#bc I can't handle that

[jittyjames]

throwing up, screaming, crying. y'all send good vibes tomorrow. pray if you do that. idk idk idk.

[khaopybara]

❝This is your only chance, Ai'Mook.❞

CHANYA AMARIT as VIVI and AYA ORAPAN as KAIMOOK episode 8 of LOVE SEA

[madootles]

looking back on a crime scene that he created

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[transsexual-necromutilomaniac]

yeah yeah swap spit with that freaky nerd with the substance abuse metaphor

[aftertheglitterfades]

The Hunger Games (2012) dir. Gary Ross

[the-crooked-library]

"Louis and Armand were still in love in Dubai!!" "Louis and Armand never loved each other!!" - no. it's worse. they were on the precipice of something good, but Armand couldn't recognize that, so he ruined everything they had, right when Louis had actually come to love him. the love was there for a fleeting moment and it was ruined irreversibly, never to return, even after decades they'd spent together out of desperation and spite. it's worse and that's the point

[missriyochuchi]

The Torchbearer and the Flagbearer

Summary: The Torchbearer and the Flagbearer meet in the Jardin des Tuileries after the Opening Ceremony and commiserate about the Olympic Games.

Word count: 1.7k

Warnings: Established relationship. Mentions of death.

Notes: I imagined these two like otherworldly beings blessing the games, what with the Olympics being invented by ancient Greeks as a partly religious event. As such, I would have preferred to keep them gender neutral, but because I’m writing this in a pinch and want to be able to distinguish between them without constantly using their names, I opted for gendered pronouns. But nothing about their physical descriptions are particularly gendered; I’m just leaning on the old linguistic quirk lol Also, how tf is there no video of the Flagbearer!? I wanted to gif her/their entrance but couldn’t find a damn thing! She/They deserves more love!

Read on AO3 - Part 2 - Part 3

Darkness cloaks the Jardin des Tuileries. Even the cauldron floating above its center offers little illumination on the ground. Shadows play along the perimeter, tourists passing in the midnight hour, their idle conversations lost to the humid air. The soft patter of rain echoes across the masonry scattered throughout the empty park. Only the occasional creak of metallic plates and restless hoofbeats betray the garden’s solitary visitors.

The Flagbearer looks up at the orange orb in the sky. She marvels at the city’s ingenuity. Decades of oil and gas have finally given way to an electric fire. Only with such technological advancements could engineers even dream of safely flying the eternal flame above the City of Lights. If only the future was as assuredly bright, the Flagbearer thinks. Her gaze drifts back down to the darkness below, the surrounding chill creeping back into her senses. Her horse stirs beneath her and jostles her mind back to the present.

“Easy, Zeus,” she murmurs as she presses her legs to the animal’s sides in an attempt to soothe both their anxieties. “Patience.”

No Olympic Games are ever truly free of political problems, an inevitability of any gathering between disparate peoples, but they weigh heavier on the Flagbearer’s mind now more than ever. Her part in the Opening Ceremony is small but significant, and though she spends less time among the crowds than her eternal counterpart, she catches enough to gauge that tensions are higher than ever before. The darkness of the night seems to encroach and bleed into the darkness in her mind as she ponders human history and her role in it. Before her resolve could lurch under the gravity of her thoughts, the light crunch of gravel announces his arrival.

“You are late,” the Flagbearer intones harshly. She steers her steed to turn around and face the approaching footsteps.

Enough ambient light creeps across the park to distinguish the Torchbearer’s silhouette, catching on the gauzy pieces of his attire bobbing in the breeze. His stride is sure, his stature straight, betraying neither weariness nor arrogance. Only a few meters away, he shrugs and raises his palms out at his sides, teasing, “I did not have a ride.”

The Flagbearer is unmoved but in no mood to quarrel. “How are you, my love?” Her voice floats soft and light through the misty drizzle.

“Exhausted.” His shoulders slump fractionally, perceptible only to his eternal flame facing him. “And you?”

“Concerned.”

The Torchbearer reaches for the horse’s muzzle and runs a familiar hand along his nose. “I hope you are not as troubled as your rider, mon joli cheval.” Zeus bows his long head and huffs in response. His palm runs along the animal’s left flank, lifting once he reaches the Flagbearer’s side. He extends both hands to her gloved ones and helps her to the ground.

“What ails my sweet?” He pinches her chin.

She hums and takes one of his hands in both of hers, squeezing hard enough to convey her worry. “In all our years shepherding these games, did you ever know the atmosphere to be this—”

“I know. The world is—”

“Restless.”

“Yes, and—”

“Not at peace.”

“Never has been, my love.”

“I do not remember it ever being this—”

“Your worries are not unfounded, cherie, but you must redirect your attention elsewhere.”

