#at its best and worst for me
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denjidenjiji · 11 months ago
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Ruce Duvall you have me cry8ng and screaming over you. I hate you
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anbaisai · 5 months ago
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local octopus shot on sight
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Bonus of said prefect:
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kagoutiss · 3 months ago
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i like sidious & boba fett’s banter in BF2…… [has never played BF2]
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geniemillies · 4 months ago
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doodled high lord tarquin and some.. soon to be high lord vanserras question mark????
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there are actually no buttons in prythian. i confiscated all buttons all laces. all shirts.
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aria-greenhoodie · 4 months ago
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You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.
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I’m normal. Btw. In case you were wondering.
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peachykcqt · 28 days ago
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all tangled up 🤭
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painfully-unoriginal · 2 months ago
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So I drew these under the assumption that diane used to be part of kitty's crew and realized after that i don't actually know if that's tru or not so uuuuuhhhh probably should've just waited for the movie to come out to start drawing shit but 👍
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copia · 10 months ago
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endless ghifs 6/? ⛧ source — "So if you meet me, have some courtesy; have some sympathy, and some taste!"
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yutamayo · 5 months ago
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I'm sure.
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mbat · 5 months ago
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i love how werewolves are a metaphor for so many things. queerness. trauma. menstruation. chronic illness. like... its the best fictional creature for a reason
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blueskittlesart · 5 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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zombie-bait · 1 year ago
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House md really is the gayest of gay queerbait. Like I’m sorry but besides SPN and maybe Sherlock no one was doing it like them. And the thing is I don’t even think it was intentional??? House md was unbelievably popular but in a normal Game of Thrones, Grey’s Anatomy way. It’s the kinda show that everyone’s mom watched when it first came out on cable (mine included). Appealing to a young queer internet audience in 2007 wasn’t a marketing strategy they would ever attempt. It doesn’t make sense.
And yet. 
The sheer amount of gay jokes and allegories is just overwhelming by the time you get to the last season. Amber is Wilson’s House proxy, House and Wilson move in together TWICE, the fake marriage proposal, the exploration of toxic masculinity, Wilson’s 3 failed marriages, fucking everything about the last few eps. Like what other tv show spent almost a decade creating the most co-dependent, self-sabotaging relationship between its two main male characters that is essentially the backbone of the entire show. They literally ride off into the sunset together. Idk what else you want from me.
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tommygotwrittenoff · 13 days ago
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after they get together buck insists on having a real first Date and eddie indulges him bc ofc he does. buck proceeds to plan something really Romantic. but everything that could go wrong does go wrong. the jeep gets a flat halfway to the restaurant so theyre 20 minutes late (and a little dirty) to the reservation. buck spills one of the extremely expensive glasses of wine he bought them all over eddie. the kitchen runs out of the steak he knew eddie wanted to order. by the end of the night buck is just. 😞😔 eddie im sorry that was the worst date of your life. and eddies like. yeah it was...maybe the dating thing isnt for us. eddie 😭😭😭 pls give me another chance!!! but eddies like. no, dont think dating is the move for us, we should just get married.
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heavenly-hand · 15 hours ago
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when two stars collide
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waspgrave · 1 month ago
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Solas and Mythal’s relationship is that perfect blend of fucked up and tragic I have been wanting from them for a decade. The mother and her child, the two lovers, a queen and a general, the dog and its master, the servant and the lord. Love it. I knew I sensed fuckery with the way solas talked about her despite ‘burning her off his face’. Then to see him shrinking up in front of her, how he groaned ‘mythal’ in dread and even began to hold the dagger out towards her to take bc he knows he’ll do anything for her if she asks. man needs therapy for his absolutely disastrous and problematic situationship thank you for letting me watch your traumas unfold like that king
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angelwishess · 19 days ago
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Kyra’s Design & Symbolism
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I just wanted to ramble about how I designed Kyra, and all of the tiny details behind why I did so! Hehe!!
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Inspiration
First of all— Why did I base her on the Disney Princess Stereotype?
If you think about it, its honestly perfect. Someone thats based on the Disney Princess Stereotype, trapped in a school of villains and unable to escape??? Its hilariously perfect, and such a good way to poke fun at tropes. Shes quite literally the perfect “Damsel in Distress” , especially how shes always somehow involved in each and every overblot.
It was pretty interesting and fittingly cliche. It feeds into the whole “damnsel in distress, captured by the villlain!” Cliche, and it kind of pokes fun at the fact many stereotypical princesses in media usually find themselves in unsavory situations, and need to be “saved”.
I will continue to expand on this more— but I also wanted to make it obvious that Kyra does not belong at NRC.
