#at least those were written by the people who created it

[swamp-chicken]

PACIFIC RIM AU PLZ PLZ PLZ PLZ PLZ

I originally started writing this for hermicraft big bang like ... two years ago? and i was going to emotionally blackmail danya into doing the art. but then I kind of lost all interest in writing. still, I have a solid 1/6 of this fic written! i should pick it up again someday

an excerpt below.. ignore my notes to myself

Etho, the Etho, was a legend. Never mind that he was Bdubs’ inspiration to start piloting in the first place. The man had revolutionized the Pan Pacific Defense Corps, starting in the early years when he was an engineer working on the first generation of jaegers. And then, not satisfied with helping create one of the most advanced machines in the world, humanity’s only hope, Etho chose to step inside the jaeger he had helped design and became one of the first pilots. He had been the only scientist brave enough to step into the jaeger himself.

**with pause and beef???***He did it with full knowledge of the risk it entailed. Back then, piloting was even more dangerous than it was now. It wasn’t just the kaiju you had to worry about. Those days were pre-fission, pre-drift. There were the unshielded nuclear reactors, leaking radiation into the cockpit. There was the incredible neural load placed on the pilot as he maneuvered the jaeger solo. But still, Etho soldiered on.

And he kicked ass.��

For years, he was the hero of the world. You could run up to any civilian in the street and they would know who Etho was, as well as at least three random facts about him— what his favorite color was, favorite band— you name it. He was famous famous. His image was plastered on every PPDC commercial, he was sitting at every PPDC press conference. But the reason people really went crazy over him was how humble he seemed, like the perfect selfless hero. He sat quiet in the press conferences, he smiled and waved when it was needed. He started wearing a mask at some point, and whether it was out of shyness or germophobia no one every knew. But no one cared, it just added to the mystique. 

And Bdubs, well, Bdubs wasn’t different than anyone else, really. But his interest in Etho was maybe a bit stronger than his peers. He watched every fight, every press conference, every commercial. He typed out furious defenses of him in online forums, and stealthily saved photos of him to his hard drive.** more here

Etho granted only one private interview the entire time he was a pilot. It was an intimate half-hour, tastefully lit. Bdubs had stayed up past his bedtime to watch the interview live. He hung on Etho’s every word, memorized the nervous way he shifted in his seat, how he stumbled through his answers. And then the interviewer had asked it— The Question. “Why do you do what you do?”

Etho’s answer changed Bdubs’ life. He had shrugged, tentatively glanced at someone behind the camera. “Um,” he hummed, maybe trying to buy time. “I guess… I just like fighting aliens, I guess.”

Bdubs signed up for the PPDC the next day. 

For Bdubs, Etho was the inspiration. He inspired Bdubs to quit the latest of his dead-end jobs, inspired him to move across the country—towards the danger, instead of away—against the urging of his family, his friends, and his own common sense. He inspired Bdubs to enroll in the PPDC, to persevere through the rigorous and often discouraging training process. And it all worked out. After a rough start, Bdubs’ high drift compatibility scores starting rolling in and he was fast-tracked towards becoming a pilot. 

But during Bdubs’ training, things started changing. The jaeger, once unstoppable machines of destruction, were faltering. The kaiju were emerging bigger and more ferocious, fill of poison and spines and slavering for destruction. The jaegers started falling.

He still remembers where he was the day it happened. It was late November, close to 1 AM and the pilot trainees were clustered around Scar’s phone. Somehow he had managed to smuggle one in despite there being an explicit ban on outside tech. A new kaiju had appeared— a mark 3, the biggest one yet, and Team Canada had been sent to dispatch it. The footage was blurred with rain, the pacific rocked with an early winter storm.

Peering over his comrade’s shoulder, squinting at the tiny screen, Bdubs could barely make out the kaiju and jaeger battling. The kaiju stood almost twice the height of the jaeger. The video was shaky. The film helicopter must be miles away, using a telescoping lens.

The jaeger threw a punch that the kaiju, snakelike, easily avoided. Then the kaiju belched and bright acid exploded from its mouth, drenching the jaeger’s left side. 

“Oooooh!” the trainees chorused, and Bdubs felt a pit in his stomach.

“Look,” Grian pointed out. “I think their arm is disabled.” And it was. The jaeger’s left arm hung limply. The acid must have eaten through the muscle cables.

“They’ll be alright,” Bdubs said, but he couldn’t keep the nervousness out of his voice. “Etho only needs one arm anyway.”

“Such an Etho stan,” Grian mocked. They all had discovered his obsession early, and ruthlessly teased him about it. “I don’t know, dude. This doesn’t look good.”

The jaeger struck out again, this time with a nearly-executed kick. It made sold contact with the kaiju’s leg, bringing it down. Then, in a move so smooth it looked choreographed, the jaeger brought its right arm down on the kaiju’s head, smashing the creature below the waves.

“See?” Bdubs crowed, looking around the room triumphantly. “A broken arm can’t stop him.”

But no one looked up. “Bdubs…” Scar said. 

Bdubs glanced back at the screen.

The kaiju had some kind of tail. It was prehensile, it was clawed. And it was tearing away at the jaeger cockpit.

Bdubs leaned forward. On the tiny phone screen, it was impossible to see details past the rain lashing the camera. Suddenly, the footage seared white, and then, darkness. The entire room held its breath.

Gradually, the footage resolved. Nothing was visible absent the helicopter spotlight, panning across the uneasy waves.

The video cut, and the tinny voice of the newscaster filtered through the static in Bdubs’ ears: “…no life signs from… could mean they have been removed from the pons… not necessarily deceased…”

The room was dead silent. Then: “Shit,” Grian whispered. “Shit, shit, shit.”

For Bdubs, there were no words. 

Later, he would learn that Beef and Pause had been ripped from the cockpit by the kaiju, killed while still tethered to Etho through the drift. And that Etho, controlling the jaeger on his own, had still somehow managed to bring the kaiju down, jamming the jaeger’s plasma pulser down the kaiju’s throat and discharging until he there was nothing left. 

The found the jaeger collapsed on a remote stretch of coast on Vancouver island. 

And then… nothing. No news from the PPDC, no media appearances from Etho. There were tons of rumors, of course. The solo drift had fried his brain. The radiation had finally caught up to him. The emotional and physical pain of his partners dying in the drift were enough to cause a psychotic break. But regardless of the reason, Etho was never heard from again. 

It was a year later that Bdubs got his pilots license. When he first entered the drift, it was in a very different world than the one Etho had fought in. The kaiju were bigger and meaner. The jaeger tech always seemed to lag a step behind. And the humans were losing.

But now he was back. And he wanted to drift with Bdubs. 

Cleo cocked her head at him. “Do you want to maybe come with me to command?”

[kogo-dogo]

AN OPEN LETTER TO TODD HOWARD

Hi, Todd.

I know it must be very hard feeling like the most impotent man on earth, to look at the IPs you own and realize that the two biggest critical successes who have withstood the test of time were the two that succeeded in spite of you instead of because of you. Nobody understands you and your incredibly bland and tenuous grasp on worldbuilding and good storytelling. Don't people realize that the only thing cooler than generic European landscape is a colder generic European landscape? And why does nobody understand the intricacies of your post-apocalyptic dream of "gray landscape with an ending so bad that you had to retcon it" or "brown landscape with a story so bad that you refuse to address it out of fear."

I know. I know it's difficult. Your self esteem must be as small as your penis right now. Poor baby.

However, if you could stop fucking nuking things that make you feel like a wittle baby, I would appreciate it. It was already cheap when you shrugged and decided that destroying Vvardenfell was canon, but to go and nuke Shady Sands as well and follow it up with, "Vegas is also over. My big boy mean marines are in charge now :)" just reeks of you being a toddler (TODDler, do you get it?) who picks up your toys and goes home when the other kids decide they want to play a different game than you. Or worse, somebody complimented the other kid on their toy, so you broke it and then took home the pieces.

This doesn't even seem like you taking a chance at risky storytelling. It reeks of you being a jealous little pissant. It doesn't seem like a coincidence that you've done this specifically to the game you were tricked into taking risks with (and is therefore regarded as a better game than your D&D ripoff afterward) and the game you had minimal to no involvement in (that was well regarded because it was written by people who had an innate understanding of and respect for the source material). It seems like a little man had his ego bruised and is trying to overwrite everything so we only get to acknowledge the shit that he thinks is cool.

Read the room, asshole.

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[read-marx-and-lenin]

Was it antifascist when the USSR only ever allowed less than 10% of the population to vote for the one candidate the dictatorship put forward for each role?

Why did you deactivate your last account? Were you upset that you looked so foolish? You don't look any less foolish creating multiple alternate accounts to send anon hate with. I don't even have anon asks turned off.

The Soviet Union had universal suffrage. Every voting-age adult was allowed to participate in the elections, besides felons and those who were incapable of voting due to mental disability. All ballots were secret (at least, after 1936. Oftentimes elections prior were done by show of hands, but this became problematic.)

If you are referring to the election of the Presidium or the appointment of the Premier by the elected representatives of the Supreme Soviet, I would consider that more democratic than the election of the President of the United States, since not only was the Presidium a council of multiple people in and of itself instead of one singular person at the head of the government, but the election of the Presidium was undertaken by representatives who were directly elected by the people, as opposed to the electors of the Electoral College in the United States who are appointed by party officials.

If you are referring to the election of the General Secretary of the Communist Party by Communist party members, then that position was not a governmental one. While the General Secretary did indeed have significant political influence due to their role as leader of the vanguard party, they were not a dictator and the position did not confer any state powers.

Not only were the Supreme Soviet and the Presidium composed of many different people who collectively decided upon state actions, many powers and duties were constitutionally delegated to regional councils and soviets. The federal government never held supreme power.

As for the idea that there was only "one candidate" for office during elections, the so-called "single-slate ticket" decried by the West, it betrays a fundamental misunderstanding about how communist politics works. Competitive tickets were not impossible, although party discipline prevented them from occurring at any high level. Rather, the single-slate ticket arose because prior to the printing of any ballots, there was a period of discussion to determine who would be the candidate in the first place. So it was not a case of people being told by the party "here is your candidate, now you must vote for them". The people and the party worked together to find candidates who had public support in the first place. In addition, not only could voters simply vote "no" and reject a candidate (and any candidate who did not receive a majority of "yes" votes would be rejected,) but all elected officials were subject to recall at any time if they were found to be deficient in their responsibilities by the electorate. Candidates were not forced on the Soviet people by faceless party bureaucrats.

If you want to know more, I recommend checking out "Soviet Democracy" by Pat Sloan (I should note that that particular work forms most of my knowledge on Soviet democracy, so take all of that with a grain of salt for anything past 1937 when the book was written) and pretty much anything written by Anne Louise Strong, although I would recommend "In North Korea", in particular Chapter 3 which goes into detail on pre-war DPRK elections and includes a very enlightening passage on how the North Korean voters at the time viewed single-slate tickets. Suffice it to say, they did not at all feel disenfranchised.

I can understand why you would be misinformed as to how the Soviet government worked. But to decry the Soviet Union as undemocratic, let alone fascistic, is absurd.

