#at least then he was fighting rich people

[iris-qt]

𝚌𝚊𝚗'𝚝 𝚙𝚊𝚢 𝚝𝚑𝚎 𝚖𝚘𝚛𝚝𝚐𝚊𝚐𝚎 / 𝚛𝚎𝚗𝚝 𝚙𝚛𝚊𝚗𝚔

ꜱʟʏᴛʜᴇʀɪɴ ʙᴏʏꜱ ʀᴇᴀᴄᴛ

I. Mattheo Riddle

Mattheo freezes mid-bite of his chocolate frog, giving you the kind of look someone reserves for a talking cat. "You can’t pay the what now?" he says, mouth still half-full.

When you repeat it, his eyebrows shoot up so high they practically disappear into his curls. "Wait, wait, wait. You’re telling me you’ve been paying the rent this whole time? Babe, what rent? Where are you sending this money? Do I need to send the lads to go 'talk' to someone?"

You insist you’re serious, and he bursts into laughter so loud it echoes around the room. He’s clutching his stomach, tears forming in his eyes. "Oh, this is rich! Next, you’ll tell me you’ve been working overtime at Flourish and Blotts to afford my ‘extravagant lifestyle.’ What’s next, huh? Selling cauldron cakes on the side?"

When you try to keep a straight face, he leans forward, his expression deadpan now but his voice dripping with sarcasm. "No, seriously, though. Should I sell my broom? Start knitting scarves for a Galleon a pop? Maybe I can busk on Diagon Alley…play the ukulele or some crap. People love that."

By now, you’re wheezing with laughter, and he just shakes his head, smirking. "Merlin, Y/N, if your acting career doesn’t work out, at least we know you’ve got a future in comedy. But seriously…rent? That’s cute.”

By now, you’re gasping for air, struggling to hold it together, and Mattheo’s smirk only grows wider as he watches you. He leans in a little closer, his voice dropping to a softer, almost teasing tone. "You know," he says with a glint in his eye, "If you really need help with the rent... maybe I could offer you a private lesson in how to make some extra Galleons."

II. Theodore Nott

Theo looks up from the chessboard he’s been meticulously studying for the last half hour, an eyebrow raised in mild confusion. "What do you mean you can’t pay the rent?" he asks, his tone calm but with a dangerous edge of skepticism.  

You repeat it, adding a dramatic sigh for effect.  

He blinks slowly, as if trying to process whether you’ve gone mad or if he missed some critical detail in your relationship. "You’ve... been paying the rent? Since when? Because I distinctly recall handling all of that."  

When you insist, he leans back in his chair, steepling his fingers like he’s analyzing a particularly tricky potion. "Alright, either you’ve been scammed by an exceptionally creative con artist, or this is your latest attempt to distract me from beating you at chess."  

You pout, staying in character, and he sighs heavily, running a hand through his hair. "Y/N, do you even know where the rent money comes from? Because I can assure you, it’s not your side gig selling those questionable potions on Etsy.”  

The corners of his mouth twitch as he fights a grin. Finally, when you can’t hold back your laughter anymore, he rolls his eyes, muttering under his breath, "Honestly, I need to start charging you rent for all this nonsense. At least make it worth my while.”  

As you finally break into laughter, Theo sets his chess pieces down with a dramatic sigh, his eyes softening just a bit. He leans in, brushing a stray lock of hair behind your ear with surprising gentleness. "You’re impossible," he mutters, his voice a little quieter now, though there’s still a teasing glint in his eyes. "But you know, I wouldn’t have it any other way."

He gives you a small, almost shy smile, then leans back in his chair, his usual cool demeanor returning. "Now, let’s see if you can distract me enough to win this game."

III. Draco Malfoy

He would look at you like you’ve gone MENTAL

“Haha funny joke, y/n,” he rolls his eyes, going right back to reading his book and munching on his green apple.

When you reiterate it, Draco squints at you, lowering his book slightly, the crunch of his apple freezing mid-chew. "Excuse me? You what?" he says, a hint of incredulity creeping into his voice.

When you repeat it again, this time with extra drama, he sits bolt upright, his apple rolling forgotten onto the table. "Wait, wait, wait…you pay the mortgage? Since when? Did I suddenly get amnesia and forget we’re Muggles now? Because last I checked, the Manor doesn’t even have a mortgage!”

He grabs his wand, waving it theatrically. "Accio sense, because clearly you’ve lost yours!”

You keep the act going, insisting you’re serious, and he just gapes at you like you’ve declared you’ve taken up dragon wrestling as a hobby. Finally, he narrows his eyes.

“Y/N, love, if this is about that handbag you wanted last week, just say so. No need to concoct elaborate tales about rent payments. Merlin’s beard, you're ridiculous.”

When you burst into laughter, he leans back in his chair, scowling but unable to hide the faintest smirk. "I’m marrying a lunatic," he mutters, reaching for his apple again. "At least the lunatic has good taste in handbags."

IV. Blaise Zabini

Blaise looks up from his cup of espresso, one perfectly arched brow lifting as he tilts his head at you. "I’m sorry, darling. Did I hear that correctly? You can’t pay the rent? You mean the rent that I, Blaise Zabini, the man with seven vaults at Gringotts, didn’t even let you look at, let alone contribute to?"

You double down, trying to sell your story, and he exhales slowly, setting his glass down with the exaggerated care of a man trying to keep his composure. "This is new. Tragic, even. Shall I sell the antique Italian sofa to keep us afloat? Or, Merlin forbid, cut back on the imported silk sheets?"

When you keep insisting, he leans back, crossing his arms and giving you a slow once-over, his lips twitching with amusement. "You know what? You’re right. It’s all gone. We’re destitute. Better start knitting socks and selling them on Knockturn Alley. Maybe I’ll start charging Draco for advice. He’s overdue for paying his mate tax.”

Finally, when you burst into laughter, Blaise smirks, shaking his head and snaking an arm around your waist, pulling you close. "You’re lucky you’re cute, Y/N. If anyone else tried this nonsense, I’d have them banned from my flat and my life. But you? You get away with everything.”

V. Regulus Black

Regulus doesn’t even look up from his book, clearly too absorbed to even register your words at first. But when you repeat it, his eyes flicker briefly to you, a quizzical expression crossing his face. "Wait, what do you mean you can’t pay the rent?"

You try to explain, going for maximum drama, and he sighs, setting his book down with a soft thud. "Y/N, darling, I pay the rent. I handle everything. You’re telling me you’ve been struggling to pay it all this time?" His tone is flat, not even slightly concerned, just bemused. "I’ve already transferred the payment for the month. Did you forget?"

You continue the joke, and Regulus glances at you again, narrowing his eyes. "Are you seriously trying to convince me that you…you…have been paying the rent? Did you somehow think I’d believe that, or did you just want an excuse to create drama?"

He picks up his book again, unfazed. "You’re lucky you’re charming, because if anyone else tried this, I’d seriously reconsider their grip on reality." He sighs with exaggerated patience, "Don’t you remember? I’m the one who handles the bills. The whole thing is already sorted. No need to panic, love."

When you can’t keep it going anymore and laugh, he glances up once more with a slight smirk, rolling his eyes. "Honestly, Y/N, your attempts at theatrics are as bad as your cooking. At least make the drama more believable next time.”

As you laugh, Regulus's serious expression softens just a touch, and he leans over, brushing a strand of hair from your face. "You’re impossible, you know that?" he mutters, but there's a warmth in his voice. "If you ever do run into a problem, though... just tell me."

You smile, and he sighs, shaking his head with a hint of affection. "I swear, you’ll be the death of me." But there’s a small, barely noticeable smile tugging at the corners of his lips, the kind he only gives when he’s not trying to be all stoic and mysterious.

VI. Tom Riddle

Tom Riddle doesn’t even flinch when you announce that you can’t pay the rent, simply pausing for a moment before his sharp, calculating gaze turns to you. "What are you on about?" he asks, his voice smooth but laced with a hint of annoyance. "You’ve been paying the rent? Since when did you even have the opportunity to pay it?"

When you repeat it with exaggerated seriousness, he leans back in his chair, narrowing his eyes, clearly trying to make sense of it. "I’ll admit, you’re certainly creative...but no. I’ve always taken care of the bills. I don’t recall a single instance where you were involved in such matters."

