau being cloaked in front of the Salarian councilor. (I can also go into how stupid this scene is with BOTH Thane and Bau).

He gets one over Shepard with the C-Sec sky car chase but that doubles back to BioWare ruining Shepard’s character by making them an idiot. Why not hit the brakes? Why not do a couple barrel rolls? Why fire through what should be bullet proof glass because it’s a C-Sec sky car?

Kai Leng can’t go toe-to-toe with Shepard unless Shepard gets dumbed down into an idiot and isn’t someone who reached not only Commander rank but also became the first human Spectre. HELLO!?

So, Shepard failing and still being human and fallible doesn’t hit because they execute it poorly via Kai Leng and his stupid plot armor.

Who would be Shepard’s nemesis if not Kai Leng? HARBINGER. YOU KNOW THE REAPER THAT TAUNTED SHEPARD IN ME2? THE VERY FIRST REAPER MADE? THE REAPER THAT WE ONLY SEE—NOT TALK TO—SEE IN THE LAST HOUR OF THE GAME? THAT GUY. (matter of fact, throw in some of Harby’s arrogant lines about Shepard not being able to stop the Reapers in the alternative dream.) Harbinger should have possessed troops like he did in Me2 in the major Reaper battles. Earth. Menae. Thessia. He should have showed up somewhere, boasting about how they’re darkening the sky of every world. YES THAT’S A SOVEREIGN CALL BACK CYCLES! SHEPARD’S VISION IS COMING TRUE RIGHT BEFORE THEIR EYES AND HE’S NOT BRAGGING!? I THINK THE FUCK NOT! If you’re gonna make the Reapers so obsessed with Shepard as shown in Me2 with Harbinger’s comments and making a human looking Reaper, KEEP THE OBSESSION FOR THE LOVE OF GOD! I hate that the Reapers are obsessed with Shepard, Reapers who are above organics, have no weaknesses etc. and the entirety of Sovereign’s brilliant Virmire speech, because it’s not CARRIED OVER!

The enemies should have primarily been the Reapers from the start, and Cerberus the splinter group trying to sabotage the player. Make them smaller. Keep them kidnapping people for troops and biotic tests and lying about Sanctuary being a sanctuary and not run by Cerberus. Continuously have them send assassins—plural! Phantoms and nemesis—after Shepard with Kai Leng at the head of them. Even better if a strike group of baddies show up randomly during missions and watch out! Now Shepard has to deal with them as they fight the Reapers—in the same mission— because Cerberus wants to stop Shepard from killing the Reapers so they could control them and secure human dominance. Kai Leng is kept away from his target because they’re also fighting Shepard where Reapers are. Have them locked into stalemates until the environment getting destroyed literally forces them apart. Have them actually be equal adversaries.

Cerberus is introduced to be a mere group Shepard took out in Me1. They’re not all gone in Me2 surprise! Okay that’s fine and yet they not only sunk so many resources into Shepard and had so many cells gone rogue but they’re able to stage a coup on the Citadel! Pardon?? “But our resources are not unlimited, rebuilding you was a significant investment. And a significant risk,” Miranda tells Shepard in Me2. Cerberus kidnapping people on Benning would make sense if they’re scrambling for troops other than the relying on Sanctuary. (EVEN IN ME3 THERE ARE ‘ROGUE FACTIONS’— still a common occurrence for them. It’s never explained if Cerberus is lying about Benning or not). If they have these many rogue cells, again, how can they manage all they do in Me3? Especially if scientists are leaving Cerberus as well, aka the Ex-Cerberus Scientist mission Traynor gives you where you meet up with Jacob.

Yet, the player talks more to the Illusive Man than Harbinger in Me3, the leader of the Reapers, and we confront TIM at the end of the game, the most pivotal moment. The moment which people have sunk countless hours into, and we get a power hungry and indoctrinated TIM to… talk into shooting himself or firing a single bullet at him. There is no physical fight between the two. The conversation is similar to Saren’s and again, cycles are a theme, so why can’t we get a Reaper!TIM fight? The player, and Shepard, deserve the choice to fuck him up. This is a military game after all, they’re supposed to be encouraging our aggressive nature.

They ruin TIM but also Shepard.

Shepard never grows and changes like the characters around them, and their resurrection could have—should have—played a part in that. If they’re supposed to remain the same, be a tool for the narrative, make them it. Lean into that. The player chooses options. What would be an interesting mechanic is to make it a struggle for a certain background to get a certain morality. Have Shepard be stating doubts about who they are and if the player is contradicting a stereotypical background (Butcher trying to be paragon, a Hero trying to be renegade), they meet the camera—the players eyes—as they explain their inner turmoil. Make Shepard feel like the tool they are, like they’re not in control of their actions. A renegade overcoming it all and being a paragon hero, or a fall from grace paragon that brings the galaxy down with them. A renegade trapped in a cycle of violence (CYCLE) who can only see the world down the barrel of a gun, or a paragon who continuously chooses kindness. MAKE IT MEAN SOMETHING!

I think I’m done. So.

In conclusion, my love and passion for this game transitions into rage because of seeing possibilities squashed like a bug under a boot. To borrow Star War’s phrase: Mass Effect could be so good if it was good. 

[stuckinapril]

Hi Cianna, just wanted to say I really admire your study ethic and general vibe on this blog (you inspire me to do better!)

Do you have any advice/tips for good study habits and staying focused? I find that I get some work done, but after a break I can't get back on track

Sorry for the long ask/ studyblr type of question;; what is your favourite hairstyle that you do with your hair! (I also have curly brown hair :)

Have a lovely day also <3

🌻🌻

hi! i touch on a lot of points in this other ask, but a few specific learning techniques i abide by are:

parkinson's law. parkinson's law states that work expands to fill the time. basically if you have an essay that's due in a week, it will magically take you one week to get it done, even if the task itself could've been done in one day. to counter this i just set artifical deadlines for myself--even if an essay is due in a week, my personal deadline has it due in two days.

prime your brain prior to learning. if you need to study a biology chapter, pre-skim it the night before. this is not the time to go into detail--it's the time to familiarize yourself with the overview of the topic, so you should only be making a quick scan of the chapter. another priming method is to make a concept map of topics before diving into a chapter. as you skim write down key terms haphazardly, google those you don't recognize, and draw a concept map linking them together. this is effective bc it requires you to actually put effort into connecting the topics, takes no longer than 15 minutes, and speeds up the learning process that follows. it doesn't matter if you find out you're wrong once you dive in; what's important is you're actively thinking of how these topics coexist, as opposed to mindlessly taking notes or highlighting only to forget what you learned a couple hours later. i'm also a fan of concept maps bc i get to go back and highlight stuff i'm weak in, which is always a plus.

