#at least we still got these two

[nevereverywhere]

✨ Paul and Ringo ✨

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[xxplastic-cubexx]

me Omw to annoy you about more Francesca content 😼😼

you and my entire inbox my friend strap in everyone this is gonna be The Francesca Mega Collection. part one The Bed Collection ft You HAVE To Click/Tap To Read Anything ESPECIALLY The Asks

thank you for joining me for the Francesca Bed Collection im going to pass out

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[dariusaurs]

i have some criticisms of s2 but my main concern is why didnt yasammy get a kiss!!!

[night-orchids]

where is my cutscene of eating fish dinner with miss neve gallus bioware

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[1doesnotsimplyhavejust1fandam]

Need an acknowledgement after Buddie goes canon of them having had latent or explicit feelings for each other for years. This isn’t a case of “oh, we were best friends for years and then one day we woke up and were in love.” This is a case of “we’ve been best friends for years, and we’ve been falling in love with each other since the day we met. We just didn’t understand it yet.” We’ve already had Buck’s realization that he’s bisexual, but his arc was chock-full of obliviousness to his attraction to Eddie, his feelings for Eddie, whose attention he actually wants. He still doesn’t really get it, but he gets that he likes men too, at least. Eddie is a whole other ball game. From the Catholic guilt to the toxic masculinity to the childhood emotional neglect to the pressure he keeps putting on himself to perform in relationships. He’s repressed as hell, and he isn’t to “I’m gay” yet, but we see hints of him understanding that how he feels might be a little different (his pause at “follow your heart, not Christopher’s” from Carla, his two talks with Bobby, admitting to performance anxiety on dates to the whole team, his talk with Buck about Marisol being an ex-nun, his acceptance that Ana and a ready-made family was the reason for his panic attack).

We know that the two of them are bad at identifying how they really feel, or at least allowing themselves to feel it. So, it makes way more sense for the show to admit that they’ve had romantic feelings for each other for years, rather than trying to convince the audience that what we’ve been watching these past seven seasons isn’t a product of two characters’ struggles with their identity and relationships. And while I’d be satisfied with a light-hearted snark from Hen or Chim about how they’ve been seeing it for years, I’d be so much happier with a full circle moment of the boys actually fully knowing themselves, acknowledging that they were never just best friends, they just didn’t understand it yet. It would show their series-long growth, as well as being an enormous tip of the hat to the audience. Because we aren’t misinterpreting it. We’re reading the queer-coding directly from the show, yes through subtext of course, but also the literal text. There have been so many moments deserving of acknowledgement in this regard, and I would hate for Buddie to go canon without it being clarified that those moments were exactly as queer and/or romantic as we thought.

[nyxcored]

i had too much coffee. thought too hard. i rambled in my notion about old men yaoi. here you go.

It doesn’t happen. Realistically, I don’t think it would ever happen because nothing happens. But somewhere, two people, wrecked with grief over losing someone so close to them both, in between working on the portal, in between conversations through cold meals and bitter coffee, they find a connection.

Fidds appreciates the brash personality and effort Stan is exerting for this project. He used to think, God, he’s just like his brother, so hard working, so passionate but with Stan, it seemed like he was always grasping for what he wanted. With Ford, it came so easy to him. He burned bright and constant and Stan was more like — a fire you couldn’t seem to start yet. Sputtering out, messy, but ever persistent.

Stan, well, he appreciates the company Fidds provides, that is, when the man isn’t a trembling mess. They have a routine together and that is enough to at least ground Stan into some form of normalcy while he’s trying to learn shit way beyond his educational level.

There are times where Fidds reaches for the memory gun. He can never find it in himself to shoot. There’s too much on the line. He’s already come this far, he’s helping Stan, Stan needs him and well — isn’t it nice to be needed.

There’s something and they can’t quite place it. Fidds knows he’s projecting — but is he? Is appearance alone enough to make him want Stan like he wanted Ford? And Stan is straight up just repressing the hell out of whatever he’s feeling. He knows that Fidds sees Ford whenever he looks at him. Stan tries not to make eye contact so much when he notices. There is a ghost haunting them, there is a grief so heavy in their hearts, and exploring these feelings feels almost like a betrayalto Ford’s name.

It doesn’t feel right. This isn’t the right time.

They will have to make do with lingering stares and accidental touches and continue on working.

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[catzy88]

Le Bien Qui Fait Mal

Or, Salieri's descent into bisexual crisis and BDSM madness

[tequiilasunriise]

bitches really be out here publicly divorcing as if they weren’t in a secret relationship

[anna-scribbles]

truly my only gripe with chalice of the gods is that percy did not use riptide once during the whole thing

[notmoreflippingelves]

Wardrobe Appreciation

↳ Esteban Flores (Elena of Avalor)

[tathrin]

Gonna rant a bit, feel free to skip. I just have to say this to someone, even if it's just the empty void of the internet lol.