You continue the joke, and he chuckles darkly, though it’s clear he doesn’t fully buy it. "If this is your attempt at gaining attention, it's a poor one, darling. Do you think I’m so easily fooled?" His tone softens just slightly, a flash of something that could almost be affection in his eyes.

He stands and steps toward you, leaning in just close enough to make you feel his presence, but not too close to be truly comforting. "Next time you need a distraction, don’t go around pretending to pay rent," he murmurs, his lips brushing your ear ever so slightly. "It’s beneath you. If you need something, ask. But don’t insult my intelligence."

When you finally start laughing, Tom smirks, his eyes glimmering with something softer, though it’s well hidden behind his usual cold demeanor. "You’re insufferable, Y/N. And that’s probably why I... let you get away with it."

A/N: Thank you to @fanfics4ever for this idea ♡

[allronix]

In any other universe, I say "This side conscripts children and trains them with deadly weapons. They forbid these children from ever seeing or hearing from their families once recruited in infancy because the organization is their family now. And to defend the government they serve, they allowed themselves to become the overseers and commanders of an army of slave soldiers to suppress internal dissent," we would look at that and think these were the guys we were trying to fight against.

So weirdly, we have the Jedi set up to be these ultimate heroes and good guys, yet they are just soaked in the tropes and trappings that would mark them as the bad side in any other piece of work depicting a dystopia.

The whole Jedi recruiting is Dystopia 101. You want to establish that this is a bad place to live? Establish that the people in charge recruit kids and take them away from their parents. Even as recently as the HP Fantastic Beasts films, Newt's introduction to America's Wizarding World being a dystopian system was when Tina and Queenie pointed out that American mage children born to "No-Maj" (muggles) were taken from their birth families and their muggle relatives and friends mind raped into forgetting them. (One wonders if the Jedi would use this and bullshit some reason about sparing those left behind the pain of loss...). You also get the Babylon Five Psi Corps or the Dragon Age mage towers. Hell, even in Disney canon, one of the things that establishes the First Order as grade A dirtbags is Finn telling his new comrades that he was recruited as an infant.

So...um...why in the HELL are we supposed to see this Jedi practice as happy, fluffy, adoption?! Or at the very least take the whole "Oh, but this is all willing! It is a great honor for the family to sacrifice their child!" without a 55-gallon drum of suspicion? In real life, children were recruited from peasant families or other disfavored populations to serve as concubines (if female), soldiers (if male), servant/slave labor, or human sacrifice. It was a way for the elites to tell these disfavored populations that they could do whatever the hell they wanted, especially destroy any future or hope for the future. And the only thing these disfavored people could console themselves with is the elite's excuse that having their child "chosen" in this way was an honor.

Another dystopia trope is the whole Word of Lucas that Jedi can have casual sexual relations but not emotional attachment. Well, that was a common thing in sci-fi dystopias. Logan's Run with the glasshouses where people hooked up with strangers and watched each other get it on. Brave New World with the Orgy Porgy. That sort of thing. And it was a thing in real life for people conscripted to military or religious service to not be able to marry but they were fine with...er...more transactional forms of sex. The elite of the Catholic church are what gave us the courtesan, prostitutes trained to be elite and educated companions to the Papal court. Buddhist monks of Edo Japan having ritualized pederasty with the acolytes. Both regulated brothels, and I'm pretty sure it wasn't just because they were doing the health inspections. We know sex work, sex slavery, and that sort of thing is all over the GFFA and given a wide tolerance. We also know that Jedi do espionage type missions and that honey pot espionage is never going away. We also have the sticky bit that Force Sensitivity has a strong (though not guaranteed) genetic component. So there may be a few unpleasant reasons for this dystopian edict as well. Only made more salient by the nasty misogynistic treatment if a female/carrying Jedi gets pregnant.

The last dystopia trope is the removal from the natural world. Much emphasis is put on the natural aspects of the "good" guys versus the cold tech of the "evil" guys. Or if we have a world where everyone lives in cyberpunk hellscape, only the rich and powerful (usually the bad guys) get to see an actual tree. Okay, the alleged "good" guys are sitting in the middle of a cyberpunk hellscape world. And like the rich elite, they have actual real trees in a place where most citizens will never touch real soil! At least with Legends, you got Jedi enclaves and outposts in really nice locations surrounded by nature and life; Tython, Dantooine, Ossus. Tenoo if you want to throw a Disney example in there.

The average muggle citizen of Star Wars lives in horrible poverty. To the point where a one-room apartment in a slum building on the SURFACE of Coruscant is considered luxury. Many more live in subsistence farming like medieval peasants. Others under the thumb of corporate rule because companies like Czerka own entire planets.

Granted, it's better than various incarnations of the Empire because it's not just open slavery led by ax-crazy theocratic whack-jobs too busy backstabbing and power jockeying to get anything done but warfare. But...well...being better than Sith is textbook faint praise.

Dystopian themes in the Prequels

“Looking back is helpful in understanding his work. Lucas started out in the 1960’s as an experimental filmmaker heavily influenced by the avant-garde films of the San Francisco art scene. Initially interested in painting, he became an editor and visualist who made abstract tone poems. His first feature, THX 1138 (1971) was an experimental science fiction film that presented a surreal, underground world where a dictatorial state controls a docile population using drugs. Love and sex are outlawed, procreation is controlled through machines, and human beings shuffle meaninglessly around the system.”

—Anthony Parisi, 'Revisiting the Star Wars Prequels'

The bolded parts in this description correspond with the Coruscant Underworld, the Jedi Order’s code, and the creation of the clone troopers, respectively.

Notably, in THX 1138's setting, emotions such as love and the concept of family are taboo:

I’ve always found it so interesting that Lucas incorporated the dystopian elements of his earlier sci-fi into the Prequels, taking place as they do in the context of the final years of the Repubic, with all its colourful and sumptuous visual spendour. In comparison, the post-apocalyptic ‘Dark Times’ of the Original Trilogy would seem on the surface to be the more outwardly ‘dystopian’ setting of the two—however, the actual story of the OT is a mythic hero's journey and fairytale, complete with an uplifting and transcendent happy ending. The OT's setting may be drained of colour, and its characters may be living under the shadow of the Empire, but as a story it is far from bleak or dystopian in tone. Rather, fascinatingly, it is the pre-apocalyptic era of the Prequels that is presented as the more dystopian storyline:

“On the surface, [The Phantom Menace] is an optimistic, colorful fantasy of a couple of swashbuckling samurai rescuing a child Queen and meeting a gifted slave boy who can help save the galaxy from the slimy Trade Federation and its Sith leaders. But beneath that cheerful facade is a sweatshop of horrors.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

This is referring to the state of the galaxy during the Prequels era, including the fact that slavery is known to exist, but is largely ignored by the Republic and the Jedi alike due to being too economically inconvenient to combat. It also refers to how the Jedi of the Old Order come across as cold and distant atop their ivory tower on the artificial world of Coruscant, far removed not only from the natural world but also from the true realities of the people they claim to serve. And then there is the additional revelation in Attack of the Clones that love and family are 'outlawed' within the Jedi Order, creating an environment in which their own 'Chosen One' is unable to flourish, leaving him vulnerable to the Dark Side. Finally, there's the fact that the characters end up so distracted by fighting a civil war (something that goes against their own principles and involves the use of a slave clone army in the process), that they are blinded to the entity of pure evil that is guiding their every move...until it is too late.

“Without a clear enemy, the Jedi Order, the Galactic Senate, the whole of the Star Wars galaxy bickers and backstabs and slides around the moral scales. But there is one benefit to Palpatine’s pure evil crashing down upon the galaxy; against its oppressive darkness, only the purest light can shine through.” —Michael O'Connor, 'Moral Ambiguity: Beyond Good and Evil in the Prequels'

If anything, the Dark Times allows for the OT generation's acts of courage and heroism to flourish and succeed, because they are not hampered by the Old Jedi Order's restrictive rules, nor by its servitude to the whims of an increasingly corrupt Republic—so corrupt, in fact, that by the time of RotS, it is practically the Empire in all but name. Indeed, one of the key features of the Prequels, and what makes them so tragic, is that the characters are already living in a dystopia...they just don't know it.

