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idksmtms · 2 days ago

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Plié, Jeté, Relevé (Ballet Master!Cillian Murphy x Ballerina!reader)

A/N: Here you go my lovelies! I have literally never done ballet in my entire life, so any knowledge of this has come from watching tiktoks of ballerinas, movies with ballerinas in them, or my best guesses… anywaysssss, I hope you enjoy it!

Also, would highly recommend watching the performance of Still Life at the Penguin Cafe on youtube, the music and the dancing is *chefs kiss*

Summary: You were ready to admit that you hadn’t been at your best the past week or so, but surely you hadn’t been so bad as to deserve this much wrath from Mister Murphy…

Word count: 3,750

Trigger Warnings: she/her pronouns, AFAB reader, mean!Cillian, SMUT, dub-con bc of the power imbalance (?), fingering (technically?), humiliation (not as a kink tho), only reader orgasms, depiction of toxic teaching environment, (please let me know if I missed any)

Disclaimer: This is written purely for fictional purposes and for the sake of writing. No disrespect is intended to the real people portrayed/concerned in this scenario.

Always appreciate comments, likes, and reblogs :)

If anyone out there believed in the stereotype that all Irish people were happy and jovial then they clearly hadn’t met your ballet master. The man may speak with a lilting musical accent but there was not a thing jovial or happy about him. The master was harsh, verging on cruel. If anyone was caught slacking even the littlest bit, something that would go unnoticed by the rest of the troupe, his voice would crack like a whip through the studio.

Recently, that whip had been directed at you. You knew you weren’t doing your best. You had hit a rough patch in your entire life. You had been late more times than ever before, more times than you ever would usually be, more times than you would like. And your dancing had been affected as well. Your posture wasn’t straight enough, your pliés weren’t deep enough, your toes not pointed enough. Everything was going wrong, and while you had hoped it wasn’t noticeable, Mr Murphy never failed to find every SINGLE one of your mistakes.

Today differed in no way. You had dilly-dallied a little too long while getting ready in the morning, only to end up running late for rehearsal. It was no more than five minutes, but from the start of training it was the rule that all ballerinas must be lined up by the barre at exactly ten o’clock every day. For every minute you were late, the worse your punishment got. Usually if someone hit the five minute mark, they went home and sprained their ankle on purpose for an excuse.

At four minutes, you had run into the hallway outside the studio and thrown your bag onto the ground, disregarding the sound of your water bottle rolling away and one of your keychains cracking under the weight of your things. At five, you were throwing the door open and running inside, slipping into the back of the line and getting into first position.

Mr Murphy paused in his speech to gaze at you. You stared straight ahead, refusing to look directly at him. Slowly, his eyebrow rose, scrutinising you with a frown that made shame curl in your stomach and tears make themselves known behind your eyes. He slowly brought his hands together, rubbing them as he sighed and began shaking his head.

“Kind of you to join us,” he huffed, crossing his arms over his chest as he made his way closer to you, stepping leisurely, dragging out the fear that made your throat hurt. He stood a few feet away, staring at you in that impenetrable way of his, ice eyes sharp and painful wherever they gazed. He clapped his hands once. “Girls, turn and look at Ms. Y/L/N.” He waited until each of them had turned in their spots, some craning their heads to the side to make sure they were looking at you lest they somehow disobey him. You could see the pity, the sympathy, the smug triumph in each of the girls’ eyes, the frowns and subtle smirks, and you could do nothing other than keep staring ahead of you as your hands and knees suddenly began to tremble. “What is wrong with her?”

He didn’t ask it in a rude or incredulous way, but as if you were a diagram in a textbook, and this was simply an exercise the students were completing. You were sure your shame was visible on your face, the embarrassment turning your spine to liquid. One of the girls put her hand up, near the front of the room, and you only recognised her for the little kiss-ass she was once she spoke. She had always been that way, desperate for Mr Murphy. Always at the front of the line, always gleeful at the downfall of others, always ready to point out any mistakes. And you were always happy to watch her desperation help her in no way whatsoever. A lot could be said about Mr Murphy, but favouritism was not something he had ever displayed. Whichever ballerina was doing well, recognisably well, was given her dues, and it was left at that.

