Lamont Fisher.
'Monte' or 'Fish' to friends and family. One of Brooklyn's friends who cooks at the diner Nicky and Rory work at. He's also their plug. Likes to mess around with different edible recipes because he knows Rory prefers them to smoking. He always lets Rory taste test for him and he might be charging Rory a little less than he charges everyone else but no one has to know that.
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actually i'm still thinking about the moral orel finale.
he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
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it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that
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DUMP OF SOME AAU ART FROM TODAY !! YIPPEE🎉!!!!
Shady sunburnt mj friendchip…. (Context for the Snatcher thing. um. Points at contractor who had his head pop off. Lol. Lmao.) also I think this is the first time I’m mentioning it bc initially I counted it as spoilers but nowadays I don’t care but ye they’re the same species so yayyy but also I don’t draw him enough to get the chance for that lil lore fact anyway soooo yeag 👍 his [redacted species name] design is very fun methinks I need to play around w him more :3€ ily shady sunburnt you’ll always be famous to me
Erm.. Meow?? (Redrew this one frame from the MV for this song :3€ (don’t ask why I sent two vers I like them both ok peace and love) oh fancy rendering how I missed you so, sighs dreamily,,,,,)
LASTLY A!BADGE MY FRIEND BADGESELLER !! YAYYYYY <3333 !!!!!
otay that’s all tips my hat and walks backwards before falling into black hole on floor like a cartoon charact🕳️
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Trying to find people who write requests for DMC is rough (open requests, I mean).
I was browsing my thoughts and I was thinking...
What if Dante, Vergil, Nero and V (hell, even throw in Lucia, Lady and Trish) fell in love with a S/O that, like with V, is only half of a whole?
The S/O had done something to split themselves into two, and somehow, the character meets the half of S/O that they split off and fell in love.
What would their reactions be to this? Would they continue to pursue a relationship with S/O when they're whole again, or would they let them go, knowing that the full S/O isn't the same one they fell in love with? What if they meet the other half of S/O?
Because can you imagine the half the characters meet is the inner "good" of S/O, while the other half is their intrusive thoughts or something akin to that, a manifestation of their inner viewings of themselves?
What if the inner "good" is the one that's dying due to the fact that when S/O was a full being, they were heavily shoved down, maybe due to trauma or something along those lines - exactly like how V was Vergil's human half. The other half survives because those feelings were so much more prevalent to the point that they were the dominant part of S/O, that's why they continue to thrive.
I don't know man- I really wanna find someone who can write this. 😔
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Thinks about how Vergil’s story is about the feeling of losing autonomy and control, of not being safe and going to every length you can to build up your defenses and power, hurt others before they hurt you, only for his self destructive path to end in the greatest loss of control possible.
He looses his autonomy, his name, his face, to the man who was responsible for this whole complex to begin with. and finally free and on the verge of death he’s still trying to regain control, casting aside entire parts of his identity to feel like he can’t be hurt anymore. but it’s not that easy. and that human part of him has to know what it’s like to have to rely on. Having to go to Dante, using the nightmares, even the very act of using a cane.
and now he’s in the underworld, having once again to rely on Dante for the foreseeable future. Just like in 3 they fight together really well, having each others back and covering each others asses, all while never losing that competitive streak. But they trust each other, because despite having it taken away from him numerous times, Vergil is giving up a bit of that control to trust his brother anyways im so normal about this can you tell ahaha
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