There is, paradoxically, a level of freedom to be found in the midst of the Dark Times which had not been possible during the Twilight era, which allows Original Trio to rise above the tragedy that befell their predecessors. They are able to act as free agents (not as slaves of a corrupt government), serving only the fight for the liberation of all the peoples of the galaxy (not just citizens of the Republic), and are likewise free to live (and love!) on their own terms. Free to act on their positive attachments to one another, without having to hide the truth of their feelings. It's particularly telling that *this* is, above all, what makes the Prequels era so dystopian—the characters' inability to freely and openly participate in normal familial human relationships.

[wahbegan]

It's a bit creepy the way they keep making Batman villains anti-authoritarian cult leaders whipping the disenfranchised up into violent mobs these days innit

[blujaydoodles]

highly flirtatious bard meets avid people-watcher with 9 charisma

[multishipper-baby]

My headcanon has always been that Eak's parents hate Owynn and Owynn's parents hate Eak, and while I maintain that, I do believe that with time at the very least Eak's parents would sorta manage to accept Owynn as their son-in-law. Sorta.

[strawbuddy-luv]

Trans Tim off handedly mentioning random things that just confuse people more and more because he never told them he was trans (only Bruce and Alfred know)

Tim: "For the mission I'm thinking I'll go undercover, but it'll take some work to hide the bruises I got earlier. They're everywhere"

Dick: "Oh I think Steph is free right now!"

Tim: "...Ok?"

Dick: "Don't worry I'm sure she'll help you out with this! "

Tim: "That's awesome but I don't think I'll need help. I know how to use makeup."

Dick: "Really-? Ohhh, yeah your public image is like, way more public than ours. That must be tiring, having to hide the bruises all the time."

Tim: "Well yeah but I knew how to use makeup before that. For like, galas as a kid and stuff"

Dick: "...yeah..."

-----

Steph: -Complaining about a man- "And then he said "Oh you should smile more" like "you look like you don't want to be here" like what- what the fuck-??? Maybe I fucking don't dude."

Tim: "Oh yeah I hate when they do that. Like you've spent the entire time bitching about the consistency of snails, I can close my mouth for a few seconds."

Steph: "..."

Tim: "...What-?"

Steph: "Well- I mean yeah but- you know I have to deal with it like...way more, and it's just a bit weird that like, you as a guy are, I dunno, trying to relate? I mean you don't have to deal with it litreally everyday"

Tim: "Well yeah not anymore, but, you know...I still did."

Steph: :...What-"

-----

Tim: -Resting against one of the rooftop ledges-

Jason: "Woah, I can't believe it, Red Robin, slacking. What would Bruce do if he saw this!"

Tim: "Fuck off, it's just period cramps." -Jumps off the edge of the building-

Jason: "Yeah whatever Timblina...

Your fucking what-"

-----

Bruce: "And for this mission, we'll be needing someone for the Caroline disguise, but we already know who that is so-"

Dick: "Wait does Steph actually know how to fight in heels-??"

Bruce: "...N-"

Steph: "Yeah Bruce, I mean, you could at least actually ask me before volunteering me to go fight crime in that dress."

Bruce: "You-"

Jason: "I mean no offense, but literally who else would do it? Cass isn't here right now and I don't think any of us are willing to get a boob job for the mission"

Bruce: "No one's getting a boob job-"

Steph: "Yeah! This is bat tech, Bruce probably has ultra realistic titties in everyone's color and size! Jason you wouldn't even need an attachment."

Jason: "I don't think Caroline Hills has fifty gun shot wounds and muscles the size of most those guys heads."

Steph: "Yeah bu-"

Bruce: "None of that will be necessary because none of you" -Pointing at the right side of the table- "Will be going. No one at this table will be needing any prosthetics...Or boob jobs."

Steph: "...Ok but who the fuck is going then-"

Bruce: "Tim."

The entire table: "..."

Steph: "Tim are you really willing to put on boobs for this-"

Dick: "I don't think that's the best idea-"

Jason: "You just said no prosthetics- Oh this'll be fucking rich"

Tim: "...

I...wouldn't need a boob job?? Or prosthetics?"

Jason: "Timbo, that dress is a pretty low cut, and, no offense, your training hasn't given you that many enhancements."

Tim: "...Thank you for the binding compliment?"

Dick: "The what-"

Tim: "Guys I- I already have boobs-"

The Table: "..."

Steph: "WHAT-"

Dick: "You do-?!"

Jason: "Bruce if you made Tim get boobs for some weird mission-"

Tim: "What- No! No one made me get boobs??? Besides, I don't know, biology I guess??? Genetics maybe???"

Dick: "...I'm extremely confused"

Steph: "WHO GAVE YOU BOOBS-???"

Tim: "I'm not really sure seeing as I was born with them"

Dick: "...

OHHHHHH-"

Steph: "What- is this like a birth defect or something???"

Dick: "Tim- Tim I think you're just gonna have to-"

Tim: "I'm trans."

Jason: "...That's-

Yeah

Ok yeah no that- that explains...a lot."

Steph: "..." -Head in hands- "I am such a fucking idiot"

[malcolmschmitz]

The Insider and Outsider Detectives

So there's a lot of discourse about detectives floating around, ever since 2020 shifted a lot of people's Views on the police. Everyone likes a good mystery story, but no one seems to know what to make of a detective protagonist- especially if they're a cop. And everyone who cares about this kind of thing likes to argue over whether detective stories hold up the existing order or subvert it. Are they inherently copaganda? Are they subversive commentary on the uselessness of the police?

I think they can be both. And I think there's a framework we can use to look at individual detectives, and their stories, that illuminates the space between "a show like LAPD straight-up exists to make the cops look good" and "Boy Detective is a gender to me, actually".

So. You can sort most detectives in fiction into two boxes, based on their role in society: the Insider Detective and the Outsider Detective.

The Insider Detective is a part of the society they're investigating in, and has access to at least some of the levers of power in that society. They can throw money at their problems, or call in reinforcements, and if they contact the authorities, those authorities will take them seriously. Even the people they're investigating usually treat them with respect. They're a nice normal person in a nice normal world, thank you very much; they're not particularly eccentric. You could describe them as "sensible". And crime is a threat to that normal world. It's an intrusion that they have to fight off. An Insider Detective solving a crime is restoring the way things ought to be.

Some clear-cut examples of Insider Detectives are the Hardy Boys (and their father Fenton), Soichiro "Light's Dad" Yagami, or Father Brown. Many police procedural detectives are Insider Detectives, though not all.

The Outsider Detective, in contrast, is not a part of the society they're investigating in. They're often a marginalized person- they're neurodivergent, or elderly, or foreign, or a woman in a historical setting, or a child. They don't have access to any of the levers of power in their world- the authorities may not believe them (and might harass them), the people they're investigating think they're a joke (and can often wave them off), and they're unlikely to have access to things like "a forensics lab". The Outsider Detective is not respectable, and not welcome here- and yet they persist and solve the crime anyway. A lot of the time, when an Outsider Detective solves a crime, it's less "restoring the world to its rightful state" and more "exposing the rot in the normal world, and forcing it to change."

Some clear-cut examples of Outsider Detectives are Dirk Gently, Philip Marlowe, Sammy Keyes, or Mello from Death Note.

Now, here's the catch: these aren't immutable categories, and they are almost never clear-cut. The same detective can be an Insider Detective in one setting and an Outsider Detective in another. A good writer will know this, and will balance the two to say something about power and society.

Tumblr's second-favourite detective Benoit Blanc is a great example of this. Theoretically, Mr. Blanc should be an Insider Detective- he's a world-famous detective, he collaborates with the police, he's odd but respectable. But because of the circumstances he's in- investigating the ultra-rich, who live in their own horrid little bubbles- he comes off as the Outsider Detective, exposing the rot and helping everyone get what they deserve. And that's deliberate. There is no world where a nice, slightly eccentric, mildly fruity, fairly privileged guy like Benoit Blanc should be an outsider. But the turbo-rich live in such an insular world, full of so much contempt for anyone who isn't Them, that even Benoit Blanc gets left out in the cold. It's a scathing political statement, if you think about it.

But even a writer who isn't trying to Say Something About The World will still often veer between making their detective an Insider Detective and an Outsider Detective, because you can tell different kinds of stories within those frameworks. Jessica Fletcher from Murder She Wrote is a really good example of this-- she's a respectable older lady, whose runaway success as a mystery novelist gives her access to some social cachet. Key word: some.

