#audience globale

[pier-carlo-universe]

Grazie ai nostri lettori: un abbraccio virtuale da Alessandria today

Ogni giorno siete sempre più numerosi a seguirci con affetto, interesse e passione, rendendo Alessandria today un punto di riferimento non solo a livello locale e nazionale, ma anche internazionale.

Cari lettori, Ogni giorno siete sempre più numerosi a seguirci con affetto, interesse e passione, rendendo Alessandria today un punto di riferimento non solo a livello locale e nazionale, ma anche internazionale. I dati di Google Analytics parlano chiaro: la nostra comunità continua a crescere, abbracciando lettori da tutto il mondo. Un ringraziamento speciale va a chi ci legge dall’Italia,…

[mostlysignssomeportents]

Prison-tech company bribed jails to ban in-person visits

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in BOSTON with Randall "XKCD" Munroe (Apr 11), then PROVIDENCE (Apr 12), and beyond!

Beware of geeks bearing gifts. When prison-tech companies started offering "free" tablets to America's vast army of prisoners, it set off alarm-bells for prison reform advocates – but not for the law-enforcement agencies that manage the great American carceral enterprise.

The pitch from these prison-tech companies was that they could cut the costs of locking people up while making jails and prisons safer. Hell, they'd even make life better for prisoners. And they'd do it for free!

These prison tablets would give every prisoner their own phone and their own video-conferencing terminal. They'd supply email, of course, and all the world's books, music, movies and games. Prisoners could maintain connections with the outside world, from family to continuing education. Sounds too good to be true, huh?

Here's the catch: all of these services are blisteringly expensive. Prisoners are accustomed to being gouged on phone calls – for years, prisons have done deals with private telcos that charge a fortune for prisoners' calls and split the take with prison administrators – but even by those standards, the calls you make on a tablet are still a ripoff.

Sure, there are some prisoners for whom money is no object – wealthy people who screwed up so bad they can't get bail and are stewing in a county lockup, along with the odd rich murderer or scammer serving a long bid. But most prisoners are poor. They start poor – the cops are more likely to arrest poor people than rich people, even for the same crime, and the poorer you are, the more likely you are to get convicted or be suckered into a plea bargain with a long sentence. State legislatures are easy to whip up into a froth about minimum sentences for shoplifters who steal $7 deodorant sticks, but they are wildly indifferent to the store owner's rampant wage-theft. Wage theft is by far the most costly form of property crime in America and it is almost entirely ignored:

https://www.theguardian.com/us-news/2023/jun/15/wage-theft-us-workers-employees

So America's prisons are heaving with its poorest citizens, and they're certainly not getting any richer while they're inside. While many prisoners hold jobs – prisoners produce $2b/year in goods and $9b/year in services – the average prison wage is $0.52/hour:

https://www.dollarsandsense.org/archives/2024/0324bowman.html

(In six states, prisoners get nothing; North Carolina law bans paying prisoners more than $1/day, the 13th Amendment to the US Constitution explicitly permits slavery – forced labor without pay – for prisoners.)

Likewise, prisoners' families are poor. They start poor – being poor is a strong correlate of being an American prisoner – and then one of their breadwinners is put behind bars, taking their income with them. The family savings go to paying a lawyer.

Prison-tech is a bet that these poor people, locked up and paid $1/day or less; or their families, deprived of an earner and in debt to a lawyer; will somehow come up with cash to pay $13 for a 20-minute phone call, $3 for an MP3, or double the Kindle price for an ebook.

How do you convince a prisoner earning $0.52/hour to spend $13 on a phone-call?

Well, for Securus and Viapath (AKA Global Tellink) – a pair of private equity backed prison monopolists who have swallowed nearly all their competitors – the answer was simple: they bribed prison officials to get rid of the prison phones.

Not just the phones, either: a pair of Michigan suits brought by the Civil Rights Corps accuse sheriffs and the state Department of Corrections of ending in-person visits in exchange for kickbacks from the money that prisoners' families would pay once the only way to reach their loved ones was over the "free" tablets:

https://arstechnica.com/tech-policy/2024/03/jails-banned-family-visits-to-make-more-money-on-video-calls-lawsuits-claim/

These two cases are just the tip of the iceberg; Civil Rights Corps says there are hundreds of jails and prisons where Securus and Viapath have struck similar corrupt bargains:

https://civilrightscorps.org/case/port-huron-michigan-right2hug/

And it's not just visits and calls. Prison-tech companies have convinced jails and prisons to eliminate mail and parcels. Letters to prisoners are scanned and delivered their tablets, at a price. Prisoners – and their loved ones – have to buy virtual "postage stamps" and pay one stamp per "page" of email. Scanned letters (say, hand-drawn birthday cards from your kids) cost several stamps:

https://pluralistic.net/2024/02/14/minnesota-nice/#shitty-technology-adoption-curve

Prisons and jails have also been convinced to eliminate their libraries and continuing education programs, and to get rid of TVs and recreational equipment. That way, prisoners will pay vastly inflated prices for streaming videos and DRM-locked music.

