#asking this for an actual reason but i also just want to know

[brattyspence]

virginia is for lovers | s.reid

summary: model!reader accidentally exposes their relationship through a soft launch instagram post

tags: model!reader x spencer, penelope included <3, smau

a/n: this is kinda short n pointless but i wanted a reason to write reader tweeting abt spencer and its been in my drafts for weeks so

word count: 1.1k

masterlist

Spencer had worked hard to keep you a secret. 

Not because he wasn’t thrilled to be in your life, because he really, really was. Historically, things had a tendency to go south as soon as word got out, especially when it came to his personal life. 

You had met in a bookstore. It was a short interaction; you were busy debating which translation of The Stranger was most appropriate to read. You must have been standing in the aisle of the bookstore a little too long, holding two copies side by side, when he had offered his two cents on the matter.

Typically, you weren’t one to entertain conversation in public. Nine times out of ten, you’d get one word in before the inevitable “Please can I take a picture? I love your blog so much!”, but this was different. You weren’t even sure he had even seen your face before he started talking to you. He wasn’t initially trying to hit on you, either. He was genuinely excited that someone was willing to listen to him ramble about the differences between the Ward and Guilbert translations, so when you responded in such a way that asked him to continue on, he was surprised. 

That day, you’d left the store with four more books than intended, and a single bookmark where he had written his phone number after you asked for it.  He had asked you for your name; a confirmation that he actually had no idea who you were. 

The rest was history. You saw him whenever possible, spent nights on the phone together, and flew across the country often just to see him. You loved having a relationship that didn’t need to be public, but you were also excited to share bits of it with the world.

It was late at night, and he was sitting at his desk in the bullpen, trying to finish the last of the paperwork he’d been assigned, when he heard commotion from Penelope’s office. He figured it was nothing new; probably just some news about the royal family or one of the real housewives again, but she’d thrown her door open in such a way that it garnered attention from everyone in the office.

“Spencer Reid,” She gripped her phone and rushed across the room with determination. “Do you have something you want to share with me?”

He looked up from his paperwork, furrowing his eyebrows. “What are you talking about?”

“Why are you on my Instagram feed?” She placed her phone on his desk in front of him. 

“I’m not on instagram,” he replied. 

“Oh, but you are,” she said. “You are such a little liar. I can’t wait to tell Derek about this.”

She pushed his paperwork aside, plopping her phone down in front of him. It was a slideshow on instagram. A photo of the most recent bouquet he bought for you. A few from the museum you’d visited together, including several where his hands or shoes were visible, but nothing that really pointed to him. He could almost make the argument Penelope was mistaken, until the last photo, which included just enough of his apartment to confirm her questioning.

“You said you were seeing someone and I thought… someone from a chess tournament, or maybe… oh, I don't know. Literally anyone else? But you bagged a model?” 

“I-” he sighed. “How did you find her?”

“I didn’t find her, Spencer. I’ve followed her for years! I see her posts all the time. I can’t believe you.”

He scrolled down.

liked by @jjareau and others

@yourusername: virginia is for lovers :)                                              posted 12 hours ago

↪ @randomuser1: GIRL STOP TEASING WHO IS HE

↪ @randomuser3: i’ve been trying to figure it out since that tweet last month 😞

↪ @randomuser2: this is the sweetest soft launch i’ve ever seen <3

↪ 12k comments

He clicked onto your profile. 

@yourusername 

5.2M Followers

Followed by @jjareau, @emp.sergio and more

“You’ve got to see her Twitter, lover boy. She’s been gushing about you.”

“Oh, god,” he groans. So much for privacy. He lets her take the phone back, redirecting his attention to your Twitter page. She scrolls back to June before handing it over, letting him read in chronological order.

June 10

@yourusername: hot girl summer is officially over. just asked a man for HIS number.

June 25

@yourusername: is it offensive to men if you call them pretty? bc this man is rlly pretty 

@yourusername: update: apparently it is not :)

July 30:

@yourusername: good morning text + picture of a dog that he claims reminded him of me???? gonna ask for his hand in marriage

August 15

@yourusername: up til 2 bc hes explaining quantum mechanics to me 🧚🏻

@yourusername: embarrassed to say that form of dirty talk worked on me 

August 20

@yourusername: oh btw im a girlfriend now!

↪@yourfan1: look u long enough wtf girl

↪@yourusername: dw im locking him down 🫡

↪@yourfan2: thats OUR man now 💘

“Oh, wow.”

She takes the phone back. “Why didn’t you tell anyone? Or me? Oh, this is great news. You’re bringing her to Rossi’s next, week, right?”

“I- Pen, I have no idea.” He laughs. He watches her type away on the device aggressively. “Are you texting everyone?”

“Yuh-huh. I need to call JJ, like… yesterday. And this isn't the end of this conversation!” She darted back into her office quickly, letting the door fall shut behind her.

He decided his remaining paperwork could wait. He packed his things up in a hurry, and decided to head out of the office, dialing your number on the way out. 

You picked up on the first ring. 

“Hey,” you started. “How was work? Are you heading out?”

“Yeah,” He started. He pushed through the glass doors of the office, staring towards the stairwell. “It was… busy. I just had a really interesting conversation with my coworker.”

“Mhm…” You had been lounging in your hotel room waiting for his call. “About..?”

“You, actually.” He replied. “She follows you on instagram. Apparently most of the office does. She showed me your post today.”

“Oh,” you replied. “Oh god, Spence. I’m sorry. I didn’t think… anyone would be able to tell who you were.”

He laughs. “Yeah, well… I work with some… characters. It’s totally fine, though.”

“Are you sure?” You ask, anxiously.

“Yeah. It was cute,” he replied, smiling to himself as he exited the building. “Tasteful.”

“That's what I wanted,” You reply.

“I thought Twitter was much more interesting, though.”

You froze, cringing. “Oh, god. Tell me you didn't read all of it.

He chuckles. “I skimmed it.”

You groan. 

[stevishabitat]

This is what happens when a tool created by Black folks gets appropriated to the wider internet.

Black folks wanted to have conversations online without white people inserting themselves and offering opinions about things that were frankly none of their business.

So you would see variations on "white people DNI" on posts particularly about things like colorism, misogynoir, Black LGBTQIA+ issues, etc.

The DNI wasn't on their personal profile or a pinned post or something. It was on the specific post to let people know that although the post was public for everyone to see, it wasn't for Everyone to Comment On.

And of course, like everything else on the internet, it spread beyond the Black creators to everyone else - without the cultural context. DNI disclaimers were added to everything from queer topics and feminism, to sports and media fandom.

To the point where you had posts with "X Character Stans DNI".

But at least it was still on the posts themselves, or in tags, so you could see that this particular post, wherever you happened to come across it, was meant for a particular audience. If you didn't fall in that category, maybe just scroll on.

The jump to putting extensive and vague (or hyperspecific) DNI lists in your profile or on a pinned post or carrd or something... That's just so far outside the original intent.

The expectation that someone will 1. Look at that list before they follow you or respond to a post and 2. Actually do what's asked? Seems like a very strange thing to assume on the internet.

I mean, yeah maybe people will take it in good faith and be like "hmm maybe this person's stuff just isn't for me", but there are lots more bad faith people who will use that as an excuse to put their Troll Hat on and see if they can get a reaction from you.

If the thing you're putting in the DNI isn't that big a deal, then having a troll bother you with it might be annoying but not terrible. If you're listing things that are actually triggers for anxiety, a phobia, or ptsd? You are putting yourself at risk by publicizing it. Because bullies sniff that shit out like sharks on the hunt (see also: advertising that you're a teen 😱 don't do that!)

It's reasonable to list the topics you commonly post about, to give potential followers a heads up about what they're likely to see in your posts - in your profile or pinned post - especially if you aren't great at tagging.

Make that list clear and easy to find and read. That makes it easier for visitors/potential followers to decide if your blog is a good fit for them.

A simple line like "I reserve the right to block as I see fit" serves as enough warning that if people rub you the wrong way you aren't going to engage.

Honestly, you don't owe anyone on the internet a reason for blocking or filtering or using tags to curate your internet environment.

You don't owe any random stranger a welcome into your living room. You can say "No Thanks!" and firmly shut the door. If they try to shove letters through your door, you don't have to read them - put them straight in the recycle bin.

"xyz DNI" blocking people is YOUR job, sorry. You cannot ask the world to simply move around you, you have to take control of your online experience or you will be fucking miserable forever. Most people don't read your bio/pinned/carrd before touching the posts that cross their dash anyways.

Also maybe worry less about if someone who likes something you hate clicks on your tumblr post. I promise it is not that fucking serious.

Also-also if you have this DNI because your friends/moots said or implied you have to otherwise you're somehow Bad and/or will be punished by them if you don't, that's kind of fucked and maybe you need less controlling friends.

[coefore]

I just wanna ask bc I'm curious, but why did you find Starscream being older than Megatron in tfone interesting? :0

I just like the concept of Starscream being more experienced, especially in terms of leadership. Sentinel berates him once he has captured him, but he also says that it had been pretty difficult to find the high guard, which means Starscream had managed to carefully and competently hide, feed and direct many troops.

Dee (just writing it like this because I feel dumb just saying "D" in the middle of a sentence lol), on the other hand, rose to the occasion with sudden violence and improvised rhetoric. He was good with it! He got all the old guys (gender-neutral) to shout his name and make a public spectacle of their new loyalty! Good for you my little dude, but being skilled with your mouth and words doesn't mean you actually know what you're doing!

Dee is an isolated twenty-year-old runaway driven mainly by revenge and betrayal who has murderous intent towards +*+The System+*+, which he has no clue how to dismantle effectively without the most basic gut feeling aka "kill the leader" (= Kill Sentinel; Kill Optimus, who reiterates the Primacy, which is now tainted in his eyes).

That doesn't work. The system will still stand without The Leader TM. He also has no theory on how Said System works, differently from some iterations like IDW Megatron, nor does he have a solid mutual-aid net of friends/"colleagues"/fellow abused bots that would follow him like TFP Megatron has in characters like TFP Soundwave or Dreadwing.

He has no clue what the hell he is supposed to do, especially regarding how to command an army of people who are twice (or more) his age. But Starscream does. It is fascinating because, if done well, it could give Starscream an actual and rooted reason why he wants Megatron out: he is too naive, too emotional, too young to do this efficiently.

Anyway, thanks for coming to my TED Talk (Grammarly made fun of me with the 🤓 emoji because it feels like I've written a paragraph on a PhD thesis but that's what writing a PhD thesis does to you 😭).

[ssentimentals]

Hii can i request mingyu + hurt prompt #34? Thankssss

hi sweets! thank you for requesting, hopefully you will like it! 💜

hurt prompts: 'the things you said yesterday... did you mean them?'

someone is caressing your hand. it's a nice feeling to wake up, especially when you know who is responsible for said action. mingyu's face is the first thing you see when you open your eyes and you smile a little. mingyu doesn't smile back and memories of last night rush in, reminding you why you're waking beside him and not in his arms. before panic rises, you remind yourself that mingyu is caressing your hand gently now, so everything can't be that mad.

'morning,' you whisper, afraid to talk in a normal voice for some reason.

'morning.' mingyu repeats and clears his throat. 'slept well?'

you don't really remember how you fell asleep; probably knocked out from crying and fighting. arguments with mingyu were rare but whenever they did happen, they sucked all the energy out of you, leaving you drained and exhausted. truth to be told, you don't even remember coming to the bedroom, so mingyu probably carried you here once you fell asleep in the living room.