[nohoperadio]

I went to the Wikipedia page on Les Champs magnétiques (a French surrealist novel written entirely as automatic writing, i.e. typing whatever words come into your head without trying to make them mean anything), which is one of the Wikipedia pages I remember being fascinated by as a young teen first discovering Wikipedia, when at least a couple of you were literally not even born yet, or like barely born. The very short article hasn't changed much since 20 years ago except that the example passage they quote is now a different one for some reason, which I noticed immediately on account of the vibes being wrong despite the new passage also mentioning train stations, and I had to go back to an older revision to see the one I remember from my youth:

The marvellous railway-stations never afford us shelter anymore: the long passages terrify us. So in order to go on living these monotonous minutes must still be stifled, these scraps of centuries. Once we loved the year's last sunny days, the narrow plains where our eyes' gaze flowed like those impetuous rives of our childhood. There remain nothing but reflections now in the woods repopulated with absurd animals, with well-known plants.

For some reason I felt like going back even further to the very first version of the article, created May 8th 2004, and I was rewarded with the fact that the user who initially created the article for Les Champs magnétiques (and the current version is still mostly their work actually) decided to get a bit self-referential and wacky with it; this is how their original version ends:

Keeping the spirit of surrealism, the rest of this entry is done using automated writing (spelling mistakes and all): A strange french book, is this book. I can try to read it but sometinmes I have trouble, especisallym wsince my essay is due in Monday. I have boorrowed a lot of books from the library. Perhapos I can do an automated essay? I mentioned it to my lecturerer and he said it would not work. I wonder if the wiklipedia people will accept this entry. I think they are too strict and it is a pity that surrealism is not an accepted technique if these people knew anything about post-modernism they would realise that everythign like this is valid on some level althought I guess I haven't really spoken about the book, yeah its good, there is poetry towards the end so it's not really a novel.

[mistriavalley]

The storm behind your eyes (Sebastian x reader)

Note: It's the first time I've written smut on English so I rlly hope this turned out at least decent lmao

TW: 18+ smut MDNI, fingering, reader has a vagina, no protection, exhibitionism, mentions of smoking and cigarettes, slight angst

Masterlist

It was one of those dark days in summer when the rain pattered loudly against the windows and the thunder exploded deafeningly over the roofs. Fortunately, this didn't bother your farm animals too much. They were accustomed to the valley's unpredictable weather.

But it was strange to stay at home at times like this. Normally, you spent the whole day outside, running around Pelican Town like a headless chicken, trying to get all your tasks done as quickly as possible. Your fingertips were tingling with an urge for action and you tigered back and forth through your house.

There was one person in the village who was always out and about in such piss weather though. While the streets were empty, Sebastian took advantage of the solitude and went out for some fresh air.

I wonder if he went out to the beach in this storm?

But not even he was that crazy. Then you remembered that usually, when thunder and lightning came together to create a dance of chaos and destruction in the sky, he smoked a pack of cigarettes under a tree near the mountain lake. Yes. How very smart of him.

You threw a raincoat over your shoulders and hid your face deep inside the hood. Through the mud, you struggle up the hill and stumble past Robin's house. The warm light from the lamps inside shone through the glass of the windows and illuminated the path before you. You dared to take a peek inside.

There they sat around the table. Robin, Demitrius and Maru were all smiles and giggles. It was nothing new to see them without Sebastian, but it still filled you with a deep sadness. You were very much aware of how excluded he felt from his family and it never seemed like any of them were even attempting to try and close the gap between them.

Maru was an exception though. You have caught her several times staring at Sebastian during festivals as if she wasn't sure if she was allowed to approach him. And of course you didn't miss how she calls him her brother while he always made sure to emphasize the word "half" when he referred to her as his half-sister.

You continued walking towards the lake and took shelter under the thick branches of a pine tree. Funny. This was actually Sebastian's quiet little spot when he contemplated the meaning of life while ruining his lungs. Sometimes you got the feeling that he was taking himself a little too seriously.

You turned on your own heels, your eyes searching for the all too familiar mop of black hair. After a few seconds, you spotted him on the complete opposite side and you fought your way through the wet dirt once again.

With only his hoodie as protection, he shielded his mouth with his hand as he desperately tried to keep the lighter's flame on. The wind combined with the rain was working successfully against the young man.

The way he flicked his thumb over the wheel of the lighter was frantic. That's when you noticed the deep crease between his dark eyebrows.

"Sebby?", you yelled over the rumble of the storm and he gave you a quick glance over his shoulder.

It was only a split second, but it was enough for you to know immediately that something was wrong with him. His eyes were darker than usual and it seemed as if the corners of his mouth had never pointed upwards once in his entire life.

You gently put your hand on his back and felt the tension in his muscles. Sighing, he lowered the lighter and put the cigarette back in the box. He was probably now aware that it was impossible to smoke in this shit weather.

Neither of you said a word for a long time. You knew that Sebastian sometimes took a while before he was ready to talk about his feelings when he was this down. While other people's moods hit rock bottom, he was the type to grab a shovel and dig the hole even deeper.

"I've come to terms with being the black sheep in my family. The mistake.", he said in a broken voice.

You nodded. Yes, that was usually the reason why he'd hide out here. He had confided in you a little later in your friendship that he had a difficult relationship with Demitrius and that was why he had kept his distance from Robin and Maru as well. However, only you and Sam knew about it and you had sworn to keep it to yourself.

Sebastian balled his hands into fists. His shoulders shook violently, as if he was crying, but not a single tear formed in his eyes. Afterwards it was as if a dam broke inside him and the words just came pouring out of him.

"Mom doesn't even seem to notice this shit or doesn't want to notice it! No matter what I do, it's not good enough for any of them, but Maru, on the other hand, could burn the whole fucking place down and they'd all just shrug with their shoulders."

Sebastian took a deep breath.

"But Yoba forbid I drop even a teaspoon! Demitrius is giving me a hard time while he rolls out the damn red carpet for his perfect little girl."

You reached for his hands and squeezed them comfortingly, a look of understanding on your face. He immediately relaxed and leaned his forehead against your shoulder, defeated.

"I hate everything.", he whispered into your neck. Your hair stood on end as his hot breath tickled your skin.

For a moment, you felt something like butterflies in your stomach and you silently scolded yourself. This really wasn't the time to think about your feelings for him. Not when he was in such a vulnerable state and needed a pillar.

"No, that's not true. You don't hate everything.", you said and stroked the back of his hand with your thumb. When you said this, you were actually referring to Sam. His best friend.

But what Sebastian answered completely threw you for a loop and left you speechless.

"I don't hate you. Honestly, you're like a light in the darkness. I don't know what I'd do without you."

Heat rose to your face and you didn't know what to say. You decided the smartest move was to keep your mouth shut before you could fabricate something utterly embarrassing and then had to dig your own grave.

Sebastian touched your neck fleetingly with his lips. It made you shiver. Your body automatically inched closer to his. Your brain short-circuited and your instincts took over. Everything in you longed for him. You wanted more than just his mouth on your neck.

Images of his naked torso flashed past your inner eyes. Images of him slowly kissing his way down on you.

You gasped involuntarily and Sebastian turned towards your face. The distance between you was just big enough for a sheet of paper. For the first second, he just stared into your eyes. His expression was unreadable. Then the next second, his mouth crashed against yours in a heated kiss.

He kissed you like a diver catching his breath again after being submerged for far too long. He kissed you like a stranded man getting ahold of a glass of water for the first time in ages. Your body burned more with every passing moment.

"I want you. Please. I don't know if I can wait any longer." The pleading in his words was hard to ignore.

"Sebastian, you're not thinking clearly right now." Although part of you cursed yourself out for saying that, you were right. Sebastian was hurt. That's why he was acting like this now. It's not like he was genuinely interested in you.

He shook his head so violently that the rainwater in his hair flew around him.

"I've never thought as clearly in my life as I do now." To emphasize his words, he pressed another hungry kiss to your mouth.

Soon after, he grabbed you by the hand and together you ran through the storm towards the mines. It was chilly between the high stone walls, but the heat in your chest made it bearable.

Sebastian hastily pulled the hoodie over his head and spread it out on the ground. A slight blush appeared on his cheeks and he avoided your gaze.

"For you. I don't want to just take you on some dirty ground."

Granted, the mines weren't exactly the most romantic place for your first time together, but damn. You'd be lying if you said you hadn't fantasized about sleeping with him outside the house at least once.

In fact, the idea had even plagued your dreams countless times. While you wrapped your arms around each other again, he carefully placed you on his sweater. Always making sure you didn't hit your head on the hard floor.

His soaked T-shirt stuck tightly to his torso and it took all four hands to somehow get it off. He looked so much better than you had imagined.

His warm hand found it's way under your own clothes and you felt a familiar warmth spread between your legs. The rest of your clothes were tossed carelessly into some dusty corner after a short while.

You arched your back to be as close to him as possible as he devoured you with his lips. His tongue playfully stroked your own and you rubbed your thighs together to create at least a little bit of friction. 

Your mind raced and your heart pounded in your throat as the cave was filled with the sound of your gasps and moans. Then, finally, you felt Sebastian's finger at your entrance.

He slowly pushed in one. Shortly afterwards, the second followed and he moved them in a curling motion. After a few attempts, he found your g-spot and you threw your head back.

His hot breath hit your cheek as he showered your face with kisses. And as if he wasn't doing enough, he placed his thumb on your clit and massaged it in circles. 

It was as if all the air had been sucked out of your lungs and you saw nothing but stars. Where on earth had he learned these things?

But that was a question for another time. At that moment, it was simply impossible to grasp a clear thought. All you could focus on was Sebastian's fingers inside and on you.

Something in your stomach tightened in a pleasant way and you grabbed his face with both hands to pull him down for a kiss. You desperately tried to muffle your moans with his lips and tongue.

A short time later you came on his hand and your hips trembled. It took you quite a while to get off your high and when Sebastian pulled his fingers out of you, you winced. You were so sensitive that even the slightest touch made you jump.

A wide, proud grin spread across his handsome face as he looked at you. You didn't even want to begin to imagine what you looked like now, stretched out like a starfish and as sweaty as a marathon runner.

But there was nothing but affection in Sebastian's gaze. Affection and lust. His hard cock laid heavy on your stomach and your energy came rushing back to you.

You sit up and push him down onto his back. A surprised look formed on his features.

"What-", he started, but fell silent as you reached for his dick.

It was wide and veiny. Your wetness ran down the inside of your thigh and dripped onto his stomach. Precum leaked out of his tip and you leaned down to lick it up.

He let out a whimper. As you moved your hand slowly up and down his shaft, you positioned yourself over him and took the entire length in. He filled you to the brim and stretched you in a way that both hurt and felt wonderful.

Sebastian whimpered and gasped. He tensed up and looked like he was going through the fight of his life right now.

"Give me a second. Don't move or I'll-", he pleaded and grunted before he could finish his sentence.

Pride filled your chest. You had no idea about the effect you had on his man, but now you see it in it's whole glory. How hot and bothered he was and how much he was struggling to not come right then and there.

