#at least in the early 2000s it was very clear that this was a very unwell man

[spite-and-waffles]

I'm sure it is closed off, but it's an old house that needs maintenance. I think it's the popular headcanon that Thomas and Martha had a full live-in staff, but Alfred let them go one by one after a couple were caught leaking info about Poor Little Bruce to the tabloids. But even if you kept the actual living area relatively small and manageable, a very old house of that size, packed to the gills with heirlooms and art, will need regular inspection and maintenance so nothing grows mold or gets infested or stolen or what not. Which is why a discreet temp staff would be necessary.

And uh, you can't actually be that rich without hoarding money. Bruce definitely gives a lot of it away and WE is clearly mad profitable but it's all sitting on like 150 years of generational wealth. Which we're also carefully Not Thinking About lmao. There was a story called Batman: Tenses where a young Bruce Wayne ruthlessly guts his companies to maximize profits to fund his crusade, and belatedly realizes the human cost of doing that.

I always wonder whether Batfam fans really get just how fucking rich the Waynes are. Like of course we shy away from thinking about the fact that we're talking Musk and Bezos money, and focus on how Bruce funds the freaking Watchtower and has what is functionally a high-tech military base and lab and the world's most expensive vehicles. But this is the one time you don't have to factor in the implications of wealth-hoarding, so there's nothing preventing y'all from understanding exactly how much money we're talking about here.

For instance, there doesn't seem to be any concept of how palatial Wayne Manor is, simply going by the outer facades of it that appear in the comics and movies. Or how decadent the lifestyles that accompany that kind of ancestral home. Alfred couldn't run that place on his own even if he had super powers, which is why even the movies occasionally show a rotating probably-temporary staff in the background. The house probably has like 3 hundred-foot pools. Their garden is a protected heritage park.

The Waynes are 10x richer than Crazy Rich Asians. They buy and wear the jewelry worth hundreds of millions that belonged to royalty. They own private islands. The art in the house alone is worth more than the GDP of a small country. They went to school with like every US President since Teddy Roosevelt and still think the Rockefellers are new money. They're personal friends with Beyonce and can get her to perform at private parties. They can rent out an entire three-star Michelin restaurant and fly out to one for every date. They have top-line penthouse apartments in every major city in the world. They can buy a luxury sportscar instead of hiring a vehicle anywhere they visit and then just toss the keys to the nearest person on their way out (Arab royalty is known for this appearently. There's been some very lucky parking valets in the UAE iirc).

Bruce is as rich as Ra's Al Ghul, regularly make social calls to heads of state and his family has a history of being king-makers. Every one of Bruce's children, from Dick to Jason to Cass, is poised to inherit one of the largest and most powerful fortunes in the world. That means every time Bruce adopts an orphan off god-knows-where, the entire global elite is thrown into consternation and horror. Even Tim is barely acceptable to these people because he doesn't have the pedigree. I don't follow the reboot comics so Idk if Duke is adopted, but it would be so fucking funny if he was because they'd react a lot like the British establishment did to Meghan Markle (except the family and WE would have Duke's back completely). As for Damian, the fact that he's not white would get him snubbed if everyone who's anyone didn't 100% know who Ra's Al Ghul is. And they're fucking terrified because, for maximum hilarity, they probably figure that Bruce doesn't.

I just find it incredibly fucking funny when I'm reading fics that the writers can only imagine Bruce and the kids's civilian privileges extend only to "big house", "a lot of cars" and "Gotham famous". Lol. Lmao even.

[jakei95]

[Post in English] Something Nyx and I want to publicly address, regarding the recent allegations in the Glitchtale Crew's Discord Server and it's moderators. I really apologize for the upcoming wall of text. These are our Twitter threads I have pasted them here, in case you don't have access to said platform. I have also added some additional notes to provide more context. All details under the line:

NyxTheShield: (Transcription from his official twitter thread) I read some mean comments lately and I just wanna be super clear: I havent been related to Glitchtale since at least 2022. I never considered myself part of the community and went through some much shit while doing stuff for it that my mental health was completely destroyed.

For people who thought I was an admin of the server, that was just in paper. I was constantly de-admin'd, demodded and kicked from the server through the years for simple stuff like asking the rest of the mod team to not say slurs or standing up against the Midnight Crew. I personally left the server for a long while because I really did not want to be around some of the people there. All of this happened years ago (from 2016~ to around 2020). On the early years, my full income came from Youtube/Glitchtale. I was a broke college student and my economic stability depended on it. Despite this, and making literally hundred of tracks and hours of music for the series, most of the income came from my own ad revenue. I was paid less than 2000 USD for all of the work. Essentially, I was paid in exposure.

This wouldn't have been an issue for me if at least I got to keep my artistic vision with the series. That didn't hold true for long.

From the second season and onwards, and in multiple instances, I would score the entire OST for the episode, watch the episode when it released, and then find out a completely new section of the episode (usually a battle scene) with music from somebody else This was completely demotivating to me because I wasn't being paid, the tracks would not fit the rest of the OST at all, and most of the income I made from the battle scenes. I had to work for weeks trying to compose music for glorified powerpoint presentations (Basically everything that's not a battle scene on the series was just still frames of characters barely moving) and do all the heavy lifting and I wasn't even let known about the guest tracks.

This added to the feeling of having absolutely no power within the community. I don't know if this was intentional or not (I don't wanna presume malice), but all of these things together contributed to me distancing myself from the community.

Honestly, there is A LOT more shit that went down these early years that are extremely traumatic to me that I would prefer to not talk about unless completely necessary, but I feel this is a good amount of context for what I wanna talk about next.

As you might be aware, extremely serious (and true) allegations were made against Camila and his partner, Veir, which was accused of grooming minors from 2015 to 2021 There are really good videos out there explaining the entire timeline of what transpired, but I specifically wanna talk about 2020.

(Jakei's note: Links to said videos are here: [1] [2] [3])

In that year, a public document was made by my head mod CrystalFlame alongside 2 other mods in the GT server, that exposed Veir and their actions. This document went mostly unnoticed. Even more, Crystal went through a lot of abuse for coming forward about their abuse and was almost ostracized from the UT AU community because of this.

Because of this, I was asked directly by one of the victims (and also representing the other victims) to please not speak up (Citing that they just wanted to move on and didn't want to involve themselves with more problems and expose themselves)

All the info was kept very vague from me, including the people who were involved, the extent of the stuff that went down, etc But I knew enough to know it was serious. I followed their request and didn't speak up publicly about this, but I banned Veir from my server, warned all of my mods and people close to me in those circles about Veir, and constantly tried to get Camila to please adress the situation. Despite this, she did not listen and we all know how stuff went down later in 2022, where the allegations came back again with full force. This time around I wasnt asked to stay silent so I spread the word around and confronted the entire mod team. I was shortly banned after that.

I needed to address this because this thing has been eating me alive for years. I was intentionally kept in the dark about a lot of context and nuance that would have completely changed my mind about speaking up or not about what happened in 2020.

Everything is easier in retrospective, and with the knowledge I now have about the situation I know for a fact that I would have spoken up about all that happened. But being asked directly to not speak up by the victims was something that goes against what I am Sorry for the long rant, but I really needed to get this off my chest. I am tired of having to deal with this kind of stuff. As a content creator/public figure I am trying my hardest to keep the communities I am active in as safe as possible.

I feel I could have done more for the Glitchtale community regarding the grooming situation, but all of the years of abuse that I endured really fucked up my judgement. I am not very good at dealing with people and I always trust the people close to help me for this kind of stuff

Sadly, in this case, those same people who were close to me were also the victims, so they couldnt have known or had a way to help me out, I should have helped them instead. Most if not all of what was described in this thread is backed up by screenshots, chat logs, and direct testimony from the people who were involved during this time.

I don't want to direct hate to anyone or start a witchhunt, I am doing this purely to decompress a bit and try to vent some of the trauma I experienced all these years.

============================================

Jakei: (Transcription from my official twitter thread) I would also like to share my experiences about my relationship with the Glitchtale Creator, Camila Cuevas. Publicly, we appeared as close friends, but in reality, that friendship was based on bullying and mistreatment, and this affected my mental health deeply.

Years have passed, and the memories still cause me pain. I decided to remain silent, but after the revelations of grooming cases in her community, I realized I wasn’t being too sensitive. The time has come to speak up about my experiences.

During the early years of Underverse, I was dealing with a serious depressive episode. Simultaneous internal and external pressures as an independent artist amplified my mental strain. Meeting Camila felt like finding a genuine friend who shared my passion for the fandom and understood the struggles of being a content creator amidst toxicity. At my lowest, I became compliant to doing things that I didn’t want to, just to keep people around me happy. For Camila, this meant allowing her to belittle my work and make me the butt of her jokes.

Only our veteran followers may remember the 'roasting games' between us on Tumblr (consisting of mutual insults), a spectacle where she'd always win. However, it was a game she privately forced me to "play" and I ended up accepting, despite the discomfort it caused me. These 'games' would give her a cool and strong image in the fandom while painting me as the dumb, 'cringe-worthy' friend. In essence, I became her personal punching bag, unknowingly reinforcing his reputation.

Camila's favorite term to demean my series 'Underverse' was “Cancerverse”. It felt like a constant contest where she'd always position herself as the superior writer and animator simply because my story and animation techniques didn't fit her standards. Years of being subjected to her ridicule left my self-esteem in ruins. I was okay with the negative feedback by some fans, but when my 'friend' publicly disrespected my art, it made me question my abilities as an artist.

I can't deny there were times when she gave me advice to deal with hate or hurtful comments. However, her damaging comments and treatment outweighed those moments of support.

My depressive state worsened around July 2017, where I had accepted people pushing me to do things I wasn’t comfortable with, while being part of Camila's demeaning games, just to appease her ego. I was introduced to Nyx during this time, he offered his music for my series, and eventually we started dating. We met in person in Chile, where I also met Camila. I hoped our friendship would strengthen but everything felt the same. Before I moved to Chile with Nyx, Camila reached out to me in dms, attempting to turn me against him because he opposed the use of slurs in the GT server. She claimed Nyx was being 'brainwashed' by his American friends belonging to the black and LGBTQ+ communities. She made fun of my dating choices, suggesting I was entering a toxic relationship, while showing off her relationship with her then-boyfriend (later exposed as a pedophile). She even quoted her own mother assuring me that Nyx would 'get back to normal', and if it didn’t happen, she would let me live in her house, almost like if she was telling me that Nyx would hurt me or make me feel miserable.

It only took Nyx 3 months to realize that the GT server was going in the wrong way. I initially felt compelled to defend Camila due to my inferiority complex, but soon realized Nyx was right. (Jakei's note: Not only Nyx was right, a lot of people that called her out over the years were right, yet they were not listened to at the time)

Even then, I found it difficult to distance myself from Camila due to the false sense of obligation I felt towards her. My fear of her making fun of my work kept me from interacting with others in the short period of time I stayed in her Discord server. I was afraid that she and her echo chamber would talk behind my back, something that I found out was happening in private chats until recent years.

Rebuilding my self-esteem wasn't an easy task. I began noticing the red flags – Camila's lack of respect not only for me but Nyx also, the emotional manipulation Nyx was suffering from Veir (something he used to do all the time with his other victims), her attempts to 'roast' me in front of her family and fans in the Underverse/Glitchtale meetings, and her constant criticism of my artstyle not being compatible to hers in the few collabs we made.

All these 'small' instances, dismissed as insignificant by many, caused me immense pain while treating my depression. I felt it was too late to express how I felt, as I feared being labeled as attention-seeking or oversensitive by her and her fanbase. Ironically, the moment she talked about her traumas after being bullied in the past, her feelings were the only ones that mattered any time she was involved in a problematic situation in the fandom and deserved to be the only to get pats in the back.

I never expected a sincere apology, as I was convinced she didn't remember or didn't care about the hurt she caused. I tried to maintain a facade of good terms with her, both publicly and privately. Eventually, I distanced myself from her, unfriending her and banning her from my own server even if she didn't interact there. I started focusing on my own work and the people who appreciated it. Despite this, the aftermath of the bullying continued to affect me.

Everything fell into place when the grooming accusations against her former boyfriend and server mods came to light. It was a shocking revelation, but it validated all my doubts and fears about her. The purpose of sharing my experiences is not to stir up drama, but to address the concerns of those worried about my association with Camila. I want to make it clear that I will never tolerate such behavior. Although the things I did for her in the past cannot be erased, I hope Camila at least deletes the animation remake I did for her and all the collabs that boosted her views for free, though I'm not optimistic about it happening.

As I've matured, my hope is that she and her crew learn from their mistakes, start behaving like adults, and take responsibility for their actions in their future projects and with their new followers. But I'm skeptical about any real change, especially if their server continues to exist. The best course of action for me was to cut all ties with Camila and Glitchtale.

NyxTheShield (now my husband) and I have endured too much from our treatment by Camila. We no longer want to be associated with her or Glitchtale. It's a chapter of our lives that we wish to close. It's time for us to focus on recovering our mental health, as remaining silent is only prolonging our pain. We have been working to improve our mental and physical health over the past few years and this is a crucial part of our healing process.

[bratphilia]

Heyyyy so I was the person that requested more fics like the flip side (it’s 6 am and I can’t remember if that’s what it’s actually called atm) but I was thinking about possibly a situation where reader has a history with William possibly when they worked at Freddy’s before they shut down and were younger (still of age though; I’m thinking probably when they like reopened for a little bit in the early 90s). Now in the I guess present day they aren’t exactly going out with mike but maybe they are a babysitter and mike and reader are pining over each other?? But him working there brings up bad past memories of your time there but you don’t really want to tell mike.

Honestly looking for lots of tension, slow burn, pining, and angst but not too much angst yk and ofc nsfw

Sorry if this is like too specific or whatever but this has been on my mind for sure

note: i did some age calculating to fit with the timeline so reader is 18 in 1993 and 25 (the same age as mike) in 2000. creds to michy for convincing me this was actually post-worthy.

pairing: steve raglan / william afton x reader x mike schmidt

tags: threesome, rough sex, dub/con, age difference

taglist: @dilfity

triangle (w. afton x reader x m. schmidt)

(in november, 1993, you're a fresh hire at freddy's and the youngest adult on the staff at eighteen years old. it's not an ideal workplace by any means, but it's decent compared to other jobs that you most definitely didn't qualify for. and the people at freddy's are nice! maybe a little too nice, but the motto for the employees was "remember to smile, you're the face of the company" after all.

you work mainly as a waitress. you would say you're pretty good at your job. you're nice to the customers and work surprisingly well with the kids. the uniform is admittedly cute, too. red vest and a black pencil skirt. your skirt, for some reason, came in a bit too small prompting a few lingering glances from employees and patrons, but besides that you don't really mind.

it's a cold, rainy day in autumn. you wish you were wearing pants, but for once you're thankful for the lack of air conditioning in the restaurant. it's closing time and you're heading back to the employees room to grab your jacket and umbrella. you sit on the red, metal bench waiting for your sister expectantly. you never bothered to get your own license because she's always been a reliable source for rides everywhere. tonight was not one of those days. it's been at least an hour. your leg bounces up and down.

you hear the doors shut and a jingle of keys, and the distant scent of cigarette smoke lingers. you turn to see your boss, mr. afton, locking up the restaurant. he turns to you too, clearly confused why you're still here. "shouldn't you be home by now?"

you swing your legs and sigh. "my ride never showed."

he clicks his tongue and looks out to the parking lot, then looks back at you. "why don't i take you home?" you realize in this moment you and mr. afton have never quite really spoke. he's one of the thirty-something-year old owners of freddy's. he wears the springbonnie suit sometimes and performs with the co-owner, mr. emily, for the kids on fridays and saturdays. he's very charismatic and sociable, but mainly with the older crowd of the employees at freddy's. you hear some of your colleagues whispering about him, how he's such a kind and handsome man, which, as you're getting a good look at him right now, the latter is definitely true.

