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steviewashere · 1 year ago

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Kiss and Tell

(Can be found on ao3)

Steddie WC: 2,279 Tags: Post Season 4, Steve Harrington Has Auditory Processing Disorder, Eddie Munson Loves to Talk, Minor Angst, Mostly Fluff, Queer Eddie Munson, Steve Harrington Has a Bisexual Awakening, But He Already Knows (Sort of), First Kiss, Lots of Kissing

Based on this post that I made. Happy reading! <3

-------- Steve has a staring problem. He knows this. He's been told this. And it's not something he can help or fix or find an alternative for. This is just what he knows.

It's something he's tried to maintain since he was a little boy. And, on that same note, is something he picked up while being a boy in a room with two adults who were fast talkers and big negotiators and all-in on the nature of their careers. But his parents certainly hate that he has a staring problem. Which, that's not unusual, most people hate that he does. Because he doesn't look them in the eyes for more than thirty seconds at a time. And even if he does, he doesn't hear a single thing they said, politely asking they start over, and feeling hurt when they just scoff as loud as possible and walk away from the conversation all together.

The audio just doesn't process. Never has. Probably never will.

He listens to music, but doesn't understand any meaning. He talks over the phone, but must have all other sound blocked out and the curtains shut and his eyes closed to imagine what the words look like leaving the other person's mouth. He argues, but loses track of the original point of the argument—when he laughs instead of apologizes.

And it would be fine—if—he wasn't close to losing his life every year. Where he has to listen to everybody and the important tiny details and the plans and the reasons for what they're doing. Which leads him to danger. Which gives him a bruised face. Which makes the listening even harder, once the concussion leaves and he's just got the leftover damage of his quirkiness.

It would be fine—if—he wasn't made to feel so stupid for what he must do. The jabs and the constant reminders and the...yeah, his sob story.

But there was Tommy Hagan and Carol Perkins, who he could keep up with. Because they'd talk about the same things over and over, until he could practically relay all the information, pulled straight from the deep crevices of his brain, and it ends up that they had forgotten, rather than him.

And there was Nancy Wheeler, who was polite enough to repeat things. Who had flash cards and a soft, focusing voice. It was easy to write off looking at her lips. "Eyes up here, Steve," she'd say. "Sorry," he'd respond sheepishly, "getting lost." And he'd chuckle and she'd giggle and then they'd kiss a little and he wouldn't be reminded that he's just a little weird. That, maybe, he just isn't normal.

Robin Buckley makes things easy-ish. She talks fast. And a lot. And she never looks him in the eyes, unless she's asking for a very serious favor, or he has something on his face, or she just feels the need (she claims it's that she hasn't looked in a while, but he shrugs her off every time). (If he can get away with staring at her lips, then she can get away with never looking him in the eyes.) He's mentioned, though, that he has a hard time following her sometimes. That he needs the words repeated a few times. Explained the lip thing, with a tense voice and a quake in his chest and his fingers tapping at the sides of his thighs. And, for a brief moment, he had felt like a creep. Like one of those weirdos that preys on the idea of women kissing. And he wanted to open up Family Video's register, shove his head inside, and sort himself out into the container of fives. But she shrugged, said "Okay," and went back on some ramble, to which he was immediately drawn to her mouth. And saw her repeat the name, Vickie, at least twenty times. He grinned and then when the store was empty, he leaned across the counter and teasingly said, "You have a big fat crush on Vickie, don't you?" To say that he was proud of her sputtering is an understatement.

Now, Dustin and the others were harder to get through. Because they moved at their own pace. And they don't really stop to add him to the conversation. He gets it, to an extent. He knows that he's not really all that intrigued in what they enjoy. (Even if he really leans into the conversation when they mention Sherlock Holmes or Dracula or Star Wars or, even, Star Trek. And he pretends to not be interested in their science fair projects. Or the one time he caught them huddled around a Sports Illustrated, in which he fought the urge to chat their ears off about both baseball and basketball statistics.) But there's a point in the conversations where he's made to feel a little dumb; even if he was staring where they were speaking, but they always grow frustrated, a huff of air released, when they notice he's not "paying attention" (translation: looking them in the eyes. "Because, Steve, it's just talking etiquette!" Dustin had shouted once).

He loves all of them anyway. Even if he misses words. And he loses track of what they were saying. He just wishes they were a little bit more forgivable about it at the end of the day.

Then, Eddie Munson is walking along side him in an alternate universe. He's peeled the vest off his back and chucked it at Steve. And they're talking. Jealous of one another, but talking. But, Eddie's voice goes soft and quiet, his eyes pointing towards Nancy's back.

