#at least those were written by the people who created it

[thisgirlnamedblusy]

Can you write about a reader who is the most beautiful girl in the village? Donna literally worships her, she has many pictures of her in her house,she is overprotective, literally treats her like a goddess. Every time Donna sees reader she loves to touch her, tell her how much she loves her and how beautiful she is.Reader is also very shy and doesn't talk much, even more than Donna. Can it be smut G!P Donna with reader being super shy and embarrassed? Reader needs aftercare soo much :))

Yesss!!!! Thank you for your request!!!! I hope you like it and sorry about the language mistakes!!!!! :)))))

Your cursed beauty

Pairing: Donna Beneviento x Fem! Reader

Warnings: G!P Donna, smut, Minors DNI, fluff,

Word count: 7,672

Summary: She's the only one who really loves you...

N/A: Sorry about the language mistakes!!! Requests are open!!! I'm waiting yours!!!I love you all!!!

“So, with the rune in his hand, he made an effort not to use that power again, because the fate of the region was much more important than his selfish desires...” you read out loud as you wrote.

The always reassuring silence of the mansion, the subtle lighting of the place, that peace, that tranquility were your best companions when it came to writing one of your stories. It was a shame that someone had other plans for you.

“Hey! Silly, silly!” a shrill voice pulled you out of the sheet of paper, blurring the image of your characters in your mind. At least you were used to it. “Hey, do you hear me? Hello? Silly?”

“Angie...” you sighed in a low voice, shaking your head as the puppet climbed onto the old desk, taking a not-so-subtle look at the already written sheets. “W-Wait…”

Your whispers weren't going to stop the doll's curious eagerness.

“Keep reading, keep reading, keep reading,” the puppet insisted, pointing at the paper.

“I can't read what isn't written,” you murmured, taking that new page out of the machine, pretending that this intrusion hadn't made you nervous.

“Well, write then,” Angie said, with her hands on her hips.

“I can't if you're here,” you said with a shy tone, afraid that one of your words would offend the doll. It wouldn't be the first time. “Besides, I'm done for today.”

Sometimes you thought Angie only did those things to make you nervous. What nonsense, of course she did it to make you nervous.

“I hope you've accepted my suggestions,” she said in a petulant voice.

You looked at her briefly, shaking your head. Despite your shyness, despite the comfort you felt in not having to speak, you knew it was impossible.

“I can’t put spaceships in it, it’s a fantasy novel,” you said in a soft voice, not looking at the puppet as you did so, an old trick to lose the fear of communicating.

“Bullshit,” Angie protested, in a brusque tone, one that even startled you. “Spaceships are cool.”

“Angie, lasciala stare,” a tender voice appeared to protect you.

Your lips broke into a smile, your cheeks flushed at those melodic words. The sound of the heels matched the beat of your heart and your eyes moved from the desk to contemplate her approaching figure.

Since you were very young, you were blessed with the gift of beauty.

Being beautiful was the dream of many girls, they strived to achieve it. They prayed to achieve it.

You never had to do it, you were born beautiful, according to too many people, you were the most beautiful girl in the village.

It was a proud title, in which you yourself didn’t believe. You never cared. You never looked at yourself the mirror and smiled. You never contemplated that beauty everyone said you had.

The only thing you were proud of was your gift for writing.

Creating a world, characters, play with them, make them live a thousand adventures was truly your passion. Since you were 10 years old you had started with short stories, with tales that you read to your parents. That was a gift for you, not looking in the mirror and knowing that you were beautiful.

Unfortunately, those kinds of talents were not noticed in that village. The Black Gods, Mother Miranda, the Lords... They transformed that place into a gray pit of bitterness, of conformism.

Like those knights in the books, with small brains and big lances, the villagers didn’t see in you an artist, not even a friend, all they could see was your face, your beauty.

A beauty desired by others, an extraordinary gift that was a blessing for those silly girls who dreamed of their prince charming. For you it was not like that, for you that beauty was a curse, an unjust sentence.

You felt the eyes, the glances on you, you heard whispers. You lived with uncomfortable smiles.

Far from considering you a strange girl, your friends seemed to be interested in your talent. That was a good thing, or so you thought. Every day you had several people willing to listen to your stories, to hear a voice that wasn’t yet afraid to come out of your lips.

In your ignorance you believed that those invitations were simply a desire to hear your stories, since it was the favorite excuse of those boys and girls.

You soon discovered you were wrong. You only had to ask, ask what part they liked the most, what they thought of the fate of a character, to realize that they never listened to you, that your stories didn't matter to them.

Nobody cared about your writing, nobody cared about your stories. They only wanted to be close to you to try to make that fairy tale princess fall in love with a brainless knight.

That same attitude, the repetition of that behavior over and over again led you little by little to despair, to not feeling comfortable talking, relating to people.

One day you were beautiful and outgoing, the next one you were beautiful, yes, but shy and lacking in words.

Shyness arrived over time, as a side effect of that curse your beauty was.

“Oh, come on, don't be like that, let me invite you to dinner at least,” he protested, while you walked away, telling yourself that it was over, that no one who didn't want to listen to you would deserve to hear your voice.

“I really want to know the end,” a hoarse voice startled you, getting in your way.

It wasn't a dream, nor a nightmare. One of the village Lords, the youngest, the strangest, Donna Beneviento, appeared in front of you, with her hands in an elegant pose.

It seemed unlikely, even impossible.

But your duty was to obey those authorities, and so you did. The lady in black and you sat on a bench. Silence accompanied the mystery hidden by that black veil. There were no words, only gestures that encouraged you to continue that story.

You would never have imagined that she, that sick, disturbed woman, that doll maker would listen to you. She didn't interrupt. She didn't seem to devour you with her gaze. She just wanted to listen to you.

No one, not even your best friends, had made the slightest effort to let you share your talent with them.

Donna Beneviento did, she listened to you again and again, she asked you questions, she seemed curious about your talent, enthralled by your stories, and not by your beauty.

Well, that would be trivializing it a bit, of course she thought you were beautiful, the most beautiful girl in the village, but that was a very secondary detail.

She was the first, the only one who dared to meet you, who seduced you not only by what you were on the outside, but also by what you were on the inside. The dates on that remote bench were frequent. They were dates that weren’t scheduled; they simply existed, always in the same place, always at the same time.

You found refuge in her presence. Attentive, kind, shy like you... That was the youngest of the Lords.

That was the first time, the first time that a compliment, a flattery, was accompanied by praise for your talent.

Her deformed face forced her to isolate herself from the world. Her different body embarrassed her, almost as much as your beauty did to you. You tow ere so different and so alike…

You had no doubt, you loved her, and she loved you.

Without thinking, you threw yourself into that romance, into her lips, into her kisses, into her hugs. Donna was the only one who treated you the way you deserved, the only one who won your heart.

Living in the old mansion was your next step. You couldn't walk without feeling her lips, her caresses, her words of love. Yes, she was also dazzled by your beauty, she adored you as if you were some kind of Goddess, but you knew she was the only woman you allowed to do it.

Your shy attitude was curious to her. Your talent was fascinating to her. But, Donna... She was much more than that to you, Donna was everything to you.

You could no longer live without her kisses, without her voice, without her caresses... Anything that meant not having her by your side was like a hell for you.

“Hi, tesoro...” the lady sighed, bending down to steal a kiss from you, to cheer your spirit with a tender smile.

You smiled again, embarrassed by the softness of her lips, her words. Your cheeks had become accustomed to blushing in her presence, and your body trembled accepting her caresses.

“Donna,” you said with a soft voice, broken by the shame your body felt when hers surrounded it.

“Are you done for today?” she asked softly, looking at the pile of papers on the desk.

You nodded slowly, lowering your gaze as she looked at you again with that smile, one that didn't seem to want to fade from her face.

“I've finished two chapters,” you said in a whispery voice, trying to make the heat in your cheeks dissipate, something complicated due to her constant caresses.

“Mm, you were inspired,” Donna said, amused, putting her hand on your shoulder and sitting on the desk. “Do you want to read them to me?”

“Oh, um, I…” you said nervously, moving your eyes away from hers. “You, you know it’s embarrassing for me.”

Donna laughed, shaking her head, taking the opportunity to run a hand over your face again, to be captivated by your features. Your cheeks accepted that caress, responding with an increasingly dark red tone.

“You know I love listening to you,” she whispered, moving away so as not to overwhelm you. “Your voice is worthy of the Gods.”

You laughed as you shook your head, giving her a soft slap on the leg.

“Hey, don't say those things to me…” you said in a shy tone, focusing your gaze on the papers, and not on her beautiful, truly beautiful smile. “It makes me nervous.”

“Oh, does it make you nervous when I tell you nice things?” she said in a tender voice, biting her lip. “You're perfect, you know?”

“No, no, I'm not,” you murmured, looking for the chapter you had finished. “If I read you… will you stop talking to me like that?”

“Maybe,” she said, with a mischievous smile.

You indicated for her to sit in a nearby chair, while you cleared your throat.

“Mm, let's see…” you whispered, dying of embarrassment as every time you read out loud, even more knowing that the Angie doll had climbed onto her owner's lap, also willing to listen to your story without spaceships.

Little by little, you related those parts of your novel, which Donna, along with a mysteriously silent Angie, listened attentively.

 “What do you think?” you said, sighing in relief when you finished reading.

The lady in black, with her head resting on one hand, blinked, her smile widening.

“Edgar's story is very tragic,” she commented, with a low voice, moved by the fate of one of your characters.

“Yes, well…” you said, nodding and moving the pages, returning again to your usual shyness. “He can have all the money he wants, but he will never get Regina's love…” you commented.

“Never?” Donna asked, curious about your comment.

You shook your head with a smile.

“Not everyone has to have a happy ending, right?” you said amused.

The lady sighed, getting up from the chair and lowering Angie to the floor.

“I had it,” Donna whispered, helping you get up from the chair with an elegant gesture, placing her hands gently on your waist. “Although I didn't deserve it…”

You enjoyed the contact, the soft hand that placed a lock of hair behind your ear.

“Me neither,” you said in a low voice, intimidated by the intensity of her gaze.

“Nonsense, tesoro, you deserve anything you want,” the lady in black whispered, leaning to your ear and kissing your skin slowly, savoring each of the soft movements of her lips on your neck.

“You’re exaggerating,” you said shyly, laughing nervously at the tickling her kisses did to you.

“Mm,” Donna murmured, sighing and caressing your cheek one last time before slowly pulling away, kissing the back of your hand. “I’m going to go make dinner.”

“Oh, do you need…? Do I help you?” you asked, more confidently.

Donna turned slowly, shaking her head.

“No, tesoro, just rest,” she said softly, walking away from you with her graceful step, the rhythmic sound of her heels clicking on the floor.

You stood still on the floor, but before the doll maker reached the elevator, you walked quickly towards her, placing a hand on her shoulder, drawing her attention.

“Donna,” you said with a shy smile, slowly turning her around and capturing her lips in an improvised kiss, one you rarely felt capable of giving.

She smiled into your lips, cupping your face in her hands, caressing your lips slowly, softly, while you leaned, smiling. Your cheeks were burning with shyness, but also, with love.

The kiss deepened, and seemed to never end. Your hands settled on her chest and hers ran seductively along your waist.

“Amore mio…” she sighed, letting her lips go free, kissing every part of your face, releasing the chastity of her hands, which tickled your arms, your neck. “Principessa…”

You resisted nervously, unable to control those kisses that were increasingly unbridled.

Laughing again, shy at her whispers, which only knew how to praise you, to adore you as if you were something precious, fragile, tremendously valuable, you put your hands on her chest, stopping the passion that was increasingly ardent, because otherwise, you would be unable to do it.

“Donna,” you whispered between kisses, gently moving away, causing a tender growl from the lady, who finally agreed to stop kissing you. “I'm… I'm a bit hungry.”

“Oh, certo…” she murmured, kissing you quickly and running her thumb down your cheek while laughing nervously. “I'm sorry.”

“Don't apologize,” you whispered shyly, with a sincere, sweet smile, a smile like you've never had, one in love, truly in love. “I love your kisses…”

“I love you…” the lady whispered, giving you one last kiss before pulling away again.

“Hey, that's enough! Stop, basta, parad!” Angie shrieked, pushing the lady by her legs. “How disgusting…”

“Angie…” Donna sighed, shaking her head.

“Is the blood reaching your head? I doubt it…” the doll mocked, making the lady blush with a serious look.

“Angie, don't be rude,” the doll maker protested, turning around. “I'll see you right away, amore mio…”

“O-Okay,” you said shyly again, laughing at Angie's impudence. “I'm going to take a bath, I need it.”

“Mmmm,” the lady in black protested, turning on her heels and biting her lip. “(Y/N)… You know I love to do it with you.”

You shrugged in amusement, looking at the floor so your embarrassment wasn't so obvious. The characters in your novel weren't afraid of such things but you... Despite having shared everything with Donna, you were still extremely shy when it came to taking off your clothes next to her.

Your life was perfect, really perfect.

“And this... It's for you...” Donna said as she served dinner, handing you a perfect rose, like every night.

“Oh...” you murmured, smelling the intoxicating scent of the flower. “Donna...”

“Mm?”

“It wasn’t necessary” you said with your voice low, soft and shy as usual. She smiled at you, gesturing with the bottle of wine. “Oh, don't pour too much wine, otherwise, my head will hurt.”

The lady laughed, obeying your request and leaving the bottle on the table, waiting, as always, for you to eat first.

“Do you like it?” she asked, unsure, observing your gestures.

“Very much, darling,” you said kindly, earning another radiant smile from the brunette, who, finally making sure that you enjoyed her food, began to eat. “Thank you…”

The glances crossed as always, the smiles danced between them from time to time, the shine of your eyes reflected the dim light of the candles.

Every night, every moment was the most romantic of your life. Of course, you could envy many things from the books: talkative, outgoing, daring characters... But if there was something that those romance stories were not able to convey, it was the love that existed between you and Donna. That was just impossible.

“How...?” you said nervously, interrupting that silent dinner, wishing to be the one to start a conversation for once, something difficult due to so many years of voluntary silence. “Ahem, how about your...? Your... Dolls?”

Donna looked up, knowing that you were interrupting because of your internal struggle to stop being the shy girl you always were.

“My dolls… Well, I guess they are as usual,” she commented, drinking some wine. “They're not very talkative.”

“Hey!” Angie protested, entertained on a nearby sofa.

“Well, not all of them,” Donna joked, lowering her gaze again.

You nodded. Yes, Donna wasn't the most extroverted and talkative woman in the world either, but at least she tried, and with better results than you, of course.

“I, I'd like to learn how to sew,” you murmured, hiding your shyness in a glass of water. Donna smiled, arching her eyebrow.

“Sew?” the lady asked, with a tender voice, unable to hide a bit of curiosity.

“Yes, well… You must be sick of fixing my dresses,” you commented amused, finishing your plate, looking at the sleeves of your dress, always masterfully mended by the brunette.

“Don't talk nonsense, tesoro, I love sewing for you, and making you dresses…” she commented, winking at you. “You have a perfect body for it.”

“Oh, well…” you said nervously again, running a hand over the back of your neck and looking away. “But, I would really like to learn.”

“Okay, dolcezza, I'll be happy to do it,” Donna said in a soft voice, with a slight blush on her cheeks. “Tomorrow when I get back from the meeting we could start, what do you think?”

“Oh, tomorrow…” you sighed, blinking nervously. “I don't know if I can, I had thought that, since you have a meeting, I could take a walk around the grounds, you know, to get inspired.”

Donna stopped eating, with a slightly more serious, darker look. You didn't expect any other reaction.

All the virtues of the lady in black were enough to make you fall in love, but, like everyone, she also had flaws. The worst of them was her subtle possessiveness, her jealousy, the fear of losing you, something that always led her to overprotect you, to put a bubble wrap on you so nothing dared to harm you.

The lady wiped herself with a napkin, drinking some wine before looking at you suspiciously, perhaps searching for the words to dissuade you.

“Mm, you can wait for me so we can go together,” she murmured, searching for the lie, the deception in your gaze, something that made you even more nervous.

“Yeah, but... Well, it's just that I don't know when you're going to come back,” you said with a voice that was getting weaker and weaker, playing with your cutlery so as not to look at that darkened eye. “Last time it got dark.”

“You know you can't go out alone, (Y/N),” she said abruptly, crossing your arms. “If I come back late, we'll go another day.”

“But Donna... I...” you insisted with a broken voice, with the seriousness of her gaze stabbing a dagger into your heart.

“Basta, (Y/N). We've talked about it many times,” she hissed, clenching her fists on the table, without changing that sinister expression. “You can't go out, it's dangerous.”

“You worry too much,” you murmured, frowning and shaking your head. “Nothing will happen to me, it's still your territory.”

“I worry enough, tesoro,” she whispered, crossing her arms. “I don't know what I would do without you.”

“I think you're exaggerating, darling,” you said with a fake smile. “I don't think anything will happen to...”

“You can't go out!” the woman in black shouted, with an angry voice, losing control, something that happened less and less frequently.

“Donna...” you whispered, scared by her abruptness.

 It shouldn't surprise you, but your soul was suffering to see the love of your life losing control.