"are you sure?" you ask. mr. afton smiles down at you.

"sure thing. follow me." it's a huge upgrade to what you were previously considering before his offer: walking home in the pouring rain and chancing ruining your uniform.

you follow close behind him. so close that your umbrellas slightly bump into each other. a deep purple-paint-detailed mercedes-benz comes into view. judging by mr. afton's clear affinity for the color purple, as he includes it in at least one part of his daily attire, you assume it's his. he opens the car door on the passenger's side for you.

"thanks," you say politely.

in december, 1993, mr afton — who you've come to know as william — has become a frequent presence in your life. it started when he actually asked you if you wanted another ride home. you had phoned your sister, letting her know there was a change of plans. this became an everyday thing until you no longer needed to call home.

you would be lying if you said you hadn't started to develop feelings for him somewhere along the way. how could you not? he was just such a nice man! so charismatic, not just with you, but with the customers. always asking everyone how their day is going and dropping whatever he's doing to help out. there's was something special about your connection with him. he made you feel special.

it was one rainy day, just like the day back in november, when he stopped you and leaned in and kissed you. it was the most unexpected thing that happened to you in awhile. you don't know what possessed him to do it, but you found yourself eagerly kissing him back. so much that he chuckled and commented on it before sending you off. you spent the rest of the night lying awake in bed, touching yourself to every possibility you could think of.

the next day he avoided you, much to your dismay. you couldn't stop thinking about it. it slowed down your performance, making you distracted. the time just dragged on.

it wasn't until he called you in his office after your shift that you felt any kind of relief. he asked you to lock the door behind you, just like how one of those fantasies you daydreamed of started. with a fast-beating heart, you did what he said and turned to face him. and then his mouth was on yours again. it was much more sensual and yet there was an anxious component to it that made your stomach tingle with excitement.

"why don't you sit on my lap?" he suggested once he pulled away from you.

you froze. you've never actually done this sort of thing before. something delicious curls inside of you. gingerly, you sit on the thigh he patted on and he bounces his leg slightly, the fabric of his pants hitting just the right spot. he laughs at the yelp you give.

"just relax, baby. 's just you and me."

in january, 1994, is when kids go missing. everyone is on edge and patrons are frequenting freddy's less and less. on top of that, the animatronics are malfunctioning more and more, so there are even less customers due to the amount of maintenance that needs to be done.

you and william continue your routine: you fuck and he drives you home afterwards. but lately, something's been weird with william. he's been more... erratic? is that the right word? or just elated. he seems so gleeful, but more violent during sex. he's never showed any masochism until now. he even put a knife to your throat as he pounded into you, threatening to "fucking kill you" if you scream. you took it as just one of those things he says during sex, like when he calls you "slut" and "whore" but it's starting to scare you as it becomes a frequent thing.

it gets worse. you're taking the trash out to the alley when you see the security puppet laying limp. you go and investigate only to find charlie emily, the other owner's daughter, dead and badly hurt. like she's been stabbed repeatedly. you scream in shock and run in to find william, but he's long gone. instead you went to your co-worker, who called the police.

you were asked to stay at the restaurant until you after you were questioned and you told them everything you saw. you looked but william was still nowhere in sight. you walked home that night.

catching the killer was never something you were interested in. in fact, you hoped to do the opposite of some of your vigilant co-workers, who openly investigated the restaurant. some of them ended up missing too. the police had been called at freddy's on multiple occasions.

on one particular occasion, the last one before freddy's closed, actually, you went to the backrooms to catch a breather. what you found? william pouring bleach to bloodied clothes, bloody knife laying on a nearby table. you drop your keys in shock, alerting him. Turning on your heel to break for it, he grabbed the knife and your arm.

"tell anyone and i'll fucking gut you right here, right now," he threatened in a low voice.

you jostle your arm, desperate to break free. "please!" you whisper-shout. "i won't tell anyone, please let me go!"

and for some reason, he trusted you.

freddy's closed after that, and you swore to yourself you would take what happened to the grave. maybe you were a coward, but you had no solid evidence it was him behind the murders. it would all just be hearsay. no one would believe you anyways. william had such a high reputation, not just at fredy's, but within the community.)

--

mike hangs up the phone with a sigh. "so...?" you say, leaning towards his direction in anticipation.

"i took the job," he grumbles. his head is in his hands, running through his hair anxiously.

you throw your hands up in the air in excitement. "yay! we get to keep abby!" mike immediately snaps out of his sulking to bust out laughing. as he shakes his hand, he mentally adds your twisted sense of humor to the endless list of things he loves about you. and your distantly maternal role in abby's life. we get to keep abby.

you snap him out of his thoughts with a question. "who's the lucky employer?"

he laughs again in disbelief. "freddy fazbear's pizza. working in security. they need someone to watch the place and make sure no one breaks in and stuff."

you frown and furrow your brow. freddy's. william. "something wrong?" he muses, noticing your change in demeanor. you shake your head.

"no, nothing. i'm happy for you. sounds.. just peachy." mike shoots you a half-smile.

it's nighttime when it's almost time for mike's shift. your head is in your hands as you sit on the couch. it's one of those times when abby's off in her room, scribbling away with a crayon. you feel sick to your stomach. why did it have to be freddy's? who even gave him this job? why is it still there?

you hear a slew of curses coming from mike's room and decide to investigate. he's struggling with the loop of his belt and you can't help but smile. "need some help?"

he looks at you, face turning red. "you don't have to—"

"oh, come on," you sigh, moving to help him. "it's okay to need help sometimes." mike doesn't say anything, but from the way he's looking at you, he wants to.

"what?" you ask, but mike just shakes his head. you wouldn't understand. you decide to just leave it alone — mike's always been a distant guy.

"you need to be careful," you tell him with a much more serious tone than intended.

"why?" he asks, confused.

you try to relax your face and give him a lighthearted smile. "you should always be careful, mike! you never know what kinds of people you can encounter."

he has no idea.

two days go by. mike comes back home, surprisingly well-rested, until before his third shift when he casually mentions to you that he mainly just sleeps on the job. you freeze at that, worry forming inside of you in the pit of your stomach. "wh-what do you mean you just sleep there?! are you fucking crazy?!"

mike looks bewildered at your outburst. "i told you about this. i'm doing that dream stuff still..."

"okay, but do you have to do it on the job? do you have any idea how dangerous that is, when you're supposed to be looking out for any suspicious behavior." you're poking a finger into his chest, scolding him like he's a child.

"jeez, what's the matter with you?" he sighs in frustration. "if it bothers you that much then why don't you come with me and make sure i stay awake? i'm tired all the fucking time, and you know that!"

you know you shouldn't, for your own safety, but you have to think about mike. besides, if there's two people there, one can call the police. you let your paranoia, and your overwhelming care for mike, get the better of you. "fine. i'll come with you. put on your vest, grab abby, and i'll be in the car."

mike looks at you with sad eyes. you really didn't mean to be so harsh but it doesn't matter; he's more important. the drive over is silent, not that mike is really a talker anyways, but there's a thick tension in the air. your jaw and your fists are clenched anxiously, and you try not to look at him. when he parks the car he sighs and says your name.

the three of you set up camp in mike's office. abby sets up her tent and shortly falls asleep. you pace around the room while mike stares at the cameras, head in his hands with his eyes barely open. you walk over and snap your fingers in front of his face with a huff.

then something goes wrong. mike calls you over. "uh, i think i just saw something move? towards the offices." if it's potential danger, you decide it should be you who goes. not in a heroine sort of way, more of a need for closure.

you make your way slowly towards the offices. the dead silent halls make room for the only sound being your quickened breathing. you can practically hear your heartbeat thrumming in your ears. something rustles and, of course, it comes from wiliam's old office. you pray it's a rat.

as you push the door open, you breath a sigh of relief when the room is empty. that is, when someone slaps a hand over your mouth. "how truly lucky i am that you were the one to find me, lovely."

you struggle instantly but he wraps his other arm around your neck and pushes you further into the office. you land on the ground, hitting your head on the chair. looking up at him in horror, you cling onto the chair for dear life and get a good look at him. he admittedly aged well. salt and pepper hair and beard and all, it looks ridiculously good on him. "don't be afraid. i only want to make amends. i saw you were here and—"

"fuck you!" you spit venomously. "i don't want anything to do with you!"

william looks dumbstruck, then he scowls. the look on his face scares you as it contorts horribly. "what is it? is that boy? you realize i'm the one that gave him this job, right?"

"i don't know what the fuck you're talking about, but—"

suddenly, william lunges towards you and grasps you by your cheeks, holding your face tightly. "stop acting like such a fucking brat. remember when you were such an obedient little girl for me? let's go back to that, yeah?"

before you know it, you're being shoved against the desk facing forward. "i'm gonna teach you some fucking manners." you scramble in his grasp but his strength is unmatched. you know what's coming next and it makes you feel something burning in your stomach that you try to convince yourself desperately is sickness.

he pulls down your pants and you begin to sob. "please!"

"look at you, begging for me already," he laughs. he's undoing his belt and you already feel his dick prodding at your entrance. if this was back in the 90s, before all of this bullshit, he would've had the decency to engage in some foreplay, but there's a sense of urgency that makes it all the more—

god, what the hell is wrong with you. you're so fucked.

he undresses your bottom half, leaving you just in your sweatshirt. "gorgeous," he comments. "just as i remember."

you feel his dick prodding at your entrance, and you squeeze your eyes shut as he pushes in. it still feels as good as it did back then. he fucks you nice and slow, emphasizing each thrust with a slap from his hips onto yours. how does he still fuck this well at his age?

instead of picking up his pace gradually, like he used to, he continues to fuck you slowly. you're moaning uncontrollably now, clawing behind you at his chest, hoping he'll get the message and pick up the pace. he doesn't and just laughs darkly. "he doesn't fuck you as good as i do, huh, baby? you needed my dick to satisfy you all those years ago, and still need it now the way you're gushing on my cock."

you want to tell him mike doesn't fuck you at all, and that you're just friends, and that you only belong to him—

someone calls your name from the doorway. you and william both snap your heads towards the direction, only to find a shocked mike with his mouth agape. "mr. raglan? what the fuck is going on?"

"michael schmidt!" william practically exclaims, excited. he stops fucking you, purposefully burying himself to the hilt inside of you so you groan and squirm at the loss of stimulation. "come! come join us! your girl and i were just getting re-acquainted."

"she's not my..." mike trails off, finding himself moving closer without thinking. he takes in your appearance: bottom naked and bent over the desk with a fucked out expression. god, you're so pretty. you're always so pretty, but this is just...

no, this is wrong, he tries to tell himself. it's almost like william reads his mind when he sing-songs, "join us, or i'll kill the both of you."

like there was a devil and angel on mike's shoulder, the devil was winning. he's always wanted to fuck you and he doesn't necessarily have a death wish, either. "what, uh, what do you want me to do?"

your face falls and your mouth goes dry. william speaks with a grin, "why don't we trade places?"

mike scrambles to undo his belt and you practically drool when he pulls his cock out. fuck, you've wanted mike for awhile now. all that pent up tension between you two is finally spilling over the edge. all those lingering glances and long-lasting touches leading up this

especially like this, with your former fling and the guy you babysit for, makes it — and fuck it, you'll say it — all the more hotter. he replaces william's spot behind you and thrusts in quicker than the latter. he's practically humping you, fucking you desperately like he's running after something. his hands grip onto your hips tightly. "yes," william hisses, pumping himself while sitting dowqn in his chair. when you glance at him, he has the audacity to fucking wink at you. "'attaboy, keep goin.'"

that only encourages mike as he moans your name. "fuck, your pussy feels so good — hah!"

"mmm, mike!" you moan back.

"look at you two," william says breathlessly, "what a lovely fuckin' sight." mike begins to plunge in and out, reaching your cervix with each thrust, and you're close already. he senses that, and you can tell he is too by the way his thrusts gradually become more unbalanced. william's grunts are getting louder.

you're the first one to come, then william, and mike is still desperately pushing out of you. for good measure, he lands an uncharacteristic smack on your ass and then buries himself to the hilt becoming coming inside. the feeling of him filling you up is absolutely delicious. when he pulls out he studies the way that his cum drips out of your pussy. he's enamored with you, by the way.

[saisaixchan]

Re: the One Piece poll

Guys OP has a s literal army of trans characters, it's actually a plot point, there's literally so fucking many trans and NB and genderfluid people in OP its kind of fucking insane

There's Bon Clay/Bentham from as early as Alabasta in March of 2000, 3 years after the initial publication of OP

Bon's powers let him transform into other people, and he's the only member of a bad guy group with male/female partners who doesn't have a female partner bc he's both the male AND female partner in his rank

He doesn't need one bc he's both

Bon is also consistently one of the best characters who helps Luffy, and who deeply respects the bonds of friendship, and he deeply admires Ivankov (next in the list)

Plus, Bon Clay is only one of two in the villain group to become good guys and befriends the main characters

There's fucking Ivankov, Queen of Kammabakka Kingdom an island full of drag queens and trans people, with his hormone powers that lets him trans all the genders for himself and everyone around him (aka the Newkama in Impel Down- a literal army of trans people who help Luffy break out of prison so he can save his brother)

AND he's the second in command of the Revolutionary Army, a group actively against the World Government that controls the entire globe, and is fighting against it's corrupt politics and ideals, such as allowing slavery for the higher classes, fighting the racism against Fishman it's held up for centuries, and all that stuff

Ivankov is one of the most important characters in the series in regards to the world politics and the fight for freedom against the oppression of the WG, and he works with what are unambiguously the Good Guys in the world, who are headed by Luffy's father

There's Okiku in Wano, who its 100% trans and even gets the horny Sanji treatment

(which is kinda important bc there was some Bad Trans/Queer rep earlier in the series involving Sanji running from drag queens who were harassing him and for a while Sanji was pretty transphobic and it was a whole thing, but Oda seems to have learned or educated himself by this point, so yay)

Plus Okiku is a super strong samurai, fucking powerful girl go off, and everyone treats her as one of the girls and she's the best tbh she deserves the world

She's so sweet and kind and strong af and is just as much a warrior as the rest of her group

Plus there's Yamato

Who, to be very clear, is not CONFIRMED as trans, but has a lot of gender fuckery going on that he belongs on this list imo, come to your own conclusions ig

Yamato is 100% confirmed as the biological daughter of Kaido, which is backed up in several other sources and even a colorspread with only biological women, but everyone in the story itself refers to him as he/him, Including Luffy who calls him by Yama-guy/Yamao

(something Luffy only does for men- he calls Ivankov and other more genderfluid or femme leaning queer folks by -chan)

and Yamato calls himself the Son of Kaido multiple times

Yamato saw someone be so awesome that he wanted to emulate that person and become them-

but as an apparently separate decision, he decided he also wanted to be a man, too! Not just because of Kozuki Oden, but because holy fuck look at that gender, I want that for myself!!!