'not really,' you reply, not feeling rested at all. 'you?'

he shakes his head. when you first started dating, you both promised each other to never go to bed angry, so what happened last night is an exception of sorts. 'the things you said yesterday... did you mean them?' mingyu asks quietly, voice muffled by the pillow.

your mouth opens but nothing comes out. to your horror, you don't even remember about which things mingyu is talking exactly - a lot of stuff was said yesterday and not all of it was said due to anger or frustration. but mingyu is sensitive, always has been in a much more delicate headspace than you, so you tiptoe around the question, looking for the right answer while also staying honest: 'any of the mean and angry words - no. i love you, gyu, i'd never actually mean any of those. but what i said about the whole thing, like in the beginning, what made me upset in the first place.. yeah, i meant that. i stand by it even now.'

mingyu doesn't say anything at first. he just stares at your hands, chewing on his bottom lip, thinking about your answer. you both treasure honesty the most, so he knows you're being sincere. 'okay.' he settles for in the end, taking a deep breath. 'i also didn't mean everything i said after we moved from the kitchen to the living room.'

you smile and hesitantly interlace your fingers together. 'i know, gyu.'

he nods again and squeezes and when he does that, you feel like you can breathe again. if mingyu is not declining physical contact, if he's still here then you two can work it out. 'we don't have to do it now,' you say, not wanting to get up. 'we can just lay here for a while.'

sigh that mingyu lets out on this is full of relief. 'yes. yes- yeah. please.'

you both move in sync, slotting your bodies together until it's impossible to tell where one ends and another one begins. 'sleep a bit more for now,' mingyu whispers, holding you tight. 'i'll be here when you wake up.'

a/n: request your own here! <3 - nini

[verycoolusername1]

Maybe It Was Fate

Summary: During the 'hughesbowl' as fans may call it, you are caught in a trance that is Quinn Hughes... unaware that he is your coworkers' oldest brother.

Quinn Hughes x photographer!reader

A/N: I was debating whether to make this nico or quinn as the love interest and Quinn won in the end(nico does have a cameo however)- This was also supposed to be posted the day of the hughesbowl, but stuff came up so here it is now!!

AND I'M CHANGING THE SCORE IN THIS BECAUSE WHATEVER HAPPENED ON OCTOBER 30TH, 2024 DID NOT HAPPEN WHATSOEVER

It's a shock to you that you work with professional athletes, considering you hated sports as a kid. Even now, you still don't know what's going on in hockey. With the players too fast around you, it's hard to keep your eye on one player.

It was the 3rd period, the score being 5-3, the Canucks slowly but surely catching up.

You held your camera in hand, watching the big screen to keep focus... that was until someone catched your eye. You couldn't see his last name, only his face and man was he pretty.

He had green eyes flickered like sunlight within the leaves as he looked up. You could run your hand through his brown locks for days if given the chance.

You shook your head, he was most likely a player on and off the ice. You knew that without a doubt, knowing all about Jack's relationship with women(due to being best friends) but you couldn't help but wonder, would it be different with him?

The fans becoming louder as the game came to a close, the devils capturing the win. You snapped your camera a couple of times towards the devils and secretly took more of the mystery man.

You turned your camera off and it held loosely around your neck as you waited outside the locker room, waiting for Jack to take you home.

You had your back towards the door as you flickered through the photos that you took, your cheeks heating up when you saw the man again. He has a 43 just like Luke but you didn't think anything of it, players share the same numbers all the time. It was just a mere coincidence, right?

"You got all my good sides right?" Jack asked, you quickly turned the camera off.

"Jesus Jack, warn me next time gosh." You hit him on the shoulder.

He only shrugged in response. "Can't really text in the locker room."

You rolled your eyes. "You're actually an idiot."

"Only act like it to make you look smart." He muttered under his breath.

"And what are you two arguing about now?" Luke approached the two of you.

"They called me an idiot!" Jack exclaimed.

"They must have been reasonable to do so." Nico chuckled as he walked past you three. "Don't kill eachother please!"

"Make no promises cap!" You snapped a photo as he looked back at you with a smile.

"Oh Y/N! We want you to meet someone." Luke began to drag your arm in the other direction.

"And before you groan out a half assed reply, I think you'll really like him." Jack added.

You were now beginning to regret telling Jack that you wished you could put yourself out there again considering you haven't been on a date in two months due to your conflicting schedule.

"Do you two know him or-" You looked between the two of them.

"Oh yeah we do." Jack answered. "Very well."

"What does that even mean?" You narrowed your eyes at him, Jack chuckles in reply.

"Trust me, you'll like him." Luke eased your worries.

You finally stopped and Luke dropped your hand as you realized.

"He plays for the canucks? They just lost tonight. I'm sure the last thing he would want to do is go on a date with someone that works for the devils." You explained.

"Well he likes us and we play for the devils sooooooooo you'll brighten up his mood. Ha get it cause you're a photographer and the camera flashes." Jack stopped explaining the joke when he was met with your stern face.

Luke cleared his throat. "There he is now."

You snapped your eyes to the door and realized that was the man that took your breath away moments before just as he is doing now.

"Y/N this is Quinn, our brother. Quinn this is Y/N, the person we've been telling you about." Jack introduced the two of you.

"Brother? He's your brother?!? You guys never told me you had a brother!" You made a mental note to swear at Jack later, with no audience.

"Oops?" Luke giggled. "See Quinn, look they're a photographer. Show them some photos you took tonight." He encouraged.

You quickly shook your head. "No I couldn't possibly do that, I-I mean I still have to edit them and wait..." You looked down to your neck strap and saw that your camera was gone and in Jack's hands.

All three hughes brothers looking at the photos.

"Wait no!" You exclaimed but it was already too late you assumed, Jack was looking at you with a knowing look while Luke and Quinn were shocked.

"How come he gets all his good angles and I don't even one photo?" Luke asked you, in a mocking tone.

"I was distracted," You looked away, embarrassed.

"Yeah because you were too busy looking at our brother." Jack remarked, jokingly.

You rolled your eyes. "I didn't know he was your guys brother."

"I think these look nice, thank you." Quinn finally spoke, looking you in the eyes.

"Oh um you welcome. It's nothing really, it's just kind of my job." You shrugged.

"Then you most definitely picked the right career choice." He smiled softly at you.

Jack and Luke were nowhere to be seen, seemly left the two of you alone for a while.

Your face flushed at his words, he held the camera in his hands handing it out for you.

"You're gonna need this to edit all those photos of me." He joked.

"And I'm gonna need your number to send you all those photos." You held the camera and its neck strap, putting it in your bag.

"Well that was bold, Y/N." He chuckled not nonetheless gave you his phone so you can type out your number, he sent you a quick text.

"It was nice meeting you Quinn, it's getting late. I would head home but Jack seemed to have disappeared." You looked around.

"I can take you home." He offered. "He obviously went to the bar with the team."

You looked up at him and smiled. "I would like that."

[tumblingxelian]

I know that the Spiderman TAS cartoon also had his family targeted by mobsters he who refused to back off from. It led to his wife being shot at their door in his place by a "Man in a mask who thought he was above the law".

Honestly the broad concept of him hating vigilantes who hide their identities VS being neutral on one's who don't hide their identity is actually a perfectly reasonable axis to pivot his character on I feel.

Peter: Can I ask you something? JJ: If its work related. Peter: You hate Spiderman, but you're fine with the X-Men, why?

JJ: Because the X-Men don't hide who they are, they go to court when called and explain their actions. They may be disruptive, but you know who, where and why. Spiderman though? He's just some smug web slinger in a mask who thinks he's above the law, the people he claims to protect, no oversight, no rules, no consequences.

Peter: ... OK that's given me a lot to mull on, but why do you hate Iron man then? JJ: Because Tony Stark is a prick of the highest order, who also thinks he's above the law, who only doesn't hide is identity solely because he's rich enough to get away with whatever he wants. Spiderman would be the same if he were rich. Peter (I have never been more offended in my entire life) Well, thanks for your time sir!

I know we all love J. Jonah Jameson at his usual loud, Spider-Man hating best, but I think we should also appreciate the moments where even though, he’s brash and egotistic, he makes it clear that he still does have standards when it comes to journalism, and while not the most sensitive guy, to say the least, he still draws a line when associating with actual bigots:

Speaking of Jameson still having standards, the comics make it clear that though John Jonah Jameson Jr. may be many things, he’s no racist, and, like in the first page above, he’s willing to stand up against actual bigots (seriously, it was actually a pretty big deal both in and out of universe that The Daily Bugle was one of the few news sources which didn’t spew anti-Mutant shit, even with JJJ’s beef with Spidey):

And, of course, as he received more development, he also started showing a bit more of his other hidden depths. Such as when he showed to the Bugle’s staff’s party to wish Peter good luck on his marriage to Mary Jane Watson:

Or when he tried to help break the mind control on his son, John Jameson III, when he had been turned to Man-Wolf:

Or, perhaps semi-famously, the reason he privately admits as to why he hates Spider-Man:

I’ll still love his eccentric and fun personality, as well as enjoy his ramblings on Spider-Man, but I still wish more people knew about the other sides to John Jonah Jameson Jr. as well (which is why, even though I won’t spoil it, we do get to see some hidden depths to Jameson near the end of the PS4 game).

[newtkelly]

Not to word vomit on you but I can't stop thinking about Oliver wanting a love story like Tarlos and how it all accidentally lined up.

Knowing that Carlos and TK were about to move in, and then Carlos made that romantic gesture and TK got scared because it was, "too good to be true."

Carlos is left, confused, puzzled and nursing a broken-heart but still just as in love. What do you mean that TK and Carlos saw a future together, one got scared at that prospect and left before Carlos was the one to leave??

What do you mean that happened after Oliver said he wanted Bucktommy to have a love story like Tarlos; where it was always going to be them?

Then you consider Oliver saying that we might see Tommy and Buck interact during a call and it'll be awkward and who can't help but think of TK and Carlos running into the furniture store and seeing each other for the first time in weeks.

Anyways, sorry to be delusional in your ask box. I'm deep within the Tarlos trenches so this is all starting to look eerily familiar lmao (it could also be Tim is out of ideas, which is most likely the case)

Please feel free to word vomit on me always, I live for it.

Receiving this ask has actually prompted me to share some thoughts that I’ve held back from sharing, just because I wasn’t sure if it was worth it to throw more speculation into the void. But this message is so lovely, and I agree with it so much and so… okay I will share some of my mixed bag of thoughts about this whole situation.

Firstly, I adore Tarlos and LS (even if I don’t post about either much), TK is my baby, and the interesting thing about them for me is that I wound up caring for them more AFTER they broke up and got back together. If Buck and Tommy’s story is formatted as a rom-com, TK and Carlos are a tragicomedy. TK, the heartbroken recovering addict thrust into an entirely new city, a new career, who doesn’t want to let himself get too close to something good because he is misery incarnate. Carlos, the hopeful hopeless romantic who sees TK and doesn’t see something that needs fixing, but someone who his love could help heal. It’s such a gorgeous story, and the symmetry of both characters shockingly losing a parent in a tragic way is painfully beautiful. I LOVE their love story.

That brings me to Oliver and Tim’s comments. Throughout the Buck and Tommy relationship, my belief that this would be Buck’s final relationship only ever wavered twice. The first time was in the immediate aftermath of their first date (I spent the whole episode thinking that Tommy was actually reintroduced to kick off the bi awakening plotline and Buck was not acquiring a boyfriend) and the second time was towards the tail end of the summer hiatus when I legitimately began to doubt Lou would want to come back given everything that transpired. Other than that, I had full faith that this was it, this was Buck getting off the “hamster wheel”—Tim’s words, not mine.

I had confidence for a few reasons. 1 – the story was always handled with care onscreen and gave us no reason to think they weren’t going to work out. 2 – the chemistry was insane, and I knew it couldn’t just be me because an entire fandom was born. Tim and tptb must have seen what we saw. 3 – the supplementary information funneled to us through articles and Tim’s social media, literally up until post-8x06 never seemed to indicate that their relationship was headed in this direction. A big part of that was the comparison to Tarlos.