I wanted to make sure she stands out somehow, just to make it obvious that Kyra does not belong here, and was never meant to be at NRC in the first place.
A princess in a school of villains… Its just too funny of a concept to pass up!
General Design
Like I said earlier, Kyra was designed with the goal to stand out. To make it obvious that she doesn’t belong at NRC at all, and be the complete opposite of most of the NRC cast.
Kyra is meant to oppose NRC itself. She goes against what NRC represents, and the student body itself as “villains”.
A magicless student in an academy for mages, a foolishly selfless and (mostly—) humble girl surrounded by prideful students, a representation of light in a place that is a place of darkness as the “Villains’ World”.
Kyra is meant to stand out not only as my technical “MC”, but also to represent and have her as a symbol for change at NRC. With her arrival to NRC, and through the events of the main storyline, Kyra obviously has an effect on everyone she meets, and somehow I wanted to make sure that when you see her, it was someone you’d never forget. Not just from her actions, but from how memorable she is in general.
Even her name, Kyra, was purposeful. Depending on what language you check, it has different meanings, but every one of them suit her perfectly.
In Greek, the origin language for her name, it means “Queen”, “Ruler”, “Lord” or “Lady”; yet in Japanese it can mean “Glittering” or “Shiny”.
And in many other languages, Kyra has other meanings.
“Sun”, “Far-Sighted” and “Throne” in Persian, “Beam of Light” in Sanskrit, “Leader Of The People”, “Beloved”, “The One People Look To” in Russian, and “Beloved”, “Precious”, “Valuable” in Turkish.
I could go into detail on how all of these meanings fit her perfectly, but this post would get too long HAHAHAH
While Kyra is meant to oppose the NRC cast in some way, she was specifically designed and written in a way to directly parallel Malleus. I will make a post talking about how and why, and when I do I’ll link it Here!!
In a nutshell: Kyra was designed with the intent of being a contrast to NRC itself. She was designed and written in a way that is meant to set her apart from the cast, not only as the technical “MC” as my Yuusona, but also because of what shes based on.
But !!! She is also meant to be a physical representation of change at NRC. Of new beginnings, and love.
Color Scheme
Besides Pink and White being my favorite colors (SHHH IGNORE THAT FACT FOR NOW!!) — Kyra’s color scheme is actually meant to parallel Malleus. Like I said before, they are direct parallels personality and lorewise, and I wanted to show their parallels even through their designs.
Black and White are obvious opposites; Pink and Green are also directly across from eachother in the color wheel!
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Buut, its also meant to parallel Disney Villains in general! Like I mentioned before, she is meant to parallel NRC and, by extension, the student body. See, one of Disney’s favorite things to do for their villains is using a bright green when animating scenes with their villains.
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Soo, it was just too perfect and fitting to pass up!
That, alongside the main color for NRC being black, gave me the perfect idea. It fits so well, as the symbolism of both the colors pink and white perfectly fit Kyra’s entire concept! Her color scheme is not only the opposite of Malleus’, but also the colors commonly used for Disney villains in general.
White being a famous symbol of purity and innocence, and hints to the naive, innocent, sheltered princess stereotype.
Pink being a famous symbol for femininity, love and compassion. It is also very affiliated with princesses.
Furthermore, white also symbolizes perfection, honesty and beginnings.
Uniform Design
Oh lawwdd here we go… *cracks knuckles*
Kyra’s uniform is, again, supposed to somehow represent how she doesn’t “belong” at NRC despite wearing the uniform. Its heavily customized, and also represents her love for fashion and her desire to express herself.
Kyra’s uniform is mainly inspired by two kinds of fashion. Lolita fashion and Himekaji fashion!
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Her sleeves are inspired by Lolita fashion, while her cropped jacket, innershirt and skirt are all inspired by Himekaji, a Gyaru substyle!
Himekaji is actually her main inspiration, and I have a few different reasons! Though, one is just because it suits her perfectly, theres one other!
“Himekaji” when directly translated, is “Princess — Casual”. And Kyra IS a princess trying to act casual and hide her royal background. Its a funny little way to hint at something, but its a fun fact I love about Kyra hehe
Furthermore, both Lolita fashion and Gyaru fashion are alternative fashion styles meant to fight back against the usual beauty standard and societal norms! Both are styles meant to represent dressing up for fun and for yourself, and not for others.
Lolita Fashion~
Additionally, Japanese culture emphasises the importance of motherhood as a “sacred mission” and discourages women from pursuing a career as it distracts her from her main task of motherhood and running the family home.
Thus girls and women who wear Lolita are rejecting the societal expectation of low-importance careers and homemaking in favour of a fantasy in which they can “fulfill their own sense of princess-like aesthetic beauty” and avoid growing up in a more mundane world.