“She’s not wearing her tights and leotard, or at least, she’s wearing sweatpants over them. Her pointe shoes are dirty, and her hair isn’t in a bun.” You could almost imagine her satisfied little smirk when she finished speaking, that evil little smile that you had always wanted to punch off her face. One swing, you thought, just one swing…

“Correct,” he simply responded, threading his fingers through each other and raising his eyebrow at you again, as if confused and annoyed at you for not doing something. “Leave, get your shit together, and then come back inside. If you have not returned within ten minutes, don’t bother returning to rehearsal ever again.” He nudged his chin in the direction of the door and you nodded obediently, eyes downcast as you stood up straight and slowly walked back out.

When the door was closed behind you once more, you stood silently for a minute, eyes clenched shut and hands curled into fists at your sides. You pressed out a scream behind your pursed lips, teeth clenched so hard your jaw began to hurt. You slammed the heel of your hand against the side of your head again and again and again until your shoulder hurt a little from the motion and your brain felt sufficiently jumbled. Your chest was heaving and you were overwhelmed with rage. You wanted to kick something, to throw something, to go back in there and rip that bitch’s hair out of her bun. You resolved to pulling your pointe shoes off and lobbing them across the hallway as hard as you could, letting out another clenched scream before walking all the way down to pick them up and bring them back.

You stood in front of your bag and took three deep breaths. You picked up your water bottle from where it had rolled between another two of the ballerinas’ bags, and took huge gulps of water until you felt a little less sweaty with anger. You checked the time on your phone to make sure you hadn’t wasted your ten minutes, then set about carefully pulling off your joggers, folding them up, and placing them inside your duffel. You pulled out a new pair of pointe shoes, cursing yourself for not having prepared them in time and preemptively wincing at the blisters you knew you were going to get by the end of rehearsal. You walked down to the bathroom at the end of the hall in the pointe shoes, hoping to at least break them in a little bit with the short time you had, and used the mirror to quickly pull your hair into a bun, securing it with pins in a practised dance you had learned from years of repetition. You checked yourself once more in the mirror and then looked down at your phone before sprinting full on back to the room and sliding through the doors. You made it just in time.

Mr Murphy glanced at you as you slipped into position at the back of the line, following the exercises he had been calling out to the ballerinas while you had been out. He methodically looked at every inch of your body, from your pointe shoes to your pink tights and black leotard, from the careful set of your bun to the determined set of your brow and sheen of sweat on your temples. He didn’t say anything directly to you, and you took it as a win.

At the halfway point, you were all allowed a little break to drink water and have a rest before you switched from exercises to rehearsals for your next performance. You were all practising for your various roles in a performance of ‘Still Life at the Penguin Cafe’, and though you would have to wear a huge mask of a ram on your head, you were ecstatic for the performance. While it wasn’t technically a solo, you were the centre of the piece, being the only one not dressed as a penguin. Now, everything felt so precarious. You couldn’t quite be sure Mr Murphy wouldn’t take the role from you after the past two weeks spent in a slump, and the worry was becoming your ever-present companion.

Just as the girls were all leaving the room to get water and lounge around on the floor of the hallway, Mr Murphy cleared his throat and snapped his fingers at you.

“Ms. Y/L/N,” and he pointed at the spot right in front of him. It took everything within you not to sprint to the spot. You took careful, measured, steps and stopped a few feet in front of him, spine straight and head held high. You weren’t sure where to look. You could never meet his eyes, something in your soul was opposed to it, so you chose a spot on the wall just next to his head.

“You will stay for another hour at the end of the session to make up for your failures this morning, understood?” He raised both his eyebrows, hands on his hips. You closed your eyes, trying not to burst into tears like a child throwing a tantrum on the spot. You nodded, whispered a ‘yes, sir’ in a clogged voice, and waited until he dismissed you to walk out of the room.

You sat down by your bag with a sigh, arms slung over your knees as you cradled the water bottle close and pressed your face to it. You closed your eyes and allowed your head to dip down as some of your friends came to sit around you, offering pats of sympathy and words of comfort. You tried to smile, nodded in thanks, but you just wanted to curl up into a ball and never get back up.

The next few hours were spent going through each section of the dance. You felt lucky that you didn’t get to the Ram piece, you were sure you couldn’t hold it together long enough for that, only to be doused with cold water at the thought that you needed to stay longer afterward.

When rehearsal was over, Mr Murphy dismissed everyone right on the dot. He didn’t acknowledge you as the girls started leaving, the chatter slowly beginning to rise as they reached the door. For a moment you wondered if you could get away with leaving with everyone else, but just as you reached the door he called out “ten minutes at most, Ms Y/L/N, then I want you back in here.” Your bones seemed to disappear and you thought you would collapse to the floor in a heap of mushy flesh. Instead you nodded and wobbled your way outside to chug what was left of your water bottle, refill it, then chug the contents again as tears of exhaustion slipped from the corners of your eyes and mingled with the sweat dampening the hair by your temples and ears.

