#as soon as i read this post lol

[aslettes]

”I won’t love her, i promise I won’t. so please, please don’t kill her.”

♡ dazai , chuuya , giyu , sanemi , aventurine , sunday , dan heng , childe , scaramouche , yingxing ( blade )

[cloudysfluffs]

kiss kiss!!!! <33333

~kink/nsfw blogs dni please!!!~

[choccy-milky]

🔞NSFW comic🔞

just seb being insatiable when it comes to clora 😇 refractory period?? whats that?? never heard of it

[ TWITTER ]

[ POIPIKU ] and a lil extra doodle:

(aka seb and clora if contraceptive potions didnt exist LMAO.... girl would just be preggo 24/7)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[malenjoyer]

I just had a passing thought about my own stuff from an outsider POV. I wondered if anyone who’s not a huge fan of dick questions why Dick Grayson in most of the stuff I post…

Why all of a sudden Dick Grayson is the bus driver- because I hired him!!! I want to see him! I’m gonna put him in everything!

[pepperpixel]

+ Butch 4 Butch +

(Except neither one of them is rlly that butch but holy fUCKING SHIT THAT SONG IS LITERALLY THEM… the version of them I made up in my mind palace… it’s them.)

Anywayyyy. Yeah! Have a tagr art dump..! aka, those vibes when you, out of a series of moments of temporary insanity, end up finding, taking in, nursing back to health and eventually falling into a tangled messy yearning situationship w the asshole tsundere alien who tried to destroy your entire planet… rlly extremely relatable vibes!!

[spock-adoodledoo]

short translation of a chinese translation of chapter 49 (corresponds to "Beating the Heat" in the LN) in the GX manga because i like how they did this scene and what they added after maomao leaves the room... it feels like it hints a lot more explicitly at jinshi's secret than both the LN and the other manga, which is fun! also basen almost letting it slip before gaoshun slapped a hand over his mouth and again after their whispered conversation is extremely funny to me

[mumms-the-word]

Shadow Curse Events Pt. 1

Ketheric, Selûne, Shar, and Aylin

I’ve played through the game a few times at this point and I always find myself struggling to understand the timeline or at least order of events that occurred with the Shadow Curse. I know some things conflict because there was one version of the story in Early Access (the version where Halsin accidentally killed Isobel) and it was heavily altered for the final version of the game, and some things just got *gestures vaguely* waved away, but I keep wanting to make sense of it anyway.

So that’s what this post (edit: I mean series) is going to do. After the cut, obviously. Long deep dive post ahead! Picture of a tired Ketheric for attention and because same bro c':

TLDR: These events happen either in the 1370s or the 1390s. Ketheric loses Melodia (his wife) and Isobel (his daughter) and turns to Shar. He captures Aylin, then builds a Big Dark Justiciar Army, training them and forcing them to kill Aylin over and over. Meanwhile, a Selûnite resistance is brewing in the town, and it's kind of making everything worse. One Selûnite rebel even goes so far as to make a deal with a devil. And all of that is BEFORE the Harpers and druids arrive as an army.

We don’t have dates, unfortunately, aside from knowing that the shadow curse itself was unleashed about a century ago, so “timeline” would be a loose term to use if/when I use it. But I have two theories about when it happened.

One theory is that because the Spellplague was happening between 1385-1395 DR (during which there was neither a true Weave nor a Shadow Weave, which is what the shadow curse is made of), the shadow curse likely started around 1396-1399, just shy of a full 100 years before the game’s events in 1492. But that’s just me conjecturing based on the idea that if the Shadow Weave is gone…how does the shadow curse stick around? 

The other theory is that the shadow curse was unleashed sometime between 1371 and 1374. This is because a) Dark Justiciars were still being sent by Ketheric Thorm to destroy Moonhaven (the Blighted Village) in 1371 (Ketheric writes a letter about attacking Moonhave and a journal dated 1371 boasts that Ilyn Toth, the basement apothecary-necromancer dude, got killed by Dark Justiciars) and b) because Khelben Arunsun himself, the literal Blackstaff (super powerful and very old wizard), wrote a letter negotiating surrender on behalf of the Harpers.

We cannot be party to the suffering of the people of Reithwin, and indeed, of the great loss of life that this war will visit upon the Sword Coast - and, perhaps, beyond it. So it is written, and so let it be done, Khelben Arunsun, on behalf of the High Harper Council and its allies.

