#back to basics era

[in-you-i-found-a-home]

[ultravioletbrit]

“cigarette” - Jegulus microfic - @into-the-jeggyverse - 262 words

Regulus is smoking on the balcony when James comes to stand beside him at the railing. Regulus slides his pack of cigarettes over to James who takes one and lights it before sliding the pack back to Regulus.

“Thank you.” James says.

Regulus hums in response. James takes a long inhale but instead of exhaling like a normal person, James tilts his head back and blows out small breaths making the smoke come out in several little puffs.

“You’re an idiot.” Regulus scoffs.

“Thank you.” James says again.

“That wasn’t a compliment.” Regulus tells him.

“Anything from you is a compliment. And I’ll always thank you for it.” James leans in to bump Regulus’ shoulder.

“You’re ridiculous.” Regulus pushes him away.

“Thank you.” James grins at him.

Regulus turns to scowl at James and James’ grin only gets bigger. They enter a weird sort of staring contest that Regulus knows he won’t be able to maintain before he does something stupid like push James off the balcony or kiss him senseless. He’s not sure which he’d prefer at the moment so instead he just rolls his eyes and turns back to the railing.

“You’re insufferable.” He mumbles.

“Thank you.” James smirks.

Regulus looks back at James and narrows his eyes curiously. He tilts his head to the side and thinks for a moment.

“You have beautiful eyes.” Regulus tells him.

“Tha… wait what?!” James sputters then just stares at Regulus dumbfounded.

Regulus smirks victoriously, puts out his cigarette and turns to go inside.

“Bye James.” He says cheekily over his shoulder as James stands frozen at the railing.

[steviesbicrisis]

Steve’s best relationship wasn’t even a relationship. He could barely call it a fling, a flirt. They never even went on a date. They never kissed.

Steve still thinks of it as the best whatever-it-is he has ever had with someone.

At the beginning it was mostly infuriating, how quickly Eddie managed to win the kids over, compared to Steve’s months of work as babysitter/nailbat swinger/monster fighter. Steve had to literally bleed multiple times to get an ounce of respect, Eddie only had to run a nerdy club about fictional bleeding and monster-fighting.

Then somehow, and Steve still has trouble pinpointing when and how it happened, everything changed.

Taking the kids back home from hellfire became something he impatiently waited for.

He and Eddie would barely talk for a few minutes and he would find himself replaying the conversation in his head for days. Anything he could say to get a reaction out of Eddie became fundamental, and if he started by picking subjects to piss him off, he ended learning about Eddie’s favorites, because few minutes after hellfire were never enough and Steve needed Eddie to talk as much as possible, until the kids were begging to drop it and go home.

Steve never questioned the change, most likely out of fear. He doesn’t think he ever was clueless, just really scared about what would potentially mean to be staring at another dude’s eyelashes as he goes on a rant about why Ozzy Osbourne is the best artist of his generation. Or blush whenever said dude would call him “baby”, or “sweetheart”.

Steve convinced himself that the thing he and Eddie were having was as good as it was going to get, nothing more.

Then Chrissy Cunningham died, Eddie ran, and Steve realized that the thing will never be enough for him.

He couldn’t not have Eddie. Not watch him as he entertains a bunch of freshmen, as he stomps with his worn out sneakers on top of forniture, as he puts his terrible music on to push away anyone who doesn’t care enough about him to stay.

Steve needed to see Eddie being alive, doing what his heart desires, and he needed to be next to him when he does.

Obviously, this realization came at the worst possible time.

Steve tried to tell him so many times: when they found him at the boathouse, when he was hiding at refer Rick’s house, when they were taking a stroll in the upside down, and even when they were driving a stolen trailer to a gunshop.

But, it seemed, Eddie had come to a realization just as important and he tried his best to avoid Steve at every given chance.

Steve tried to initiate the conversation as Eddie did his best to run away from it. And he ran until Steve had no chances left to tell him how he actually felt.

———

Steve doesn’t know if he’s allowed to say he lost something he never had. To mourn a relationship he never began. A partner that, technically, never became a partner.

After Eddie dies, Steve has no one to be next to but he can’t say he ever did.

Steve just exists waiting. He can’t tell if he’s waiting for the pain to go away or for Eddie to jump out of a bush and yell “ah! I got you sucker!! By the way, I’m in love with you too.”

For obvious reasons, that never happens.

What does happen, is a call.

It’s a normal Tuesday, as normal as you could define it after Hawkins almost collapsed into the upside down. Steve got into a routine, between checking on the ones at the hospital, helping out at the shelter, allowing Robin to check on him to see if he’s still alive.