The ten minutes were up far too quickly and you stood with a groan, heading to the door once more. You gazed at the room from the door, the light hardwood floors, the wall of mirrors and the bar spanning the length of the room, the huge windows letting in swaths of natural light. You often forgot how beautiful the space was.

You walked slowly to where Mr Murphy stood, typing something on his phone and moving the speaker to face the room again. You stood before him, hands clasped and eyes downcast, waiting for instructions. For a while, he didn’t say anything. He was no longer on his phone, his hands hanging by his sides, and he stared at you. Every few seconds you glanced, trying to glimpse what was going to happen, but he just continued watching you, stoic as ever.

You could never tell what he was thinking. Never once had you been able to guess at his thought process, to figure out what was going on in his head. Maybe that was one of the reasons he intimidated you so much.

He walked closer, so close the toes of his shoes almost touched the toes of yours and you gulped, staring at the contrast, the black and the pink, the background of wood. His hand came up and he tapped up under your chin with the side of his index finger, waiting for you to lift your head. When you did, your entire face felt hot under the skin. He was so close, you could see the freckles splashed on his skin, the careful set of his cheekbones and jaw. You gulped. His eyes were so much more terrifying up close.

“You’ve been given a gift,” he began, slow and firm, “your ability, your natural rhythm, that is a gift. Unless you put in effort to finetune this gift, it goes to waste. Do you understand what I’m saying?” You nodded but he shook his head once. “Speak.”

“Yes sir,” you breathed out quickly, gulping when your mouth was closed again.

“I’m not sure you do, though,” and it felt like the hammer falling. His eyes seemed to harden a little, and he crossed his arms over his chest. “The past two weeks all I have seen is a sloppy, unprincipled, uncommitted dancer who deems merely showing up a success.” Each word was a stab to some part of you, and it took everything not to wilt completely to the floor. “You have been given one of the more difficult roles in the performance, and I once believed you deserved it. For the life of me, I cannot remember why.” Your eyebrows furrowed as you closed your eyes, throat bobbing as the despair that felt inevitable finally began to land.

He went silent, and that felt worse somehow. The backs of your eyelids began to burn and you clenched your hands tighter around each other, hoping the little pain it brought would distract from the tears. You berated yourself in your head. You yelled in your mind that this was a pathetic display, that it would be the stupidest thing you’ve ever done if you began to cry in front of him. He would think less of you, it would only confirm what he believed; you were weak. When you opened your eyes again, one traitorous tear slipped out and down your cheek. You could feel the hot, ticklish track it made down the skin. If you didn’t know better, you thought you saw Mr Murphy’s eyes soften.

He breathed out, long and tired, and reached up to gently wipe the tear away with his thumb. Your breath caught in your throat. His hand was warm. Your chest felt tight. His skin was soft. You stared into his eyes. He left the side of his hand against your face, as if allowing himself to feel the skin. Something in your stomach writhed impatiently. Everything seemed to have changed within a second. Some deep seated urge whispered in your ear to open your mouth and lick his thumb. You shivered.

“Turn around,” his voice was low, rough, and you almost moaned at the sound. You gulped again, but obeyed almost instantly. You heard some shuffling, and then the music started, the slow long notes interspersed with the quick little strums, a beautiful, almost joyful piece of music. Then Mr Murphy was pressed right against your back, and suddenly the music was secondary. His chest, firm, solid, was moulded to your back. You could feel the soft fabric of his black shirt, the puffs of his breaths against the back of your neck. Your entire body shivered. He was warm, like a heater on a middle setting, and if you weren’t so tense, you would melt against him. You could feel his nose against your head as he bent slightly. You could feel his lips graze the shell of your ear as he whispered “relax.” You tried, forcing your muscles to loosen like you would before a performance.

His hands trailed down your arms, his fingertips running down your biceps, then your forearms until you shivered against him again. When he reached your wrists, he hooked his own hands under them and began raising them in time with the music. You turned your head to the right, watched his hand raise your own, your lips parted and breaths heavy. You couldn’t move past the feeling of him pressed to your back.