Wiki says Khelben broke his alliance with the Harpers in 1370 due to some disagreements, but it’s possible his splinter faction was at the battlefield with the other Harpers. I doubt he was there personally, but who knows. I wouldn’t go any earlier than 1371, though, because Baldur’s Gate II happens in 1369, and Jaheira would have been too busy dealing with those events to deal with Ketheric too. But it can’t be later than 1374,  because Khelben Arunsun dies in 1374.

(I have questions about how the shadow curse survived the Spellplague and the loss of the Shadow Weave, but the answer to that could simply be All Magic Was Weird and Unstable at the time…plus Thaniel was already in the Shadowfell by this time, so the land couldn't heal.)

So it’s either 1371-1374 (because of the Khelben timeline, and I guess the Spellplague didn’t affect it) or it’s 1396-1399 (because of the Spellplague, but the writers just forgot Khelben was dead by that point, or maybe his ghost wrote the surrender notice idk). Both are good enough for Halsin and Jaheira to talk about things happening “a century ago,” but you can see why I’m avoiding dates.

But let’s push it back a few more decades. Back when Ketheric was a Selûnite and Isobel a very small child.

As we’re probably all well aware, during this time, Ketheric worships Selûne along with his wife, Melodia. At some point, he even commissions the local Mason’s Guild to build Moonrise as a testament to Selûne herself, according to Morfred the mason (who you can talk to in House of Hope, it’s pretty cool). Ketheric and Melodia have Isobel, but then Melodia dies while Isobel is still pretty young. Ketheric remains a Selûnite, mostly for Isobel’s sake, until she dies too.

Ketheric: I’ll tell you a story, True Soul. About a man who sold himself piece by piece. He had…everything. A wonderful wife. A brilliant daughter. They lived not far from here. His wife died too young. Grief tore through their home like a thief, snatching away the scent of her hair, the rustle of her skirts. But the man did not break. He could not break. His daughter needed him whole, after all. She grew up—grew strong. Challenged him. Filled his heart with such joy it supplanted all sorrow. When she was killed, the man…he tried to remain whole, but it wasn’t possible. Do you understand? Player: So the man fell to pieces. Ketheric: The pain was unbearable. All-consuming. He decided he’d do anything for reprieve. First, he sold himself to the goddess of loss. But the pain did not subside, no matter his obscene feats of devotion. Then a new god came—a god who promised the man something wonderful: his daughter. Her life returned. Imagine it. He would have to give everything: his body and soul entire. He did not hesitate. Not for a moment.

We know this story. Ketheric turns to Shar and everything goes Very, Very Badly. But the exact details/order of Ketheric's Sharran days are a little hazy. So here's what I've been able to piece together to sate my own curiosity.

While Ketheric is still a faithful (but waning) Selûnite, Dame Aylin visits as an emissary of Selûne. Moonrise/Reithwin is a Selûnite refuge and the Thorms are allegedly devout favorites of the moon goddess, so it's a big deal. While she's there, she and Isobel fall in love. Ketheric disapproves, in part because Aylin is immortal and Isobel is not (Isobel and Aylin both say this in dialogue).

Plus, and this is a personal opinion, I think Ketheric might have seen Aylin's interest in Isobel as another thing Selûne was trying to take from him. It isn't enough that Selûne let Melodia die, now her daughter is trying to woo his daughter and take her too.

But then Isobel dies. Somehow. The launch version of the game isn’t clear how. Aylin mourns but Ketheric spirals. He turns to Shar, hoping she will force him to forget about Isobel, but he doesn't. Nevertheless, he becomes a zealous Sharran.

[A journal spanning years, beginning with the birth of a child and ending with what appears to be a series of dateless tragedies.] How can she be gone? Where did she go? The Moonmaiden cannot be so unfeeling - so cruel. Not toward her most devoted servant. Not after Melodia. It makes no sense. It makes no sense. I won't survive it. That much I know. Forgetting is the only possibility. The embrace of oblivion. The reprieve of nothingness. It would not be possible for a man to survive knowing what he knows. Knowing what can be lost. Shar understands that. Hers is the only mercy I can comprehend. My mind is full of holes - yet not enough. The emptiness. The time. The nothingness. And still I remember. Still I remember it all. There is no mercy in this beating heart. There is no mercy in life at all.

He builds the Gauntlet of Shar (or maybe renovates and Shar-ifies it, maybe it was already there) beneath the Thorm mausoleum, connecting it to the much more ancient Grymforge area. Grymforge becomes a kind of base or stronghold for the Justiciar army while the Gauntlet is designed to test their mettle and prepare them for the task that will make them official Dark Justiciars—killing Aylin, though it's not clear when Ketheric and Balthazar lure her into the Shadowfell.

