#as written by

[discluded]

firstly 😂 Tong calls them MileApo too. they are That Couple you refer to as a set

Mile talks about Kinn and Porsche's intentions in the epsiode 7 bathroom scene during THC.

Kinn wants to win and it's a scene of revenge with mixed emotions... (sex solves relationship problems when you are bad at words 🤣)

In the second clip which was chronically first, Mile is describing what scene the kids chose and Apo is looking down and shy. The bed referenced is about the surprise element they threw in (the kids had Kinn's bedroom as the backdrop instead of the bathroom)

they were so beautiful in this episode.

closet wizard id'd their outfits to be from the new Mugler x H&M collection. 😂 not even a couple event and they have couple outfits. well done to their stylist 😘🤩

afterwards they be flirting on Twitter 😭 (translation by Irene)

they figured out to con us into watching so Apo will be back again next week 🥲

[koobiie]

i feel strongly about this

[drizzledrawings]

Only you

[noodles-and-tea]

Our hextech dream….

[poetryforall]

[some-pers0n]

Hey you ever think about The Characters so much to the point where

[boyplushie]

going to sleep & by sleep. heh. well. let's just say. phone in bed

[michameinmicha]

Stumbled upon this random ship (in a fandom im not active in myself) that has like 150 works on ao3 which are all from just two people gifting each other fics about this pairing back and forth and theyve been doing it for 3 years... i think thats true love probably

[karnalesbian]

she commit acts of intercourse on my erogeneous zones until i achieve sexual climax

[obsesssedblerd]

You look up from your book to see your husband standing over the bassinet with his arms crossed, his brow raising as he looks down inside of it with a tiny scowl. He stays like that for about a minute. You sit up in your shared bed, then call out to him. “Ryo.” 

“Hm.” He doesn’t look up. 

“May I ask what you are doing?” 

“The little brat is staring,” Sukuna says matter-of-factly. “I am simply staring at her in return.” 

Inside of the bassinet, your baby daughter coos. Her scarlet eyes—exactly like her father’s—glitter with interest. You hear her giggle, and you scoff lightly and return your gaze to your book. “She thinks you’re playing a game.” 

“I am doing no such thing.” 

You flip a page. “Put a hand over your face for a few seconds.” He doesn’t respond, but you know he listens. “M’kay, now lift.” There’s silence for a few seconds, then your daughter bursts into a fit of giggles. 

Sukuna rolls his eyes. “I do not understand what is so entertaining about that.” When you look up again, you see that he’s covering his face again, then revealing himself to get the same reaction from the baby.

“It’s called peek-a-boo. It’s a game most babies love to play.” 

The little princess babbles as she lifts her arms up, and Sukuna tilts his head. “I have no idea what you’re talking about.” 

You snicker. “One: You’ll figure out what she’s saying the more you talk with her. Two: She wants you to pick her up.” 

He sighs dramatically, then reaches into the bassinet to pick up the small girl. Though she has her father’s eyes, she has your hair, the shape of your nose, and your ears. She also has your fearlessness, because she smiles directly in the face of the king of curses. Now at his eye level, she reaches her arms towards him excitedly. “What is it now, you brat? I’m already carrying you.” 

He looks over at you in question, and your smile grows. “She wants to touch your face,” you say. 

“Why?” 

“Because she’s a baby, and she’s curious.” 

Sukuna pulls her closer, and once in range, his daughter lays her tiny hands against his marked face. She giggles more, and you can see his eyes soften. “Hmph. You have your mother’s smile.” 

— — — —

The next morning, you walk into the kitchen where you hear Sukuna speaking with someone. When he turns to the side, you see your daughter nestled in the crook of one of his muscular arms, staring up at him as he concluded whatever story he was telling her. 

“...At the end of the battle, only I remained. Victory was mine.” 

The baby babbles excitedly, and Sukuna scoffs. “Ha, you will do no such thing. How do you expect to join me in battle when you aren’t even a year old, brat?” 

Her face scrunches in what looks like annoyance, and she repeats to him what he taught her the night before. “Hmph.” 

You burst into laughter, and Sukuna raises a brow at the little girl in his arms. “Great. Your mother’s smile, and her attitude.”