You almost missed the cue to move, almost, and pulled away from him slowly, carefully, using the measured steps required by the music. You left your right hand in his, just the barest touch of your fingertips against his, the illusion of contact as you moved to the left, feet lifting high. His eyes seemed to pierce through you, and suddenly you enjoyed the feeling in a sick, scary way. You walked forward until you were in line with Mr Murphy, still an arm’s length away before he stepped forward and your arms moved to a waltz position. He settled into the space, gripping your hands firmly in his. He was pressed as close as he could be, closer than your actual partner would be for the dance, and you set your eyes on his face. Your pulse thrummed in your ears, you were in your element.

You went through all the steps of the dance like you had been born knowing it. Your bodies were like water as they moved, smooth, graceful. You hadn’t felt this intune to the music in a long time, hadn’t felt this much like a dancer in a long time. You could almost see the crowd in front of you, the blinding lights, the smooth fabric of the dress.

At the final step, Mr Murphy gripped your hand and spun you into him, changing the ending of the dance. You gasped as you leaned back into his chest. His head was bent down, pressing his face into your hair. You were panting, torso moving up and down quickly but trapped in the confines of his arms crossed over you. You leaned your head back a little, pressing the curve of your skull into the curve of his neck as he pressed his cheek to the side of your head. The music was fading out, and the only sounds in the room were your mingling breaths, heaving into the air of the room.

His left palm pressed against your stomach, firm and insistent, but you couldn’t be bothered to look down. It seared into your already boiling skin and you closed your eyes. You tuned into the sensation of his hand slowly sliding down, bit by bit, inching down over your stomach then pressing against your pelvis. You gasped as you felt his fingertips brush over the leotard just at the top of your pussy. Your hand moved behind you, gripping his sides, clenching into the soft fabric of his shirt.

He didn’t say anything, just breathed heavily against the side of your head, and you didn’t stop him. His hand moved farther down, pressing against the softness atop your core. Gently, his index finger moved to the centre line and began pressing in. You lifted up on your toes a little when you felt the pressure through the fabric, the indent of his finger pressing against your clit. You were hot and wet, he could feel the heat emanating from your core against his hand.

He kept his finger pressed there until you became restless, impatient, pressing your hands a little harder against his ribs. Slowly, keeping the pressure, he moved his finger down until he was pressing against your hole. The warm tendrils of pleasure slowly undulated up your insides. He repeated the motion, up then down and pressing a little harder against your hole.

You breathed out heavily, shakily, and bent your knees to press a little harder into the feeling.

Up, down, press. Up, down, press. He circled your clit through the fabric, pressing against the pulsing little bud. Up, down, press, drag up, drag down, press. You were panting into the air, face contorted, mouth up and head tilted up, resting against his shoulder. Your eyes were screwed shut, hips moving to chase the motions. He didn’t say anything, just breathed heavily against your ear, held you tighter against his body.

You were both standing in the middle of the large studio, bathed in the early evening light. Your hands clenched a little harder against his sides. The warm tendrils were lasting longer, becoming more frenzied, curling up into your stomach and making your hole flutter. His right hand moved up and cupped your breast, gripping firmly and burning the heat of his hand into the flesh.

You were engulfed by him, wrapped up in both his arms as he pressed his fingers harder and quicker against the seam of your core, moving up and down, pressing and releasing. He ran the edge of his thumbnail against the fabric over your nipple and your pelvis shook. You writhed in his arms at the spark it shot to your core, at the electric pulse it created and ultimately pushed you over the precipice. A moan, a high-pitched whine shot from your mouth, echoing in the room. You pressed yourself so hard against him he almost lost his balance, moving one foot back to keep the two of you upright. Your hands hurt from how stiff they became clenched into the fabric of his shirt.

Slowly, he released the pressure against your core. He grazed his finger up until he could press his hand to your stomach again. He left it there and the two of you heaved breaths in sync. You began to flutter your eyes open, still lost in the blood rushing through your head. His right hand came up and gripped your chin, pushing it so you faced to the left where his head had dropped down. He leaned back a little, you tilted forward a smidge, your eyes met. Your lips were still parted, his mirrored. Then he surged forward, pressing his mouth to yours, his nose sliding into the crease between your cheek and nose. He tasted warm and minty. His lips were plush and cushiony soft. He pulled away and you looked into his eyes again.

Neither of you said a word.