The call happens while Robin is doing her kitchen check up - aka making sure he has food and that he’s eating it-, so she picks the phone like she did a million times before.

“Harrington residence, this is Robin” she says, cheerfully.

Steve doesn’t pay much attention to it as he’s folding his dad’s old clothes that intends to donate to the shelter, until he hears Robin’s loud gasp.

“What is it? Is it the hospital? Is it Max?” He rushes to the other room where Robin is.

She doesn’t answer but she gives him a look as she passes him the receiver.

Steve goes quiet, a million thoughts going through his head as he takes the phone from Robin.

He’s still unprepared when he hears that unmistakable voice “Baby”.

Steve gasps for breath “Eddie?”

Is that really you? What happened? Are you hurt? Isn’t this impossible? Is what goes on in Steve’s head, but he ends up just asking “are you okay?”

He can hear a chuckle, Eddie’s wicked chuckle, a further confirmation that it is him, “I’m- hanging in there… are you okay?”

Steve finds the question absurd. He isn’t the one who got left in the upside down, the one that got eaten by demonic bats, the one who died before Steve had the chance to tell him how he felt.

He answers truthfully nonetheless, “I’m… I’m not okay.”

“I’ll be there soon, I promise.”

“Please Eddie, come quick.”

“I’ll break the sound barrier for you.”

[planetsandthefates]

"So light me up, go ahead and light me up..."

[earlycuntsets]

image descriptions: "The giant Gerard Way clones vowed to enslave the earth" (gerard way) "trapped wind can be a nightmare" (amy lee) "fall out boy were proud to introduce a stereotypical frenchman to their lineup (fob) "by this point in the evening. the photographer was seeing double" (incubus) "jack white shows off his man boobs (jack white) "amy lee. but wheres her sporran?" (amy lee) "if I close my eyes real tight. I can pretend i'm still in blink 182" (+44) "this one goes out to good people at persil" (AFI)

"Anarchy in the USA. The world's biggest bands lay waste to Los Angeles

KROQ-FM RADIO in Los Angeles is the premier radio station in North America. If a band can get played on KROQ, then it's pretty certain they'll have a big hit on their hands. The station has helped launch the careers of Blink 182, Linkin Park and The Offspring among many others. And every Christmas time, bands return the favour by playing a (fairly) intimate concert for 6,000 fans, with all the proceeds going to charity. Sixteen years ago, when the first 'Acoustic Christmas' took place, the bands actually performed their sets in a stripped down acoustic setting, but slowly, that tradition has given way to full on electric sets that rock the pants off the crowd. And, as usual, Kerrang! was given access all areas to the hottest gig in town…

SATURDAY 5PM Rising emo pin-ups SAOSIN take the stage to a sparse crowd. Hardly anyone Is Inside the venue yet, but they shouldn't be too down-hearted. Linkin Park once played this slot. The following year, they were headlining.

5:30PM It seems unlikely a band with such a full-on rock 'n' roll reputation like WOLFMOTHER would even be awake at 5:30pm, let alone taking the stage. Yet the Aussie lads turn their infectious energy on to churn out new classic rock hits like 'The Joker And The Thief' and 'Woman'. Backstage, singer Andrew Stockdale chats with Hollywood socialite (and daughter of Rod) Kimberly Stewart in the hallway. The big-haired Wolfmother man is also seen drooling over his hero Billy Corgan. Corgan is not performing today - he's just hanging out, taking a much needed break from the new Smashing Pumpkins recording sessions.

6PM After the disappointment that was +44's album 'When Your Heart Stops Beating', the trio's performance tonight is a revelation. Astonishingly, drummer Travis Barker-whose right arm still hasn't fully healed from an injury sustained during the band's September video shoot-plays the entire set with one arm, without missing a beat. It's a jaw-dropping spectacle. Evidently, the band we witnessed playing their debut London gig back in October were only just finding their feet. Two months on, +44 are a sharper, more confident live act, with sparky anthems such as '155' sounding like the greatest songs Blink 182 never wrote. Don't write them off just yet…

7PM 30 SECONDS TO MARS 'Whoa, I can play guitar without even looking!never fail to make an eye-opening entrance. Tonight, the prog-influenced foursome race down the Then singer Jared Leto spends much of signature tune 'The Kill' in the crowd, running up and down the aisles, climbing onto the seats to share his microphone with the fans, and generally betraying the movie star charisma that has won over Scarlett Johansson, Cameron Diaz and Lindsay Lohan, among others. The lucky devil. At the end of the band's set, a flurry of cannons detonate a vast snow storm of white confetti. Magnificent. words and photos: Lisa Johnson

