#barely know what to tag this one with lmao

[emmg]

wiiiip not Wednesday lol

tagged by @heylittleriotactand tagging fellow babes in turns hehehhehee @aldisobey @jainydoe @caffeinatedmunchkin @thepalehorsevictoria @excited-hiss

I have bits and pieces written here and there, but nothing solid except for that one passage where Emmrich googles the definition of sugar daddy, texts Rook to ask if that’s what he is, gets a lolwut in response, and then has to google that too because he doesn’t understand youthful slang lmao.

So instead, here’s something from Herbarium that I’m working on, because I am absolutely, furiously, seething over the fact that Veilguard didn’t even give us the bare minimum of a chance to call Emmrich out on how utterly insane lichdom is in the context of a romance. Nope, all we get is the option to deliver a thumbs up, like great job, buddy, enjoy your undeath, let's boink! Yet, somehow, the concept that you can love someone without blindly supporting their worst decisions is just... nonexistent? Our Rooks should have had the option to say, I love you, I will support you, and I will help you chase your dream, but I can’t stay by your side if you go through with this. Even if I love you more than anything. But no, apparently nuance is too much to ask for. Anyway.

****

"I'm sorry. Deeply, terribly sorry," he whispers, his arms encircling her waist, his face pressed against the rise of her ribs. "I love you; entirely, inexorably. You need not return it in full, only in the measure you can bear. But you are my last, Rook, my very last, and I cannot begin to imagine what I would do if you did not return. I love you as I am, and I will love you in lichdom, and I will be able—" 

Above him, a sigh. Her fingers move through his hair in uneven strokes.  

She sounds depleted when she speaks, and then he remembers—she is. The hollows beneath her eyes have grown pronounced, the skin bruised with fatigue. Her hair, dull and lank, clings to its unwashed roots. 

"Please stop talking about it," she says, neither entreating nor reproachful. There is no sharpness left in her, no irony, no venom. Just a voice stripped of its essence. "I will support you, no matter what. You know that." 

"Support is not the same as acceptance. To bear something is not to embrace it." 

Her fingers continue their indifferent sweep. "No," she murmurs. "It isn’t." Another breath. "Can we sleep now, Emmrich? Don’t you want to sleep? I’m cold, and I want to sleep. And I want to hold you." 

He loved them, he told them, all those figures trailing behind him, the blurred procession of his past. Some answered with a nod, a perfunctory thank you. Others only blinked, uncomprehending. A few, after a pause, offered a measured well, then. Fewer still returned it, though never for long.

Rook says it differently. Quieter. She presses it to his cheek, light as the slip of paper one tucks away without reading, its corners already worn, its message already known. Groggily, she moves, sliding beneath the covers, lifting them just enough for him to follow. She is not sentimental—that, precisely, is why her I love you, spoken without tremor or weight, drained of inflection, is the only one that lingers, the only one that resists erosion. 

Suddenly, he feels as if he has forgotten all those that came before; their voices die out, sinking into the same nothing that swallowed old promises, childhood prayers, the smell of rooms he will never step into again. He strains to recall them, but there is nothing left to grasp. Only hers remains, colorless and bland, like the last light left burning in an empty house. 

Love is acceptance. Love is support. But they do not always converge. This is what rattles him, what makes him press his face into her shoulder, trying to quiet the lurking dread. 

Oh, she will support him. She will watch, nodding, shifting her weight from heel to toe, a restless pendulum of feigned ease. She will smile, make some awful quip to puncture the silence, to quell her own unease. She will tell him to go through with it, whatever it may be. She will take his father’s butchering blade, wipe it clean, and place it, without hesitation, into the hands of the one chosen to sever him from life. Then, when he returns—when he steps over the threshold, no longer a man but a thing made of magic and will—she will greet him, kiss the bare curve of his skull, wish him a good eternity, and walk away.

Because Rook has never struggled to seek out what she likes. She will continue. She will find something, someone, to cherish, and to cherish her in turn. She will support him, yes. But she will not accept. 

He wants to seize her hands, press them between his own, feel the warmth of them before it is too late. He wants to shake her, to shake sense into her—or out of her—until she understands, until she sees what he sees. Why, why, why can she not grasp that this is the better course? She would not have to lead the charge, would not have to stand where death is swiftest. He would take that place, step into the fire, let the blade that might have cut her down pass through him like wind through a hollow. What harm could it do? He would be beyond harm. A creature of eternity, of patience, of limitless devotion, the power of the Necropolis at his back.

He would not sleep. Would not tire. Would not falter. He would guard the tombs, guard her, keep vigil over the living and the dead alike. He would serve Nevarra, and he would serve her, and in time, oh, in time, perhaps he would find something—a loophole, a secret, some arcane twist of fate to keep her from slipping away, to keep them both here, tethered, together. 

No one would have to cross that final, irreversible threshold. No one would have to see what lies beyond—whether it is the blank serenity of the Maker’s realm or a silence so absolute it swallows even the thought of regret. 

Please, please, please, he wants to say, pressing his forehead to her shoulder, his breath wasted against the fabric there. Let me love you like this. Let me stay. Let me make it so you never have to leave.

She would not even have to look at him, if the sight of what he became repulsed her. He would spare her that, too. He would wear a veil, an illusion, his old face, preserved like a saint’s death mask, a perfect glamour.  

Nothing would have to rot. Nothing would have to change. Nothing at all. 

[bye2k]

[itsthatlake]

“Icarus.”

it's all about freedom really

Credit goes to An Sifakah for the poem. Enjoy!