“I'm sorry,” she said nervously, looking at the table and shaking her head. “I just... I can't imagine that... (Y/N) you, you can fall off the cliff, you can trip and hurt yourself, do you understand? How do you think I would feel if something happened to you?”

You nodded, calmer as you saw the light in that darkness again. It seemed to take a lot of effort, but little by little, she began to control her problems, more or less.

“Um, Donna,” Angie interrupted, dispelling the uncomfortable tension that had formed between you. “Can you stop being too Donna?”

“It's none of your business,” the brunette hissed, her breathing still labored.

“Come on, silly Donna, (Y/N) is not a dog. You can't have her stuck in the house all day long,” the doll said, defending you. You raised your eyebrows but didn't intervene. “She's not stupid, nothing will happen to her.”

“Am I talking to you?” the lady asked, with a dangerous tone, getting nervous again.

“Now you are,” the puppet joked, laughing amused.

“Ugh…” Donna protested, shaking her head and getting up from the table, approaching you.

The brunette bent down, taking your hands, kneeling on the floor with a different expression, a sad, pleading one.

“Amore mio, I'm sorry…” she said in a soft voice. “I shouldn't have yelled at you.”

You nodded slowly, letting her hands caress you with soft, but trembling hands.

“I'm sorry, per favore, perdonami…” she sighed again, burying her head in your lap, soaking your dress with a tear of sadness and regret. “You are the most important thing in my life, my girl… My soul…”

“Donna…” you sighed, caressing her black hair, calming her demons little by little, comforting her in your arms. “My love…”

“If I lost you, I would…” she sobbed again, raising her head to look into your eyes.

“Shh,” you whispered softly, caressing her cheek. “You won't lose me, I promise. I promise I'll be careful of cliffs, ditches, and anything that could hurt me. Nothing will happen to me, darling, trust me.”

“O-Okay,” she said, nodding, getting up from while kissing you slowly, repentant for her irrational anger. “You're right, tesoro.”

You smiled tenderly, ending that argument.

It was funny. When Donna was in trouble, your informal nature, your self-confidence came back to lend a hand to you. Sometimes you wondered what your life would be like if you hadn't given up socializing, if that desire to talk for hours, to say everything you thought, had remained.

“You're welcome, silly...” Angie whispered, while Donna and you looked at each other in love, in silence, with the sweet glow of forgiveness on her face.

You looked amused at the doll and back at its owner, who shook her head, pulling you up from the chair so she could hug you affectionately, lovingly, letting a sigh run through your bodies as you buried your head in her black dress.

“I love you so much...” she whispered, swaying with you. “I have a hard time believing that you're really with me, it's like a dream.”

“Don't say that,” you said shyly again, with the blush on your cheeks confirming that the bad moment was over. “You know I blush easily…”

“Mm,” she murmured, stealing one last kiss from you before slowly pulling away, her gaze fixed on yours. “I like seeing you blush… You're beautiful, you know?”

“Donna,” you said looking away and giving her a playful punch on the shoulder. “Stop it…”

“Okay, okay,” she laughed amused, leaving you some room again and turning towards the table. “I'm going to pick this up, you… Well, why don't you prepare a movie?”

“Oh, I… Okay,” you said, with the blush limiting your words, walking towards the elevator until a tug on your dress stopped you.

“Hey, you, aren't you forgetting something?” Angie said, crossing her arms with a cocky tone and pose.

“Um…” you murmured, frowning, confused and looking for Donna's help. Unfortunately, the lady was busy with the dishes. “N-no, I don't know,” you stammered.

“I helped you, I demand compensation,” the doll told you, determined to not let you go.

“What do you want? you asked nervously, playing with your hands.

“Oh, it’s not complicated, just one word: Spaceships,” Angie said, with an amused tone.

Not knowing if she was joking or on the contrary, she was serious, you rolled your eyes, without answering back, hitting the elevator button.

The next day, that afternoon, you were finally able to go out for some fresh air. The meetings of the Lords were always something annoying for you, something that took Donna away from you but… That day, you really needed that walk.

Unfortunately for you, that silent walk through the forest was not entirely useful. Your head tried to get inspired, but you were unable to do so. Maybe what you needed was a break.

“Okay…” you said, closing the door of the mansion, scared when you felt a tug on your dress. “Oh, no!” you squealed, thinking that maybe someone had grabbed it.

Your face turned red from embarrassment, but not like when Donna whispered in your ear, this time it was because of the terrible ridicule you had before your eyes.

 In your clumsiness, with your mind wandering through imaginary landscapes, you had closed the door too soon, thus trapping the fabric of your dress.

“I don't believe I'm that stupid…” you muttered, pulling hard on the fabric, unable to open the door again. “Shit!” you screamed when, with a disgusting sound, the fabric tore, ruining one of your dresses, one of the ones Donna made for you. “See? That’s why I wanted to learn how to sew…” you hissed, lamenting, kicking the floor nervously.

Furious, angry with yourself for your clumsiness, cursing in ways you only used when you were alone, you went down to the bedroom to change clothes, searching in your head for the best way to ask the doll maker to fix your dress again.

“Great, (Y/N), you’re stupid…” you said to yourself, opening the closet and looking for a nice dress, one to give her a surprise you thought she deserved.

Rummaging through the clothes, something fell to the floor. It looked like a small box, like a jewelry box. You picked it up, unable to resist the temptation to open it.

Maybe there were the Beneviento family jewels. Maybe some ruby, sapphire, or precious stones would serve as inspiration for some weapon in your novel.

“What?” you said surprised when you saw its contents. There were no rings, no necklaces.

Inside that small box were photographs, a few photographs in which you were the main protagonist.

“No…” you sighed, watching yourself walking to the market, reading alone in a corner… It was obvious, although you couldn't believe it. Donna had been spying on you.

Long before she met you, before she dared to talk to you that day, she had been following you, stalking you without you realizing it.

The thoughts became confused in your mind. That idealization of the lady in black, that feeling of thinking that it wasn't your beauty that attracted her in the first place, blurred as you looked at those photographs.

You shook your head, feeling your stomach sink, how everything you thought was clouded in a fog of betrayal, of deceit.

“Everyone is the same… You too,” you said nervously, with a dark hiss, squeezing one of the photos in your hand.

You, who believed that she was the only one who loved you for who you were inside, and not on the outside, saw that, in reality, the brightness of your eyes, your face, your figure, was what attracted her attention, you didn't know how long ago.

“Why, Donna? Fuck... I thought you were different...” you lamented, passing a hand over your forehead.

Disappointment attacked your feelings, but the love you felt for the lady in black was resilient, even with that disappointment, your heart didn't change sides, it was still with her and it always would be.

“(Y/N)?” her soft voice interrupted your laments. The sound of her heels was getting closer. Apparently, that day, the meeting ended early.

A smiling Donna entered the bedroom, ignoring the scene in front of her, grabbing your waist, leaning you in a chivalrous manner and kissing you in a somewhat old-fashioned way, something that, in other circumstances, drove you crazy.

“I've missed you, tesoro…” she whispered with a tender voice, approaching your lips.

You, angry, upset by your discovery, turned your head away, pushing Donna roughly.

“(Y/N), what…?” the lady asked with a frown at your rejection. “What's wrong with you?”

“What's this, Donna?” you asked hissing, showing the lady one of the photographs, one in which you were calmly reading.

“Oh, I…” she said shyly, blinking in embarrassment due to your discovery, with the smile slowly fading from her face. “Well, I…”

“How long have you been doing this?” you asked, putting the embarrassment aside, demanding explanations with an irrational fury.

“I...I...” she stammered, desperate, nervous, shaking her head.

“I...I...” you scoffed unpleasantly. “Fuck, Donna, I thought you were different!”

“What? No, I, I just...” she said, unable to look you in the eyes, terribly embarrassed.

“You just what? Were you spying on me?” you asked, getting a little closer in a threatening way, making her back off. “Answer!”

“It's not that, I...” she said, breathing heavily. “You, you don't understand.”

“No, of course I don't understand...” you hissed, looking at the ceiling. “Do you know why I fell in love with you?”

Donna shook her head, her body shaking, totally humiliated.

“Because you weren't like the rest, because I thought you looked beyond my physical appearance,” you explained, pointing at her with your finger, forcing her to lower her head, to accept your reprimand.

“But, but I...” the lady interrupted, narrowing her eye. “Listen to me, I...”

“No, I don't want to listen to you, Donna,” you said, nullifying any attempt of the brunette to defend herself, to explain herself. You didn't remember having gotten that nervous, ever. “Why were you doing this? Why were you spying on me?”

“Because, because I... I, I love you...” she stammered, with a sad look. “I fell in love with you before I met you and...”

“So that's why you were secretly taking pictures of me, right? That's creepy, Donna,” you snapped, showing the photograph. “I can't believe it. You're just like everyone else…”

“No, you're wrong, I'm not like them,” the lady in black defended herself, with a tear running down her cheek, reaching out her arms to grab yours, something you prevented with an unpleasant gesture.

“You've shown me… I'm just a pretty face to you, aren't I?” you said in an ironic tone. “I always was. If you loved me before you met me it means that the only thing you cared about was my appearance, right? Then fuck you!” you shouted furiously, crumpling the photograph in your hands and letting it fall to the floor.

You were completely unhinged. Not even you could understand the reason for your anger, you simply couldn't.

“No…No, no, no, no,” Donna sobbed, throwing herself to the floor and grabbing the photograph, smoothing it again with trembling hands. “That’s my favorite…” you whispered, holding it tightly against her chest.

“They’re right about you, you’re a sick nutcase,” you hissed without thinking, letting out all that irrational rage.

Donna didn’t respond. She just closed her eye shifting on her stomach with your picture on her chest, crying inconsolably.

A spark of sanity came back to your mind, making you put a hand over your mouth, aware of what you had just said, of the damage you had done to poor Donna just because your beauty made you feel self-conscious, just because that was the reason for your hermetic attitude. You didn't want to be a pretty face, not to her.

“Gods...” you sighed, shaking your head and putting a hand on the shoulder of the lady, who was still crying inconsolably. “Gods, Donna, forgive me, I didn't mean that.”

“I just wanted...” she murmured, her voice broken by sobs. “I wanted to see you all the time... I knew, I knew I could never have you so... I took pictures of you secretly but, but it's not what you think... It's not that... It's not that!”

“Don't you understand how bad makes me feel that you noticed me because of my looks?” you asked in a softer, calmer tone.

“Is that really a bad thing?” the lady asked, putting the photograph back in the box.

You remained thoughtful, stepping back.

“N-No, I don't know,” you murmured unsurely, calming your breathing. “The truth is, I…”

“You are the most beautiful girl I’ve ever met,” Donna said, putting the box away in the closet, controlling her sobs. “I don't care if you hate me saying it. I'm not going to stop doing it.”

“Donna…” you sighed, relaxing little by little, regretting your attitude.

“Yes, I fell in love with you, always so quiet, reading anywhere, with that smile…” she whispered, bringing her trembling hand closer to your face. “You are like a Goddess to me, better than a Goddess… But I… I knew that I could never have you, that you would never love someone like me. I limited myself to looking at you from afar, dreaming of your beauty, until that day…”

“What day?” you asked, tilting your head, with a serious face, but with your eyes shining.

“The day you were talking to that boy, when you were telling him a story,” she said, without looking at you, still nervous. “Then I had no choice but to do something. Besides being a beautiful girl, you were smart, you had imagination. I had to meet you, (Y/N). I had to know if your beauty also touched your soul… And it really did.”

“That's… Very, very nice,” you said with an involuntary smile, lifting her chin. “Donna, Gods, I went too far… Forgive me…”

“I’ll always forgive you, (Y/N), you are the love of my life,” she said, placing her hand in yours. “Don't worry about the photos, I… If they disgust you that much… I'll, I'll get rid of them.”

“No, wait, honey,” you said, stopping the lady from bending down again to pick up the box. “Wait, my love… No, it's not necessary…”

“I would never do anything to hurt you, (Y/N), I live to take care of you, to love you…” Donna murmured, caressing your face erratically.

“I know, Donna, I…” you stammered, losing yourself in her gaze, in her sincere words of love. “Donna…” you sobbed, burying yourself in her arms, hugging your lover tightly, calming the delusions of your mind.

Her embrace was warm, comforting as always, strong, safe… In your head you regretted your attitude, that fury, the absurd transformation of your personality due to the interest people had in you, a physical interest, without feelings, a superficial vision of what you were on the outside and not on the inside.

The things the lady in black did, the photographs, didn't matter. Little by little you began to realize that it wasn't important.

What was important to her wasn't your appearance. It was that your beauty was linked to your soul, to your intelligence.

“Honey…” you sighed nervously, caressing her cheek, letting her arms cradle you. She looked back at you, nodding for you to speak. “Forgive me. I'm sure you'd like me to be a little more talkative or outgoing but… It's just that… Everything, everything that's happened to me, my disappointments… I…”

“Shh, don't go on, darling. It doesn't matter… I like the way you are, I love you just the way you are…” she whispered, kissing your lips softly, mixing your salty tears with the dance of a loving kiss, a sincere one, one that ended that horrible moment you both suffered.

Donna pulled away, making an effort to give you a smile, one that made your cheeks shine again with that blushing tone.

“Mm?” the lady in black murmured, when her gaze strayed to the torn sleeve of your dress. “What happened to your dress?”

“It's just that...” you murmured, moving your ankle, embarrassed. “The door caught me.”

“The door,” she said, with an amused expression, studying the damage of the seam. “Don't worry, dolcezza, I'll fix it.”

“You always fix everything, don't you?” you said shyly, looking down, only being able to hear her nervous laugh, a sweet and tender one. “Okay, let... Let me...”

Your feelings sent signals to your head as you moved away from the lady, with your cheeks flushed and your hands tremblingly traveling to the buttons of your dress, slowly undoing them, one by one.

“Tesoro, what..?” Donna asked, looking at you curiously, watching how, controlling your shyness, you took off the sleeves of your arms, thus revealing your partially covered torso.

“Shh, I'm embarrassed if you talk,” you whispered nervously. “Just let me do it by myself”

She nodded, not wanting to bother you, to intimidate you, running her gaze over all the parts of your body that were gradually becoming exposed.

“Sei una dea della bellezza,” the lady in black murmured, breathing nervously in front of your half-naked body.

“Don't even talk to me like that. Don't use Italian against me. You know I'm embarrassed…” you protested amused, grunting in shame, unable to hold her gaze.

You could sense a smile as she approached, surrounding your body with her hands, caressing your waist, your back, lifting your chin so your blushing face looked at hers.

“I will never be tired of saying how beautiful you are,” she whispered in your ear, with that melodic voice that always made you squirm, while her soft, delicate hands took advantage of your distraction to act on the clasp of your bra, unbuttoning it instantly.

You laughed again, resisting the embarrassing impulse of your hands, which asked you to cover yourself. Fighting your own shyness, you succeeded, while Donna helped you face that absurd shame with a soft kiss from her lips, with some sensual caresses on your bare back.

“Donna…” you whispered, letting yourself be carried away by the humidity of those tender kisses, by the glances, by the sighs, by that increasingly warm, an increasingly anxious atmosphere.

Your dress fell down your legs, crashing against the floor irremediably, making a shiver run through your legs, the cold making the hairs on your skin stand on end.

“Come here, amore mio… This horrible floor is not worthy of your footsteps…” Donna whispered, lifting you in her arms in an elegant way, raising your half-naked body to lay it on the bed.

“Why are you so tender?” you asked amused, crawling across the mattress, closely followed by the brunette, who began to get rid of her own clothes without taking her gaze off yours, a look of admiration, of faith, of adoration to your body, to you.

She didn't answer, she simply moved the black dress away from her body, approaching you little by little, running her hands over your legs, over your waist... Leaning down after a sigh and kissing you again.

They were sweet, tender kisses but they betrayed the passion that had begun to form in the dark bedroom. The blush on your cheeks didn't want to leave your skin, shame refused to give you a break.

You were sure that every time your lover ran her hand over your face, her skin burned from your heat.

You laughed shyly when Donna exposed her bare torso as well, when she did with her hands what yours were incapable of doing, uncovering the beautiful woman beneath that black fabric, that pale, soft skin you were addicted to.

A brave arm pulled her head, returning her lips to where they belonged, directly to yours.

Her hips began to dance over yours. The heat of her body was mixing with yours. The kisses became fiercer, wilder as her fingers enjoyed your body, the shapes and curves you were born with, that kind of cursed blessing your beauty was.

“Gods… I love you…” Donna whispered, shaking her head, unable to repress her excitement any longer, pulling down your underwear with a soft movement, studying your embarrassed face, your gaze desperately searching for a place to focus on that wasn't her body.

“I love you,” you repeated, trembling as that hand ran down your chest, the other spreading your legs, exposing you completely.

The wine seemed pale compared to your cheeks. Your whole body trembled nervously as Donna finished undressing, as she positioned herself on top of you, ready to make you hers.

“Please, if you want me to stop, just…” she said, looking for the doubt in your eyes, that unmovable blush on your cheeks when her erection brushed the moisture of your folds, when you saw for yourself what you were doing to her body.