7:40PM FALL OUT BOY "We feel like losers," moans Pete Wentz as FALL OUT BOY take the stage. He's concerned that his band didn't really 'fit' on either night. Sandwiched between 30 Seconds To Mars and My Chemical Romance can be unnerving, but at least the dude got the chance to meet Jared Leto's ex-girlfriend Lindsay Lohan backstage. That's got to count for something. Whatever Wentz' reservations, Fall Out Boy triumph tonight. It's one of the first times they've had the opportunity to air songs from new album 'Infinity On High', and on this evidence, 'This Ain't A Scene It's An Arms Race' is set to replace 'Sugar We're Goin' Down' as FOB's key song. Fun, addictive, and outrageously catchy, the track prompts a massive crowd response, despite most people having never heard it before. The new album will be huge. Later, rumours fly over whether or not Wentz and Lindsay Lohan are an item. From Kerrang!'s vantage point, things certainly seem to be going well for Wentz. Lohan might well be his tonight-providing he can get her out of Foo Fighters' dressing room… [photographed - The venue and grunge legends: Dave Grohl and Billy Corgan]

8:15PM MY CHEMICAL ROMANCE explode onstage with typical flair and venom. the stage is still littered with the confetti from 30 Seconds To Mars' set. Gerard Way encourages the crowd to throw confetti snowballs at him, and a beautiful reverse snow flurry erupts towards the stage. Suddenly one aisles dressed in Santa Claus outfits. giant confetti snowball hits him right in the face. Gerard just laughs, and gives the thrower a congratulatory nod. This encourages a full-on snowball assault, until security intervenes and puts a stop to it. After the band's set, Billy Corgan is ushered into MCR's dressing room. This isn't Gerard's first Corgan encounter-he's never made any secret of his adoration of the Smashing Pumpkins man - but it is the first for the rest of the band. Mikey Way contains his excitement on the outside, but inside, he's overwhelmed. The bands exchange tales from the road, and discuss the perils of onstage missiles (a subject close to MCR's hearts ever since Reading 2006). "The worst is piss," Corgan says.

"Oh, yes, we know!" Gerard, Mikey and Frank chime in unison.

Then they swap piss-throwing stories for 20 minutes. It's a beautiful moment.

9PM Outside the venue, a massive rainstorm is raging. Inside, INCUBUS are performing an amazing set full of hits like 'Nice To Know You.' 'Wish You Were Here' and some songs from their newest release 'Light Grenades'. Singer Brandon Boyd literally falls into the crowd at the end of the set, arms outstretched, like a man giving the performance of his life.

Afterwards, Brandon is sipping wine with his buddies backstage, although bassist Ben Kenney can't join in the Christmas cheer: he's flat out on the couch, laid low by a vicious cold. In the crowded backstage hallways, David Grohl is delighted to run into Billy Corgan. "I had a baby! Want to see some photos?" Grohl asks him, and quickly whips out some pics of baby Violet to show off. Aww.

"We feel like losers." - pete wentz, fall out boy

9:50PM It's been an incredible year for AFI, and they're clearly in celebratory mood as they slay the masses with tracks like 'Miss Murder' and 'Love Like Winter.' Friends Joe Escalante and Dave Quackenbush from The Vandals, along with Jim Lindberg from Pennywise, have come to check out their best buddies' band. It serves as a reminder of just how far AFI have transcended their old school punk roots. Their new material shines through tonight, ditching the skuzzy riffs of old for gleaming hooks, fist-pumping singalongs, and, of course, the ever-more flamboyant overtures of frontman Davey Havok. Always enigmatic, AFI disappear from the site shortly after their set - although later that night we spy drummer Adam Carlson at a Hollywood dive bar, partying under the radar with some friends and who can blame him.

10:40PM The backstage party turns into a ghost town the once FOO FIGHTERS takes the stage. The band, including Foo veteran Pat Smear remain in sit-down acoustic form for the first portion of the nine song set which includes "My Hero" and ends with "Everlong". As Dave Grohl stands to perform "Everlong" the stage silently turns and there the rest of the band reappears with full electric setup. and pounds seamlessly into "All My Life" Tender moments include 'Times Like These,' 'Monkey Wrench', and what Grohl claims is their first ever live performance of 'Darling Nikki', a cover of a startlingly filthy Prince song about a masturbating female nymphomaniac. Ahem. There's no santa suits, no confetti, no dancers. But damn, the Foos own tonight. The 'buzz' acts right now might be the twin emo juggernauts of MCR and Fall Out Boy. But, on this form, Foo Fighters make those newbies look like mere pretenders to the throne. Awesome.