Support me on Ko-fi maybe?

[calamitoustide]

new ship unlocked?

[unfortunatelyilikebnha]

The best tdmd moments/things (to me; vaguely but not entirely chronological) (also I haven’t read the manga in ages and I’ve only - recently at least - rewatched bits and pieces so some of this is paraphrased while some of it I went back through to get exact quotes and NO I’m not going to do that for all of them it would take too long) (readmore bc it’s a lot):

- “As the crowd shouted, trying to make Sero feel better, Todoroki took a moment to melt his opponent from the ice prison he’d created. For some reason, in that moment, he looked very sad to me.” Ok so this is not the sports festival moment everyone talks about but it LIVES in my head ABSOLUTELY RENT FREE. It’s like, we know Todoroki’s been watching Midoriya for a while, mostly due to his obvious connection with All Might, but in this moment, while everyone is focusing on Sero, Midoriya is Watching Todoroki Back. He Sees Him.

- MIDORIYA TELLING ENDEAVOR THAT HE IS NOT ALL MIGHT AND SHOUTO IS NOT HIM. Midoriya is freeeeeaked tf out bc endvr is intimidating + he’s worried he’ll discover the secret of OFA but the SECOND endvr starts talking like an asshole, Midoriya SHUTS THAT SHIT DOWN. Again, Midoriya has had like ONE conversation with Todoroki and actively Really Wants To Get Away From Endeavor, but he just gets so mad about the way that Endeavor’s talking that he pauses his retreat to correct him and I think that’s beautiful.

- One of Todoroki’s episodes/chapters being titled “The boy born with everything” and how you could easily contrast Midoriya as “The boy born with nothing” (I could not find a definitive answer on whether canon actually calls him that but like). The juxtaposition of their opposite struggles and the underlying understanding that underneath it all they are really not that different. That they have both suffered, and are both trying to make the most of a power with a difficult legacy. (This brings me to the next point because -)

- “It’s your power, isn’t it?”/“It’s yours! Your quirk, not his!” Yeah. I don’t even have to explain this one I think, everyone knows it’s THE tddk moment. I’ll forever die on the hill that Todoroki should’ve found out about OFA sooner and we should’ve had a direct reversal while Midoriya was still struggling with thinking of OFA as his quirk instead of All Might’s and Todoroki repeats Midoriya’s words right back at him. I mean, Horikoshi LOVES to do that (see: repetition of “body moved without thinking”, “meddling when you aren’t asked to is the essence of being a hero”, “that’s what friends are for, right?” etc) the setup was RIGHT THERE, like taking my shipping goggles or whatever off for a second I think it would’ve been a great addition to the story regardless bc it’s an example of how Midoriya has helped other people AND a reminder that he has not quite conceptualized the advice he gives others for himself! Even without that though, we see how important this moment was to Todoroki literally throughout the rest of his arc, to the point that

- “Midoriya, this is my power. Thank you.” IF WE DIDNT GET TDRK TELLING MDYA THAT OFA WAS HIS QUIRK, AT LEAST WE GOT THIS. MY GOD. I was trying to go mostly chronologically, but since we’re talking about a follow-up to “It’s your power, isn’t it?” I HAD to mention this scene next. It’s a really lovely moment because 1) it’s an acknowledgement of how much Todoroki’s grown (which he did on his own! Midoriya reminded him of why he wanted to become a hero in the first place, and he had a lot of support from friends (& teachers/family) but TODOROKI decided to put in the work to become the kind of hero he wanted to be!) and 2) it’s a reminder to Midoriya that he has made a positive impact and helped the people around him, which I think he’s probably struggling with since this is like. Soon after his dropout arc iirc. (Also: it’s a cool new super move that Todoroki developed himself to try to create a better future for his family!! Which, setting aside how beautiful it is that Todoroki has crafted his fire into something that won’t hurt, is also fun bc Midoriya loves quirks and gets to nerd out over Todoroki’s cool new move lol)

- TODOROKI SHOWING UP TO THE STAIN FIGHT. Todoroki has been friends with Midoriya for like a week and gets a location pin with no other context and IMMEDIATELY deduces that 1) Midoriya’s not the kind of guy to randomly drop his location so 2) he must be in danger, and 3) IMMEDIATELY TELLS ENDEAVOR HE’S GOING TO CHECK OUT THE LOCATION AND TO BRING BACKUP TO THERE AFTER HE’S DONE FIGHTING BC HE THINKS HIS FRIEND’S IN TROUBLE. When he actually shows up the first thing he says is something like “Midoriya you should include more details at a time like this. It took me a while to figure out what you meant and I could’ve been too late” but we literally see in the flashback that he figured this all out in like 2 seconds and IMMEDIATELY came to support Midoriya AND SECURED BACKUP. Every person in Midoriya’s phone received the location pin and expressed various levels of curiosity/concern about it in hindsight but Todoroki figured it out right away and immediately came to help (this isn’t a knock on the rest of 1a btw iirc the rest of them weren’t even in Hosu so there’s not anything they really could’ve done about it besides report it - which iirc Kirishima did -, it’s just that Todoroki WAS in Hosu and DID figure it out so he immediately went to help and it was that simple for him). Todoroki also just like. Instantly accepts that ok, Midoriya and Iida were fighting a serial killer, Guess He’s Also Fighting A Serial Killer Now. ALL THIS FOR HIS FRIEND OF A WEEK. This is one of the core tenets of tddkism to me: they are as ride-or-die as they come. Also notable: Midoriya is not generally in the habit of asking for help. The fact that he did, knowing nothing might come of it, AND TODOROKI SHOWED UP EXACTLY WHEN HE NEEDED HIM??? Can we acknowledge how much that probably meant to Midoriya. Also the start of tdiimd as a trio, which this post isn’t really about, but I can’t completely leave Iida out when talking abt the stain fight that’d be fucked up :(