“No, no, Donna…” you said, gaining confidence due to that obscene, lustful touch, one that you had already experienced, but that you had a hard time getting used to. “Just… Don’t, don't look at me, okay?”

The brunette laughed, delaying her entrance and shaking her head, running a hand over your reddish cheeks and another one over your leg, scratching it without harming you.

“You can't ask me that…” she whispered with a smile distorted by desire, while her hips forced her to move so as not to lose that wet contact. “Watching you is my greatest hobby… You can close your eyes.”

You obeyed, writhing from the sensations her hard shaft sent to your body, not wanting to see her gaze when making love to you, not wanting to feel the shame that would prevent you from enjoying.

“Ah, Donna…” you gasped when she finally entered slowly, letting your wet entrance adapt, without forcing, enjoying the moisture that surrounded her, the ease with which your body accepted that invasion.

“Am I hurting you, amore mio?” Donna asked in an almost silent whisper, moving more slowly until she entered completely.

You, unable to say a word, unable to bear that incredible pleasure, shook your head, running your hands around her waist, bringing her even closer to you. That gesture reached the brunette, who quickly understood the message, you wanted her to move.

You would never say anything, you would never ask for anything. The only thing you could do without dying of embarrassment was to moan, to say her name, but never interrupt or dare to ask her for something different.

The wet sound of your bodies was accompanied by discreet moans, by the random sound of your lips colliding with each other in a disorderly manner. Everything gave you pleasure: her hands, her erection deforming your walls, her soft caresses, her reassuring, flattering whispers…

You were stupid. You would never give up that, the comfort of her body inside yours, the love and understanding that only Donna could give you.

In the middle of that lustful festival, your arms moved alone, running down her back, enjoying her skin when you thought she didn't notice, when the soft but determined movements of her hips began to become erratic.

Her hands also lost their tenderness, gently grabbing your legs, lifting them at will. Just thinking about that look, that eye shining with desire as she took you… Just with that thought you let out a louder moan and your hips began to want to keep up.

It was an intense rhythm, embarrassing but not wanting to miss anything, wanting to enjoy each one of those wonderful sensations, that very sexual, erotic and hot way that Donna had of expressing her love for you.

“(Y/N)…” she moaned, losing the rhythm, moaning faster, unable to control her movements, scratching your legs, your fragile skin.

That only made you tense up, scream, say words you would never say while you noticed how your body contracted, how your walls played with her erection, hugging it, holding it, squeezing it until, overwhelmed by the pleasure of your orgasm, she released herself inside you, stopping her body as close to yours as possible, with her legs shaking and her seed sending soft and wet caresses to you.

“My love…” you sighed when the lady fell exhausted on your chest, catching her breath little by little, with a smile, not wanting to leave your wet and warm body.

“(Y/N)… Ti amo, ti amo…” she repeated over and over again, finally coming out of you and covering your face with kisses, settling you under the sheets, letting her body surround yours, protecting it from shame, from your fears…

“Donna,” you said, snuggling up to her, controlling your still agitated breathing, melting into her body in a tender embrace, far from the lust of moments before. That was the true reward, for which you fought day after day with her insecurities and with yours.

Her hugs, her caresses, her fingers tangling in your hair… That was much better than Paradise, much more pleasurable than anything else.

“Are you okay?” the lady asked after a few minutes in which your breathing was the only soundtrack. Her voice was tired, exhausted from the effort, but always, always in love.

“Yes…” you sighed, snuggling up a little more, wrapping her other arm around yourself, daring to look at her smiling face, making your ears delight in her soft and affectionate laughter. “I've never been better…”

[kogo-dogo]

AN OPEN LETTER TO TODD HOWARD

Hi, Todd.

I know it must be very hard feeling like the most impotent man on earth, to look at the IPs you own and realize that the two biggest critical successes who have withstood the test of time were the two that succeeded in spite of you instead of because of you. Nobody understands you and your incredibly bland and tenuous grasp on worldbuilding and good storytelling. Don't people realize that the only thing cooler than generic European landscape is a colder generic European landscape? And why does nobody understand the intricacies of your post-apocalyptic dream of "gray landscape with an ending so bad that you had to retcon it" or "brown landscape with a story so bad that you refuse to address it out of fear."

I know. I know it's difficult. Your self esteem must be as small as your penis right now. Poor baby.

However, if you could stop fucking nuking things that make you feel like a wittle baby, I would appreciate it. It was already cheap when you shrugged and decided that destroying Vvardenfell was canon, but to go and nuke Shady Sands as well and follow it up with, "Vegas is also over. My big boy mean marines are in charge now :)" just reeks of you being a toddler (TODDler, do you get it?) who picks up your toys and goes home when the other kids decide they want to play a different game than you. Or worse, somebody complimented the other kid on their toy, so you broke it and then took home the pieces.

This doesn't even seem like you taking a chance at risky storytelling. It reeks of you being a jealous little pissant. It doesn't seem like a coincidence that you've done this specifically to the game you were tricked into taking risks with (and is therefore regarded as a better game than your D&D ripoff afterward) and the game you had minimal to no involvement in (that was well regarded because it was written by people who had an innate understanding of and respect for the source material). It seems like a little man had his ego bruised and is trying to overwrite everything so we only get to acknowledge the shit that he thinks is cool.

Read the room, asshole.

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[read-marx-and-lenin]

Was it antifascist when the USSR only ever allowed less than 10% of the population to vote for the one candidate the dictatorship put forward for each role?

Why did you deactivate your last account? Were you upset that you looked so foolish? You don't look any less foolish creating multiple alternate accounts to send anon hate with. I don't even have anon asks turned off.

The Soviet Union had universal suffrage. Every voting-age adult was allowed to participate in the elections, besides felons and those who were incapable of voting due to mental disability. All ballots were secret (at least, after 1936. Oftentimes elections prior were done by show of hands, but this became problematic.)

If you are referring to the election of the Presidium or the appointment of the Premier by the elected representatives of the Supreme Soviet, I would consider that more democratic than the election of the President of the United States, since not only was the Presidium a council of multiple people in and of itself instead of one singular person at the head of the government, but the election of the Presidium was undertaken by representatives who were directly elected by the people, as opposed to the electors of the Electoral College in the United States who are appointed by party officials.

If you are referring to the election of the General Secretary of the Communist Party by Communist party members, then that position was not a governmental one. While the General Secretary did indeed have significant political influence due to their role as leader of the vanguard party, they were not a dictator and the position did not confer any state powers.

Not only were the Supreme Soviet and the Presidium composed of many different people who collectively decided upon state actions, many powers and duties were constitutionally delegated to regional councils and soviets. The federal government never held supreme power.

As for the idea that there was only "one candidate" for office during elections, the so-called "single-slate ticket" decried by the West, it betrays a fundamental misunderstanding about how communist politics works. Competitive tickets were not impossible, although party discipline prevented them from occurring at any high level. Rather, the single-slate ticket arose because prior to the printing of any ballots, there was a period of discussion to determine who would be the candidate in the first place. So it was not a case of people being told by the party "here is your candidate, now you must vote for them". The people and the party worked together to find candidates who had public support in the first place. In addition, not only could voters simply vote "no" and reject a candidate (and any candidate who did not receive a majority of "yes" votes would be rejected,) but all elected officials were subject to recall at any time if they were found to be deficient in their responsibilities by the electorate. Candidates were not forced on the Soviet people by faceless party bureaucrats.

If you want to know more, I recommend checking out "Soviet Democracy" by Pat Sloan (I should note that that particular work forms most of my knowledge on Soviet democracy, so take all of that with a grain of salt for anything past 1937 when the book was written) and pretty much anything written by Anne Louise Strong, although I would recommend "In North Korea", in particular Chapter 3 which goes into detail on pre-war DPRK elections and includes a very enlightening passage on how the North Korean voters at the time viewed single-slate tickets. Suffice it to say, they did not at all feel disenfranchised.

I can understand why you would be misinformed as to how the Soviet government worked. But to decry the Soviet Union as undemocratic, let alone fascistic, is absurd.

[chaotic-archaeologist]

https://nypost.com/2024/08/28/world-news/boy-4-accidentally-smashes-bronze-age-jar-that-was-at-least-3500-years-old/

Your thoughts?

Personally, I'm kinda sick of museums being required to cater to kids so much. If you're going to do this open air exhibit, kids who don't know how to keep their hands to themselves just shouldn't be allowed in. The glass is there for this very reason.

Actually, I'm with the museum on this one. Is it unfortunate that the vase was broken? Yes. Was the vase a valuable piece of the past? Also yes. But I think the museum did something very cool by not having the artifacts behind glass and are handling this with good grace and the sense to make this a learning opportunity.

Sometimes we overlook the fact that museums often attempt to arrest or freeze artifacts in time. They are kept in controlled conditions to prevent them from deteriorating and even treated to reverse damage. Many things on display on museums are elevated beyond their original value, alienated from their original purpose, and closed off from interaction.

It's incredible that this jar survived as long as it did—and its age is what makes it special—but at the end of the day, it is still a jar. It has now experienced the thing that happens to pretty much every jar that has been or will be. After all, decay is an extant form of life. (If you want to read a very well written and interesting take on decay and archaeology, check out this article by Caitlin DeSilvey.)

The article I linked above provides some important context and the update that the museum is planning on using this as an opportunity to teach about the conservation process. The jar's story is not over; it is being pieced back together and in this next chapter in its life it will be able to tell two stories: one of its life and the other of its rebirth. The museum's approach embraces that, exactly like the Japanese art of Kintsugi.

I also agree with the museum's decision not to punish the child or his family. Things go wrong in museums all the time despite their highly controlled environments, and this is why they have artifacts insured. Sometimes the thing that happens is a child, and by and large museums do not seek damages.

I would encourage you to rethink your stance on museums and children. Museums are for everyone. Children have a right to experience museums and what they have to offer just like anyone else. There are also many studies that discuss how going to museums benefits children.

In this case, perhaps the exhibit design was slightly flawed, but the four year old boy accidentally knocked the jar over because he was curious about what was inside and wanted to investigate. Curiosity is exactly what museums should be encouraging. In an ideal world that curiosity would have been channeled into some other kind of engagement, but the folks who work in museums have a lot on their plates and cannot plan everything perfectly all the time. Even if they could, they often do not have the resources to do so.

Finally, the AP article mentions that the boy and his family were visiting the museum to get away from Hezbollah rocket fire. Regardless of your opinions on the current conflict, everyone deserves to have a safe place to exist. That museums can serve as those spaces is an honor.

I commend the Hecht Museum and the people working there. They 1) successfully provided a place of learning and refuge, 2) opted not for a punitive approach—which is often the default Western model for justice—but a compassionate one, and 3) are using this twist of fate to create programming that will further engage the public.

@museeeuuuum and @museum-spaces would you care to comment?

-Reid

[chaoticace2005]

Reasons the Mothman should die, collectively written by the residents of the Hazbin Hotel:

Coding for Characters: Vaggie, Charlie, Pentious, Alastor, Niffty, Husk, pretty much everyone

TW: References to abuse

He’s holding back Angel’s progress. (Vaggie, is killing really necessary?) (I am concerned about going after a Vee)

I’m hungry (ALASTOR!)

Ms. Angel gets nervous when on the phone with him.

His coat is tacky.

He’s a bug! And bugs must be DESTROYED!

So Angel stops feeling like he has to be so damn fake. This is getting on my fucking nerves.

HE LICKED CHARLIE!!! (Vaggie, wait it’s okay.)

Color scheme sucks. Purple AND red?!

He makes Angel sad, NOBODY should make Angel sad.

Those obnoxious glasses just make him look stupid.

He’s a manipulative, abusive prick.

ANGEL DIDN'T KNOW BOUNDARIES WERE A THING?!?!?!?!?!? (Honestly that explains a lot.)

NOBODY deserves to be in an abusive relationship.

Too many arms. Nobody needs that many. (...Angel has that many?) (Well maybe he shouldn't.)

Ms. Angel keeps coming home all messy!!

He’s ruining hearts for everyone. Me and Angel already have enough. At least those are on our bodies, what’s his excuse?

Hearts should not even be ASSOCIATED with Valentino, THIS IS NOT LOVE.

I can do without all the sexual depravity. While I am in Hell this is NOT one of the reasons.

If I have to hear that ringtone one more damn time-

The Eggies found some of his films. They should never be exposed to such horrors. Now I have to explain what “a sex” is.

Makes picture shows that are a disgrace to the idea of “entertainment.”

He’s making a bad name for Uncle Ozzie. This is NOT “lust.”

So we don’t have to listen to another one of Angel’s pornos. (Agreed, it’s quite horrifying!!)

So Ms. Angel isn’t tired when she gets home and can save the kinky stuff for then :) (Niff, really?)

So the kid stops coming home with bruises and cuts that I fix up at 3 am. (Husk, what the fuck?)

Because what the FUCK Valentino?

He keeps forcing Angel to do drugs. (HE WHAT?! Like crack??) (That but also I’m pretty sure whatever comes out of him is an aphrodisiac.)

I want to use his antenna as a backscratcher

Has that whole red color thing going on. Only I am allowed to wear red :) (Al, your text isn’t even red.) (My what?)

What is up with his red spit and smoke? Seriously disgusting.

The red stuff from him may be what allows Velvette to create her “Love Potions” which funds Vax’s stupid endeavors (Do you mean Vox?) (Who?)

FOR MY COLLECTION :D (…yeah okay.)

Really is making a bad name for Overlords. And not in the fun way.

Angel’s shown trauma signs of abuse in our meetings. Im pretty sure it’s Valentino.

Make a doll out of his fur so I have a main villain for roach puppet shows!!!

His only purpose is to keep Veks occupied but considering Vixen’s inane attempts to catch my attention it isn’t working.

So Angel can have his soul and he and Husk can run off into the sunset together like in a fanfiction!!! (Ah, yes that would be nice.) (WE WHAT?!) (Oh Husker, denial doesn’t suit you.)

So Angel can get a good boyfriend THAT’S NOT ME to stop these bullshit allegations.

So Angel can admit his feelings to Husker because our cat surely isn’t going to be the first to do it. (ALASTOR I SWEAR TO GOD!)

Who knows how many other people he’s abusing.

Seems to give Vicks confidence. He has enough of that as is. It much more fun to destroy him.

He makes Angel sad which makes Cherri sad!

HE HIT ANGEL!!!

Called my dear Rosie an "old hag" NOBODY CALLS ROSIE AN OLD HAG.

Angel is a good friend and deserves so much better.

I’ve forgotten what moths taste like.

He keeps trying to get Angel to move out :(

Told the kid he had to lose weight. What the actual FUCK. (Ill kill him.)

He’s annoying and looks quite stupid. How has this not been added yet?!

He’s making a bad name for Spanish speakers everywhere. (Yeah it’s embarrassing.) (Wait… what?)

He’s making a bad name for pansexuals everywhere.

He’s making a bad name for wing-holders everywhere. (HE HAS FUCKING WINGS?!) (Oh, yeah, I didn’t tell you?)

Too tall. This is ridiculous.

Won’t admit he’s blind so he’s become even more of a public safety hazard.

If I get one more transmission of him and Box commiting lascivious acts someone will be eaten. I don’t care who. What the purpose of these are I don’t know. Advertisement? (I think it’s to make you jealous boss.) (Ha! Jealous of what? Mediocre sex with a pathetic excuse for a businessman with a TV as a head?)

Because Angel deserves fucking better.

[sinizade]

A little family tree about Izveta and Astarion because I recently discovered that vampires in D&D can have children...

The appearance and what is written about Astarion's parents is just a headcanon created by me, I keep in mind that they never found their son and ended up dying over the years since the game does not mention anything connected abt Astarion's family.

I never wrote about Izveta's father, but basically he was a quiet man and obedient to his wife even though she was extremely aggressive towards him. She killed him a few years after adopting Izveta when he tried to get rid of the girl after overhearing her talking to Sceleritas.

The day that Sarevok had mentioned in his letter arrived and Izveta could no longer think rationally, she wanted children, she needed children and so it was done... Twins with Bhaal's blood, a boy and a girl who, since they were born, already had an aptitude for magic, Belgos and Amalicia or as the people in Baldur's Gate call them "Cursed Children.

Even though they were children of a Vampire Lord and a Bhaalspawn, Belgos and Amalicia did not grow up in a troubled home, quite the contrary, Astarion and Izveta had plans for their children and being bad parents was not one of those plans. The children were loved to the extreme and no one would dare try to hurt any of them, also because no one would be crazy enough to try.

I like to think that Astarion would be a drooling father, you can see in the game that even though he tries to pretend otherwise, he loves children. I think he would remove ALL of Cazador's paintings and decorations and fill the entire castle with paintings of Elbos, Amalicia and Izveta, every hallway and room would have at least two paintings of them so that everyone could see the GREAT family he and Izveta built together

Amalicia is defiant, she took this a lot from her mother, she always wants to go out when she shouldn't, she always wants to fight with people who shouldn't, Astarion and Izveta often had to solve many of the problems she caused, whether with Astarion's vampire spawns or with some hunters she provoked when she ran away from the Castle. Even with all the problems she causes, Amalicia is still a child and many times she just wants to play.