SUNDAY 6:35PM Just prior to ANGELS AND AIRWAVES taking the stage, Kerrang! arranges to introduce Panic! At The Disco to their all-time hero, Tom DeLonge. Since Panic! often cite Blink 182 as inspiring them to start a band in the first place, this promises to be a momentous occasion. The meeting takes place in the crowded hallway backstage, while the Panic! dancers hurriedly prepare for their performance. Tom speaks excitedly to the band, even inviting them to produce a line of shoes and clothing for his Macbeth clothing company. The encounter goes swimmingly, and -as if you couldn't tell from the saucers that replace the eyes of Ryan and Brendon as they chat to their idol - the Panic boys declare themselves 'stoked'. Pleased to be of service, chaps.

7:10PM Once PANIC! AT THE DISCO take the stage, they blow everyone away with their elaborate staging and dancers. The foursome are obliged to strip down their production for the intimate setting, but still, with just a fraction of the mayhem, the performance is topnotch, with the crowd going predictably apeshit for 'I Write Sins Not Tragedies'. Where on earth will they go next?

7:45PM EVANESCENCE's Amy Lee was nearly trampled by the Gnarls Barkley dancers in full elf costumes earlier in the evening (the men behind über- Crazy' were also on the bill today, weirdly enough). hit ' And she seemed unfazed by the numerous dressing room bust-ins that Tom DeLonge made to say hello. In fact, she appeared to be rather amused by his antics. "We don't really fit on this bill," Amy told the captive audience, and thanked the fans graciously for watching, before tearing into a full-blooded version of 'Call Me When You're Sober'. "Most of you probably don't know who we are." Which is being rather modest, since Evanescence have probably sold more records than most of the bands here combined.

8:25PM THE RACONTEURS are enjoying the stateside success of their track 'Steady As She Goes'. And tonight, Jack White is in high spirits. "It's Meg's birthday tonight-it's her 16th!" We think that might be a lie. Backstage, Meg White and Dave Grohl sit down for a lengthy chat about drums. We're sure it was fascinating.

9:45PM THE KILLERS' set is notable for finally laying to rest the supposed 'feud' between them and fellow Vegas natives Panic! At The Disco. Indeed, the Panic! boys make a point of planting themselves in some empty seats, watching The Killers' set with giant smiles on their faces. Well, it is Christmas, after all…

10:40PM FOO FIGHTERS return to play the same set as last night. But it's no less powerful the second time around. "Did you all enjoy The Raconteurs?" Dave Grohl asks the crowd, "Cause I pretty much think they're the best rock band around right now." And with that he launches into 'Skin And Bones' and the crowd explodes into anarchy.

01/2007 kerrang! #1141

[rosesradio]

You're the only person i follow who posts about thomas sanders

And i only watch him for sanders sides, i'm not really in the fsndom online, so i guess you are the best person to ask this

Why does thomas take so long to upload new sander sides?

ten questions scientists still can't answer, anon

[secretmellowblog]

Les Mis French History Timeline: all the context you need to know to understand Les Mis

Here is a simple timeline of French history as it relates to events in Les Miserables, and to the context of Les Mis's publication! A post like this would’ve really helped me four years ago, when I knew very little about 1830s France or the goals of Les Amis, so I’m making it now that I have the information to share! ^_^

This post will be split into 4 sections: a quick overview of important terms, the history before the novel that’s important to the character's backstories, the history during the novel, and then the history relevant to the 1848-onward circumstances of Hugo’s life and the novel’s publication. 

Part 1: Overview 

The novel takes place in the aftermath of the Battle of Waterloo, during a period called the Restoration. 

The ancient monarchy was overthrown during the French Revolution. After a series of political struggles the revolutionary government was eventually replaced by an empire under Napoleon. Then Napoleon was defeated and sent into exile— but then he briefly came back and seized power for one hundred days—! and then he was defeated yet again for good at the battle of Waterloo in 1815.

After all that political turmoil, kings have been "restored" to the throne of France. The novel begins right as this Restoration begins.

The major political parties important to generally understanding Les Mis (Wildly Oversimplified) are Republicans, Liberals, Bonapartists, and Royalists. It’s worth noting that all these ‘party terms’ changed in meaning/goals over time depending on which type of government was in power. In general though, and just for the sake of reading Les Mis:

 Republicans want a Republic, where people have power rather than monarchs and (in this context) elect their leaders democratically— they’re the very left wing progressive ones, and are heavily outcast/censored/policed. Les Amis are Republicans.

Liberals: we don’t have time to go into it, but I don’t think there are any characters in Les Mis defined by their liberalism.