His identity as Kozuki Oden and his identity as Son of Kaido seem to be separate things, bc Kaido, Kaido's forces, Luffy (our main character who helps us understand how to treat situations), and everyone else around him at least acknowledges that Yamato, is, in fact, the SON of Kaido, and everyone, regardless of which side they're on in the war, respects that and treats it as fact

Meanwhile, absolutely no one treats Yamato like he's actually Kozuki Oden

And there's no sign of Yamato being forced to become a man because Kaido wanted a son- 1), he was called Oni Princess fairly consistently as a child by Kaido's forces, and 2) he only became known as Son of Kaido after Yamato himself decided he wanted to become a man

Yamato has refused everything forced on him by his father, and has run away, hid, and fought back at every moment he could, and his gender and pronouns were the only real decision of his own that have been respected as all his other freedoms were taken from him

(Which doesn't say much about his horrible father- Kaido was guided by an incredibly strong female pirate at a young age, and he has plenty of strong women among his crew. Kaido doesn't care about what gender his kid is, or gender at all)

So yeah while Yamato is not confirmed in the text as trans like many other characters are in much more obvious ways, and several sources confirm that he's biologically female, he still goes by Son and he/him by the other characters and by his own choice, so make of that what you will

Please enjoy this spread of Yamato in the Men's bath (he refused to join the women's bc no mixed bathing), and Okiku in the women's

Anyway yeah op has tons of trans, genderqueer, and genderfluid representation in it, it might not look it but it's been there since basically March of 2000 when Bon Clay was first introduced and it hasn't stopped since

[mamamiriamxo]

MORE REDESIGNS! MORE REDESIGNS!! MOOOOORE REDESIGNS I'LL DO NOTHING WITH!

Angel's Friends redesigns with lore! (angels edition)

More info under the cut!

These took a while but I'd been cooking with their designs for a while and had a lot of feedback so I'm actually happy with their designs!

Starting off with Urié, who's the one I'm the happiest with! The text says enough but I took a LOT of inspiration from her comic self since it had just so much more character. I also hate early 2000s girl media characters with their .2 cm waists and the comic lacks that so it was very helpful.

Unfortunately Dolce was harder since she's exclusively a series character, but I took a lot of inspiration from pre-90s eastern European outfits (if yk what I'm talking about). Admittedly she does kinda look like a nurse but we'll ignore that. 😊 Regardless, I changed her character the least and yet the most from the show. She's still airheaded and love obsessed, however with an air of unease around her now. She kinda fucked up but she chill.

It pains me to put the Canadian flag there knowing she's Inuit in everything but technicalities. I think both the comic and show said that she was supposed to be some kind of Asian but it was way less visible in the series than the comic, mainly because her characterization was kinda racist there. Even though I'm using she/her in this post to avoid confusion her pronouns in my story are he/they/she and I'd prefer it if you used them when referring to my Miki.

Last but not least important, our main goal Raf. I think her vibe is super clear but in case you can't tell, she's much more of a tomboy in this version than in the series and any comment directed towards her thighs will have you blocked on sight, you know who you are. 👁👁 (jk but please keep it PG) It's hard to notice from here but the thing around her neck is a choir whistle! Because she's an annoying choir kid!! The soprano kind!!

[pinchinschlimbah]

Been thinking a lot lately about Kyo's hair.... Obviously, elaborate hair was a major part of the 90s and early 2000s vkei movement with Dir en Grey being one of the iconic groups in that regard, and I even read something (unconfirmed?) that before Kyo's career took off and he was roadie-ing for other bands, he was in charge of helping them do their hair, and there is video I've seen of him doing backstage staff members' hair in vkei style for fun. Of course, as Dir en Grey moved away from that era, they dropped the performative hairstyles and went for a more western metal look for a while. Theres an old interview from the Arche era in 2014 where Kyo talks about his choice to shave his head at that time, saying he felt that having to care too much about his hair was just getting in the way of his performance and it was nice to not have to worry about it, and he didn't see himself ever having long hair again because it was too bothersome. While up until recently that last part has been true, in the past decade he's gone back to playing around with his hair a lot in color and style and it's felt pretty clear that he has been moving more towards re-embracing using visual appearance to make a statement and add to the performance rather than considering it a distraction. I've been particularly fascinated by what's been going on with him the past year- he shaved his head again, but this time it feels different. The lack of hair is no longer intended as neutral, but something to build on top of- both with him gradually covering his whole head in tattoos, and the experimentation he's been doing with attached hair extensions. The early iterations of this were just a few strands, but he's continued to play with this concept making it more elaborate and giving it more character. I found it really compelling that for the European tour this past March with the two different shows back to back, the Uroboros look which had more feminine/androgynous vibes had long hair extensions, even longer than his vkei era hair! Whereas the Withering look, which was typically a more masculine presentation, often had shorter extensions rather than just keeping his natural bald head, or for the couple shows he was bald he was doing skeleton makeup so that the baldness became an intentional part of the character. Both were constructed characters on top of the neutral base person, and each had their own worldbuilding rather than the feminine being a put-on costume and the masculine being the neutral default. Around that time, I was having a conversation with a friend about the parallels between Kyo's hair extensions and drag artists I follow who've done very similar looks in the past. I made an offhand comment about how now that Kyo has (at least for the moment) committed to being bald with the choice to tattoo his head, how long before we'd see him wearing full wigs in Sukekiyo since that that's been going in an increasingly draggy direction? And lo and behold, a few months later for the next Sukekiyo shows Kyo was wearing not just a couple hair extensions glued on a bald head, but full custom constructed full hairpiece that covered the whole front half of his head, with bangs, pigtails, etc. Having the neutral base to start with and giving himself the freedom to build characters on top of that base rather than hesitating to make statements with his appearance out of fear it would distract from the music or come off as inauthentic, gives him the opportunity to build even more distinct and captivating characters for each band than he ever has before and express each band's worldview even more fully. I'm very excited to see what happens for Androgynos, whether it'll be a continuation of what we've been seeing lately, or the start of a whole new era!

[ukrfeminism]

Experts and lawyers involved in sexual offence cases in Britain have warned that suspected rapists are evading justice by claiming to have a rare sleepwalking disorder that causes them to engage in sexual activity while asleep.

They said there had “definitely” been cases where guilty people had been found not guilty, and warned of the potential for further miscarriages of justice – and harm to the public – without more robust challenges to “sexsomnia” claims put forward by defendants.

The warnings come after an investigation by the Observer uncovered a rise in the use of “sexsomnia” as part of defence cases in criminal trials. It found 80 cases over the past 30 years where defendants accused of rape, sexual assault or child sexual abuse claimed to have been sleepwalking or suffering from sexsomnia at the time.

But while there were only occasional cases in the 1990s and early 2000s, the analysis reveals at least 51 in the past decade and eight in the past year alone. The figures are likely to represent only part of the true total, with many not publicly reported. In about 60% of cases where sexsomnia was part of the defence, a not-guilty verdict was returned, the Observer’s analysis suggests. Overall, the average jury conviction rate for rape was 58% in England and Wales.

Charges against suspects have also been dropped by the Crown Prosecution Service before they even reached court after defence lawyers raised sexsomnia behind the scenes. One law firm advertised how it “kept pressure” on the CPS after it decided to continue with the prosecution of a wealthy client charged with sexual assault. The charges were dropped before the case went to trial.

Dr Neil Stanley, an independent sleep expert who has provided expert evidence in trials where sexsomnia was raised as an issue, said that while some claims of the condition were undoubtedly genuine, others were not.

“It is being used cynically,” he said. “There are cases that are in the public domain where it is clear that they’re just chancing their arm. Because, of course, if it is sexsomnia, you’re found not guilty. Judges haven’t a clue. Juries haven’t a clue. So it’s worth a try.”

Stanley said attempted use of sexsomnia by defendants had “massively skyrocketed” in recent years and that such claims were very difficult to definitively disprove – meaning often “just saying, ‘I don’t remember. It could be sexsomnia,’ is enough”.

He said the current system was failing victims – and true sufferers of the condition – and called for reforms including more robust challenging of sexsomnia claims and a less adversarial approach to questioning expert witnesses, so they could provide more nuanced responses in the courtroom.

“The law seems not willing to admit that there’s a strong likelihood of miscarriages of justice. And given the severity of the offence, we should be very certain of having checks and balances in place so we take as many precautions as possible to stop miscarriages of justice,” he said. “In terms of sexsomnia, that is not happening.”

He added: “I know in my heart of hearts that there are cases where guilty men have got away with it. And that cannot be a legitimate consequence of the system. The system has to change.”

Sexsomnia is recognised in the DSM-5 diagnostic manual of psychiatric conditions and is a type of para­somnia, a disorder involving abnormal sleep behaviour. Sufferers engage in sex acts while in non-REM sleep. They might have their eyes open but will have no awareness or memory of their behaviour.

If a jury decides that an accused person was in such a state – known as “automatism” – when they committed an alleged offence, they will be found not guilty. But while lab tests and partner histories can be used to try to establish whether a sexsomnia claim is genuine, sleep experts and lawyers say the system is open to abuse because uncertainty in the science means it is impossible to say for sure whether someone was or was not suffering from sexsomnia.

Many of those successfully pleading sexsomnia in court had no known history of sleepwalking and no formal diagnosis. Other cases involved defendants performing a complicated series of actions in unfamiliar settings, which experts said were less typical of genuine sexsomnia.

In about a third of the cases, the defendant was under the influence of alcohol or drugs, and some were very intoxicated, but sexsomnia was cited as the primary factor behind their behaviour.

Sometimes, just a mention of the condition in court appears to sow a seed of doubt that can contribute to a not-guilty verdict. In one rape case, two expert witnesses said evidence for the defendant having sexsomnia was “weak” but that they could not categorically rule it out. The jury subsequently acquitted the man.

In at least one case, a man who avoided a rape prosecution after claiming to have sexsomnia went on to attack again. Joseph Short evaded charges in 2011 after saying he had no memory of an alleged rape. He was later jailed for 15 years for another violent attack. And a man convicted of strangling and beating his partner was acquitted of raping her and another woman after claiming to have been suffering from the condition.

Allison Summers KC, a barrister and head of Drystone Chambers, who has represented three clients who used sexsomnia as a defence, all of whom were acquitted, said the increase in defences using the condition could be in part because it had historically been “underdiagnosed generally” and that there were some “very genuine” cases.

But she said the presence of alcohol complicated things – “are they using the sleep defence to cover up what has happened?” – and that there was an issue of defendants “trying it on”.

“I think there are probably [defence lawyers] running these cases on fairly spurious evidence,” she added. “Juries are strange creatures and I suspect sometimes they give the benefit of the doubt when they shouldn’t.”

Summers said it was for defence counsels to investigate such claims and for prosecutors to robustly challenge them, but that this did not always happen: barristers instructed “rubbish” experts or failed to get relevant histories, or prosecutors did not properly interrogate claims in court. “It comes back to laziness and a lack of understanding,” she said.

Sexsomnia has also been used by defence teams in an attempt to discredit victims. Jade McCrossen-Nethercott, 31, from Croydon, is taking legal action against the CPS after it dropped her rape case days before it was due to go to trial after expert witnesses said she had sexsomnia.

McCrossen-Nethercott said the conclusion was made by an expert instructed by the defence who had never met her, and was based on her answers to a 15-question survey. “It was plucked out of thin air,” she said.

The CPS has since “apologised unreservedly” for its decision to drop the case and said “the expert evidence and defendant’s account should have been challenged and put before a jury to decide”.

McCrossen-Nethercott is now calling for “robust, rigorous and consistent” assessment of sexsomnia claims “across the board”, including a “thorough assessment, bed partner histories, extensive polysomnographies”.

“It has to be taken seriously to protect victims from being told they have it without significant evidence; to prevent perpetrators claiming they do when they don’t, but also for genuine sufferers, to prevent them being wrongly convicted,” she said.

Dame Vera Baird KC, the former victims’ commissioner for England and Wales, called for safeguards to be put in place to protect victims and the public. She said sexsomnia was being seen as an “escape route” by some defendants and that in cases where it arose, prosecutors needed to be consistent in applying for sexual risk orders, which can be made regardless of whether someone is convicted if they are deemed to pose a danger.

Such an order could require a person to warn future partners, or others sleeping under the same roof, about their condition, or face prison.

Baird, a barrister who was previously solicitor general and a Labour MP, said increasing the use of such orders might also deter people from using sexsomnia as a “get-out-of-jail card”. “A person who says, ‘Oh dear, I raped somebody without knowing it,’ is a danger to the public and cannot be left simply acquitted,” she said.

A CPS spokesperson said prosecutors always “robustly challenge legal defences when contrasting evidence is available” and that sexsomnia was no exception. It said any decision to drop a case in response to a claim of sexsomnia “must now be approved at the most senior level” and that victims always had the right to seek a review. However, it said it did not record data on how many cases had been dropped due to sexsomnia claims by the defendant.

The Ministry of Justice said the government had taken “decisive action” to ensure rape victims got justice and that “the validity and credibility of a defence” was for the courts to decide.

Claire (not her real name), a complainant in a recent case where the defendant was acquitted on multiple counts of sexual assault after claiming to have sexsomnia, said the verdict had a “devastating” effect. She said the man did not deny the acts took place but said he must have done them while asleep, and that he had never sleepwalked before, had no formal diagnosis, and had had “no tests done”.

The woman, a mother from Lancashire, said the process had left her “baffled”: “It’s like they’ve said, ‘Well yeah, he might’ve sexually abused you numerous times but he did it in his sleep, so it’s OK. So you’re just going to have to get on with your life and deal with it and he’s got away with it.’ It’s like they just took his word for it. There is nothing to stop him from doing it again and just saying, ‘I was asleep’.”