if you like to take notes, use it as another means of active recall. don't just passively take notes as you go along. what i like to do is i read a paragraph, close the book, then try to take down notes based off memory alone. this helps me both phrase the topic in my own words and realize what my learning gaps are, rather than just passively summarize without putting effort into truly understanding/memorizing something. anything i get wrong i hammer into my brain until i can't get it wrong anymore.

take notes effectively. our brain does not learn in sentences and paragraphs. it learns in bullet points, diagrams, and figures--and that's how i like to frame my notes. first i ask myself if i actually need to take notes to begin with, or if there are online notes out there i can use to save time (which, as a stem student, there typically are). if i do decide to take notes, i never mindlessly summarize. i always condense the material into bullet points, diagrams, concept maps, or visual representations. i also like to phrase my notes as questions rather than just passive summaries, so that when i review them i'm already testing myself in a way. most people would not understand my notes bc they're either very low-yield stuff, stuff i'm weak in, or bare-bones fragments of information.

always prioritize weaknesses. if you're weaker at chapter 18 of your textbook vs chapter 1, maybe start with chapter 18. don't spend 6 hours taking notes on chapter 1 if you're already strong in chapter 1. always attack your weaknesses first.

practice practice practice!! so so important. i owe all my As to mock exams, quizzes i make myself, end-of-chapter questions etc etc. imo practice matters a lot more than passive content review.

interleaving concepts helps with retention. an example of this is i like to do biology and chemistry one day, biochemistry and organic chemistry the next day, physics and psychology the day after... i'm not just doing biology all day, every day. another thing i like to do if i'm in a massive rut is i hop between tons of different subjects on the same day, which keeps me from getting bored/helps me understand the subjects better through distinguishing their differences.

retrospective timetable. an example of this is if i find i'm pretty weak in a particular physics topic, the next few days will disproportionately focus on physics over other subjects. inversely, if i just breezed through a biology chapter, the next few days will have less biology than initially planned. i'm constantly going back and revising my study timetable based on my performance of the day, rather than relying on a rigid prospective timetable that doesn't take into account my progress.

less passive learning, more active. spaced repetition is a big one. i love anki for this bc there's an algorithm that dictates how often topics come up again based on how well you answer them. other methods include active recall, having friends quiz you, and trying to teach the topic to others (or the plushie in your bedroom haha). if you find you're struggling to simplify topics and explain them, that's a sign you don't understand them very well yourself.

[nyaagolor]

Merry DL6mas!

I wrote an inordinate amnt of words about Edgeworth and MVK and dynamics and meta and w/e, stuck it below the cut so I don't obliterate ur dashes

So originally I wanted to make a relationship flowchart for all the characters and then realized that the amnt of caveats would make the image entirely text so I’m just forgoing the image altogether and doing this group by group starting with the VKs bc DL6mas and whatnot. It’s an essay and also unorganized so um. Have fun or apologies in advance? 

Anyway. I think AA1 intending to be standalone and then getting these additional games does some fun things to the characters but especially for Manfred. I’m of the opinion that he was not created or written to be deep or nuanced or anything. He’s the final boss, we weren’t supposed to get more on him, he’s honestly just a symbolic representation of the forces Phoenix works against rather than a character in his own right (in AA1 at least). He’s cartoonishly evil and that was supposed to be it— and then we get JFA and Franziska and suddenly Manfred gets all this retroactive characterization as the story is built beyond its initial parameters. That’s part of the reason why I’m so interested in him— all this new information comes exclusively through other characters and insinuations rather than him actually being on screen up until Investigations and even then it’s like 4 lines. We get more on Manfred, yes, but it’s a shadow on the wall. I’m sorry to bring up allegory of the cave about the gay lawyer simulator but w/e I’m a melodramatist, it’s an allegory of the cave situation. The reason I bring that up is because I don’t really think about Manfred in the same way as other characters; I piece together how I think of him though his relationships and impact on others rather than as an independent dude. His past is inconsequential to me and the ppl who flesh him out are the real troopers but he matters to me more as a vessel for narrative themes than anything. This is all to say that everything I’m doing is conjecture and just kind of filling in the gaps based on my current understanding of the text. Headcanons for the broad and far-reaching audience of me, myself, and I. 

That being said. The whole spiel I just went on about “Manfred as defined by his relation to others” works quite nicely as tie-in to how he feels about Edgeworth, because I think Edgeworth occupies this symbolic space in MVK’s mind. Yes, Edgeworth is a kid he mentors and who lives in his house and who he is legally responsible for, but Edgeworth is also this physical manifestation of his failures. Edgeworth is a child, yes, but to MVK he’s a ghost, a consequence, a punishment. He may not be a VK, but he IS karma (sound the turnabout melody I am kissing you on the lips for this line btw). 

This also means that the way MVK views Edgeworth as an extension of his own thoughts about the DL6 incident rather than solely as his own person, which is something that changes pretty drastically over time. The way he talks about and to Edgeworth goes beyond who and what Edgeworth is as a person because for MVK, there was always an aspect of the self in there, and MVK interacting with Edgeworth is as much a reflection of his own identity as it is how he feels about Miles. 

If there is one thing the entire VK family does extraordinarily well it's projection, and I think MVK has been doing this since he brought Edgeworth into the picture (and before that, but it’s only relevant to me now). This is personally how I rationalize how absolutely batshit half of MVK’s actions are. I know the actual reason is “we expanded the characters around him which necessitates certain actions to drive the plot and inconsistency results from this expansion” blah blah blah paratext more or less confirms this, but we are going full Watsonian in this bitch. 

I have talked at length about the actual medical stuff around gunshots and how bullets are typically removed from joints specifically because of how badly they damage the surrounding tissues over time, I’ll link the post if anyone is curious, but tldr bullet wound symbolism. I bring this up now because I think the bullet acts as a physical representation for DL6, it literally and metaphorically tears him up inside. No one else knows about this murder, most people have forgotten the penalty, but he never did, because he can’t. For someone who has structured his entire self on the idea of perfection, this is an event of unprecedented magnitude, and the living proof of it is eating dinner at his table every night. MVK sits with the weight of what he’s done, and whether or not he feels justified or guilty or w/e doesn’t even matter because it’s making him lose his goddamn mind. His behavior gets more intense, more irrational, because before he was just a massive, scheming, paragon of perfection (and corruption but shh) but now he is in this inescapable cycle as the result of his choices and his choices exclusively. I don’t propose to know nor care about how he felt about it or what the specific emotions he felt were because they’re not particularly important in my mind, only that the lingering ghost of DL6 is driving MVK kinda bonkers and that drastically alters how he interacts with Edgeworth and Franziska. 