[unforth]

Actually I love voting for the lesser evil. It's less evil. I support that whole heartedly.

[ajaxgb]

Okay no I need to talk about the book version of Howl's Moving Castle. I love the movie but the book has such a different vibe and you, yes you, should read it.

Movie Howl is a soulful and quiet. Book Howl is a drama queen and Causing Problems and has a long string of jilted exes and couldn't shut up if you paid him.

Sophie and Howl drive each other up the wall at the beginning and it's really funny. Sophie and Howl are (despite themselves) very much in love by the end and they still drive each other up the wall and it's even funnier.

In the movie, Howl has been ordered by the king to participate in The War, and Howl is avoiding it because he is a brave conscientious objector. In the book, Howl has been ordered by the king to rescue his lost brother from the Witch of the Wastes, and Howl is avoiding it by any means necessary because he is a cowardly weasel who wants to stay as far from the Witch as possible.

In the movie, the Witch cursed Sophie because she was jealous about Howl speaking to Sophie for five minutes. In the book, the Witch cursed Sophie because Sophie had been doing surprisingly powerful magic for years without knowing it and it was actually starting to cut into the Witch's plans. (Sophie does not discover any of this until nearly the end of the book, but the reader can start to pick it up much earlier and the way Sophie's magic works is pretty darn cool.)

In the movie, there's a rumor that Howl eats the hearts of maidens, but this is implied to be nothing but nasty fearmongering. In the book, there's a rumor that Howl eats the hearts of maidens because Howl started the rumor so people would stop asking him to do wizard junk all the time.

The book lightly parodies a couple of tropes from Western fairy tales. In particular Sophie has internalized that, as the eldest of three sisters, her "destiny" is to fail so that her younger sisters will look cooler when they succeed, which is why she's so resigned to the hat shop at the beginning. (Sidebar: Sophie's sisters come up much more in the book and they're great.) There's also a really funny bit where Sophie attempts to operate a pair of seven-league boots.

In the movie, the fourth and final location that the magic door connects to is some sort of black void / mindscape / time portal dealy. In the book the fourth location is Wales, in the UK, on Earth, so that Howl can visit his family, because from Howl's perspective this is an isekai story.

[marypsue]

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

[clownboybebop]

if you’re ever in the position to choose between giving up and accepting defeat, and actually trying to fight the ancient unkillable god that is about to peel apart reality like a string cheese, remember this: scientifically speaking, you might as well give it a shot!

1.there were trees at the beginning of the world! there were trees so long ago that they predate bacteria that causes wood to decay. when a tree fell, it would lie there in stasis and there wasn’t any way of breaking down wood xylem on a molecular level in that way.

2. it seems obvious to say, but wood eating bacteria are literally incapable of comprehending what they’re breaking down. It’s just not information conciously available to a microorganism. they don’t know what they’re deconstructing, where it came from, bacteria have no way to even fathom the existence of a tree as a concept.

3. Regardless of the facts above, the world we live in today is a world where wood inevitably decomposes

it is worth fighting the unkillable god no matter how pointless it seems. it is worth taking the risk even though youre trying to accomplish something impossible. the reality in which you live was also once reality in which trees didn’t rot. You live in a reality that allows for existence before the possibility of destruction. you live in a reality where uncomprehending microbes break down matter that is so far beyond the scope of their comprehension that it feels comical to specify something so obvious. you live in a reality that occasionally allows unshakeable physical truths to be altered with no warning.

It is worth fighting the unkillable god because trees are so old they predate the source of their destruction, and it still did not spare them. It is worth fighting the unkillable god because bacteria rots unthinkingly, because there is room in our cosmos for destruction without comprehension on the part of the destroyer. It is worth fighting the unkillable god because now and then reality retracts the promise of immortality without fanfare, and when that happens there is no mercy for the ancient. the unmaking is not softer for the desecrators ignorance. for all things, existence is endless until the exact point where it ends.

so you might as well try to kill the unkillable god. it doesn’t seem likely, but at the beginning of the world, trees didn’t rot. so you never know! you never know

[poetryforall]

-Rumi

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