[pickingupmymercedes]

Another rant

So, got enough sleep, heard a few commentators and specialists opinions, and talked to a motorsports engineer (my dad btw - who has worked with Indy most of his life, and worked briefly with f1 in the 2010's) about the shenanigans with yesterday's race and here's some food for thought:

ALL cars are weighted before and after they get to parc fermé (so, that's Saturday and then Sunday) so George's was good before the race. (Back in the 80's Tyrrell used to fill balloons with water before getting weighted and then dumping the water during the race - hence weighing after the race as well)

It's not uncommon to get the fuel procedure wrong, there are more than a single tank so sometimes fuel can be left on the car, (So, at least that wasn't intentional)

Here's where things get interesting:

After pits the teams try and run deg rates on their used tyres to confirm if their strategies are well regulated with reality and if going long is a possibility. (Considering Lewis's second pit was H to H, Merc had data on how the deg was on those tyres and could -should actually - be able to project how the deg was going to be all the way to the end)

Other five cars made the one stopper work without being underweight and that's mostly because that was on the tables for them since the beginning and the teams got the cars ready with added in weights.

Import point - my dad was really fixed on this one - to make that one stopper work the cars HAD to carry extra added weight from the whole race, and the extra weight also affects how the tyres degrade (and of course, the overall results)

Considering George's and Lewis's post race interviews, I'd say Mercedes hadn't prepared any of the cars for that possibility because they honestly didn't believe it'd work

The back and forth between George and his engineer to decide to stay out went for about 3 laps, and in that time the data on tyre wear and deg shoud have been analysed and considered (by the whole of the engineers)

A possible reason why Mercedes didn't think George going for a one-stopper would be detrimental to Lewis's race (at that moment p1) was probably because their calculations were wrong, and they thought his tyres would eventually drop off (Lewis would easily catch him and they could try to get their two cars on podium)

And here's where things get tricky:

There's a somewhat unwritten rule in f1 that it's okay to offset strategies between your driver if the overall team result benefits for it, sometimes even at the cost of driver's positions. The only exception being when it's a VERY clear race win you're inverting. (Mclaren last week?!)

Yes, teams have given team orders to invert positions for a number of different reasons, but a 1-2 being inverted because of a strategy decision that left the lead driver (both quali and on the race) on the dark is a big problem. (Ferrari in the early 2000's with Schumi and Barrichello got soooo much heat for it. And probably why Toto had that face, he knew they crossed a line that was going to be hard to justify)

In any way, the mood inside that garage must had been atrocious for both sides. One was pretty much blindsided (Lewis side of the garage probably only learned Russ wouldn't drop off when the whole team did) and the other got dsqed by a mid-race decision that shouldn't have been allowed (btw those calculations are not only made by a single person, exactly as to not get a car dsq for a preventable error).

Honestly, I don't blame either fans (44 and 63) for how they reacted, because both drivers were screwed up by the team. But one probably has a mathematical reasoning behind, whilst the other has a imposing principles reasoning.

Now, something I'll give my two very personal cents about is I hope both drivers learn from that, specially George, because if Lewis can be on the receiving end of a trust breaking decision after 11 years and that many race wins and titles, you guys probably know where I'm going. And for Lewis, I hope he got the idea of how things are going to be moving forward (and this is not about priority it's about trusting the people they let almost dictate their lives for about 2 hours every GP)

[genericpuff]

Turns out it's been a while since I've talked about Rachel's medical fetish art so it came as a shock to people when I mentioned it in the last post (I've got quite a few asks about it lmao) So I'm gonna enlighten y'all real quick on what I'm referring to, and yes, it's probably exactly what you're thinking of when you hear the word 'medical fetish'.

CONTENT WARNING: DISCUSSION OF MEDICAL FETISH ART AND DEPICTIONS OF NEEDLES!!!!

So the name "used_bandaid" is one Rachel started using back in the early to mid 2000's. She went by a LOT of different pennames back then, including but probably not limited to:

Pepper_maid

madame_issue

Usedbandaid/used_bandaid

Rach Alex

Rachel Royale

Raquel

Medical Tophat/Medical_Tophat

Frill_house

Gingerbreadcoffin (? this one's kinda weird because the link itself with this username just goes back to her used bandaid MySpace account , so idk if she ever actually used it or if it was even affiliated with her lol)

Now you're probably about to ask, "Puff, how do you know these are all her?" and that's because Rachel still had all of these accounts interlinked through her projects, primarily The Doctor Pepper Show. She seemed to change up usernames often just for the hell of it.

Anyways. I'm not gonna show much of it here because I do think it's better to leave certain things in the past, but there's a LOT of her old work that implies the stuff that's questionable/problematic in LO has always been a part of her identity as an artist (DDLG, hot pink self-insert MC, etc.)

One such example is "madame issue":

This is such a 3-in-1 smoking gun for everything we see in LO. The reference to bandaids (see: used bandaid, which was part of her URL slug for her old flickr where this drawing comes from), the hot pink color palette, and of course, the fact that this character is almost DEFINITELY a self-insert of Rachel, thanks to that shared name.

She's also stated in old commission/print posts that Madame Issue was the one print she wouldn't sell.

She doesn't explicitly say why but I think it's pretty safe to assume it's because Madame Issue is her.

We also have Eva, "the queen of medical fetish". And the tags are... pretty self-explanatory.

That said, that's as much as I'm gonna go into with her old art, because a lot of it does get quite personal with her and I don't really think it accomplishes much more to continue digging up old skeletons, at least not unless they can be seen as parallel to LO (which some of them are and I'll likely be sharing more of those ones in a later post).

That said, there ARE still pages that are accessible without the use of the Wayback Machine that advertise her as a medical fetish artist without the need for extensive digging. If you search up The Doctor Pepper Show on Google, you'll actually find a reddit thread asking what happened to Rachel's old work, and there are comments with loads of resources to access her pre-LO content. You'll also find the listing for The Doctor Pepper Show on The Webcomic List, which literally describes it as a medical fetish comic: "This is a comic set in a world where evil doctors rule, girls wear frilly underpants and people use their manners. *May I please blow your f**king head off?* This comic features Gothic dandys, EGL (Gothic lolitas) and medical fetish fashion. (Neo victorian setting)"

I'll let y'all do your own digging from here, there's a LOT to unpack honestly and while I can't keep you from doing your own research, practice due diligence with what you choose to share. Again, I don't think it's a crime in and of itself for Rachel to want to distance herself from her past as a medical fetish artist, so I think it's only really relevant to show the things that are clearly still influencing LO (like her love for the movie Lolita or the very clear sexualization of youthfulness). While we can try to leave the past where it is, she does still write LO with a lot of the most problematic features of her former identity, and it makes it all the more bizarre that if she is trying to distance herself from it all, then why would she stick with one of the pennames that's the most easily tied back to medical fetishism?

TL ; DR: Rachel started off online with medical fetish and gothic lolita art (at least as far back as we can trace it) and elements of that past are still present in LO today. Use that info responsibly lol

[thisisnotthenerd]

ok, i know i put a poll up and that relationship tracking won the poll for what came next on the stats series.

but consider this: relationship tracking takes so goddamn long. i had already started it by the time that i put the poll up, and as of now i'm still not done. granted the list is comprehensive: romantic, platonic, familial, and adversarial relationships, separated by pc-npc and pc-pc. for every season.

anyway, i started tracking character ages in the meantime while i build up the motivation to finish the relationship tracking.

without further ado:

d20 character ages

some of these are listed in the wiki. some of these are based on vibes and more vague indications from the seasons in question. all of them have some element of my commentary. if there isn't an age given i will explain why. it's in the seating chart because that compacts the format into an understandable block and not an infinitely long list.

to be clear, some of these are confirmed with actual numbers, but some aren't, and i'm listing them as unknown and offering my opinion in place of a confirmed number.

fantasy high freshman year: i am convinced that the ages the cast give are vibes based. as someone who did not fit the normal age range of high school, i can tell you that in the US, freshmen are typically 14-15, sophomores 15-16, juniors 16-17, and seniors 17-18. that's not to say that someone can't fall out of those ranges. i did. anyway:

fig faeth: ~15. this is a rough estimate--she'd be born just after fall cutoff for her year to start at 15.

gorgug thistlespring: 14-15. he was confirmed 14 at the start of the season, and presumably turns 15 at some point during the year.

adaine abernant: 14-15. this is based on the fact that she turns 16 before the events of sophomore year

fabian seacaster: 16. a bit older than your average freshman, but i knew people who were 16 freshman year, so it's not that weird.

kristen applebees: 15-16. again a bit older than your average freshman, but younger than fabian.

riz gukgak: 14. this was confirmed in episode 13 iirc. riz is the youngest of the party

escape from the bloodkeep: this party has some major age differences that are very unclear. no real confirmed ages.

maggie: unknown. she and zaul'nazh had been in a relationship for ~100 years, so she's probably got a good couple of centuries under her belt

leiland: unknown. similar deal to maggie--he spent centuries serving zaul'nazh. how many? who knows

efink murderdeath: unknown. she's a tolkienesque high elf. if we go full lotr comparison to arwen, she's over 2000 by the time she marries percival.

sokhbarr: unknown. again, we don't really get confirmation of an age for him--he's just kind of an ageless bog-lord.

lilith: old as time. she ate the stars. definitely the oldest of the party.

markus st. vincent: unknown. human, so he has a human lifespan. i'd pin him in his 30s. given that his closest comparison is probably faramir, who's 35 at the start of the war of the ring, i think 30s tracks.

the unsleeping city: here we have a mix of confirmed ages and some straight up vibes.

ricky matsui: late 20s early 30s. more specifically around 26-31. this is vibes-based. i based this on his career progression.

sofia lee: early-mid 30s. another vibes-based one. again based on career progression. she feels a little older than ricky and pete, but not by much. married to dale for 5 years, so if they got married when she was in her late 20s, this tracks.

kingston brown: 55. thank god a confirmed number.

misty moore: ~400. at least that's how long she's been on earth. this actually comes from tucii. i'd put her misty form in late 70s early 80s, and her rowan form in her mid 20s.

kugrash: ~60, based on his 30 years as a rat druid.

pete conlan: younger than 31. this is based on a reference ally makes in tucii to big business (1988), so i aged him back three years. i would guess mid-late 20s during tuc; he mentions not having seen his dad in 6 years. assuming pete fully transitioned during college/around college age, it would make sense for him to be around 25-28 during the first unsleeping city.

tiny heist: some of these characters just straight up don't age, so they don't really count when evaluating age.

rick diggins: unknown. he's a clicko man. he cannot age except in spirit.

boomer coleoptera: unknown. vaguely middle-aged, though that might just be clint mcelroy's general dad energy

agnes: elderly. no confirmed number, though she's old enough to have a grandma schtick, a reputation, and a terminal illness prognosis of 2 months

ti-83: a teen. and that's all we know. probably younger than bean.

bean: late teens early 20s. a vague range, but at least it's something.

car-go jones: another ageless toy. at least a decade in human years, if we estimate that max got him at a similar age that he gives him to dylan.

a crown of candy: finally some goddamn numbers.

liam wilhelmina: 17-18. he starts at 17 and turns 18 in ep 15 iirc.

theobald gumbar: ~50. this tracks for him assisting lazuli and being amethar's friend during the war

jet rocks: 18. and she never lived past 18.

saccharina frostwhip: 23-24. this tracks for her being born around the ravening war, before the rocks sisters were killed.

ruby rocks: 18. and she keeps living.

amethar rocks: 48. reasonable. he'd have been in his mid 20s during the ravening war.

lapin cadbury: old man. yes that is the actual entry. i'd say he's probably 10-15 years older than amethar to really be considered old.

cumulous rocks: late 30s early 40s. tracks for being created by lazuli while theo was starting his knighthood under her.

fantasy high sophomore year: i'm halfway convinced that the intrepid heroes just don't know how old high schoolers are. granted, they may be going for general teen, i.e. 13+1d6, so the more batshit stuff they do comes across as a little more normal. it's like having actors in their 20s play teens. except they're actually dnd characters. and they're in their 30s.

fig faeth: 16-17. another rough estimate for fig.

gorgug thistlespring: 17. a little funky, since he was 14 at the start of fhfy. the principle of 13+1d6 comes across here

adaine abernant: 16. her age range for the year is 15-16, which is normal for a high school sophomore.

fabian seacaster: 18. definitely stretching it a bit. the listed current age is 18-19, which i'm assuming is using boy's night as reference.

kristen applebees: 16-17, which tracks with her progression from freshman year

riz gukgak: 16. confirmed in ep 14 iirc. since he was 14 in feb of freshman year, and assuming spring break is ~april, he has a spring birthday.

pirates of leviathan: there's a pretty clear split of age groups in this season--the first to introduce adults in spyre.

sunny biscotto: 18. her first adventure as an independent person, even though it was technically her running away from home.

barbarella sarsaparilla gainglynn: 22. it tracks; she grew up isolated on leviathan and isn't super far into her career, though she has a pretty strong base

cheese stormcrank: 16. the youngest of the party, even though he's his family breadwinner. the left table is the young people in this party.

myrtle: 30. aabria calls her a 'dirty thirty'. so that may not be exact.

jack brakkow: late 50s equivalent. granted he's a ratkin, and middle age starts at 25 for them, with old landing at 40. so he may actually be younger, probably closer to myrtle's age if not a little older.

marcid the typhoon: unknown. he's never given a specific age. given that he's known myrtle for a long time, and at some point was nearly drowned in a shipwreck, i'm going to put him in his 30s as well.

the unsleeping city chapter ii: again, a mix of confirmed ages and vibes.

ricky matsui: early 30s. 29-34. this is just three years aged up from the first unsleeping city.

sofia lee: mid 30s. another age-up from

kingston brown: 58. thank god a confirmed number.

iga lisowski: 45. it feels like she kind of plays up the old lady schtick for her job, bc 45 isn't that old.

rowan berry: ~400. at least that's how long she's been on earth. rowan form in her mid 20s.

cody walsh: 26. this is a 26 year old hot topic manager with 12 swords and extreme mediocrity. truly a character designed to cause chaos.

pete conlan: younger than 34. again based on the reference ally makes in tucii to big business (1988). i'd put him at around 28-31. definitely around cody's age, a little older, but not much.

mice & murder: they are animals using variant human stats, so they're using human ages.

gangie green: 55. he definitely acts younger in certain circumstances.

buckster $ boyd: unknown. probably younger than gangie--late 40s perhaps? we know he's a gemini.

daisy d'umpstaire: almost 60. she's past her prime and wondering if she really wants to do this for the rest of her life

ian prescott: unknown. definitely middle aged, probably around buckster's age.

lars vandenchomp: 18, supposedly in dog years. also a cancer. i don't know how, given that they served in the schnauzer war and supposedly have a business degree.

sylvester cross: 55. another person past his prime, and wondering what's he's doing with the rest of his life.

misfits & magic: the first school season to actually have consistent ages, assuming they're entering as sixth years who were in their junior year in the us.