Within her hometown of Cabot Cove, Fletcher is an Insider Detective. She's good friends with the local sheriff, she's incredibly familiar with the town's social dynamics, she can call in a favour from basically anyone... but she's still a little old lady. The second she leaves town, she might run into someone who likes her books... but she's just as likely to run into a police officer who thinks she's crazy or a perp who thinks she's an easy target. She has the incredibly tenuous social power that belongs to a little old lady that everyone likes- and when that's gone, she's incredibly vulnerable.

This is also why a lot of Sherlock Holmes adaptations tend to be so... divisive. Holmes is all things to all people, and depending on which stories you choose to focus on, you can get a very different detective. If you focus on the stories where Holmes collaborates with the police, on the stories with that very special kind of Victorian racism, or the stories where Holmes is fighting Moriarty, you've got an Insider Detective. If you focus on the stories where Holmes is consulting for a Nice Young Lady, on the stories where Holmes' neurodivergence is most prominent, or on his addictions, you've got an Outsider Detective.

Finally, a lot of buddy detective stories have an Insider Detective and an Outsider Detective sharing the spotlight. Think Scully and Mulder, or Judy Hopps and Nick Wilde. This lets the writer play with both pieces of the thematic puzzle at the same time, without sacrificing the consistency of their detective's character.

Back to my original point: if you like detective fiction, you probably like one kind of story better than the other. I know I personally really prefer Outsider Detective Stories to Insider Detective Stories- and while I can enjoy a good Insider Detective (I'd argue that Brother Cadfael, my beloved, is one most of the time), I seek out detectives who don't quite fit into the world they live in more often than not.

And if that's the vibe you're looking for... you're not going to run into a lot of police stories. It's absolutely possible to make a story where a cop (or, even better, an FBI agent) is an Outsider Detective-- Nick Angel from Hot Fuzz was originally going to be one of my 'clear-cut examples' until I remembered that he is, in fact, legally a cop! But a cop who's an Outsider Detective is going to be spending a lot of time butting heads with local law enforcement, to the point where he doesn't particularly feel like one. He's probably going to get fired at some point, and even if his badge gets reinstated, he's going to struggle with his place in the world. And a lot of Outsider Detective stories where the detective is a cop or an FBI agent are intensely political, and not in a conservative way- they have Things To Say about small towns, clannishness, and the injustice that can happen when a Pillar Of The Community does something wrong and everyone looks the other way. (Think Twin Peaks or The Wicker Man.)

Does this mean Insider Detective Stories are Bad Copaganda and Outsider Detective Stories are Good Revolutionary Stories? No. If you take one thing away from this post, please make it that these categories are morally neutral. There are Outsider Detective stories about cops who are Outsiders because they really, really want an excuse to shoot people. There are Insider Detective stories about little old people who are trying to keep misapplied justice from hurting the kids in their community. Neither of these types of stories are good or bad on their own. They're different kinds of storytelling framework and they serve different purposes.

But, if you find yourself really gravitating to certain kinds of mysteries and really put off by other kinds, and you're trying to express why, this might be a framework that's useful for you. If your gender is Boy Detective, but you absolutely loathe cop stories? This might be why.

(PS: @anim-ttrpgs was posting about their game Eureka again, and that got me to make this post- thank them if you're happy to finally see it. Eureka is designed as an Outsider Detective simulator, and so the rules actively forbid you from playing as a cop- they're trying to make it so that you have limited resources and have to rely on your own competence. It's a fantastic looking game and I can't recommend it enough.)

(PPS: I'm probably going to come back to this once I finish Psycho-Pass with my partner, because they said I'd probably have Thoughts.)

(PPPS: Encyclopedia Brown is an Insider Detective, and that's why no one likes him. This is my most controversial detective take.)

[deadsetobsessions]

Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.

Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.

Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.

Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.

And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).

Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.

(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)

The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.

Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.

And he kept coming back?

But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.

(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)

(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)

But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.

It starts with a clown. Danny knows who he is. He knows who Danny is.

So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!

“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”

Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”

And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.

They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.

And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!

But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).

Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.

Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)

[sugugasm]

BET | love and deepspace

⟡ tags : underground boxer! sylus + reader — sylus isn’t afraid of going all in when it comes to you.

ミ★ content warning : fem! reader uses she/her prns, mentions of blood & injuries, mentions of female anatomy as well as male anatomy, oral fem! receive, gentle to rough sex, pet names like bby, dove, kitten, honey, 5.0K WORD COUNT

you step into the dimly lit underground boxing gym, the air thick with the scent of sweat, cigarette smoke, and leather. it’s a seedy place, hidden in the heart of the city’s most notorious neighborhood, where the law doesn’t dare to tread. the crowd tonight is a mix of rough characters - bikers with gang patches on their jackets, local gangsters with glares and expensive watches, shady high-rollers in suits looking to place big bets on the illegal fights.

as you navigate through the throng of people, you spot him in the corner, preparing for his match. sylus - the man who happened to be your ex-boyfriend . . oh, and only the most feared bare-knuckled boxer in the underground circuit. he was a sight to behold, all rippling muscles and newfound tattoos, with messy silver hair that gleamed under the fluorescent lights. you watch as he methodically wraps his hands, his intense red eyes focused on the task.

your history with sylus is complicated, to say the least. you met him two years ago at a biker rally, drawn to his bad-boy charm and undeniable charisma. he swept you off your feet with his daredevil antics on his custom harley and his smooth talking ways. but sylus’s world was always filled with danger, violence, and illegal activities. as the leader of onychinus, the city’s most notorious motorcycle club, he ran an empire built on illicit evol weapons, protocore deals, and underground fighting.

at first, the thrill of it all was intoxicating - the adrenaline rush of riding on the back of his bike, the wild parties at the onychinus clubhouse, watching him dominate in the ring. but as time went on, you grew tired of the constant chaos and the fear that one day, sylus’s risky lifestyle would catch up to him. you wanted stability, a future - things that sylus scoffed at. ‘i live in the moment, babe,’ he would say with that infuriating smirk. ‘and right now, all i want is you.’

but it wasn’t enough. six months ago, after a particularly brutal fight that left sylus battered and bleeding, you reached your breaking point. you told him you couldn’t watch him destroy himself anymore, that you needed more than he could give you. sylus, stubborn and proud as ever, refused to change. ‘this is who i am,’ he growled. ‘so take it or leave it.’ so you left, walking away from the man you loved, determined to build a life free from the violence and uncertainty.

now, seeing him again after all this time, you feel a mix of emotions stirring within you. anger, hurt, frustration . . . but also a undeniable pull of attraction and longing. as if sensing your presence, sylus glances up, his red eyes locking with yours. a slow, confident smirk spreads across his handsome face as he saunters over to you, the crowd parting before him.

“well, well. look who it is,” he drawls, looking you up and down appreciatively. “didn’t expect to see you here tonight, [★]. come to watch me dominate the ring as usual?”

you scoff and cross your arms, determined not to let him see how much his presence affects you. “i’m not here for you, sylus. i’m just here to collect on some bets.”

he chuckles, a deep, rich sound that sends shivers down your spine. “sure you are, sweetheart. keep telling yourself that.”

sylus takes a step closer, invading your personal space. he smells like musk and sandalwood, a scent that brings back memories of stolen moments and passionate nights. “i miss you, you know,” he murmurs, his voice low and intimate. “everything’s been so boring without you around to keep me on my toes.”

you try to stay strong, but you can feel your resolve wavering. damn him and his charm. “i’m not here to rehash the past, sylus. what do you want?”

his eyes glint with a challenge. “make a bet with me - when i win the championship belt tonight, you give me another shot. a chance to prove that we’re meant to be together.”

you laugh in disbelief. “you can’t be serious. we’re done, sy. i’m not falling for your games again.”

“who says it’s a game?” he counters, his expression turning serious. “i know i messed up, [★]. i wasn’t ready before, but i am now. i want you back in my life. i need you.”

you hesitate, torn between your lingering feelings and your better judgment. sylus is a force of nature, wild and untamed. being with him is like dancing on the edge of a razor - thrilling but dangerous. can you really risk your heart again?