Lolita fashion appears to be a rejection of societal expectations in favour of a luxurious, responsibility-free life.
Hehe, get it? Kyra was told her whole life her only purpose in life was to be beautiful and get married. She lacked any sense of identity other than the one that was forced upon her— and now, she dons a sense of fashion that is deeply rooted in fighting against those exact same ideals!
Gyaru Fashion~
The term “Gyaru” In Japan is usually used to refer to young women who are cheerful, sociable, and willing to convey their feelings and emotions through actions such as adopting trendy fashions.
The fashion subculture was considered to be nonconformist and a rebelling against Japanese social and aesthetic standards during a time when women were expected to be housewives
Also!— Gyaru girls in particular, are often associated with a carefree and rebellious spirit, challenging traditional Japanese norms of appearance and behavior. This ties in very well with Kyra’s own views of living, and which is why I made her main style lean more towards Himekaji, yet still made sure that there are hints of lolita fashion in her outfits, too!
In short— both of the fashion cultures I took most inspiration for with Kyra’s style both were created with the intent to rebel against what was expected of women in society.
Its kind of silly, but I thought it’d be a really fun way of representing who Kyra is and even hinting parts of her backstory through her uniform!!
Coffin Symbol
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Man I really need to remake this😭😭
You might be thinking— “A dove? Isn’t that kind of random??” And, yes, thats what I thought too at first.
But, the thing is, even if Kyra’s character began as being inspired by the Disney Princess Stereotype; Kyra herself has her own story. And if I gave her a symbol that resembled her background and status of royalty, that would just completely throw away her entire character.
While Kyra may be royalty, during the course of the storyline she is actively trying to get away from it. Of course, it will always be part of her, and you can’t erase the past. But she strives to be more than just her beauty, and more than just her status.
And so, I decided to give her a symbol that represented who she truly is perfectly. A symbol of who she is and what she believes in.
Birds in general are a famous symbol of freedom. Something that is vital to Kyra’s character development and beliefs.
But ! I decided on a dove specifically because it represented her own beliefs the best, but also her role in the main storyline.
The dove has always been a famous synbol connected to the heavens. But it is also a symbol of peace, inner tranquility, harmony, purity, as well as love and freedom.
Personally, have always seen doves as a symbol for a new, prosperous era. The dove is the perfect symbol for Kyra! Freedom, love, and rebirth is everything she values and believes to most.
Similarly, ever since coming to NRC she's brought with her a new era of renewal. Spreading love wherever she goes whether people realize it or not, her effect on others is undeniable!
Honestly, the reason I chose the dove is also because of the story from the Bible with Noah’s arc.
Genesis 8:6-12: After forty days Noah opened a window he had made in the ark and sent out a raven, and it kept flying back and forth until the water had dried up from the earth. Then he sent out a dove to see if the water had receded from the surface of the ground. But the dove could find nowhere to perch because there was water over all the surface of the earth; so it returned to Noah in the ark.
He reached out his hand and took the dove and brought it back to himself in the ark. He waited seven more days and again sent out the dove from the ark. When the dove returned to him in the evening, there in its beak was a freshly plucked olive leaf! Then Noah knew that the water had receded from the earth. He waited seven more days and sent the dove out again, but this time it did not return to him.
This story is why the dove in her symbol is specifically holding an olive branch! The dove being the symbol of the coming of a new era after a great disaster, isn’t it fitting?
Anyways— Another reason that I have is that, again, I wanted her to somehow act as a parallel/opposite to the NRC cast. While NRC is represented by a raven, I simply thought it’d be fitting for Kyra to be represented by a white bird.
Its also a way for me to once again poke fun at stereotypes. Ravens are commonly seen as bad omens and “evil” in media, while doves are much more praised and beloved and commonly related to the heavens.
Buut !!! There is more !!! Continuing on my raven - dove symbolism…
Ravens are often symbols of death, while Doves are symbols of rebirth.
If it wasnt obvious already, I really like it when there are parallels within themes and characters WHAHAHAHA
Kyra herself is going through a period of rebirth and renewal throughout the main storyline. She is slowly discovering herself and the life she wants to lead, thus beginning her new, personal journey of life.
While she helps others— they help her, too. Without even realizing it.
Kyra’s character development focuses on Freedom, Love (romantic, platonic, self-love and familial—), Rebirth/New beginnings, Inner peace, and Hope in spite of a terrible past. Remaining full of love and hope regardless of the situation, and slowly coming to terms with who she is as a person.
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HOLYY YAAPP😭😭 I put in a little TOO much thought into Kyra’s silly self methinks… only for me to mostly post only crack about her LMFAOOO
@screamintoad since I yapped to u abt this before hehe …
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