So, Rings of Power Season Two. I'm quite enjoying their Annatar, and the way they've wrought his influences on Eregion's people (even if it is all very truncated and consequently without any real subtlety haha), and the Celebrimbor-pulls-a-Maedhros moment was utterly fantastic. 10/10 screaming on the couch, no notes.

But ughhh I wish Celebrimbor looked like Celebrimbor.

By which I mean, I wish he looked at least a little bit like Fëanor.

Instead he looks more like Bilbo than anything else. I look at this dude and I don't see somebody who seems like they're on the brink of getting caught-up in a massive forging project or about to start spouting some epic song he learned in the First Age; I see someone who looks like he wants to pour me a cup of tea and settle down by the fireside to tell me a pleasant little story.

Which is a lovely vibe, but not very Celebrimbor-ish imo.

(Actually the lack of elves-being-elf-like overall is one of my biggest irritants with this show. And yes I will forever be irritated over the stupid hair, but right now I'm talking mainly body language. Some of them are doing it—Galadriel, Arondir, Gil-galad, etc—but for the most part, the elves just move and act like people. Normal, everyday, ordinary human people. Having Sauron around being Annatar instead of doing his Halbrand thing highlights this even more in the second season, because he's acting so delightfully not-human with the way he moves and stands and emotes that their basic total-human-ness is all the more glaring in contrast.)

Where is your vaguely-ethereal grace, your strangely light posture, your ancient-being aura? When you stand still do it like you've got a presence! When you walk give me some spring, or some glide, or something! Put your shoulders back, raise your toes, hold your arms with some deliberation! Do something. Orlando Bloom didn't put all that work into [cat] body-language to have y'all turn around and just move like normal folks.

But I digress.

Back to Celebrimbor! This guy is supposed to evoke the memory of Fëanor, an elf driven by so much fire and passion that he spat in Morgoth's face and nearly set the whole world to ruins in his wrath. And instead they designed his look and attitude to be "friendly non-threatening uncle" I guess? What were they thinking?

I know we don't know much about Celebrimbor as a person, and lots of different interpretations are valid; but come on. They could have given us SOME sort of fire to him, surely!

Where is the Celebrimbor who is always chaffing for more, to prove himself worthy of his lineage? Where is the Celebrimbor who has spent centuries swallowing shame over the blood on his family's hands? Where is the Celebrimbor who refuses to be ashamed, and instead flaunts the Star of his House proudly right there on Durin's Door? Where is the Celebrimbor so passionate about his craft that he'll walk through the distrust of Doriath to befriend dwarves again? Where is the Celebrimbor who is afraid of his own power and passion, having seen where those things led his forebears? Where is the Celebrimbor determined to prove himself equal to Fëanor and Curufin; or even their better? Where is the Celebrimbor who wants, so badly, to make the world better that he ends up falling headfirst into Annatar's schemes like a silmaril scorching the hand of a kinslayer?

Where is the Celebrimbor who burns so brightly that he'll go to his death with his last secret unspilled?

I think the actor is a good actor, don't get me wrong. And I think he's doing a very good job of playing the character he's been given. (I think Charles Edwards would do a good job playing an elf, too, if this show had bothered to have all their elves be elves, and not just the few whose actors I guess decided to play it that way on their own or something???) I just wish the character they'd given him had been a little bit more Celebrimbor, scion of the House of Fëanor. Both in looks and in attitude.

Seriously why was Benjamin Walker the only male elf in the whole damn first season they managed to put some damn elf-hair on? Why does Celebrimbor have Hobbit curls? I was genuinely so confused when he walked on screen because he looks like a Hobbit! That is Hobbit-styling going on there, you have established that as Hobbit styling, what are you doing costumers???

When I look at Annatar, or Galadriel, or Arondir, etc, I feel like I'm looking at the character. I buy it! I'm on board! I'm invested. When I look at Celebrimbor, I just feel like I'm looking at an actor.

A good one, mind you! His emotional journey has been magnificent. But I still feel like I'm watching an actor perform a role, rather than seeing the actor as the character.

And I really wish it was otherwise.

Because this has been such a delightful surprise of a season, the Eregion bits especially. (Which is not to discount the dwarves, who are my other favorite storyline, but not really on-topic for discussions of elves and elvish-smiths haha.) But whenever I see guy-playing-Celebrimbor, the illusion breaks.

And that's a fucking bummer.

[xxplastic-cubexx]

reading Krakoa era out of order bc reading lists online make it confusing and my local library only has so many books

just as god intended right on my friend you're doing everything right and don't let anyone tell you otherwise