“and what do i get if you lose?” you ask, buying yourself time to think.

sylus flashes you a cocky grin. “you know i never lose, kitten. but if by some miracle i do . . i’ll leave you alone. for good. unless you decide you can’t resist me and come crawling back.”

you snort at his arrogance, even as a part of you wonders if he might be right. sylus has always had a hold on you, an undeniable magnetism that draws you in against your will, “fine,” you hear yourself saying, almost as if from a distance. “you’ve got a deal.”

his grin widens, triumphant. “get ready to come back to where you belong, [★] - with me.”

the crowd starts to get louder, chanting and cheering as the lights flicker and dim. it’s almost time for the main event - sylus’s championship fight. he starts to walk towards the ring, but pauses and turns back to face you.

“watch closely now, honey,” he says with a wink. “i’m about to show you what you’ve been missing.”

with that, he strides away, his movements graceful and predatory. you watch him go, your heart pounding in your chest.

what had you gotten yourself into?

as the crowd’s chanting reaches a fevered pitch, sylus steps into the ring, the picture of coiled power and raw aggression. his opponent, a hulking brute known as ‘the mauler’, glares at him from across the mat, pounding his meaty fists together in a show of intimidation. but sylus just smirks, unfazed. he’s taken down bigger, badder fighters than this guy.

the referee calls them to the center, going over the rules - not that there are many in the underground circuit. “no biting, no eye gouging, fight ends with a knockout or tapout. keep it clean . . ish. touch gloves and come out swinging!”

sylus bumps his taped fists against the mauler’s, staring him down with those intense red eyes. then they’re backing away, the air crackling with tension as the crowd falls silent in anticipation.

the bell sounds and the mauler charges forward with a roar, swinging wildly. but sylus is too quick, too skilled. he slips and weaves, dodging the heavy blows, letting his opponent overextend himself. sylus fires off a rapid jab - cross combo, snapping the mauler’s head back and drawing first blood from his nose.

the big man snarls and redoubles his efforts, trying to use his size to his advantage, to trap sylus against the ropes and pummel him. but sylus is like smoke, always just out of reach. he targets the mauler’s weak spots with surgical precision - a knife-hand to the solar plexus to crush his wind, a heel kick to the floating rib, an elbow smash to the jaw.

each blow lands with devastating impact, chipping away at the mauler’s formidable stamina and sending the crowd into a frenzy. they chant sylus’s name like a war cry, thrilling at the sight of the chiseled, tattooed demigod of the ring in his element.

you watch in breathless awe, pulse racing, body heating. damn him. he’s magnificent like this - a perfect fighting machine, all fluid grace and controlled violence. it’s enough to make you forget why you walked away, to let yourself imagine those powerful hands on your body once more . .

a pained grunt snaps you back to the moment as the mauler finally lands a solid hit, a haymaker to sylus’s ribs that sends him staggering. your heart leaps into your throat. but sylus just shakes it off with a feral grin, spitting blood and bouncing on his toes as he beckons for more.

they trade blows in a brutal, lightning-fast exchange, neither giving quarter. the mauler is flagging but still dangerous, pure grit keeping him on his feet. sylus bleeds from a cut over his eye but barely seems to feel it, an unholy light in his gaze as he scents victory.

he presses his advantage with a dizzying flurry of strikes, driving the mauler back . . back . . until he’s pinned against the turnbuckle. sylus hammers his torso without mercy - left hook to the liver, right uppercut to the chin, again, again. the mauler’s knees buckle and sylus steps back, letting him crumple to the canvas.

the crowd erupts as the ref counts it out. at “ten,” sylus throws his hands up in triumph, basking in the adulation. his eyes find yours across the room and the heat in them makes your breath stop. in three long strides he’s out of the ring and hauling you into his arms, crushing his mouth to yours in a searing kiss.

for a moment, you forget where you are. forget the mob of rowdy spectators whistling and catcalling. forget every reason you swore you'd never let him back into your heart. all you know is the demanding press of his lips, the steel - cable strength of his blood-slicked body, the intoxicating rush of his victory and your surrender . . .

“looks like i won our bet, babe,” he says smugly, smirking down at you. “hope you’re ready to pay up.”

you scowl, hating how easily he affected you. “one. drink. that was the deal.”

sylus touches his tongue to the seam of his split lip, gaze roving hungrily over you. “oh, i’m just getting started.”

he drags you through the throng of well-wishers and sycophants, his grip on your hand unbreakable. outside, the night air is cool against your overheated skin, charged with tension and the distant growl of engines.

sylus leads you to his pride and joy - that sleek demon of a harley crouched by the curb. the way he straddles the throbbing machine is blatantly sexual, all hard muscles and black leather. he jerks his head at the space behind him.

“c’mon - you know the drill, hop on.”

your hesitation lasts a mere heartbeat before you throw a leg over the bike and wrap your arms around his waist, molding yourself to his back. the rumble of the engine between your thighs and the furnace heat of his body shreds the last of your resistance.

your hesitation lasts a mere heartbeat before you throw a leg over the bike and wrap your arms around his waist, molding yourself to his back. the rumble of the engine between your thighs and the furnace heat of his body shreds the last of your resistance.

then, sylus kicks off and you’re flying, the city lights a neon blur as he opens the throttle. your pulse pounds in time with the roar of the pipes, excitement and desire a heady drug in your veins. by the time he screeches to a stop outside a dingy saloon on the outskirts of town, you’re dizzy with need.

inside, the bar is a den of sin and swagger, all scuffed leather and polished chrome and clinking bottles. eyes follow sylus with a mix of fear and reverence as he stalks to a booth in the back, one possessive hand at the small of your back.

he orders a whiskey, neat, and your favorite poison, not bothering to ask what you want. at your raised eyebrow, he shrugs.

“i remember.”

two words. but the weight of history and unspoken emotion behind them squeezes your heart. your fingers tremble slightly as you raise your glass in a mock toast.

“to your victory. and my reckless wager.”

sylus’ gaze is molten as he clinks his tumbler against yours, gaze holding you captive over the rim as he tosses back the smooth liquid. the slight burn of the alcohol is nothing compared to the smolder of his stare.

“what are we doing, sy?” you ask into the charged quiet, liquid courage loosening your tongue. “why now, after all this time?”

a muscle ticks in his jaw. he looks down, spinning his empty glass, broad shoulders rigid with tension.

“i fucked up.”

his voice is low, raw with a vulnerability you've never heard from him. your breath snags.

“i thought i needed the rush, the rep, the respect. and yeah, maybe i did, for a while. but none of it meant shit without you.” slowly, giving you every chance to pull away, he reaches for your hand — lacing his scarred, tape-wrapped fingers with yours, “i was a coward. i pushed you away because i was scared shitless of how bad i wanted you - needed you. needed your strength, your goodness. you made me want to be better. and it truly fucking terrified me.”

his grip tightens, almost painfully. anchoring you to him.

“losing you . . it broke me, [★]. made me realize that the only thing i’m actually afraid of is living without you.”

sylus swallows hard, his throat working. when he looks up at you, his eyes are blazing with fierce intent.

“i know i don’t deserve another shot. i know i need to earn back your trust. but i swear to whoever may hold my fate, if you give me a chance, i will spend every waking day proving that you’re my whole damn world.”

your heart is a wild bird in your chest, frantic and yearning. you search his face, finding only sincerity and aching tenderness beneath the bruises and blood.

“i never stopped loving you,” you confess, voice breaking. “no matter how hard i tried to hate you . . i couldn’t let you go.”

sylus makes a rough sound, halfway between a growl and a groan. then he’s kissing you, deep and urgent and saying everything he can't put into words. you fall into him, all hunger and desperation, the levee finally breaking on the flood of your need.

“take me home,” you gasp into his mouth, fingers curling in the sweat-damp silk of his hair.

“i thought you’d never ask, dove.”

the anticipation is a living thing as sylus speeds through the lamp-lit streets, the throaty growl of his harley between your thighs a heady reminder of the man commanding the machine. by the time he pulls into the cavernous garage beneath his loft, your body is humming, every nerve ending alight with need.

sylus is on you the moment you dismount, crowding you back against the rough brick wall, his large frame enveloping yours. his kiss is searing, possession and passion, strong hands gripping your hips as he grinds into you. you moan into his mouth, fingers scrabbling for purchase on his leather-clad shoulders, craving more.