whitney jammer: 16. born around 2005.

k | dream: 17. born around 2004

sam black: 16. another 2005 baby

evan kelmp: 17. born around 2003. this tracks for him not having formal education-- a little old for the grade.

the seven: the first spyre school season to have the ages be consistent. the ladies know teenagerhood well.

the fact they lost a year or so in the palimpsests makes placing their grades a little fuzzier: we know sam, ostentatia, and zelda get taken during the school year. penny goes missing just before the start of the year, and antiope, katja, and danielle get taken beforehand.

antiope jones: 18. she lost a year in the palimpsest, so she's technically a super senior, making her a junior during fhfy.

katja cleaver: 18. another technical super senior, who was a junior during fhfy.

penny luckstone: 18. again, she lost her junior year during fhfy.

danielle barkstock: 16-17. i'd say 17, because that makes her a sophomore during fhfy--she'd have repeated the year to be a junior during the seven.

ostentatia wallace: 16-17. leaning toward 17 again, but younger than danielle. we don't get full confirmation of how old she is/what grade she's in during fhfy, but given the fact that she's established enough to host a party at her house during fhfy, i'd say she's a sophomore, and that's the year she repeats.

sam nightingale: 18. i'd say close to 19, because she's definitely in penelope's age group if not grade, and i'm pretty sure i recall penelope being a senior during fhfy. she may have been young for her grade initially, but came out on the other end after fhfy.

zelda donovan: 16-17. leaning towards 16 for zelda; she's a freshman with the bad kids during fhfy, and is the last maiden to be captured, at some point during the second semester. she could conceivably retake classes over the summer and catch up in order to be a sophomore the same year as the bad kids.

shriek week: this is a college season, so they're college aged. i don't have that much to say--we know exactly how old they are.

terry talbo: 22

megan mirror: 23

tuti iv: 21

seven: 22

a starstruck odyssey: there's a mix here--some vagueness, some numbers. in-universe their ages would be counted differently anyway, since they work off of 6-month cycles and not 12-month years.

gunnie miggles-rashbax: mid 30s. he's got two PhDs and a master's as well as a cyborg body and years of trying to pay off debt.

riva: unknown. it's reasonable to assume that they're on the younger side, given that they are on their galavant. i'd assume around early-mid 20s for their species.

norman takamori: unknown. based on the art and his general timeline, i'd say ~40s. maybe 50s.

skip | valdrinor: unknown. he's a cerebroslug who was presumably raised somewhere, tried to escape, ended up in space and then in a crate of powdered egg substitute.

margaret encino: 24. a savant who began working at 18. truly a girlboss on a quarter life crisis.

sundry sidney: n/a. she's an android--aging doesn't really apply to her. i think it's only been a year or so since the line was shut down, since it's been revamped as the warfare whitneys.

big barry syx: 38. this also carries over to barry nyne. we know barry bohunk created the barry battalion before anarchera 200 (current=220), but they were born as 25 year old beautiful big boys. in short, barry's age is a little questionable.

coffin run: another age split season, since half of the party is immortal.

aleksandr astrovsky: 41. young to be florina's zayde. also 15 sons? especially when he and marina had not been in contact for ~7 years? insane.

squing: old as time. younger than dracula, but only just. just a squishy headed vampire who eats letters.

wetzel: 26. has not even lived a majority of his lifetime and already wants to be a vampire.

may wong: 24. granted that's because she was turned at 24 so as to be eternally young and hot, so she's a bit older than that probably.

a court of fey and flowers: they are archfey that don't die. blooms are centuries apart. assume these age ranges are going to be like the bloodkeep ranges.

andhera: unknown. younger than most of the fae--he's the current heir to the unseelie, but has had many siblings who died previously in pursuit of the throne. most of the others knew them when they were younger; hob unhorsing him on the field of battle is only one example. so definitely like just of age for this prince.

k.p. hob: unknown. definitely older than andhera and likely binx, he's in the prime of his military career. getting closer to middle age, but still a relatively eligible bachelor, given that the goblin court sought to make a marriage alliance with lady sylmenar.

chirp featherfowl: unknown. i'd put her at the archfey equivalent of late 20s early 30s just based on vibes. she's still getting down at the bloom but has a 4 year old at home on the material plane.

squak airavis: unknown. i'd say slightly younger than chirp, but they've been cousins for so long that the difference is irrelevant. late 20s, getting down and breaking hearts at the bloom. considering marriage but shopping around.

delloso de la rue: unknown. rue is a little tricky--they were brought to the court of wonder as a child and presumably aged normally to that point, but they've been an archfey ever since. closer to hob's age than the lords of the wing.

binx choppley: unknown. the crisis of the court of craft happened relatively recently in fey terms and she was an adult by that point, though not truly the leader at the time. i'd say she's older than andhera, younger than the lords of the wing.

neverafter: some weird age splits in this party; kids, adults, inexplicable trickster spirits.

rosamund du prix: 18. technically 118, but that doesn't really matter.

timothy goose: unknown. he's old enough to have greying hair and an adult son--late 40s-early 50s maybe?

pinocchio: 12. this is based on both him and ylfa being 21 during the epilogue, so i'm assuming they're the same/a similar age.

puss in boots/pib: unknown. we meet him when he's on the older side for a cat, but also he's an eternally reincarnating trickster spirit, so that doesn't really matter.

gerard of greenleigh: 32. the other adult in the party, even though he doesn't have everything figured out.

ylfa snorgelsson: 12. this is confirmed in story, and she and pinocchio are the same age.

the ravening war: this season is a little weird because of the time skip and the fact that some ages are unconfirmed.

delissandro katzon: starts at 19, 21 after the first timeskip, 26 after the second. a young man.

raphaniel charlock: unknown. i'd say he starts in his late 60s and ends the season in his mid-70s. old enough to be deteriorating and have specific signs of age, but still spry enough to pull off a cunning action dash.

karna solara: 14 to start, 16 post-timeskip 1, 21 post-timeskip 2. rotting from a young age.

colin provolone: unknown. i'd place him in his late 20s to start, mid 30s by the end, based on his art and the start of cheese pattern baldness.

amangeaux epiceé du peche: unknown. mid 20s to start, early 30s by the end. she and her husband had been trying for heirs for a while--assuming she married young, she's not past her prime, but not having a kid in her position would be a little sus. also the fact that she must have had a relatively healthy uncomplicated pregnancy points to her still being pretty young to start.

dungeons & drag queens: a lot of variance here as well. mostly vibes-based.

troyánn: 242. she's got a combination of elf and immortal mermaid queen--this is reasonable.

princess foehammer: unknown. probably in her 20-30s.

gertrude: unknown. explicitly immortal--the only sign of age is her hair. she's been around for a while.

twyla: unknown. she's another fairy of unknown age.

mentopolis: some of these characters have stated ages. they are also concepts in a brain.

conrad schintz: 10. his growth has been stunted for years.

anastasia tension: 24. an up and coming journalist running form her rich family? say no more.

hunch curio: unknown. he's a concept in a brain. on vibes? 40s.

imelda pulse: unknown. i'd say she's probably around anastasia's age, given that they demonstrably grew up together.

dan fucks: unknown. another concept in a brain. 20-30s on the vibes alone.

the fix: unknown. concept in a brain. old enough to be a father and a contract killer is all i'll say.

burrow's end: this follows stoat aging--some of these are confirmed, some are guesses.

tula: 1-2 years old, leaning towards 2. old enough to have kids of a reasonable age, if the 1 year mark is adulthood (male stoats achieve sexual maturity at 10-11 months)

jaysohn: somewhere between 6 and 8 months old. growing up fast.

viola: 1-2 years old, same litter as tula. i looked up stoat reproduction against recommendation.

thorn vale: 1-2 years old. in the vague adult range with tula and viola.

ava: 4 years old. potentially could live for 15 more winters. unbelievable.

lila: somewhere between 6 and 8 months old. same litter as jaysohn, but is the elder of the two of them.

and that's all for this time! despite being this long, this is still going to be shorter than the relationship tracking. as always the spreadsheet is available for perusal.

[brf-rumortrackinganon]

Is it really possible that the palace used Harry to shield William from his own misbehaviors?

Sorry, I just wanted to discuss this. I think even according to Spare there’s no clear indication of this. (Correct me if I’m wrong, but I can’t recall specific examples right now illustrating this)

I think there’s some stuff from Robert Lacey’s book where he says William was the one who introduced Harry to his party friends (Guy Pelly for example was William’s friend first I think?) and that William did all things Harry got in trouble for and William should be held responsible as the older brother. He said William had to go beg for Harry’s forgiveness when Harry got in trouble for his drug use and had to go and visit a rehab for PR.

But Harry told a version of that story in Spare where there’s no mention of William begging for forgiveness or Harry being used as a scapegoat. Harry says William was very angry on his behalf that be was being forced to apologize or do things for PR, but in the end agreed that Harry had to do that as a royal.

Harry also told the story of his introduction to drugs and William was not involved in that story (at least according to Spare). There’s also a part where he said William was appalled at the thought of Harry smoking what they thought was weed (it turned out to be fake weed).

One more situation is the nazi costume fiasco. So I read some version of this that said William actually didn’t even think it was a big deal and Harry was upset that William wouldn’t say that publicly. Well irregardless of what William personally thought (which might have changed now that they have matured), it was the right thing that they apologized instead of excusing what happened as not a big deal. William’s involvement in the entire thing has also always been somehow known in the press, in one way or another, because the news reports about this in the early 2000s noted that William went to the shop with Harry. (The version in Spare is a little more complicated and detailed)

It’s been a while since I read Spare so if I got some details wrong or if I’m missing something, I’m sorry. I don’t know if there are things William has done that have been covered up and Harry was used as scapegoat, but it’s also true that Harry did all the things he got in trouble for.

Judging from these stories from Spare, I think the problem was William did not agree that Harry should be villified (a teenager experimenting with drugs is not the biggest crime), yet did not have the courage to stand up to protect Harry from harsh criticism because he knew what they had to do as royals.

Thanks for sharing!

[highfantasy-soul]

Ok, here's my breakdown of Jessie Gender's video on NATLA. I decided not to post this as a comment on the video because I just don't feel like it would be productive, but I needed to refute the points she was making as she's a quite respected (at least, I really respect her opinions on things) video essayist and I felt like this video was...wild.

So, I guess it's best to just watch along with her video and read my commentary side-by-side because I don't give much context for my points, this is just a stream-of-consciousness style response.

To be perfectly clear - this is not intended to be a 'hate post' about her, this is just me feeling very strongly that the interpretations of things she had in her video needed to be talked about and another perspective given.

I shift from saying 'you' to 'Jessie' like halfway through (when I decided not to post this as a comment) but I don't feel like going through and changing all those, so yeah, just ignore it.

1) you insulted a martial arts kata as 'a mildly choreographed dance' - it shows a complete lack of understanding of other cultures and a desire to take a quick dig at something you didn't like in a way that insults a cultural practice. I really didn't expect to hear that sort of comment from you so it was pretty jarring when you said it. Ironically, you say that Sokka was wrong to assume the Kyoshi warrior's kata was a 'dance' because that's 'a girl's place' when...you literally made the same insult with not a hint of recognition just a few minutes earlier about a movie you didn't like…

2) I felt that the live-action really deepened a lot of the themes from the OG - take Iroh's storyline for example, fleshing out Suki's character so she's...you know, her own character and not just there to teach Sokka a lesson, and delving into how hard of decisions you have to make during a century long war. Idk, I'm just really curious as to how you felt quite literally the polar opposite of me

3) Sokka's sexism: the animated show handled it one way, but Sokka's treating women as 'less than' wasn't a core part of his character - in all honesty, it doesn't actually make any sense as he was raised by Hakoda (who we never see being sexist), Gran Gran (who left the NWT due to its sexism), and was surrounded mostly by older women. The sexism storyline in the cartoon was to teach a very blatant lesson to kids "don't be sexist, boys!" while the live-action made Sokka's struggles much more realistic and in line with the world building: he struggled with non-traditional masculinity and if he was 'allowed' to be that way while they were at war. For me, it's a much more important message for young men today than the very dated 'women can fight, too!' message that was needed in the early 2000s. It's very odd to me how you claim that Sokka always taking charge isn't ever challenged when...in literally the scene you're showing when you say that, Katara challenges him.

4) I'm sorry, but I cannot possibly see how Suki is her own person more in the animated version than in the live-action. She was literally created solely to teach Sokka a lesson and have no character traits other than 'I'm a strong woman warrior' where 'woman' means 'I like romance' rather than...I'm a whole person with my own wants and desires and fears that have nothing to do with a love interest as is shown in the live-action. You keep comparing the animated and live action as though they were trying to tell the same story about Sokka's journey with his role in the world, but they weren't. Of course Suki's attitude toward him is going to be different, of course he's not going to need to tell her 'you're right, I'm a dumb, terrible man, pretty please could you teach me', because it's a different dynamic they're going for in the live-action.

5) When Sokka pinned her in their lesson in the live-action idk how you got that she was 'demuring herself' to Sokka? Just as in the cartoon, he managed to get the upper hand - which she promptly took back, teaching a lesson along the way. She didn't make herself less so Sokka could feel secure in his masculinity - it's a bit odd you feel that showing respect to someone and helping them learn is 'demuring yourself'. I much prefer them respecting each other than the animated version of them seeing each other as less than and then...her giving him a kiss to prove 'see, I'm a romance-loving girl, too'.

5) To me, Suki beating Sokka in the live-action when the first sparred wasn't her being mean, it was her not understanding how much less experience Sokka had fighting - she genuinely thought he would be able to hold his own against her because he had told her he was the best warrior in his tribe. Her face clearly shows 'I have no idea what I did wrong - I thought that type of sparring is what everyone did for fun, why was he uncomfortable with it?' Not really sure why you made the connection that us seeing Sokka's abs was meant to indicate that his insecurities are unfounded when...literally the whole season shows us that Sokka's struggles aren't "end goal = big strong warrior" but rather "you don't have to be a big strong warrior to help, you are allowed to delve into other aspects of who you are and those are just as important". Just because he has muscles, also doesn't mean he's a competent fighter - those two things aren't the same.

6) It feels like you took certain scenes and made wildly left-field interpretations of them and then claimed that that's what the show was intending you to take from it. It's like saying that the scene that cuts from Sokka saying he bets Momo tastes like chicken and cutting to the scene that shows people cooking meat actually means the showrunners are saying Sokka is going to cook and eat Momo this season and that will then give him the powers of the Avatar. It's very clearly not what the showrunners were saying, but if you interpret it in the least forgiving way and then make a wild leap off that, then yeah, you might get upset with that made-up interpretation. Same with the reasons they didn't put Sokka in the Kyoshi outfit - there is 0 evidence of them nixing that part due to transphobia. I didn't see it as any malicious intent, just a streamline of the plot so Sokka doesn't have to go change before running away on Appa.