- “We’ll protect them together”. Yes ik, another Stain fight moment, but I believe this line deserves its own point because, again, Todoroki has been Midoriya’s friend for like a week. Immediately prior to Todoroki saying this, he tells Midoriya that his plan is risky. It’s one thing to recognize Midoriya’s text as a call for help and run to be his backup, it’s another thing to let Midoriya take the strategic lead when he’s already injured and the plan itself could be dangerous. But Todoroki puts his trust in Midoriya and says they’ll protect them together, showing his confidence in Midoriya’s strategic prowess AND battle planning ability.

- “You’re a kind person, Todoroki”. Ok I’ll get this out of the way: I have issues with how the writing of this chapter could be read as implying that being a kind person automatically means you have to forgive the person who hurt you. Ik Midoriya tells Todoroki that it’s ok not to forgive Endvr if he doesn’t want to, but the way he follows it up with the fact that he’s a kind person and the assumption that he wants to forgive Endvr...aren’t my favorite. I think it kind of makes sense for Midoriya to think like this given his own experiences (and also. Midoriya is 15, some of his wording is gonna be a little bit awkward sometimes, so I don’t think that’s the only possible interpretation of what he said), but I wish that if that was the intention, there’d be a moment later on where this view was challenged and Midoriya really internalized that you can be kind and still not forgive someone who’s hurt you. THAT BEING SAID, of all the things that Todoroki is called on a regular basis, and of all the qualities Todoroki associates with himself, I don’t think “kind” is necessarily one of them. “Kindness” was not exactly a virtue that Endeavor seemed to prioritize instilling in him (and though Rei probably would’ve, she WAS absent for much of Shouto’s childhood), and he spent so much time building his walls and striving to defy his dad that it’s not something people tend to immediately pinpoint about him. Todoroki really IS kind though, and Midoriya recognizes that AND makes it a point to tell him. For Todoroki, who has worked on himself quite a lot, and just invited friends to his house probably for the first time ever + gone through a tense family dinner in front of them, I think that probably meant a lot (and his expression in that panel is so cute. Ough).

- “Thank you for being Shouto’s friend”. I think the fact that Fuyumi recognized how meaningful their friendship was and thanked Izuku for it was so significant for both of them, like neither of them, as far as we know, HAD a lot of friends prior to attending UA so the acknowledgement that it is a big deal that they befriended each other is special <3

- Tdrk catching Mdya (and bkg and endvr but this ain’t about them) during the first war arc. He doesn’t know shit about OFA at this point but he followed Midoriya to the front lines anyways.

- Todoroki tucking Midoriya in in 327 and putting a hand on his shoulder in 32…8? 9? Fuck if I know I haven’t read the manga in ages. Anyways. These are both tiny moments but I’m grouping them together bc they really show how Todoroki is there for Midoriya, in the way that he’s always noticing things about him, that he’s RELIABLE, he WANTS to be there for Midoriya like Midoriya was there for Todoroki and that manifests both in following him into terrifying fights and in the small gestures of support. Todoroki NOTICES when something’s wrong, and when he has the necessary context he steps up to help.

Bonus mentions:

- the “are you all might’s secret love child or something?” convo in its entirety. Between the Todoroki Family Trauma Dump, Midoriya sympathizing with Todoroki and realizing that despite how different their lives have been, they’re very similar, the beginning of Midoriya’s desire to help Todoroki, and the beginning of Midoriya really Seeing Todoroki, it sets the groundwork for the start of something beautiful

- AFO: “pay close attention to them, tomura shigaraki. These two could prove to be formidable obstacles to you one day”. / AM: “they may have more in common than they realize. They both have such an intense vibe about them.” The fact that both AFO and AM comment on the tdmd sports festival match leads me to believe that originally their relationship (in the original story I’m talking about the platonic sense but read this any way you will since. This IS a post abt why I ship them) was supposed to be more central to the plot, in this essay I will - (<- ramblings of a crazy person but like!!! Both AM and AFO!! And you’re telling me it didn’t mean anything??? Come on!!)

- Also “you’re helping your opponent. You’re a fool.” Their matching maniacal grins after Midoriya prompts Todoroki to use his fire. Todoroki’s softer smile and little tear. Mdya’s “Amazing…”. Them immediately deciding to go full force regardless if it kills them (IMPORTANT FACT ABOUT THEM IS THAT THEY’RE INSANE <3). “Midoriya…thank you.” (OUGHHHHHHHHH 😭😭😭)

- MDYA YELLING “DONT GIVE UP” DURING THE TDRK/BKG MATCH AND FOR A BRIEF MOMENT TODOROKI STARTS USING HIS FIRE AGAIN. Ik he ultimately doesn’t end up using his fire, but that makes SENSE, you can’t process all that trauma immediately, it takes time!! The fact that for a moment, Midoriya’s voice was enough to allow him to use his fire so soon after his life-altering revelation in the tdmd match is so important to me though :( (and the fact that Midoriya’s willing to 1) root for Todoroki and 2) root for him loud enough that both Todoroki and Bkg can hear,,, ohh tdmd are so special to me)

- their little convo at the training camp. “You have a habit of sticking your nose where it doesn’t belong” lol (paraphrased). Underrated tdmd thing is that they’re willing to tell it to each other straight. But also, the genuinely good advice of “words themselves aren’t enough, actions are also needed to get through to someone” (again, paraphrased) (reminder of how Mdya helped Tdrk!! W/ words AND actions!! And now he’s helping Mdya help Kota!)