They circle the base beneath the cauldron, hand in hand. Zeus follows close behind, his reins tied to the saddle. While the nightlife bustles beyond the park’s pocket of silence, the few security guards on duty watch the hooded figures from a distance.

Event organizers had explicitly and numerously instructed personnel not to approach or engage with the Torchbearer and Flagbearer. They were both host and blessing to the festivities, and decades of tradition dictated that a respectful, neutral distance be maintained between the host nation and the two Olympic guardians so that there would be no suspicion of impropriety or favoritism during competition.

The Flagbearer recoils, incredulous. “How can you be so indifferent to the violence and rhetoric—”

“I am surprised that between the two of us, you, in your glittering armor, are the first to lose hope and declare defeat.”

“I have not!” She stops them in their orbit and shoves his hand back to his side.

The Torchbearer laughs. He crooks a finger under her chin and raises her gaze. She sighs and closes her eyes as the backs of his fingers graze her cheek. Her hands come up to open and press his palm to the side of her face, his pressure more than his warmth a soothing balm to her inner turmoil. Her voice is low and leaden when she continues.

“I merely wonder if the gods have not tasked us with an impossible mission.”

The Torchbearer falls silent as he contemplates the Flagbearer’s concerns. She did not interact with humans as much as he did, a natural consequence of their separate roles. While the Olympic torch exchanged hands with every kind of man and woman, the Olympic flag exchanged hands with a significantly select few. As a result, the Flagbearer’s opinion of humanity often leaned towards the optimistic while the Torchbearer’s leaned towards the pessimistic. He had come to know, better than she, the complexities of human nature, their heavenly highs and their hellish lows. They spent decades arguing about the tenuous balance. Now, as he watches his partner’s shoulders sag with the weight of the world, he finds himself despondent that she seems poised to concede to his viewpoint and knows it, knows that she lost this one important battle. He wraps an arm around her shoulders and guides their walk away from the cauldron.

“Plus vite, Plus haute, Plus fort.” The Torchbearer rattles off the Olympic motto.

“Citius, Altius, Fortius, my dear. Latin may be dead, but it is still your mother tongue.”

“‘Ensemble.’ C’est la partie importante. And that is precisely what they are doing and continue to do.”

“But for how long? We do not have a future if they do not, and my darling, I do not see—”

“We cannot predict the future any more than humans can. It is none of our concern. The gods will take care of us.”

“The gods have abandoned us, just as the humans have abandoned them.” The Flagbearer catches the ice in her voice and does her best to warm her vitriol. “We do not exist outside these games, my love. And if these games end, if the world can find no purpose to these communal competitions—”

Silence. The specter of death looms large in their periphery. Every Closing Ceremony marks the end of their days on Earth, a return to a darkness beyond darkness. And every two years, they are reborn and reimagined back into existence to inspire and perform and protect the Olympic Games. Despite the constancy of this cyclical event, the eternal guardians find humans increasingly less hospitable to the ideals they represent. What is sportsmanship to a world where even the rules of war no longer hold?

“Steel your heart as this city has steeled your form.” The Torchbearer steps close enough for the edge of his hood to kiss hers. “The next host cities have been decided, their venues under construction. We still have a future. There is no reason to despair.”

“For now.”

“For now.” He sighs at her obstinacy, but knows not to push further or risk wasting precious moments on a fruitless fight. “In the meantime, the games have begun, and we do not have much time together.”

A smirk plays beneath the Flagbearer’s hood. She perks up at her partner’s motives. “Sixteen days is not enough to spend with you.” She steps closer and brings her forehead to his. She squeezes his biceps, and he rubs her elbows in return. They exchange breaths for a moment of eternity.

“Come.” The Torchbearer takes her hands and swings her in circles. Their laughs echo as they near the horse. “Much of the city has changed since we were last here, and you will not see them if you continue to sulk beneath the cauldron.”

The Flagbearer mounts Zeus and extends an arm to help the Torchbearer take a seat behind her. He presses his front to her back, unbothered by her damp cape. He slides his arms along either side of her waist and rests his hands atop hers on the horn of the saddle. The horse ambles forward towards the city streets.

Buoyed by the Torchbearer’s embrace, the Flagbearer regains a sliver of her hope and optimism. “The Italians will call on us next. Perhaps we will meet a changed world by then.”

“We always do. I wonder what forms they have planned for us.”

“I quite like this form on you, my dear. The cut of your jacket complements you well.”

“As does this armor on you, mon amour.” His hands find the edge of her cuirass and sneak nimble fingers to the suit underneath.

She giggles at the light pressure below her ribcage. “I will miss hearing you speak this city’s language.”

The Torchbearer tightens his hold on the Flagbearer, impressing his being into hers. “You worry about community and forget that we are in the City of Love.”

“Paris is not the world, my dear.” They sway in sync as Zeus carries them towards the edge of the garden.