7) I feel that the live-action DOES challenge the Fire Bender's colonialist rhetoric in the Kyoshi Island episode, but the animated...doesn't? At all? It's solely about girl power - and as we see with Azula and all the women fire nation soldiers, the fire nation doesn't seem too caught up in sexism. You know what they are caught up in? Which you mention? Bender supremacy. And that's what the live-action directly addresses with Sokka being so surprised that Suki is able to hold her own so well even though she isn't a bender. He's seen just how powerful benders are (they destroyed his home, killed his mom, and beat his ass last episode) and it's in line with the worldbuilding that he feels like he's already several steps behind in being a good enough warrior because he doesn't have bending (a storyline that isn't brought up until an episode in season 3 of the animated show). To me, the live-action Kyoshi storyline refutes the Fire Nation's imperialistic themes much better than the animated show does.

8) The live-action's lesson wasn't that might makes right - Suki never did any strength training exercises with Sokka, she taught him how to control his body and use his opponent's strength against them. Fight smarter, not harder. Know what you're fighting for, not just that you want to fight. Even if you don't have the resources of your opponent, it doesn't mean you're doomed from the start. That last one is particularly poignant when we look at how much stronger the Fire Nation is than the other nations they're subjugating: it's the classic 'oppressed rising up against their oppressors and not winning because they just punched harder, but because they used what they had to fight for a righteous cause and didn't just give up because the other side was more powerful'. That's quite directly what the live-action was saying - the exact lesson you thought it should be saying. You have to do some serious extrapolating from the animated episode to get to those themes while the live-action drew that concept up to the forefront immediately.

9) Aang's journey to accept his Avatar responsibility and the previous Avatar's enforcing this is directly from the animated series. Like, directly. It's not the live-action show saying 'colonialism good'. Showing the Avatar power wasn't the showrunners saying 'see, this OP is good and cool', it was to show the magnitude of it - something the animated show does too. The live-action does talk about how terrifying and damaging that power is - literally the previous episode has Aang almost toss Katara and Sokka off the mountain and they mention it. Just earlier in that episode, Sokka talks about Aang almost killing them and Aangs major hang up about embracing it is that he might hurt someone. Kyoshi argues that not learning to control it will hurt more people and - y'all, individuals are allowed to have their own views of the power that everyone doesn't have to agree with. What happened to 'make strong characters with flaws in their world view?' did you all of a sudden decide that's NOT actually good writing? So having the Avatar who used her powers liberally, and as the video states, used them maybe too much, telling Aang that he needs to use his own powers a lot is…consistent characterization? Which is then challenged by Roku later as he tells Aang that all the Avatars are different and have different views on the power of the Avatar. Why is Kyoshi's opinions suddenly taken as wholly accurate in representing what the show overall is trying to say? She's giving her opinion to Aang - an opinion that has some truth to it, but also some flaws that Aang will need to navigate on his own journey. Kyoshi and Roku's stories are not compressed all into Kyoshi - only the aspect of Roku taking control of Aang and using his body to fuck shit up in the Avatar state is compressed - not the ideological aspects of it

10) Sokka supporting Katara's fight against Pakku is a culmination of his arc to let go of obsessively protecting her and actually letting her decide her course of action herself - because his arc was different in the show than in the animated series. Trying to say that the reason he told her to kick Pakku's ass didn't fit because he was never sexist wasn't the reason - it WAS a culmination of his arc, you just refused to see it by clinging to the old one.

11) The whole argument as to 'why show genocide' I already made a post about, but to condemn the depiction based on the way you interpret the showrunner's quote is disingenuous. Again, it's taking something and making up a narrative around it so you can feel justified in hating it. It's important to show a culture before they are killed because they deserve to be seen as people, not just martyrs. They had lives. They lived and were happy and had a rich culture. They were not just 'fated to die and be told of in history books'. Genocide is disgusting and hard to watch - it's calculated and brutal. Showing that drives home just how awful the actions of the fire nation are in practice rather than just theory. Yes, the airbenders fighting was 'cool' to see - in the way that all action is 'cool' to see. But no, the genocide wasn't played as 'look at neat fighting!' in the live-action. It was shown as brutal and terrible, horrifying and surprising, and the airbenders didn't deserve what happened to them. It also gives you a direct view of what the fire nation is capable of when they come to the south pole and the northern water tribe: you've SEEN the devastation first hand and you DON'T want to see it again. The threat isn't theoretical, it's very real.

11.5) To take a CHILD'S quote about the sequence being 'so cool' is absolutely WILD to me. GORDON IS A CHILD! No, he's not going to have the most sophisticated and politically nuanced sound bite to say about the action sequence in an interview. HE'S A CHILD! Holy mother of god. To use that to bolster your point that 'that's the way it was intended to be viewed and how everyone is going to view it!' is just…..holy shit. You're taking media interpretation from A CHILD??????? Do you think, if we interviewed a child about the OG show, they'd talk about the fucking colonialism??? How Azula was abused too and didn't deserve her fate?? Or do you think they'd say "The fight between the Fire Lord and Aang at the end was so cool!" Honestly thought Jessie Gender wouldn't try to bolster her interpretation with a quote from A CHILD, but I guess here we are…

12) It's wild that she makes the point that conservatives are incapable of reading deeper than just the surface-level visuals of a story while…she's doing literally the same thing just in the opposite way. The live-action depicted the genocide, therefore they MUST just want to 'cool' visual of firebenders fighting airbenders! There can't be any other things at play here! No story being told whatsoever because all it is is spectacle! That's all I see! Ironically, she's falling into the same trap of not looking deeper at why one might depict the horrors of genocide and the battle against people with no army.

13) Aang actually treats the genocide as more immediate in the live-action than he does the animated show. Most animated episodes, you can forget that it even happened, while in the animated show, it pops up a lot in some unexpected ways like when he's uncomfortable waterbending because Gyatzo had always been his teacher, when he yells at Bumi for making light of the genocide, his desire to get to the north to keep it from happening again, when Zhao proclaims that he can wipe out an entire race of benders and Aang says he knows exactly what that's like, when he constantly stays to help people because 'I couldn’t help my own people, but I can help them'.  Not only through Aang, but also through every child in the series - like with the animated show, the live-action shows how kids are shaped by the generational trauma of the war plus the immediate effects of it: Teo ready to fight, Jet making compromises to fight back, Sokka shouldering too much responsibility so young, Katara's trauma around her mother's death and her waterbending, Bumi losing his faith, Zuko and Azula being shaped by their father to be the perfect weapons to continue the war.

14) Interpreting Zuko's comment of 'sometimes the weak can become strong' right after his father mutilated him for showing compassion is not meant to be taken as a thesis that 'Zuko just needs to get better at fighting, this is what the story is saying, I am very smart'. It's showing HIS CURRENT view of the world - the idea that his father has taught him that he needs to be strong and Zuko has bought that and wants desperately to earn his father's love. Zuko's story through the series is showing that 'strength' isn't what his father defines it as (or what Jessie defines it as in her video) but rather it's strength of character - compassion is not weakness, it's strength, and no, that doesn't mean if you have compassion you punch harder.

15) The live-action show makes the Fire Nation MUCH more nuanced than the animated show - we see how Ozai and Azula aren't just maniacal villains, but we see the pain and torment their upbringings deal out to them, and in turn, deal to others. It shows the cycle much more clearly and showing fire nation citizens who disagree fleshes out the culture even more.

16) Jet was much more nuanced in the live-action as he's RIGHT about the mechanist being a spy and the king being lax in his duties. He's created a community of people to try to heal from the harm the fire nation has caused them and he gives actual good advice to Katara, helping her emotionally heal and remember the good aspects of her mother.

17) The argument that 'the live action is trying to ignore the past' is a massively simplified narrative. The live-action is showing Aang stuck in the past, unable to take large steps into the future. Pain, trauma and loss can anchor us in the past - it's HEALTHY to keep moving forward rather than only thinking about the pain in the past (ie Jet's advice to Katara). Aang was continually trying to avoid the genocide happening again while simultaneously trying to get past Avatars to do the big hard work for him. His lesson is not to 'forget the past just live in the now' but rather, don't let fear of what has happened in the past stop you from making a difference in the future. Yes, war is loss and suffering, but if you get paralyzed by not being able to prevent that, the fire nation will just keep marching across the world. It's about not letting the past immobilize you to the point where you stop fighting back against oppression - or getting together with a community to help you fight for fear they'll die just like those in the past did.

17.5) Letting go of the past is a buddhist philosophy that is a lot more complicated than Jessie is making it out to be here. Just as in the animated series, characters can come to realizations about lessons they need to learn while still taking seasons to fully learn the lesson - just because Aang said he's ready to let go of the past doesn't mean he's now ignoring it and all will be smooth sailing. It means he's ready to start taking steps to do that and approach life in a healthier way. It's wild that Jessie took the direct quote "I need to let go of the past to focus on my future" and then states that the show is saying "the character's aren't seeing future possibilities and hope, they're focused on the now" when, quite literally, the quote she just referenced….is talking about building a better future.

18) Then, she references later seasons (Aang in the fire nation school) a lot to indicate that the live-action is ignoring those concepts from the OG when….we're talking about season 1 here - not season 3. Why is the world not allowed to organically grow? Why would you make the argument that 'season 1 didn’t explicitly deal with these concepts that aren't brought up until season 3, so therefore they are ignoring them'?

19) Jessie uses a lot of clips from a Daily Wire (conservative talkshow) guy as if that has anything at all to do with the live-action ATLA. She's trying to draw a line between that ideology and the ideology of the show and I feel like she had to bastardize the NATLA show in order to do that so horribly, her interpretation of the story and themes is completely unrecognizable to what is actually shown on screen.

I usually agree with her takes on media, but this video was not it. Every interpretation she had, I interpreted the scenes/lessons in the exact opposite way and, I believe, I interpreted it closer to what the showrunners intended.

Oh no, i just had a thought: this is The Last Jedi all over again! I saw so many negative interpretations of that movie that I just sat and scratched my head over like "How in the WORLD did you get to that conclusion??" when I thought my own interpretation was just...the obvious way to view the movie. I had no idea my views on it would be so controversial. Here we are again. Time is a flat circle. Life is a meaningless cycle of disappointment and confusion, neverending.

[the-ninjago-historian]

Ninjago Remastered Designs!

THEY'RE DONE! After months of work!!! They are DOOOOOOOOOOONE. WOOOOOOOOOOO! Lol! Welp, these are my Ninjago designs! Basically, this is my take on the Ninja if they were in a 2d animated cartoon! And yes! I will be drawing more characters. Tumblr butchered the quality, so close ups and design notes are below the cut. They're pretty detailed, so I highly recommend checking them out. Feel free to ask questions about the designs! ⬇️⬇️⬇️ - ✒️🐉

When designing these outfits, I tried to take inspiration from the ones in the show. And in terms of art style, drew inspiration from early 2000s cartoons, (Action Adventure ones specifically,) Anime inspired shows, and even a hint of traditional Disney animation. And while I designed them with a 2d cartoon in mind, most of the designs would most likely have to be simplified for them to be used in animation. So let's get started!

Kai: Kai was a pretty fun to work with. I actually didn't plan on giving him a sleeveless outfit. But it happened! And I like it! If you'll notice, the flame pattern on his vest mirrors the pattern on his sister Nya's outfit. I thought that would be a cool detail to include. It was inspired by their March of The Oni outfits. I also made sure to include his scar and bandaid. And gave him reddish brown eyes to signify his elemental power. Him and sister I imagine being Brazilian/Taiwanese. So I hope I captured their ethnicity properly. I'm pretty happy with this design. Especially his hair, which was hard to replicate.

Jay: Jay was a hard one for sure. I wasn't too sure how to vamp up his outfit. So I started by giving him some lightning patterns on his Gi. (At least I think that's what it's called?) And I decided to make it look a little baggy and soft. It just seemed to suit him. I tried something a little more form fitting and didn't look right. Also! A fun detail I included was his half the Yin Yang pendent around his neck! And of course Nya has her half. I imagine him having Irish ancestry, so I gave him pale, freckled skin. And gorgeous curly red hair. (As a fellow red head, I'm very proud.) Overall, I think he turned out pretty adorable. And his face is spot on.

Nya: Nya I pretty much got right on the first try! I just had a really clear vision of her in my head. I gave her a grey outfit with bright, vibrant blue details. The pattern on her Gi is inspired by Koi Scales. And she has her half of the Yin Yang pendent around her neck. I really like this one, because while it is simple, it's beautiful. And I think it reflects her element nicely. The only thing I missed was to give her a symbol like the rest. But overall, I love it! One more thing is that I wanted to give her and Pixal different hair. So when I finally release my Pixal design, you'll see that while they both have ponytails, I gave them different cut and styled ones. Should be neat!

Zane: Zane was the first one of the Ninjas I redesigned! I love how he turned out. I tried to give him a splintered ice effect on his outfit inspired by his Core minifigure and gave him his faithful falcon companion. Falcon has his old greyish purple feathers, but blue icy eyes to match his owner. I also wanted to give Zane flowing sleeves, that would look very majestic waving about in a blizzard wind. He is also incredibly tall. Taller than Cole even! I was inspired by the giant humanoid robots I'd seen in movies. In his cloaking disguise, I imagine him looking German. With blond hair, blue eyes, and light skin. I also like to think Dr Julian was German. (Was this influenced by my German ancestry? Who knows?)

Cole: You would not believe how many times I had to redraw this man's face. Haha! I just could find that sweet spot! That face that perfectly encapsulated his strong, but gentle personality. But I think I did it! His outfit is based on his Oni Trilogy Gi, with orange detailing. And he has his Island ponytail and bandana. I absolutely loved that hair style on him. So I had to use it! And if you'll notice, he has a beautiful tattoo on his right arm, with his symbol in the center. I imagine him being half Maori, from his mother's side. And the tattoo was inspired by Maori tattoos I saw pictures of. I'm not too sure how accurate those images were. But hopefully I hit the mark.

Lloyd: Finally! Our green Ninja Lloyd! His outfit was inspired by two things. Dragons, and his outfit from the Secrets of Forbidden Spinjitsu seasons. I gave him a beautiful golden dragon and cloud pattern on his clothes, a leather arm guard, and shoulder pads. If you look closer, you'll also see he has cat-like dragon eyes which pays homage to his dragon and Oni heritage. I like to think that depending on his emotions, his eyes will go from slits, to big and wide. So they are good indicators for his mood. I also imagine him being Japanese. But his powers give him his classic blond hair and green eyes. I'm very happy with this design. His hair, eyes, and face all look exactly how I see him in my head.

Well, that's all. I hope you enjoyed these designs and notes! I assure you, you will see more of the them.

Bye! - ✒️🐉

[carnivalcarriondiscarded]

Please tell me more about your human welcome home au 👀

!! gladly!!

i don't remember what i said in the first - and like... only lmao - post about it so if i restate some things! fuckign oopsie! (a lot of this is just Barnaby &/or Wally asbdjasj im sorry) also this got! so fucking long!