Elbos is a calm and affectionate boy unlike his sister and is almost always seen hiding behind Astarion and Izveta's legs. He likes rats and keeps some pets hidden in his room as Astarion makes a point of banning any rats inside his castle. .

Amalicia and Elbos' relationship tends to be the basic one for children their age, they fight and then go back to playing together, but sometimes they both seem to be far away from where they are, as if they were listening to something... Or someone...

Btw, if you are a hunter or a mercenary with a functional brain and love for life, you N E V E R try to hurt the children of a Bhaalspawn and a Vampire Lord... They will do really bad things to you

[sirenedeslily]

𝐏𝐎𝐈𝐒𝐎𝐍 𝐈𝐍 𝐓𝐇𝐄 𝐖𝐀𝐓𝐄𝐑 ‎𐦍 𝐦atthew 𝐬turniolo

❛i’m tired of you, still tied to me.❜

𝐢𝐧 𝐰𝐡𝐢𝐜𝐡 the preacher's daughter, the town's beloved sweetheart, harbored a pain far deeper than anyone could have ever imagined. matt, the boy who had found solace in her presence, struggled to understand how the love of his life could slip away so tragically. now, he must learn to live without his cherished fawn, accepting his fate of being forever tied to her memory, unable to let go of that fateful day.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠, a fuck ton of angst, death, mentions of domestic abuse, slight fluff if you squint, grief and loss, reader ends her life (!!!!), suicidal ideation, mental health struggles, parental neglect, graphic descriptions, sort of a happy ending?

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭, 3.7k !

𝐧𝐨𝐭𝐞𝐬, this is fully inspired by “hard times” by ethel cain. i’ve never written angst like this so please let me know if there needs to be any changes or anything. i really hope that this is somewhat good as it is very different from anything i’ve ever created. please read this at your own risk as it is quite graphic when it comes to someone dealing with grief. i love you all so much and your well-being is so very important so please take care of yourselves.

in the heart of nebraska, nestled among lush green fields and winding rivers, there was a small town—one that was often disregarded by civilization. the town’s isolation made it a haven for its people, a place where they felt safe and at home, sheltered from the chaos of the outside world. life here moved at a leisurely pace, marked by the changing seasons and the gentle flow of the river that wound through the landscape like a lifeline.

the townsfolk were a close-knit community, bound together by shared histories and traditions. they found comfort in their routines and the familiar faces that greeted them each day. to them, the world beyond the town was a distant, almost unreal place, and they took pride in their self-sufficiency and the quiet resilience that defined their lives.

matthew sturniolo had lived in this town all his life. the fields and rivers were as much a part of him as the memories he held of his childhood and its people. and although matt knew that this town was as much his as it was anyone else’s, he couldn’t shake the feeling of not truly belonging—at least not belonging like his brothers did. for his brothers, the familiarity was a sense of comfort, a security blanket they had wrapped themselves in since birth. the town had given them everything they needed, a predictable path laid out before them, and for them, that brought solace. but for matt, it felt suffocating, like a script he was expected to follow without any lines of his own.

being the black sheep of the town would feel isolating for anyone but not for matt, at least not when he had you.

you were the preacher’s daughter, a spirited and gentle soul, affectionately dubbed a fawn by those who saw your wide-eyed wonder and felt your heart, as pure as untouched snow, embodying the innocence of the forest itself.

it puzzled many why such a pure, free-spirited girl, almost like a porcelain doll, would choose to befriend the solitary soul in town, known for his perpetually sour expression and quiet demeanor. and yet it seemed as though the two of you were physically sewn together. where you went, he followed.

the two of you had a mutual understanding. When it came to your lives and dreams, it felt as though you were one. unlike everyone else in this town, you both dreamt of having more—of being more.

"i want to explore the world, matt," you would exclaim through a mouthful of cherries, the two of you sitting on the wooded dock near his house, the view of the river you both adored in front of you. there you would sit, talking about your aspirations and dreams until the sun had gone to sleep and the sky had welcomed the moon and its freckled stars.

matt was never one to express his feelings, never feeling satisfied with the phrases he'd use, so he settled with writing them. he filled the pages of his journal with endless words, some he'd picked up through books. everything he felt was between his pen and paper. you noticed his habit straight away, seeing him scribble through his journal endlessly with no regard for the world around him. it blew you away, the way he would be so focused on whatever he was writing. whether you both sat in the far end of the church listening to your dad preach about whatever it was that he preached, matt was still in his own world with words floating through him. you wanted to be a part of that world too, and that was when your brilliant idea of writing letters to each other became a thing. writing endless letters to one another each night and making sure that they’d be in the other's mailbox each morning.

yet, despite the joy their bond brought him, there was an unknown darkness that shadowed your life... one unbeknownst to matt, to your town. your father, the town’s revered preacher, was a man of harsh discipline and cold heartlessness. he ruled his household with an iron fist, his wrath hidden behind a mask of piety.

the townspeople saw you as the epitome of innocence, their sacred fawn, unaware of the bruises and scars that marred your body and soul. they could not see the fear that lingered in your eyes or the pain that haunted your every step. you carried the burden in silence, suffering a secret kept hidden from the world.

matt saw you as the girl that you wanted to be, the girl who freely ran chasing the flying butterflies through the forest, hair still damp from swimming just moments before. the girl who said every and all things that went through her mind, never needing a pen to help her feel. it brought you solace, knowing that someone in the world saw you for who you were and not who they painted you to be. in reality though, you felt like the priest's favorite sacrificial lamb. docile and sweet, not daring to mutter even so much as a sound unless spoken to. holding still and letting yourself be the victim of everyone’s wrath. you’d never tell matt about any of it though, wanting him to keep being your solace. not ever wanting your dynamic to change.

matt suspected something, though, noticing the way the letters you wrote were sometimes incomplete, like you’d written more than what you let on. the scribbled-over words as if whatever was underneath that scribble was poignant to whatever you couldn’t say. the fact that you’d wear long sleeves in the beaming hot summer air. the random bruises he’d ask about during your morning swims that you’d brush off as an accident. he had a gut feeling that something was wrong, but he’d never have the courage to do anything more than suspect, afraid of losing the one person in this world who noticed him.

he remembered that day like no other, the way that he was woken up by your body landing on top of him. feeling the heat of your body on top of his as you caressed his waves out of his face and murmured to him about the day you had planned.

“i already have everything ready; you just need to get up and get ready.” you whispered as he felt your legs intertwining with his body. he stood up, you still being wrapped around him as you peppered his face with light kisses. giggling at his tired eyes before he set you down on the ground, letting you be as he got ready.

that morning, he had forgotten to read his letter because you had rushed him out of his home. leading him to the town’s farmers market to start off your day. such a small action that he normally would have never thought twice about, but he didn’t know this would have been your last letter.

though you both shared an unspoken bond, sharing your deepest thoughts and feeling understood, matt still felt as though you were an unfinished puzzle, never feeling like he had every piece that he needed to know and see all of you. he noticed the look you’d have as your dad, the preacher, held his sermons. a look he couldn’t quite distinguish, one where it felt like you were in another world, far from everyone. he always wanted to ask you about it, but it scared him to sacrifice the one relationship that he treasured the most.

today, as you were dragging him around the town, adorning his favorite smile on your face, he could feel you being in that sacred world he never had the chance of knowing. the longing gazes in between the books you’d both inspect in the town's bookstore. the dread you seemed to face the longer the day passed, the expression he still to this day couldn’t erase from his mind whenever you’d lose him in your eyesight.

“you okay, angel?” matt had asked you. the two of you were walking towards the river you both loved so much. he looked at you with concern in his eyes as he carried the tote bag you had taken with you before your adventures.

“yeah, I’m okay,” you whispered, smiling at him as you both settled your things on the dock. matt was getting ready to further question you, not being satisfied with your answer. that is until you ran and dived into the deep horizon, and he followed suit.

“i could stay here with you forever,” you heard matt mumble. your hands were intertwined with matt’s, the two of you letting the current swish you away. the setting sun gave you both a bit of warmth as you floated in the body of water. you felt safe, at home even. you’d never felt that way before; the words 'safe' and 'home' never coexisted for you. you felt your eyes roll to the back of your head whenever anyone would mention going “home.” that word was a safe word, not one that you’d ever think to use when describing your house. but with matt, you felt at home. he was safe, he was home. and as you floated among the river, with your hands intertwined, staring at the sun that was getting ready to sleep, you couldn’t help but tearfully mumble those three words that you’d dare utter to anyone ever... that is, until now.

“i love you.” you whispered, ever so gently, almost as if saying it too loudly would damage or change the moment. “so, so much,” you continued as you felt yourself blinking away the tears. matt detached himself from your once intertwined hands, swimming up to you so he could hold your body, your face. you felt his ocean-blue eyes burn into your face as he tried to get you to stare at him, but you were stubborn and you hated being this vulnerable in front of anyone, even if matt wasn’t just anyone. he couldn’t take any more of it, so gently he lifted your head up by your chin and took hold of your face once he felt your head go back into staring at the moving water.

“hey, hey, look at me,” he said once he felt your gaze distancing itself from him. “i love you too, forever and always.” he whispered as his eyes stared intensely at yours. in that moment, you swear you felt infinite. it was you and matt against the world, forever and always.

the night ended with matt getting a call from his mom, telling him that his dinner was ready. you, of course, were invited, but for the first time in what felt like ages, you declined, telling him that you weren’t hungry and just wanted to sit on the dock for a little longer. matt kissed you goodnight, making sure repeatedly that you were certain not to come over to his, and when you finally heard him walk away, you decided that you were ready.

as the last rays of sunlight dipped below the horizon, casting a golden glow over the tranquil town, you sat quietly on the dock, the wooden planks cool beneath you. the day had been filled with laughter and moments of sheer joy, a stark contrast to the storm brewing inside you. the stillness of the evening offered a rare moment of clarity, a moment to reflect on the secrets you had kept hidden for so long.

you looked out over the river, its surface shimmering in the fading light, and felt a profound sense of peace wash over you. the water, so often a symbol of freedom and escape in your dreams, now seemed to call to you, promising release from the pain that had become your constant companion. you sighed, a soft, resigned sound, knowing that your journey was nearing its end.

the only sound that could be heard was the gentle lapping of the water against the dock, a serene melody that seemed to echo the ache in your heart. the air was cool, the night filled with the soft sounds of nature. as you reached the water's edge, you paused, the stillness of the moment settling over you like a shroud. the moon cast a pale light across the lake, turning the water into a mirror that reflected the stars above.

with a deep breath, you stepped into the water, the cold biting at your skin but doing little to deter you. each step took you further from the shore, the water rising around you, embracing you like an old friend. you felt a sense of release, a weightlifting from your shoulders as you waded deeper into the lake.

you closed your eyes, the water now up to your chest, and let the tranquility of the moment seep into your bones. the pain, the fear, the secrets—they all seemed to melt away, leaving behind a profound sense of peace. as you took your final steps, the water enveloped you completely, a gentle caress that promised freedom from the torment you had endured.

you let go, surrendering to the pull of the water, your last breath escaping in a silent prayer for peace. the lake, now a sanctuary, cradled you in its depths, a final resting place for a life that had been lived in shadows.

the following morning, the tranquility of the town was shattered by a scream that echoed through the streets. your lifeless body was found by the river, a haunting reminder of the secrets that had been kept hidden for too long. the townspeople, who had known you as the preacher's innocent daughter, were plunged into shock and grief. they gathered in hushed groups, their faces pale with disbelief, struggling to comprehend the depth of your suffering.

news of your death spread quickly, casting a dark cloud over the town. the people who had once seen you as a symbol of purity and grace now mourned the loss of a young life cut tragically short. the river, once a place of joy and dreams, had become a somber reminder of the fragility of life.

matt was among the last to learn of your fate, his world collapsing around him as he heard the news. the shock of your death left him reeling, his heart aching with an unbearable sense of loss. he replayed your final moments together in his mind, each memory now tinged with a sorrow that cut deep.

guilt gnawed at him, a relentless torment that he couldn’t escape. he blamed himself for not seeing the signs, for not understanding the pain that you had been hiding. the letters you had exchanged now felt like cruel reminders of what he had failed to protect you from. he spent hours by the river, staring into the water that had claimed you, searching for answers in its depths.

it wasn’t until a few days later that he found your final letter, tucked away in his mailbox, a testament to the bond you had shared. as he opened it, his hands trembled, tears blurring his vision. the words you had written were filled with love and sorrow, a poignant farewell that spoke to the depth of your feelings. you had written of the dreams you had shared, the moments of joy that had brought light to your life, and the pain that had driven you to your final act.

reading your letter, matt felt an overwhelming sense of helplessness. your words were a window into a world of pain that he had never truly seen, a world that you had hidden from everyone, even him. the letter was a heartbreaking reminder of the love you had shared and the life that had been lost too soon. it deepened his grief, leaving him with a sense of profound loss that he knew he would carry with him forever.

it had been years since that day, the day matt couldn't seem to escape. his soul was tethered to a memory he wished would leave his mind. wherever matt went, you were there, somehow always connecting back to his life. he couldn’t live, breathe, or exist without your memory being etched everywhere in his mind. the pain was unbearable, unimaginable.

the town had moved on in its way. everyone still felt a sense of loss whenever they’d stare at the lake or pass by the now rundown church. it hurt, but life continued to move, and people had to accept that the world didn't stop spinning. it angered matt. why could they move on but he wasn’t capable of it? how could they pretend that what happened didn’t happen? how were they able to breathe without thinking about the girl who wasn’t able to anymore?

he used to be able to live, to enjoy the wind brushing through his waves, the water moving at its own pace, and the laughter of the townspeople without feeling a sense of anger. he used to be able to be a person.

he tried to move on, to find a semblance of normalcy in the small town that had once been his sanctuary. yet, everywhere he went, your memory followed him like a shadow. the fields, the river, even the old dock where you had shared your dreams—all of it was a constant reminder of what he had lost. matt felt trapped in the past, unable to escape the grip of his sorrow.

it haunted him, knowing that all he ever wanted was to be like you. what did that say about him? you were the embodiment of freedom, in his youth and now you’re dead, in the river now filled with sorrow. he felt as though he was physically tied to you, the dead girl, the one who gave up. he wanted to be like you, and now he was terrified of ever becoming you, of succumbing to the same despair that had driven you to the river.

it hurt, so, so much.

he hated to admit it, but in a way, he resented you. he felt an unimaginable amount of anger towards you, himself, and everyone that had ever been near you. how couldn’t they have known? how couldn’t he have known? and why couldn’t you have told him? why didn’t he push? he knew something was wrong, but he would have rather lived in complete ignorance and bliss than ever confront you. he hated himself; he was a coward, and now he lost the one person he never wanted to lose.

he was exhausted. his only way to ever make sense of his feelings was through writing, but that alone was another thread connected to you. he couldn’t even find solace in his writing, and yet he continued to write, getting used to the sting of you consuming his everything.

and so he wrote, about a life where you were still here. a life where you could still be in love, where you had traveled the world and settled in northern italy. where you got to be writers and eventually parents. where he was able to touch you, kiss you, and love you.

his writing was the only place where you weren’t consumed by your death. it was the only place where he didn’t see you blue and lifeless, the only place he was able to stop picturing you as the dead girl that you had become. his dreams weren’t even safe, so he settled in the pages of his notebooks.

matt was never one to have nightmares, at least not in the past. now his sleeps were restless, noting that every time he would close his eyes, he would be encountered by your dead and soulless eyes. he got used to it, the bloodshot eyes and sleepless nights. though, he was never able to get used to you being gone.

matt sought closure in every corner of his life. he spoke with old friends and family, trying to piece together the fragments of the past, to understand why you had left him. conversations with those who had known you only deepened his sense of loss, as he realized how little they had understood your pain. the more he searched for answers, the more elusive they seemed to become.

one evening, driven by an overwhelming need for closure, matt found himself laying under the leaves, exhausted. with a heavy heart, he decided to write you one last letter. he poured out his feelings, the pain, the love, and the resentment, onto the paper. he wrote about his fears, his longing for you, and his desperate need for closure. each word felt like a release, a way to unburden his soul.

and with tear-stained cheeks, he picked up his empty coke bottle, folded his letter neatly into the glass bottle, and sealed it tightly, a symbolic gesture of his longing for closure.

matt found himself walking towards the lake, bottle in hand. the same lake where you had ended your life, where you had shared your last moments together. as he stood at the water’s edge, memories flooded back—your laughter, your dreams, the way you had looked at him that final day. the pain of your loss was almost unbearable, but he knew he had to confront it if he ever hoped to move forward.

as he stood by the river, the place where your life had ended, he felt a mix of emotions—sorrow, anger, love, and a faint glimmer of hope. he threw the bottle into the water, watching as it drifted away, carrying his words into the depths. for matt, the memory of the preacher’s daughter would always be a part of him. he would forever be tied to you, his heart marked by the loss of a love that had been both his greatest joy and deepest sorrow. and though he might never find the closure he sought, the act of letting go, even if only symbolically, was a step toward healing.

as the bottle drifted out of sight, matt took a deep breath and turned away from the river, ready to face whatever the future might hold, his heart still aching but a little lighter than before.