Steve is looking at Nancy, words fading into the background. And it's not a moment of realization. Or a moment of longing. Yearning, what say you. No—it's one of his moments in which he's "listening," but not processing. So he looks back. And for a mere second, Eddie's eyes are big where Steve stares. Big and wet and curious. Big and wet and persuasive. Big and wet and not at all his lips and Steve is still not listening.

But his lips. Well, Steve's seen lips. These are pretty. They're pink. Chapped and bitten and plush appearing. Mesmerizing. Stretching over Eddie's sharp teeth, exposing dimples and smile lines, making his recent stubble more noticeable than it's ever been before. But his lips are pretty.

Like girls lips, Steve muses. Not really taking in what that means. Because Eddie's saying something about true love. And—shit—okay. Steve can get behind an act of true love. He can get behind sharing denim and coating Eddie's clothes in blood and staring down his lips and—god, his eyes, Steve can't help but notice once more.

Eddie's like a vulnerable cow. With pretty lips, he has to point out. Or a baby deer. With such pretty lips. And he's talking and Steve's finally listening. But it's not just processing. No, Steve's intrigued, interested even. He tilts his head like a curious puppy. Leaning in. Eddie's breath ghosts the tip of his nose. And, sure, it's a little rank. But weirdly sweet. Warm where Steve is otherwise cold. Warm in places Steve's never considered to feel warm in, but he's willing to give in, to wrap up in whatever Eddie has to say. If it all means more of him.

So, it makes sense that after all that they go through, Steve finds himself in Eddie's orbit. As a friend. As a trauma bond. As everything Eddie needs him to be.

He sits on the Munson's couch. On the cushion that dips a little too low. The lights orange and dim and casting beautiful streaks of almost candle light on Eddie's soft, beautiful features. Highlighting where his nose is the most bulbous. His pronounced Cupid's bow. The outer edges of his irises, golden and honey against the off-white of his scleras.

Eddie talks like Robin does. Excited. A lot. Fast. But his voice is soft, focused on the information—like Nancy's. It's teasing, like Dustin's. Soft, though. So gentle. Murmured. Which makes sense, if Steve were to stop and think about it for just a moment. With how late it is. With the little amount of weed they smoked. And it all just fits, with how slow and careful Eddie's lips move. As if testing the words. As if searching for what he means.

But, god, Steve is following along. Of course he is. Hanging onto each one of Eddie's words.

"So, the cashier at the record store got all apprehensive about selling me this tape. Which, I guess makes sense because it's a special edition. Comes with a photo card or whatever, but like—Come on, y'know? If he wanted it so bad, he should'a bought it the moment it dropped. Not my fault he slacks on not just his job, but also his opportunities," Eddie rambles. And, that's right, he's complaining about the music store encounter he had today. Trying to buy some album for some band. Steve got lost part of the way through, so he's not sure who exactly Eddie was getting a tape for. The style of music. But he has most of the information. He just—

Has to squint harder.

So, Steve leans in. As casual as he possibly can. And narrows his eyes at Eddie's lips. The word pretty comes to mind again. Because of course it does. And he can't pull his eyes away, no matter how hard he tries. For some reason, the tips of his fingers tingle a little. Wanting to reach out. Trace his lower lip, right where it sticks out, just above the divot of his chin. Would it be soft, he asks himself. Does he wear chapstick? Steve sighs softly. I wish I could...taste it. His eyes widen, just the tiniest bit. But he ignores that in favor of whatever Eddie is saying. If only he could make it out. He leans impossibly closer.

And there it is again. The soft puffs of warm air. On the tip of his nose. His own lips. Tickling his stubble. Eddie's breath smells like weed and strawberry Tab; a little bit of Kraft macaroni and cheese. Maybe the smallest trace of pepper—

"Uh, Steve?" Eddie nervously calls out. But gets no response. Steve is only a couple inches away from his face. Eyes hooded. Glassy. Zeroed in on Eddie's lips. He's not talking. Doesn't even give a hum. Just...keeps staring.

Eddie sucks in a breath. Eyes darting over Steve's face. He doesn't talk again, hoping maybe Steve will stop. But, nope. In fact, the only thing Eddie gets as acknowledgement for the fact he's stopped talking, is that Steve pouts. Upset. As if his lips no longer moving is some great catastrophe to Steve, some tragedy, some misfortune.

And, Eddie, the awful wreck that he is, can only assume that this means one thing.

Steve wants a kiss. And is, maybe, too chicken shit to close the gap.

So, with no other option. And definitely not wanting to get away from the heated, stirring, calm mask of Steve's face—Eddie presses his mouth against Steve's. Hesitantly smushing their lips together. Dragging his lower lip against Steve's soft scowling one.

And he pulls away. Because Steve isn't doing anything in response.

No, in fact, Steve is extremely expressive now.