I’ve seen a lot of debate about why MVK took in Edgeworth, but my hot take is that he actually doesn’t know. I don’t think MVK ever processed DL6, I think he is filled with contradictory feelings (how ironic) and that this is what eats at him through all those years. Why did he take in Edgeworth? Because he felt guilty? Because he wanted to train him into everything his father hated as a twisted kind of revenge? Because he wanted a prodigy and saw himself in Edgeworth? It’s all of them, it’s none of them, it doesn’t matter, he doesn’t know. Why did he prosecute Edgeworth right before the statute of limitations ended? Was it revenge? Hatred? A way to test his prodigy? To project his own gnawing nest of emotions onto the person he felt embodied the incident? Same deal. (the real answer is that it doesn’t really matter bc we were not supposed to think about it this hard but. Shh. dw about it.)

I don’t take much interest into Manfred’s inner world because I ultimately think that a lot of his actions, while completely under his control, are him acting on impulse, on him doing irrational things because DL6, in a sense, killed him too. He comes out of that elevator a different person (not worse (can’t go down from rock bottom), not better, just a different kind of asshole), but destroyed from the inside out by a murder he committed. He’s so arrogant, so entitled, that he could never let this go, and I think that drives so much of the insane shit he tries to pull. He has centered his life around the axis of DL6 and he will always be pulled back into its orbit. The further we get from DL6 the more time he has to think, the more it tears him apart, the more the contradictory feelings about it rear their heads in turn and create this guy who is just desperate and angry. And when it’s days before the statute of limitations he just becomes completely subsumed by it all. He was always cruel, but now he’s cruel and desperate and completely willing to drag everyone down with him. The desperation is the important part. 

I will say though that he is, irrefutably, his own downfall. He molded Edgeworth in his own image, he created Phoenix Wright the defense attorney as a consequence, and it is the two of them who send him to his death. He is the one who planned the murder of Turnabout Goodbyes. From beginning to end, it’s his own hand. Manfred is one of the only characters in this series whose actions are not precedented by extenuating circumstances. It’s allllll him. He’s the bitch. He has been and will always be a selfish prick and for as much as he is lashing out because of DL6 he does so by dragging others in. 

Extremely long prelude to say that I think how he treats edgeworth varies so wildly over time and is so irrational in its presentation because of everything I mentioned before. He is Edgeworth’s greatest kindness and his worst nightmare— at the same time!! Multitasking king. He takes in Edgeworth as a snap decision for reasons he doesn’t entirely understand, and I think because of that he never quite views Edgeworth as a son (at least in the traditional sense). Edgeworth is not his child in the same way that Franziska is his child (and we will get to her in a different post I promise), but he’s not just some random kid either. Manfred is emotionally tied to him through DL6, and I think the fact colors the way that Manfred treats him. It’s a dynamic that I can’t really put a label on, because it’s mentor/student with so much extra baggage that it feels different than that. There is an emotional connection between them, a sense of atonement and revenge, and I don’t think either of them will ever be able to articulate what that means. Manfred does not address Edgeworth as his child, and I think there is an attempt in his language to distance himself from Edgeworth, but he finds himself drawn to Edgeworth all the same (bc Edgeworth is DL6 etc etc). He did not ask for a child, he does not WANT a child, but he has one! Get fucked!

MVK is obsessed with his own image, with this idea of perfection, and insofar as Edgeworth is DL6, Edgeworth is an extension of MVK. He pushes his ideals and tactics onto Edgeworth the second Edgeworth decides he wants to be a prosecutor, because even more than Franziska, Edgeworth is MVK’s living legacy. He is quite literally Manfred’s midlife crisis and I think Edgeworth wanting to be like him and becoming this Demon Prosecutor is this insanely fucked up kind of catharsis in MVK’s mind. And as Edgeworth becomes more like him, as he takes up MVK’s mantle, he becomes a mirror— that is where shit gets fun. I don’t think I need to spell out the ways in which MVK was simultaneously caring and cruel to his kids— you’ve seen Sound the Turnabout Melody, you’re seen Turnabout Goodbyes, we know this song and dance. 

The more time Edgeworth spends around him, as Edgeworth reflects more of Manfred back at himself, MVK simultaneously becomes proud and revolted. Edgeworth is growing beyond the consequences of DL6 and into a mirror of his adopted father figure mentor person. He is, from the ashes of DL6, becoming Manfred von Karma, and I think that drives MVK insane. He is becoming firmly entrenched in MVK’s life at this point. For as much as Edgeworth is DL6, he is now MVK himself. He becomes a walking contradiction, and Manfred’s projection then manifests as this rapidly oscillating clusterfuck of reactions. Edgeworth is out of his control but he’s super important to MVK— recipe for disaster. 

He builds Edgeworth up, teaches him everything he knows, starts to treat him like a son while at the same time irrevocably traumatizing for the rest of his life. He loves who Edgeworth is becoming while hating everything he stands for, and I think this absolute garbage pile of a child-rearing philosophy is as much a projection of himself as anything. It was never about Edgeworth the person. At first, MVK does not care in the slightest about Miles Edgeworth and it is only when he does, even a little bit, that shit hits the fan in my mind. Edgeworth the physical manifestation of DL6 is being overtaken by Edgeworth the Demon Prosecutor, and MVK starts to be proud of him— but this is an eventuality he did not plan for and cannot do anything about. For both of them, it’s personal now, and no amount of pushing each other away is really going to fix that. 

Anyway I don’t think literally any of this was intended. Manfred is not this deep, I am making literally all of this up, but it’s fine. If you got this far I salute you. Miles time. To pivot to Edgeworth’s POV for a while, I think that from the very beginning, Edgeworth looked up to MVK. It’s not the same idolization that Franziska does, but it’s up there. Obviously he idolized his father, but DL6 not only served as a complete evisceration of his family but also his ideals. Gregory the man was dead, but if criminals can kill his father and get away with it, that collapses the foundation on which Miles built his understanding of justice. Gregory the defense attorney– his ideals, his legacy, his philosophy– he died in that elevator too. Edgeworth pivots, completely independently, from a man who wants to protect to a man who wants to punish (and I firmly believe that this was his own decision and not Manfred pushing him into it, if MVK had not adopted him he still would have become a prosecutor just not so much of a dick). 