~ (im gonna talk about their middle/highschool years a lot so keep in mind the time frame is late 90s / early 2000s. they graduate high in either 2006/2007. so. yk. obvious warning for homophobia, transphobia, etc)

fun lil thing no.1)

so Barnaby & Wally briefly meet for the first time in the summer before 7th grade. the town Barnaby grows up & goes to school in isn't tiny, but it's not huge either. - i don't have a very good frame of reference for how many students are typically in a school, bc in both my middle/high there was at least nearly 2k of us. - so we'll just say it's smaller than that - a respectable, normal size, however many students that is. but Barnaby's school rarely, if ever, got any new kids.

so Wally randomly appeared on the edge of the Beagle farm one day, staring directly at Barnaby from across the fields. before Barnaby could go say hi, Wally vanished - but! on the first day of 7th grade, they wound up sharing a class. ofc within the day Wally was known as not only the new kid, but a weird kid at that. for the first week he sat next to a kid who had zeroed in on that and was an ass about it. Barnaby - already having an established rep as class clown & also widely well-liked by his peers - would try to stand up for Wally (from across the room) whenever that kid was being a dick to Walls in front of the class

by the end of that first week, seating arrangements were shifted, and Barnaby was seated next to Wally for the first semester instead. ofc the moment Barnaby sat down, he tried to strike up conversation and cracked a killer joke. and Wally, as we all know, doesn't laugh. he doesn't even blink! it rattles Barnaby to his core - not everyone laughs at his jokes, but there's always some kind of reaction!

class begins before Barnaby can be like "hey that. that was a joke. you're supposed to laugh". the whole hour all he can think about is the strange new kid next to him Who Didn't React To Barnaby's Joke. when the bell rings, Barnaby lingers as Wally (very slowly) packs up to go to his next class and walks him there. on the way he explains the joke, and Wally does the whole "oh. ha ha." thing. this all makes Barnaby very late to his next class (he's usually very punctual and never late - he doesn't want to disappoint his mama!) but for once he does not care.

Barnaby has been struck with this soul-deep need to get a genuine reaction out of Wally. he needs to make that guy actually laugh. it's all he can think about. he seeks Wally out for lunch, tries to find him after school (can't), looks for him in the halls. and to be clear! this is all very platonic! well, ok, these two kinda muddle the line BUT they have no romantic interest in each other. Barnaby just... really wants to be the new kid's friend. he wants to make him laugh. it's a friendship crush! platonic yearning! an inescapable desire to please & be accepted! he wants Wally's approval so so badly!

basically, Barnaby says "you're the weirdest person i've ever met (affectionate, intrigued, entranced)" and Wally replies "thank you (proud)"

fun lil thing no.2)

in my mind, Barnaby was a small kid. he was one of those kids who seemed like they were either gonna stay short, or just barely reach average height. he got his main growth spurt when he was like.... 16. it was very sudden. he lived the classic trope of "teen gets way taller over the summer and startles everyone on the first day of school". im talkin he goes from around 5'7 to 6'3. shoots right up like bamboo! and he's still not full height yet! mf is gonna cap out at 6'6!

on the flip side, Howdy was always just. so tall. he was that kid who towered over his peers from the start! ofc he got teased relentlessly for it (along with the transatlantic accent he started talking w/ at a young age and refuses to stop - among other eccentricities), but yk. he already got constant comments from his huge family about it, so he grew a thick skin pretty early on.

Poppy, on the other hand - the last of the three giants - had it worse than both of them! she wasn't outright taller than Howdy, and didn't have a sudden growth spurt like Barnaby, but steadily grew over the years until she was the tallest teen in town. this hit her hard bc not only did it draw unwanted attention to her & make her a target, but it made her dysphoria way worse (Poppy doesn't realize she's trans until highschool, and then doesnt medically transition until her early 20s)

but! once she started getting super tall, Howdy essentially glued himself to her a la "we tall guys gotta stick together!" a classic 'extrovert adopts introvert' thing. Poppy had no say in the matter.

fun lil thing no.3)

everyone's family sucks - except for Barnaby's, Howdy's, and Eddie's. well, mostly Eddie's. in my head they meant well but just... didn't really see the harm they were doing to him. he never spoke up, and they never saw him deeper than surface level.

but Frank's family? horrible. eugh. he was the school's "out gay kid" - not of his own choice! his peers picked up on it because it was very obvious. then the teachers heard, and let his parents know because of course they did, etc etc. Frank's home life was already shitty, and then getting outed (without any real proof or confirmation) made it a hundred times worse. he was a pretty depressed teen (emo Frank lets go) with mild anger issues & a habit for picking fights. but anyway on his eighteenth birthday he packed up his essentials into a backpack, escaped out the back, and never returned.

and Julie's siblings were alright, but their parents and grandparents were all very ~traditional~. it wasn't as rough as Frank's - it was more of a neglectful, passive-aggressive "you're all disappointments' household. ex: Jonesy was known as the local pothead & dealer, and his parents essentially pretend he's not part of the family despite him living in their basement. Bea had a bad (untrue) reputation, Franny was the goth weirdo who people blamed for their problems, etc. and then Julie was always different from "normal girls", and so her parents chalked her up as a mistake as well. but hey! at least the sibs were in it together! and the parents didn't care if Frank stayed over!

Poppy's family was great up until her parents caught her trying on a skirt Sally had made for her. it was a horrible, terrible downhill slide from there. they forced her to join the basketball team, made her keep her door open at all times, etc. for a while she couldn't even see her friends, though eventually they started sneaking in through her window & passing her notes in class. messaging in a 'secret' chatroom yk how it is. Poppy never directly stood up to her parents (very understandable & valid) but she rebelled in small ways. lying about having an after-school thing so that she could be with her friends, convincing her parents to let her go to a study group when in reality she'd be having a girls' night with Sally & Julie & Julie's sisters @ the Beagle farm.

Sally's family was similar to Julie's in that they were more lukewarm towards her than outright abusive. they thought she was too loud, too flamboyant, too expensive, too obvious, pretty much too everything. they wanted her to be normal - Sally wanted to stand on the roof and wax (loud) poetic about damsels. she wasn't outright bullied for being gay like Frank was, but it was certainly a common rumor that she was a lesbian. as a result, most of the girls at school wanted nothing to do with her, and the guys loved to provide commentary on the subject. her parents tried their best to ignore that truth and acted like she was totally straight. sure. still, Sally always refused to compromise on who she was, and treated it all like a mild annoyance. totally didn't hurt her at all. yep. (sarcasm)

there isn't anything known about Wally's family. not even Barnaby knows about them. the group tossed theories around (amongst themselves) over the years - was he an orphan? foster kid? was his family / home life so horrific that he doesn't want anyone to know? all they know is that he became an emancipated minor as young as legally possible and started living in Home, his (admittedly very spacious & high quality) RV. and they didn't even know about that until their junior year except for Frank

on the other side of the coin!

Ms. Beagle was the friend group's favorite adult growing up. the Beagle Farm was a common refuge & hangout spot for them, and Ms. Beagle let all of Barnaby's strange & delightful little friends know that there's always a guest room open for them, should they ever need it. and as a respected member of the community (and provider for the best chicken eggs in town), anyone who tried to speak up against the kids was Immediately shut the fuck down. Ms. Beagle took no shit. if people were talking ill about that "group of depraved teenage fuckups" and Ms. Beagle turned the corner, all conversation would cease until she was well out of earshot. she likes to say that she has 6 kids, all of whom she loves dearly and is very proud of <3

Howdy's family is too damn big to care. not in a neglectful way, just in a "oh, you're friends with... who was it again? Franz? invite him over to dinner someti- STOP PUNCHING YOUR BROTHER-" there's too much chaos, too many things to keep track of to care if Howdy's friends are gay, or trans, or absolutely fucking bizarre. they'll blend right in! Howdy could bring them over for dinner without telling his family and none of them would blink twice! Howdy mentioned that his friends have bad home lives Once and his parents immediately insisted that he bring them over for next week's thanksgiving so that they don't have to deal with that during what should be a holiday. thus began the All Six Of Us + Ms. Beagle + Franny/Bea/Jonesy Attend The Pillar Family Thanksgiving. its incredibly chaotic every time. there's so many fucking people. they're too busy fighting for survival (bread rolls) to bother with manners or awkwardness. every time they leave feeling like they fought a war. none of the friend group has missed a single year.

fun thing no.idontremember!

Wally & Barnaby have had three fights. each are catastrophic and threatened to tear the friend group apart. because those two are closer than anyone - they are each others person. they would both rather chug rat poison than willingly hurt each other. and while Barnaby - a pretty easygoing guy - can get riled up, Wally... really can't. he's never angry. even things that Should make him angry only make him confused or sad. he's too kind, too earnest, a bit of a pushover. he'll just take it with a smile.

so when Wally stands his ground, they all know shit is going tf down. code red, everyone brace. and if he stands his ground against Barnaby? pack a fucking go-bag and ditch town until the storm blows over.

the first time was when Barnaby found out that Wally lives in a damn RV. Wally got weirdly defensive about it, Barnaby was upset that Wally never even told him but somehow Frank knew (he had a bad night & couldn't go home, Julie was unavailable, and Wally found him and took him to the RV for the night) & that Wally is living alone in an RV at all, etc etc - it was a huge fight. & it just kept getting worse. when Barnaby tried to get Wally to move to the farm - that was the first time he's ever heard Wally snap at anyone, let alone him. and since the friend group is fully established at this point, and they're all hopelessly entangled in each others' lives, it affects all of them. sides have to be chosen - there is no neutral party on this. Wally ended up vanishing for a week without a word, and his RV vanished from where it had been parked thus far. the group was in shambles. when Wally turned back up, he actively avoided them all. it took Barnaby tracking down the rv and not leaving until Wally talked to him to have a conversation and fix things. but hey! the disaster actually helped them get even closer!

the second fight was when Barnaby had to go back to the Beagle Farm for their second year of community (Ms. Beagle had a minor accident and needed his help running the farm). Wally wanted to drop out too & go with him, and it turned into a big deal of Barnaby trying to get him to stay while Wally gets unusually pushy & upset about it. the fight wasn't nearly as bad as the RV one, and was more just sad/distressing, but it was still a fight. they parted on less than stellar terms, which they both felt horrible about. Wally has to go through the last year of community alone - he hasn't been alone in many years at this point, and since they met he's never been without Barnaby.

the third fight comes many years later, and this one is the worst. the friend group has all graduated university(those that attended), they're living in the same town, Barnaby & Wally (technically) share a house, Eddie is part of the group now. once again, its over everyone's favorite RV, Home. Home is very old at this point - Wally has had it for around 15 years, and he didn't get it new, and it's been through a lot. Wally is still half living in it, even though it's starting to fall apart. Barnaby brings up the notion that maybe it's time to send the old thing off to a dump, or find a way to put it in storage. they can't keep up the upkeep. it's time to say goodbye to it. Wally flips his fucking lid - or his version of it, anyway. because, uh. no. absolutely fucking not. it's already a very touchy subject, and emotions rise fast. Wally initially shuts down the conversation immediately. over the next week or so, few weeks maybe, tension between Barnaby & Wally simmers. the entire friend group is holding their breath. Barnaby wants the RV gone, as sad as he is about it. Wally won't allow it. of course they reach a breaking point - Barnaby pulls the "i own the property its parked on" card, Wally threatens to leave. of course that scares Barnaby, but that fear mixes with the anger and he fully yells at Wally for the first time. and then Wally shoves him. or tries to - it does nothing physically, but emotionally? it immediately drains all anger from the situation. Wally has never purposefully raised a hand against anyone ever, for any reason. and yet he tried to shove Barnaby. Wally immediately turns tail and runs - he locks himself in the RV, and Barnaby goes to Howdy's.

at Howdy's, Wally calls Barnaby. at first Barnaby jumps at the chance to apologize and try to work something out, but then he recognizes the background noise - Wally is driving Home somewhere. that RV is absolutely not fucking safe to drive anymore. the conversation immediately derails and goes from 0 to 100 within a second. Howdy is off to the side nervously sipping at his beer as Barnaby argues w/ Wally. the phone call abruptly cuts off, Barnaby says "the little bastard hung up on me" and starts Ranting. he says things he doesn't mean, obviously, and Howdy is trying to get him to chill tf out. he's just too angry/scared/hurt/worried yk?

but don't worry Barnaby! Wally didn't hang up on you! yeah so a while later (a little over an hour i think), Barnaby gets a call! it's from the town hospital! yeah so he's Wally's emergency contact, and apparently Wally "hanging up on him" was actually Wally getting into a horrendous accident. it wasn't his fault! there was a drunk driver! but it's... bad. the drunk driver had died in the crash, and since it was night and no one was around, help was a long time coming for Wally. its a miracle that someone found him & called an ambulance in time! so Barnaby realizes that the whole time he was talking shit & being angry, his best friend was slowly dying in a ditch somewhere, alone and in pain. and that's a whole thing!

time for some fun "facts"!

the first time Eddie went over to Frank's place, he immediately fainted when Frank turned the lights on & Eddie saw that he was surrounded by pet tanks filled with Very Large Bugs. then he fainted again when Frank removed the tarantula from its tank to clean said tank.