Bonapartists are followers of Napoleon Bonaparte I, who led the Empire. Many viewed the Emperor as more favorable or progressive to them than a king would be. Georges Pontmercy is a Bonapartist, as is Pere Fauchelevent. 

Royalists believe in the divine right of Kings; they’re conservative. Someone who is extremely royalist to the point of wanting basically no limits on the king’s power at all are called “Ultraroyalists” or “ultra.” Marius’s conservative grandfather Gillenromand is an ultra royalist.  Hugo is also very concerned with criticizing the "Great Man of History," the view that history is pushed forward by the actions of a handful of special great men like kings and emperors. Les Mis aims to focus on the common masses of people who push history forward instead.

Part 2: Timeline of History involved in characters’ Backstories

1789– the March on the bastille/ the beginning of the original French Revolution. A young Myriel, who is then a shallow married aristocrat, flees the country. His family is badly hurt by the Revolution. His wife dies in exile.

1793– Louis XVI is found guilty of committing treason and sentenced to death. The Conventionist G—, the old revolutionary who Myriel talks to, votes against the death of the king. 

1795:  the Directory rules France. Throughout much of the revolution, including this period, the country is undergoing “dechristianization” policies. Fantine is born at this time. Because the church is not in power as a result of dechristianization, Fantine is unbaptized and has no record of a legal given name, instead going by the nickname Fantine (“enfantine,” childlike.)

1795: The Revolutionary government becomes more conservative. Jean Valjean is arrested. 

1804: Napoleon officially crowns himself Emperor of France. the Revolution’s dream of a Republic is dead for a bit.  At this time, Myriel returns from his exile and settles down in the provinces of France to work as a humble priest. Then he visits Paris and makes a snarky comment to Napoleon, and Napoleon finds him so witty that he appoints him Bishop.

Part 3: the novel actually begins 

1815: Napoleon is defeated at the Battle of Waterloo by the allied nations of Britain and Prussia. Read Hugo’s take on that in the Waterloo Digression! He gets a lot of facts wrong, but that’s Hugo for you.

Marius’s father, Baron Pontmercy, nearly dies on the battlefield. Thenardier steals his belongings. 

After Napoleon is defeated, a king is restored to the throne— Louis XVIII, of the House of Bourbon, the ancient royal house that ruled France before the Revolution. In order to ensure that Louis XVIII stays on the throne, the nations of Britian, Prussia, and Russia, send soldiers occupy France. So France is, during the early events of the novel, being occupied by foreign soldiers. This is part of why there are so many references to soldiers on the streets and garrisons and barracks throughout the early portions of the novel. The occupation officially ended in 1818.

1815 (a few months after Waterloo): Jean Valjean is released from prison and walks down the road to Digne, the very same road Napoleon charged down during his last attempt to seize power. Many of the inns he passes by are run by people advertising their connections to Napoleon. Symbolically Valjean is the poor man returning from exile into France, just as Napoleon was the Great Man briefly returning from exile during the 100 days, or King Louis XVIII is the Great King returning from exile to a restored throne.

  1817: The Year 1817, which Hugo has a whole chapter-digression about. Louis XVIII  of the House of Bourbon is on the throne. Fantine, “the nameless child of the Directory,”  is abandoned by Tholomyes. 

1821: Napoleon dies in exile. 

1825:  King Louis XVIII dies. Charles X takes the throne. While Louis XVIII was willing to compromise, Charles X is a far more conservative ultra-royalist. He attempts to bring back something like the Pre-Revolution style of monarchy. 

Underground resistance groups, including Republican groups like Les Amis, plot against him.  

1827-1828: Georges Pontmercy, bonapartist veteran of Waterloo, dies. Marius, who has been growing up with his abusive Ultra-royalist grandfather and mindlessly repeating his ultra-royalist politics, learns how much his father loved him. He becomes a democratic Bonapartist. 

Marius is a little bit late to everything though. He shouts “long live the Emperor!” Even though Napoleon died in 1821 and insults his grandfather by telling him “down with that hog Louis XVIII” even though Louis XVIII has been dead since 1825. He’s a little confused but he’s got the spirit. 

Marius leaves his grandfather to live on his own. 

1830: “The July Revolution,” also known as the “Three Glorious Days” or  “the Second French Revolution.” Rebels built barricades and successfully forced Charles X out of power.

Unfortunately, TL;DR moderate politicians prevented the creation of a Republic and instead installed another more politically progressive king — Louis-Philippe, of the house of Orleans. 

Louis-Philippe was a relative of the royal family, had lived  in poverty for a time, and described himself as “the citizen-king.” Hugo’s take on him is that he was a good man, but being a king is inherently evil; monarchy is a bad system even if a “good” dictator is on the throne.