“been dreaming about this,” he rasps against your lips, his voice like gravel and whiskey, igniting heat in your veins. “having you back in my arms, in my bed. fuck, [★], need you so bad it's like a sickness.”

“then take me,” you breathe, emboldened by the blatant hunger shining in those crimson eyes. “i’m here, sylus. i’m yours.”

something animalistic unfurls behind his gaze, a primal sort of satisfaction that has you clenching with want. in a burst of movement, he hoists you up, your legs instinctively wrapping around his lean hips as he strides purposefully to the industrial elevator that will carry you to his domain.

the short ride up is a haze of frantic kisses and roving hands, two years’ worth of pent-up longing seeking outlet. by the time sylus kicks open the door to his loft, you’re both panting, clothes askew and lips kiss-bruised. he carries you straight to the bedroom, a cavern of shadows and silver moonlight spilling across rumpled black silk sheets. when he lays you down in the center of that decadent expanse, the reverence in his touch steals your breath. his battle-scarred fingers shake slightly as they skim over your curves, learning you anew.

“so fucking beautiful,” he murmurs, crimson gaze tracking hungrily over your body like he's committing every detail to memory. “can’t believe i almost lost this . . lost you . .”

“never,” you whisper fiercely, reaching up to cup his angular jaw. “i’m here, sylus. right where i belong. and i’m not going anywhere.”

he turns his head to press a fervent kiss to your palm, the heat of his breath making you shiver as his lips graze your fingers — and ever so gently, he bites. then slowly, deliberately, he divests you of your clothes, unwrapping you like a gift. you echo his actions, baring him inch by glorious inch to your avid gaze.

sylus’s body is a work of art, all chiseled muscle and inked skin, a roadmap of violence and survival. you take your time tracing the ridges and hollows, the scars and scrolling tattoos, familiarizing yourself with this new landscape of him. he shudders beneath your questing touch, eyes fluttering shut, a low rumble building in his chest.

“[★],” he grits out, and fuck, how you’ve missed the way he says your name, guttural and raw, like a prayer and a plea. “please, baby . . need to taste you.”

“yes,” you hiss, already aching, empty. “please, sylus.”

granted, he descends on you like a man starved, that talented mouth charting a path of fire over your sensitized flesh. he maps every curve and valley with lips and teeth and tongue, each nip and suck and lap stoking the inferno building in your core.

when he finally settles between your trembling thighs, the first bold stroke of his tongue punches the air from your lungs, your spine arching involuntarily. he groans in appreciation, strong hands splaying your thighs wider, opening you fully to his voracious appetite.

“fuck, i missed this,” he rasps against your slick folds, the vibration of his words making you keen. “missed the way you taste, the sounds you make when i devour this sweet cunt. could feast on you for hours, little one . .”

you whimper breathlessly, one hand fisting in the sheets, the other tangling in his silver hair, holding him to you. sylus takes the encouragement for what it is, sealing his mouth over your aching flesh and suckling greedily. stars erupt in your eyes, pleasure rioting through your veins as he works you ruthlessly, adding clever fingers to his oral assault. he curls them just right, rubbing that secret spot that has you seeing god, all while his wicked tongue paints obscene promises on your clit.

“s-sy, fuck!” you wail, back bowing, thighs clamping around his ears as he drives you higher and higher. “oh god, yes, just like that! don’t stop, please, i’m gonna’ cum . . fuck, baby-”

he doubles his efforts, a man possessed, growling his own pleasure into your core. “that’s it, my love,” he urges gutturally between long, lewd licks. “go ahead and give it to me, wanna’ feel you drench my face, want you gushing on my tongue . .”

his filthy encouragement hurls you over the edge with a strangled scream, release slamming into you like a freight train. you shatter spectacularly, pulsing and clenching around his thrusting fingers, slick gushing into his eager mouth as he works you through the most intense orgasm of your life.

when you finally drift back down to earth, aftershocks still rippling through you, sylus is grinning up at you wolfishly from between your thighs, his beard glistening obscenely with your essence. “fucking incredible,” he rumbles, pressing a soft kiss to your still-twitching center. “could watch you fall apart on my tongue forever and never get tired of it.”

“get up here,” you demand breathlessly, tugging him to you. he comes willingly, settling his considerable bulk over you, caging you beneath miles of warm, hard muscle.

you claim his mouth in a filthy kiss, moaning at the taste of yourself on his lips and tongue. he responds with matching hunger, hips rocking into the cradle of your thighs, the thick ridge of his erection a brand against your sensitive flesh.

“please,” you whimper into his mouth, nipping at his bottom lip. “need you inside me, sylus. been too long, i want it . .”

“fuck,” he snarls, the words seeming to snap his restraint. “far too long, honey. be patient, you know i will.” slowly, giving you time to adjust, he notches himself at your entrance and pushes forward, gasping harshly at the tight, wet heat of you enveloping him. “goddamn,” he grits out through clenched teeth, forehead pressed to yours. “silly me. i almost forgot how fucking perfect you feel. like coming home.”

“yes,” you moan, reveling in the familiar stretch and burn of his thick length entering your body. “missed this so much . . missed you . . love you, sylus, so fucking much.”

“i love you too,” he rasps, pulling nearly all the way out before surging back in, starting a deep, rolling rhythm that has your toes curling. “i never stopped, never will. you’re only for me, [★]. only me.”

you lose yourselves to the timeless dance, bodies moving in perfect synchronicity, rediscovering every perfect angle and hidden sweet spot. sylus takes his time, building you back up with long, measured strokes, whispering words of worship into your skin, branding you with his love.

“so good,” he groans, hitching your leg higher on his hip, sinking impossibly deeper. “could stay buried in this tight little pussy forever. never wanna leave.”

“don’t.” you gasp, fingers clawing at his flexing back, desperate for more. “stay — harder, sylus, fuck me harder. wanna’ be able to feel it tomorrow.”

with a low, approving growl, sylus complies, snapping his hips faster, driving into your yielding body with the piston precision of the machine he rides. the wet, obscene slap of flesh fills the room, punctuated by your escalating moans and cries.

“i’m not gonna last,” he warns, rhythm faltering. “too good, too fucking good. tell me you’re close, baby . .”

“s-so close,” you pant, the coil in your belly wound to the breaking point. “just a little more - fuck, right there, sy . . o-oh my —”

sylus hammers into you, grunting with the effort, sweat sheening his skin. he wedges a hand between your straining bodies, finding your swollen clit and rubbing tight circles. “cum on my cock,” he demands, voice strained. “let me feel that pussy grip me, milk me . .” his words are your undoing, hurling you into oblivion with a keening wail. your inner muscles seize around him, rippling and fluttering, trying to pull him deeper as you drench his driving length in release.

“fuck, yes!” sylus roars, pistoning wildly, chasing his own end. “gonna’ - ah, shit, kitty, i’m cumming!” his climax overtakes him with a force that borders on violence, his cock jerking and pulsing as he spills himself deep in your still-spasming core, painting your inner walls with thick ropes of his seed. you mewl weakly in blissed-out overstimulation, aftershocks rolling through you as he fills you to the brim.

finally spent, sylus collapses onto you, taking care not to crush you with his bulk. you cuddle as sweat and other fluids cool on your skin, hearts gradually slowing in tandem. he’s still stuffed deep inside you and you clench involuntarily around his now-softening length, loving the way he groans, overused nerves sparking. “keep that up and we’ll be going again real soon,” he warns playfully, nuzzling into your neck.

you huff a laugh, carding your fingers through his damp hair. “yeah, yeah,” you tease. “we’ve got time now, sylus. all the time in the world. i’m not going anywhere.”

he raises his head to look at you, crimson eyes soft and full of wonder. “damn right you’re not,” he rumbles, pressing a tender kiss to your lips. “i’m never letting you out of my sight again. you’re stuck with me now, sweetheart.”

“eh, could be worse,” you quip, grinning up at him. “i think i can handle being stuck with you. it’s only forever, after all.”

“forever,” sylus echoes solemnly, like an oath. “i like the sound of that. you and me. binded as one.”

“ . . . and loving each other stupid every chance we get,” you finish impishly, wiggling your eyebrows.

he barks a laugh, the joyful, uninhibited sound making your heart soar. “oh, that is definitely part of the plan,” he assures you, a wicked gleam in his eye. “gotta’ make up for lost time, don’t we?”