After what felt like an eternity, you started to move your hips up and down to test the waters. Everything inside you wanted to go faster, to ride this man until he was a screaming mess, but you felt merciful.

Then something inside Sebastian clicked and he grabbed you by the hips as he drilled into you. The wet slapping of skin against skin echoed off the high walls of the cave as he fucked you senseless.

Once again, you could think of nothing but Sebastian. You braced yourself against his torso with one hand while you frantically rubbed your clit with the other. You wanted to come with him.

His movements became sloppier and his eyebrows were drawn together in concentration. He was so close and so were you. A wave of ecstasy crashed over your whole body and moments later his cock twitched violently inside of you. A warm liquid was filling you up to the point where you even moaned from the slight pressure.

For a brief moment you thought it would never end until his dick finally came to a complete rest. Sebastian, who looked like he had seen Yoba with his on two eyes just now, slid out of you.

You made yourself comfortable next to him on his hoodje while he wrapped his arms around you and placed a gentle kiss on your forehead.

"I don't know why we didn't do this before.", he commented.

"When should we have done it? When I first introduced myself or what?"

"That would actually be a fantastic first impression."

You give him a slap on the chest, but he just laughs. You two lay there for a long time, listening to the falling raindrops.

"It's a good thing we did it in this thunderstorm. The adventurers and maybe even Linus would have heard us," he remarked.

"Oh my Yoba. You're right."

What escaped you, however, was the fact that a (now very traumatized) dwarf had his store only a few meters away from you guys.

[chaotic-archaeologist]

https://nypost.com/2024/08/28/world-news/boy-4-accidentally-smashes-bronze-age-jar-that-was-at-least-3500-years-old/

Your thoughts?

Personally, I'm kinda sick of museums being required to cater to kids so much. If you're going to do this open air exhibit, kids who don't know how to keep their hands to themselves just shouldn't be allowed in. The glass is there for this very reason.

Actually, I'm with the museum on this one. Is it unfortunate that the vase was broken? Yes. Was the vase a valuable piece of the past? Also yes. But I think the museum did something very cool by not having the artifacts behind glass and are handling this with good grace and the sense to make this a learning opportunity.

Sometimes we overlook the fact that museums often attempt to arrest or freeze artifacts in time. They are kept in controlled conditions to prevent them from deteriorating and even treated to reverse damage. Many things on display on museums are elevated beyond their original value, alienated from their original purpose, and closed off from interaction.

It's incredible that this jar survived as long as it did—and its age is what makes it special—but at the end of the day, it is still a jar. It has now experienced the thing that happens to pretty much every jar that has been or will be. After all, decay is an extant form of life. (If you want to read a very well written and interesting take on decay and archaeology, check out this article by Caitlin DeSilvey.)

The article I linked above provides some important context and the update that the museum is planning on using this as an opportunity to teach about the conservation process. The jar's story is not over; it is being pieced back together and in this next chapter in its life it will be able to tell two stories: one of its life and the other of its rebirth. The museum's approach embraces that, exactly like the Japanese art of Kintsugi.

I also agree with the museum's decision not to punish the child or his family. Things go wrong in museums all the time despite their highly controlled environments, and this is why they have artifacts insured. Sometimes the thing that happens is a child, and by and large museums do not seek damages.

I would encourage you to rethink your stance on museums and children. Museums are for everyone. Children have a right to experience museums and what they have to offer just like anyone else. There are also many studies that discuss how going to museums benefits children.

In this case, perhaps the exhibit design was slightly flawed, but the four year old boy accidentally knocked the jar over because he was curious about what was inside and wanted to investigate. Curiosity is exactly what museums should be encouraging. In an ideal world that curiosity would have been channeled into some other kind of engagement, but the folks who work in museums have a lot on their plates and cannot plan everything perfectly all the time. Even if they could, they often do not have the resources to do so.

Finally, the AP article mentions that the boy and his family were visiting the museum to get away from Hezbollah rocket fire. Regardless of your opinions on the current conflict, everyone deserves to have a safe place to exist. That museums can serve as those spaces is an honor.

I commend the Hecht Museum and the people working there. They 1) successfully provided a place of learning and refuge, 2) opted not for a punitive approach—which is often the default Western model for justice—but a compassionate one, and 3) are using this twist of fate to create programming that will further engage the public.

@museeeuuuum and @museum-spaces would you care to comment?

-Reid

[nadjasnandor]

what I don't understand is like .... they wrote the guillermo and nandor dynamic the way they did AND made both of them queer. like. nobody asked them to do ANY of that. so turning around and mocking everyone who very reasonably looked at what the writers of this show wrote and said "they are written like a couple" is just a baffling thing to do. imho

Exactly. And if you don't mind, I'm going to use your ask as an excuse to write out why I'm upset about certain things, because what you said is the root of my problem.

My disappoint doesn't come from Nandor/Guillermo not going canon in the traditional sense (at least not fully), but from the very 2010s-esque way everyone seems to be talking about fans post-finale. Basically saying they never intended Nandor & Guillermo to be anything but platonic and blaming the weird fans for wanting their pornographic whishes (🙄) to actually happen in the show, like they were not in any way responsible for creating those wishes, is insulting but, more importantly, not true. And they can't convince me otherwise because I was there, watching the whole thing unfold in real time.

I already mentioned being remotely normal about Nandor/Guillermo pre season 3 and there is a reason for that. During the first season the fandom was small. And by that I mean both Nandor/Guillermo shippers and also the people watching wwdits in general. During season 1, sometimes all you saw when going into the tags was about 5 of my gifsets in a row, for instance. Even if people watched the show, they didn't really interact with it in a fandom-y way. During the middle of s1, I complained about there not being Nandor/Guillermo fics at all and even between s1 and s2 I posted about there not being a lot. It was also this era when the first mentions of possible canon romantic feelings were brought up and it was by Harvey himself, who said he thinks Guillermo has feelings for his boss. This was, of course, only Harvey explaining how he views his character but I feel it's important because, as it's been mentioned before, Harvey came up with a lot of Guillermo's character, starting with his surname. He basically created current Guillermo. In the original pilot script, Guillermo is a 40-something, very bitter man. Quite different from our Guillermo and it's all thanks to Harvey.

But during this period, that is during s1 and s2, anything romantic between Nandor and Guillermo was purely accidental and mostly due to Kayvan and Harvey's chemistry. We all knew this, even if by s2 we did get the first articles about Nandor & Guillermo's relationship being maybe not fully platonic. By the end of season 2, the fandom has grown for sure but it was still nowhere near its current size. We also had Nandor say he treated Guillermo like a son, which was quite annoying but we at least knew where we stood with the show. Didn't stop us from shipping those two, of course, because fandoms have survived on less (Looking back, it is funny how much I hated that line when now it's just *vaguely gestures around*). It's important to note that after season 2, Jemaine left and Paul took over. And then came season 3.

There is a reason why I was so insane about the Cloak of Duplication and then Gail. The former canonized Guillermo's feelings for Nandor on screen for the first time and the latter showed that it was not just a single episode, throw away scene. Instead they continued with Guillermo being jealous of Nandor and his sexual partner. That was huge. But the fandom still hasn't blown up fully, that happened later during season 3. And I think it's important to say that because they wrote and filmed season 3 before the show blew up. They cannot say they wrote those scenes to please (or bait) fans. They weren't 'pressured' to do anything with Nandor and Guillermo. Season 3 was also when the very heavy Nandor/Guillermo promoting started. (Like the parody of The Bodyguard poster with 'Never fall in lo-', for example). Now, I don't remember if the first articles calling them the will-they-won't-they couple of the show came out during this season or later, but it was definitely past season 3. So by the end of season 3 the fandom has grown large and people were obviously very into the ship.

Now we can say shippers are pushy or annoying but fans can be annoying in general. People can be annoying lol. When your show grows big enough, annoying people you don't like are going to watch it too. (I'm sure if those annoying people are cishet men then this burden is easier to bear but I digress. I am a little bitter, after all). But at this point, fans had no reason to be pushy, we thought every sign was pointing to canon romantic Nandor/Guillermo.

At this point, the show saw how large the fandom has grown and how invested people were in Nandor/Guillermo. If that's not what they wanted, if they felt people were seeing things differently than how they intented, they could have pulled back. They had enough time between season 3 and season 4 to do that. But they didn't. Instead, they doubled down and continued to do the same for 2 more season. Even if by season 5 the latest we already had Paul saying weird things about the dynamic.

Instead it seems they decided to pull back in season 6 but by then it was too late. People were expecting them to come through on the thing they have been teasing for 3 seasons. And then they blamed the fans for not liking what they offered up instead. For wanting 'pornographic scenes'. Because it's 'not that kind of a show'. They say this about a show with an episode called The Orgy.

And even while saying all that, they didn't stop them from teasing the fans until the very last moment. Nandor's 'you know what would be cooler than being friends' is just cruel lmao. And that's why it felt more like mocking to me. Not only because of what happened in the show, but because when I watch those scenes, I can't seperate them from how the cast and crew talk about the ship and the fans in interviews. They apparently now think it's stupid and weird but will gladly tease it in the show for whatever reason? It's funny because fans are weird and kinky, I guess. Things unheard of in relation to this show.

I also don't understand Kayvan and Harvey's complete 180 turn. During the early seasons, Kayvan was not really into the idea of the ship, saying it's a bit toxic due to the power imbalance in their dynamic but he seemed to go full throttle later, even overtaking Harvey in hyping the ship up. And then in the first post-finale interview, he says that 'Nandor is never going to have sex with Guillermo', even if the show left that door open with the last scene. And then there's Harvey, who was the first to say Guillermo has feelings for his boss, who is now championing the repserentation of platonic gay male friendships on tv. In his case, I can give him the benefit of doubt, because he must have his own experiences with that and it's not my place to dismiss or doubt them. I do find the change strange and have complained about it but it's more understandable than Kayvan's. (EDIT: I didn't read this interview after the finale but it just makes things even more confusing, if I'm honest.)

I tried to be as coherent as possible and write out all my thoughts about this topic but I most likely still missed some things. I don't really like to talk about my feelings and thoughts this elaborately because I find it difficult to fully express myself but I tried my best because I felt like I was going insane.

[chaoticace2005]

Reasons the Mothman should die, collectively written by the residents of the Hazbin Hotel:

Coding for Characters: Vaggie, Charlie, Pentious, Alastor, Niffty, Husk, pretty much everyone

TW: References to abuse

He’s holding back Angel’s progress. (Vaggie, is killing really necessary?) (I am concerned about going after a Vee)

I’m hungry (ALASTOR!)

Ms. Angel gets nervous when on the phone with him.

His coat is tacky.

He’s a bug! And bugs must be DESTROYED!

So Angel stops feeling like he has to be so damn fake. This is getting on my fucking nerves.

HE LICKED CHARLIE!!! (Vaggie, wait it’s okay.)

Color scheme sucks. Purple AND red?!

He makes Angel sad, NOBODY should make Angel sad.

Those obnoxious glasses just make him look stupid.

He’s a manipulative, abusive prick.