In order to protect myself (should I name the list of shows, movies, couples that I’ve fixated on that wound up playing out in dissatisfying ways?), I am awfully pessimistic. The post-episode interviews, articles, + hearing a bit from LFJ and OS has me wondering if this was some mass hallucination. Did we truly cling to something good and blow it up, run with it? Was this always the plan? I’ve wondered if because S7 was so short and S8 required that other characters get the spotlight first/other stories needed to be told and wrapped, and if because of production and scheduling and whatever external reasons, did their relationship wind up having a longer life than was ever intended. Were they ever supposed to make it to six months? Were they ever supposed to make it past the fucking wedding? I have been asking myself this stuff a lot. Alternatively, did something happen that made them want to or have to part ways with LFJ? So many questions, and I’m not sure we’ll ever know.

But… then there’s the delusional side of me, and the reason I haven’t totally abandoned hope is because when I was watching 8x06 live, EVERYTHING in me told me that this is a necessary section of the rom-com formula. Even the call-backs throughout the episode made me feel like the writers are so painfully aware, and that the narrative wants these characters to be together (Miceli’s, Abby, basketball, going to the movies, calling an uber, the loft kitchen, “you’re not ready”)—the motifs were absolutely popping off. I did not think it was the end when the episode ended. I wondered when and how they would find their way back to each other to fulfill the rom-com genre, but what I did NOT expect was to open social media and see articles framing this as the end. I wasn’t surprised when I found out who wrote the articles, and listen—if they bait one side of the fandom, can’t they bait the other? I still have some hope, because at the end of the day, anything can happen with network television. Maybe this is all part of the plan, and the interviews should be taken with a grain of salt. I just don’t know.

Interviews with Tim and Oliver from day one positioned the Buck and Tommy relationship as a queer love story devoid of trauma. Okay, well… huh. From where I was sitting, there was A TON of explicitly queer trauma exposed in 8x06. Their “hurdle” is tied utterly and completely to queerness. Tommy runs because he is a gay man who doesn’t trust that his bisexual boyfriend should “settle” for him, and who would rather be alone than heartbroken, and if that truly is the last of Tommy, it has to be one of the coldest and cruelest exits we’ve ever seen on this show. Do they simply not realize how deeply traumatized both characters come off in that episode, or is it all part of the plan? If the interviews positioning this as the permanent end of bucktommy should be taken at face value, shouldn’t the other interviews that position them as a rom-com (with the formulaic third act breakup, boils and all) be taken as the truth as well? If there was some misinterpretation, why hasn’t Tim said anything—he clearly knows a lot of fans were hurt by what they watched. He must have seen the outrage—why radio silence? Did we truly blow this out of proportion? Are the wheels coming off behind the scenes? I need a tell-all at this point lol

Thank you for the lovely ask, I’ve been sitting with these thoughts all week so this was a good excuse to finally articulate them. <3

[doeeyeseddie]

Piaaaaaa "brushing their arm against the other's, hoping the other would finally catch their arm and hold it close" please, we already know they constantly brush arms anyway!

fridaaaa this took me, once again, many months to get to and i sort of only vaguely filled the actual prompt, but i hope you still enjoy it <3

5+1 things, rated t, wc: 4k

[read on ao3]

I.

Eddie’s first day as a probationary firefighter is…interesting. Captain Nash welcomes him with the same warm smile he gave him the first time they talked, then leads him inside and shows him around the app bay.

“We’ll give you the full tour later,” he promises, “after you’ve met the rest of the team. You’re the first one here, if you want, you can change into your uniform now.”

He points towards the locker room – which has glass walls for some reason – and Eddie nods.

He’s just finished buttoning up his shirt when Captain Nash ushers a group of firefighters inside. Eddie runs a hand through his hair to make sure it’s tidy and smiles as Hen and Chimney introduce themselves to him with warm smiles and handshakes, welcoming him to the team.

There’s a third person with them, hovering in the background and glowering at Eddie. He’s young, probably around Eddie’s age, tall and very built, and despite his hostile expression, he doesn’t give Eddie the impression of being an asshole. It’s like the expression doesn’t fit on his face, like he’s not used to wearing it.

Chim grabs him by the arm and pushes him forward, giving Eddie a commiserating smile.

“And this guy is Buck,” he says. “He was our probie before you.”

“Nice to meet you,” Eddie says politely, stretching a hand out to offer a handshake. “You’ll have to show me how things work around here, then.”

Buck glowers down at his hand, and when he finally grabs it, he squeezes it too tightly, like he’s trying to prove something. Eddie squeezes back, amused by the pretense this guy is clearly putting on.

Behind Buck’s back, Hen rolls her eyes, but she’s also wearing a fond look, which only confirms Eddie’s assumption that Buck isn’t half as bad as he’s pretending to be.

From Captain Nash, he knows that they’re supposed to work together a lot of the time, so that’s gonna be interesting. He doesn’t know why Buck is acting like this, but he’s gonna find out, and then he’s gonna figure out a way to work with Buck anyway.

He didn’t come here to make friends, but he’ll be spending 50 hours a week with these people, and he has to trust them with his life for a lot of that time, so they at the very least need to bury whatever hatchet Buck is carrying right now.

Eddie lets go of his hand with a nod and a polite smile, and gives himself a week to figure Buck out.

II.

The days between the accident and the funeral are kind of a blur.

There’s too much to do and think about, too many decisions to make, too many people to call, too much to organize. He has help – Abuela, Pepa, the entire 118, but it still feels too much.

Shannon was 27, she didn’t have a will, they never talked about any of this. How is Eddie supposed to know how she would like to be buried, or if she’d rather be cremated? What kind of music she would want them to play at her funeral? This wasn’t supposed to happen. Not for a very, very long time.

But it did happen, and now Eddie is somehow supposed to know all this about her, his wife, the woman he’s only just let back into his and Christopher’s lives, the woman who asked him for a divorce and completely pulled the rug from under his feet just a day before she died.

Sometimes, he feels like he didn’t know her at all.

His parents are here “to help”, which should be a relief but really isn’t. They never liked Shannon and aren’t making a secret of it, even now that– now that she’s gone. So Eddie can’t involve them in the funeral planning, and he can’t even leave Christopher with them because he’s scared that they’re gonna take the opportunity to grab him and run, and someone needs to make sure that Shannon’s memory is honored, but she didn’t have any family except him and Christopher, and Chris is seven, so Eddie has to be the one to make this funeral beautiful, something she’d deserve, but he doesn’t know– there’s so much–

“Eddie,” someone says next to him, snapping him out of his spiral. “Come on, breathe with me.”

Eddie stares at Buck’s chest as it rises and falls with exaggerated breaths, trying to match him. When did Buck get here? He doesn’t remember letting him in, doesn’t really remember what he was doing before he started hyperventilating on his couch.

“Chris,” he gasps when he realizes that also means he’s not sure where his kid is. And of course he’s the kind of father who would do that only days after his kid lost his mom, maybe his parents are–

“Is with Hen and Karen,” Buck says firmly, grabbing his forearm. “He’s gonna spend the day with them and Denny, probably getting spoiled rotten. I borrowed Pepa’s key when we went over there so they could pick him up, she told me you might not open – sorry for barging in here, but I’m glad I did. I know you– I wanted to– Bobby and Athena are running interference with your parents. And I’m here to help you with all that.” He gestures towards the couch table that’s covered in forms, leaflets from funeral homes, and cards from grief counselors. “After Abby’s mom– I helped plan her funeral. So I’ve got some experience.”

Eddie just stares at him, biting the inside of his cheek hard to stop himself from crying. He trusts Buck, but he still doesn’t want to cry in front of him, doesn’t want to cry in front of anyone. But he does think that maybe he should give Buck his own copy of a key, so he won’t have to borrow Pepa’s next time.

Buck squeezes his forearm and gives him a small, sad smile. “We’re all here for you, Eddie. I got your back, remember?”

Eddie blinks against the tears in his eyes and swallows around the lump in his throat that’s keeping him from saying anything.

Instead, he twists his arm from Buck’s grip and grabs his hand instead, squeezing it in a silent thank you.

Buck squeezes back and keeps holding on.

III.

Buck gets to go home earlier than anyone expected, but Eddie has been to his new apartment, so he isn’t surprised when Buck texts him a picture of his couch with a sad face. It’s not ideal, but at least he has a bathroom downstairs and a girlfriend who can help if he struggles with anything.

Until he doesn’t have that girlfriend anymore.

Eddie doesn’t find out until after his shield ceremony, days after, actually, once his parents have finally gone home to Texas.

Buck says he’s fine, obviously, but Eddie starts going over every day he doesn’t have a shift anyway, because he knows Buck and can see how much he’s struggling with the whole situation, with the uncertainty of when and how he can return to work.

He brings Christopher most of the time. They’re not having the best summer either, Eddie still worries that he’s not doing enough to help Christopher deal with his grief, when he can barely keep his own head above the water of grief, guilt and fear.

Carla is doing what she can, watching Christopher whenever Eddie’s working, she found him a grief counselor and is even looking into more permanent therapists.

None of it changes the fact that they’re grieving. 

But when Christopher gets to hang out with Buck, he lights up every time, and so does Buck, which makes this a two birds with one stone kind of situation. Hanging out with Buck helps them both, too, makes their grief not the first thing on their minds for a little while.

Buck can’t move much, so they play board games and try to find one they all enjoy equally – it’s not easy, since Eddie likes luck-based games (he plays poker with his abuela and tía whenever he can), Buck prefers trivia and games relying on knowledge, while Christopher likes strategic games most.

But everyone gets to pick sometimes, and when they don’t want to play board games, they switch to video games instead.

Eddie knew that Buck and Chris get along well, they have ever since the first time they met, when Buck drove Eddie to Chris’ school after the earthquake during Eddie’s second week at the 118. But with how much time the three of them are spending together now, he can see them growing closer every day – and he loves it.

Buck is his best friend, and he genuinely cares about Christopher in a way that feels completely independent from Eddie.

One evening, while they’re playing a few rounds of Christopher’s current favorite video game after dinner, the kid falls asleep between them on the couch.

Buck smiles down at him and lowers the volume of the TV, which means he loses even more clearly to Eddie, but he had the win in the bag anyway, he’s sure.

Buck rolls his eyes at him when Eddie celebrates his victory with big, silent gestures, but he’s smiling, too.

Eddie grins at him, resting his arm on the back of the couch behind Chris, and Buck twists a little to face him. His leg, resting outstretched on the couch table in front of them, moves with him, and Eddie slides Christopher’s glass of water out of the way in a practiced move.

“I know you’re here to keep an eye on me,” Buck says, “and I should probably be annoyed. I– I was kind of annoyed, at first. But it’s hard to stay annoyed when he’s here, right?” He nods down at Christopher. “And I guess you’re okay, too.”

“Wow, thanks,” Eddie says, but he knows his glare isn’t convincing. “To be clear, we’re all keeping an eye on each other.”

“Yeah, yeah.” Buck reaches for Eddie’s hand, still on the backrest between them, and squeezes it – just for a moment, like he’s trying to get Eddie’s attention, like he doesn’t already have it anyway. “Thanks.”

IV.

Everything sucks.

It’s the uncertainty that gets to Eddie most, the not knowing how to help, how to stay safe, how to keep his loved ones safe. How long this is gonna last.

Every day, they have to see people die from a virus they know nothing about, and can’t do anything against.

And afterwards, they can’t even go home.

Christopher is part of a high risk group, and Eddie risks exposure at work every day, so obviously, he can’t endanger him by living with him. Chimney feels the same way about Maddie, and Hen also wants to keep her family safe, which is how the three of them ended up at Buck’s apartment, where they’ve been camped out for the past three weeks.

It’s generous of Buck to let them all stay with him, but the loft is not made for four people to live there, and they’re all feeling it.