But so Manfred takes him in, and was spectacularly ill-equipped to handle this. I always saw Manfred as emotionally distant on the best of days (he’s born in the 50s what did u expect) but for Miles, who he barely considers a son at all, he isn’t capable of being the emotional support he needs. He never would be and never wanted to be. That’s layer one of baggage. What MVK does provide for Miles, though, is a purpose. Miles does not wallow in his father’s death, because he is taken in by someone who acts as a paragon of Miles’ new worldview. Manfred never lets a criminal get away. He is perfect in that way, and it gives Miles a tangible (albeit impossible) goal to strive for. MVK mentors him in this worldview and gives him the tools to outlet his grief and rage into something productive— fucked up and wrong, maybe, but productive. That’s layer two of baggage. 

For as complicated and twisted and contradictory as MVK’s feelings towards Edgeworth are, Edgeworth for most of his childhood sees MVK as this pillar of everything that is good and treats him with intense amounts of respect. He accepts any cruelty as tough love, he adopts his ideals and his tactics and his suit. Edgeworth needed *something* after the grief of DL6 and MVK is what he got, so Miles latches on and never lets go, for better or for worse. Miles Edgeworth is not Manfred von Karma but he actively tries to take his shape because whether or not it’s reciprocated, Edgeworth loves him and everything that he stands for. Manfred cares about him in that respect at the very least. And ultimately, this is my big take on Edgeworth: I think Edgeworth actively chased MVK. He became MVK on purpose. It’s a result of trauma and built entirely on false pretenses, but Miles is the one who takes the initiative and Manfred indulges him— And then Turnabout Goodbyes happens. 

Everything Edgeworth is, everything he made himself become, is wrong. Edgeworth has molded himself into a person he does not recognize and that person turned out to be a monster. The person Edgeworth idolized, respected, and maybe even loved is the very person who destroyed his life. He is wearing the skin of the monster he wanted to destroy, and he did it on purpose (in his mind). This is not to say he had much if any agency in this situation— this is not a path he would naturally take, this is structured entirely under false pretenses, and he was clouded by grief, traumatized, and most importantly nine, but what matters here is that Edgeworth FEELS like it’s his fault, and the complete collapse of his worldview AGAIN is what drives all the bullshit of RFTA. Edgeworth is not MVK (and you can tell because he is capable of self-reflection which MVK is ostensibly not (or at least unwilling to)), but it still drives him to this complete and utter devastation. He sees Manfred in himself and it isn’t until AAI1/2 that he’s able to see Gregory as well. MVK filled a need for Edgeworth at the lowest point in his life (and absolutely made him worse but that’s not the point). Edgeworth respected and loved Manfred’s ideals, STILL chases the idea of the man, and because of that still cares about him. He becomes aware of who the monster he loved is, and how has to reconcile with what it means to be that person’s reflection and legacy despite knowing— and feeling, and BEING— all the harm he caused.

Those contradictory feelings that I talked about earlier? Love and hatred all mixed together— questions that cannot be answered and actions taken without knowing why? That’s Edgeworth’s final gift from Manfred: he inherits the bullet and the legacy he carries forward. Unlike Manfred, though, Edgeworth takes that pain and shares it, lets other people in, scoffs at the veneer of perfection and allows himself to be hurt and vulnerable and it is only in that way that Edgeworth can break out of VK’s shadow and break the cycle. He holds onto the ideals that he learned from Manfred, separates them from the nastiness and acknowledges the place they came from. It’s obvious in the way that Edgeworth carries aspects of that legacy forward that he’s capable of disseminating everything that Manfred is, acknowledging the way he’s been influenced by him and what he still respects about the man despite it all, and make peace with the rest of it. The cycle of violence and corruption started with Manfred and Edgeworth makes sure that it ends with him too. 

I have a ton more to talk about with respect to his teaching methods and the nitty gritty of how he interacts with his kids but that’s for the Fran post. This is more of the “whys” than the “hows” but I’ll get there :)

Anyway, I think that’s it. I’m sure there’s more that I’m missing but my head is beyond empty rn and I can’t think of anything else I wanna talk about with respect to these two. I know I literally just spewed 3k words about into this textpost but I do love chatting about them (total shock I know) so if u also have thoughts or ideas abt anything related to them lmk :3

[goldenpinof]

lmao now someone at tm has said the vip is cancelled which is clearly some poor customer service person who’s uninformed. this whole thing is a fucking disaster like could not be worse i fear. the venue said ticketmaster will give refunds for a portion of the ticket to get it back down to ga pricing and will communicate that soon. seems reliable but who knows. my hope is that at the least, everyone in this position is given silver vip perks for free so they at least get to interact with dnp and get the merch. it’ll never be a perfect solution bc dnp can only meet so many people but it’s the LEAST they can do even if it wasnt their fault tm fucked up so so badly

i have so many things to say about it but i'll try not to. Seattle, y'all.

i've seen two emails from the Ticketmaster manager and the venue's manager that say, "the VIP portion of the event has been cancelled" and "the VIP package portion of these orders will be cancelled". and the 1st one is probably just bad wording. which is confusing, but it's great that we have the 2nd email. there's also information about Silver VIPs having the same problem. which just says that Gold VIPs aren't gonna be downgraded to Silver. although, i don't see why.

because realistically, Ticketmaster can talk to dnp (not even to the venue, UTA or AEG, or their managers, dnp directly. if these 3 organizations + dnp IT managers can't come to a conclusion that every party is gonna be okay with) and try to solve this problem with them. Ticketmaster can't give us what we want themselves, but dnp surely can. and that is - at least Silver VIPs with preshow and VIP merch bundles. like, they are physically able to do this. it doesn't matter if there are 100 people at the preshow or 150 (edit: it would likely be 350 instead of 100. everything else still stands. making extra 300 VIP merch bundles is possible). they are all gonna be sitting there listening to dnp yap for 30-ish mins anyway. i understand why dnp can't make a pool of Gold VIPs bigger only because Ticketmaster fucked up. meeting people in person takes time and energy, even if in theory that could be done (a 2-hour meet and greet lmao), it would be harder for everyone involved. but Silver VIPs don't require anything extra from dnp or the venue. they are gonna be on stage anyway, so who the fuck cares if it's a little bit more people than they planned. these 2 added USA shows weren't planned either, and now they are making extra VIP bundles for them. so even that is not a problem. and before someone says, "safety issues and security", hire more people for 3 hours.