- “I don’t know, I think heroes cry when they need to probably” - acknowledges Mdya’s crying as a positive trait bc when he’s not crying it means he’s repressing things, also serves as a reminder that heroes are people too (a similar sentiment to Uraraka’s “who will save the heroes when they need saving?”). Serves to remind Mdya that his crying doesn’t make him less of a hero + it’s ok to feel things. Also Tdiimd.

- “You can’t even cry”/“Let us share that burden together” (this is like. Veeeery paraphrased I’m sorry I don’t have access to the chapter and I’m too lazy to rewatch). The whole class said very meaningful things to try to get Midoriya to come back, but even though he wasn’t ultimately the one to fully get through to him (SHOUTOUT TO IIDA ILY IIDA THIS POST ISNT ABOUT HIM EITHER BUT JUST KNOW I CANT WATCH THAT SCENE WITHOUT TEARING UP THEY R SO DEAR TO ME) Todoroki’s is one of my favorites bc sure maybe he doesn’t understand what it’s like to have no quirk and then suddenly have a quirk that’s actually seven quirks and have a pretty much all-powerful supervillain hunting him down but he DOES understand the burden of trying to shoulder the crushing legacy of a top hero, and here he reaches out to Midoriya once more reminding him that his tears are a good thing and offering to share the burden and help Midoriya like Midoriya’s helped him.

- Light novel moments: Mdya teaching Tdrk how to make AM origami and Tdrk sending it to Rei, Tdrk going to return Mdyas pencil and admiring Mdyas AM figure and Mdya trying to give it to him bc he has another one but Tdrk refuses bc he doesn’t want to damage it so he suggests he just come visit it instead (I haven’t read the light novels but I’ve seen these excerpts and I love them dearly) (these are just all really cute it’s nice to see what they’re like outside of doing hero stuff)

- Todoroki’s “Midoriya Sense” (yes this is a fandom joke based on like the stain incident + noticing smth was up during the “heroes cry too” incident + Todoroki asking abt him before the cultural festival etc but it IS genuinely very sweet that Todoroki is always looking out for Midoriya and trying his best to help when he can)

- TODOROKI TELLING MIDORIYA TO REMOVE THE BATTERIES FROM HIS PHONE SO THE GOVERNMENT COULDNT TRACK HIM WHILE HE WAS ON THE RUN BC HE WAS A MURDER SUSPECT. Now I haven’t watched the third movie so I may be wrong about the details but it was VERY funny of Tdrk to be like “did you kill people??? Never mind that actually here’s how to avoid the government” (paraphrased for comedic effect)

-“Midoriya and the others” (cute, something Shouto says…several times lmao) (Izuku has also said “Todoroki and the others” at least once (in the first movie) but I’m not aware of it being a recurring phrase like “Midoriya and the others”)

[nightdancersnest]

Okay with permission obtained from @tomhoppusdelonge here is hands down my favorite piece of art I've posted to this blog so far! (and among my favorite pieces I've made in a hot minute)

In my head I've been affectionately referring to this drawing as "Orkangel Tomabyte" which is as good a title as any :3

[krystaldeath]

Haha I’ve got. Too many ausssss

But I did think up a new modern one. That follows the og video game plot a bit but Narinder was trapped for 10,000 years and instead of commuting a sheep genocide the bishops make all sheep have to prove every month that they’re not worshiping The One Who Waits and have no intention to free him

[lokh]

anji what are those...............

basically i was playing anji and nago pulled bloodsucking universe and my immediate reaction was 😳

[milfbrainrot]

admittedly we do not know anything abt most of the new characters yet and assuming she's not in LoL that includes Maddie but it is... a lil odd to see infantilization of her at this stage.

I get she seems like a ray of sunshine character so far but "girl has no idea what martial law means 💔" kind of jokes are making me think abt how if maddie IS just a naive enforcer thinking she's doing good for piltover, she'd still... know what martial law and fascism etc entail. She'd just think those things are Good and Just!

Idk not to take jokes too seriously but there's something interesting abt what makes a character complicit in horrors esp when they seem so nice, and I feel like that's kinda being brushed aside w the interpretations that she is just an oblivious kid... esp since those jokes are about the scene where she's supporting Cait's dictatorship promotion which is after she's literally been in Zaun with her gassing people lmao.

She knows what's going on. Her framing of it is just extremely biased. Maybe a bit naive of her if so, but not stupid yknow.

[cementcornfield]

not lance reposting the joe doing the griddy video on HIS story with a bunch of laughing emojis!