ᨳུ⠀ 𝐭𝐚𝐠𝐥𝐢𝐬𝐭. @carvedtits @et6rnalsun @wovenribbons @flouvela @l34n to be added click here

my inbox is always open !!! pls feed it some content 🪽🎀 likes, comments & reblogs are highly appreciated.

[star-anise]

Everyone's got a take, and I've got a take too, about the current Internet Villain: James Somerton, a gay Youtuber who just got exposed (in the back half of a 4-hour video) as massively plagiarizing the work of LGBTQ+ media critics, historians, and memoirists, and then exposed in another 2-hour video as just making up the wildest nonsense about the topics he demonstrably had access to accurate information on.

He achieved a six-figure income on his work by squeezing money out of his audience with claims...

That only he was creating content that preserved queer history and elevated the voices and experiences of the LGBTQ+ community (a lie)

He was in serious financial distress and would have to go out of business if people didn't give him tons of money (a lie)

That he was going to use some of that cash to make definitely good and not-at-all-plagiarized independent movies, a thing he was definitely skilled and experienced enough to do (a lie), and

That those plagiarism allegations were incorrect,, and frankly,,,, hurtful and homophobic. (a GIANT lie)

Like, here's a visualization of the script of one of his videos, "Society and Queer Horror". The highlighted bits were lifted nearly verbatim from the works of others—the 18 authors identified at the time the exposé was posted—and presented as Somerton's own work.

So here's what drives me absolutely up the wall about this:

If he had just ADMITTED that it was the work of other people, THAT WOULD STILL BE COOL. If he had just said, up front, "We are going on a survey of thoughts and insights people have had about this topic", that would still be a good video with a real audience!

Like yes, he studied business in university, he might not have gotten the kinds of research skills and knowledge someone like Kaz Rowe uses to not just report on the history and analysis of others, but evaluate their relative validity and trustworthiness.

But honestly, since watching my niblings (oldest is 13) watch Youtube, I think you honestly can't underestimate the number of viewers who are really hungry for someone saying, "I don't understand this topic! Let's explore it together!"

But NOOOOOOO, Somerton didn't want to be just some schmuck waxing enthusiastic about homoeroticism on film and acknowledging the smartness of other people. He wanted to be HIM, MR. SMARTYBOY, very sophisticated and alluring and thoughtful and deep. Definitely an intellectual heavyweight who just happened to spout off his own personal ideas and analysis that put him at the forefront of all the scholarship on the topic he's come across.

I hate being wrong. Hate being wrong. But blogging for most of my life has forced me to confront constant textual evidence that two or ten or twenty years ago, I said some dumb-ass shit. Honestly, it'd probably keep me up at night sometimes even if I didn't have a written record. I absolutely understand the desire to scan the field, find the coolest people around, and quickly clothe yourself in as perfect an imitation of them as you can manage.

But if you want to be an artist or a scholar who produces something lasting, you can't prioritize coolness over truth all the time. To develop your true, independent voice, you need to find a time and place where it is just you and just the work you're doing, and you have pick up your tools and say, I don't know if I'm doing this right, but this is what feels right to me.

There are a lot of things in life to which we can only truly contribute our presence and our perspectives. Things we can only witness or hold space for. We cannot go back and bleed the pain out of history, or erase the complexity of another person's life. Not honestly, at least.

But those are the times that need our presence, our perspectives, our witness, and our space. When we gather round and tell sad tales about the death of kings, honesty can be the only thing you give that's worth a damn in the large scale of things.

If this dude had owned up to the truth and honestly showed the work of trying to piece together a queer understanding of the world, trying to draw the threads of culture together until he found a place he fit inside them, it would have been so much more valuable to our culture as a whole.

He probably made more money this way, though. While it lasted.

[merakiui]

long-distance love.

yandere!azul ashengrotto x (gender neutral) reader cw: yandere, unhealthy behaviors/relationship, nsfw, phone sex, obsession, power imbalance, kidnapping, implied (cyber)stalking, non-con touching, characters written as 18+ note - sea witch, the magicord mod you've had intimate online relations with, is closer than you thought.

Sea Witch is a busy man.

His weekly schedules are almost always packed to bursting, each event meticulously arranged into open slots as if aiming to form a perfect puzzle. Times never conflict; he’s particular about how he spends his hours, and very rarely does he allow himself a break. It has always been work, work, work. He’s one of the city’s most affluent, eligible bachelors and yet he’s married to his business. Those who lust after him think it’s a wasteful shame. Azul finds it to be a relief far greater than any he’s ever known. He will never compromise the enterprise he’s built from the ground up just because of some flimsy, fickle feelings.

Originally, he had no interest in Magicord, a messaging platform that grants people from all over the world the chance to congregate on specific servers for mutual interests like anime and gaming. He only downloaded it because Idia Shroud, a fellow friend and business partner, lived and breathed the app, his online presence so profound it was almost like a second home. He’d swipe away notifications from his actual messaging app, too busy in a voice call with his group of dungeon raiders to bother answering important calls.

So he resolved to get on Idia’s level in hopes of improving communication. Although Idia’s level, as Azul often noted, was not exactly a place he wanted to be. While Magicord could be used for business purposes, that wasn’t what drew people in. Azul of all people knew very well which target audiences were being reached with apps like Magicord, and he was not one of them.

��To think I’d stoop as low as this,” Azul had once groused over a phone call with Idia, who was giving him quite a lengthy, not-very-needed-but-also-very-much-needed rundown on Magicord’s inner workings. “I hardly have time to play games, let alone socialize on this…app.”

“Aren’t you always going on about how adaptable you are?” Idia sniped back, not in the mood for normie criticism. The sound of clacking keys could be heard on his end. “And you’re the one who asked. Kinda defeats the purpose of learning if you’re just gonna complain.”

Azul rolled his eyes. “I fail to see the logic in downloading another app just to ensure my messages reach you. Honestly, you ought to start checking your email. Or, at the very least, go through your missed call and text logs.”

Alas, Idia had been stubbornly adamant about his preferences and so, much to his displeasure, Azul was forced to undergo something of a Magicord Training Camp until he emerged a pro. And being a pro meant knowing how to navigate his own profile and toggle between that and Idia’s, which was really the only tip he needed because that was all he’d use the app for.

But Azul has always had an innate itch for wanting to know something from top to bottom, inside-out, and the idea of not knowing every little detail about Magicord drove him insane. If there was an opportunity he could capitalize on, why should he risk squandering it with his elementary-level knowledge? So he spent his rare slivers of free time playing around in there, creating a server and wondering who could ever become so attached to an app when the world beyond the screen was filled with just as many, if not more, social encounters.

His introverted side understood the appeal. In fact, he loved the idea of hiding behind a manufactured persona online. He didn’t have to be Azul Ashengrotto on Magicord. Rather, he could rid himself of his dislikable traits and become an entity—an idea or a concept—rather than a flawed man who others might scrutinize ruthlessly.

So he became Sea Witch, and within just a week he’d constructed quite the comfortable server. The invite link was spread throughout the various branches of Mostro. It would provide employees with an online sanctuary, where they could easily connect should doing so in person prove complicated (as had been the case regarding Idia, which was the sole reason he’d even poured so much time into this effort). Most of all, it gave Azul the chance to keep watch from afar, silently sitting in wait and curating a collection of mostly unimportant intel. Mere gossip, if anything.

But gossip is just as good as the next scandal. He likes to be prepared, a razored edge on all sides.

As far as the company was concerned, no one knew who this Sea Witch character was and no one knew who spread the link. And as far as individual employees knew, this was likely just some overworked intern’s labor of love—a well-crafted server intended to function as a digital gathering place for those exhausted after a long day. And that was mostly true, but all of the potential blackmail he could gather, the information he could glean, and even the people he could keep a closer eye on in an online setting—all of that paled in comparison to the real prize he’d attained. This was of great importance. It was something that altered the course of his life, opened his eyes to the brilliant beauty of a first love.

It was there in that undersea-themed haven where he met you, the one who would add flavorful spice to the once bland, boring meal that was his life. And just after a few weeks of simple, cordial conversation, he realized a single taste of your kind companionship wouldn’t be enough to sate him.

Greedy to a fault, Azul wanted you in your entirety.

Which brings him to the present, where he’s currently leaning back into the expensive leather of his driver’s seat. He’s parked on a silent strip of road, in a more residential part of the city. It’s not very busy here, and his windows are tinted to avoid immediate recognition. Rush hour won’t hit until later, and he’s not due for any conferences. He has time. Plenty of it to spare on this little excursion.

“I wanna meet you, Sea Witch,” you admit, nearly whining through the phone. “Where’re you from? Maybe we’re in the same area.”

Azul smiles at your impatience. You just can’t get enough of him, can you?

Every weekend, you hop into a VC with him and chat for hours on end. At first he simply provided a listening ear when you wished to rant through text or call. You’d voice all sorts of complaints. Azul filed them away in the event that they might be useful in the future, initially intending to use such information to ruin you should you prove to be someone worth ruining. But the more he spent listening and scrawling notes on blank paper, the more he realized you were just overworked and struggling financially.

Upon making these connections and learning all sorts of facts from you regarding your life beyond Magicord, he felt compelled to help. Out of the goodness of his heart, of course, ever the benevolent saint. And you weren’t complaining when he offered to pay you for your time. In exchange for two hours of conversation, he’d provide you with the funds you needed to afford your necessities.

Somehow, throughout many months of give and take—with his giving being on the jaw-droppingly exorbitant side, always one to top his own ludicrous generosity—your hours-long conversations would sink beneath the surface of mere companionship. It was one-sided intimacy. Azul was careful with what he shared, building a mostly secretive profile for himself. He didn’t want to risk tarnishing your fondness for Sea Witch by sharing details that felt more like Azul and less like the effortlessly funny, charming, and eloquent Magicord mod you’d originally made contact with.

You didn’t seem to worry about compromising your own privacy, easily divulging a variety of fun tidbits about your life. You’d share the tiniest of details and he’d eat it up every time, hungering for more than just crumbs. That time you sent him a photo of the octopus macarons you’d bought from a local bakery because you were thinking of him? He remembers it well, and he’s constantly reminded of it when you text him about things you did over the weekend or hobbies you basked in. Sending photos of your houseplants, asking him for his opinion on clothes you were hoping to buy (which he was always more than willing to sponsor; all you needed to do was send the link and he’d purchase it), and even trusting him enough to fall asleep in the VC with him (arguably one of his favorite things about your unique relationship).

And he called it unique not because it was a bad sort of strange. Rather, it was unique in the refreshing sense. He’d never had an online friend before, let alone someone who would so willingly and readily indulge him. Granted, this willingness stemmed from the deal he’d cut with you and so you were really only doing these things for your own gain. But then so was he. It was a relationship built upon necessity. You needed money to survive, and he needed you.

So it was okay to fall into sleazy fantasies. It was all an act anyway, and it wasn’t like you judged him or his preferences. At least, not outright. If you did, it was silent. You were considerate and sweet; and you really did consider him a friend. Or so he hoped. If your casual conversations were any proof, it was obvious there was some sort of enjoyment and trust there.

Friendship or something more, he would have you. Whether that meant in the safety of his pocket, enclosed within his mobile phone forever, or in his penthouse, tucked away in his bedroom—he’d have you.

“I’m from a city, yes,” he answers, purposely cryptic.

“Obviously. Come onnn, Witchy. Don’t you wanna meet me, too?”

“I do, and one day we’ll meet. I promise.”

He listens to your irritated groan and his cock twitches in his slacks. Good god, your voice is a blessing—more heavenly than a cherubic choir.

“One day isn’t today, though.”

“Perhaps not.” He speaks to distract you from the rustling fabric of his pressed suit as his hand strays further. He spies his reflection in the rearview mirror, notes the flash in his irises. If only you were here, sitting beside him in the passenger seat. If only he could slide his own seat as far back as it would go, lie still and serene, and let you climb into his lap to spear yourself on his erection. Genuine leather be damned. He wanted your scent, your essence, your everything engraved into the very interior. “Humor me—if we were to meet right now, what would you like to do?”

“Mm, I’d want to get a good look at the man I’ve been talking to for nine months now.”

“Oh, you’ve kept track?”

“You haven’t?” Your laughter is fluffy and light—authentic amusement. “And I’d want to memorize your face so that I’ll never forget it.”

“May I ask why?”

“Because I’m so curious! You know what I look like—”

“Not entirely,” he interjects, sly and silver-tongued. “You’re a portrait half-finished in my mind. Not yet sketched to completion.”

And it’s true. From your shoulders down, you are a faceless beauty. He’s seen you nearly naked and fully clothed, in frills and lace, in latex and ribbons, in satin and chiffon. And yet, for all of the skin you’ve shown, he can’t place a face (or a real name, for that matter) to your body.

“Okay, poet,” you tease, and he’s already palming himself through the fine fabric of his trousers. “But I’ve still never seen an inch of you. You’ve never even sent a dick pic.”

“You’ve never asked.”

“Can I have one now?”

“Nice try.”

“Asshole!” you gripe, clicking your tongue in disappointment. “You’re the worst, you know that?”

“I’m aware,” he hums, squeezing himself, his breath coming out faint and haggard.

Yeah, he’s the worst. But then you’re the best at eliciting these sorts of reactions from him. The effect you have on him is utterly enthralling. Your ability to reduce him to a pliable puddle in just a few words—a mere few lighthearted, hollow insults—is truly impressive. He’d feel ashamed of himself if it wasn’t so good.

“You’re probably not even that big.”

“Would you like an exact measurement?”

“Wouldn’t it be better to measure it in person? See how many inches I could fit inside. I’ve been practicing with that dildo you sent me—the one shaped like a tentacle,” you purr, frustratingly coy. He wants your sinful lips wrapped around his dick right now—wants to fuck your throat sore and raw. Wants nothing more than to spill heavy and hot on your tongue so you’ll taste him for days. “If we met up, we could make that happen. Sooo, where’s my Sea Witch from? What part of the world?”

“Patience, angelfish.”

Even though he says so, he’s practically vibrating with excitement as he worries his bottom lip between his teeth. Soon. So soon. Very, very soon.

And then…

He imagines you rolling your eyes with your next words. “Fine, fine. I’ll be patient. But that’s not gonna stop me from fantasizing.”

“Well, what do you think I look like?”

“Now isn’t that a fun question?” You mull it over. He can tell because you mutter a variety of ums and hmms in that soft, sweet voice of yours. “I think you’re tall and you have a handsome face that matches your equally handsome voice.”

“Yeah?” he encourages, undoing the belt, button, and zip on his pants one-handed. “What else?”

Your giggles filter into his ears, seeming closer than they actually are due to the wireless earbuds he’s wearing. “From what I’ve gathered, you seem to have expensive tastes.”

Sitting in his lavish, one-of-a-kind, custom-made sports car, Azul thinks you would be correct.

“I wonder what gave it away…” he drawls, his voice creeping an octave lower.

He places his phone in the cup holder, reaching to open the glove compartment and retrieving a tiny bottle of lube. Squirting a scant amount on his palm, he fishes himself, throbbing and pathetically hard, out of his boxers. His slick hand is a warm, welcome embrace around his silky-smooth shaft. He sucks in a breath through grit teeth, his eyes fluttering shut.

“Mhm, I wonder. It’s not the fact that you told me I should just buy a designer bag for work when I asked for recommendations. And it’s certainly not your ability to get me lots of nice gifts as if it’s nothing. So maybe it’s just your excessive generosity that makes you seem so rich?”

“Sure, we’ll go with that.”

“Speaking of that, what do you do for a living?”

“Guess.”

“Okay, Mr. Mysterious… Um… Hm. I think you’re a pilot.”

The whiplash that assumption brings is so seismically jarring he thinks he might go flaccid. Gripping himself with renewed vigor, he slides his fist along his length, slow and perfunctory, picturing you under his desk, your mouth open wide to receive him…

“A pilot… Mm, no, not quite.”

“Aw. My second guess was gonna be a contract killer. They make lots of money.”

“You have quite the wild imagination, angelfish. Even if I was one, do you think I’d admit that to you?”

“Maybe,” you tease. He pictures your smirk as it twists your perfect, pretty lips into something wicked. “For the right price, yeah?”

“Oh? Do elaborate.”

Please. Please keep going. Don’t stop talking. I need to hear you, closer, louder, clearer… More.

“What sort of price would I have to pay to get Sea Witch to spill his secrets?” you muse, your voice a tantalizing curl of syllables, but he suspects you already know the answer to your hypothetical. “I can’t offer you money, so you’d have to settle for something a little more…physical.”

He shivers, nodding his agreement even though you can’t see it. “Physical’s good,” he mumbles, foregoing eloquence in favor of filth. “Much better than—mm—than money…”

“Yeah? All right. Let’s see… You’re well-off and you might or might not be a contract killer. Do you wear suits?”

“I do.”

“Ooh, so you’re one of those contract killers.”

Azul can’t help it; he laughs, the sound tumbling out in a breathy gasp. “I prefer looking nice at all times.”

Languidly, his hand continues its idle pumping. He cracks his eyes open to peer at the pre-cum beading at the tip.

“Even if you’re just going to get messy?”

“Explicate the situation that’s leading me to soil my clothes. Details, angelfish.”