“mmhm, that we do,” you agree readily, warmth suffusing you. “better get started on that. forever’s not getting any longer.”

“as my lady commands,” sylus murmurs, capturing your mouth again as he begins to stir inside you once more.

and as passion ignites anew, the promise of countless tomorrows enfolding you like a benediction, you know this is just the beginning of the ups and downs.

because this love, tempered by loss and longing, by time and truth . . it’s unbreakable. a bond that even the harshest trials will only serve to strengthen.

and with sylus by your side, his heart in your keeping as surely as yours rests in his scarred and steady hands . .

. . you know you can weather any storm.

forever, and then some.

★ SUGUGASM 2024 | please don’t copy, translate or share my work on other platforms without my consent. tagging @ramonathinks <3

[god-syndicate-if]

DEMO - Latest release on 11/15/2024 - Current wordcount 90k.

COG forum You've always been angry.

Rage comes naturally to you. With how much life has messed with you it's only fair that you use your anger. That's why you became a boxer. The thrill of breaking an opponent. And hoping they might break you in turn. They never do though. Every fight is a disappointment, almost as much of a disappointment as they pay for each fight.

Enter Jackie Roth, club owner, mob boss, and former god. When she offers you a job you can't say no. Not that you would, not when she and everyone in her gang feel so familiar to you. At least with this job you'll be able to use that rage inside you more.

As you learn the ways of the criminal underground you reconnect with people you never met. Reforge bonds that you've never made. And recall memories you've never had. You were a god once upon a time, can you become one again?

God Syndicate is an interactive novel where you play the newest incarnation of Ares, The God of War. It's 18+ for violence, explicit sexual themes, drug use, morally questionable behavior, and more.

Customize your MC, play male, female, or nonbinary. With transgender options and pronoun selection. Customize your appearance and develop your personality.

Romance or befriend a cast of characters, including gods with more issues than you can count or even a mortal! Asexual and Aromantic options available.

Show the gods why you were feared all those years ago or prove that you're better than your past lives.

Uncover the mystery of disappearing gods as well as the mystery of your past.

Help out Elysium, the club where you'll practically live from now on. It seems to attract gods and that isn't always good.

Take out your anger on people who might even deserve it.

Zeus: Jackie Roth - She/Her. [Not an RO]

Jackie is The King of The Gods and she makes sure everyone knows it. Her word is law in Elysium and beyond. Fail her and you'll have a storm waiting for you. In the years since your disappearance Jackie's love for her family has seem to only grow. But she has a criminal empire to run and you're just the weapon she needs.

Hermes: Riley Liao Zhi - Gender Selectable. [RO]

The Messenger of The Gods. Or in Riley's case, the ever bored personal assistant to Jackie. Riley's an adrenaline junkie with a heart of gold. As the one who found you they feel almost responsible for you. But why do they also seem so afraid of you?

Apollo: Franco Valerio - He/Him. [RO]

As expected of The God of Music, Franco's your classic rich and famous rock star. Well he would be, if only he could get out of Elysium. His love of singing and love of his family are two chains he can't break that tie him here. Will your arrival help break those chains or tighten them?

Aphrodite: Damiana "Dame" Rivette - Gender Selectable. [RO]

Quiet and Serious, Dame is no longer The God of Love they once were. The passion of their life faded and now bitterness grows where love should. The only friend they have in Elysium seems to be their fiance, Johnny. To make their life even worse, you arrive.

The Mortal: Sigourney Hawthorn - She/Her. [RO]

Newly divorced from a god, Sigrouney struggles with juggling her (demigod) child, relentless job, and love life. As her daughter, Claudia, grows she wonders if she can keep up or if she'll be left behind. And now with your arrival Claudia's godly family gets bigger and her presence gets smaller.

Artemis: Rebel Reyes - Gender Selectable [RO]

How can The God of the Hunt thrive in the city? The prey here are either too weak or too annoying to hunt. The only thing Rebel craves is to feel that thrill again. With your arrival they have a perfect chance, who better to hunt than the God of War? They can't wait to meet you.

The Old Flame: Harper Ward - Gender Selectable [RO]

A friend from a better time. Harper and you were once inseparable. They saw you at your darkest and kept you calm. Years after an explosive break up they've reemerged into your life far different than you knew them. Can you find the dying embers of your old friend? Is it even worth the pain?

[im-totally-not-an-alien-2]

Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.

Naturally, this doesn't always result in the most stable of partners.

His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.

He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.

In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.

His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.

And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.

Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.

He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).

Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.

Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.

Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.

Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)

No wonder Tim was so okay with his parents being rouges.

Tim was a villain!

At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.

Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.

[fans4wga]

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

[wahbegan]

Something something Batman is a billionaire fascist discourse ignores the fact that Batman has his roots in the hardboiled detective story, which thematically was written at a time when trust in the police was at a catastrophic low and as such mainly deals with private detectives kinda extralegally cracking cases that the cops are either not solving or actively obstructing and his conflict with the police has remained a fairly consistent point in most of his stories outside the Golden Age of Comics, Commissioner Gordon is the exception not the rule something something

[yvvxs]

Quality Time...

↪ ft. argenti. aventurine. blade. boothill. caelus. dan heng & imbibitor lunae. dr ratio. gallagher. gepard. jing yuan. luka. luocha. sampo. sunday. welt.

Cleaning Argenti's ship with him, getting the dust out of the finer details alongside him. It would be a hassle usually, but it was much better when he was with you. You who were like an Emanator of Beauty to him, he could never get sick of you, or your presence.

Sitting beside Aventurine in the casino as he wins his 54th game of Blackjack that night. His arm wrapped around your waist, smiling and having fun together as you watch the endless riches flow into his bank account.

Going on a late night stroll with Blade. The city was busy and bustling, but that wasn't going to bother either of you. Just the two of you, no script to follow. No guards to seize him, he's in disguise anyways. No one will notice him through his... Sunglasses and mask. It'll work.. Neither are his companions or mara there to annoy him. Not now, as you enjoy each others' presence.

Running through the ships of the IPC with Boothill. The men shooting at the both of you. He has your back, so he won't let you get injured by some bullets. He even has time to taunt them with some famous dance moves as the two of you evade their attacks.

Digging through trash cans together with Caelus. He could care less about the crowds of people watching this. He was enjoying it, giving you little small trinkets he thinks you'd like. A toy that someone threw away, a bouquet from a rejected man.. A golden trash bag? Well, it's the thought that counts, right? It was cute just watching him dig through the bins to find something for you.

Staying up and updating the data bank with Dan Heng. The faint sound of machinery and typing the only sounds in the room. Other than the sound of pen on paper from when he writes something down. Alternatively, laying beside Imbibitor Lunae in his supposed bed. But it was so much comfier, especially when you were wrapped in the arms, and tail, of your boyfriend.

Reading a book with Dr. Ratio at the local library. A small treat for the both of you as he had just finished his lecture. Refreshing his own mind with both the intelligent writings, and your presence. At least he didn't have to deal with any idiots at the moment.

Learning to brew up some nice drinks with Gallagher. He shares his favorite brew with you, and you share your own concoction with him. Clinking your glasses together in a toast, drinking one anothers' mix of flavors.

Adopting some new plants with Gepard. Trying to get a nice flower to take care of together. Placing it in a nice flowerbed with some ferilizer, and watering them thoroughly. You'll have to teach him some tips and tricks to gardening. Or maybe you're learning alongside him too. Either way, it'll be fun taking care of a little plant baby together, don't you think?

Napping with General Jing Yuan at work. Sneakily giving him an excuse to slack off for a bit. They wouldn't dare disturb your slumber, would they? How cruel of them if they tried. Inhaling your scent as he buries his head into the crook of your neck. Drifting further into sleep in the comfort of your arms.

Watching Luka as he trains for his next match at the Fight Club. A moment just for the two of you to spend together. You motivating him to keep going and get stronger. To win even more battles. He couldn't do it without you.

Walking around the different stalls the Luofu offered with Luocha. Buying a few things from some merchants just for you. Away from any prying eyes, in a world made for just the two of you.

Carrying a few supplies for Natasha's clinic with Sampo. Being able to help the Underworld with him being an enjoyable task. Especially with him, who wouldn't be entertained by his presence? You knew you definitely were.