Eddie loves his friends, but spending every minute of every day with them is starting to wear on him. They all try to give each other space, using the balcony as an extra room or going for runs outside, but there’s only so much they can do. 

He hates being separated from Chris, it makes him feel like he’s breaking his promise to never leave him behind again. Christopher says he understands, but Eddie worries anyway. He trusts Pepa, who’s working fully remote and offered to stay with Chris, and they talk every day, but it’s not the same as being there.

Whenever he talks to Chris on the phone, he feels better in the moment, but worse the second they hang up. While they’re talking, he can almost pretend that things are normal, but it all comes crashing down afterwards.

He hasn’t hugged his son in weeks, and he has no idea when he’s even gonna see him in person again.

Buck joins their calls most of the time, at least for a few minutes, and he sits next to Eddie on the bed now, shoulders slumped where they’re touching Eddie’s. In a world where he has to keep his distance from almost everyone, except the patients he’s treating and the people he’s living with, touching and being touched by Buck is a real comfort.

“This won’t be forever, Eddie,” he says, almost desperately. 

“But for how long?” Eddie asks, and it comes out sounding a little wobbly.

He’s not embarrassed by it anymore – Buck’s seen him in all kinds of situations, and they’re currently sharing a bed, so he’s seen him cry anyway.

“I–I wish I knew,” Buck says. “I wish I could– fix this.”

Eddie wipes at his eye and laughs a little. “The whole pandemic?”

“If I could, yeah.” Buck shrugs.

Eddie presses even closer to him for a moment, a gentle pressure of their shoulders, arms and thighs against each other. “I wish you could, too. But even if you can’t – I’m glad you’re here.”

“Of course.” Buck smiles at him and places his hand on Eddie’s thigh, palm up.

Eddie smiles back and grabs his hand, squeezing tightly.

“Okay,” he says, taking a deep breath. “I think it’s our turn to make dinner tonight – you ready?”

“Ready when you are,” Buck says, but he doesn’t let go until Eddie does.

V.

After Chris has gone to sleep, after Eddie has finally stopped crying, after Buck has wrapped his knuckles and cleaned up the worst of the mess in Eddie’s bedroom – the shards, the pieces of drywall, the fallen furniture, he makes up the couch for Eddie to sleep on. Eddie wants to help him, to tell him that he’ll just sleep in his room, but he can’t seem to move from his seat at the dining table.

Everything feels like too much, his hands hurt and his head worse, and he can’t stand the thought of Buck leaving. He’s exhausted, but he knows he won’t sleep if Buck goes home now.

But he can’t ask him to stay, not after Buck already dropped everything because Eddie couldn’t keep it together. He probably had plans, and Eddie ruined those too.

He can already feel the hot burn of tears behind his eyes again and drops his forehead onto his arms, folded on the table in front of him.

Buck’s hand lands on his back, warm, then travels up to squeeze the back of his neck gently.

“You ready to sleep?” he murmurs, and Eddie makes a noncommittal sound. “Come on, you must be exhausted.”

Eddie shrugs and Buck’s thumb brushes along his hairline.

“You don’t have to go in there, I can get you anything you need,” Buck says quietly. “And I’ll be right next to you in case you have a nightmare.”

“You’re staying?” Eddie asks, lifting his head. Buck’s hand stays where it is.

“Of course, Eddie,” Buck says, like it’s that easy.

And maybe it is that easy, Eddie thinks when they settle in next to each other in the living room, Eddie on the couch and Buck on a makeshift bed next to it. He’s pushed the couch table to the side to make room for it and it looks like he’s dragged Eddie’s mattress here, so at least Eddie doesn’t need to worry about him sleeping on the floor.

They’ve been by each other’s side through so much shit, maybe it’s not such a surprise that Buck wants to be here now too. He’s just not sure he deserves it.

“I’m sorry,” he says, staring up at the ceiling instead of looking at Buck. “You had plans– I’m sure you didn’t want to–”

“You have nothing to apologize for,” Buck says firmly. “Of course I’ll come whenever Christopher calls. O–or if you need me. I’m here, okay?”

“I keep thinking about her,” Eddie mumbles, pressing the heels of his hands to his burning eyes. “Mills. Last August– I should’ve– if I’d picked up the phone earlier–”

“This isn’t on you.” There’s rustling and then Buck is gripping Eddie’s forearms, trying to gently pull his hands away from his face. “I d-don’t know what Mills was going through, but I know that you couldn’t have known how bad it was. It’s sad, and it’s unfair, but it’s not your fault. And I know you’re feeling all these things now, but Eddie– I’m so happy you’re still here. I need you to– know that. Okay?”

Eddie finally lowers his arms, but instead of letting go fully, Buck just grabs his right hand and holds on. His eyes are wide and scared, and Eddie has scared too many people he loves tonight.

“Okay,” he says, even though– well. What makes him special? Why should he be the only one to get out? He’s not a better person than any of them, he doesn’t have a right to happiness or whatever he’s been deluding himself into believing he could have. 

But he knows that he can’t tell Buck that now (or ever), knows that it’s a dark road to go down.

Maybe for tonight, with Buck by his side, he can keep the thoughts at bay for a little bit longer. After that– he has no idea. But Buck is still holding his hand, and Eddie may not deserve him, but he trusts him.

He thinks it may just give him enough hope to get through this night.

+ I

“This was nice,” Buck says, holding the door for Eddie as they leave the restaurant. “You, uh, you really didn’t have to pay, though.”

“I wanted to,” Eddie says with a smile, glancing right towards their cars and then left to where the beach is only a short walk away, and finally back to Buck’s face, finding him already looking back. “How do you feel about taking a walk?”

Buck grins, turning left. “Let’s go.”

They’re not on a date, or at least they haven’t called it that, but Eddie has been thinking that it feels like one all night. Technically, they’re two friends trying out a new restaurant together. They drove here separately, no one pulled anyone’s chair out, they talked the same way they always do.

But Eddie spent half an hour picking something to wear tonight, Buck is wearing a shirt that looks new and gorgeous and fit for a date, and every time their eyes caught across the table, Eddie thought that maybe, Buck wouldn’t pull away if he reached out and took his hand.

It’s not the first time Eddie has thought that. Ever since Buck and Tommy broke up, it’s felt like maybe they’re heading towards something, familiar touches lingering and turning into something new, gazes catching and then holding instead of looking away.

Buck was upset for a little while afterwards, but he admitted to Eddie that it was more about another failed relationship – and his first one with a man, after he thought he’d finally figured out what was missing, than about Tommy as a person.

He went on a couple of dates, with men and women, but nothing ever stuck.

Eddie was going through his own stuff at the time – he eventually came out to Buck a week before Chris finally came home, and Buck hasn’t been on a date since.

Sometimes, Eddie wonders (hopes), if the two things are related.

Still, neither of them has called tonight a date – yet.

Eddie glances at Buck’s profile while they’re walking, and wonders what he’s waiting for.

Yes, it’s scary because Buck is the most important person in his life right after Christopher, but it’s also not, because this is Buck. Who has been by Eddie’s side through the worst, most painful, most humiliating times of his life, and is still here. Buck, who Eddie trusts with his life, and his son, and his heart.

Buck smiles at him and Eddie smiles back, heartbeat picking up. He’s doing this, he’s gonna tell Buck how he feels. Any minute now, he’s gonna be brave enough.

“Hey,” Buck says, “it’s just me.”

“I know,” Eddie says, and his heart thumps against his ribs. He lets his fingers brush against Buck’s on their next swing and watches as Buck bites his lip, smiling down at the ground. Hushed, like a confession, he adds, “Are you nervous, too?”

Buck looks back up at him then, eyes glittering in the dark. “Y-yeah. I am.”

They’ve reached the edge of the beach by now and bend down to take off their shoes without having to talk about it.

When they start walking again, they’re even closer than before, the backs of their hands, their elbows and shoulders all brushing with every step.

Eddie keeps stealing glances at Buck, and almost every time, Buck is already looking back.

There aren’t many people at the beach at this time of day, so they don’t come close to anyone else, and all they hear is the sand beneath their feet and the waves crashing a few feet away. The moon is big enough to be reflected on the sea, a beautiful sight, but Eddie still can’t look away from Buck for long.

“So, this is, uh, kind of romantic,” Buck blurts out after a few quiet minutes. “Right? I–I’m not misreading that?”

“No,” Eddie says. “I mean– you’re not misreading it.”

“But you’re nervous.”

When their knuckles brush again, Eddie stretches out his fingers and catches Buck’s, holding on. Buck’s own fingers tighten immediately, and it gives Eddie the last bit of courage he needs.

“Well, yeah. Buck–” He stops walking, and Buck follows, turning so he’s facing Eddie. He’s close enough that Eddie can see his expression despite the dark, and he looks terrified, hopeful, nervous and excited at the same time, all of which Eddie feels, too. Eddie takes a deep breath. “I’m nervous because– nothing…no one’s ever been this important.”

A smile spreads out across Buck’s face, slowly deepening the crinkles around his eyes. “So this was a date?”

“Did it feel like one to you, too?”

Buck’s smile widens. “Yeah, i–it did. And I’m–I’m nervous too, of course. Eddie, if we do this, there’s no going back for me. I can’t– lose you. You and Christopher, you’re too important.”

He pulls on Eddie’s hand a little, and Eddie takes another step closer, drops his shoes in the sand and places his free hand on Buck’s shoulder, thumb resting against his collarbone.

“It’s the same for me,” he says quietly. He shivers when Buck grabs his waist, the warmth of his hand seeping through Eddie’s shirt. “I– We don’t know what’s gonna happen. But, Buck– I love you. I love you so much, I have for…way longer than I was aware of it, and I just don’t see that going away. And I don’t think it’s fair to us to deny ourselves when I really think we could make each other– so happy. I know I can make you happy, and I want to prove it to you every day of my life, Buck.”

Buck is just staring at him with a dazed expression, his lips slightly parted, and Eddie suddenly can’t stand not kissing him for a second longer.

He slides his hand from Buck’s shoulder to the back of his neck, watches Buck’s eyes flutter shut and feels his fingers tighten on his waist, and then he’s finally, finally closing the distance between them.

Buck makes a soft sound against his mouth, like he’s still somehow surprised this is happening, but he gets on board very quickly, and Eddie stops thinking entirely.

When they pull back breathlessly, Eddie’s hair is a mess – he can feel the loose strands on his forehead – his lips are still tingling, and Buck’s got both arms wrapped around him tightly.

“In case that wasn’t clear,” Buck gasps, and lifts a hand to cup Eddie’s cheek. His thumb brushes over Eddie’s chin and caresses his lower lip, and Eddie presses a kiss to the pad of it. “I love you, too.”

[doctorho]

thinking about viktor with a chronically ill reader. you know? we see the vision, right?

it just works.

the thing with chronic pain, illnesses, disabilities, all of that - is that you can't always see them. sometimes you can, sure, you can see the mobility aids and the not-standing-up-for-too-long and the bruising from blood draws and sometimes you can see the compression garments, the pills and inhalers and the i'm fine, i just need a moment-

but most people just don't pay attention to that. or if they do, they don't put the pieces together fast enough to figure out what's really going on under the surface. viktor does, though; he's been there, and most of the time he's way beyond hiding it. or, well, he's way beyond hiding some of it.

walking with a cane was like carrying a neon sign that said yes there is something different here. yes i can't walk the way you can. no it's not going to get better. that last part wasn't directly evident just from him using a cane, sure, but with the way his cane looked, it should've been pretty clear. He had used one practically forever and it had evolved with him, he'd made it as comfortable to use as it could be, had even made it match his uniform.

so yeah. viktor knew what it was like. he'd been the disabled kid forever, even if some of the others were never going to say it out loud. that was just a thing about him, and he knew how hard it could be to navigate something like that in an academic environment. it was hard to admit you couldn't do something, that you had to sit down, that you needed a moment. that sometimes your body was just falling apart for no particular reason and it was just another tuesday.

sometimes it was easier to sit with the pain than take medication in the middle of a meeting, knowing that someone would make a bigger deal out of it than it had to be, even if it was just raising their eyebrows meaningfully. they'd think about you differently afterwards.

he could see you push through it, and he didn't blame you, really, he did that himself, too, but - he didn't want you to hurt yourself. you hadn't been in the lab as long as he had, so he could understand you being a little cautious with how you acted and what you told people, but he didn't want you to feel like you had to put on a show for him. he was, after all, walking around with the equivalent of a light-up sign of i'm disabled, too, and he liked to think of himself as someone who wouldn't come off as judgemental about stuff like that. other stuff, sure, stupid stuff, but not that.

so when he sees you dealing with the telltale signs of being in pain, he conveniently sends jayce and the others to pick up some parts that would take a while to collect and that they wouldn't actually need until the next day. but better prepared, right? what's the harm.

and then he comes to sit next to you and sighs deeply. leans back. relaxes to the best of his abilities. asks if you're alright, and sounds like he already knows the answer.

you sigh too, shift your position, and answer with it's fine. and viktor recognizes the strain in your voice, in your posture, and he knows there's a key difference between this and i'm fine, but he'll take it. it's not what he'd like, but he'll take it.

he leans over to dig around his belongings, and then offers you a bag of candied almonds.

"if you're going to take pain killers, it's better if you eat something first," he says, and you just stare at him. "i assume you haven't taken anything yet. nothing strong enough, at least," he continues, casually, and you take a deep breath and accept the almonds.

he smiles. continues like this is totally normal. "jayce made me start carrying around some food so i could do that. for myself, i mean. but it doesn't hurt to have some snacks around either way, i suppose."

he knows he's skirting around the real topic of the conversation, but he also knows that sometimes people get uncomfortable around his bluntness, and you hadn't exactly told him you were in pain, so he'd understand it if you were a little weirded out. after all, most people didn't notice this stuff. but you haven't run away from him, and you're eating, and then you're digging around your own bag to take your medication, so he'll count this as a win.

thanks, you exhale, handing back the almonds, and he takes a handful of them himself.

"i'm fine, really," you continue, not really looking at him, "it's just hard sometimes."

he nods. it was - even if he didn't know the specifics, he knew that it was true. especially since you had been hiding it from the others. and with something like that, something the others couldn't see, the invisible step to let them see it would grow bigger and bigger with time, when they expected you to be able to do everything they did without a second thought.

he also knows you didn't mean fine in the dictionary definition sense of the word, but more in the this is normal and you don't need to worry -sense. and that's fine. he was used to functioning on different parameters than most people, so this version of fine was good enough.

my body just isn't always very reliable, you explain with a sigh, and that he knows better than well.

he hmms in answer and nods. he knows.

you exhale a small laugh at that.

and he's glad you're relaxing, wants you to be as comfortable here as possible.

"these people are alright," he says casually, "as far as healthy people go."

viktor smiles a little.

another win for him.

and then he sits with you, talking and not talking and enjoying the quiet comfort if it all. and then he makes up some excuse so you don't have to keep working yet. he was well aware what it was like trying to work through the pain, waiting for the medication to kick in, and he wouldn't exactly recommend it. besides, as a rule, you were more likely to make mistakes if you were thinking through a layer of pain, and that was just plain bad planning. it made much more sense to just take a break and continue when you felt better. in fact, he was in dire need of a caramel latte and a pastry right now, do you want anything?

and after that it just... sort of falls into place. you're more relaxed around him. and the others, too, but he's the only one that really gets it. doesn’t make a whole thing out of it when you need to sit down for a moment or take a break while your pain killers kick in. he's just there.

he knows what it's like, and that feels like an invisble curtain lifted from between you and him, and it's just easy. you don't have to pretend you're doing better than you actually are and he doesn’t hide it when he's in pain, either.

most people don't see it, but there's a mutual understanding there; yeah, sometimes life sucks and sometimes you're in pain and no it's not fair that sometimes your body is falling apart and life just keeps going. you can't do all the things you want to do but you still have to show up for the other life-stuff and if you took a day off every time you felt bad you would never get anything done and it just never stops.

but sometimes there's someone who'll sit through it with you without judgement. offer a warm drink and a snack and some understanding.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[the-artist-grimm]

Im sorry if you already answered something similar but does the twins ever reunite with Forneus in your au? If so how does it exactly work out, does Narinder, Anthea, and Forneus share custody?

Crimson Angel AU - The Situation between Forneus and the Twins

(Anon, @gerroacarnival  and @xquaserh Putting all these asks in 1 cause oh boy this is a COMPLICATED question to answer oof. I wanna preface this that while I love Forneus just going by the characters personalities/themes of this AU the reunion is not as fairy-tale happy as it is in game)

Anyway-the boys do reunite with her technically, but not in the way Forneus dreamt. Reunions are good in theory, the long lost children reunite with their ‘real’ family, hug their mother, go ‘home’ with her, start life anew, but life isn’t so simple, now is it? It’s never that easy, not when one side clings to the memory of three day old infants and a reunion she'd dreamt of for so long it just became her expectation, and the other side has no memory and complex feelings on the whole matter with this slight feeling that perhaps while their mother loves the idea of them, she doesn't actually love them.

It's messy, complicated, and no matter what, will NEVER be the reunion Forneus wanted. The second they left her embrace, she lost the chance to be the mother she'd wanted to be for them, yet never realize till too late what else died with them.

(Putting this under the cut cause it's longgggg. The Twins and Forneus's story has so little in-game text that it's become this favorite thing of mine to interpret/expand)

The Two Parents

Forneus did and didn’t have a choice to give the boys up. When Shamura appeared, the newborn, extremely premature kits were already doomed to die, so the choice to either let them pass naturally or to allow War to take them as gifts with a potential of reunion was an either damned if she did or damned if she didn’t, situation. And in her grief and desperation, she chose the option that gave the potential for hope. She gave the twins to Shamura, accepted the golden skull, and waited. Waited for her babies to come home, waited as a mother who never really ever had a chance to be a mother-one who works off feelings but no experience. 

Meanwhile when it came to Aym and Baal, Narinder never told them who their parent(s) were. How could he, when he himself had no certainty as to who they were? Though his 7th Vessel, Forneus, had left service specifically because of pregnancy, he had no means of tracking how much time had passed since when they first arrived (it could've been a century since for all he knew), nor any means to confirm without doubt that the black, newborn kittens were hers even once his next vessel gave him the date-he couldn't ask them to investigate something so personal and unrelated to their cause.

Their box held only their bodies, a spider-silk cloth which was their burial shroud, and a note penned in Shamura’s hand. ‘A Gift’ that’s all the note said. No names, no clues, no nothing. While Narinder had suspicions, he could not in good conscious tell the boys of a potential mother out of risk of being wrong-of getting their hopes up for a heroic parent only to be proved that it wasn’t her, or worse, told heroic tales just to learn they were abandoned all along. Vessel 7 was heroic yes, had a sense of justice yes, but during her service her luck had made her grow arrogant, had transformed flirting into a game of hearts and people into a way to get the upper hand-for all he knew, if they were hers, they could've all along been her means of trying to easily get out of vesselship. He just didn't know.

And thus Narinder raised them from there. He tried to use the title of ‘Master’ as a barrier in hopes that, if they did have a family awaiting them, he wouldn't take their place, (it was also out of guilt for being the reason they were trapped) but he also couldn't bring himself to fully shut them out either. The moment their dead bodies healed in the gate and they started to mewl for attention his unbeating heart bled for them, and he just couldn't deny them love because he knew how much it hurt to be without.

The Twins

As centuries passed Aym and Baal were content with Narinder as their 'Master'. He who told them stories of his time above, who taught them how to fight, who fashioned them clothes from whatever scraps of cloth he would get vessels to send-he was all they had and knew. When they felt the time to sleep it was in his paws they curled up, when they got hurt training or got bored it was from he they received comfort and attention. It was his magic which allowed them to age against the Gateway's stasis, it was he who saw their eyes open, watched as they learned to speak and walk.

But that’s not to say neither did think of whoever was left behind from time to time. Baal tried to keep hope that he and his brother were taken-stolen by the Bishops, with whatever parents they’d had having desperately tried to keep War away. Aym, meanwhile, only felt anger, bitterness and resentment, for who lets two three day old kits be taken and sacrificed? Narinder himself simply tried to keep neutral on the subject, not wanting to feed into either side in hopes that'd avoid a heartbreak or the smooth transition to their 'real' kin.

The Lamb

When the Lamb appears and starts to befriend them, it's then the boys suddenly find themselves feeling the same sense of security and comfort Narinder gives them towards Anthea. As the lamb brings them toys and books catered to their interests, teaches them to read, uses the crown to show them the world above and encourage their boundless curiosities. As nights suddenly see the lamb visit in their nightgown book and quilt in hand, letting the twins snuggle into their sides as the three are cradled against Narinder's chest while reading a book, and the boys fall asleep to a heartbeat for the first time. Narinder had always been stability and security, Anthea became tenderness and warmth.

Anthea teaches them what a 'Father' is as well, and the boys realize that's what their master actually is-he's their dad and tentatively start testing calling him as such, and while it's not until just before Silk Cradle they realize it (yet don't call them Baba yet) Anthea's long on their way to feeling like a parent too.

Which then begs the question…what of the parent(s) left behind?

First Contact

Baal still wants to meet them, he's always been curious and just wants to know who they are, while Aym is still angry and wants nothing to do with them. They got a parent in their master, and Anthea's their friend and practically a parent too, so why bother with the ones who abandoned them? Narinder overhears the boys debate over it more and more, and as Anchordeep’s door opens, Narinder hesitantly asks the Lamb for a favor.

He’d heard rumors of a shopkeep she-cat who wore a golden skull, and Anthea had been the first to confirm that cat's name was Forneus. He’d never asked a vessel to do such a thing before, mainly out of not feeling close enough to ever ask such a personal, unrelated to the Bishops, task, but he wants to give the boys closure, and Anthea would happily do anything to help the kits. And thus they're sent out, and in a bit of a side quest work their way to getting Forneus to sit down and just...talk.

She explains her side of what happened, how the boys were born too soon, how she had really no choice, breaks down, and as the cats had been listening in and Aym who's now uncertain feels bad, and he requests Narinder for permission to speak.

“Save your tears for when we meet” is what he says, and that’s all that’s said through the crown.

For Aym it’s an olive branch-he’s sorta gotten an answer as to why he and his brother were sacrificed, though he's not entirely sure how to feel since well...she still gave them up, but she looks sorry so... Baal's eager and happy to hear that they were cared about but is a little disappointed at realizing that she didn't really hesitate despite the situation, but regardless, both are willing to give her a chance. They want to get to know her, and then they'll decide how they feel after that.

They, do not, see her as a proper 'Mother'. Just someone who shares their blood who they want to meet. To then Narinder's still Dad-he's still the one who makes them feel secure.

Meanwhile for Forneus it’s proof that she’ll get what was promised. Her boys are not only alive, but they’re children-they’re still children, so she'll now get what she wanted and more. They'll reunite and she'll then take her children home to travel by her side-she’ll get to raise her dear little babies just as she’d planned, and while it took so long it's going to be perfect.

She's dreamt of the boys seeing and running into her oncoming embrace crying. That they'll love her instantly and had already because she's their mother so of course that's how they'll feel. How could they not? Children ALWAYS love their parents.

The Lamb promises to help her meet them once they’re free, and every visit after, Forneus tries to get the boys to talk again-offers gifts for the lamb to bring to the Gateway, rambles on about all the things they'll do together while the Lamb browses her shop. And...well they're things, at least. Most of the toys she offers are either baby toys or things that just don't interest the boys, and some of her plans are...plans. They're elaborate-taking them to X mountain, to X landmark, traveling here and there and everywhere. Big and grand and...and never mentioning their Dad or Anthea being there.

Baal thinks it's sweet how excited she is while Aym is getting more and more unsure-but even Baal eventually admits that she's a little...loud. Forneus is loud-she's energetic and eager and while he and Aym can be too, seeing it from a stranger about them is...weird. She keeps calling herself their Mama , and calling them Zamir and Delshad despite being told otherwise because apparently those were their names (a fact not even Shamura had been given. Narinder had to name the boys himself). She keeps talking about those three days they were with her, and it kinda feels like she loves the babies she gave up and not them.

Anthea tries to tell her about them, but she usually doesn't realzie since she's busy talking to her babies and not them, it's as if the lamb isn't even there. The boys can't even try to think of trying to talk-she never leaves an opening for them to try. Eventually the boys ask Narinder to mute the crown during the Lamb's shop visits the more uncomfortable it gets.

It's like going to a family reunion and being brought to your great Aunt who last saw you as an infant at your christening. She insists on kissing your face and hugging you tight and going oh how big you've grown sweetiepie and this and that and...and you put up with it because she's family but...well she's a stranger despite the shared blood. She doesn't actually know the you of now-and you don't know her.

Reunion

When the final Bishop falls is when Forneus suddenly finds herself left in the dark. For 6 months she sees hide nor hair of the Lamb, and gradually gets worried because where are her sons? The Bishops are dead, why hasn't she been given back her babies?

(The Lamb had been avoiding her cart during crusades out of both grief and guilt-Aym's dying word of calling them 'Baba'...it broke something in them, made them realize just how much the boys had meant. They had a shattered heart and endless guilt, and having to face Forneus and explain she'd never meet her sons? It'd been too much as a grieving parent themself)

The twins were revived after 4 months but Anthea only finally approached Forneus after 6, and she was too relived to finally hear she could meet them to bother asking what'd happened. Anthea invited her to come to the cult that weekend, and Forneus happily accepted, not even noticing the tiredness in the Lamb's eyes nor the uncertainty in their tone. Even on the day she arrived at the cult, she didn't mind the lamb, not even as Anthea gave her a final warning.  

"There was trouble setting them free…they’re wary, skittish, they’ve been through a lot... I know you’re excited but please be gentle when you speak to them, be calm and keep your distance please they’re so easy to startle."  

Meanwhile the boys waited at the temple with Narinder, who, for the hundredth time, asked if they were certain they were ready for this. Though it'd been 2 months, the toll of dying so traumatically via turning to ash, of being trapped in the gateway, the trauma of resurrection, the fear of being alone without their parents because that's what he and Anthea were to them, Narinder had wanted them to wait as did Anthea. The boys could hardly sleep without at least one of them there with them in bed, were just starting to be ok interacting with other people, could only handle the touch of a select few and even then sometimes would just break down into panic attacks out of seemingly nowhere. They weren't ok, but the boys had insisted. This woman who claimed to love them had been kept in the dark for so long, they felt bad and wanted to try.

They felt guilty for not being ok. Even as Narinder and Anthea repeatedly and gently reminded them that it was alright-that their feelings were valid, that they could take all the time they needed and they'd be right there to support them, the boys had insisted and they just couldn't deny them their choice.

But once Forneus arrived no one got the chance to even properly introduce the boys to her-she just saw them, ran towards them for the reunion she dreamt up, swept them into her arms, and next thing she knew she had two yowling, struggling kits trying to break from her hold. In her excitement and in not listening to Anthea's warnings she'd done the worst thing anyone could've done-she was louder, bigger, stronger, scarier than them, and as the kids managed to shock her into dropping them suddenly Baal was hyperventilating, and Aym was working himself into a panic attack. And Narinder and Anthea, having two months practice in calming them like this, and having long been the twin's safe people, immediately fell into place. Narinder got Baal, Anthea got Aym, and Forneus could only watch.

Could only watch as Baal started gasping for Dad as Narinder tried to get him to breathe, as Aym started sobbing for Baba and practically tried to bury himself in their embrace, as her babies looked at her in fear and clung to someone else.

And then all she can feel is anger. She'd waited 300 years-those boys were hers. Why are they clinging to someone else?

From there it just becomes a mess, she gets into a very loud, very heated argument with Narinder especially for 'stealing' her sons which just scares the boys more, and in a very poor move tries to just grab one of them which prompts Anthea to use a show of godly power and threaten her to get out of the Cult which she does since a crowd has also formed (the Cult was ALL aware of the twin's poor mental state, and they'd all grown very protective of the community's first children despite having to keep their distance because by gods those kids deserved more than what fate had given them).

Forneus leaves angry, and Narinder and Anthea now got two kits who had been tentatively healing temporarily back at square one, and who are now gonna start having nightmares of a stranger taking them away on top of preexisting ones.

I wanna note that Forneus isn't a bad person. She isn't, but she's also not used to things not going her way. As a vessel she was 'Lady Luck', she who rarely died, who always had the upper hand, who would pop curse shots at the Goddess of Famine for fun and be the heartbreaker of her own cult able to flirt and tease and talk her way to whatever she wished. She's kind and cheerful and charismatic sure and she genuinely does want to help people and do the right thing, but there's still this...ignorance, arrogance-that she doesn't even realize is there.

Like how above in Starfall Part 1 she VERY casually mentions how she 'knows what it's like missing her own twins' and 'how 'hard' it must be for Anthea to have nothing of their family to remember them by', but the thing is...she doesn't know. She's so hooked on this idea that she WILL get her boys back that she completely has just ignored the grief that comes with loss entirely this whole time. The way she misses her sons is NOTHING like how Anthea misses their brothers-she misses them like a relative you haven't seen in awhile but will see soon. Anthea misses their brothers because they're DEAD and they know that they will NEVER see the two again, especially now. Like Forneus has not considered how she's lost a LOT of moments with her children. They're still kids yeah but they're not returning to her as blank slates-though physically and mentally 11 they've been with Narinder for over 300 years, that's a lot of time to be without her. She loves them, but kinda more-so the sons she thought she'd get back.

Thus when you've been envisioning this 'perfect' reunion the entire time only for it to not go your way...it's a hard pill to swallow. She gets disappointed/angry understandably-anyone would, but instead of stepping back and realizing she can't fault the boy's feelings she takes it out of the ones who 'took' her place instead, which then turns her into this loud scary bad-guy to the boys.

And Aym and Baal aren't to blame in this situation, like they're kids, and like with my 'great aunt who last saw you as a baby' analogy, it's not their fault they don't immediately love her. She's a stranger-one whom, the more she tried to force interactions via the crown during their imprisonment, seemed to have little interest in them personally and more in whatever children she assumed she'd be getting back. And after that disaster of a first meeting? They don't want anything to do with her she scared them that much.

As for Narinder and Anthea they both feel awful because they understand why Forneus is angry, she only gave them up because she was promised a chance for reunion (though she ignored the CHANCE part of that), but in the same breath Aym and Baal are their sons and they'll take their side first over anyone else's. And the thing is there's nothing that could've been done on their part to prevent this really either.

Anthea telling Forneus the twins had died? Anger, grief, then upon their revival a fierce insistence for the boys to NEVER go near the Lamb or Narinder again, which the twins would've been just as terrified and against.

Narinder not showing care to the kits for those 300 years? They would've gotten attached to him anyway since he was literally all they had, though they might've turned out worse emotionally because of neglect

Telling the boys to wait longer to meet Forneus? She likely would've just shown up on her own within another month anyway since by that point Anthea had just freed Heket from Purgatory and word was starting to get around about the new God of Death so this would've happened but worse.

The only way Forneus could've had the reunion she'd wanted would have been if Narinder never forced the twins to start aging against the stasis. But then there would be two 300+ year old infants, which is a whole other can of worms.

Notes/Explaination

Again I love Forneus in-game she's so adorable and my one of my favorite NPCs to visit, but I also like making imperfect characters, especially parents and their relationships with their children. And while I love the idea of her being this wonderful, sweet, amazing mother, I also like the idea of her being really flawed about it to.

Crimson Angel is about learning to communicate with your loved ones, and in this case, it needs to be her looking at things from the twins view and realizing that if they don't want her in their lives, she has to accept that. She needs to realize that she's not entitled to their love just because she gave birth to them. She also has to let go of the sons she gave up that day-those three day old infants who were perfect little blank slates, and get to know the boys they became without her. She has to realize someone else took her place in their hearts, and realize that if she wants to join them, she HAS to let the boys come to her, and that she has to work on THEIR terms.

She cannot try and force a love if she wants a chance for it at all, and must swallow her pride and listen to others who know the boys better-Anthea and Narinder, alongside the boys themselves.

She'll get a relationship with the boys eventually, but it's not going to be the one she hoped for. She's gotta work on herself first and realize her flaws, maybe get some practice with handling children via unintentionally adopting a certain fan-favorite grave spider kid after finding him all alone, and just...wait. Narinder and Anthea are the twin's primary parents, and while Forneus does eventually get to a place where they're comfortable with her, it's never going to be on the same level, and they all just gotta contend with that.

Boarders are by @/lambouillet

[alchemistc]

@liminalmemories21 - this isn't exactly what you asked for but:

Abby C. 8:51 PM: So how'd it go? With the talking?

Buck stares at the message. Stares at the milk frother sitting in his counter, and the candlesticks he'd really considered dropping off the side of his upper balcony, ten minutes ago. (He's a firefighter, he knows how that ends. But, like. Still)

Bad, he texts back. So bad. But he also won't give me my sweatshirt back and I know he has it. Any sage advice?

It's a little weird to be texting her. She'd been one of the first people he'd ever talked to consistently on the phone, and he'd grown to enjoy it, grown to appreciate that voice in his ear.

Abby texts back immediately: I'm not entirely sure I know what that means. He actually LIKED you.

Buck can feel the buzzing under his skin, the rush of adrenaline at remembering Tommy not only not denying he'd loved Buck, but admitting off-hand that he still did.

It means I'm getting my man back, Buck sends, and then stares at the slippers he can see poking out from the right side of the bed.

His phone rings.

"You know," Abby starts, before Buck can so much as greet her. "I spent a long time beating myself up for not seeing this as a sign, but that's not the point."

"What... is the point?"

Abby chuckles. She sounds good. Happy. Buck is far enough removed from it to feel glad for her, and jealous of her, and then he's rolling right back around to being fucking livid that Abby and Tommy had both run. Different reasons, same result. A first of Buck's that'd just walked away.

"He used to watch movies with my mom constantly. All the terrible schlock that I couldn't stand - Hallmark movies, and D-Lister rom coms, all those trite based on true events Lifetime shows."

Buck nods. Waits for her to continue.

She doesn't.

"I'm not picking up what you're dropping down."

"He and my mom would just critique them all the way through. Just tear them to shreds. What was unrealistic, what was just plain stupid. She - mom was never more lucid than when she and Tommy were bemoaning the lack of reality in those movies."

"Listen, I already know asking him to move in with me was a dumb idea. I'm the himbo, remember?"

Abby pauses. "...that's what he called you?"

"Apparently all your mutual friends did."

Abby sighs. "The point is, Buck. They liked watching them because they liked talking about what real relationships were actually like. What happened after a curtain close kiss, how much a couple was gonna fight over the financial sustainability of a Christmas themed donut shop, what the fiance that got left behind in the big city was gonna do now that they were finally free of the person who'd spent the holiday season losing their entire brains. Tommy's a realist. He wants to be stopped before he gets on the plane, but he wants to be stopped because you already have a ten step plan to make things work. And he's terrified of giving too much of himself away to someone who thinks he shits rainbows and puppies and hasn't reckoned with the fact that he's just as screwed up as the rest of us."

"You swear more than I remember."

Abby laughs. " But you see my point?"

Buck doesn't want to. But he does. "Well, I definitely don't think he's perfect anymore."

"And you still love him." She says it like she knows. She says it like she'd once expected to spend a life with Tommy Kinard.

"And I still love him," Buck acknowledges, and they both drift into silence. It's comfortable. Easy. He sort of misses being able to talk to her about shit like this.

"Call me if you need anything, Buck."

Buck hangs up the phone with a million new, vaguely more hopeful thoughts swirling around in his brain.

Twenty minutes later he texts her one more time: This is the only sex thing you're getting from me - that thing he does with your nipples? What the fuck?

Abby C. 9:22 PM: I taught him that. You're welcome.

Tommy ignores the knock at his door. He's in day three pajamas and the only person who might make the effort to check in on him is his exes best friend. Which.

The knocking continues.

It's getting louder.

There's a Kings game on in the background and he's been elbow deep in the Jeep manual he'd finally cracked open in some sort of weird, fucked up pattern of mourning.

Tommy's never gonna buy a fucking Jeep. He hates them. You own one for more than five years and more than half the parts are replacement parts.

He's been staring at a diagram of the timing belt for half an hour, at least. The last thing he remembers about the game is Kuemper letting in three goals on five shots and somehow the Kings are up two, now, and there's still 25 minutes of game time left.

Tommy reaches for the remote. Turns the volume up.

The knocking returns less than a minute later.

---

There's a box of odds and ends tucked under the table in his entryway. He avoids looking at it. He knows there are a few things missing from it and he really doesn't want to examine what he'll have to do to avoid giving it to Eddie tonight. He cut the cords, he shouldn't be lingering watching the frayed edges sway in the wind, clutching his line like there's anything braced on the other side of it.

Evan's oldest, softest LAFD hoodie, the one that's technically too small for both of them but has stretched shockingly evenly and is definitely not sitting unwashed at the bottom of Tommy's laundry basket. The program from a recital of Denny's they'd stopped by to support him for, on their way out of town for a long weekend. Evan's stupid keto bread and the milk frother he'd left behind three months ago and never bothered to grab because he had more than one.

Whoever is at his door is still fucking knocking, and suddenly Tommy doesn't feel like being polite. He'll shove the box in Eddie's arms and tell him to fuck off and close the last few remaining open doors he has to this.

Only when he swings the door wide it's not Eddie on the other side, and the box nearly takes out whatever Evan - Buck, Jesus Christ - has in his own arms.

Not a Tommy box - too small for all the shit that he'd left behind. He misses the house slippers that had had a permanent spot tucked under the left side of the bed.

Tommy flinches, reels away, tries to shove the box away before Buck can see its contents.

"What are you doing here?" Even tone. No quiver in his voice. He's been called rude and dismissive for less.

Buck scowls. Hefts the rectangular dish in his hands and shoves past Tommy before Tommy can blink.

It's silly to say he chases after him, down the hallway towards the kitchen, but he's not exactly following along behind at a casual leisurely pace.

The glass pan slams down on his kitchen counter and Buck spends a minute staring at the calendar he was only getting two months out of because he couldn't look at the one with all Buck's notes penned in anymore.

"Wow," Buck says, and shifts his weight awkwardly.

"What are you -?"

"Jee and I made you birthday cupcakes," Buck says. His voice is hard. Angry. Hurt. "Happy birthday, asshole."

---

He cracks the lid and there are only three cupcakes inside. Tommy forgets himself. Raises a brow, amusement rolling over him pleasantly, prepared to tease him, but then he catches the set of Buck's legs and the curl of his mouth and the tight way his arm tucks itself back in against his belly, a protective gesture that reminds Tommy very effectively what this is.

"Why?" Tommy wonders aloud, and Evan's scowl deepens.

Buck's scowl.

God.

"We've been planning it for weeks." Something flashes across his eyes before he schools his features. "Jee made me promise to bring you some."

"She must not be a skilled baker," Tommy jokes. "If these are the only ones that made it."

Evan's expression twists. "I ate most of them."

The frosting looks fresh. No creases in the paper cup holding them together.

"I had to make a new batch of frosting because I used some of it for -." He cuts himself off. Looks like he'd like to throw it in Tommy's face but can't quite force himself to hurt Tommy.

It hurts as much as he'd expected, anyway.

The world is a small place. It's not the first time he's had to speak to an ex when he didn't want to. It's never pleasant.

This is worse. The cut and run is supposed to give him time.

Evan Buckley has been an ache behind his ribcage for months, now, long before he'd made that final decision. He'd known it was too little too late. Buck's gonna be the shadow other men see behind his eyes for years.

Buck's apparently found and slept with someone within the week and a half span from Tommy walking out to his sad shitty mopey birthday.

That he'd forgotten about.

Tommy leans in. Picks up a cupcake. Licks a stripe through the frosting and makes a face when he realizes it's buttercream.

"The ones you were supposed to get had the whipped cream one you like," Buck says, accusingly.

That somehow stings just a little bit extra.

Tommy pulls back the paper, takes a bite. There's raspberry filling inside, and Tommy can feel tears prickling at the edges of his eyes, because when he'd told Evan about how his grandma baked he'd been thinking of Evan being a grandparent, the kind of shit he'd forbidden himself from imagining with anyone he was dating years ago.

"Thank you," he manages, and Buck frowns.

"He thought the whipped cream was too sweet." And Tommy probably deserves this but he's not particularly in the mood.

"Cut it out, Buck."

Buck rolls his jaw. "I just figured you'd wanna know how it's going. Maybe I could tally up the hookups for you, count them all up by gender and stamina and opinions on how I should feel and act and fall for someone. Find out if I'm actually gay enough to be a man's last."

---

The rest of the cupcake kind of collapses and oozes as Tommy smacks it down on the counter. He takes thirty seconds to pull the other two cupcakes out before he's grabbing the too-large fake Pyrex and turning heel. The keto bread goes in the pan. Then the milk frother.

Tommy yanks the recital program off the fridge and tosses it in the trash.

Buck almost looks triumphant.

"The box under the side table has the rest. You can see yourself out."

He actually does exactly as he's told, and Tommy listens to his footsteps drift off, shoulders hunched in and the breath tight in his throat. He'd been cruel, it was only fair Buck got a few final kicks in.

Tommy sucks in a breath and blinks away the moisture at the edges of his vision.

The footsteps take a heel turn at the side table and turn right back around.

"This isn't everything."

Tommy half expects some panned comment about how Tommy's got his heart - the kind of silly shit he'd say to a dead outlaw.

"My sweatshirt," Buck says, and Tommy freezes.

He could lie. He could pretend he had no idea where it was. Claim he didn't remember it even being here, because that particular piece of clothing did have a tendency to travel.

He doesn't fucking want to hand that one over.

Buck smirks, like he's caught the crack, and is looking for ways to exploit it.

"I own my own house!" Tommy says, and it's a terrible launching point but Buck latches on.

"You just left, Tommy! I know I jumped the gun, Tommy, but you didn't even - you just left! I'm sorry, okay. I'm sorry I didn't know I was into men until you. I'm sorry you had to be my first, I'm sure that must have been such a burden for you."

"That's not fair."

"You didn't even give me a chance. That was - I'm so angry with you, Tommy. I'm so fucking mad."

"I know."

"But that's what you planned for, right? That's - you ripped the bandaid, Tommy, except there's a whole fucking untreated stab wound right underneath and it's still bleeding, Tommy."

"Did you even make this round of cupcakes with your niece?" It's better to keep his family's names out of his mouth. Just keep those ties cut.

Buck looks livid. "No, you idiot, I whipped up a tiny batch of this recipe just for the excuse to see you and - and tell you what a stupid, awful coward you are."

"That's not f-." He isn't sure whether Buck is being facetious about the small batch thing or not. He doesn't have any time to think about it.

"My sister and Chim are having another baby. Bobby and Athena are probably gonna host Christmas this year. Eddie shaved off the mustache and he's, like, dancing now, I guess. Hen and Karen are good for the first time in -." He shakes his head. Stares at Tommy. Tommy can't quite hide from that gaze. "We were good, Tommy. We were - you loved me."

He'd never said the words. Neither had Evan, but they'd both known. Both felt it. Tommy let it go too far, did it scared for longer than he usually would.

"It's not like that just went away when I walked out, Evan," Tommy hisses, and then regrets it immediately.

Evan has spent most of this visit pushing, pressing, digging fingers into the wound to make it hurt.

Evan goes silent now, reeling back a little. He seems shocked that Tommy had admitted it.

"I want you to go," Tommy says. "I need you to go, Buck."

It was the right dagger the first time, but apparently it's only effective once.

"I love you too, you know." His voice is soft. Tommy can't meet his eye. "And I hate you. I hate you even though I know that's what you wanted but I love you too much to not hate you out of spite."

Tommy knows if he caves it's done. He's signing himself over to whatever fucked thing will end them a week, a month, five years, two decades from now.

"Go home, Buck. Hate me there."

---

He goes in for the kill.

"I called Abby, two nights ago."

Right for the jugular. No survivors.

"She laughed for like twenty minutes, and then she tried to get me to chat about our sex life for comparison, and then she was shocked silent for a full minute when I wouldn't." Because Evan had always been a little too open about those details. "She also told me she forgave you but she doesn't think you ever forgave yourself."

Tommy agrees. For all that they'd been terrible for each other, they'd known how the hell to take care of one another like no one's business.

"I want you to go," Tommy says, steady, quiet, nearly a snark for how deep his voice goes to hide the tremor in it.

Buck cocks a hip against the doorframe. "I want my sweatshirt."

The breath that escapes him is shaky, but her think he hides most of it behind the hand over his face, the finger pinched at the bridge of his nose.

"I can't do this."

"Exactly how many men and women do I have to fuck before you believe the future I'm looking at is with you?"

"All of them! None! It was a stupid thing to say and it's not what I meant and I can't do this."

Buck spins on his heel. Grabs the box he'd set aside and hefts it up into his arms. "I'm coming back for my sweatshirt," he says. "You let me know whether you want to talk about the data points of the sexuality spreadsheet or about us."

"There is no us, Buck." His voice sounds defeated even to himself.

"If that was true you'd just give me the stupid sweater and be done."

Tommy sits in silence. He does not get up to retrieve the hoodie. Buck is still angry, but his smile is wide and bashful.

Tommy listens to his footsteps trail down the hall, towards the door, out of it. He hears the Jeep's ignition catch, the wheels roll off the drive.

He realizes he'd left the goddamn Jeep manual open on the timing belt page, right there on his side table where he'd pointed out the things he wanted Evan to take to clear him from his life.

---

There is someone knocking at his door.

Tommy doesn't quite ignore it.

He hid the sweatshirt in one of his toolbox drawers when Evan texted him this morning to let him know he'd be over with a six pack and a pot of chili.

There's a zero percent chance Evan's getting that sweatshirt back, tonight.

[mer-acle]

do you have any headcanons about the other gods?

Lol naturally hehe (that's also so much lmao)

I think I'll just try to add one for each Olympian besides Athena and add links if I already made bigger posts about them. (The non-EPIC gods might get a little shorter)

Zeus: Makes the biggest gestures, in debate, at dinner, just whenever he's talking. It's great for who's sitting next to him (usually Hera and Athena respectively) bc who doesn't love being almost hit in the face every two seconds?

Poseidon: Involves himself in arguments all. the. time. Nobody cared, nobody asked, he knows like half of the facts and has no idea what the problem is but SURE shout along.

Hades: A lot more measured and chill than his brothers, but lets himself be drawn into debates and he CAN get pretty heated if the arguments get too nonsensical.

Hera: Has a massive garden and tends to it herself. It has a peacock fountain and stuff, it's really beautiful.

Demeter: Will 100% cry if she gets a gift from one of the kids.

Hestia: The best. Gives people a bit too much space sometimes. Like, yes, all her nieces and nephews are stubborn but some of them really could need a venting session or a hug down the line, but she just leaves them be. (It is not her responsibility but she wouldn't mind them venting, she just assumes they'll come themselves)

Athena post here.

Hephaestus: Is actually a really good singer (we're not talking musical world rules where everyone can sing, normal world) Like mostly it's too loud in the forge but he sings to himself anyway and he has a good voice.

Aphrodite: Is an amazing swimmer. Basing this on her ocean-born creation myth even though I am more of a fan of her being Zeus' kid for my own version. For the same reason, I always picture her with pearls

Ares post here.

Artemis: In council, I believe she's the most confrontational actually. Yes, more than Athena. Athena lies to get what she wants. Artemis doesn't live on Olympus, she just comes for the council meetings so she might as well speak her mind even if it means the meeting is even more chaos than normal. In general, she never backs down from what she believes in.

Apollo post here.

Hermes: God of eavesdropping and gossip. Seriously. Do you really have to know every single thing that's going on? Also I think his funny persona is a coping mechanism but it's so deeply ingrained it would be literally impossible to shed.

Dionysus: Randomly says the most insightful shit you've ever heard. Like, Athena is speechless levels of deep stuff. Like... is it because of the drugs or is he on drugs because otherwise his being would transcend the universe, we will never know.

__________________________________

Okay that was fun hope you enjoyed :D

[disaster-j]

What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.

[starberry-cupcake]

oooohhhh boyyyyyyyy Stuff Happened you folks, this might be obnoxious because there was a lot of exposition, let's hope I can keep it decent. As always, sending you all positive vibes in these trying times ♥

previously, in harrowcita del 9:

this happened

CHAPTER 50

30 minutes for emperor destruction, prepare the champagne

gideon is being taken by yandere twin to meet doctor reverend emperor john

she isn't very into that idea, but doesn't have much of a choice

doctor reverend emperor john is having a very important conversation with someone in the room, so gideon and yandere twin hide to listen in

and the conversation is with non other than not!dulcinea

not!dulcinea is being possessed

by commander wake

I ASKED FOR THIS IN THE PREVIOUS ONE

why did you need harrow, then, you dramatic asshat?

so, basically, commander wake's name is actually a couple quotes and lyrics to eminem's song from 8 mile

her name isn't amanda, it's just awake, etc.

I'd take amanda over eminem but ok

they said they are words that date back thousands of years, so we're in the future

I considered this, but not due to book reasons, just because one time I was talking to @lady-harrowhark about one time a barbie of mine was stolen when I was a kid and it somehow related to tlt, this was A Long Time Ago but I thought "what, are the books in the future?"

I have no idea if my hollywood hair barbie had anything to do with the books directly or if it was just some fandom thing @lady-harrowhark knows and I don't, but that planted the idea in my head

if it's a spoiler, don't tell me

but I didn't pick up any clues from the book until eminem

emperor's last name is gaius, which I knew from an untagged non context dashboard post

doctor reverend emperor john gaius wants to know what commander wake was doing in the ninth, because she landed there on purpose

and also is impressed that she's been a revenant for nearly 20 years and doesn't know how she got there

I think it's the sword

so, in come augustine and mercygirl

because now we're having a party

dr reverend emperor john says "Am I in trouble?" because he's the most punchable asshole in the known universe

and introduces commander wake with an evanescence quote rather than an eminem quote

yes, ok, I much prefer that, thank you

thank you, Fallen by Evanescence (2003) you changed my life

so, turns out that commander wake was in cahoots with these two lyctors

but things turned south and gideon the first was sent to kill her

she went to the ninth to break into the tomb

it always comes down to the tomb

ice cube barbie is very popular

so, I was right when I said that gideon wasn't conceived Traditionally

the eggs were my clue on that bit, the eggs on the notes

they were supposed to 1) use dr reverend emperor john's genes to 2) create a baby with his blood to 3) break the blood ward to 4) open the tomb

CONVOLUTED LYCTOR PLANS

but the eggs didn't work, so commander wake decided to birth gideon herself

when I said gideon was a demigod and used hercules memes and when I compared her to superman or whatever

I was more correct than I thought

commander wake called gideon "bomb"

this song could go into the gideon playlist @lady-harrowhark and I were talking about

because we didn't have enough lyctors at this party, in comes gideon the first

from battling the beast, which is what everyone was supposed to be doing, btw, just putting that out there

gideon the first will receive a lot of very clever, funny and amazing nicknames by gideon that I can't even remotely compete with

I vow to you and your prowess for nicknames, queen

gideon the first comes in, removes gideon's glasses from harrow's body, and slides them on his face

commander wake me up before you go go looks at him with heart eyes

and he shoots her

gideon, things were so much easier when you didn't have a family, girl

this is too stressful

everyone is surprised that gideon the first fought the beast, the beast ran and gideon the first is alive

I am NOT SURPRISED because HE WAS FIGHTING ALONGSIDE MATI NONIUS

and ortus, and protozoa, and martita

BUT, MOST IMPORTANTLY, MATI NONIUS

well done team harrow!!!

so, basically, gideon the first didn't say anything about the whole commander wake situation because he thought gideon was his

which accounts for my doubts the other recap on how I thought gideon wasn't Conceived Traditionally but there were doubts from gideon the first's side

gideon prime, gideon zero, gideon senior (all gideon jokes, not mine) says he was with her for about two years

so augustine starts explaining how they got dr reverend emperor john's genetic material through god apate major

WHY AM I NOT SURPRISED

IT'S ALWAYS THE ORGIES, ISN'T IT?

man, I'd rather not know the details, thank you

gideon the first also doesn't want to know the details

the emperor's bolthole wasn't as inexorable as it was advertised to be, turns out

it's basically a revolving door

ANYWAY

the emperor goes "so you killed her and the baby, right?"

IN COMES GIDEON, INTRODUCING HERSELF

"I'm not fucking dead"

and the emperor goes "hi, not fucking dead, I'm dad"

CHAPTER 51

gideon starts remembering childhood things like suffering and fighting with harrow and telling harrow that maybe she is the daughter of someone important and they don't know it

"You remember how the fuck-off great aunts always used to say, suffer and learn? If they were right, Nonagesimus, how much more can we take until you and me achieve omniscience?"

man, this is rough

so, the thing about the eyes

gideon apparently has AL's eyes

whose name isn't only Annabel Lee

it's also Alecto

the alecto everyone keeps mentioning in the fandom

so, this explains why seeing gideon's eyes was like seeing a ghost to these lyctors

also why ice cube barbie had gideon's eyes

THERE ARE A LOT OF THREADS GOING ON IN THIS BOARD

GIDEON IS CONNECTED TO A LOT OF PEOPLE

NONE OF THEM GOOD

the lyctors bring back what teacher said in canaan au, about them asking dr reverend emperor john to kill AL aka Annabel Lee aka Alecto aka ice cube barbie

apparently all of them (except for gideon the first) hated her and were low key scared of her and high key scared of what might happen with her around

they think the beasts are coming partly because of her

and whatever dr reverend emperor john did to resurrect her

the emperor says he didn't kill her, he "switched her off"

not successfully, because she's been sort of roaming around

mercygirl and augustine say that everything about this is very sus because what if he didn't kill AL??? and what is going on with the origin of his power???

dr reverend emperor john goes "you both do tend to go overboard on the foreplay"

mercygirl and augustine figured out that harrow's true cavalier had AL's eyes

but it was impossible for a baby to be born with AL's genes

however, it was very probable that a baby had been born in the ninth with the emperor's genes

because they had been planning on that to happen

albeit in a different way, without the human intervention

so, if gideon has AL's eyes but the emperor's genes

it means AL's eyes aren't hers and the emperor's aren't his

the emperor's weird eyes are AL's and gideon's eyes are the emperor's

because.......

he achieved lyctorhood without having to slurp his cavalier aka AL

I'm very interested in this potential situation if we get gideon alive again

but everyone else is pissed off because they had to slurp their cavaliers unnecessarily

yandere twin also decides to join the chat after this

and, apparently, anastasia had figured it out too

the ninth necro who everyone said was the one who couldn't become a lyctor

the one with a room unused

until harrow

the emperor's version of events is that things went off the rails in the process and he had to kill them both

augustine tells dr reverend emperor john to just stop already with his plan of destroying everything

and the emperor says that the man before his resurrection would have hated him to say that

mercygirl then goes "I'll forgive you if you tell me you didn't mean to kill my cav"

and the emperor goes "yes, I'll do whatever"

so he hugs mercygirl

and mercygirl

FUCKING DECIMATES HIM

SHE WRECKS HIM

SHE MELTS HIM INTO NOTHINGNESS

gideon says she's an orphan again while I'm giving everyone a party hat and a piece of celebratory cake

I'M SORRY THIS WAS LONG but we're reaching the end of this book!!! See you next time!!!

[dreamsarebutterflies]

I didn't mean this particular scene or by the end of the manga but BEFORE that obviously. Ranma's character development is never stopping and that's what I love the most about his character: he's willing to learn and I do believe he knows himself too. After all, you need to if you try to be a master of martial arts.

Independently of the curse itself, parental pressure played a role in this idea of what a man is supposed to be. First, Genma and his mother made a freaking pact to make a MAN™ out of him. The alternative is DEATH. That alone would put things into your teenage head.

Despite this, he inherited his mother's kindness and he's genuine. Those parts can be seen as feminine in the most traditional ways. He wasn't raised to expose these qualities to the world, which makes him awkward at times when he wants to be nice to Akane for example. To be fair, he turned out fine as far as traditional boys go. He can be a jerk but he's a good kid who has actual affection for all these crazy people coming at him and Akane. If they get into trouble or ask for his help, he'd probably assist them.

Ranma wishing to be a FULL man isnt something new but the reasons evolve as the story goes on. Not necessarily because he changes or because he meets new people but we, as an audience, learn more and more about him.

You cannot ignore that this kid who didn't see his mother for ten years and lived in his father's fear of disappointing her for the whole while he was cursed, deeply wished to cancel this part of him so he could get home and see his mother again (and get rid of one more threat to his life). This reason surely existed before she was introduced. Because, as you said, Ranma has no idea what a home is. His mother was initially home. Now, the idea of Home is Akane and what brought them to be together. You cannot tell me he didn't put it into his head, one way or another, that for him to deserve to stay there with her, he had to be a Man™.

Isn't an explicit notion but the simple fact that Ranma mentions getting back to Akane as he is here is a hint that he wanted to return to her as a complete man again at some point. So it was an objective as well until now. It's not insane to interpret it that way, because she believes in him and he learned not to disappoint. But it's okay if he fails this time because he knows that's not really what Akane needs or wants, she knows and accepts him as he is, entirely.

Now he even has a reason not to be selfish, unlike his father. If you stretch it, you can assume that Ranma breaking the curse has never been something that he wanted for himself, it was yet again all about what his parents wanted for him. What always shocked me when I started the show years ago was how docile he was in the first episode. Meeting Akane, he learnt to express himself more and was finally allowed to want and need things for himself. He didn't need to live in survival mode anymore, not just because he had a roof and free food but because people around him are not threatening him on a daily basis. Until then, he never had to make real decisions for himself. Akane gave him a safe space to be who he was and think outside of his parents' unrealistic expectations.

Also, that's just an idea but: Ranma seems to believe in breaking the curse to make Akane happy. I wonder if that's also a way to erase the primordial fight: he lied to her and pretended to be a girl on day 1. Before this event, Akane was very welcoming and nice to him. Probably the first person to act that way towards him in years, mind you. Perhaps it would be a way to make things right.

Martial arts are Ranma's life, but the training trips with Genma were more about survival. In a way, he doesn't start living until he finds a home with the Tendos, but even more, Akane is home. When he's at death's door, Akane is the one who brings him back. She is his will to live.