ANGEL DIDN'T KNOW BOUNDARIES WERE A THING?!?!?!?!?!? (Honestly that explains a lot.)

NOBODY deserves to be in an abusive relationship.

Too many arms. Nobody needs that many. (...Angel has that many?) (Well maybe he shouldn't.)

Ms. Angel keeps coming home all messy!!

He’s ruining hearts for everyone. Me and Angel already have enough. At least those are on our bodies, what’s his excuse?

Hearts should not even be ASSOCIATED with Valentino, THIS IS NOT LOVE.

I can do without all the sexual depravity. While I am in Hell this is NOT one of the reasons.

If I have to hear that ringtone one more damn time-

The Eggies found some of his films. They should never be exposed to such horrors. Now I have to explain what “a sex” is.

Makes picture shows that are a disgrace to the idea of “entertainment.”

He’s making a bad name for Uncle Ozzie. This is NOT “lust.”

So we don’t have to listen to another one of Angel’s pornos. (Agreed, it’s quite horrifying!!)

So Ms. Angel isn’t tired when she gets home and can save the kinky stuff for then :) (Niff, really?)

So the kid stops coming home with bruises and cuts that I fix up at 3 am. (Husk, what the fuck?)

Because what the FUCK Valentino?

He keeps forcing Angel to do drugs. (HE WHAT?! Like crack??) (That but also I’m pretty sure whatever comes out of him is an aphrodisiac.)

I want to use his antenna as a backscratcher

Has that whole red color thing going on. Only I am allowed to wear red :) (Al, your text isn’t even red.) (My what?)

What is up with his red spit and smoke? Seriously disgusting.

The red stuff from him may be what allows Velvette to create her “Love Potions” which funds Vax’s stupid endeavors (Do you mean Vox?) (Who?)

FOR MY COLLECTION :D (…yeah okay.)

Really is making a bad name for Overlords. And not in the fun way.

Angel’s shown trauma signs of abuse in our meetings. Im pretty sure it’s Valentino.

Make a doll out of his fur so I have a main villain for roach puppet shows!!!

His only purpose is to keep Veks occupied but considering Vixen’s inane attempts to catch my attention it isn’t working.

So Angel can have his soul and he and Husk can run off into the sunset together like in a fanfiction!!! (Ah, yes that would be nice.) (WE WHAT?!) (Oh Husker, denial doesn’t suit you.)

So Angel can get a good boyfriend THAT’S NOT ME to stop these bullshit allegations.

So Angel can admit his feelings to Husker because our cat surely isn’t going to be the first to do it. (ALASTOR I SWEAR TO GOD!)

Who knows how many other people he’s abusing.

Seems to give Vicks confidence. He has enough of that as is. It much more fun to destroy him.

He makes Angel sad which makes Cherri sad!

HE HIT ANGEL!!!

Called my dear Rosie an "old hag" NOBODY CALLS ROSIE AN OLD HAG.

Angel is a good friend and deserves so much better.

I’ve forgotten what moths taste like.

He keeps trying to get Angel to move out :(

Told the kid he had to lose weight. What the actual FUCK. (Ill kill him.)

He’s annoying and looks quite stupid. How has this not been added yet?!

He’s making a bad name for Spanish speakers everywhere. (Yeah it’s embarrassing.) (Wait… what?)

He’s making a bad name for pansexuals everywhere.

He’s making a bad name for wing-holders everywhere. (HE HAS FUCKING WINGS?!) (Oh, yeah, I didn’t tell you?)

Too tall. This is ridiculous.

Won’t admit he’s blind so he’s become even more of a public safety hazard.

If I get one more transmission of him and Box commiting lascivious acts someone will be eaten. I don’t care who. What the purpose of these are I don’t know. Advertisement? (I think it’s to make you jealous boss.) (Ha! Jealous of what? Mediocre sex with a pathetic excuse for a businessman with a TV as a head?)

Because Angel deserves fucking better.

[a-town-called-hometown]

yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

[magesforthedas]

Just have to share this, because I keep seeing critiques of Veilguard that like, try to guilt people who say they love, or even like the game. And HEAVY critiques of the protagonist, Rook, and how they aren't really a hero.

ALSO it contains some SPOILERS so just be warned ☺️ and an edit of additional thoughts now!

Like, yeah I have a couple gripes about the game, but overall it's emotional and amazing and I care about the characters so deeply. I keep seeing how people are saying how Rook and the party were not well written because they caused a lot of death?? This is Dragon Age, everything always goes from bad to worse, but the characters always bring out the light.

Rook was put in a very shitty situation, and I've seen people say they caused the destruction of thousands by trying to prevent the hundreds. But how many people, before the game came out, said Solas's plan to tear down the veil was a bad idea? Not all, I'm sure, but most. I always viewed it, and I know I wasn't alone, as that by trying to "fix" things Solas was just justifying his selfish wants, when he knew somewhere in his heart that the people of today, including the elves that he was "doing this for", would rather live alongside their friends & family in a world without their old magic, than live in a world with it alone.

That being said, even with differing views in and out of the game, it's very reasonable that a group of people would try to stop him, not know the consequences. And the beautiful thing about Rook, why Varric chose THEM, is that they saw what they had created, and didn't give up, didn't leave it to someone else to fix. Whether or not it was really their fault they stepped up and tried to save the world the best they could, from the mistake they unwittingly made (which I would argue against the fact that they made a "mistake", looking at that they were hired to do a job & by successfully completing that job there were unintended consequences).

Parallels anyone? Dragon Age loves those. But the difference, again illustrated in the game, is that while Solas couldn't move past the regret of his mistakes, Rook could. And on the topic of the deaths of those around them, not everyone that died in the past was Solas's fault, but some he did directly lead to their deaths. And he accepted that, did it over & over. Rook never led anyone to their death. Rook walked willingly into it themselves, and the love and trust their companions felt led them to choose to die for Rook, and the world instead.

And people who say the destruction of the south means the earlier games were for nothing? How so? 20 years ago, 10 years ago, things were happening, people were dying that needed saving. The heroes of that age saved the world so it would still be around to save now. And who knows what the south really looks like, or what it might look like as and after rebuilding? We will, in another 10 years once BioWare comes out with more content I suppose, and I wouldn't be surprised if everyone we knew is dead, but I also wouldn't be surprised if many, many of them lived.

Because that is Dragon Age. Death, betrayal, sacrifice, cruelty, pain. It's a dark, dark world. But there is always a ray of light, of hope. And characters who will do their utmost to protect that .

EDIT: Adding!! To this!! And more spoilers!!!

We know because of the Wetlands that it's possible to cause the Blight to pull back. In the end scene, as people are being broken out of the Blight Roots, it seems to me like it's died, at least to some degree. In my playthrough, Neve was cured of her blight sickness. There's obviously some immediate changes, and that all means that the South could have had an immediate reprieve. Plus, once more surviving wardens from Weisshaupt are free to travel south, and all the factions up north get things relatively in order, the South could get a lot of assistance.

The South was overrun... By hordes, by growths? That's the land, what about the people? Could the combined might of the Inquisitor, the Chantry, The Free Marches, Fereldan's ruler, have evacuated enough people that the death toll might be high, but not totally catastrophic? Enough people have survived to rebuild, maybe with a better, more unified attitude towards one another?

(The last bit may be wishful thinking 🥲)

But still!! We have no idea what exactly happened down there. And no matter what, Rook did the best they could, they WERE a hero, and made a difference not only for the North, but everywhere affected.

And yes, I might complain about this or that, mainly that we don't get to put more past game decisions in.... But I love this game and that won't change.

[sinizade]

A little family tree about Izveta and Astarion because I recently discovered that vampires in D&D can have children...

The appearance and what is written about Astarion's parents is just a headcanon created by me, I keep in mind that they never found their son and ended up dying over the years since the game does not mention anything connected abt Astarion's family.

I never wrote about Izveta's father, but basically he was a quiet man and obedient to his wife even though she was extremely aggressive towards him. She killed him a few years after adopting Izveta when he tried to get rid of the girl after overhearing her talking to Sceleritas.

The day that Sarevok had mentioned in his letter arrived and Izveta could no longer think rationally, she wanted children, she needed children and so it was done... Twins with Bhaal's blood, a boy and a girl who, since they were born, already had an aptitude for magic, Belgos and Amalicia or as the people in Baldur's Gate call them "Cursed Children.

Even though they were children of a Vampire Lord and a Bhaalspawn, Belgos and Amalicia did not grow up in a troubled home, quite the contrary, Astarion and Izveta had plans for their children and being bad parents was not one of those plans. The children were loved to the extreme and no one would dare try to hurt any of them, also because no one would be crazy enough to try.

I like to think that Astarion would be a drooling father, you can see in the game that even though he tries to pretend otherwise, he loves children. I think he would remove ALL of Cazador's paintings and decorations and fill the entire castle with paintings of Elbos, Amalicia and Izveta, every hallway and room would have at least two paintings of them so that everyone could see the GREAT family he and Izveta built together

Amalicia is defiant, she took this a lot from her mother, she always wants to go out when she shouldn't, she always wants to fight with people who shouldn't, Astarion and Izveta often had to solve many of the problems she caused, whether with Astarion's vampire spawns or with some hunters she provoked when she ran away from the Castle. Even with all the problems she causes, Amalicia is still a child and many times she just wants to play.

Elbos is a calm and affectionate boy unlike his sister and is almost always seen hiding behind Astarion and Izveta's legs. He likes rats and keeps some pets hidden in his room as Astarion makes a point of banning any rats inside his castle. .

Amalicia and Elbos' relationship tends to be the basic one for children their age, they fight and then go back to playing together, but sometimes they both seem to be far away from where they are, as if they were listening to something... Or someone...

Btw, if you are a hunter or a mercenary with a functional brain and love for life, you N E V E R try to hurt the children of a Bhaalspawn and a Vampire Lord... They will do really bad things to you

[boundbyeclipse]

hiii can you write smut number 5 with current James????

black velvet

genre : smut

word count : 1227

tags : current!james, female!reader, age difference (not specified how much), reader is a tattoo artist, a little rough james, semi-public sex (i think?), that’s about it

from the prompt list : 5. “don’t cover your mouth. i wanna hear you”

a/n : sooo i saw a photo of James getting a tattoo done and i thought hey, that’s a perfect idea for one of my requests! it really stuck to me and i had to write it. i really hope you enjoy this one x

‘Poison’ by Alice Cooper played in the background after you returned from your dinner break at work. You hummed along to the lyrics while lightly bopping your head to the beat. You absolutely loved rock and metal, so the playlist used at work always consisted of bands who did exactly those genres. It always gave you motivation and boosts for some energy, no matter if you were sad, angry or irritated.

While preparing for your next client, the sound of the entrance door opening and closing reached your ears. Technically, it was just a bit too early to show up, but hey, this one’s a regular and you didn’t mind at all.

“Hey there” you greeted him while putting some black gloves on your hands.

“Hey. Mind me showing up before I should?”

You gave him a warm smile, shaking your head left to right.