Having afternoon tea with Sunday. Away from the responsibilities of being the head of the Oak Family. Just a small quiet moment between the you and the halovian. Some sugar cookies going along with the drinks. He can't help but feel much better with you.

Sitting in the Astral Express carriage with Welt. Watching the stars fly by, the meteors go past the windows. Maybe looking up at the light shaped like a whale, reaching out for it while you lay your head on his lap. It was nice spending mundane moments with him, alongside the more fun and action-filed ones.

↪ I think having some quality time with them is nice :)

Masterlist || Do not repost nor feed to AI. Reblogs & Comments are much appreciated.

[jnece-maharlika]

Danny accidentally becomes the Ghost king, The president and the BIGGEST threat to Bruce's social status.

Pt 1 Danny becomes the Ghost king

"Fenton's were never allowed to have a "normal" life, we are either extremely successful or extremely unsuccessful, there is no in between. Maybe a spirit cursed us back in the days, but who knows, but one things for sure, all Fenton's will definitely make the news."

-Grandma Fenton from whatever generation

Danny's starting to believe that now. He used to think that it wasn't true, but now? He used to wish to have a normal life, be a good normal son with good grades an be an astronaut one day.

But like they said, a Fenton is either EXTREMELY SUCCESSFUL OR EXTREMELY UNSUCCESSFUL.

He was EXTREMELY UNSUCCESSFUL in that.

Instead of a normal life he turned a half ghost teen superhero. But oh well, the Fenton's were also known for their ability to go with the flow

But how in the world did the flow get him here???

In Danny's defense, he wasn't really expecting this. The only thing in his mind at the moment was keeping his town and his people safe from pariah. He just wanted to get rid of the rotten fruitloop. He was EXTREMELY SUCCESSFUL, so successful in fact that he ended up becoming Ghost king.

The fudge????

But okay, sure, he didn't wanna become king but if he also didn't want to give up the crown for others to take, what if an evil person becomes king and attacks amity again?? Fine, he'll be king, he'll figure it out. Just go with the flow.

Surprisingly, not only did he get the crown, he also got THE MONEY. as in literal gold and silver bars, coins and jewelry. Appearantly, one the kings a long long time ago, before at least two generations before pariah had an obsession with MONEY. So the king made a Permanent Royal Degree (a law that cannot be changed by any future kings) that when someone dies and becomes a ghost, 20% of the MONEY that they've acquired in their entire life. (The money turns into an equivalent of ghost currency in the realms but is still physically in the living. Kind of like how the soul is in the realms but the body is the earth. Also, the only reason money exists in the realms is for convenience and a sense of normalcy, it doesn't really have that much value unless the ghosts brings it to the living) would belong to the ghost king.

Basically, it's ghost taxes that only have to be paid once for the entire afterlife. (Or is it more of an entrance fee???)

But anyways, hes got the MONEY.

He's rich now and he thinks, "I have so much money it's disgusting"

So first things first, getting rid of some of it.

By this point, his parents know he's phantom and have changed their opinions on ghosts, instead of attacking they are now looking at ghost like they're equals and try and help them as an apology for hurting them.

They are also looking for a new project to spend time on. A new purpose

So Danny thought, why not give them the money then? Danny proposed to his mom a project to make things that can benefit both ghosts and humans.

Next thing he knows is that he's appearantly funding, building and making:

A ghost job agency

A human job agency

Ghost proof buildings (ghost can't pass through walls, it won't hurt them, just keep em out.)

Ghost proof clothes (overshadowing proof!)

A practical fashion line for ghost and humans (Bullet proof, blast proof etch. Borderline vigilante clothes that look like a civilians day to day outfit)

Homes for ghost and humans

A ghost obsession help center where they can ask humans to help with their obsession.

A school for both ghost and humans.

Liminal 101 because apparently because of the whole, pariah dark and, living in the ghosts kings haunt situation, everyone is liminal now

An entire line of technology that can be used by both ghosts and humans.

A fight arena where ghost and humans can fight for fun.

And so many other things , he can't remember

HIS NAME IS EVERYWHERE . His parents didn't even bother hiding the fact that their son somehow has enough money to fund these projects, everyone knows him now.

He ends up basically owning most of amity park.

And here he thought he wouldn't be the kind of king that expands their territory.

He was extremely UNSUCCESSFUL in that.

[algae-tm]

MATCH MY FREAK

Max Verstappen x Heiress! reader

You have a reputation for being high maintenance, Max thinks you’re perfect (oneshot)

Author’s Note: if you can’t tell I have major writers block on my kill bill series… this is why you plan folks! I’ve kinda written myself into a corner. However, I love doing these lil oneshots so here’s another :)

••••••••••••••••••••••••••••••••••••••••••••

MESSAGES

yourusername just posted on instagram

liked by lewishamilton, maxverstappen1, and 5,234,432 others

yourusername : mom, i am a rich man

view all comments

user1 : a rich man yet all your exes say you bleed them dry

— user3 : at that point it’s a skill issue… if they knew they couldn’t keep up they shouldn’t have started dating her

— user1 : you females will defend each other no matter how in the wrong you are. — user3 : not fighting with a dude who calls women females

—user1 : lmao cause you know you’re wrong

user5 : I think oomf on twitter was right, she likes lavish things so she buys them and the men in her life are threatened.

— maxverstappen1 : couldn’t be me I’m very secure in my masculinity!

— user5 : MAX VERSTAPPEN!!!!??????

— user6 : what is bro doing here

— user8 : y/n’s freshly single and brother decides to shoot his shot lmao 🤣🤣

— user1 : brother run away whilst you can she’ll only drain your energy and your bank account.

— maxverstappen1 : me and my bank account can handle it

carlossainz55 : bro @maxverstappen1 thank you for lending me that 5 million euros after I lost my job! — maxverstappen1 : the least I can do brother!

landonorris : Max Verstappen let me win the Miami gp! — maxverstappen1 : No bro it was all you!

georgerussell63 : hey dude @maxverstappen1 when do you want me to return that lambo you lent me?

— maxverstappen1 : of course you can just keep it!

charles_leclerc : max verstappen saved my mother and my dog from my burning yacht, then gave me his spare yacht cause he felt bad!

— maxverstappen1 : no worries say hi to pascale and Leo for me!

danielricciardo : Max Verstappen is the most passionate lover I’ve ever had!

— maxverstappen1 : bro what? — maxverstappen1 : this is not true!

— user6 : lmao Dan I don’t think you did this correctly…

—danielricciardo : I only speak the truth 🤭

maxverstappen1: oh what a coincidence I am also a rich man, we should talk about our similarities over dinner

lewishamilton : catch flights not feelings

— yourusername : so right lew 🖤

MESSAGES

TWITTER

INSTAGRAM

yourusername just posted

liked by maxverstappen1, lewishamilton, and 4,324,367 others

yourusername : is somebody gonna match my freak?

view all comments

user23 : isn’t the saying like luxury whispers or something?

— yourusername : why should I whisper? My people deserve to be luxurious loudly!

lewishamilton : I actually have the perfect person to ‘match your freak’ he’s equally as weird as you

— yourusername : 🤨🤨🤨 I’m all ears

— maxverstappen1 : me me me!! He’s talking about me

MESSAGES

A YEAR LATER • INSTAGRAM

maxverstappen1 just posted

liked by yourusername, charles_leclerc and 8,234,432 others

maxverstappen1 : I MATCHED HER FREAK!!

view all comments

yourusername : yeah you did baby!!

danielricciardo : that should be me 😔😔

— yourusername : stop trying to steal my man!

— danielricciardo : he was mine first!!

— user42 : this dynamic is everything

user44 : max actually bagged a baddie??

— user56 : they’re gunna divorce in like 2 years once he realises she’s too high maintenance…

— maxverstappen1 : NUH UH

lewishamilton : for the role I played any children you have should be named Lewis…

— maxverstappen1 : you extorted me!

— lewishamilton : I helped you get the girl!

— yourusername : yeah max, was I not worth the extortion??

— maxverstappen1 : what no, of course you were! I’d be extorted 1 million times for you!

— user65 : wow they really do match each others freak…

•••••••••••••••••••••••••••••••••••••

TAGLIST

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