[reitziluz]

my very pleasant start to the day (got gender juice topped off, ran errands, got good lunch, talked with mom) was nearly ruined by the setback of my doctor being clearly out of the loop and freaking out about a thing that's actually fine if there's no changes (and there were none).

but only nearly.

because the MAJOR fucking bureaucratic problem i've been wrestling with for months FINALLY cleared purgatory and now everything that was waiting for it started moving. like i almost don't even care if the previously stuck applications don't get approved. i'm just fucking happy the issue got resolved and i'm dealing with the normal amount of bullshit. hell, i had workers from THREE different bureaus/programs say that they had never dealt with a case like mine before lmao. that's not the kind of unique you want to be!

anyway my day was actually not made by that but by the bargain bin yarn that allowed me to accidentally an entire back piece in one sitting:

context: i've been working on a fishnet-y crochet shirt/sweater for myself for ages. it's completely winged, not based on any instructions. recently when i visited family, one of my niblings asked about what i was making.

me: so it might end up too small for me, but oh well. that just means i'll get to gift it to someone smaller than me!

nibling: ... perhaps... to me?

after i heard them excitedly recount our conversation to their mom (instead of brushing their teeth), well. my hands are tied.

[sga-owns-my-soul]

having tumblr mutuals with other fandoms is like knowing your friends work drama

like no i don't go here but i know that eddie is fuckin cheating on his girlfriend with his wife and his husband buck is at home with his son and it's MESSY

[cuteniarose]

Kat and Nia and their Multiverse of Madness

A masterpost for the intricate web of AUs co-created by @katkastrofa and yours truly, with linked art, fics and relevant posts for maximum convenience

(Compiled into one post mainly to help keep track of everything now that it's grown so big, but also specifically written out for @rokurookajima since she was interested. Will continue to be updated as things develop further)

Under the read more, because fair warning, this is LONG

MAIN VERSES:

We have many different AUs as part of our multiverse, but there are only two main ones, with the rest either being based on SotRL or a mix of it and FAtC:

Seeds of the Red Lotus – Suiren and Midori, my first OCs and Ming-Hua and Ghazan's children, grow up in Gaoling with their abusive paternal aunt, Haya (she wasn't abusive towards Ghazan, which is why he was inclined to trust her with his kids, but her grudge against him for abandoning her in favour of the RL + prejudice against the Swamp tribes, where Ming-Hua is from, because the illness that killed her parents started there, led her to taking out her anger on his daughters, particularly on Suiren, who is way too much like her mother). Their childhoods are awful in unique ways, and in an attempt to earn enough money to move out, Suiren, a waterbender, takes up a job as an assassin, which just further worsens her already nonexistent mental stability. In 174 AG, Team Avatar hires her as a last ditch effort to defeat Kuvira (and no, there is no giant mecha suit, because it's stupid and I hate it), and both sisters are taken to Air Temple Island. I never finished the fic itself, though I am slowly dabbling in a rewrite + continuation, but most of the discussions Kat and I have still take place in this verse, or more specifically, what we call post-SotRL

(Post-SotRL – After Suiren fails to kill Kuvira and sustains an injury to her leg, she and Midori leave ATI and by pure chance reunite with their parents and P'Li (all of whom survived the Book 3 finale and spent 3 years in hiding, because I said so). Of course, it's not all sunshine and rainbows – there are 16 years' worth of trauma, pain and guilt to work through, after all. That process is the central theme of Kat's Roots series. Some time later, Kuvira is defeated and sentenced to death, but Suiren (who's been high-key obsessed with her ever since the failed assassination) decides to break her out of jail and save her life, which leads to the start of their enemies to unwilling roommates/fuckbuddies to lovers arc. The event itself is detailed in Kat's WISH, and I myself have written this dynamic both in Astraphobia and my unfinished Avatar Sapphic Week contributions. At roughly the same time, Midori reconnects with Opal (who she met while at ATI) and they begin a relationship of their own (bc Bopal was comphet and you cannot convince me otherwise), a bit later Bolin joins the gang (gets semi-adopted by Ghazan and discovers that his mom and P’Li are actually cousins who never got to meet, so P’Li gets some family back too), and eventually this merry band of misfits break Zaheer out of jail, and what follows is some difficult political stuff that neither of us are too keen to get into, but the point is that in the end, the Red Lotus are allowed to peacefully exist and the world is slowly changing for the better)

Fate Amenable to Change – A set of fics exploring a Red Lotus Korra AU, canon to Kat's main backstory fic, Lost and Found (SotRL builds on the same events with the same backstories for P'Li and Zaheer, but with Ghazan being from Gaoling instead of Ba Sing Se, his sister's name being different, and him being childhood friends with Ming-Hua. Suiren and Midori are also not canon to FAtC). The main fic, Empty and Become Wind, differs from most other RL Korra fics because she wasn't kidnapped, rather the RL convinced her parents to run away with them, but unfortunately, both of them were killed when Korra was 11. After that, the RL took up residence in Zaofu right up until it was time for Korra to learn airbending, upon which they all relocate to Republic City. Kat's co-writer for this series quit writing, and since then we've basically adopted the two most prominent OCs from it – Nazra, P'heer's combustionbending daughter, and Tsomo, a blind airbender born to Lin and Tenzin before they broke up. The two of them feature in a few of our SotRL-based AUs (and yes, they're lesbians and in love, did you really expect anything else?). We don't really explore this verse because both of us are obsessed with Suiren and Midori, but it deserves a mention nonetheless.