“Perhaps, but the Olympic Village is, or at least, as close an approximation as the humans are capable of producing. If it is unity you seek, we will surely find a certain kind—”

“You said you were exhausted.” Amusement lightens the Flagbearer’s tone, her heavy mind now fizzy with thoughts of the Torchbearer’s amorous intentions.

“Never enough to deter me from you.” He presses his chin to her shoulder, his words vibrating down the expanse of her armor. “Would you waste the energy of the players’ liaisons?”

Her hood whips to the side as he squeezes the unarmored flesh of her upper thigh. Before she can answer, he takes the reins and brings Zeus to a gallop towards the Olympic Village.

“No more talk,” he heaves with urgency. “I need you before the sun rises and our duties begin again.”

Footnotes:

mon joli cheval - my pretty horse cherie - dear Plus vite, Plus haute, Plus fort (French) / Citius, Altius, Fortius (Latin) - Faster, Higher, Stronger ‘Ensemble.’ C’est la partie importante. (French) - ‘Together.’ That is the important part. mon amour - my love

“The 100% electric flame burns no fuel. The ring of fire uses 40 LED spotlights to illuminate the cloud created by 200 high-pressure misting nozzles.” (source)

According to the engineers who built the mechanical horse, its name is Zeus.

[ruegarding]

we do not have five entire books full of percy's philosophical thoughts for rick to pull this shit. if annabeth was in character, she would be looking at this architecture and consider what she'd do different (and since she's redesigning olympus, she'd maybe also consider if she'd use any designs there). her fatal flaw is hubris and it should be a staple characteristic of hers.

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[triglycercule]

horror being very specific with table manners and he berates people (dust and killer) for eating like fucking pigs

i think it'd be morbidly funny that because there was no food in horrortale but the cutlery and stuff was all there that maybe he would pretend to eat with no food on the plate. it was in a satirical way that he would joke maybe around horror paps or alone where he would pretend to eat and have really good table manners but then the satire joke became REAL and now horror is incredibly specific about how to eat food

you MUST hold the fork in the left and knife in right says horror. no killer you can't duel wield the fucking knives this is a table not a slaughterhouse. dust pick up your elbows off the table. actually how about you get your entire upper body off the table tf why are you SLEEPING ON THE FOOD??? killer's sitting fetal position in the chair because of course he wouldn't sit normally like the idiot he is. dust is forced to put his hood down and reveal his face no more mysterious shadow style because it puts horror at ease. they cannot have a single peaceful meal because once they get past the table manners phase it then becomes a completion to see who can eat the least (because they suck at everything including eating)

[themuseumlady]

tape, cardboard, and newspaper!!!

to go a bit more into detail on this - from what I understand, this was on display* in a house for a number of years. This particular piece comes from the home of the harbormaster (a lovely man), and was exposed to light and about 50+ years of cigarette smoke. The boat in the photo is an early ferry in my area, and the cardboard it is mounted on seems to be some sort of church(??) yard sign(???)

we are still deciding the best course of action for this piece, but in all honestly, as a smallish museum/historical society with a laundry list of pieces with urgent conservation needs, we don't have the manpower to do anything other than keep it in a dark and temperature controlled space.

There are a lot of things that make me sad when I see pieces like this, because its so easy to see how important it was to its former owner, and it hurts me that we can't pour all of our time and resources into every piece that needs help. There are pieces even in this intake (which I cannot show because they contain identifying information about my location) that will be prioritized as they demand more immediate conservation efforts. Time can be a cruel opponent - and all we can do is our best.

anywho!!! all this is to say Support your local historical society!!! they are trying their darndest to preserve your local history and can't do so without community support! (and support does not always mean money!!! genuinely just interacting with your local historical societies can mean so much)

*I am unsure the specifics of where/how long it was on display for

[nyehilismwriting]

good morning the early access for chapter 5 pt1 is now up on patreon and will be available to the public next Tuesday (23/01)!!

[oifaaa]

Personally I'd really love to see a reverse robins where Steph takes over/tears apart black masks entire criminal empire cause her and Jason's "deaths" are already such clear parallels. So she wouldn't be Red Hood and she'd probably operate a lot differently, like her motives would more be about proving herself after how everything went down with an emphasis on proving Bruce wrong but also I think she deserves to be a little unhinged. As a treat

See you, you get it but also I really love this idea because you can do something really fun with it that after steph comes back from the dead she decides to fuck with black mask and take his name while hes still alive as shes destroying him, Jason on the other hand still dies as well but bc of when he dies he comes back much sooner and he still decides he's gonna go by red hood so he can taunt the joker as a haha you couldn't kill me and now I've got your name and using it as a hero name and basically they both still end up looking like this:

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[pacificwaternymph]

I see people fighting about who to ship Commander Fox with and so I propose: ALL of them.

Fox is dating Riyo AND Quinlan AND Bail AND Breha. All at the same time. Just one big massive polycule.