Catch my Dreams Turn them into Butterflies They will reach the Skies And create many Realms
Don't wanna be here? Send us removal request.
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The “Backrooms” image location has finally been identified
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How to avoid White Room Syndrome
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
Focus on a few key details
You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Engage the senses
Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Mix descriptions with actions
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Use the setting to reflect a mood or theme
Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.
Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!
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Color meanings in Hello Charlotte are so meaningful. They really bring so much of the story together and it’s so so so powerful! (I will be using “Scarlotte” for convenience to talk about HC1 and HC2 Charlotte- sorry if it gets confusing to read.)
White: Last night I was thinking about how Charlotte’s (Scarlotte) evolution was really put into this. For example we have HC1 Charlotte: she is almost all white signifying purity, innocence, cleanliness, and peace. Our Charlotte in the first game is “clean”, not tainted by horrible thoughts or illness. She strives to be the best person she can be and is incredibly kind to others. She sees the good in everyone.
Black: She also wears some black which means grief, evil, death, and depression. There is a small part in her that is “evil” because she is Scarlett. This is especially true after her memory slightly reawakens when she is forced to kill the Freya by Charles/C. That small mental illness in her could be like her schizophrenia and how she desperately tries to hide the murder. Unlike what I’ve seen around, I believe Scarlotte is not completely wholesome and pure. Her mind is darkened, tainted, by her past and her mental illnesses that progress throughout her story; especially in HC2 which I’ve talked about before.
Yellow/Red: Finally, why a yellow ribbon specifically? On surface level it can symbolize positivity, joy, and hope. But it also means deceit, anxiety, illness, cowardice, and caution. Scarlotte is toxically positive at times, she’s a ray of sunshine that hopes for the best in everyone. She will sacrifice herself for others and finds interest in everything. She has also deceived herself of the world she lives in, ultimately believing everything she is imagining is real. (Note: currently I’m talking about HC1, but this plays an incredibly important role in HC2). I imagine that Charles could have used yellow because of the warning symbolism it holds. He is warning himself that that is Scarlett, she is dangerous and evil. Both yellow and red signify caution, which are colors that are mainly used to represent both Scarlotte and Scarlett.
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Note: As HC2 is my favorite game out of the main games, I most likely will go more into depth and tie any loose ends on this analysis. I love HC2 Charlotte so much, she is the skrunkle! She really showcases her flaws unlike our HC1 Charlotte… Hopefully that will come out soon, I’m pretty lazy. If people want, I’ll be more than glad to analyze any other character! I’m pretty excited to share my main theory in part 2 lol
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I’ve been making gay knights (and ladies) collages on my phone at work
(Part two)
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[Blank Scripts AU]
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paratober day 6: loud
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Severance x The Stanley Parable
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I love YINGDU as it is
I don't think I'll read these interviews everyone is talking about :/ I thought hard about it, I've read the general points of it, but I don't think reading them will make me enjoy YINGDU more. Quite the opposite actually.
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Me: thank you but no thank you. Later maybe. Love you, still.
I don't understand why they had to get interviewed to clear things up. By why, I mean, this situation is fucked up and I don't get how things got like this in this industry.
First. Can't the fans just wait and see? We're grownups, stop treating us like children who cried to get a lollipop. We'll still be here next year. Trust your fanbase.
Second... in what kind of world were the animators under pressure to the point they created plot holes and new timelines by accident? I'm extrapolating but, for real, how fucked up is it that they decided to rush a show that popular for the sake of airing it early? I'm sorry, was the money we spend on merch every few weeks not enough? I'm just mad at the production, honestly. Because they made a big mistake.
They're rushing in like bulls in a china shop. The character PVs were a mistake as well. They should have been released after YINGDU, to manage our expectations on characters that were yet to be introduced. I used to think it was an actual teaser, a window on how Lu Guang saw them or what they will become because of Lu Guang's meddling with the timeline. Now, I'm starting to think they needed strong marketing to get people's attention.
The whole thing makes my viewer experience less than optimal. So I'll keep writing meta but I won't take these interviews into account. 🧩Meta is for fun🧩, mere interpretation, only fanon, and that's okay. Meta is gamble. Meta is character study and theories on plot twists. ✨And that's okay✨. We're not suppose to write season 3 in advance. So it makes sense to me to keep having fun on what the show and the official content bring us. But as far as I'm concerned, the interviews didn't happen. It's not denial, just-
When I was studying cinema in university, my teacher once told me a very harsh truth: if you have to explain the sequence you filmed, then you didn't film it right. Sadly, in this context, production limitations were at fault but the lasting impression is the same.
Do you realize how insane it is that a creative team has to spell their work out to their fans? How humiliating it must be? There's revealing easter egg, teasing next season, spilling spoilers on accident, and then there is whatever that was. I feel for the creators and animators who worked themselves to exhaustion to bring something as beautiful as YINGDU to life. Because this season? It isn't perfect and it's inconsistent and different but no one can call it ugly. I would lick my screen because the image does look tasty lmao. My heart bleeds for all the people involved in this season.
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Meta is trying to understand and noticing easter eggs, honouring the writers and animators' work X
Of course, that's only my stand on the topic. I might take different directions in my interpretation as others, that's all. And that's okay 🥰
As an artist myself, I feel like the situation is kind of disappointing for the people who worked on YINGDU. That's why I'll take the canon as it is. I don't want to mourn what could be or should have been. I want to enjoy what is.
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Meta is diving in the depth of symbolism X
As a fan, I get that we're happy with every nugget of information on what's coming next. The lore in Link Click is still blurry and while I honestly want to believe it is an artistic choice and will stay under control, I can't help but fear it's the result of bad writing. But. What if it is? Meh, I'm still here, enjoying myself. Because I love this show as it is, I see the flaws and the beauty in it. I'll be there.
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Meta is love and each of us express it differently X
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seeking, yearning, reaching hands
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This is actually a useful thing to understand how to spell out. What exactly is wrong with puritanical attitudes towards sexuality? TW: Discusses body image issues, suicide, STIs, sexual assault etc
1. It fosters fear, disgust and loathing of our bodies. By hiding the human body as soon as we are born, and treating it as an object of inherent shame: THAT creates trauma. Shame is one of the primary sources of trauma, its the fuel and lets trauma burn. Those raised in nudist societies, and children raised in households where nudity is treated in a neutral and non-sexual tend to have a much more positive relationship with their bodies as adults. This makes complete sense when you think about it. Going through puberty not knowing if your body is "normal" terrifies children in ways that stick with them for life. In fact, most cultures outside of the Unites States aren't as strange about non-sexual nudity actually...and are healthier for it. We can't have body positivity as long as we are literally criminalized for having an uncovered body. 2. It creates fear, shame and disgust about sex. Most people have sex at some point in their lives. No one would be here at all without it. Most people have sexual desires which lie outside their control. When people are ashamed of those desires, it leads to self hatred, and depression and anxiety. This shame is just as traumatic as bodily shame. When sex is normalized, and treated with the same candor as any other hobby: it becomes less apt to traumatize people.
3. Puritanical attitudes towards sex limit sex education. When people are too ashamed to talk about sex, people don't learn about pregnancy, stis, or consent. All of these things can and do kill people when they aren't addressed with an open dialogue.
Sexual shame leads to people too ashamed to buy condoms, to talk to their doctor about birth control, to ask their partner to use protection, to get tested...the negative health impacts of sexual puritanism have a massive negative effect on society.
4. Sexual shame leads to poorer communication in relationships. Ohh if I had a dime for every person i knew who ruined their relationship because they felt too guilty to talk to their partner about their sexual feelings...Not just that, but the general body shame that comes with puritanism blocks people from connecting to one another too. Have you ever avoided getting close to someone because you were ashamed of your body? If not, I guarantee you know someone who has.
5. Misogyny! Puritanical sexual believes hold that women are not capable of sexual agency. That only men should initiate sex. That women should only ever want babies and not pleasure from sex. All of this rolls right into the next one:
6. Victim blaming in sexual assault. When women are the gatekeepers of sex, its easy to blame them when they 'fail' to protect their chastity when someone violates their trust. This isn't something that just effects women: as the same attitudes hold that men are not capable of experiencing sexual assault. The lack of education and discussion about sex in a sex-negative world inherently prevent the open dialogues necessary for creating and maintaining consent culture.
7. Suppression and marginalization of the queer community. If we're too ashamed to talk about sex, we'll be too ashamed to talk about sexuality. Puritans can't accept any deviation from gender norms either. Anything other than sex between a cis man and a cis woman for the purpose of making a baby is a deviant kink, a mental illness, and needs to be wiped out. Its important to point out that many queer people hold puritanical values about sex: believing that they can achieve sex negativity and queer liberation at the same time. However, sex negative movements always rise with censorship and discrimination of queer people...because queer people are inherently considered deviant by the vast majority of sex negative "allies". It's very dangerous to forget this.
8. Censorship of art. Who decides what is sexual and what is not? Its easy to agree that sex needs to be hidden...but it never takes long before the definition of what is "sexual" expands. Even women's breasts are considered sexual in the United States. Its so normal for Americans to think of them that way that women can't feed their children in public. Drag queens face violence for reading at libraries. Books get taken off the shelves. Artists are bullied offline.
9. Censorship of scientific exploration. Scientific research into reproductive health, sexual behavior, gender identity and more are often hindered due to the "moral objections" of puritans, delaying progress and understanding. That's just off the top of my head. I think its time for people to take how problematic 'puritanism' is more seriously. As we see fascism rear its ugly head all over the world, we're going to see a lot more talk about 'degenerates'...and we know where that kind of talk leads.
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There’s something really interesting about Jayce’s word choice here: “While your best friend bleeds out in your arms”
“Bleeding out” implies that Viktor was still alive to bleed out
However we as an audience know/can infer that Jayce knows deep down that’s not true
As others have pointed out:
1) His clothes are more torn while he carries him than in the council room which would imply that Jayce throughly check for signs of life, that cpr was done, etc
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2) Jayce carried him for five blocks - where there would have been no signs of life
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3) He brought him to the lab not the hospital - he knew there was nothing the hospital could do
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4) Viktor’s spine is severed - he had to have felt that something not right was going on there, holding him in his arms for FIVE blocks
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5) He later tells Viktor “my partner died in this room”
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To me Jayce saying “bleeds out in your arms” means that he may have convinced himself, deluded himself into believing that Viktor hadn’t actually died, that he was dying and that he had saved Viktor from dying
I don’t think until after meeting Mage Viktor, did he really allow himself to acknowledge that he brought Viktor back from the dead
I think you can see it in the way he reacts to being back in that room, before Mel walks in, before the not-Viktor-Viktor joins them
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He appears resigned to me, like he’s been forced to come to terms with the fact that Viktor actually did die that night
I personally think it explains a lot of his behavior after - how he can’t believe Viktor leaving him, him thinking Viktor was coming back when it was Heimerdinger & Ekko, etc
I think most, if not all, of us can agree that being brought back from the dead is different than being saved from death, Viktor wasn’t saved because Jayce preformed CPR, he basically preformed necromancy on him but while Viktor knew that - Jayce had (seemingly) convinced himself that it wasn’t like that or at least not as extreme as that
Which honestly kinda makes me wanna cry 😭
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no idea about the context for this scene cuz I haven't watched s2 yet but I imagine this is exactly what happened :)
based on this Columbo gem:
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I was asked by a friend yesterday if I could offer basic tips about comic paneling. As it turns out, I have a lot to say on the matter! I tried breaking down the art of paneling using the principles of art and design, and I hope it helps you out!
EDIT: uh uh there are a lot of people reblogging this, so i figure i may as well append this now while i can lol
This whole thing was very much cranked out in a few hours so I had a visual to talk about with a friend! If this gives you a base understanding of paneling, that's awesome! Continue to pull in studies from the comics you see and what other artists do well and don't do well! You can tell paneling is doing well when the action is flowing around in its intended reading format.
Here's the link to the globalcomix article from which I pulled the images about panel staggering! Someone sent in a reblog that it wasn't totally clear that the 7th slide mostly covers what NOT to do in regards to staggering, and that is my mistake!
I saw in a tag that someone was surprised I used MamaYuyu too, and I don't blame them lol. If I had given myself more than a couple hours maybe I would have added something else on, I just really admire MamaYuyu's paneling personally.
uh uh, final append: I am by no means a renowned master of paneling, so if you find anything off base here, by all means, counter it with your own knowledge and ways you can build upon from here! Art is always a sum knowledge of everything we find. 💪
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