#barely any at all really

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[fear-no-mort]

favourite thing: his new habit of saying uhuh/mhm and also this

[clevercorvidae]

keep thinking thinking about the relativity falls au and i've realized idk who id swap with soos. but honestly the funniest possible choice would be to just leave him as himself. like hes the ONE universal constant ane everyone else is swapped

[skrunksthatwunk]

say what you will about that era's character models but y3/4/dead souls majima's crows' feet are top notch and they should be brought back

like here's him age 45(ish)

vs 55

they fucking ironed him out. he's got smoothed

[charxan]

My Tangotek s9 cosplay I did late last year and recently went to a convention and actually took photos!!! the cosplay is heavily inspired by @weaselmcdiesel tangotek drawing!:)

also while trying to figure out what to do for the cape to make it cool and magical, ended up with lights:) so at night its very cool!!

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[buckleydiazmp4]

but like. the firefighter show barely had any firefighting this season. like kudos for the emotional stuff but. i think leaning too much into the shock factor and the stacking of dramatic conflicts kinda took away from the general vibe of the show. which is. you know. about first responders

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

[lunarharp]

if i just told you i love you would this world change

[mo-ok]

🖤 cool guys and cowboys 🖤

🌠

[naamahdarling]

.

[hawkfrostandmudclaw]

[myokk]

my angel…

[laundrybiscuits]

“It’s happening,” crows Dustin. “Eddie, it’s happening, it’s happening, she said yes!”

Eddie blinks up at him from the blankets. “Is…this about your little girlfriend, Henderson?” Is there a school dance coming up or something? Wait, it’s the summer, school’s not happening.

In a just world, Eddie Munson would never have to think about high school again; in a just world, Dustin Henderson would not have woken him up by breaking into his trailer at ass o’clock in the morning.

“No, man, Erica! Erica Sinclair! She’s gonna run a My Little Pony game for us!”

“Okay.” Eddie turns over to bury his face in his pillow. “Lock up when you leave,” he says, muffled.

———

He honest-to-god thinks it’s just a weird dream for the next few days. He’s almost completely forgotten about it when Mike corners him at work.

“You have to make her stop,” Mike says.

“Okay, Wheeler, two things. First: who am I making stop what? Second: I’m not making anyone stop anything. Really not my style, and also, I don’t wanna get involved in whatever this is.”

“You’re already involved! We’re all involved! We’re all, like, liable.”

“Right.” Eddie wipes his hands on a rag and ambles over. “Kid, you have got to start giving me some context here. What are we talking about?”

Mike gives him just the absolute bitchiest eyeroll any human being has ever mustered in the history of the world, and sighs noisily. “Erica wants to run a stupid game, and Dustin keeps encouraging her. Tell Erica and Dustin that we play Dungeons and Dragons with like, cool monsters and shit. Not some stupid game about ponies. It’s not even D&D, it’s a whole new stupid system that she’s making us learn.”

“Oh, shit.” There’s—a few things to unpack in that little speech, but Eddie can’t help the delighted grin spreading over his face. “That’s for real? The pony game? Shit, this is going to be the best thing ever. What system is she planning to run the campaign in?”

“Oh my god,” says Mike, and storms out of the garage.

———

“GURPS: Generic Universal Role-Playing System,” announces Erica, slamming the books down on Steve’s kitchen table. “A flexible, multi-purpose, setting-agnostic system that can accommodate any conceivable type of story or play style. This is the future of role-playing games, not your broke-ass fantasy bullcrap.”

Eddie wonders how complicated it is to file paperwork for adoption.

“Some of us like D&D,” says Will.

“Yeah, we don’t want your stupid generic whatever. We’re not playing,” Mike snaps.

“That’s not what I said.” Will looks annoyed with Mike, which has been happening a lot lately. Eddie’s glad the kid seems to be growing more of a spine; you can’t just let your tragic heterosexual crushes walk all over you, but that’s the kind of lesson every young gay needs to learn the hard way. “I’m fine with trying something new. I’m just saying, the next campaign after this should be D&D.”

“Sure, what-ever, nerds,” drawls Erica. “We’ll see how you feel after you experience the magic of Ponyland.”

Lucas puts his face in his hands when she says the magic of Ponyland and lets out a pitiful groan.

“Whoo!” cheers Dustin. “Let’s get started!”

———

It takes them a solid two hours to make their characters. Even Eddie, who’s been vaguely aware of GURPS since it was released a couple years ago, is struggling a little to adapt. It’s just been a while since he played anything but D&D, but he’s enjoying the change of pace. He likes this kind of challenge; it’s like figuring out how to play a familiar song in an unfamiliar genre.

Erica is not especially patient with them, but she’s clearly done her prep work, so Eddie thinks they all manage to get through the character creation process more or less the way it’s supposed to be done.

Steve gets back from work right when they’re putting the finishing touches on their characters. The way he blinks all sweetly confused makes Eddie think that Dustin was definitely lying about having permission to play here, and also that Dustin probably has a very troubling stash of keys to all their homes squirreled away somewhere.

“If I may, Lady Sinclair, I’d like to humbly suggest a ten-minute break?” Eddie says, before Steve can decide whether or not to be mad about this whole thing.

“Sure, go ahead and rest up while you still can,” says Erica. “Steve, I hope you got good snacks around here.” She makes a beeline for the kitchen, and the boys trip over themselves to follow her.

“I would die for that child,” says Eddie.

Steve laughs, low and a little tired. “Yeah. Um, me too.”

“So, I’m gonna go ahead and guess that Henderson didn’t actually clear this with you?”

“Honestly, I’m not sure.” Steve runs a hand through his hair. “He might’ve said something last week? Sometimes when he’s on a tear, I just kinda let him talk.”

“Y’know, we’re at a pretty good stopping point for today, if you want us to clear out so you can get some rest.” Eddie can see the smudgy shadows under Steve’s eyes from halfway across the room.

“No, it’s fine.” Steve peels off his vest. He’s wearing an entire perfectly normal shirt underneath, so there’s no reason for Eddie to hastily avert his eyes like Steve’s doing a damn striptease. “I might go take a nap, though. Gonna trust you not to let them burn down the place, got it?”

Eddie does a silly little salute. “Aye aye, cap’n. No hint of flame shall breach these walls.”

Steve laughs again, a gravelly chuckle, and musses Eddie’s hair on his way to the stairs.

“Why do you have that dumb look on your face,” says Erica suspiciously, standing in the kitchen doorway and clutching the biggest bowl of ice cream Eddie’s seen in his life.

“What look, there’s no look,” says Eddie. “Let’s play some GURPS.”

Edit: now a complete fic on AO3!