SECONDARY VERSES:

Under the Oak's Shade – The first secondary AU ever created, a result of a passing idea of an AU where Zhi (P'Li's mentor and parental figure from Kat's LaF) and her partner Ikiaq (a bloodbending healer. Yes, these two are also lesbians) take in Suiren and Midori after their parents are imprisoned. Due to being unable to cope with her own grief, it takes Zhi six months to get to the girls, which was enough time for Haya's abuse to leave its mark. Both girls are nothing at all like the kids described in the letters P'Li used to send, and while Midori is quick to revert back and soak in all of Zhi's affection, Suiren is angry, skittish, terrified and resentful, reluctant to let Zhi anywhere near her. The series is still in progress, but the current plan is that Zhi will take them to the North Pole, where she lives with Ikiaq, and they shall help the girls heal from their trauma and grow up happy and healthy. One notable detail is that Suiren will train under Ikiaq and become a bloodbender, which will eventually enable her to enact a plan to break the RL out of prison early on. There have also been talks of a Red Lotus Korra element to this AU as well, but we'll have to discuss it in more detail

Ultimate AU – One of the mixes between SotRL and FAtC. This AU has existed pretty much forever, as I very quickly came up with a "hey, what if Suiren, Midori and Nazra all existed in the same verse?" concept. It is also the birthplace of Kuviren and Green Opal, both started as inside jokes, so remember kids, be careful with what you joke about, it might just become an important part of your story. It gained proper shape in May 2024 when I came up with an AU of LaF in which P'Li's little sister, Lien-Hua, gets to live and is also rescued from the warlord by Zaheer. Lien-Hua haunts the narrative of our multiverse (and actually, in SotRL-verse Midori is her reincarnation!!), she's really the central part of it all, and so it was decided that if she gets to live, everyone else does too. Xai Bau, the Red Lotus founder who died closer to the end of LaF, survives. The AU follows the storyline of FAtC with Korra's parents joining the RL, but they also get to live. In Zaofu, the kids get to grow up happily with their parents, the seeds for Kuviren and Green Opal are planted, and it's genuinely all very soft and fluffy up until Republic City and the Equalist conflict comes into the picture and things take on a darker turn. But before then, the worst thing that happens is Kuvira rejecting Suiren because she's convinced Renny (who's a massive flirt with a love for low cut dresses in this verse) is just playing with her and her feelings aren't genuine. But they sort it out soon enough, don't you worry. Essentially, this is the AU we turn to when the angst gets to be Too Much

Mud of Adversity – Another mix of SotRL and FAtC, this time a lot more angsty. Starts out the same as SotRL, with the exception of Nazra being left with Haya as well, meaning that Suiren's burden of being the protector has doubled. Haya knows who Nazra's mother is and thus is scared of her, so Naz doesn't get hit (Haya views her as a walking time bomb, essentially), but they're not given enough food to satisfy Nazra's increased appetite and she's made to feel like a freak for her height and abilities. Though in some ways, she's luckier than her sisters because she's allowed to firebend while earth- and waterbending are banned. The reason is the same, Haya being afraid that Nazra will spontaneously combust if her fire builds up for too long. Years later, when the girls are teens, Nazra gets angry at Haya for beating Suiren and accidentally kills her with her combustionbending. They dispose of the body, leave Gaoling and go into hiding, Suiren taking up her assassin job to keep them fed. When the RL escape from prison in Book 3, they go to check up on their daughters only to find an empty house, causing them all to imagine the worst. We never did finish figuring out how this AU develops, but this is the basic gist of it and maybe one day, we'll return to it

Sacrifice AU – The angstiest SotRL AU there is. As mentioned, people in the small corner of Gaoling Haya lives in are prejudiced towards the Swamp tribes, blaming them for the disease that killed so many, and Suiren as a swampbender becomes the subject of many rumours and superstitions. With time, the townspeople start to see her as a spirit (because it's easier to ignore the obvious abuse of a child if she's not a child at all, but a malevolent spirit and an omen of doom), and the rumours reach their peak when Suiren becomes an assassin and is now able to afford a slightly better life for herself and Midori, at which point it is decided that she must be the reason everyone else lives in poverty, because why else does she live better than them? Getting rid of her will be their salvation. So one night a few months after the Red Lotus allegedly die, on a new moon so Suiren is at her weakest, they attack, intending to sacrifice her as a way of securing prosperity, and kill Midori while they're at it. Kuvira, who at that point has already started her Great Uniter work, happens to be in Gaoling at the same time and saves them, taking them to Zaofu for their safety. Desperate to feel alive again, Suiren falls into bed with Kuvira on that very first night and regrets it a lot since now Kuvira keeps looking at her as if she expects something (Kuvira is just concerned, but try telling Suiren that). Traumatised, suffering from PTSD and paranoia, Suiren avoids people like the plague and stops waterbending, considering water to be a traitor since it didn't help her save herself and Midori, and instead learns bloodbending so she isn't completely helpless. And Kuvira, who keeps fretting over her, might just be the perfect test subject...

MoA Sacrifice AU – Somehow, even worse than the previous one. As the title suggests, a mix of Sacrifice AU and Mud of Adversity. Instead of Nazra killing Haya, things carry on as normal for a few more years until the night of the sacrifice. Nazra uses her combustionbending to try saving Suiren, but fails and all it results in is the townspeople deciding to sell her to a general looking for unique benders for his army. Suiren and Midori are saved by Kuvira and taken to Zaofu, while Nazra meets the same fate as her mother, being tattooed and forced to be a weapon against her will. Eventually, she is found and saved, but is so traumatised and scared of hurting people (her tattoo was done in a way that made her light chakra overactive, she literally cannot supress her combustionbending unless she's on qi blockers) that she can't stay in Zaofu and is sent to a sanctuary in the mountains to recover, where she meets and bonds with Tsomo. Meanwhile, rumours of a combustionbender spread and reach the Red Lotus, who are currently in hiding. Ghazan goes to investigate, is told by Haya about the failed sacrifice, comes across Bolin who by that point has made friends with Midori, and the reunion between the RL and their kids happens sooner than in normal SotRL. Still not too clear on where it goes from there