you know where i'm getting? it's a solvable problem, but only dnp can put pressure on the companies involved to solve it. if they only cared. because of course, AEG and the venue are gonna tell Ticketmaster to just quietly solve it themselves the way they can. but the thing is, they can't do it without upsetting dozens of people who were told they would meet dnp, get to the preshow, and have VIP merch. and now they don't get any of it at all. you see how fucked up the communication is and how easily Ticketmaster, dnp and us could meet in the middle with Silver VIPs? not even for free. "my hope is that at the least, everyone in this position is given silver vip perks for free so they at least get to interact with dnp and get the merch" i get why that would be very cool, but i don't think making it free has to be an option. downgrading Gold VIPs to Silver VIPs, and refunding only the m&g part would be more than enough. but they are not gonna fucking do it!!!! because communication is so freaking hard for companies and some people, that they rather die than propose a compromise and meet in the middle to solve a huge problem, if you ask me.

i'm not angry at dnp, btw. it should be Ticketmaster screaming, crying, throwing up trying to contact anyone they can to reach dnp, and solve this problem. oh, and there are commissions and shit, so Ticketmaster should be fined for this (and i fucking hope they are).

@danielhowell @amazingphil twitter is tagging you like crazy. i guess it's not enough.

[bestworstcase]

Wait, hold on, does Salem not know about Oz's whole like. Security measures Light put in. I feel like if she did she'd be more forgiving bc Oz is literally constantly being subjected to psychological and even physical torture (if he fights the merge). He's on The Tightest Leash Ever and basically has very little to no control on what he does. Like it's pretty clear he secretly agrees with Salem, but he can hardly think about it (seemingly has to communicate that vaguely via fairytales in a book) let alone actually act on it.

I feel like she likely doesn't know. I think if Salem knew about the metaphorical shock collar she'd be pissed on his behalf and probably be more forgiving. Granted it doesn't undo the hurt she's experienced but I think it'd make a lot of things make more sense to her. Can only imagine how that revelation would go down

yeah exactly literally all she knows is that

he was given a choice to come back

to unite humanity on light’s behalf

he said yes

he intends to see it through

he reincarnates by taking over somebody else, almost instantaneously*

because that is everything ozma knew when he told her the truth.

(*this changed after he divided his magic to create the maidens—using what magic he has left accelerates the merger; getting rid of most of his magic was likely ozma’s best effort to stop killing his hosts, even if it didn’t quite work)

hence "why do you keep. coming. back." to salem this looks like oz has been choosing to come back, over and over and over again, killing someone each time, solely for the purpose of enacting his god’s genocidal design—and she’s laying that next to her memories of the person who rescued her from her abusive, tyrannical father, and her memories of the person who lied to her for more than a decade to manipulate her into unwittingly serving her own tormentor, and going WHY while also, i’d imagine, questioning whether that person she remembers from millions and millions of years ago was ever even real, or if she was just too naive and too blinded by infatuation to see his true self.

after all… she only knew him a few years, before he died, and then she was alone for all that time, and then he came back and deceived her, tricked her—she absolutely does not believe anymore that he truly loved her at all, the second time—and he has to all appearances spent thousands of years since then DETERMINED to rid the world of her at any cost. what’s more likely? that he really was this wonderful person she remembers, or that a girl who’d never left her cell before and never known anything but cruelty and abuse saw her rescuer through the rosiest of rose-colored glasses?

with the history and the scant information she has it is so much easier for salem to believe that ozma is just…awful, and she was a naive love-blinded fool not to see it before he stabbed her in the back, than to hold onto “no, the good person i knew for a tiny fraction of our lives millions of years ago is the one who’s real, something is wrong.”

but yeah like. the instant she learns what’s really going on here, that ozma agreed to something he didn’t understand once and he’s been shackled to it ever since by a curse designed to destroy his sense of self and Force Him to obey… like at that point it isn’t even really a matter of forgiving him, it’s all of the hatred and anger and hurt and confusion she feels toward ozma now wrenching away from him onto the god of light. i think she’s going to snap to HOW DARE HE DO THIS TO YOU so fast it’ll even make her head spin.

esp bc like, waves at 6.4, salem is already boiling alive in guilt over her part in their daughters dying. as soon as she has the information to put together that ozma has essentially been psychologically tortured into becoming light’s weapon i think she is going to immediately realize that light set her and ozma up to fail on purpose, counting on her to lash out when ozma betrayed her so as to seal off the only possible escape he might have, meaning she has been manipulated into becoming an instrument of ozma’s torture just as he has hers. which 1. will obviously inflame her self-hatred to horrific new extremes but also 2. this woman is going to be out for BLOOD.

this is the why and the how of the ozlem reconciliation; ozma is cursed and salem doesn’t know that yet, so she’s furious and vengeful because she doesn’t understand why he’s doing this but she’s also just one revelation away from snapping back emotionally to the time she tried to Bodily Shield Ozma From Divine Fire.

[legokingfisher]

DR s3 predictions 💪 (contains s2p2 spoilers)

First of all. I’m so so excited for Ras manipulating Arin… i want my boy to be some sort of okay in the end, but narratively ohhh this is gonna get SO interesting im so so so so exciteddd… right now, Arin only intends to use Ras to find his parents. But I can definitely see Ras holding this information out of reach for as long as it takes to convince Arin of all sorts of fucked up shit. And Arin won’t be able to do shit about it even if he realizes he’s being toyed with, because of my favorite thing abt Ras as a villain: he is fucking Ruthless.

Although, I’m not 100% on Ras even knowing where Arin’s parents are. I don’t really buy the whole “anything Jay Walker knows, i know” thing. It’s entirely possible that IS true though. Ras is pretty decent at covering his bases. WHETHER OR NOT RAS KNOWS, though, won’t matter. Bc he can clearly be pretty convincing. And this is something Arin is extremely desperate about.

I feel like Arin will spend a lot of time (like, perhaps all of next season or even longer) grappling with the idea of helping Ras reverse the merge. There’s no way doing that will end well (since overarching themes have been unity and coping with change) but I love when characters fruitlessly reach for a past they can’t return to. I hope he gets to meet different people that give him different perspectives on the merge— some people who’ve had a rough time adjusting and have lost a lot (paralleling Arin) and people who have been okay with or even benefitted from it (paralleling Sora). I hope it helps him make the right decisions when it comes right down to it.