“Nope. You can come take a seat actually, I’ll go print out the tattoo and get more ink”

“Alright�� James smiled back, hanging his jacket on the rack and making his way to the big, comfortable leather chair. He watched you walking around and you didn’t quite pay any attention to him, at least at first. Or, you just didn’t want to.

No matter how many times you’ve done tattoos on this man in the past few years, there has always been some sort of a tension between you both. It wasn’t anything like what you’ve had before with other men. They might have complimented you, made you smile, even blush, but none of them put you in such a vulnerable position with their presence alone. And there have been many times where his eyes would pierce right through you in the middle of getting his skin drawn on, creating the impression of him wanting to do some things to you. The lust was purely emitting from him the whole time. And you cannot forget about those moments when his fingertips would brush against your skin, making you shiver and think of scenarios in your head that were not so innocent. Sure, he was much older than you, but that didn’t stop either of you from craving each other every time.

Not too long after, you were already seated next to James, with his hand extended out as you were drawing lines on his skin.

My, oh my, did those large hands of his drove you insane.

“You got any more people coming after me?” he suddenly asked, his blue eyes hinting at something.

“Nope, you are the last one today. Puts my mind at ease knowing my last client is a regular. No need to overthink”

One side of his mouth curved up into a small smirk.

“Are you sure your mind is at ease? Because I can feel you’re all tensed up”

You swallowed and bit your lower lip hard after he said that. Trying to hide your growing frustration, you giggled.

“Maybe I am, I’ve been here since seven in the morning, you know”

He cocked an eyebrow up, not quite believing what you were saying. James could clearly see how you bit your lip, adjusted in your seat and giggled due to getting thrown back by his comment.

“It’s kind of easy to tell that it’s not because of the work. You don’t need to hide it”

Your breath hitched in your throat, and your body froze for a moment before you looked up at him and asked.

“What do you mean?”

“I know you secretly think about all the possible ways I could use my hands on you,” you could not believe what he just said, but it was totally true, “it’s written all over your face. Even your body language gives it away with how you shake, squirm in your seat, how you breathe heavier when I’m around. I know you think of me”

“James, don’t-“

“Just finish the tattoo first, then you can explain yourself”

Not even ten minutes later, you had your body pinned against the door of your break room, with no way to escape the tall man who hovered over you. His hands roamed your body while he kissed your neck, sucking on the sensitive spots to make you even weaker. The way he held you by your hip against the door made you so vulnerable and so turned on, that you could not help but moan into the heated kiss.

With one swift move, James opened the door behind you and the both of you walked backwards, still all over each other until the back of your calves hit the lounge couch that was in the room. James helped you with taking your shirt off, leaving you in a black lace bra. You sat down and watched James from below, eyes full of desperation and need, looking right into his own. He removed his shirt and tossed it away, unbuckling his jeans and unzipping them, then hovering above you as he laid you down slowly, but with rough kisses and a tight grip on your waist.

Your hand reached into his jeans and you cupped him through the fabric of his underwear, giving it a couple squeezes as James groaned in response. He was big, thick and hard, and you could feel yourself getting so wet that it started to hurt. You really needed him.

With no clothes left on your bodies, he was now inside you, moving his hips as he watched your face, loving the way your eyes rolled back with each thrust. The way your back arched, your naked bodies touching against each other, it put you in such a trance. Every second of it - you just loved.

With your moans becoming louder, you felt a little embarrassed, and your hand found its way to your mouth to silence yourself. But James wasn’t going to let you hide.

“Don’t cover your mouth. I wanna hear you”

Carefully, he took your hand and now had both of your hands pinned above your head. Your moans filled the room as you wrapped your legs around his waist, wanting to feel every single inch of his length in you. Almost to the point where you could barely take it.

“I can’t- I can’t take it”

“Yes, you can. Just hang on for a little bit more for me, okay?”

You gave him a nod in response, eyes watery and lips parted as you breathed heavily, your high hitting you right then and there. It happened so quickly, that you could not even tell James that you were close.

Another moan slipped out of his mouth as you coated him in your juices, your walls pulsing whilst he was still inside you, able to feel everything.

“Almost there” he told you as he gave you his final thrusts before pulling out and cumming on your stomach. Both of you were panting, with small beads of sweat on your foreheads and hair all messed up. But as soon as you got your breathing back to normal, it was time to clean up and go home. Though, James just wasn’t quite keen on leaving you so soon.

“I’ll give you a ride back home, so don’t worry about taking a bus in this weather” he gave you a warm smile as he put his jacket on and waited for you at the entrance door.

[star-anise]

Everyone's got a take, and I've got a take too, about the current Internet Villain: James Somerton, a gay Youtuber who just got exposed (in the back half of a 4-hour video) as massively plagiarizing the work of LGBTQ+ media critics, historians, and memoirists, and then exposed in another 2-hour video as just making up the wildest nonsense about the topics he demonstrably had access to accurate information on.

He achieved a six-figure income on his work by squeezing money out of his audience with claims...

That only he was creating content that preserved queer history and elevated the voices and experiences of the LGBTQ+ community (a lie)

He was in serious financial distress and would have to go out of business if people didn't give him tons of money (a lie)

That he was going to use some of that cash to make definitely good and not-at-all-plagiarized independent movies, a thing he was definitely skilled and experienced enough to do (a lie), and

That those plagiarism allegations were incorrect,, and frankly,,,, hurtful and homophobic. (a GIANT lie)

Like, here's a visualization of the script of one of his videos, "Society and Queer Horror". The highlighted bits were lifted nearly verbatim from the works of others—the 18 authors identified at the time the exposé was posted—and presented as Somerton's own work.

So here's what drives me absolutely up the wall about this:

If he had just ADMITTED that it was the work of other people, THAT WOULD STILL BE COOL. If he had just said, up front, "We are going on a survey of thoughts and insights people have had about this topic", that would still be a good video with a real audience!

Like yes, he studied business in university, he might not have gotten the kinds of research skills and knowledge someone like Kaz Rowe uses to not just report on the history and analysis of others, but evaluate their relative validity and trustworthiness.

But honestly, since watching my niblings (oldest is 13) watch Youtube, I think you honestly can't underestimate the number of viewers who are really hungry for someone saying, "I don't understand this topic! Let's explore it together!"

But NOOOOOOO, Somerton didn't want to be just some schmuck waxing enthusiastic about homoeroticism on film and acknowledging the smartness of other people. He wanted to be HIM, MR. SMARTYBOY, very sophisticated and alluring and thoughtful and deep. Definitely an intellectual heavyweight who just happened to spout off his own personal ideas and analysis that put him at the forefront of all the scholarship on the topic he's come across.

I hate being wrong. Hate being wrong. But blogging for most of my life has forced me to confront constant textual evidence that two or ten or twenty years ago, I said some dumb-ass shit. Honestly, it'd probably keep me up at night sometimes even if I didn't have a written record. I absolutely understand the desire to scan the field, find the coolest people around, and quickly clothe yourself in as perfect an imitation of them as you can manage.

But if you want to be an artist or a scholar who produces something lasting, you can't prioritize coolness over truth all the time. To develop your true, independent voice, you need to find a time and place where it is just you and just the work you're doing, and you have pick up your tools and say, I don't know if I'm doing this right, but this is what feels right to me.

There are a lot of things in life to which we can only truly contribute our presence and our perspectives. Things we can only witness or hold space for. We cannot go back and bleed the pain out of history, or erase the complexity of another person's life. Not honestly, at least.

But those are the times that need our presence, our perspectives, our witness, and our space. When we gather round and tell sad tales about the death of kings, honesty can be the only thing you give that's worth a damn in the large scale of things.

If this dude had owned up to the truth and honestly showed the work of trying to piece together a queer understanding of the world, trying to draw the threads of culture together until he found a place he fit inside them, it would have been so much more valuable to our culture as a whole.

He probably made more money this way, though. While it lasted.

[merakiui]

long-distance love.

yandere!azul ashengrotto x (gender neutral) reader cw: yandere, unhealthy behaviors/relationship, nsfw, phone sex, obsession, power imbalance, kidnapping, implied (cyber)stalking, non-con touching, characters written as 18+ note - sea witch, the magicord mod you've had intimate online relations with, is closer than you thought.

Sea Witch is a busy man.

His weekly schedules are almost always packed to bursting, each event meticulously arranged into open slots as if aiming to form a perfect puzzle. Times never conflict; he’s particular about how he spends his hours, and very rarely does he allow himself a break. It has always been work, work, work. He’s one of the city’s most affluent, eligible bachelors and yet he’s married to his business. Those who lust after him think it’s a wasteful shame. Azul finds it to be a relief far greater than any he’s ever known. He will never compromise the enterprise he’s built from the ground up just because of some flimsy, fickle feelings.

Originally, he had no interest in Magicord, a messaging platform that grants people from all over the world the chance to congregate on specific servers for mutual interests like anime and gaming. He only downloaded it because Idia Shroud, a fellow friend and business partner, lived and breathed the app, his online presence so profound it was almost like a second home. He’d swipe away notifications from his actual messaging app, too busy in a voice call with his group of dungeon raiders to bother answering important calls.

So he resolved to get on Idia’s level in hopes of improving communication. Although Idia’s level, as Azul often noted, was not exactly a place he wanted to be. While Magicord could be used for business purposes, that wasn’t what drew people in. Azul of all people knew very well which target audiences were being reached with apps like Magicord, and he was not one of them.

“To think I’d stoop as low as this,” Azul had once groused over a phone call with Idia, who was giving him quite a lengthy, not-very-needed-but-also-very-much-needed rundown on Magicord’s inner workings. “I hardly have time to play games, let alone socialize on this…app.”

“Aren’t you always going on about how adaptable you are?” Idia sniped back, not in the mood for normie criticism. The sound of clacking keys could be heard on his end. “And you’re the one who asked. Kinda defeats the purpose of learning if you’re just gonna complain.”

Azul rolled his eyes. “I fail to see the logic in downloading another app just to ensure my messages reach you. Honestly, you ought to start checking your email. Or, at the very least, go through your missed call and text logs.”

Alas, Idia had been stubbornly adamant about his preferences and so, much to his displeasure, Azul was forced to undergo something of a Magicord Training Camp until he emerged a pro. And being a pro meant knowing how to navigate his own profile and toggle between that and Idia’s, which was really the only tip he needed because that was all he’d use the app for.

But Azul has always had an innate itch for wanting to know something from top to bottom, inside-out, and the idea of not knowing every little detail about Magicord drove him insane. If there was an opportunity he could capitalize on, why should he risk squandering it with his elementary-level knowledge? So he spent his rare slivers of free time playing around in there, creating a server and wondering who could ever become so attached to an app when the world beyond the screen was filled with just as many, if not more, social encounters.

His introverted side understood the appeal. In fact, he loved the idea of hiding behind a manufactured persona online. He didn’t have to be Azul Ashengrotto on Magicord. Rather, he could rid himself of his dislikable traits and become an entity—an idea or a concept—rather than a flawed man who others might scrutinize ruthlessly.