The shadow of 1830 is important to Les Mis, and there’s even a whole digression about it in “A Few Pages of History,” a digression most people adapting the novel have clearly skipped. Les Amis would’ve probably been involved in it....though interestingly, only Gavroche and maybe Enjolras are explicitly confirmed to have been there, Gavroche telling Enjolras he participated “when we had that dispute with Charles X.”

Sadly we're following Marius (not Les Amis) in 1830. Hugo mentions that Marius is always too busy thinking to actually participate in political movements. He notes that Marius was pleased by 1830 because he thinks it is a sign of progress, but that he was too dreamy to be involved in it. 

1831: in “A Few Pages of History” Hugo describes the various ways Republican groups were plotting what what would later become the June Rebellion– the way resistance groups had underground meetings, spread propaganda with pamphlets, smuggled in gunpowder, etc. 

Spring of 1832: there is a massive pandemic of cholera in Paris that exacerbates existing tensions. Marius is described as too distracted by love to notice all the people dying of cholera. 

June 1st, 1832: General Lamarque, a member of parliament often critical of the monarchy, dies of cholera. 

June 5th and 6th, 1832: the June Rebellion of 1832:

Republicans, students, and workers attempt to overthrow the monarchy, and finally get a democratic Republic For Real This Time. The rebellion is violently crushed by the National Guard.

Enjolras was partially inspired by Charles Jeanne, who led the barricades at Saint-Merry. 

Part 4: the context of Les Mis’s publication 

February 1848: a successful revolution finally overthrows King Louis Philippe. A younger Victor Hugo, who was appointed a peer of France by Louis-Philippe, is then elected as a representative of Paris in the provisional revolutionary government.

June 1848: This is a lot, and it’s a thing even Hugo’s biographers often gloss over, because it’s a horrific moral failure/complexity of Hugo’s that is completely at odds with the sort of politics he later became known for. The short summary is that in June 1848 there was a working-class rebellion against new labor laws/forced conscription, and Victor Hugo was on the “wrong side of the barricades” working with the government to violently suppress the rebels. To quote from this source:

Much to the disappointment of his supporters, in [Victor Hugo’s] first speech in the national assembly he went after the ateliers or national workshops, which had been a major demand of the workers. Two days later the workshops were closed, workers under twenty-five were conscripted and the rest sent to the countryside. It was a “political purge” and a declaration of war on the Parisian working class that set into motion the June Days, or the second revolution of 1848—an uprising lauded by Marx as one of the first workers’ revolutions. As the barricades went up in Paris, Hugo was tragically on the wrong side. On June 24 the national assembly declared a state of siege with Hugo’s support. Hugo would then sink to a new political low. He was chosen as one of sixty representatives “to go and inform the insurgents that a state of siege existed and that Cavaignac [the officer who had led the suppression of the June revolt] was in control.” With an express mission “to stop the spilling of blood,” Hugo took up arms against the workers of Paris. Thus, Hugo, voice of the voiceless and hero of workers, helped to violently suppress a rebellion led by people whom he in many ways supported—and many of whom supported him. With twisted logic and an even more twisted conscience, Hugo fought and risked his life to crush the June insurrection.

There is an otherwise baffling chapter in Les Mis titled "The Charybdis of the Faubourg Saint Antoine and the Scylla of the Fauborg Du Temple," where Hugo goes on a digression about June of 1848. Hugo contrasts June of 1848 with other rebellions, and insists that the June 1848 Rebellion was Wrong and Different. It is a strangely anti-rebellion classist chapter that feels discordant with the rest of the book. This is because it is Hugo's effort to (indirectly) address criticisms people had of his own involvement in June 1848, and to justify why he believed crushing that rebellion with so much force was necessary. The chapter is often misused to say that Hugo was "anti-violent-rebellion all the time" (which he wasn't) or that "rebellion is bad” is the message of Les Mis (which it isn't) ........but in reality the chapter is about Hugo attempting to justify his own past actions to the reader and to himself, actions which many people on his side of the political spectrum considered a betrayal. He couldn't really have written a novel about the politics of barricades without addressing his actions in June 1848, and he addressed them by attempting to justify them, and he attempted to justify them with a lot of deeply questionable rhetoric. 1848 is a lot, and I don't fully understand all the context yet-- but that general context is necessary to understand why the chapter is even in the novel. Late 1848/1849: Quoting from the earlier source again:

In the wake of the revolution, Hugo tried to make sense of the events of 1848. He tried to straddle the growing polarization between, on the one hand, “the party of order,” which coalesced around Napoleon’s nephew Louis-Napoleon Bonaparte, who in December 1848 had been elected France’s president under a new constitution, and the “party of movement” (or radical Left) that, in the aftermath of 1848, had made considerable advances. In this climate, as Hugo increasingly spoke out, and faced opposition and repression himself, he was radicalized and turned to the Left for support against the tyranny and “barbarism” he saw in the government of Louis Napoleon. The “point of no return” came in 1849. Hugo became one of the loudest and most prominent voices of opposition to Louis Napoleon. In his final and most famous insult to Napoleon, he asked: “Just because we had Napoleon le Grand [Napoleon the Great], do we have to have Napoleon le petit [Napoleon the small]?” Immune from punishment because of his role in the government, Bonaparte retaliated by shutting down Hugo’s newspaper and arresting both his sons.

Thenardier is possibly meant to be Hugo’s caricature of Louis-Napoleon/Napoleon III. He is “Napoleon the small,” an opportunistic scumbag leeching off the legacy of Waterloo and Napoleon to give himself some respectability. He is a metaphorical ‘graverobber of Waterloo’ who has all of Napoleon’s dictatorial pettiness without any of his redeeming qualities.

It’s also worth noting that Marius is Victor “Marie” Hugo’s self-insert. Hugo’s politics changed wildly over time. Like Marius he was a royalist when was young. And like Marius, he looked up to Napoleon and to Napoleon III, before his views of them were shattered. This is reflected in the way Marius has complicated feelings of loyalty to his father (who’s very connected to the original Napoleon I) and to Thenardier (who’s arguably an analogue for Napoleon IiI.)

1851: 

On December 2, 1851, Louis Napoleon launched his coup, suspending the republic’s constitution he had sworn to uphold. The National Assembly was occupied by troops. Hugo responded by trying to rally people to the barricades to defend Paris against Napoleon’s seizure of power. Protesters were met with brutal repression.  Under increasing threat to his own life, with both of his sons in jail and his death falsely announced, Hugo finally left Paris.  He ultimately ended up on the island of Guernsey where he spent much of the next eighteen years and where he would write the bulk of Les Misérables. It was from here that his most radical and political work was smuggled into France.

Hugo arguably did some of his most important political work after being exiled. In Guernsey, he aided with resistance against the regime of Napoleon III. Hugo’s popularity with the masses also meant that his exile was massive news, and a thing all readers of Les Miserables would’ve been deeply familiar with.

This is why there are so many bits of Les Mis where the narrator nostalgically reflects on how much they wish they were in Paris again —these parts are very political; readers would’ve picked up that this was Victor Hugo reflecting on he cruelty of his own exile.  

1862-1863: Les Mis is published. It is a barely-veiled call to action against the government of Napoleon III, written about the June Rebellion instead of the current regime partially in order to dodge the censorship laws at the time.

Conservatives despise the book and call it the death of civilization and a dangerous rebellious evil godless text that encourages them to feel bad for the stupid evil criminal rebel poors and etc etc etc– (see @psalm22-6 ‘s excellent translations of the ancient conservative reviews)-- but the novel sells very well. Expressing  approval or disapproval of the book is considered inherently political, but fortunately it remains unbanned. 

…And that’s it! An ocean of basic historical context about Les Mis!

If anyone has any corrections  or additions they would like to make, feel free to add them! I have researched to the best of my ability, but I don’t pretend to be perfect. I also recommend listening to the Siecle podcast, which covers the events of the Bourbon Restoration starting at the Battle of Waterloo, if you're interested in learning more about the period!

[shaadowmilkcookie]

he

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[maximura]

MATZ Era Park Seonghwa (2024) | Sounds like: Matz | Veni Vidi Vici | Cypher Pt.3 | Daechwita | Beom | YGGR | One And Only | Maestro | Ddaeng | F | Crazy

[in-you-i-found-a-home]

Christina Aguilera

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[lunarharp]

:')

[joshhutchersonseggsalad]

[maxdibert]

yeah, people love to act like w0lfstar are some canon queer icons when in the actual canon Sirius had posters of bikini clad women on his walls and mocked his former classmate for being a crybaby (Snivellus) well into his adulthood, while Remus got a younger woman pregnant and then bolted in fear of the responsibility. none of which means they couldn't be gay or bi! but all of which points to neither of them being the soft uwu boys that fanon likes to dream them up as. all of these character traits are the things that make them even remotely interesting, and I'll never understand the impulse to remove them in order to make them more palatable or nicer. they were assholes too!