Taglist: @4ria790

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amymbona · 3 months ago

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What if Dilf!Art was put into the ballet instructor au?? Like After the tennis match that Art and Patrick had, that hugged confirmed a friendship again. Of course Art and Patrick retired, tired of the pressure tennis put on them, the pressure of being with Tashi. So Art and Patrick remained close friends, living close to each other, having their daughters be friends. When Patrick put Eleanor into ballet classes Art thought it would be good for Lily to something different than her dad and mom did. So both of the girls had ballet classes, being in the class, being taught by the same lovely ballet teacher. Now Patrick was the one who absolutely fell in love with her first, if we’re doing timelines. He talked about her to Art, and he really didn’t think anything of it, because he didn’t pay much attention, not when he would go picking up his happy daughter with her arms interlocked with Eleanor’s as they skipped towards him and Patrick. But when the ballet teacher spoke softly to Art about Lily’s improvements in ballet he immediately understood Patrick’s obsession. She was so soft and caring, so youthful, it was something Art definitely needed throughout his life. Art thought the same things Patrick did, that she was the one who could probably take away all of his problems, all of those days he’d eat such bland food for his tennis diet, pushing himself so he could make Tashi proud, doing anything for Tashi but nothing was ever enough, she wanted good tennis and he wanted love. (IM SORRY, I WANT BOTH MEN)

Okay so this is actually fucking insane 😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁😁

You don't even notice their growing affection towards you, especially Art's. You've known Patrick for quite a while and so you're used to him being, how to say it... friendly. Really fucking friendly. Subtly touching you, complimenting the way you treat his darling daughter and make sure she gets to develop her talent.

And poor Art is feeling completely distressed, as if he wasn't capable of even half of whatever Patrick can do. He tries to joke with you and you respond equally as softly, even giggling at some of his silly jokes. He thinks you're an angel, but he's also afraid you like Patrick more. At least you don't make any decisions considering the kids, because you've been treating his Lily as if she was here since the beginning.

Art brings the topic of you once, when the boys are alone, which is the first time that it happens (as Patrick was usually the one to rant about you).

"She's really pretty."

"Who?" Patrick asks without looking up from his phone, probably thinking he's talking about some random celebrity.

"Lily and El's ballet teacher," Art mumbles.

Patrick teases the living hell out of Art that evening. And he makes sure to pay attention to his blonde friend's behaviour the next time they go to pick their girls up from practice. A pleasant discovery is made when Art stutters as he attempts to respond to something your say and his cheeks heat up like two full strawberries. Yeah, he makes fun of it.

But it also gets poor Patrick worried, considering everything that has happened over the last fifteen years... When Art got chosen by Tashi and favored by the whole tennis industry. The cutest one of the two. And considering your own softness and the ethereal aura of your being, he's thinking you might choose Art over him.

Without knowing or ever discussing it, the two friends become jealous of once another, or rather afraid, both of them finding themselves so deeply attached to you. Two confident men who used to be so smug and full of themselves are reduced to worried babies that can't help but feel neglected.

Luckily, their smart girls pick up on their dads' distress. Unaware of the reason, they play detectives and they dump their suspicionw on you. When you're talking with Art and Patrick the next time while the girls are changing in the locker rooms, you bring that topic up.

"The girls told me that you two have been having some issues. They said that you look worried. Is something going on?"

You speak to them like you're an angel sent from the heavens above, they really both want to drop to their knees and cry until you decide to be merciful enough and take them into your arms. The little frown of worry on your face and the crease between your brows are enough to send both of their hearts beating faster.

"Worried?" Patrick asks with a casual chuckle, rubbing the back of his neck nervously. "Do we look worried Art?"

You asshole, Art thinks, shooting his friend a glance. "I- I don't think so. Perhaps we're just getting older. A mid-life crisis, you know."

A giggle from your mouth gets them both to tremble on their feet.

"Okay, okay, I won't pry," you assure them with a nod and that beautiful smile of yours, "But if you feel like talking to someone, don't be afraid to reach out."

You pat both of their shoulders delicately, Art just ends up glancing at you with an open mouth as you move while Patrick has to physically prevent himself from grabbing you and stopping you from walking away.

Later in the evening, when their girls are asleep, they discuss your existence over the phone. Luckily, still on the best friend wavelength, they both come up with the same ideas. Somehow getting you close to them, closer than a normal ballet teacher should be to her students' parents, especially a father. Especially two fathers.

#I love how we made Eleanor canon #challengers #patrick zweig #patrick zweig x reader #patrick zweig blurb #art donaldson #art donaldson x reader #art donaldson blurb #ballet teacher!reader #ballerina!reader #ask

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