Wide eyes. Mouth opened into a silent "Oh." His cheeks are flushed. And as quick as it came upon him, whatever realization that was, fades. Like a cartoon character, Steve's face melts into one of pure infatuation. Mouth lilting. His posture slouching. Eyes going soft against the extreme red of his face.

"Do that again," Steve whispers.

Eddie obliges. And he obliges. And he keeps obliging until they're under a cool top sheet, skin slick with sweat and eyes piercing one another's mouths.

That's when, in the silent air of Eddie's tiny bedroom, Steve admits the greatest thing in the world. "I don't really process when people are talking unless I'm looking at their mouth. I have to read their lips. I didn't—I wasn't trying to kiss you at first, but—" And the motherfucker giggles. "If that's all it took..." Then he's kissing Eddie again. Like it's the last thing he'll ever get to do. And Eddie thinks, If I die from running out of breath doing this, then I've done everything in my life correctly.

So, sure, Steve has a huge staring problem. And he doesn't really listen. And it's something he'll never fix, even if there's a way to.

But he finds that his technique—the thing he's crafted since he was a little boy—no longer works. At least, not on Eddie. Because suddenly, looking at his gorgeous pink lips makes Steve only able to think about one thing: Kissing. And he can't follow along unless he fulfills that want.

Eddie could be in the middle of a deep, all inclusive description of his recent trap in the campaign he's crafting. He could be singing. He could be complaining about some movie he rented. But that doesn't matter. Because he stops talking the moment Steve leans in and kisses him. Kisses like he needs it to live.

And though he rolls his eyes. Huffs a breath. Smirks and barrels on. There's that giddiness, that love pooling in Eddie' heart. Just knowing the effect he has on Steve. And the way he's affected, too, when Steve just whispers, "Sorry, I got lost again. Start over?"

He obliges. And he keeps obliging. And his lips are usually swollen by the time he's finally done rambling.

Steve stares. Eddie talks. And it's the combination of a lifetime.

--------

❤️

#stranger things #fanfiction #steddie #steve harrington #eddie munson #fluff #first kiss #Steve Harrington has a bisexual awakening #Steve Harrington Has Auditory Processing Disorder

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stagefoureddiediaz · 1 month ago

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Ohhhh! Ohhhhh!

So you know how the well call was about Eddie - how Chim was the second character involved (as in went into the well) but the call back was about Chim.

And how the lightning strike was about Buck - how Eddie was the second character involved (as in also up the ladder) but the callback was about Eddie.

How Eddie had to lower Buck to the ground to save him and had to watch on before he could take action - how in the call back buck is the one watching on as Eddie is able to wake up the stunt man who is hanging.

How Chim found his certainty about his family growing in the callback - much like Eddie found certainty about his own family dynamic changing in the well (hello will). How Chim went home and spoke to Maddie - how they had an open and honest conversation after all the miscommunication leading up to it. How Chim and Eddie’s take aways from the well calls were basically positive ones.

How the lightning strike call back is a play on Eddie’s needing to wake himself up. In the same way Buck needed to figure out things for himself in his coma dream, Eddie needs to learn from the lightning strike parallel that he has to be the one to wake himself up.

How Buck will stand at Eddie’s side - silently mourning as he plans to leave in the same way Eddie stood at bucks bedside silently mourning as buck lay in a coma - because there aren’t the words and it’s something each of them had to do alone.

How the callback is foreshadowing Eddie waking himself up - panicking and then worrying about if his sacrifice was worth it (did they get the shot).

How after the lightning strike Buck was looking for himself and ultimately went to Eddie’s for peace - how he was able to be silent (as he slept on the couch) - but how they then had a conversation. How they actually had two conversations (kitchen and graveside) and we had miscommunications in those conversations.

How in the aftermath of the callback Eddie has been looking for himself (risky business dance) and how he ended up in the couch in silence with buck (Eddie being in the same place as buck was in s6 when he went to Eddie’s). How Eddie found a connection with someone outside of the firefam with a unique perspective on the situation (a Brad Natalia parallel was not on my bingo card but here we are) and how that has lead to Eddie’s decision and then a conversation with Buck.

#something something about Natalia keeping buck tied to his past even as he brought new life into the world #and how Eddie going to Texas ties him to his past even as he has begun to find joy - to find himself - his rebirth #how the sperm donor baby is a metaphor for Bucks rebirth after his death and how Eddie going to confession - talking with a priest -#was a symbol of his rebirth. how Buck stumbled after that rebirth but then had his bi awakening #and how Eddie is in the process of stumbling after his rebirth and that initial moment of joy - before he will find his footing #and have his own awakening #how Buck hurt Eddie in the process of his awakening and how Eddie is hurting Buck in the process of his own awakening #how these broad stroke parallels are paralleling in a really interesting way #I have a lot of thoughts and feelings about this #911 spoilers #eddie diaz #evan buckley #911 abc #buddie

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