So he became Sea Witch, and within just a week he’d constructed quite the comfortable server. The invite link was spread throughout the various branches of Mostro. It would provide employees with an online sanctuary, where they could easily connect should doing so in person prove complicated (as had been the case regarding Idia, which was the sole reason he’d even poured so much time into this effort). Most of all, it gave Azul the chance to keep watch from afar, silently sitting in wait and curating a collection of mostly unimportant intel. Mere gossip, if anything.

But gossip is just as good as the next scandal. He likes to be prepared, a razored edge on all sides.

As far as the company was concerned, no one knew who this Sea Witch character was and no one knew who spread the link. And as far as individual employees knew, this was likely just some overworked intern’s labor of love—a well-crafted server intended to function as a digital gathering place for those exhausted after a long day. And that was mostly true, but all of the potential blackmail he could gather, the information he could glean, and even the people he could keep a closer eye on in an online setting—all of that paled in comparison to the real prize he’d attained. This was of great importance. It was something that altered the course of his life, opened his eyes to the brilliant beauty of a first love.

It was there in that undersea-themed haven where he met you, the one who would add flavorful spice to the once bland, boring meal that was his life. And just after a few weeks of simple, cordial conversation, he realized a single taste of your kind companionship wouldn’t be enough to sate him.

Greedy to a fault, Azul wanted you in your entirety.

Which brings him to the present, where he’s currently leaning back into the expensive leather of his driver’s seat. He’s parked on a silent strip of road, in a more residential part of the city. It’s not very busy here, and his windows are tinted to avoid immediate recognition. Rush hour won’t hit until later, and he’s not due for any conferences. He has time. Plenty of it to spare on this little excursion.

“I wanna meet you, Sea Witch,” you admit, nearly whining through the phone. “Where’re you from? Maybe we’re in the same area.”

Azul smiles at your impatience. You just can’t get enough of him, can you?

Every weekend, you hop into a VC with him and chat for hours on end. At first he simply provided a listening ear when you wished to rant through text or call. You’d voice all sorts of complaints. Azul filed them away in the event that they might be useful in the future, initially intending to use such information to ruin you should you prove to be someone worth ruining. But the more he spent listening and scrawling notes on blank paper, the more he realized you were just overworked and struggling financially.

Upon making these connections and learning all sorts of facts from you regarding your life beyond Magicord, he felt compelled to help. Out of the goodness of his heart, of course, ever the benevolent saint. And you weren’t complaining when he offered to pay you for your time. In exchange for two hours of conversation, he’d provide you with the funds you needed to afford your necessities.

Somehow, throughout many months of give and take—with his giving being on the jaw-droppingly exorbitant side, always one to top his own ludicrous generosity—your hours-long conversations would sink beneath the surface of mere companionship. It was one-sided intimacy. Azul was careful with what he shared, building a mostly secretive profile for himself. He didn’t want to risk tarnishing your fondness for Sea Witch by sharing details that felt more like Azul and less like the effortlessly funny, charming, and eloquent Magicord mod you’d originally made contact with.

You didn’t seem to worry about compromising your own privacy, easily divulging a variety of fun tidbits about your life. You’d share the tiniest of details and he’d eat it up every time, hungering for more than just crumbs. That time you sent him a photo of the octopus macarons you’d bought from a local bakery because you were thinking of him? He remembers it well, and he’s constantly reminded of it when you text him about things you did over the weekend or hobbies you basked in. Sending photos of your houseplants, asking him for his opinion on clothes you were hoping to buy (which he was always more than willing to sponsor; all you needed to do was send the link and he’d purchase it), and even trusting him enough to fall asleep in the VC with him (arguably one of his favorite things about your unique relationship).

And he called it unique not because it was a bad sort of strange. Rather, it was unique in the refreshing sense. He’d never had an online friend before, let alone someone who would so willingly and readily indulge him. Granted, this willingness stemmed from the deal he’d cut with you and so you were really only doing these things for your own gain. But then so was he. It was a relationship built upon necessity. You needed money to survive, and he needed you.

So it was okay to fall into sleazy fantasies. It was all an act anyway, and it wasn’t like you judged him or his preferences. At least, not outright. If you did, it was silent. You were considerate and sweet; and you really did consider him a friend. Or so he hoped. If your casual conversations were any proof, it was obvious there was some sort of enjoyment and trust there.

Friendship or something more, he would have you. Whether that meant in the safety of his pocket, enclosed within his mobile phone forever, or in his penthouse, tucked away in his bedroom—he’d have you.

“I’m from a city, yes,” he answers, purposely cryptic.

“Obviously. Come onnn, Witchy. Don’t you wanna meet me, too?”

“I do, and one day we’ll meet. I promise.”

He listens to your irritated groan and his cock twitches in his slacks. Good god, your voice is a blessing—more heavenly than a cherubic choir.

“One day isn’t today, though.”

“Perhaps not.” He speaks to distract you from the rustling fabric of his pressed suit as his hand strays further. He spies his reflection in the rearview mirror, notes the flash in his irises. If only you were here, sitting beside him in the passenger seat. If only he could slide his own seat as far back as it would go, lie still and serene, and let you climb into his lap to spear yourself on his erection. Genuine leather be damned. He wanted your scent, your essence, your everything engraved into the very interior. “Humor me—if we were to meet right now, what would you like to do?”

“Mm, I’d want to get a good look at the man I’ve been talking to for nine months now.”

“Oh, you’ve kept track?”

“You haven’t?” Your laughter is fluffy and light—authentic amusement. “And I’d want to memorize your face so that I’ll never forget it.”

“May I ask why?”

“Because I’m so curious! You know what I look like—”

“Not entirely,” he interjects, sly and silver-tongued. “You’re a portrait half-finished in my mind. Not yet sketched to completion.”

And it’s true. From your shoulders down, you are a faceless beauty. He’s seen you nearly naked and fully clothed, in frills and lace, in latex and ribbons, in satin and chiffon. And yet, for all of the skin you’ve shown, he can’t place a face (or a real name, for that matter) to your body.

“Okay, poet,” you tease, and he’s already palming himself through the fine fabric of his trousers. “But I’ve still never seen an inch of you. You’ve never even sent a dick pic.”

“You’ve never asked.”

“Can I have one now?”

“Nice try.”

“Asshole!” you gripe, clicking your tongue in disappointment. “You’re the worst, you know that?”

“I’m aware,” he hums, squeezing himself, his breath coming out faint and haggard.

Yeah, he’s the worst. But then you’re the best at eliciting these sorts of reactions from him. The effect you have on him is utterly enthralling. Your ability to reduce him to a pliable puddle in just a few words—a mere few lighthearted, hollow insults—is truly impressive. He’d feel ashamed of himself if it wasn’t so good.

“You’re probably not even that big.”

“Would you like an exact measurement?”

“Wouldn’t it be better to measure it in person? See how many inches I could fit inside. I’ve been practicing with that dildo you sent me—the one shaped like a tentacle,” you purr, frustratingly coy. He wants your sinful lips wrapped around his dick right now—wants to fuck your throat sore and raw. Wants nothing more than to spill heavy and hot on your tongue so you’ll taste him for days. “If we met up, we could make that happen. Sooo, where’s my Sea Witch from? What part of the world?”

“Patience, angelfish.”

Even though he says so, he’s practically vibrating with excitement as he worries his bottom lip between his teeth. Soon. So soon. Very, very soon.

And then…

He imagines you rolling your eyes with your next words. “Fine, fine. I’ll be patient. But that’s not gonna stop me from fantasizing.”

“Well, what do you think I look like?”

“Now isn’t that a fun question?” You mull it over. He can tell because you mutter a variety of ums and hmms in that soft, sweet voice of yours. “I think you’re tall and you have a handsome face that matches your equally handsome voice.”

“Yeah?” he encourages, undoing the belt, button, and zip on his pants one-handed. “What else?”

Your giggles filter into his ears, seeming closer than they actually are due to the wireless earbuds he’s wearing. “From what I’ve gathered, you seem to have expensive tastes.”

Sitting in his lavish, one-of-a-kind, custom-made sports car, Azul thinks you would be correct.

“I wonder what gave it away…” he drawls, his voice creeping an octave lower.

He places his phone in the cup holder, reaching to open the glove compartment and retrieving a tiny bottle of lube. Squirting a scant amount on his palm, he fishes himself, throbbing and pathetically hard, out of his boxers. His slick hand is a warm, welcome embrace around his silky-smooth shaft. He sucks in a breath through grit teeth, his eyes fluttering shut.

“Mhm, I wonder. It’s not the fact that you told me I should just buy a designer bag for work when I asked for recommendations. And it’s certainly not your ability to get me lots of nice gifts as if it’s nothing. So maybe it’s just your excessive generosity that makes you seem so rich?”

“Sure, we’ll go with that.”

“Speaking of that, what do you do for a living?”

“Guess.”

“Okay, Mr. Mysterious… Um… Hm. I think you’re a pilot.”

The whiplash that assumption brings is so seismically jarring he thinks he might go flaccid. Gripping himself with renewed vigor, he slides his fist along his length, slow and perfunctory, picturing you under his desk, your mouth open wide to receive him…

“A pilot… Mm, no, not quite.”

“Aw. My second guess was gonna be a contract killer. They make lots of money.”

“You have quite the wild imagination, angelfish. Even if I was one, do you think I’d admit that to you?”

“Maybe,” you tease. He pictures your smirk as it twists your perfect, pretty lips into something wicked. “For the right price, yeah?”

“Oh? Do elaborate.”

Please. Please keep going. Don’t stop talking. I need to hear you, closer, louder, clearer… More.

“What sort of price would I have to pay to get Sea Witch to spill his secrets?” you muse, your voice a tantalizing curl of syllables, but he suspects you already know the answer to your hypothetical. “I can’t offer you money, so you’d have to settle for something a little more…physical.”

He shivers, nodding his agreement even though you can’t see it. “Physical’s good,” he mumbles, foregoing eloquence in favor of filth. “Much better than—mm—than money…”

“Yeah? All right. Let’s see… You’re well-off and you might or might not be a contract killer. Do you wear suits?”

“I do.”

“Ooh, so you’re one of those contract killers.”

Azul can’t help it; he laughs, the sound tumbling out in a breathy gasp. “I prefer looking nice at all times.”

Languidly, his hand continues its idle pumping. He cracks his eyes open to peer at the pre-cum beading at the tip.

“Even if you’re just going to get messy?”

“Explicate the situation that’s leading me to soil my clothes. Details, angelfish.”

“Well, if you’re a killer who wears suits, you wouldn’t like even the smallest stain. It ruins your image, but if it was me…” You pause, probably for effect, and it works. His back arches with anticipation, fingers closing tighter. “You’d make an exception.”

“I would,” he admits far too quickly. “Always.”

“So you really would out yourself as a killer if I spread my legs for you?”

“No, but I’d let you dirty my suits.”

“Good. They’ll look better on the floor anyway.”

His breath hitches. Fuck, your every word is a siren’s song, leading him deeper into mist-clouded waters. He’d keep you pinned on his cock all day if he could. Why should you continue to work your mundane job when you could spend your precious hours with him instead? He’ll be your job. Seven days a week, during each of the breaks he’ll pencil into his schedules, you can visit him and he can empty all of his stress into you. And you’ll take it because you’re such an obedient sweetheart for him, always so ready to please your master.