Wally & Barnaby's cat is named Welcome! she's usually small & pitch black with a permanently bristled tail! she's actually Barnaby's - he found her in a park as a kitten, and her unnerving stare reminded him of Wally so he took her home. Wally would like a dog! Barnaby would not! the cat is their only pet and will remain their only pet, no compromise. Wally retaliated by gluing googly eyes & dog ears onto a rock he found, then painting it. its name is Barnaby. Barnaby has beef w/ it a la Elmo & Rocco when Wally isn't looking

one time, during a group trip to the annual Pillar Family Thanksgiving, the gang stopped at a cabin-themed diner. Sally gasped at stopped Barnaby at the door "We must leave - you can't eat here". when everyone asked why, she pointed at a decorative sign on the wall: Don't Feed The Bears. it instantly became a smash hit inside joke that sometimes backfires (like that one time they go camping and Barnaby acts like he can't open the bear-proof dumpsters & locks & coolers). Howdy once got a "dont feed the bears" sign to put up in the store's diner section as a joke, but as soon as Barnaby saw it he left and refused to come back until Howdy took it down. he'd stand outside the store window and gaze at Howdy from afar w/ the biggest, saddest puppy eyes. it was incredibly effective

speaking of Howdy's store! they all built it together! Howdy managed to get his hands on an abandoned shell of an old building, and they all refurbished/renovated it! they all had the collective skills to get it done. Wally helped draw up blueprints & directed the color-scheme / painting portion, Sally and Barnaby used their carpentry skills, etc.

when Eddie "reconnects" with everyone, he feels like he's going insane. 'cause he keeps running into people who are familiar enough that it bothers him, but he just can't place where they're from (most if not all of them look very different from the last time he saw them in highschool). it drives him nuts! and then he meets Wally and Wally's like "oh! Eddie! it's you!" and Eddie's all "uh... how did you know myna- OH MY GOD IT'S YOU". he has a small crisis because he's over that time in his life, he's in a much better place, he's grown as a person. then he realizes that it's not just Wally but the entire fucking friend group he agonized over wanting to befriend for years and years. the group that (unintentionally) made him feel completely alone and like he was living a lie. and he keeps. running. into them. so Eddie, who just moved to this town, starts looking at mail carrier opportunities elsewhere bc he is Not doing this again - only for Julie to show up and drag him to a friend group function. because they all got together and went "oh, you caught up w/ Eddie too?? so we're in agreement? great! he's ours now! Julie, go get him". and then they accidentally break Eddie's wrist in a zealous game of soccer-baseball-corntoss & from then on won't leave him alone <3

Wally keeps his hair consistently dyed a rich royal blue - even his eyebrows! he continuously touches it up so his roots are never showing! Barnaby keeps his hair dyed blue in solidarity, but to a lesser extent - his roots show, and he doesn't dye his eyebrows or his sideburns/beard

on that vein, Wally has a very extensive hair-care routine he does every morning. he straightens his natural curls out, manipulates his hair into that absurd swirl, and hairsprays it to death. & gels down everything else. shit's Airtight. then at night he has an equally elaborate routine of washing the hairspray/gel out, treating his hair with high quality shampoos/conditioner/oils, and blowdrying it with impeccable technique to keep it Healthy

continuing on that vein - one time Barnaby was makin' breakfast when he heard a crash from upstairs. he sprinted to go see if Wally was alright, but Wally had locked the bathroom door and refused to open up. after Barnaby convinced him to, the door opened to reveal a very miserable Wally still in his towel. his hair was green. "the bottle said dye-safe', he said. the bottle lied. he wore hats for a while.

ok im gonna stop here! this is an absurd amount! i got carried away!

[jesuisgourde]

Okay, All Quiet On The Eastern Esplanade is out in the states, so time for a listen and a rambling track by track reaction. I'm listening to the whole album through and writing my thoughts, and then listening to it once more and adding any other observations.

I've already heard Run Run Run, and like I said before, it feels very classic Carl track. It's very catchy. I think I have the same complaint as everyone else, which is that it feels over-produced. No one should autotune the Libs, the whole point is that they're a bit wonky. Also I don't like that they've fucked with the equalizer and the vocals sound weirdly muffled? Also, upon this listen-through, this song reminds me a little of Frank Turner, which is a weird musical callback to like 2012. My favorite thing in any song is when the instrumentals cut out and it's just drums and vocals, so I love that as the ending of the song. This whole album has so many varied cultural references which I find very entertaining. Does Peter yell "Get your pants off" or "Get your hands off"?

Already I like the lyric to Mustangs A LOT. Feeling a Lou Reed influence there. Love Peter's high-pitched backing vocals and also the Pigman reference. I really love Libs songs where it's just a little scene set to music. And this is exactly that, in such a good way. Again, not a fan of the mixing. What is it with producers these days and mixing so shittily that the vocals get lost in the background instruments, and everything gets muddied? I had the exact same complaint with the last Manics album. Anyway, love the little jokey bits at the end. The second verse about the nun is such fantastic imagery. (Lastly, I thought it was Mustang, singular? But it's plural on Spotify?)

I Have A Friend has an AMAZING chorus I love it. Also that solo guitar bit from Carl right after, I literally could see him hopping up and down in my head. Love Peter's rolled R's. Okay, upon listening the second time round I really really really like this song. The lyrics are incredible. I think they're my favorite on the album. Social commentary but also absolutely beautiful and amazing imagery.

Merry Old England has a bit of a Hamburg Demonstrations vibe to it, which I love. The further I get into this song, the more I love it. It's such a creative and sarcastic critique of Tory policies and all that. Again, I've criticisms about the mixing. Also the pretty violins makes me miss Miki Beavis's wonky violin in Madres, which I think suits Peter/The Libs way better. Still, they add a nice touch.

Ohhh I love Man With The Melody, the clear pretty vocals. I like that each of the Libs have their own verse, that's so cool! Fuck the autotuning though. I really like this song. Melodically it sounds like a sequel to Milkman's Horse, and thematically a sequel to Fame And Fortune. It sounds like a "reply" or a look back at Anthems. Very pretty, with the lovely piano and minimalist guitar.

Hahahha Oh Shit! feels soooooo early 2000s American pop, in a fun way. It reminds me of something but I can't quite put my finger on it. Something that was on the radio a lot in like 2003 or 2004 maybe? This is clearly a Fun Song, like a slosh your drinks around while dancing all goofy type song. Peter's "And that was the news today" at the end is so silly. I think this track is my least favorite but it is fun.

I already know I love Night Of The Hunter. Firstly because anything that uses the Swan Lake motif has my heart instantly. But also because I love the lyrics, I love when Peter writes songs about noir-type vignettes. Finally, some good shared vocals that aren't drowned out by instruments. Gosh, I love the lyrics of this song, I love the dual meaning in that it is technically about an actual noir film but could easily be talking about Peter's past as well. I really like that the lyrics get priority on this one and the instrumentals are pushed back in the mix with the Swan Lake motif coming forward sometimes. It feels like it needs that minimalism.

The guitar on Baron's Claw is already great from the start. I hear Peter's taking a leaf out of Daniel Darc's book with the close-in breathy vocals, which I'm so into because since I learned about Daniel Darc from Peter and Frederic Lo I've actually fallen in love with his music too. Melody-wise it's very close to The Glassblower from the Fantasy Life album, which is my favorite song off that album, so I'm not surprised I like this song too. I like the story in the song and I like the jazzy brass and piano and Peter's vocals. It feels like it's being sung in a smoky jazz bar. This one is so good.

Shiver is sooo catchy. I find myself humming it sometimes at work even though I haven't yet absorbed all the lyrics in my memory. This is also the real "Libertines mythology" song, so of course it's good. The fact that the lyrical subject matter is made up only of criticizing the monarchy and talking about specific Libertines lore is just so them. It's so short, though! I wish it were longer!

The guitar on Be Young is so chaotic lol. It reminds me of Horrorshow a bit. Okay, actually this whole song is chaotic. Melodically, lyrically, it sounds like they were crashing around in the studio while recording, which is very fun. The random calypso bridge bit is so....random! I like it, just a surprise in terms of musical style change. Suddenly they're the Clash! A fun way to pay homage to influences, I think. Also Carl yelling "Woo!" and then collapsing into a cough at the end is really really funny.

I can definitely hear the early-ness of Songs They Never Play On The Radio. You can tell the scaffolding is there from that early set of Libertines-to-Shambles transition songs like East Of Eden/Love Reign Over Me/Merry Go Round etc. I really really like the guitar on this one. And the vocals are so nice. Again I don't like the mix, where Peter's voice is a bit overtaken by the muddiness of the backup singers and instrumentals. But I do like this song a lot. The lyrics are pure Libertines mythology. Ahahah the dogs howling! The bit of acoustic and messing about and chat, I really like that. I think it's a really lovely ending to the album, just a glimpse of them obviously being friends and having fun. It's like a beautiful reply to the question "What became of the likely lads?"

As I've only listened through the album in full twice at this point, I'm sure my thoughts will change over time. But at the moment I think my favorite is torn between Night Of The Hunter and Baron's Claw. I Have A Friend and Songs They Never Play also are just so lyrically good. Least favorite is definitely Oh Shit. I'm excited to see which songs grow on me and in what ways.

[withinthereeds]

The Mirror Man's Victims; a character study

Once again I have been plagued by the visions, this time about some characters absolutely nobody cares about.

This may get a bit rambly and include some speculation/headcanons, but that's just the nature of this sort of thing. Might also be a little image heavy as I toss up examples to prove my points. Putting it under the cut.

Note: for brevity's sake, I will be giving names to each of the children because frankly the names we know them as are entirely too long. The Boy Who Got Tall - Ricky The Boy Who Got Strong - Linus The Boy Who Got Forked - Casper The Humpback Girl - Destiny/Dess

First, the Setting:

Clearly this is a more modern time, in some form of urban area. I'd wager somewhere between the late 90's and early 2000's, going off of the kid's clothes (beanie, baseball cap, hoodies, etc). This contrasts rather starkly with the more rural setting of the previous comic involving the North Wind.

I have reason to believe this city is not inside the Nowhere itself. While the children do seem to be aware of an 'urban legend' surrounding the old building, Dess is the only one that believes in any danger. With the Sounds of Nightmares, we've been shown certain people may dream into the Nowhere and become acquainted with the monsters within, and it's not out of the question Dess herself has had night terrors such as those.

(the comment about the wind is funny, considering the last chapter was about the North Wind, but that very well may be a red herring. Even so, her conviction is strong. More on her later.)

An argument could be made about how is the Mirror Man in the real world in that case, which I understand. I have two counter theories for that though. Either the Ferryman himself brought him over as part of his trap, or the Mirror Man was never fully there to begin with. I'm more inclined towards the latter.

Notably he was already described as "the thing that wasn't there." And he isn't, really. He's in the mirrors, and he only reaches out of them without fully leaving them himself. Mirrors themselves are often described as portals or windows to another world, and I'd be inclined to think the Mirror Man's realm is sort of inbetween the Nowhere and the waking world, though it may have been tainted in some way and it's influence is severely limited outside the Nowhere.

Moving onto the children.

Ricky, The Boy Who Got Tall

Looking at him straight up, he is notably shorter than the others, and a bit more portly though the style doesn't make it that clear in most shots. I'd wager he's the youngest of the group.

His desires almost seem naive or softhearted in comparison to the others'. Reflecting a sense of self-importance, maybe?

(ha ha cookie fat joke so funny funny. rolling my eyes here)

Regardless. Ricky was also the one to argue with Dess about going into the building, and was the first to uncover a mirror. He takes the most initiative out of everyone in the group and is stubborn/pushy with what he wants, as if making up for a perceived inadequacy. However, he was also the one to help Dess with her plan to send the Mirror Man away (while Casper was injured and unable to assist).

(he also admits he was wrong, which is a nice touch)

Even with his rough edges, he shows the most consideration for what Dess feels, being the only one to stop and talk her into joining them inside, as well as the most concern for her wellbeing once things go to shit. He also promises to come back for her once they get help, and although Dess claims they never did, we don't know for certain how much time passed between the boys leaving and the Ferryman's arrival.

That being said, given the Ferryman's predatory nature, I wouldn't put it past him to manipulate her at her lowest point so she'd come with him to the Maw.

Linus, The Boy Who Got Strong

This one, we arguably know the least about, given his early removal from the comic, to put it lightly. He has very few lines, but we can infer a number of things from his actions, particularly his interactions with Casper.

He's shown being rather close to him, in the bluntest meaning possible. Working alongside him while Ricky is busy talking to Dess, having no qualms about personal space, and so on. He's also shown leading the way inside, next to Casper, and quickly follows up on Ricky's impulsiveness in uncovering the mirrors.

(note how they went in through the hole at the same time)

Moving on. The mirror's reflection showed him in a position of power. Building a "real castle," and sitting on top of it. Never to be picked on again. I'd reckon he views himself as king, or as the unofficial leader of his friend group. However he's not on top of the pecking order in his mind, so in a broader social scale I'd wager he's a Bully, but also a target for bigger bullies outside of his group.

(minor thing: is he throwing bugs at people? i cant tell)

I can't talk about him fully without bringing up his best friend's interactions with him. Onwards.

Casper, The Boy Who Got Forked

Props to this boy for being the only one in the friend group to have visible hair. Jokes aside, Casper seems to be sort of a two-faced cunt? In the beginning, he follows Linus' lead, yes, but also appears to be more put off by the place like Dess was, repeating what Ricky said to reassure himself. Once the mood lightens and they're enamored, he quickly falls into line, mirroring (hah) Linus and Ricky's sentiments.

(very much unrelated but why do they all have lighters... have they been smoking something on their past adventures...)

Anyhow, his desires, as shown by the mirror, are convenience, and not being alone. Getting his chores done early to spend more time elsewhere, presumably with his friends, as well as having more support for his "games." He calls it playing sure but it definitely looks more like he's bullying that kid. (kids?)

(note Linus is also part of his desires, while Ricky is not.)

After Linus is taken, Casper is somewhat reckless; approaching the mirrors to get changed back. The Mirror Man appears, and Dess barks at him to run.

He does not.

The Mirror Man grabs him, and so does Dess, pulling him in half. For the rest of the story, he is of few words and little help. Even after he was physically whole again, the mirror still held a massive part of him, I'd be inclined to believe.

This is largely speculation on my part, but his story is rather tragic too. Like Mono, he watched his best friend get taken away. But unlike Mono, he couldn't follow them. He couldn't save him. He's just a kid, after all, he doesn't have that same power.

Maybe the reason they were taking so long to come back was because he was having a massive breakdown over the loss of his friend, but who's to say for certain?

Destiny, The Humpback Girl

(sidenote: she appears to be wearing a hijab, or some other headscarf. interesting and neat.)

As mentioned previously, Dess is (rightfully) afraid of the building housing the Mirror Man, but how does she know it would be dangerous? Again, this is pure speculation as the comics were discontinued years ago, but now that we have the context of children slipping into the Nowhere through dreams, we have a potential reason for her fearful behavior.

Going back to what was actually said in the comic, is at odds with her friends. They don't take her seriously until it's too late, and they seem to have a history of shrugging her off (re: last week it was the wind). Despite this, she still risks herself for their freedom, and shows concern for Casper when he's hurt.

She was brave when she needed to be, and clever, more than her friends were, but she still slipped up. The mirrors never stopped being dangerous.

She risked herself again checking to see if the Mirror Man was dead, only this time she wasn't so lucky, as we know. He twisted her image, knowing how she perceived herself (re: mirrors always talked too much), leaving her to wallow in despair for her efforts.

However. The Mirror Man allowed her friends to change back. I doubt breaking the mirror he was looking through had any effect on Him specifically as it was only a window as we established earlier, so why did he let them go?

I have another theory. Dess was growing increasingly exasperated her friends, having been plagued by nightmares that weren't taken seriously, or being listened to at all. This whole experience was a trap for her, orchestrated so she'd be wounded and left behind, ready to be taken away. The Ferryman is manipulative and clever, it's possible he struck a deal with the Mirror Man to terrorize some children, allowing him to take one for himself as payment, as long as he left Dess alive and hurting.

closing thoughts: i think the ferryman should eat his own shorts. these brats and their dynamics have so much potential but i am likely doomed to scream into the void about them. maybe ill write something abt them myself lol

first time writing an analysis like this hopefully im coherent dsjknfdsjkfnjk. also my inbox is open to suggestions