“Well, if you’re a killer who wears suits, you wouldn’t like even the smallest stain. It ruins your image, but if it was me…” You pause, probably for effect, and it works. His back arches with anticipation, fingers closing tighter. “You’d make an exception.”

“I would,” he admits far too quickly. “Always.”

“So you really would out yourself as a killer if I spread my legs for you?”

“No, but I’d let you dirty my suits.”

“Good. They’ll look better on the floor anyway.”

His breath hitches. Fuck, your every word is a siren’s song, leading him deeper into mist-clouded waters. He’d keep you pinned on his cock all day if he could. Why should you continue to work your mundane job when you could spend your precious hours with him instead? He’ll be your job. Seven days a week, during each of the breaks he’ll pencil into his schedules, you can visit him and he can empty all of his stress into you. And you’ll take it because you’re such an obedient sweetheart for him, always so ready to please your master.

He prays you can’t hear the salacious squelch of skin on skin as he works himself towards the edge, but a nastier part of him wants you to listen in so you’ll be reminded that this is your fault. No one else can possibly make him this messy. No one else is capable of rendering him a clumsy, lovestruck fool. You’re probably well aware of these facts, having brought him to this same edge numerous times in the past. Sometimes you would reach that tipping point alongside him, your gasps and groans joining his in an obscene duet.

Neither of you decided upon today’s development, but he thinks—knows—you’re intentionally stringing him along. You want this as much as he does.

“So was I right? You’re totally a contract killer?”

“I’m a businessman, angelfish,” he corrects, a silly, drunken smile softening his jaw. You make him feel so stupid, so warm and fond.

“So basically the same thing. Just as ruthless, no?”

“Please, you wound me. I’m always kind.”

“Ah, so there are others who get this treatment? And I thought I was the only one…”

“You are. No one could ever compare to you.”

He intends to tack my love onto the sentence’s end, but he stops himself. You’re not his love. Not really. You’re his angelfish, sure, but that’s different. That’s just a pet name befitting the aquatic theme he masquerades behind. And you’re not really Azul’s. You’re Sea Witch’s.

It’s Sea Witch you know and love. Beyond that, Azul is just Azul. And he’s nothing like the ideal he’s cultivated on Magicord.

He sighs and forces himself out of the turbulent trenches of his withering self-esteem. Now is not the time to contemplate which version of himself you’d be more preferential to.

You’ll have no choice but to love the real him. Soon.

“Really? I feel so special.” Impressed, you whistle and add, “I’ve gotta make you feel special, too.”

“You already have—”

“Not inside the VC. Come on, Sea Witch, don’t you wanna meet me?”

“I do. I really do,” he babbles dumbly, grinding his thumb into his slit and smearing pre-cum. He grits his teeth and tamps down a colorful word. How he yearns for this to be your hand wrapped around his length, tugging him to that far-off finish line. “I want nothing more than to—t-than to see you, all of you, in person…”

“So what’s stopping you? I could do a lot more in person than I can over the phone.” He has a smart reply for that, but it sticks in his throat. Pitifully, like the rightful debauched mess he is, he groans, low and guttural. “Let me turn the question on you, Sea Witch. If we were to meet today, what would you like to do to me?”

So many things, he thinks, a litany of smutty imagery flickering through his head.

But Sea Witch is classy (most days) and today is one of those instances. Or at least he’s going to make an attempt, however weak it may be.

“Take you to dinner,” he mumbles, executing jerky, quick motions in a daze, his cock weeping for release. He throws his head back, peers up at the interior roof of his car, and inhales sharply. “Take you all over the city if it pleases… I’d spoil you with so much finery—dress you up and then tear every article off…”

“And then?”

“And—god, fuck—wanna be inside you, angelfish… So badly—need you so badly. I wanna feel you and kiss you and hold you.”

He’s unraveling, strings pulled taut and fraying to extremity. Azul bucks into his hand and imagines it’s you, tight and warm, a sweet, snug embrace. He opens and closes his mouth, intending to beg you for more, but all that slips out are the tiniest huffs and grunts. He’s so wrapped up in his own ardor that he almost misses your quiet pants, every breath squeezed out of you as if you’re struggling to withhold your gratuitous moans. And it’s deplorable, really, the way his ears prick at these muffled sounds, the way his cock stands rigidly at attention, the way he’s falling through fragments of filthy fantasies, each one so close and yet impossibly far.

“I want you, too,” you mewl, tone wavering between shameless thrill and some sort of seventh heaven.

He wonders what you’re using to pleasure yourself. Are your fingers, slick and curled, rubbing up against those perfect, pretty spots that have you seeing stars? Or are you using the toys he purchased for your enjoyment? Maybe you’re lowering yourself onto the dildo right now, gummy walls clenching around girthy silicone. And maybe you’re tugging at your nipples, massaging them between the pads of your fingers, or maybe you’ve swapped skin-to-skin for a bullet vibrator instead.

Maybe—just maybe—it’s the mere thought of him that sets your flesh aflame with an intoxicating desire.

“And I want you—” you gasp, and his mind travels to all of the risqué photos you’ve sent, each one saved in a password-protected album on his phone— “I want you more than I’ve ever wanted anything before. I want you to show me that no one else can compare to you. I want you to—mmh, hah—to hold me down in bed and fuck me until my legs are sore and I can’t walk.”

I will, he thinks, lashes fluttering on his cheekbones. He strokes himself quickly, chest heaving, tongue near-lolling out of his mouth as he pants like a hound in heat. I’ll do all of that and so much more. I’ll fuck every coherent thought out of your pretty head, keep you just smart enough to rely on me, turn you into the prettiest sea flower who’ll only blossom for me.

“I promise, angelfish. I promise I’ll give you everything you’ve ever wanted,” he vows, his nerves alight with lustful delight, “and you’ll never know misfortune again.”

“I—oh! I’m close, so close! Please, Sea Witch! Please don’t stop. Please fill me up and make me yours!”

The sheer vulgarity twined through amatory vehemence, coupled with his own hurried pace, has him tumbling down the slope, arousal peaking and spilling over in thick, creamy spurts. He has half a mind to catch his spend before it can ruin the pristine interior of his car, and he blinks down at the semen sullying his palm. Idly, he rubs his fingers together to test the viscosity, wondering how his fluids would look on your face, your stomach, your ass—or even pooling out of your hole in plentiful amounts.

That fantasy is enough to send blood rushing right back to his softening cock, and he wills those thoughts away with logic—complex calculations and the financial forecast for Mostro. There will be plenty of time to indulge in sexual cravings later. He reminds himself of this while he tamps down his zeal, his heart relaxing in his ribs as he sits with the slowly ebbing aftershocks of orgasm.

You seem to be doing much the same, for you’ve gone perfectly quiet.

“Everything all right, angelfish?” he whispers after a few minutes, his breath now evened out.

“Mm, yeah. All good over here. Messy, but good.”

“I’m comforted knowing we’re in the same boat.” He chuckles while fumbling to dig a cotton handkerchief from the depths of his suit jacket. He cleans the cum and residual lube from off his hands and dick before neatly tucking himself away. Soon, there will be no need for this charade. Soon, he can adore all of you from beyond the screen. “Angelfish, there’s something I’d like to tell you.”

“What’s up?” you murmur, your own voice settling into its usual cheery cadence. He suspects you’re just putting on an act to sound happier. That will change when you’re reunited in person because it will be real. Because there will be no point in pretending through the phone.

“Well…” Azul smiles, folds and unfolds the sodden handkerchief, and then straightens his posture. He should be on his way now. “Ah, it’s nothing. Never mind it. I’ll tell you later.”

“Whaaat? But you’ve made me so curious now. Don’t just leave me in suspense!”

“Then I’m afraid you’ll have to remain in that suspense indefinitely.”

“Ugh. You’re so annoying sometimes.”

He knows you don’t mean that.

“I’ll tell you soon, angelfish. Exercise a little patience. There’s no rush.”

“Easy for you to say. You know what it is.”

“That I do, yes.” He hums, considering his next words. “Would it help if I left you with a word of advice?”

“What does that have to do with anything?”

“Everything.”

“Um. Okay, sure. Hit me. What’s your advice?”

Azul buckles himself in, starting his car via push button. It rumbles to life, smooth and steady. “Don’t fight so much, my dear.”

“Don’t what? Sea Witch, what are you talking—”

Your words are interrupted with a startled yelp. Azul listens to the struggle as if it’s a podcast enjoyed at sunrise. Things are toppled in the chaos; something shatters. He catches the beginnings of a blood-curdling shriek before it’s swiftly silenced. There’s more muffled scuffling before, eventually, absolute peace.

It’s broken by Floyd’s petulant whine. “Maaan, Shrimpy was so difficult. Thought you said they were easy, Azul.”

“Understandably so,” comes Jade’s astute reply. “We did catch them when they were most vulnerable.”

Floyd hums his agreement. “Y’know, Jade, Shrimpy’s kinda cute…”

“They are, aren’t they, Floyd?”

“Whatever you’re thinking, perish it right now,” Azul hisses, features twisting into something dark. “Keep your slimy mitts off of my angelfish.”

There’s an unsettling silence. Azul rolls his eyes. They’re fishing for a reaction he refuses to give.

“Clean up whatever mess you’ve made.” He takes his car out of park and eases into drive. “And don’t let anyone see you. It’ll be a hell of a pain if neighbors make unnecessary reports.”

“Yeah, yeah. Heard ya loud and clear.”

“Very well. Farewell for now.”

The call is cut. Azul grips the steering wheel, smug.

Soon waits for him on the horizon. He will not be a minute late.

You wake on a bed, in a spacious bedroom with exquisite floor-to-ceiling windows, many stories up in the clouds. A brightly lit cityscape sprawls beyond the confines of this room, illuminated with the deceptive shine of promise and success. At first it looks foreign. But then you recognize notable buildings, each standing tall and proud amidst the rest, and it occurs to you that you’re in a stranger’s home, in the heart of the big city.

The room itself is plainly colored; it reminds you of a hotel or a room you might find in a real estate catalogue. Perplexed, you sit up and take pause as your unfamiliar surroundings prove to be more frightful than your own confusion.

Pasted to the walls are various printed screenshots from Magicord, each one detailing a conversation of sorts. You stare at the wall behind you, the one in which the bed is currently pushed against, and peer closer at the contents of these messages.

They’re all from you.

Endearing terms you’ve called him in passing. Gentle insults. Lewd flirts. Vents and rants. Photos you’ve sent of very insignificant things—houseplants, meals, clothes. And then there are the photos of your body in skimpy lingerie and cosplay, all taped to the wall like this is some abstract museum of the digital you. The you who, despite being honest most of the time, took solace in the world of Magicord. The you who’d grown close with the mod from that whimsical ocean-themed server. The you who is now trapped, your ankle enclosed in a cuff. There’s a lead that only allows you to meander into the attached bathroom if you so please, and you suspect it’ll pull taut if you try to leave the room.

“What the fuck?” you mutter, your stomach twisting with disgust.

You look down at your clothes—you’re in someone’s collared shirt, intentionally designed to be oversized so that it drapes like a nightgown—and horror prickles your skin.

And then he arrives.

He’s dressed casually in black slacks and a simple white dress shirt, primly tucked in with the sleeves rolled up to the elbows. You stare for a long moment, studying his features as his familiarity dawns. Your mouth falls open in a muted scream.

He smiles sweetly, stepping further into the amber glow from the bedside lamps. “It’s nice to formally meet you. I’m Sea Witch.”

But that’s not what’s shocking about this. The real shock—the thing that has your brain stumbling in an effort to put the pieces together before the picture can crumble—is far more jarring than the kidnapping and the captivity. You find your voice then, and before you can stop yourself the words are falling out in a hurry.

“CEO Ashengrotto?!”

Sea Witch—CEO Ashengrotto—stiffens, his brows furrowing immediately. He gives you a sharp, dangerous look. A look that seems to radiate one unspoken question: Where did you hear that name?

“You… You’re A-Azul Ashengrotto,” you continue, swallowing thick trepidation. “CEO of Mostro. You opened a new restaurant last year—Crave, right? And the menu features celebrity favorites—celebrities like Vil Schoenheit and Neige LeBlanche.”

He laughs his disbelief, carding a hand through soft, silvery locks. “How…do you know this?”

“I work there. You visited once with your secretary for quality checks. We even crossed paths.”

Azul gawks, realizes he’s gawking, and clears his throat. “I… I see. Well.” He inhales, holds his breath for three seconds, and exhales. “This makes things rather…awkward.”

“When you said businessman, I didn’t think… I mean, how was I supposed to know? Your voice sounds so different over call than it does in interviews.”

“Of course it does! I never use the same inflection for those things.”

This cannot be real, you think, watching him flounder anxiously. Azul Ashengrotto is Sea Witch. This whole time… Nine entire months… I was talking to the CEO—to the city’s most popular bachelor—and I didn’t even know it. They write articles about this guy! He’s all over the TV! How did I never realize?

And then a very mortifying thought worms its way in: Oh my God. We both know each other’s preferences. He saw so much of me—more than I’d ever want him to see—and I heard too many private things during our calls…

“Let’s just…” You rub circles into your temples to quell the incoming migraine. “Let’s never talk about this again. You can buy my silence and I’ll move on with my life. I’ll even forget all of…” You glance at the Magicord conversations stuck to the wall and then the chain binding your ankle. “All of this…stuff. We’ll agree to call it a misunderstanding and life will be good, yeah?”

The bargain doesn’t seem to reach him. He continues to stare at you, his eyes glazed with an emotion you can’t place. Whatever it is, it’s stormy and dark. You don’t like it, and you shrink away when he steps closer.

“All this time you were right under my nose…”

Azul climbs onto the bed with you, the mattress depressing under the additional weight. Framed by the hypnotic radiance of the skyscrapers climbing heavenward, he’s certainly earned his place in every celebrity gossip magazine you’ve ever read. Articles debating whether he’s secretly committed to a relationship. Articles theorizing what his life plans may have in store for him. Articles discussing whether he’ll ever get married, if he’ll remain single for the rest of his life, if he’ll ever open his heart to the many people who hope to earn his romantic affections.

No one knows it—how could they when he’s so tight-lipped with the paparazzi?—but you are the secret variable the articles have yet to discover. You are the covert partner, the one who has won his heart, the one who now sits shackled on his bed.

What sort of tabloid journalist could ever spin this story?

You scoot further up the bed, your back pressing against the ornately extravagant headboard. Your knees are pulled into your chest, a futile attempt at protection.

“All this time you were so close to me…” He marvels at this, his baby blue hues locked permanently on you. “And neither of us knew. I could’ve had you much sooner had I just realized…”

You blink at him, your heart sinking with every passing second. “Mr. Ashengrotto, what do you mean by that?”

A pout tugs at perfect, pretty lips. “Why so formal, angelfish? We’re much closer than that, surely.” His hands settle upon your knees, gently pulling them apart. Your blood curdles with fear. “There’s no need to be so tense. It’s only me.”

“No… Please wait. Hold on!”

“Hm? If I’m not mistaken, this is what you want. You were rather vocal about your desires. You’ve always been. So why are you looking at me like that? I’m not scary, am I?”

You squeeze your eyes shut. “Please let me go…”

He clicks his tongue in disapproval, his tone patient despite the subject. “You know I can’t do that.”

“But you… You kidnapped me! Y-You had those guys hiding in my home and they…” You shake your head, unable to describe the sheer terror that had overwhelmed you when those creepy twins descended. Hopeless, you open your eyes to give him your most despairing look. Tears brim in your eyes, threatening to fall at the slightest prodding.

“Oh, my dear, did they scare you? They’re brutes who know nothing of how to treat a person with adequate care. You needn’t worry anymore. I’m here for you.” He cups your face in a fond hold, thumb rubbing soothing circles into your cheek. “Don’t cry, angelfish. You’re in good hands—my hands. And have they not been the most generous?”

“You’re crazy. Obsessed! How can you think any of this is okay? Look around at the walls! You’ve pasted our conversations everywhere—they’re practically the wallpaper!”

“What of it?” His hand slides down to grip your chin, forcing you to meet him at eye level. “I love you. I have for months now. And if those are the ways you choose to classify my care, so be it.”

Tear trails trace down your face. He leans in to kiss the rivers away, but they morph into the saltiest of seas.

“You may not approve of my affections right this very moment. You may hate me, think I’m monstrous, a culmination of all things foul, but you will love me. In due time, my dear. And when you do, the world will open and the chain will come off and you will know freedom under my roof.”

He has the gall to worship you with a loving smile. It poisons you with newly brewing abhorrence.

“So cry your heart out. Scream and kick up a fit. Do what you must. And when the floods subside, we can learn to love one another. Both at our best and our worst, within and beyond Magicord.”

[babushkatty]

Tranquil SAGAU - Part 6

-> Part 1

-> Part 5

With Dvalin gone, you were left basically homeless. Not that it was much of an issue, not really. The forests had been very kind to you -- you could easily live the life of a hermit if you so wished, without having to worry about food, water, shelter or animal attacks.

But it would also be horribly lonely. No compassionate silence, no background noise and buzz of other people scurrying around and going about their day without minding you, no one to speak to if you ever felt the need to.

You liked being alone, but you were still human and humans were social animals.