He prays you can’t hear the salacious squelch of skin on skin as he works himself towards the edge, but a nastier part of him wants you to listen in so you’ll be reminded that this is your fault. No one else can possibly make him this messy. No one else is capable of rendering him a clumsy, lovestruck fool. You’re probably well aware of these facts, having brought him to this same edge numerous times in the past. Sometimes you would reach that tipping point alongside him, your gasps and groans joining his in an obscene duet.

Neither of you decided upon today’s development, but he thinks—knows—you’re intentionally stringing him along. You want this as much as he does.

“So was I right? You’re totally a contract killer?”

“I’m a businessman, angelfish,” he corrects, a silly, drunken smile softening his jaw. You make him feel so stupid, so warm and fond.

“So basically the same thing. Just as ruthless, no?”

“Please, you wound me. I’m always kind.”

“Ah, so there are others who get this treatment? And I thought I was the only one…”

“You are. No one could ever compare to you.”

He intends to tack my love onto the sentence’s end, but he stops himself. You’re not his love. Not really. You’re his angelfish, sure, but that’s different. That’s just a pet name befitting the aquatic theme he masquerades behind. And you’re not really Azul’s. You’re Sea Witch’s.

It’s Sea Witch you know and love. Beyond that, Azul is just Azul. And he’s nothing like the ideal he’s cultivated on Magicord.

He sighs and forces himself out of the turbulent trenches of his withering self-esteem. Now is not the time to contemplate which version of himself you’d be more preferential to.

You’ll have no choice but to love the real him. Soon.

“Really? I feel so special.” Impressed, you whistle and add, “I’ve gotta make you feel special, too.”

“You already have—”

“Not inside the VC. Come on, Sea Witch, don’t you wanna meet me?”

“I do. I really do,” he babbles dumbly, grinding his thumb into his slit and smearing pre-cum. He grits his teeth and tamps down a colorful word. How he yearns for this to be your hand wrapped around his length, tugging him to that far-off finish line. “I want nothing more than to—t-than to see you, all of you, in person…”

“So what’s stopping you? I could do a lot more in person than I can over the phone.” He has a smart reply for that, but it sticks in his throat. Pitifully, like the rightful debauched mess he is, he groans, low and guttural. “Let me turn the question on you, Sea Witch. If we were to meet today, what would you like to do to me?”

So many things, he thinks, a litany of smutty imagery flickering through his head.

But Sea Witch is classy (most days) and today is one of those instances. Or at least he’s going to make an attempt, however weak it may be.

“Take you to dinner,” he mumbles, executing jerky, quick motions in a daze, his cock weeping for release. He throws his head back, peers up at the interior roof of his car, and inhales sharply. “Take you all over the city if it pleases… I’d spoil you with so much finery—dress you up and then tear every article off…”

“And then?”

“And—god, fuck—wanna be inside you, angelfish… So badly—need you so badly. I wanna feel you and kiss you and hold you.”

He’s unraveling, strings pulled taut and fraying to extremity. Azul bucks into his hand and imagines it’s you, tight and warm, a sweet, snug embrace. He opens and closes his mouth, intending to beg you for more, but all that slips out are the tiniest huffs and grunts. He’s so wrapped up in his own ardor that he almost misses your quiet pants, every breath squeezed out of you as if you’re struggling to withhold your gratuitous moans. And it’s deplorable, really, the way his ears prick at these muffled sounds, the way his cock stands rigidly at attention, the way he’s falling through fragments of filthy fantasies, each one so close and yet impossibly far.

“I want you, too,” you mewl, tone wavering between shameless thrill and some sort of seventh heaven.

He wonders what you’re using to pleasure yourself. Are your fingers, slick and curled, rubbing up against those perfect, pretty spots that have you seeing stars? Or are you using the toys he purchased for your enjoyment? Maybe you’re lowering yourself onto the dildo right now, gummy walls clenching around girthy silicone. And maybe you’re tugging at your nipples, massaging them between the pads of your fingers, or maybe you’ve swapped skin-to-skin for a bullet vibrator instead.

Maybe—just maybe—it’s the mere thought of him that sets your flesh aflame with an intoxicating desire.

“And I want you—” you gasp, and his mind travels to all of the risqué photos you’ve sent, each one saved in a password-protected album on his phone— “I want you more than I’ve ever wanted anything before. I want you to show me that no one else can compare to you. I want you to—mmh, hah—to hold me down in bed and fuck me until my legs are sore and I can’t walk.”

I will, he thinks, lashes fluttering on his cheekbones. He strokes himself quickly, chest heaving, tongue near-lolling out of his mouth as he pants like a hound in heat. I’ll do all of that and so much more. I’ll fuck every coherent thought out of your pretty head, keep you just smart enough to rely on me, turn you into the prettiest sea flower who’ll only blossom for me.

“I promise, angelfish. I promise I’ll give you everything you’ve ever wanted,” he vows, his nerves alight with lustful delight, “and you’ll never know misfortune again.”

“I—oh! I’m close, so close! Please, Sea Witch! Please don’t stop. Please fill me up and make me yours!”

The sheer vulgarity twined through amatory vehemence, coupled with his own hurried pace, has him tumbling down the slope, arousal peaking and spilling over in thick, creamy spurts. He has half a mind to catch his spend before it can ruin the pristine interior of his car, and he blinks down at the semen sullying his palm. Idly, he rubs his fingers together to test the viscosity, wondering how his fluids would look on your face, your stomach, your ass—or even pooling out of your hole in plentiful amounts.

That fantasy is enough to send blood rushing right back to his softening cock, and he wills those thoughts away with logic—complex calculations and the financial forecast for Mostro. There will be plenty of time to indulge in sexual cravings later. He reminds himself of this while he tamps down his zeal, his heart relaxing in his ribs as he sits with the slowly ebbing aftershocks of orgasm.

You seem to be doing much the same, for you’ve gone perfectly quiet.

“Everything all right, angelfish?” he whispers after a few minutes, his breath now evened out.

“Mm, yeah. All good over here. Messy, but good.”

“I’m comforted knowing we’re in the same boat.” He chuckles while fumbling to dig a cotton handkerchief from the depths of his suit jacket. He cleans the cum and residual lube from off his hands and dick before neatly tucking himself away. Soon, there will be no need for this charade. Soon, he can adore all of you from beyond the screen. “Angelfish, there’s something I’d like to tell you.”

“What’s up?” you murmur, your own voice settling into its usual cheery cadence. He suspects you’re just putting on an act to sound happier. That will change when you’re reunited in person because it will be real. Because there will be no point in pretending through the phone.

“Well…” Azul smiles, folds and unfolds the sodden handkerchief, and then straightens his posture. He should be on his way now. “Ah, it’s nothing. Never mind it. I’ll tell you later.”

“Whaaat? But you’ve made me so curious now. Don’t just leave me in suspense!”

“Then I’m afraid you’ll have to remain in that suspense indefinitely.”

“Ugh. You’re so annoying sometimes.”

He knows you don’t mean that.

“I’ll tell you soon, angelfish. Exercise a little patience. There’s no rush.”

“Easy for you to say. You know what it is.”

“That I do, yes.” He hums, considering his next words. “Would it help if I left you with a word of advice?”

“What does that have to do with anything?”

“Everything.”

“Um. Okay, sure. Hit me. What’s your advice?”

Azul buckles himself in, starting his car via push button. It rumbles to life, smooth and steady. “Don’t fight so much, my dear.”

“Don’t what? Sea Witch, what are you talking—”

Your words are interrupted with a startled yelp. Azul listens to the struggle as if it’s a podcast enjoyed at sunrise. Things are toppled in the chaos; something shatters. He catches the beginnings of a blood-curdling shriek before it’s swiftly silenced. There’s more muffled scuffling before, eventually, absolute peace.

It’s broken by Floyd’s petulant whine. “Maaan, Shrimpy was so difficult. Thought you said they were easy, Azul.”

“Understandably so,” comes Jade’s astute reply. “We did catch them when they were most vulnerable.”

Floyd hums his agreement. “Y’know, Jade, Shrimpy’s kinda cute…”

“They are, aren’t they, Floyd?”

“Whatever you’re thinking, perish it right now,” Azul hisses, features twisting into something dark. “Keep your slimy mitts off of my angelfish.”

There’s an unsettling silence. Azul rolls his eyes. They’re fishing for a reaction he refuses to give.

“Clean up whatever mess you’ve made.” He takes his car out of park and eases into drive. “And don’t let anyone see you. It’ll be a hell of a pain if neighbors make unnecessary reports.”

“Yeah, yeah. Heard ya loud and clear.”

“Very well. Farewell for now.”

The call is cut. Azul grips the steering wheel, smug.

Soon waits for him on the horizon. He will not be a minute late.

You wake on a bed, in a spacious bedroom with exquisite floor-to-ceiling windows, many stories up in the clouds. A brightly lit cityscape sprawls beyond the confines of this room, illuminated with the deceptive shine of promise and success. At first it looks foreign. But then you recognize notable buildings, each standing tall and proud amidst the rest, and it occurs to you that you’re in a stranger’s home, in the heart of the big city.

The room itself is plainly colored; it reminds you of a hotel or a room you might find in a real estate catalogue. Perplexed, you sit up and take pause as your unfamiliar surroundings prove to be more frightful than your own confusion.

Pasted to the walls are various printed screenshots from Magicord, each one detailing a conversation of sorts. You stare at the wall behind you, the one in which the bed is currently pushed against, and peer closer at the contents of these messages.

They’re all from you.

Endearing terms you’ve called him in passing. Gentle insults. Lewd flirts. Vents and rants. Photos you’ve sent of very insignificant things—houseplants, meals, clothes. And then there are the photos of your body in skimpy lingerie and cosplay, all taped to the wall like this is some abstract museum of the digital you. The you who, despite being honest most of the time, took solace in the world of Magicord. The you who’d grown close with the mod from that whimsical ocean-themed server. The you who is now trapped, your ankle enclosed in a cuff. There’s a lead that only allows you to meander into the attached bathroom if you so please, and you suspect it’ll pull taut if you try to leave the room.

“What the fuck?” you mutter, your stomach twisting with disgust.

You look down at your clothes—you’re in someone’s collared shirt, intentionally designed to be oversized so that it drapes like a nightgown—and horror prickles your skin.

And then he arrives.

He’s dressed casually in black slacks and a simple white dress shirt, primly tucked in with the sleeves rolled up to the elbows. You stare for a long moment, studying his features as his familiarity dawns. Your mouth falls open in a muted scream.

He smiles sweetly, stepping further into the amber glow from the bedside lamps. “It’s nice to formally meet you. I’m Sea Witch.”

But that’s not what’s shocking about this. The real shock—the thing that has your brain stumbling in an effort to put the pieces together before the picture can crumble—is far more jarring than the kidnapping and the captivity. You find your voice then, and before you can stop yourself the words are falling out in a hurry.

“CEO Ashengrotto?!”