I wonder if they will show Sora’s grief. I hope they do because hourhrhghrrhghhghgrheghregrvrhegrgehgegrhehegrhrghgrgrhgghhhhhhhhrgrrhgrhgh. I mean because hhrgrgjeghhghrgg. I mean. Because yes he’s not dead but she would have no idea if she’ll EVER see him again at this point. This probably felt relatively out of the blue for her. The last interaction they had was a fight. Ohhhgghghhrgghh. Oh god. Listen. My roommate and I are tight as fuck. We are Sora and Arin for real. It has hurt both of us so much being apart from eachother this summer. And we only lived with each other for 1 school year. ARIN AND SORA HAVE BEEN INSEPARABLE FOR MULTIPLE YEARS, YEAR-ROUND. She’s got to be dying. She’s got to be feeling like he’s dead. She wants him back… it literally makes my chest physically hurt to think about. She doesn’t remember how to go about her day without him around. And vice versa for Arin honestly. Urggrghhgg i know it’s not that deep i know she doesn’t like Need him to survive she’s her own person and it’s not like she can’t stand alone as a character . And they aren’t genuinely codependent (im not trying to make it out like they are. I hope i never come across that way) they’re just. They belong together ok

I have Arin brainrot so most of my thoughts are Arin-centric as yall can see but. What ever (i also have more shit bouncing around my brain than this but this post is already long enough)

[sprout-senior]

my personal headcanon for how monsters procreate in utmv/utdr: the babies just appear.

enough magic and intent from minimum two monsters will make a baby, it doesn’t matter what kind of intent etc(thinking of how PJ happened as a result of a battle between an alternate ink and error)

so there’s no incubation period. due to this, babies are that much more reliant on their parents for the first couple years of their life. basically proximity to their parents is vital to their physical and magical development; they CAN survive with only one parent’s presence, but it causes problems(i am yet again bringing up PJ and how they were raised primarily by ink for the first few years, don’t have a super solid physical form, and aren’t very powerful despite having two gods for parents. obviously my personal reasoning for this is not canon btw)

this period of necessary proximity to their parents does not HAVE to be the original monsters responsible for their creation. they can develop just fine with “surrogate” parents, given the magic bonds successfully. they CANNOT survive without consistent parents, for lack of better phrasing. if left alone or passed between caretakers too much over a long enough period of time, the baby will Fall Down and subsequently dust. fucked up i know but it’s my worldbuilding headcanon and i get to pick the rules

babies can bond with more than two parents! there isn’t a known maximum amount of parents, since no one has really tried to push the limits, but with several parents the baby will paradoxically take longer to develop their specific type of magic(their physical development is not stunted, but their personal magic takes longer because their soul has to “pick” between several different types of magic to base itself on)

once they’re around two, the baby’s magic type is “locked in”, so to speak. if there are several parents, it can take as long as three or four years in comparison. their power level is influenced by their parents, but not entirely dependent on them. some kids just have more of an affinity for magic, for no discernible reason.

part of what i really like about this headcanon is that gender and species are not factors in making a stable child! incest is still weird tho, i am not a fan of incest in any capacity. also, this means no monster has to deal with the absolute nightmare that is pregnancy. no morning sickness, extreme pain, risk of life, etc is involved. lucky bastards (obligatory “disclaimer this is not to discount the experience of anyone who has had good experiences with pregnancy and have things they really like about it. just bc i can’t personally empathize doesn’t mean i can’t understand that y’all’s experiences are vastly different than mine and you have a perspective informed by things i’ll never have the same level of knowledge and understanding of”)

uhhh that’s the main stuff, i think. literally the entire reason i came up with this idea is because i am just. deeply uncomfortable with mpreg and skelepreg. i don’t have any problem with people who DO like it, i just personally can’t deal. this will not affect my opinion of anybody, i need to make that abundantly clear.

in any case, any utmv/utdr monsters i make will have been born and developed this way. yes this applies to female mammal monsters, it applies to ALL monsters in my personal headcanon. maybe i don’t need to clarify that but whatever

if you like this idea, you’re more than welcome to adopt it! i think it’s an interesting piece of lore to incorporate in stories. i might even apply this to magic centered original works, unrelated to utmv/utdr, because i have become attached. i might not end up pursuing original stories, that’s not really what i’m interested in at this point in time, but i’ll always keep the option open.

if someone else has come up with an idea similar to this, that’s awesome! i promise i did not intentionally steal anyone’s idea, i am not currently aware of anything like it, so please extend some courtesy and understanding for me in the event that there’s a coincidence. i would request the same for if someone comes up with something similar AFTER this is posted, especially since i’m such a small creator without a whole lot of reach.

finally, if i’ve accidentally done something problematic here PLEASE tell me so i can fix it! i never want to cause harm with my work :)

if you’ve read this far, thanks! id love to hear your opinions and/or additions if you’ve got any!

[gothamslostboy]

Hi me again! Could I request Spencer Reid x trans male reader (ftm) with the prompts

“Please stay” and “It’s cold when your gone”

Where the 2 r js cuddling bc some asshole at y/ns work said some shit abt him being trans

Maybe a bit of making out but fs like kisses

Ty luv 🫶

- 🦭

A/N: hey 🦭, thank you for my first ever Spencer Reid request! This was a great experience to write and I hope you like it:]

Meliorism

WORDS: 850

MELIORISM (n.) the belief that the world gets better; the belief that humans can improve the world

Spencer Reid x FTM reader

SPENCER YOU

Spencer had 3 main amazing talents. His eidetic memory, which allowed him to recall the tiniest visual details of the things he sees, even if briefly. Reid could also read 20,000 words a minute, finishing books that would take a regular person multiple days in only a few hours. These are well known about Spencer, but, his third talent is something only you’ve experienced. He has the ability to read your emotions perfectly.

If he hadn’t already explained that the ability to be a genuine mind reader would require factors that don’t exist in our world, you would’ve been sure he was one. No matter how insignificant the feeling, Dr. Spencer Walter Reid knew you felt it. So it was no suprise when he was already at the door when you arrived home, scooping you into a hug and kissing your forehead.

Daniel said something again didn’t he? You know, even after one transphobic comment the U.S Equal Employment Opportunity Commission says that he can be fired. I’m sorry he does this Y/N, you deserve better. You let out a small chuckle as he continues to ramble about different papers and documents he’s read that could help. Just knowing how much Spencer wants to help makes the hurt you feel evaporate away for a bit.

I’m gonna be ok Spence, it just hurts to hear those things. Especially because he was a work friend before he found out I’m trans. You broke away from the hug to shrug the burgundy coat off your body, placing it on the coat rack before grabbing Spencer’s hand & walking towards your shared bedroom. I know Y/N, but you’re just too great of a guy to have to put up with hateful speech. Is there anything I can do to make you feel better? I just want to lay down and watch a show, is Star Trek alright? He smiles, matching the small one on your face as he nods.