Avatar Suiren AU – Aang dies two years earlier and Suiren is born as the Avatar instead of Korra. The Red Lotus fundamentally believe that the Avatar shouldn't exist, and that belief was passed on to Suiren before they found out what she was. Suiren hates being the Avatar, both because she sees her parents constantly worrying about her being discovered and taken away, and because she, similar to Yangchen, is rather sensitive to memories of her past lives and it's very, very overwhelming for her. She often gets nightmares about traumatic things previous Avatars went though and.wakes up screaming names long forgotten by history, but that also allows her easier communication with them, so she's never quite alone. She remembers all the pain, all the efforts to fix the world that were ultimately useless, knows how it feels like to have your entire world upended as a child, and decides early on that she will not let this continue. The world cannot keep relying on one being to save them, and so she shall be the Last Avatar. She grows up, trains, at one point crosses paths with Kuvira in Zaofu who finds out her secret and becomes extremely devoted to her, and during Harmonic Convergence opens both Spirit Portals and fuses with Vaatu (much to Raava's dismay). She works hard to get the world ready for the lack of an Avatar, to change and establish as many things as she can, all the while bonding with and getting attached to her spirit kites, particularly Vaatu, though she spends a lot of time talking to both, and when things are as stable as can be, she lets both of them go, ending the cycle (something that would cause unfathomable outrage were it to actually happen in the show, but tbh, even this is 100x better than whatever those new leaks promise...)

Mermaid AU – An utterly niche, self indulgent AU not connected to any other verse, born out of my lifelong love for mermaids. No bending, no Avatar, just Kuvira as the best captain in Suyin Beifong's merchant fleet (and Bataar Jr's fiancee) and Suiren as a mermaid/siren/sea monster who she meets while stranded in a seaside town. Monsterfucking ensues 😁 I'm still not quite sure where I'll take this, the fic for it that I started for MerMay 2024 is still just a oneshot, but I do have some ideas I could explore, including how Suiren's parents and Midori feature in this AU (as a tiny hint.. anyone here ever seen Barbie in a Mermaid Tale? [they say, as if they don’t have several posts on their art blog spoiling the “grand reveal”…])

BONUS IMPORTANT STORYLINES:

Northern Water Tribe shenanigans – In March 2024 I made a shitpost about Malina, Unalaq's wife, Kat saw it and things spiralled from there. It came to be that there's no love in their marriage, they have not shared a bed since the twins were conceived, and Unalaq generally has no interest in Malina because he's rather.. preoccupied (🤮) with a certain spirit kite. And what's a lonely, touch starved, severely tocophobic beautiful bisexual noble woman to do in that situation? Well, start a harem made out of her guards and handmaidens, of course!! It's.. pretty much pure filth, yes 😔 That's just what happens when you let someone raised on harem dramas (a.k.a me) anywhere near noble characters. But anyway, we have two OCs Malina is close with so far – Ila, a useless disaster lesbian for whom no other woman but Malina exists, and Alasie, an aroace and touch repulsed maid who has her boundaries respected by Malina and becomes a friend to her. Ngl, those two are low-key based on Kat and me <3 And Suiren also becomes involved in all of this in the UtOS and Avatar Suiren verses, but I shall not be sharing details of that in public

Zaheer's fucked up family – Once upon a time, Kat wrote in LaF that at age 12, Zaheer ran away from his tyrant father, classist mother and two sisters, whom he didn’t have the best relationship with. One summer evening, I took that and ran with it. Semi-brief summary: Jusamah – Zaheer's father, angry, violent, barely tolerates his wife and kids, cares only for his fortune and continuing the family line, can, will and has severely punished and executed people for perceived transgressions; Sunat – Zaheer's mother, meek, anxious, secretly nearsighted, loves her children and would do anything to ensure their safety, but doesn't allow herself to show affection, focuses on social climbing to secure good matches for her daughters; Summiya – the eldest, perfect in every way down to the uncanny symmetry of her face. Married to Himman, the only son of an influential family who's rumoured to be a drunk and a brothel goer. Her two children, Liba and Abyan, were both born with visible birthmarks, thus not as perfect as her, and her perfectionism and constant criticism make Abyan resent her and Liba hate herself. As young teens, the two run away, leaving Summiya's life crumbling around her. Her kids are gone, her husband is a cheater, she's not perfect anymore, so she loses it and turns to sexual masochism to feel at least something. Her infidelity is discovered, she runs away, makes friends with a group of girls working at a local brothel (a few of whom are her husband's mistresses), heals, finds freedom in sex work, eventually reconnects with her sister, kids, mother and, many years later, Zaheer; Aiza/Emran – middle child, always failed to live up to both Summiya and Zaheer, scored a less than ideal match and couldn't stand the thought of marrying someone she had never met (my fic nobody’s son, nobody’s daughter goes into this in great detail), so disguised herself as a boy named Emran and ran away with the help of her maid. Ends up at an Air Temple, joins the acolytes, has a gender epiphany and now goes by both names, uses she/he/they pronouns, and is a genderfluid, pansexual, polyamorous ICON. Many years later, his niece and nephew arrive at the same temple and he takes them under his wing. Has many lovers all over the world, including the maid who helped them, Jia (who was tortured for information by Jusamah after Aiza left 😬) and after reuniting with Zaheer, Ghazan :D. Gains airbending after Harmonic Convergence. Over the last few months Kat and I have basically frothed at the mouth at any even slight mention of this family, and it's hard to tell why from a summary, but generational conflicts like this are fascinating so we intend to keep going with this until we literally can't anymore