Soooooo, you promptly asked Crepus about working in his Winery in exchange for accommodations, because 'one that asks, does not stray'... or something like that anyways. Your sister always made her life that much harder because she outright refused to ask for help even when hopelessly lost or overwhelmed, so there must be something to the saying at least.

"You don't have to work to earn your keep, (Name). I'd be more than happy to house you as my guest for however long you want!" is what Crepus 'Sunshine Personified' Ragnvindr responded with.

Crepus used Puppy Eyes, it was super effective!

You laid defeated, a puddle of cuteness overload once again wishing for sunglasses to protect yourself from the blinding smiles and imaginary wagging tails.

Crepus was horrible for your heart.

Still, you would go insane if left with nothing to do for days at a time, so you went to turn the Ragnvindr library upside down with Crepus' blessing, a bunch of notebooks, a bunch of pens and a delusion that you'd do any actual studying in there.

This was Teyvat, but this wasn't Genshin Impact -- a library wouldn't have interesting lore, it'd have dry history and even drier geography, accompanied by boring economics and even more boring politics (which was a damn shame too, politics were so interesting when written right).

You never quite had a head for those, prefering subjects with more practical applications that could be practiced instead of having to be beaten into your thick skull until you memorized it just long enough to write the exam.

Though for some ungodly reason you still remembered that onions were actually leaves. It was one of the very few things you remembered from school, actually.

Probably the trauma speaking.

Still, you did find some interesting books - a diary speaking of the Decarabian rule, for example.

Today, I don my very own Windblume.

I can only hope Lord Decarabian never learns of its' significance.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The winds are particularly harsh today.

I am afraid, but I smile and play my lyre as if nothing were happening at all, like I always do.

Sometimes, I forget if what I do is to reasure the people or to delude myself that everything is as it should be...

Then again, does it matter when the result remains the same?

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The people are growing restless.

Their yearning for freedom gave birth to a small wind spirit that seems fond of my playing. It is an adorable being, even if it has yet to communicate with us.

It remind me of a newborn puppy.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The people are planning a rebellion.

I want to help, but how can I? I am no soldier, my strength lays with the pen and the lyre, not with the sword.

Ragnvindr told me there was no need for more warriors, that I was doing enough by keeping the morale up with my performances... I am hesistant to believe him.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The little spirit has spoken for the first time today.

It said that it knew the song I was playing, despite it being a new piece I was in the midst of creating, and sang along to lyrics I had yet to write.

It was strange, but it made me happy nonetheless.

Perhaps I was strange too, for feeling that way.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

You had a suspicion on who the author of the diary was by that point. Maybe Crepus would be open to giving this diary to Venti, instead of it gathering dust on the shelf?

Idly, you wondered how it had survived so long, but figured Ragnvindr and his descendants took good care of it.

I met Ragnvindr today.

Something compelled me to share my worries with him, even though I knew he had enough weight on his shoulders and I ought not to add more.

"If you cannot trust in yourself, then trust in me and my trust in you instead" he told me.

It helped.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

Meetings regarding the rebellion are more and more frequent. Ragnvindr, alongside a man named Amos, have convinced the Gunnhildr clan to participate against all odds.

I can understand their hesitance. Should we fail to kill Lord Decarabian, their legacy would be no more.

I admire their bravery.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

The wind has long since realized change is imminent, even when Lord Decarabian himself has not - the little spirit said so.

King of Gales indeed, even the wind has rebelled against him.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

Ragnvindr speaks of a bad premonition.

In truth, my heart is uneasy as well, but how can I share those feelings with anyone but myself? It is not the time to bother others with my issues -- it is time to reassure everyone, to rouse their spirit and not to let fear take root even as they stand against a God. It is my duty as a bard and as a fellow rebel.

The Windblume feels particularly heavy as I write this.

I fear I will not live to see tomorrow's sunset, but I fear for my dearest friends and for Mondstadt even more.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

My little spirit friend is still without a name.

I know it does not bother them, they are the wind itself after all, but I would still like to give them a name others can remember them by.

A name that they can remember me by once I pass on, selfish as it is to bind an immortal to a memory.

But I am selfish, even if Ragnvindr may see me as a paragon of virtue. I am a human and to be human is to be flawed. I am not ashamed of it, even if I often feel guilty for it.

Perhaps it will be the very last thing I achieve in this life of mine.

It is hard to name them.

I've thought of many names up until now.

Caelus. Liberius. Aella. Calliope. Achill. Carmine. Hilarius. Hanne. Zephyrinus. Dieter. Sascha. Scilla. Paulus. Notus. Veronica. Agna. Vergil.

Those are just a few of the ones I discarded.

None fit.

I can only hope the right name reveals itself when it is time.

.　 . • ☆ . ° . • ° : . * ₊ ° . ☆

That was the last entry.

You closed the diary and carefully put it aside.

☆(ﾉ◕ヮ◕)ﾉ* ✨ Author Note✨

It was not supposed to be mostly nameless bard POV via old diary.

It really wasn't.

Mans literally kidnapped the chapter entirely against my will while I was half asleep yesterday and attempting to write at nearly midnight and I was powerless to stop it, on god.

But hey, at least we got potential Venti bonding set up for the future?

I was planning for more fluff, but I also have no outline for this, so my chapters have a chance of getting kidnapped at any time.

✨BY THE WAY!!!!✨

The charm of spontaneous writing, I guess?

If you have something you want to happen - for example we're in the library right now, so maybe you want a book about a specific tidbit to appear - do let me know, maybe I'll write it in!

I had 2 tests and 1 retake yesterday and holy shit i got through all of them and tomorrow is last day of uni then it's ✨HOLIDAYS✨

✨Taglist✨

@game-savvy @chaoticfivesworld @mmeatt @avalordream @ymechi @andromeda-gay @naynayaa @undecidingfate @thedevioussmirk @tumb3ld0wn @balaur-bondoc @yi-chii @yarabutterfly @nervouseaglelover @vexingpraedyth @indelible-colouring-markers @whitefantasy21-blog @kapitankarate

[letter-from-afar]

IKEVIL THEORIES

(CW: JP SPOILERS FOR VOGEL, ENG SPOILERS FOR VICTOR, SPOILER ABOUT KATE IN WILLIAM'S BLIND ROUTE. ALL OF THESE ARE SPECULATIONS.)

VICTOR'S BACKSTORY

• How do you know about this story, Victor? Did she tell you this herself? Or were you her Aide even when the Queen had just ascended to the throne? If so, how old are you actually? So many questions!!

• So Victor hasn’t told this secret to anyone else... Not even William, then?

• Also, why that child in particular? It sounds like he’s implying something here...

• What if he is the child in question?

VICTOR'S PROFILE

• Firstly, the “resent” section on the Villains’ profile usually gives some information that’s directly linked to their past

• This can be applied to the currently released routes: William with his “restrictions on freedom” and Harrison with his “corruption, police” (Liam’s a different case here)

• In Victor’s profile, it’s stated that he resents “being excluded”. Therefore, it’s likely that he has experienced or witnessed an incident related to this in the past

• The most logical conclusion would be that it is related to his status as the Grim Reaper. It’s only natural if he were feared by others for his connection with Death. Perhaps, that’s why he acts cheerful and lively. So that people aren’t afraid of approaching him. However, it has been seen in events that he does have a hidden side to him — one that is much more dangerous —and he even mentions it in his bond story

• The other plausible conclusion is related to my previous theory that he was that child. Though we don’t know at which age he got his curse, we can safely assume that he’s been working in the palace for a long time, potentially before the Crown was created. In such an environment, it’s easy for him to be discriminated against by politicians and other nobles

• The lack of his last name can connect to these two conclusions. Maybe he doesn’t have one because he’s the Grim Reaper. Or... He had no family at all?

• Let’s look at his other sections: skills — dancing, magic tricks, piano

• Dancing and playing the piano are typically the things you’d learn if you were an aristocrat. Especially at a young age

• This disproves my theory of him being that child. But you know what contradicts this? Sewing and baking/cooking are also one of his skills, though not written explicitly here

• You could argue that he learned to do those things for the sake of the Crown, just like with his magic tricks

• But it’s surely more interesting to think, what if he knew these things from a young age? As a means of survival. Because he only had himself for the longest time until Queen Victoria came along

• I know he’s exaggerating his feelings here, but what if it’s true? He feels so lonely, all the time, despite being surrounded by everyone.

• This is addressed towards Harry and Jude, but what if he said this to others before? To stop them from leaving 'cause they didn't want to be around him

• There’s already a lot of theories about the relationship between the Queen and her Aide. Siblings, lovers, friends or even that Victor is the Queen. Who knows?

• Side note: why is Victor always called as eccentric or a weirdo in-game? What has he done to deserve this? He’s just a silly lil guy (called the Grim Reaper)

DARIUS AND VICTOR'S DYNAMIC

• Moving on, here’s why I think Darius could possibly be the rival in Victor’s route or vice versa

• Appearance-wise, they both have contrasting colours. And contrasting personalities, for Victor at least

• Both Lynn and Nica also have whites in their outfits, however, Darius is probably the one with the lightest colours (his golden hair and eyes count too)

• Most of us imagined Victor would’ve been ruthless and wickedly evil based on his dark appearance (not that he isn’t; we simply haven’t seen that side of him). You’d never have expected a villain with the title of Grim Reaper to be some happy-go-lucky single father of 8, would you?

• Darius’ title (not officially translated) is something along the lines of “The Cruel Angel of Distrust”. He’s likely the type to be all polite and kind on the outside while harbouring twisted plans in his mind

• Victor is the leader of Crown whereas Darius is the Chief of Vogel; both organisations have cursed members

• Funnily enough, Darius apparently hates scones. Then there’s the long-haired dad who loves buttering up his scones with EXTRA butter

• Both of them are collecting the Cursed like Pokémon

• He won't hesitate to steal your girl

• Victor, despite his philosophy of freedom, subtly exerts dominance through his words and actions. It’s not that noticeable because of his carefree attitude, but it’s definitely there

• So how would Darius act?

PERSONAL THOUGHTS ON VOGEL

• Vogel appears to follow a uniform code to some extent, most noticeable with Nica and Lynn

• Both of them also have the Vogel organisation symbol separately on a badge like thing?

• Whereas Darius has his on the neck

DARIUS

• What in the world are milk puzzles? Does anyone have an answer? (I've received an answer by @/fictional-men-set-my-standard so thank you!)

• This actually makes me think he really likes the colour white. And by extension, purity. He's also the only one wearing gloves in Vogel (Lynn should be wearing gloves too, fingerless ones specifically)

• Proposal: Darius’ nickname should be Darry (or Darrie if you prefer that spelling)

• As previously mentioned, the “Resent” section of each Villains’ profile tends to be related to their past

• For Darius, it says something like “looking after living things,” which makes me think he could've had a pet that died because of him

• His weapon is interesting, the top part resembles the handle of a cane, while the end is sharp like a sword

• His line, “Hello, Cursed and all. Won’t you join me in creating a wonderful world?” is supposed to make him sound kind, but it’s giving the impression that he has a twisted sense of humanity

• Bet he has something against people who are not Cursed, or treats them differently

• Is he a noble by any chance? His whole look screams rich

• This might be an overreach but I NEED him to be this person from Kate’s childhood

• It could be anyone else but this just feels like it would suit Darius’ nature

• Childhood friend troupe with him aaaaah

NICA

• Both variations of his name are cute (Nika/Nica)

• His “Resents” are something like “deep affection”, which is ironic since he’s apparently a frivolous, cunning man who plays around with love. Does his curse involve something with controlling feelings?

• Maybe inside, he’s deprived of love. All playboys are desperately in need of love in their lives

• He sounds like a good rival for Jude, especially with his interest in money and power. Plus, he knows how to forge a person’s writing, which is handy for messing up contracts

• “I’ll play with you like a toy” — Alfons better watch out you’ve got a new competitor

LYNN (RING)

• And for Lynn, his “Resents” say something like “eating alone”? Which makes me think he could have spent a period of time where he ate all by himself, without Nica, at the dinner table...

• And yes, I’m calling Ring “Lynn” because it's much cuter

• His hobby of sitting in the corner of a room oddly reminds me of a doll (or puppet in this case) thrown away, forgotten

SWAN LAKE

• I’m not at all familiar with the story of Swan Lake, so I had to do some research first

• As with all fairytales, there’s going to be many variations and multiple endings, but I’m going to follow the general plot

• The story primarily involves Rothbart, an evil sorcerer who turns Odette into a swan and prevents the curse from being broken by sending his daughter Odile to fool the prince

• Darius’ last name makes more sense when you relate it to his curse, Rothbart, who was able to transform into an owl

• Befitting an owl, Darius also happens to have a sharp sense of sight and smell

• The organisation being called Vogel makes sense now since all their curses are from the Swan Lake, which heavily involves themes of transformation and birds

• Both Nica and Lynn seem to have the same curse, though I think it’s more fitting for Nica

• He is a sly schemer who manipulates feelings, just like Odile, who does it with the prince, by pretending to be Odette

• Lynn is described as Darius’ puppet, and he’s not exactly villainous, judging by his profile.

• His hobbies, skills, and likes remind me more of Odette, but of course, he can’t be the white swan, right?

FOOD FOR THOUGHT?

• All Villains have Curses based on the respective Villain of their fairytale (or an associated object like the magic mirror in Alfons case)

• Which makes me think... What if “curses” also existed for the heroes? What if, instead of being called the Cursed, such people would be called the “Blessed”?

• And they’d have “blessings” based on the protagonist or good guys of the respective fairytale. And their ending will always be happy

• Unless they try to escape it. You know, do things they shouldn’t. Opening secret doors, entering forbidden forests... And falling in love with Villains

Tysm if you've read this far into my rambling ⁠♡ And don't hesitate to interact and share your ideas on this because I would LOVE to hear it

[vaspider]

youve got a lot of really great thoughts on a transphobia and homophobia, tbh more critical thinking than most people on here, and i was wondering how much you knew about the theory of rapid onset gender dysphoria/if youd be comfortable sharing your thoughts on the ridiculous idea

It was explicitly invented by transphobes as a means of delegitimizing trans identity, and that invention was backed up by a "study" in which the person running the study never spoke to any trans people or to any professionals providing care for trans people, only spoke to the parents of trans minors, and those parents were specifically recruited from forums for anti-trans parents.

The paper which supposedly coined ROGD was taken down for a while and corrected. Further studies have found no basis for ROGD.

What's really interesting is in the cache of emails which became public earlier this year from a former detransitioner there's a paper trail which pretty clearly indicates that the term was actually created on a very heinous website called 4th/wave/now (forgive my anti-search slashes, these people are awful) well prior to the study.

Hey, you want to guess where the parents for this study were recruited from? If you guessed "the one where the term was invented," you're right!

But wait, there's more!

It appears from the journalistic work done by Mother Jones, Jude Doyle, and Julia Serano, that this term was created by an anti-trans activist who works extensively with right-wing think tanks and who went to great lengths to hide that she invented the term.

Jude Doyle:

Finding anti-trans narratives that would “sell” to the general public was a constant concern for this crowd, and Shupe says it didn’t much matter if the narratives were based in fact or not. Marchiano, for instance, eagerly watched the spread of the ROGD theory — “[transfeminist writer and researcher Julia] Serano has already written a takedown,” she exulted in one August 2018 email. Shupe suspects Marchiano’s role is larger than the public knows: “Marchiano never explicitly said she is the inventor of ROGD, but the evidence points to her, and she’s listed as a contributor to the [Lisa Littman] study on PLOS One,” she writes to me. “My ‘opinion’ is that Marchiano and the 4thWaveNow folks are behind the ROGD study, and Littman merely fronted it for them to make it appear unbiased.”

Jude Doyle again:

On July 2, Shupe sent Marchiano a link to Jones’ blog post telling her “you’ve upset Zinnia again.” (Shupe had a tendency to send Marchiano news of ROGD, and to attribute the theory to “you” — that is, to Marchiano — whether Marchiano was explicitly named or not. In the communications I’ve reviewed, Marchiano does not reject the attribution.) Marchiano responded by saying that Jones had done something to “make her nervous” — namely, she’d dug up a blog post about ROGD that Marchiano had written under her own name.

Julia Serano:

If all of this is true — that Marchiano ran YCTP and invented ROGD — then it would follow that Marchiano was also likely skepticaltherapist, the supposed parent of a trans child who invented the idea of “transgender social contagion” in the first place.

Julia Serano again:

Also on March 15, 2016, at 6:07am (so very early in the day, likely before the aforementioned YTCP piece is published), skepticaltherapist posts her final comment on 4thwavenow before mysteriously disappearing. In a reply to someone named Starrymessenger, skepticaltherapist says: 'I wanted to mention that this month’s Psychotherapy Networker is focusing on trans youth issues, and the tone of each article is uncritically celebratory — lots of mentions of “courage,” and “bravery.” You may need a subscription or at least an account to comment, but I have so far.'

At the time of this comment, "Lisa" is the *only* person to have posted a comment on this particular Psychotherapy Networker article, as the 2nd comment doesn't appear until later that evening (7:30:15 PM on March 15th; both 4thwavenow & Psychotherapy Networker appear to be based in the U.S., so the should be only a few hours apart, if at all). Therefore, "Lisa" and skepticaltherapist must be the same person.