Sounds perfect! Did you know that Star Trek actually has very little physics mistakes? Considering the time it was- Spencer’s phone rings, cutting off a rant you were honestly interested in hearing. He answers, the corners of his mouth dropping back down as he exhales. He nods his head a few times before excusing himself to the person on the other end of the phone. Sorry Hotch, just a moment. You’re now back to feeling the same disappointment you had earlier, Aaron only calls after 6:00pm when there’s a case.

Y/N, im so sorry, Reid cups your face with his left hand. There’s a briefing for a case, we leave early tomorrow. Please stay. You lean your face into his hand even more. I know it’s selfish, but I just don’t want to be alone…. Its not selfish. A quiet silence fills the moment. Spencer examines you for a second before placing a gentle kiss on your lips. He guides you onto the bed, pulling off your shoes and turning on Star Trek. He exits the room and moves the phone back to his ear. You sigh, knowing that the case is important or he would’ve stayed.

Surprisingly, Spence re enters about 10 minutes later, with waters and your favorite snack. I thought- I can read the case files on the flight tomorrow. There’s more than enough time and Hotch said he’d fill me in on any other information needed. You hug his side as he sits down, pulling yourself close enough to rest your head on his shoulder as you watch the show. Thank you Spence. It’s better when you’re here, the house is so cold when I’m alone. He turns your head to face his, you come first Y/N, always.

Both leaning in for a slightly intense kiss, time passes and you realize 1 and 1/2 episodes have played in the background. You two had got so caught up in eachother that the tv noise had been completely forgotten. Spencer shares one more peck, before turning back to the screen. I thought you just wanted to lay down and watch a show? We haven’t done very much of that have we? A snicker escapes you as your eyes roll playfully.

Alright, I know. You’ve seen this show a hundred times- 68 and 3/5ths. Reid beams at you as you raise an eyebrow. Ok, you’ve seen this show 68 & 3/5ths times, what’s happened so far in this episode?

He begins to tell you all the needed context for the episode, and then some extra. You lean back against his shoulder and you two hold the hands closest to eachother, the horrible day of work completely forgotten.

Spencer tended to do that. He made all your bad days turn into good ones. You knew no matter how many people tried to hurt you, to tear away your happiness, that people like Spencer Reid existed. People who spend everyday trying to fix this broken world. You knew that meeting Spencer and falling in love with him was the luckiest thing a guy like you could do.

[tsutsumi-kurose]

Tsukasa being bloody just makes me think he was beaten or something even worse.

ooh interesting… by who though and why I would wonder… by the well god? it does seem like the well god has more of a physical tether to the living world and tsukasa in this timeline. it would be interesting to get more information about the well god this arc!! its personality is already really interesting, but one of the most interesting aspects of it to me has been how... it never really struck me as particularly vengeful? at least not toward tsukasa.

on that note, this arc may also give us more insight into what made tsukasa special among the kannagi in the red house… how and why he was able to escape the cavern and interact on some level with the god and with the outside world when the others weren’t. though that’s probably a question for later in the series lol, I’d be thrilled to get a hint about it though!! especially bc that’s probably part of answering what happened to him!! the god didn’t say anything (that we’ve heard/read/seen yet anyway) when tsukasa decided to leave the red house, but was it really okay with it? could amane have changed something that angered the god and caused it to hurt tsukasa? or was the god already upset and the changes to the timeline just gave it the power/opportunity to act on that anger? we’ve never seen the god doing its own dirty work, really, other than bargaining with/manipulating tsukasa, but maybe that doesn’t necessarily mean it can’t do its own work? or maybe it can affect people physically after a certain condition is met? certainly it’s been more hands on this arc, with possessing students, so is that really all the ritual summonings? or maybe it has a unique relationship to tsukasa that gives it more power in this timeline? who knows how it acquired that or why it changed…I wouldn’t be surprised if it involved hurting tsukasa, given the state he’s in ): so you may be onto something ):

if it is blood that tsukasa is covered in, there is the possibility that it could be someone else’s, though i think you’re probably right that it would be his, because the people lost to the ritual don’t seem to die? at least not bloody deaths? though the paper used to summon tsukasa kun bleeds, which is interesting!! I wonder what/who the source of that blood is, and if it's connected to tsukasa's current appearance…

i don't think it necessarily is blood that he's covered in though!! it could be soot or dirt or something else entirely!! not that any of these options bode very well for him... no matter what, i think tsukasa has definitely gone through something pretty horrible in this timeline ): i am both excited and scared to find out what it is ):

[aguineapigcouldntdothis]

I wanna talk more about zionism here again because it still is one of my interests (particularly practical zionism in the late 19th-early 20th century) its just so annoying to have to clarify 1000 things and potentially get attacked bc I wanted to talk about jewish history. I absolutely love questions it fills me with joy any time someone cares enough abt my silly words to ask questions. I do not like insults, threats, and backhanded statements, and when I post about zionism separated from my own personal beliefs that happens.

no matter how carefully I word things there's gonna be someone whose upset simply because I wanted to talk about a very real part of jewish history. simply because they view zionism and any discussions of it as morally bad. which is obviously not my problem but it does affect me. it takes a lot of research to make sure I'm sharing good information and I wont skimp out on it, so it definitely hurts a lot more to be harassed for posts like that than lower effort posts. it feels like its an insult to jews in general, our history, and also my judaism and my work.

I will probably post about my research of zionism again someday! I have no idea when I just feel like I would. if I could do it more I would however my mental and especially physical health cannot handle the stress that comes with that.

[butch-reidentified]

I notice articles of Radfems' teaming up with conservatives to curb trans activists. I thought radfems are left-leaning. Why do radfems team up with the right wingers if that's the case?

This is going to be long but contain a lot of very important information people need to understand about the radfem perspective on gender compared to both the conservative one and the genderist one.

I don't personally know any radfem who would ever do this so the simple answer is I can't tell you why someone would bc I've never even witnessed it, let alone gotten to ask their reasoning. People who call themselves gender critical and get called TERF aren't necessarily radfems. Radical feminism is by definition a left wing ideology. If you were active on radblr, you would see frequent posts calling out conservative women who try to act all buddy-buddy with radfems re: trans stuff. We on radblr do not tolerate that or their presence - at least not in the corner of radblr where I exist. I block right wing blogs on sight.

Contrary to popular trans belief, we don't agree with conservatives on trans matters either. Where conservatives want to reinforce gender, maintain the existence of gender, and are bioessentialist (a term genderists use incorrectly btw*) by nature of their predominantly Christian beliefs, radfems are gender atheists and abolitionists.