Brothel girls – Summiya's friends!! Featuring: Shezan – bisexual, struggles with chronic pain, comes from a big family, loves her work but would rather do it independently; Roheen – lesbian, wanted to become a lawyer but didn't get into school despite her smarts, dislikes her job and wants to leave to pursue law school again; Gulalai – bisexual, has an identical twin sister she failed to compare to, in a relationship with Roheen, enjoys her work well enough but would leave if Roheen left; Phailin – asexual, half Fire Nation, erotic dancer who goes further for a higher price, loves dancing and having eyes on herself and dreams of returning to her ancestral homeland, the Fire Nation islands; Daneli – lesbian, youngest girl there, turned to brothel work when her dad (single father) got sick, has crushes on Shezan and Qader, doesn't enjoy her job much and will leave as soon as she can, ends up adopting the daughter of one of the other brothel girls, whom she names Kumisai (who, as a teenager, will be in a relationship with Jinora and friends with Kai); and Qader – some flavour of mspec, was bullied growing up for not being feminine enough so went full butch to spite them, picked her name herself, the most domineering at the brothel, likes her work and will keep at it regardless of circumstances, makes Kat's brain short-circuit 🤭. Honourable mention – Mekhali, non-binary, independent sex worker with an undecided dark past, Summiya's first friend who housed her after she ran away, introduced her to the girls and helped both her and Shezan start working independently too (no posted art or fics of these guys exist yet, but Kat and I have an extensive series of incorrect quotes posts featuring them)

Sweet baby Ehuang – We've had the headcanon for a while that Midori and Opal would work with kids a lot in the future, and as a result would adopt a bunch (no names, appearances or concrete backstories yet, but they adopted a boy who was born in 173 AG, a girl who was born in 175 AG, and one who'll end up nonbinary who was born in 181 AG), but after a while Midori decides that she wants to have a biological child as well. With one of Opal's brothers helping out as a sperm donor, Midori conceives and nine months later, in 186 AG, gives birth to a girl they name Ehuang (her name comes from the same legend as Ming-Hua's mom's name, Nuying, so it's all very symbolic). Ehuang grows up to be a wild and carefree child, beloved by her entire family – her moms, siblings, grandparents, uncles on Opal's side, Auntie Renny and Auntie 'Vira (Suiren and Kuvira, in case that wasn't obvious), etc etc. She's an earthbender on the road to becoming a lavabender, takes after great grandma Toph in her refusal to wear shoes, has a rock collection, and is literally the manifestation of everything good and pure in this world. We don't have much of a storyline for her yet, but that will hopefully change at some point since I already have a few ideas

EXTRA OC INFODUMPS AND RELEVANT POSTS:

Brief summaries of Haya, Summiya, Aiza, Ehuang, and Ila & Alasie

Meifeng, Ming-Hua’s cousin

Nonbinary OCs (incomplete list)

Eldest daughters

And, as one final piece of information, the SotRL-verse family tree:

Last updated: DECEMBER 20TH 2024

[gemini-queen42]

I was originally gonna joke abt how me straightening out cogs's feet from my wonky pencil sketch resulted in screwing up my attempt at keeping their heights like.. proportional on the ref sheet to how I want them & stuff (unlike Amalure & Lefou's ref) but then I noticed.

This probably looks?? insane??? maybe is?? At least might be/look so with the info that: These are ALL sketches. just sketches. Only a couple details & refinements away from being ready for the lineart. and as you can tell, they've all been done.. just completely differently?? for like no reason???

[femmefaggot]

ok hi haha lol I dont rly feel like going in circles in my head forever trying to figure out whether, among other "smaller" things, being left alone in a room w only media as a child and not feeling like I had even a semblance of a personality for most of my life counts as "trauma"

a lot of these parts of me are new, I'm just recently putting names to them and it feels as though I'm developing facets of personalities in my mid 20s after a lifetime of either feeling like I'm basically just ADHD in a person, an amalgamation of kins shoved into a body, or something made of guilt Also shoved into a body.

I don't like, claim to know what this means. but I don't think a lot of my current mutuals would feel comfortable interacting w me bc I don't necessarily believe in the black and white of what plurality is. I'm not able or planning on getting any formal diagnosis and while I'm discussing this w my therapist they're very much not one to pathologize

I definitely don't feel like one person but I dont think id count for most of you as a "system" as the different parts of me feel as though theyre still developing. take all of this as you will, I'm not going to stress my body out more by trying to figure out "what" I am as I've been doing that my whole life and I'm kinda tired of it.

I know that I'm not entirely one thing and feel Enough like multiple things for myself, but blurred in a lot of ways. like some sort of gem with many different facets.

not sure where to go w this tbh take this how you will. im not comfortable saying I'm leaning one way or the other regarding system discourse, (<- not a phrase i want to use but the best shorthand i have) as I genuinely don't believe the human brain is nearly that black and white.

I'm both "me" and very much not "me" at times. idk what this means but ik I'm not comfortable saying im just pandora and im not sure im "allowed" to say im a system and im not sure if it matters, or should matter, regarding friends. im going to be like this regardless, id unfollow me if this grey area im likely to stay in bothers you

if you don't want me refollowing I'd probably block, too, as my memory is bad

[skyeateyourdonuts]

weeoo