Sea Witch—CEO Ashengrotto—stiffens, his brows furrowing immediately. He gives you a sharp, dangerous look. A look that seems to radiate one unspoken question: Where did you hear that name?

“You… You’re A-Azul Ashengrotto,” you continue, swallowing thick trepidation. “CEO of Mostro. You opened a new restaurant last year—Crave, right? And the menu features celebrity favorites—celebrities like Vil Schoenheit and Neige LeBlanche.”

He laughs his disbelief, carding a hand through soft, silvery locks. “How…do you know this?”

“I work there. You visited once with your secretary for quality checks. We even crossed paths.”

Azul gawks, realizes he’s gawking, and clears his throat. “I… I see. Well.” He inhales, holds his breath for three seconds, and exhales. “This makes things rather…awkward.”

“When you said businessman, I didn’t think… I mean, how was I supposed to know? Your voice sounds so different over call than it does in interviews.”

“Of course it does! I never use the same inflection for those things.”

This cannot be real, you think, watching him flounder anxiously. Azul Ashengrotto is Sea Witch. This whole time… Nine entire months… I was talking to the CEO—to the city’s most popular bachelor—and I didn’t even know it. They write articles about this guy! He’s all over the TV! How did I never realize?

And then a very mortifying thought worms its way in: Oh my God. We both know each other’s preferences. He saw so much of me—more than I’d ever want him to see—and I heard too many private things during our calls…

“Let’s just…” You rub circles into your temples to quell the incoming migraine. “Let’s never talk about this again. You can buy my silence and I’ll move on with my life. I’ll even forget all of…” You glance at the Magicord conversations stuck to the wall and then the chain binding your ankle. “All of this…stuff. We’ll agree to call it a misunderstanding and life will be good, yeah?”

The bargain doesn’t seem to reach him. He continues to stare at you, his eyes glazed with an emotion you can’t place. Whatever it is, it’s stormy and dark. You don’t like it, and you shrink away when he steps closer.

“All this time you were right under my nose…”

Azul climbs onto the bed with you, the mattress depressing under the additional weight. Framed by the hypnotic radiance of the skyscrapers climbing heavenward, he’s certainly earned his place in every celebrity gossip magazine you’ve ever read. Articles debating whether he’s secretly committed to a relationship. Articles theorizing what his life plans may have in store for him. Articles discussing whether he’ll ever get married, if he’ll remain single for the rest of his life, if he’ll ever open his heart to the many people who hope to earn his romantic affections.

No one knows it—how could they when he’s so tight-lipped with the paparazzi?—but you are the secret variable the articles have yet to discover. You are the covert partner, the one who has won his heart, the one who now sits shackled on his bed.

What sort of tabloid journalist could ever spin this story?

You scoot further up the bed, your back pressing against the ornately extravagant headboard. Your knees are pulled into your chest, a futile attempt at protection.

“All this time you were so close to me…” He marvels at this, his baby blue hues locked permanently on you. “And neither of us knew. I could’ve had you much sooner had I just realized…”

You blink at him, your heart sinking with every passing second. “Mr. Ashengrotto, what do you mean by that?”

A pout tugs at perfect, pretty lips. “Why so formal, angelfish? We’re much closer than that, surely.” His hands settle upon your knees, gently pulling them apart. Your blood curdles with fear. “There’s no need to be so tense. It’s only me.”

“No… Please wait. Hold on!”

“Hm? If I’m not mistaken, this is what you want. You were rather vocal about your desires. You’ve always been. So why are you looking at me like that? I’m not scary, am I?”

You squeeze your eyes shut. “Please let me go…”

He clicks his tongue in disapproval, his tone patient despite the subject. “You know I can’t do that.”

“But you… You kidnapped me! Y-You had those guys hiding in my home and they…” You shake your head, unable to describe the sheer terror that had overwhelmed you when those creepy twins descended. Hopeless, you open your eyes to give him your most despairing look. Tears brim in your eyes, threatening to fall at the slightest prodding.

“Oh, my dear, did they scare you? They’re brutes who know nothing of how to treat a person with adequate care. You needn’t worry anymore. I’m here for you.” He cups your face in a fond hold, thumb rubbing soothing circles into your cheek. “Don’t cry, angelfish. You’re in good hands—my hands. And have they not been the most generous?”

“You’re crazy. Obsessed! How can you think any of this is okay? Look around at the walls! You’ve pasted our conversations everywhere—they’re practically the wallpaper!”

“What of it?” His hand slides down to grip your chin, forcing you to meet him at eye level. “I love you. I have for months now. And if those are the ways you choose to classify my care, so be it.”

Tear trails trace down your face. He leans in to kiss the rivers away, but they morph into the saltiest of seas.

“You may not approve of my affections right this very moment. You may hate me, think I’m monstrous, a culmination of all things foul, but you will love me. In due time, my dear. And when you do, the world will open and the chain will come off and you will know freedom under my roof.”

He has the gall to worship you with a loving smile. It poisons you with newly brewing abhorrence.

“So cry your heart out. Scream and kick up a fit. Do what you must. And when the floods subside, we can learn to love one another. Both at our best and our worst, within and beyond Magicord.”

[babushkatty]

Tranquil SAGAU - Part 6

-> Part 1

-> Part 5

With Dvalin gone, you were left basically homeless. Not that it was much of an issue, not really. The forests had been very kind to you -- you could easily live the life of a hermit if you so wished, without having to worry about food, water, shelter or animal attacks.

But it would also be horribly lonely. No compassionate silence, no background noise and buzz of other people scurrying around and going about their day without minding you, no one to speak to if you ever felt the need to.

You liked being alone, but you were still human and humans were social animals.

Soooooo, you promptly asked Crepus about working in his Winery in exchange for accommodations, because 'one that asks, does not stray'... or something like that anyways. Your sister always made her life that much harder because she outright refused to ask for help even when hopelessly lost or overwhelmed, so there must be something to the saying at least.

"You don't have to work to earn your keep, (Name). I'd be more than happy to house you as my guest for however long you want!" is what Crepus 'Sunshine Personified' Ragnvindr responded with.

Crepus used Puppy Eyes, it was super effective!

You laid defeated, a puddle of cuteness overload once again wishing for sunglasses to protect yourself from the blinding smiles and imaginary wagging tails.

Crepus was horrible for your heart.

Still, you would go insane if left with nothing to do for days at a time, so you went to turn the Ragnvindr library upside down with Crepus' blessing, a bunch of notebooks, a bunch of pens and a delusion that you'd do any actual studying in there.

This was Teyvat, but this wasn't Genshin Impact -- a library wouldn't have interesting lore, it'd have dry history and even drier geography, accompanied by boring economics and even more boring politics (which was a damn shame too, politics were so interesting when written right).

You never quite had a head for those, prefering subjects with more practical applications that could be practiced instead of having to be beaten into your thick skull until you memorized it just long enough to write the exam.

Though for some ungodly reason you still remembered that onions were actually leaves. It was one of the very few things you remembered from school, actually.

Probably the trauma speaking.

Still, you did find some interesting books - a diary speaking of the Decarabian rule, for example.

Today, I don my very own Windblume.

I can only hope Lord Decarabian never learns of its' significance.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The winds are particularly harsh today.

I am afraid, but I smile and play my lyre as if nothing were happening at all, like I always do.

Sometimes, I forget if what I do is to reasure the people or to delude myself that everything is as it should be...

Then again, does it matter when the result remains the same?

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The people are growing restless.

Their yearning for freedom gave birth to a small wind spirit that seems fond of my playing. It is an adorable being, even if it has yet to communicate with us.

It remind me of a newborn puppy.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The people are planning a rebellion.

I want to help, but how can I? I am no soldier, my strength lays with the pen and the lyre, not with the sword.

Ragnvindr told me there was no need for more warriors, that I was doing enough by keeping the morale up with my performances... I am hesistant to believe him.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The little spirit has spoken for the first time today.

It said that it knew the song I was playing, despite it being a new piece I was in the midst of creating, and sang along to lyrics I had yet to write.

It was strange, but it made me happy nonetheless.

Perhaps I was strange too, for feeling that way.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

You had a suspicion on who the author of the diary was by that point. Maybe Crepus would be open to giving this diary to Venti, instead of it gathering dust on the shelf?

Idly, you wondered how it had survived so long, but figured Ragnvindr and his descendants took good care of it.

I met Ragnvindr today.

Something compelled me to share my worries with him, even though I knew he had enough weight on his shoulders and I ought not to add more.

"If you cannot trust in yourself, then trust in me and my trust in you instead" he told me.

It helped.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

Meetings regarding the rebellion are more and more frequent. Ragnvindr, alongside a man named Amos, have convinced the Gunnhildr clan to participate against all odds.

I can understand their hesitance. Should we fail to kill Lord Decarabian, their legacy would be no more.

I admire their bravery.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The wind has long since realized change is imminent, even when Lord Decarabian himself has not - the little spirit said so.

King of Gales indeed, even the wind has rebelled against him.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

Ragnvindr speaks of a bad premonition.

In truth, my heart is uneasy as well, but how can I share those feelings with anyone but myself? It is not the time to bother others with my issues -- it is time to reassure everyone, to rouse their spirit and not to let fear take root even as they stand against a God. It is my duty as a bard and as a fellow rebel.

The Windblume feels particularly heavy as I write this.

I fear I will not live to see tomorrow's sunset, but I fear for my dearest friends and for Mondstadt even more.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

My little spirit friend is still without a name.

I know it does not bother them, they are the wind itself after all, but I would still like to give them a name others can remember them by.

A name that they can remember me by once I pass on, selfish as it is to bind an immortal to a memory.

But I am selfish, even if Ragnvindr may see me as a paragon of virtue. I am a human and to be human is to be flawed. I am not ashamed of it, even if I often feel guilty for it.

Perhaps it will be the very last thing I achieve in this life of mine.

It is hard to name them.

I've thought of many names up until now.

Caelus. Liberius. Aella. Calliope. Achill. Carmine. Hilarius. Hanne. Zephyrinus. Dieter. Sascha. Scilla. Paulus. Notus. Veronica. Agna. Vergil.

Those are just a few of the ones I discarded.

None fit.

I can only hope the right name reveals itself when it is time.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

That was the last entry.

You closed the diary and carefully put it aside.

☆(ﾉ◕ヮ◕)ﾉ* ✨ Author Note✨

It was not supposed to be mostly nameless bard POV via old diary.

It really wasn't.

Mans literally kidnapped the chapter entirely against my will while I was half asleep yesterday and attempting to write at nearly midnight and I was powerless to stop it, on god.

But hey, at least we got potential Venti bonding set up for the future?

I was planning for more fluff, but I also have no outline for this, so my chapters have a chance of getting kidnapped at any time.

✨BY THE WAY!!!!✨

The charm of spontaneous writing, I guess?

If you have something you want to happen - for example we're in the library right now, so maybe you want a book about a specific tidbit to appear - do let me know, maybe I'll write it in!

I had 2 tests and 1 retake yesterday and holy shit i got through all of them and tomorrow is last day of uni then it's ✨HOLIDAYS✨

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