Did you catch all of that?

This is a fraudulent "diagnosis" explicitly invented by an anti-trans psychologist who at times has used sockpuppets to manipulate online conversations, claimed at times to be the mother of a trans child, or maybe it was her friend who had the trans child, or maybe she just knew somebody who just randomly decided he was a trans boy after going on tumblr. (Boy, does Lisa Marchiano hate Tumblr, lol.)

After inventing this diagnosis and pushing it on a forum for parents who don't like that they have trans kids, Marchiano then approaches a different researcher and uses this other researcher to launder this term, launching it into the verbal stratosphere, while explicitly working with right-wing groups who used this "evidence" to manufacture anti-trans bills. This list of right-wing groups and individuals includes the Alliance Defending Freedom, the "American College of Pediatricians," -- not to be confused with the American Academy of Pediatrics, the legitimate organization, ACPeds is a fringe right-wing group.

They literally made all of this up, this idea that transmasculine people specifically are being "infected" by online sources, and then they laundered it through a shitty study and tried to hide the laundering they did, so that shit like this can happen:

The president of the American Principles Project, a member of the coalition, recently told the New York Times that his group’s goal is to eliminate all transition care, starting with children because that’s “where the consensus is.”

This isn't about protecting children or any bullshit like that, and it's not about this fallacious "disorder" because it doesn't exist -- and they know it doesn't exist. They know it doesn't exist because they were the ones who made it up.

Like... what else is there to say? It's like if I made up Purple Big Toe Disease and claimed that all people taller than 5'10" and born on a Tuesday have Purple Big Toe Disease and should not be able to buy aspirin, because it's G-d's plan that people who have Purple Big Toe Disease should not prevent themselves from feeling the pain that G-d has planned for them, and then I asked someone to write a paper about PBTD and pretend I wasn't the one who made it up so I could point at the paper and be like le gasp, PBTD is the number one problem! We need to stop everyone over 5'10" and born on a Tuesday from being able to buy aspirin! And then some dude in South Dakota starts writing up bills in consultation with a bunch of Evangelical lawyers to deny basic health care to people over 5'10" and born on Tuesdays.

If it sounds fucking ridiculous, it's because it is.

[mostlysignssomeportents]

This is your brain on fraud apologetics

In 1998, two Stanford students published a paper in Computer Networks entitled “The Anatomy of a Large-Scale Hypertextual Web Search Engine,” in which they wrote, “Advertising funded search engines will be inherently biased towards the advertisers and away from the needs of consumers.”

https://research.google/pubs/pub334/

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security

The co-authors were Lawrence Page and Sergey Brin, and the “large-scale hypertextual web search-engine” they were describing was their new project, which they called “Google.” They were 100% correct — prescient, even!

On Wednesday night, a friend came over to watch some TV with us. We ordered out. We got scammed. We searched for a great local Thai place we like called Kiin and clicked a sponsored link for a Wix site called “Kiinthaila.com.” We should have clicked the third link down (kiinthaiburbank.com).

We got scammed. The Wix site was a lookalike for Kiin Thai, which marked up their prices by 15% and relayed the order to our local, mom-and-pop, one-branch restaurant. The restaurant knew it, too — they called us and told us they were canceling the order, and said we could still come get our food, but we’d have to call Amex to reverse the charge.

As it turned out, the scammers double-billed us for our order. I called Amex, who advised us to call back in a couple days when the charge posted to cancel it — in other words, they were treating it as a regular customer dispute, and not a systemic, widespread fraud (there’s no way this scammer is just doing this for one restaurant).

In the grand scheme of things, this is a minor hassle, but boy, it’s haunting to watch the quarter-century old prophecy of Brin and Page coming true. Search Google for carpenters, plumbers, gas-stations, locksmiths, concert tickets, entry visas, jobs at the US Post Office or (not making this up) tech support for Google products, and the top result will be a paid ad for a scam. Sometimes it’s several of the top ads.

This kind of “intermediation” business is actually revered in business-schools. As Douglas Rushkoff has written, the modern business wisdom reveres “going meta” — not doing anything useful, but rather, creating a chokepoint between people who do useful things and people who want to pay for those things, and squatting there, collecting rent:

https://rushkoff.medium.com/going-meta-d42c6a09225e

It’s the ultimate passive income/rise and grind side-hustle: It wouldn’t surprise me in the least to discover a whole festering nest of creeps on Tiktok talking about how they pay Mechanical Turks to produce these lookalike sites at scale.

This mindset is so pervasive that people running companies with billions in revenue and massive hoards of venture capital run exactly the same scam. During lockdown, companies like Doordash, Grubhub and Uber Eats stood up predatory lookalike websites for local restaurants, without their consent, and played monster-in-the-middle, tricking diners into ordering through them:

https://pluralistic.net/2020/09/19/we-are-beautiful/#man-in-the-middle

These delivery app companies were playing a classic enshittification game: first they directed surpluses to customers to lock them in (heavily discounting food), then they directed surplus to restaurants (preferential search results, free delivery, low commissions) — then, having locked in both consumers and producers, they harvested the surplus for themselves.

Today, delivery apps charge massive premiums to both eaters and restaurants, load up every order with junk fees, and clone the most successful restaurants out of ghost kitchens — shipping containers in parking lots crammed with low-waged workers cranking out orders for 15 different fake “virtual restaurants”:

https://pluralistic.net/2020/12/01/autophagic-buckeyes/#subsidized-autophagia

Delivery apps speedran the enshittification cycle, but Google took a slower path to get there. The company has locked in billions of users (e.g. by paying billions to be the default search on Safari and Firefox and using legal bullying to block third party Android device-makers from pre-installing browsers other than Chrome). For years, it’s been leveraging our lock-in to prey on small businesses, getting them to set up Google Business Profiles.

These profiles are supposed to help Google distinguish between real sellers and scammers. But Kiin Thai has a Google Business Profile, and searching for “kiin thai burbank” brings up a “Knowledge Panel” with the correct website address — on a page that is headed with a link to a scam website for the same business. Google, in other words, has everything it needs to flag lookalike sites and confirm them with their registered owners. It would cost Google money to do this — engineer-time to build and maintain the system, content moderator time to manually check flagged listings, and lost ad-revenue from scammers — but letting the scams flourish makes Google money, at the expense of Google users and Google business customers.

Now, Google has an answer for this: they tell merchants who are being impersonated by ad-buying scammers that all they need to do is outbid them for the top ad-spot. This is a common approach — Amazon has a $31b/year “ad business” that’s mostly its own platform sellers bidding against each other to show you fake results for your query. The first five screens of Amazon search results are 50% ads:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

This is “going meta,” so naturally, Meta is doing it too: Facebook and Instagram have announced a $12/month “verification” badge that will let you report impersonation and tweak the algorithm to make it more likely that the posts you make are shown to the people who explicitly asked to see them:

https://www.vox.com/recode/2023/2/21/23609375/meta-verified-twitter-blue-checkmark-badge-instagram-facebook

The corollary of this, of course, is that if you don’t pay, they won’t police your impersonators, and they won’t show your posts to the people who asked to see them. This is pure enshittification — the surplus from users and business customers is harvested for the benefit of the platform owners:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

The idea that merchants should master the platforms as a means of keeping us safe from their impersonators is a hollow joke. For one thing, the rules change all the time, as the platforms endlessly twiddle the knobs that determine what gets shown to whom:

https://doctorow.medium.com/twiddler-1b5c9690cce6

And they refuse to tell anyone what the rules are, because if they told you what the rules were, you’d be able to bypass them. Content moderation is the only infosec domain where “security through obscurity” doesn’t get laughed out of the room:

https://doctorow.medium.com/como-is-infosec-307f87004563

Worse: the one thing the platforms do hunt down and exterminate with extreme prejudice is anything that users or business-customers use to twiddle back — add-ons and plugins and jailbreaks that override their poor choices with better ones:

https://www.theverge.com/2022/9/29/23378541/the-og-app-instagram-clone-pulled-from-app-store

As I was submitting complaints about the fake Kiin scam-site (and Amex’s handling of my fraud call) to the FTC, the California Attorney General, the Consumer Finance Protection Bureau and Wix, I wrote a little Twitter thread about what a gross scam this is:

https://twitter.com/doctorow/status/1628948906657878016

The thread got more than two million reads and got picked up by Hacker News and other sites. While most of the responses evinced solidarity and frustration and recounted similar incidents in other domains, a significant plurality of the replies were scam apologetics — messages from people who wanted to explain why this wasn’t a problem after all.

The most common of these was victim-blaming: “you should have used an adblocker” or “never click the sponsored link.” Of course, I do use an ad-blocker — but this order was placed with a mobile browser, after an absentminded query into the Google search-box permanently placed on the home screen, which opens results in Chrome (where I don’t have an ad-blocker, so I can see material behind an ad-blocker-blocker), not Firefox (which does have an ad-blocker).

Now, I also have a PiHole on my home LAN, which blocks most ads even in a default browser — but earlier this day, I’d been on a public wifi network that was erroneously blocking a website (the always excellent superpunch.net) so I’d turned my wifi off, which meant the connection came over my phone’s 5G connection, bypassing the PiHole:

https://pluralistic.net/2022/04/28/shut-yer-pi-hole/

“Don’t click a sponsored link” — well, the irony here is that if you habitually use a browser with an ad-blocker, and you backstop it with a PiHole, you never see sponsored links, so it’s easy to miss the tiny “Sponsored” notification beside the search result. That goes double if you’re relaxing with a dinner guest on the sofa and ordering dinner while chatting.

There’s a name for this kind of security failure: the Swiss Cheese Model. We all have multiple defenses (in my case: foreknowledge of Google’s ad-scam problem, an ad-blocker in my browser, LAN-wide ad sinkholing). We also have multiple vulnerabilities (in my case: forgetting I was on 5G, being distracted by conversation, using a mobile device with a permanent insecure search bar on the homescreen, and being so accustomed to ad-blocked results that I got out of the habit of checking whether a result was an ad).

If you think you aren’t vulnerable to scams, you’re wrong — and your confidence in your invulnerability actually increases your risk. This isn’t the first time I’ve been scammed, and it won’t be the last — and every time, it’s been a Swiss Cheese failure, where all the holes in all my defenses lined up for a brief instant and left me vulnerable:

https://locusmag.com/2010/05/cory-doctorow-persistence-pays-parasites/

Other apologetics: “just call the restaurant rather than using its website.” Look, I know the people who say this don’t think I have a time-machine I can use to travel back to the 1980s and retrieve a Yellow Pages, but it’s hard not to snark at them, just the same. Scammers don’t just set up fake websites for your local businesses — they staff them with fake call-centers, too. The same search that takes you to a fake website will also take you to a fake phone number.

Finally, there’s “What do you expect Google to do? They can’t possibly detect this kind of scam.” But they can. Indeed, they are better situated to discover these scams than anyone else, because they have their business profiles, with verified contact information for the merchants being impersonated. When they get an ad that seems to be for the same business but to a different website, they could interrupt the ad process to confirm it with their verified contact info.

Instead, they choose to avoid the expense, and pocket the ad revenue. If a company promises to “to organize the world’s information and make it universally accessible and useful,” I think we have the right to demand these kinds of basic countermeasures:

https://www.google.com/search/howsearchworks/our-approach/

The same goes for Amex: when a merchant is scamming customers, they shouldn’t treat complaints as “chargebacks” — they should treat them as reports of a crime in progress. Amex has the bird’s eye view of their transaction flow and when a customer reports a scam, they can backtrack it to see if the same scammer is doing this with other merchants — but the credit card companies make money by not chasing down fraud:

https://www.buzzfeednews.com/article/rosalindadams/mastercard-visa-fraud

Wix also has platform-scale analytics that they could use to detect and interdict this kind of fraud — when a scammer creates a hundred lookalike websites for restaurants and uses Wix’s merchant services to process payments for them, that could trigger human review — but it didn’t.

Where do all of these apologetics come from? Why are people so eager to leap to the defense of scammers and their adtech and fintech enablers? Why is there such an impulse to victim-blame?

I think it’s fear: in their hearts, people — especially techies — know that they, too, are vulnerable to these ripoffs, but they don’t want to admit it. They want to convince themselves that the person who got scammed made an easily avoidable mistake, and that they themselves will never make a similar mistake.

This is doubly true for readerships on tech-heavy forums like Twitter or (especially) Hacker News. These readers know just how many vulnerabilities there are — how many holes are in their Swiss cheese — and they are also overexposed to rise-and-grind/passive income rhetoric.

This produces a powerful cognitive dissonance: “If all the ‘entrepreneurs’ I worship are just laying traps for the unwary, and if I am sometimes unwary, then I’m cheering on the authors of my future enduring misery.” The only way to resolve this dissonance — short of re-evaluating your view of platform capitalism or questioning your own immunity to scams — is to blame the victim.

The median Hacker News reader has to somehow resolve the tension between “just install an adblocker” and “Chrome’s extension sandbox is a dumpster fire and it’s basically impossible to know whether any add-on you install can steal every keystroke and all your other data”:

https://mattfrisbie.substack.com/p/spy-chrome-extension

In my Twitter thread, I called this “the worst of all possible timelines.” Everything we do is mediated by gigantic, surveillant monopolists that spy on us comprehensively from asshole to appetite — but none of them, not a 20th century payment giant nor a 21st century search giant — can bestir itself to use that data to keep us safe from scams.

Next Thu (Mar 2) I'll be in Brussels for Antitrust, Regulation and the Political Economy, along with a who's-who of European and US trustbusters. It's livestreamed, and both in-person and virtual attendance are free:

https://www.brusselsconference.com/registration

On Fri (Mar 3), I'll be in Graz for the Elevate Festival:

https://elevate.at/diskurs/programm/event/e23doctorow/

[Image ID: A modified version of Hieronymus Bosch's painting 'The Conjurer,' which depicts a scam artist playing a shell-game for a group of gawking rubes. The image has been modified so that the scam artist's table has a Google logo and the pea he is triumphantly holding aloft bears the 'Sponsored' wordmark that appears alongside Google search results.]

[a-town-called-hometown]

yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

[nevermeyers]

Yeah, I know I said I'd keep quiet about it because I plan on ignoring the ending. I've done it plenty of times, even with books I consider my favorites. "Oh this book is so good, it's one of my faves... How does it end? I don't remember." I'm going to do that with jjk because I've done it more times. Anyways.

Seriously, where's the character development? Why dedicate an entire chapter to showing how much criticism affects you and making excuses for your narrative instead of fixing it? Gege could have written about the characters and their problems, their worries, their evolution even while talking about how the politics of jujutsu world are changing rn.

What are Nobara's thoughts right now? There could have been an entire chapter dedicated to her character to fill in the gaps and finish defining her, what about her mother? How does she feel about her childhood friends? What are her plans now?

What about Megumi? Yeah, seeing him laugh was therapeutic, but honestly his character hasn't had the development/ending I expected. The timeskip was weird, his acting is literally the same as the beginning of the manga. It feels like I'm reading the same person who appeared in chapter one and not a traumatized boy who is learning to live. Where is Itadori teaching him that it's actually worth moving on? Where's the whole PTSD thing I'm sure he has? (fuck megumi haters btw fuck them, and fuck the way they victim blamed a kid). What are his thoughts about Gojo? About Sukuna?

Yuuji... Our mc. I was expecting to see him mourning Choso, mourning Gojo. But no, apparently it's more important to explain that there was a secret society (lmao) than to have him show respect and tears for those people he loved. His family, who he never got to spend time with, and his sensei, who decided not to execute him and who taught him almost everything he knows. I wanted to see him taking his friends to the movies to see some B-movie horror instead of going through the horror of watching characters insult him and tell him that it's better if he were dead.

And yes, I know there are two chapters left and some of the things I mention here might appear, but we've already wasted our time with one chapter, that's many pages. There won't be time to fix whatever is this. I feel bad :/

Now, one of the things that bothers me the most is that there are characters that were implied to be dead and now suddenly appear alive. I thought this was about letting the new generations create a fair world, but no. Do you know which character bothers me the most? Mei Mei. No, I'm not against someone writing sa/csa in fiction as long as it's not romanticized (I accept the unreliable narrator because that happens a lot irl and it's sad). The thing is that Mei Mei literally embodies the values ​​of the jujutsu world. In the jujutsu clans there was everything, sexism, abuse, neglect and most likely incest since (at least that's how I see it) they are like the monarchies of the Middle Ages. Mei Mei is the embodiment of all those rotten values ​​that Gojo hated, that the new generations are destined to eradicate. Seriously. What is she doing alive? Take her out rn. Gojo didn't die for this.

I read someone saying that maybe the point of this chapter isn't to break the cycle, but to repeat it. I have to say that I'm a big fan of that trope! It reminds me that humans repeat the same mistakes, but even if that were the point I think it wouldn't be well written.

There came a point in the story where both options: love is worthless and love is worth it were acceptable by the end of the manga. This is the ending where love is worth it, but why hasn't anything changed? The characters we saw in 269 are almost exactly the same we saw in chapter number one.

If this is a story about how love is worth it, accept the consequences and write characters who, thanks to love, move forward and build a new world instead of neutralizing any kind of development