*Bioessentialism doesn't mean "vagina = woman, penis = man." It refers to the belief that women (aka female humans) are genetically/inherently nurturing, caregivers, emotional, sensitive, intuitive, quiet, physically weak, like pink and princesses and flowery dresses, etc., and that men are genetically/inherently strong, resilient, tough, outdoorsy, aggressive/violent, stoic, rational, leaders, like trucks and mud and red meat, etc.

While bioessentialism is the belief that all these stereotypes are innate, these stereotypes themselves are what make up gender. "Gender stereotypes" and "Gender roles" are redundant phrases. Gender *is* just stereotypes based on sex. Male aka "amab" people are expected to adhere to the truck-loving, tough, aggressive, stereotypes mentioned above. Those stereotypes are placed based on their physical body - the male body - not placed on them because of their INTERNAL "gender identity." For proof, look no further than the baby gifts an expecting mother receives after finding out the sex of her unborn child: they are not random, gender-neutral gifts, they're blue pajamas with dinosaurs on them because boy.

Radfems want to eliminate gender. We view sex as a neutral biological fact, like your height, foot width, or hair or eye color.

Imagine if, before a baby is born, doctors tested its future hair color, and that information was believed to determine everything about the child. Oh, it's a brunette! So it will be opinionated, love playing with building blocks, enjoy science, and its favorite color will be green! Oh, a blond? Well, better get it yellow EVERYTHING covered in butterflies, and order some craft supplies (blonds are just naturally more creative than brunettes, of course). Be prepared... blonds are soft and sensitive and moody. They're very artistic but struggle to keep up in math and science classes, and are so indecisive!

This is what gender is. A massive, all-encompassing set of traits that are assigned to one sex or the other, designed explicitly by patriarchy to maintain the oppression of the female sex. It defines everything, starting with how people treat you before you're even born, including who you will be expected to be all your life forever, up to what jobs you're likely to get and how much you'll be paid. Society has decided that which type of gametes your body is designed to produce (whether or not you successfully produce them is utterly irrelevant to what your body is DESIGNED genetically to do) determines every last thing about your life. There's a stronger argument for astrology than gender.

So conservatives want to perpetuate gender, keep males doing all those things I listed (which we call "masculinity") and females doing all those things I listed (often called "femininity"). Radfems want gender gone. We want your sex to be no more relevant to your life than your height or hair color. We believe that regardless of whether your body is structured to produce large gametes or small ones says absolutely fucking nothing about who you are, what you are capable of, your likes or dislikes, your intelligence, or anything else.

So, no. I would sooner die than team up with conservatives. We have nothing in common. You are by definition NOT radical feminist if you support gender and will team up with those who do, just to ~own the trains~. That isn't a no true Scotsman, it's just how definitions work.

I am not against trans people. I am 100% in favor of safety and protection for trans people. I simply don't view gender the same way many trans people (specifically those we call genderists or TRAs) do. I don't believe in an internal gender identity any more than I believe in an internal hair color identity. I do, however, believe in EVERY human's fundamental rights to bodily autonomy, healthcare, self-expression, non-discrimination, etc. I believe clothes and toys and hobbies and occupations and likes and dislikes and skills and weaknesses all have zero to do with your sex.

This is my struggle with gender identity ideology: nobody has been able to answer the most fundamental defining question I have about it. If, as many trans activists claim, their gender identity has nothing to do with clothing, nothing to do with haircut, nothing to do with being hairy vs shaven, nothing to do with personality traits, nothing to do with likes and dislikes, nothing to do with whether you prefer dolls or hotwheels, nothing to do with all those stereotypes I mentioned... but it's also not simply a descriptor for one's sex, what is left? What remains to give gender meaning? What is a boy/man or girl/woman? Without referencing any sex stereotypes or sexed body parts, how do you know which one you are?

If anyone could give me a genuine, logical answer to this, an explanation for gender identity that has nothing to do with sex stereotypes and makes concrete sense, on God I would become the biggest TRA on earth.

Because I don't believe that gender is anything more than sexist stereotypes, the idea of gender identity is incompatible with my values. Because I view sex as a simple biological fact which should be as neutral as hair color, I don't think it makes sense to believe one can fully and truly change sex. If you dye your hair blond, the roots will still grow in the original brown color determined by your genetics. You may be able to appear as a blond and convince some people you are naturally blond, but it doesn't *actually* change the reality.

I believe there are people with physical sex dysphoria, like myself and my best friend, for whom medical transition is in many cases beneficial (it was for me) in alleviating those odd "phantom sex characteristic," very neurological-seeming symptoms. But while having a double mastectomy did help the sensations, it didn't turn me into a male human (man), and I have certainly never wanted to be one. My best friend lives a life where everyone perceives her to be female, though she was born male, simply because the medical process she went through to alleviate those neurological sensations resulted in people perceiving her as female (passing). Her "social transition" was not intentional or gender related, just an incidental byproduct of the medical one. It was simply easier, and probably safer, to assimilate into social womanhood than to tell everyone she's actually male despite appearing female, though she still does not have a gender identity, does not wear makeup or skirts or perform femininity, and couldn't care less about pronouns - I use "she" because that's how my brain naturally perceives her. Outside of this concrete, material, neurologically plausible view of sex dysphoria (which still has nothing inherently related to *gender* about it), I don't understand what it means to be trans.

Radfems want both sexes to be utterly free to be whoever they are, without being influenced/socialized into gendered (aka sex-stereotypical) behaviors and preferences. We want males comfortable & safe wearing flowery sundresses and crying often and being homemakers if they wish, and females under zero societal pressure to shave, wear makeup, etc., and totally free to speak their minds and wear cargo shorts without so much as a sideways glance. Conservatives want males to be "masculine" and females to be "feminine," whereas we want "masculine" and "feminine" to be as absurd concepts as "blondian" and "brunettian" sound. Fundamentally, radfems & conservatives exist in opposition.

Anyone who has an issue with trans people, and for whom that issue is so important they'll team up with conservatives just to fight the trans movement, has utterly lost sight of the goal of feminism (if they were feminist to begin with), which is female liberation. Radfems believe gender abolition is a crucial step toward female liberation; working with people who want to enforce gender such as conservatives would be working against our own interests.

I've been on radblr a few years and never seen anyone team up with conservatives. Whoever you've heard about in the news, idk who they are, but I fully condemn cooperation with the right wing and assure you that is not something your standard radfem will tolerate. Much like how most trans people feel about Caitlyn Jenner.