Wolfstar is a ship as old as the fandom itself, but its characterization of the characters used to be much more accurate. Back in the late 00s, there wasn’t this kind of twink Sirius who had been turned into a completely different character by stripping away all his essential traits, including the fact that he was always described in the books as the epitome of traditional masculinity: the tallest of them all (not just of the Marauders, but in general; he was taller than most of the characters, and Rowling constantly compares his height with others), the most violent, the most attractive, the one who made the girls sigh, the one with posters of women in bikinis in his room, the one who had A HUGE MOTORCYCLE, FOR GOD'S SAKE. I mean, Rowling really makes an effort to emphasize all these things at various points in the story—she likes to dwell on how handsome, masculine, and handsome, and once again, handsome, Sirius Black was. She repeats it like eighty times. In fact, she repeats it as often as she repeats that Severus is ugly, slouched, and looks like a shadow. Sirius and Severus are described in great detail, both ironically with completely different physiques and diametrically opposed appearances. With the other Marauders, you know certain things, but there isn’t the same emphasis as there is with Sirius. Rowling wants you to know that Sirius Black was incredibly handsome, super tall, a rebellious tough guy with a motorcycle, and that he had posters of naked women in his room. She wants you to know that he was a guy who performed his masculinity in a very heteronormative way. Could he have liked men? Sure, we won’t rule it out, anything is possible, but you can like men and still be a tough guy—those things aren’t mutually exclusive. And I don’t know if Sirius was straight, bisexual, or gay; that’s not something specified, but regardless of his sexual preferences, he was a tough guy. And Rowling stamps that fact into your brain all the time.

This was something that was respected in the old Wolfstar. They respected this Sirius Black, and they also respected that he had very problematic, violent attitudes and was a questionable person. They also tried to stay a bit more true to the Remus of canon, who had this pathological need for acceptance and was a bit cowardly, etc. There was an intention to keep the characters in character, and while Wolfstar has never made sense to me as a pairing because 1) if Sirius had an obsession with one of his friends or was emotionally attached to anyone, it was James, and 2) he always treated Remus like shit and didn’t even care that he might end up in prison for killing a fellow student, just as he was the first to distrust him during the war, and 3) Remus went on to live his life, married a young girl, got her pregnant, and almost abandoned her, showing us that he was the worst kind of hetero but also the best example of an insecure hetero guy, the truth is I didn’t mind that pairing because I always say that people can ship whatever they want and I always respect that.

But what they’ve done now with the characters... I mean, I don’t care who ships who; everyone can ship whoever they want with whoever they want. It’s a free world, and I’m really one of those people who thinks that as long as it doesn’t involve minors with old people, everything is fine. But, seriously, they’ve destroyed the characters, they’ve mutilated them. I don’t know who this person is that I sometimes read about in some posts, but it’s not Sirius Black, it’s not the Sirius Black from the books, and the Sirius Black from the books is a character with a lot of depth who could be very complex if treated properly. But instead of exploiting his essence, which is so inconsistent, full of cynicism, double standards, and pure hypocrisy, they’ve turned him into some kind of... I don’t know, a cheap character from a Netflix tabloid series that lasts five seasons with terrible plots just for the aesthetic. He seems like he’s come straight out of Elite, like, what a cringe.

Destroying Remus’s character also seems like a huge slap in the face to me. Hello? Is this really your queer icon? A man who, at 38, gets a 25-year-old girl pregnant and then runs off? Seriously, don’t you realize that you’re making the most heteroproblematic guy in the entire saga into a sort of symbol of the LGBTQ+ community? I just don’t get it. I mean, at least portray him for what he was, it doesn’t matter, it makes him more interesting.

I don’t know what the hell has happened to this fandom. I’ve never liked the Marauders, but their fandom was bearable years ago. People used to keep the personalities and traits of the characters. And the physical appearance too, because this new generation even invents that, turning Sirius into a gnome or something, I don’t know, lol. I really don’t know what the hell has happened in recent years, but that place is unbearable now—not only because it’s full of toxic people or because it glorifies abusive rich kids, or because most of them have a super classist background, but because they’ve destroyed characters that, while you might not like them, at least the reasons you didn’t like them were the same ones that allowed for interesting dynamics. Or to make interesting analyses. Or to read interesting metas. Now, it’s all reduced to seeing who fits more with a magical version of Sex Education, and it’s not only cringey but it also takes away all the charm of the characters.

[ruvviks]

it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!

The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.

Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.

During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.

All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.

One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.

By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.

Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.

Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.

Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.

This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”

Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.

While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.

Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.

Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.

After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:

Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane

Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person

Urban Dynamite starts performing at the club regularly, and it becomes their home base

Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go

Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times

Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested

Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)

Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]

Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation

On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:

This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida

Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)

Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer

Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected

Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa