#asking help again

[phantomrose96]

I think we should have a turn of phrase for "I'm not in the right, but I AM annoyed with this situation, so I just need to go bitch to a friend about this before I suck it up and go do the right thing" because more and more I'm finding this is a critical element of functional adulthood.

[duckysprouts]

if you were at your worst, if you’re a villain or a screwup or whatever, there is a goth man dressed as a giant bat who keeps coming after you, bothering you. he sabotages your journey of self destruction over and over. ur ready to give up but he won’t let you. you think, today he won’t come. today he will give up on me too. he never does.

[frownyalfred]

in the realm of like, rich kid problems, I want to someday read/write a fic where Nightwing is slowly establishing himself as a full-fledged JL member and everyone is relieved because finally, there's a nice Bat on the Watchtower who doesn't just shoot down their plans and deny their mission requests. but. while Nightwing is kind, and polite, and charming in all the ways the Bat isn't, he's still Dick Grayson. and Dick Grayson grew up as a very rich kid's suddenly very rich kid, which is to say while Bruce might not take it personally, Dick has been fending off people almost his entire life who were trying to use him for his Dad's money. which is to say, I think once Nightwing is on board and the relationship between him and Batman is at least somewhat well-known, there is suddenly a rush of younger, less-experienced members trying to take advantage of Nightwing, mistaking that kindness and openness for willingness to either voluntarily, or involuntarily, infringe upon and cross Batman's clear-cut boundaries. bribing Dick for a better monitor shift with Batman is one thing (it doesn't really work, Dick can't bribe Bruce with much as it is) but trying to convince Nightwing to lie to Batman? to go against him? his dad? the man who pulled him up when he had nothing and gave him meaning again? that man?? and then comes the inevitable, chilling realization, that while Nightwing might wear a different mask, might wear an open smile on the Watchtower and with friends off-shift, there are some lines he won't cross, same as Bruce. he won't, sure as the sun rises and the rot rolls off the Gotham Harbor in the morning.

[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[sp0o0kylights]

Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.

These are known facts in the universe.

Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.

These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them. 

(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.) 

So he doesn’t think about it, when his freshman gang up on him. 

Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.

Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself. 

“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly. 

He does not care if Harrington doesn’t know what a one-shot is. 

“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.” 

Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him. 

Is in fact, looking over his shoulder.

Eddie stops. Follows Harrington’s gaze.

Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car. 

A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.

His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve. 

Who turns back around as Harrington’s eyes slide right back to him. 

“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?” 

“I’d like to go during  school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.” 

Loud ones, that had interrupted the game and given Eddie a migraine. 

Once again Steve’s eyes slide away from him, to Jonathan. 

“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise. 

“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him. 

“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for. 

Eddie stares at him. 

“Can he seriously not hear me?” 

“No.” Steve and Jonathan answer together. 

“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.” 

Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”

“It’s Friday.” Byers deadpans. 

Eddie’s not an expert on sign language, but his hands somehow looked deadpan too. 

He’s not sure how Jonathan did that. 

“So?” Steve snarks back. 

What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.  

Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him. 

(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.

“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?” 

“You think?”

“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.” 

‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books. 

Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.

The pay off is immediate. 

Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)

[bluerosefox]

BREAKING NEWS! Youngest Wayne's Secret Lovechild?!

Teenage Ellie taking care of deaged Danny and moving to Gotham to hide from Vlad because Lady Gotham offered them sanctuary and will keep Vlad out.

BUT

Chaos is set into motion when during a Rogue attack, Damian Wayne (not as Robin at the moment) saves him and returns Danny to Ellie...

The internet/news happen because of course it did.

And people mistake Danny as his kid and Ellie his baby mama.

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[heartorbit]

bugs when you lift up a rock

[puppetmaster13u]

Prompt 297

“I feel like we should be concerned about Tim.” 

“Honestly we should always be concerned about him, but what made you realize it this time?” 

“Have you seen his search history- wait no you haven’t you haven’t been in the cave all day, look at this-”

“...'Is it legal to adopt the ghost of a kid? Can someone call CPS on a family’s ghost? How to take care of ghosts 101? How do you get a ghost of a child to not be scared? What to do if you find ghost children in your home? What the fuck…?” 

“Exactly, I think he needs an intervention.” 

Or in other words, after getting thrown into another dimension thanks to the GIW destroying most of Amity, a trio of ghost children decide to crash in this seemingly abandoned apartment building. No one seems to live here anyway… Tim Drake on the other hand, gets a notification that there’s someone in his main safehouse that he might’ve slightly forgotten about thanks to having his house-boat now, and sees a trio of starved looking ghost kids

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[bet-on-me-13]

Ghostly Host AU

So! Ghosts need a physical Anchor in the living world, or they are liable to fall apart and fade away if they stay for too long.

In Amity Park, this usually isn't too much of a problem. Sure most Ghosts can't stay for a week without a Host, but the ambient Ecto-Levels in Amity Park are enough that they can stay for a few days or so at a time with little worry.

This changes however, during Reign Storm.

When Pariah Dark awakens, Tens of Thousands of Ghosts use the Fenton Portal to escape the Rule of Pariah Dark, running away into the Human Realm.

If Amity Park had stayed where it was, this would have been fine. They could have stayed in the Living Realm for a few days, and maybe the Weaker ones would need to find a temporary Host, but that was fine since Amity was filled with thousands of Liminals.

Unfortunately, Pariah Darks first move was to suck Amity Park into the Ghost Zone, alongside all of the Ecto-Energy that had accumulated there.

Now left trapped in the Living Realm with no way back to the Zone, thousands of Ghosts suddenly needed Hosts or they would start dying off by the Hundreds. In a Panic, they spread out across the Planet in search of viable Hosts.

Any normal Person wouldn't do, they needed a Living Being that could actually handle their Power, or someone who matched their Soul. Preferably both. Liminals were the best since they had a durable Body and a Malleable Soul, so any Ghost could use any of them as a Host.

But outside of Amity Liminals were very rare, and finding someone who matched their Soul was time-consuming and hard. Thankfully, in recent years the population of Aliens, Metahumans, Enhanced Soldiers, and even extra durable baseline Humans had spiked across the world.

All across the planet, People suddenly found themselves stuck with a new Passenger in their Bodies.

Those new passengers thankfully weren't malicious, for the most part, but it was still annoying. The only good thing was that they now had new Powers, which neat.

They could summon the Ghosts in their Body outwardly, and then command the Ghost to use their Powers in whatever way they wanted. Only other Hosts could see another person's Ghost, which meant they looked very awkward to normal people when they fought. Generally, Hosts seemed to act more strangely after getting a Ghost, as if they lost a few of their Inhibitions.

Why did they feel the sudden need to strike a flamboyant Pose? Or over dramatically scream?

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[stealingyourbones]

Everyday I exist and every day I get more and more exhausted seeing the “lol Batman looks at Danny and goes “who’s gonna adopt this kid” He’s so adoptable!” posts.

[cubbihue]

Hi! this is kinda an art request if u dont mind. And it's angst related, can you draw like where wanda and cosmo obvs have seen for a while how (human) timmy has been treated by his real parents. I just want to see like the "last straw" which lead Cosmo and Wanda wanting them to make Timmy as their own. (IM HAPPY THAT TIMMY HAS A FAMILY THAT LOVES AND CARES FOR HIM)

The "Last Straw"?

Cosmo and Wanda have seen humans at their best. They've seen humans at their worst. They've seen anything and everything that they've gone numb and used to what humans get up to.

But nothing's shaken them quite like Timmy's case did. Nothing has ever made a Fairy feel such strong human emotions than what Timmy made them feel, on that one particular night.

The thing that broke Cosmo and Wanda was Timmy himself.

Bitties Series: [Start] > [Previous] > [Next]

[leafwateraddict]

Couldn’t stop thinking about Dust being able to pass as Classic. So I had an idea where Dust replaces Classic in a timeline and steals(?) his partner.

He gets conflicted when he starts actually caring about you… But denial is an easy road to take when there’s seemingly no consequences to your actions.

The reveal i guess. Most normal reaction to learning your partners been replaced for god knows how long and you have no clue where he is.

Now that I think about it I might’ve gotten some inspiration from that one chapter of IJAG by @htsan (iykyk) only a lil bit tho

(Full rambling of the idea + extra sketch cuz i liked the expression) ↓↓

I originally wanted y/n to notice the differences instantly but i think it would be angstier if they didn’t and only noticed like months later >:3