The icing on the cake? If the prison changes providers, all that data is wiped out – a prisoner serving decades of time will lose their music library, their kids' letters, the books they love. They can get some of that back – by working for $1/day – but the personal stuff? It's just gone.

Readers of my novels know all this. A prison-tech scam just like the one described in the Civil Rights Corps suits is at the center of my latest novel The Bezzle:

https://us.macmillan.com/books/9781250865878/thebezzle

Prison-tech has haunted me for years. At first, it was just the normal horror anyone with a shred of empathy would feel for prisoners and their families, captive customers for sadistic "businesses" that have figured out how to get the poorest, most desperate people in the country to make them billions. In the novel, I call prison-tech "a machine":

a million-­armed robot whose every limb was tipped with a needle that sank itself into a different place on prisoners and their families and drew out a few more cc’s of blood.

But over time, that furious empathy gave way to dread. Prisoners are at the bottom of the shitty technology adoption curve. They endure the technological torments that haven't yet been sanded down on their bodies, normalized enough to impose them on people with a little more privilege and agency. I'm a long way up the curve from prisoners, but while the shitty technology curve may grind slow, it grinds fine:

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

The future isn't here, it's just not evenly distributed. Prisoners are the ultimate early adopters of the technology that the richest, most powerful, most sadistic people in the country's corporate board-rooms would like to force us all to use.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/02/captive-customers/#guillotine-watch

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[chaoticgoth]

Your average Warframe lobby be like

[wanderlustfawn]

[homo-house]

stop being preachy on this subject and trying to force everyone to interact or make posts about the situation, some people have dedicated their accounts to specific things in order to compartmentalize and not have to deal w this mental anguish from doomscrolling 24/7.

not allowing yourself any peace rest or leisure will not end the war, it will not bring back the dead, will not aid the suffering of those people. the only thing not allowing yourself peace like that will do is soothe your conscience as if you were actually doing something when you aren't. you're just watching with your hands tied like everyone else. you can enjoy things and post about other stuff while still deeply caring and being in solidarity with the people of palestine, this is the internet you can do multiple things at once in different web spaces.

telling other people what they should or should not be doing on the internet while there's a war on won't fucking do anything except shame people for trying to stay sane. you have no idea how harmful this shit is for people with moral obsessions and compulsions, you're just causing more suffering to people who don't deserve it, just stop that shit. if you actually want to help then take action, call your representatives, show up to a protest, donate to a cause. anything else.

[goodobservationshirley]

thomas jolly is insane for this

[mrsreinhart]

Lionsgate was another of the studios that presented its novelties on the first day of screenings of the majors in the LA Screenings 2024. The event was held at the iconic Regency Theatre Westwood and culminated with an elegant party at the Santa Monica Pier, which was attended by numerous buyers and a carefully selected foreign press.

The day was led by the main executives of Lionsgate: Kevin Beggs, Chairman of Lionsgate Television, Sandra Stern, Vice Chairman of Lionsgate TV Group, and Jim Packer, President of Worldwide TV Distribution. During the event, they presented several outstanding titles that promise to capture the attention of global audiences.

One of the dramas presented was Hal & Harper. The series of 10 episodes of 30 minutes each, tells the story of the brothers Hal and Harper, who face the arrival of a new member to the family while their childhood home is for sale. Together with his father, who is also going through difficulties, the family explores the evolution of their relationships and faces profound losses on their way to new beginnings under different roofs.

Lionsgate Screening

[hauntingofhouses]

Seeing fan discussions about Blue Eye Samurai and especially Mizu's identity is so annoying sometimes. So let me just talk about it real quick.

First off, I have to emphasise that different interpretations of the text are always important when discussing fiction. That's how the whole branch of literary studies came to be, and what literary criticism and analysis is all about: people would each have their own interpretation of what the text is saying, each person applying a different lens or theory through which to approach the text (ie. queer theory, feminist theory, reader response theory, postcolonial theory, etc) when analysing it. And while yes, you can just take everything the authors say as gospel, strictly doing so would leave little room for further analysis and subjective interpretation, and both of these are absolutely necessary when having any meaningful discussion about a piece of media.

With that being said, when discussing Blue Eye Samurai, and Mizu's character in particular, I always see people only ever interpret her through a queer lens. Because when discussing themes of identity, yes, a queer reading can definitely apply, and in Mizu's story, queer themes are definitely present. Mizu has to hide her body and do her best to pass in a cisheteronormative society; she presents as a man 99% of the time and is shown to be more comfortable in men's spaces (sword-fighting) than in female spaces (homemaking). Thus, there's nothing wrong with a queer reading at all. Hell, some queer theorists interpret Jo March from Little Women as transmasc and that's totally valid, because like all analyses, they are subjective and argumentative; you have the choice to agree with an interpretation or you can oppose it and form your own.

To that end, I know many are equally adamant that Mizu is strictly a woman, and that's also also a completely valid reading of the text, and aligns with the canon "Word of God", as the creators' intention was to make her a woman. And certainly, feminist themes in the show are undeniably present and greatly colour the narrative, and Episode 4 & 5 are the clearest demonstrations of this: Mizu's protectiveness of Madame Kaji and her girls, Mizu's trauma after killing Kinuyo, her line to Akemi about how little options women have in life, and the way her husband had scorned her for being more capable than him in battle.

I myself personally fall into the camp of Mizu leaning towards womanhood, so i tend to prefer to use she/her pronouns for her, though I don't think she's strictly a cis woman, so I do still interpret her under the non-binary umbrella. But that's besides my point.

My gripe here, and the thing that spurred me to write this post, is that rarely does this fandom even touch upon the more predominant themes of colonialism and postcolonial identities within the story. So it definitely irks me when people say that the show presenting Mizu being cishet is "boring." While it's completely fine to have your opinion and to want queer rep, a statement like that just feels dismissive of the rest of the representation that the show has to offer. And it's frustrating because I know why this is a prevalent sentiment; because fandom culture is usually very white, so of course a majority of the fandom places greater value on a queer narrative (that aligns only with Western ideas of queerness) over a postcolonial, non-Western narrative.

And that relates to how, I feel, people tend to forget, or perhaps just downplay, that the crux of Mizu's internal conflict and her struggle to survive is due to her being mixed-race.

Because while she can blend in rather seamlessly into male society by binding and dressing in men's clothing and lowering her voice and being the best goddamn swordsman there is, she cannot hide her blue eyes. Even with her glasses, you can still see the colour of her eyes from her side profile, and her glasses are constantly thrown off her face in battle. Her blue eyes are the central point to her marginalisation and Otherness within a hegemonic society. It's why everyone calls her ugly or a monster or a demon or deformed; just because she looks different. She is both white and Japanese but accepted in neither societies. Her deepest hatred of herself stems primarily from this hybridised and alienated identity. It's the whole reason why she's so intent on revenge and started learning the way of the sword in the first place; not to fit in better as a man, but to kill the white men who made her this way. These things are intrinsic to her character and to her arc.

Thus, to refuse to engage with these themes and dismiss the importance of how the representation of her racial Otherness speaks to themes of colonialism and racial oppression just feels tone-deaf to the show's message. Because even if Mizu is a cishet woman in canon, that doesn't make her story any less important, because while you as a white queer person living in the West may feel unrepresented, it is still giving a voice to the stories of people of colour, mixed-race folks, and the myriad of marginalised racial/ethnic/cultural groups in non-Western societies.

[estellaestella]

What wealth can you offer beyond the water of your flesh?

:Stilgar to Lady Jessica. DUNE:PART ONE

[wonho-ssi]

[some-greatreward]

the thing is i just don't think arctic monkeys got "worse" (or better for that matter, i think they've been very consistently & are still very consistently good) even tho their general style did change a HUGE lot. like yeah WPSIATWIN is your classic indie rock and it's fantastic, & i don't rlly consider any of their albums past like, humbug to be that, but like AM is genuinely fantastic?? just because something is overplayed doesn't mean it's not good. and i love the lounge vibe of tbhc/car so ive no issues with the direction they've gone, like i really don't think they've "gotten worse" even though they've obviously changed

[onetimetwotimesthreetimess]

Times Person Of The Year Russia Invaded Ukraine

Times Person Of The Year Palestinians are going through a genocide

A BIG FUCK YOU TO TIMES MAGAZINE

Here are a few alternatives to person/people of the year

GO FUCK YOURSELF TIMES MAGAZINE AND ANYONE WHO CHOOSES TO STAY SILENT WHILE BEING NOMINATED/WINNING THIS AWARD

[owlbelly]

showing up to anti-zionist community rosh hashanah services tonight like "hello i am ready to weep & maybe do some arson. does anybody want to burn anything down"

[db2k]

the people y’all refer to as queer icons :D :D i need a cig to recover and i dont even smoke

[akkivee]

THATS SO SICK

[lokiusly]

it’s so ironic that a show about a god of mischief had so much chaos going on behind the scenes