I'll get back to that later.

We know that Grymforge was used as a Dark Justiciar stronghold and possible training ground because of all the Sharran stuff we find there. It's like super obvious. The feasthall room, the dormitories, the weapons that lay everywhere. There's basically a whole Sharran city in the Underdark beneath and near Reithwin, some of which we can see from various points in Grymforge. In fact, if you go through the poisoned room where Nere is, you can see the Gauntlet down below.

(It's a little hard to see here 'cause I play on console but there's a glimpse of the giant Shar statue that takes up a ton of space in the Gauntlet. Somehow, the two places used to connect.)

Ketheric's new Sharran teachings are ruthless and vicious. He encourages his Dark Justiciars to kill a Selûnite once a tenday or more as part of their training and service to the Lady of Loss.

The Law of Nightfall: From the moon falls the foulest of lights. iIt peeks through cracks and fissures, illuminating the most remote recesses of the Underdark. Light bestows hope, a pernicious notion which must be extinguished. At the darkest hour, pray to your Lady and feast in Her honour. The second day after, slay a disciple of Selûne. If none may be found, a Lathanderian or Mystran are an acceptable offering. Do this once a tenday, and the Lady of Loss shall know you.

Reithwin and the surrounding village soon become a hunting ground. Most people convert. Those who don't get hung in the square as examples (according to a shadow memory). All faithful Selûnites are forced to practice their devotion to the Moonmaiden in secret, led by Morfred the mason and his brother Halfred the innkeeper of Last Light Inn. Halfred hides Selûnite relics beneath Last Light (you can still find them) while Morfred plots a true resistance.

[Hidden amidst columns detailing the income and expenditure of a tavern is an aside, written in tiny, urgent handwriting.] I have concealed the sacred relics of our revered goddess in the darkest corner of this place. Morfred, my loyal brother, seeks to forge a network of allies to stand against the oppressive reign of Ketheric Thorm. Sadly, fear has gripped the hearts of many, turning them away from our cause. I cannot truly blame them, for trepidation fills my soul as well - but I must put aside my own fears and reunite with Morfred in the bowels of the Mason's Guild. Together, we shall preserve what we can of the Moonmaiden's light, and hope that the banners of the faithful soon rise against that treacherous dog, Thorm.

But as time goes on, Morfred grows increasingly distressed with the events happening in Reithwin and the ease with which people are eager to switch faiths.

- How quickly things change. The Thorms are Selûnite through and through - or so I believed. Perhaps Ketheric only converted for Melodia, and with her death - and then his daughter's - his faith died too. But to turn to Shar? It beggars belief. - Ketheric's Justiciars are growing greater in number, and more determined to rout out any traces of Selûne in Reithwin. Why do they think this town was built? One cannot rip out the foundations of a building and expect it to remain standing. - Brother and I remain the last two bastions of Our Lady of Silver in the town. A few - the trusting few - come to worship in secret by moonlit nights. Others - converts, all. Whether they truly believe, I cannot say. Impossible, isn't it?

(Don't worry, the second page is further down lol spoilers!)

Life is not going well in Reithwin, even if you're not a Selûnite. Ketheric is determined to destroy all traces of Selûne and treason of any kind. His Dark Justiciars begin tormenting citizens to reveal pockets of Selûnite resistance. He also suffers no treasonous word against him, even if the citizens in question aren't Selûnite. We see a glimpse of this and of the Justiciars' cruel influence during the questline with He Who Was and Madeline, who ratted out her friends' innocent(?) complaints about Ketheric to some Justiciars, resulting in their brutal deaths.

Eventually Morfred realizes that the Dark Justiciars are too powerful to resist and turns to Raphael, offering his soul in exchange for something to destroy the Dark Justiciar army.

- Sick of standing idle while Justiciars gain power in our humble town. What will become of us if we allow it? I met a man who was no man. Touched by a devil. Or maybe worse. But he offered me something I couldn't refuse - help. - The time is now. Ketheric's Justiciars, their stronghold in the temple below - they will be wiped out. All of them. I didn't ask how. I just want them gone. Let the Harpers have at Ketheric now. They'll make short work of him.

You can ask Morfred about this in the House of Hope, actually, where he confirms the details. I mean, he's in Raphael's house, so it's pretty obvious the he did, in fact, make a deal with him.

Infernal Mason: When tragedy came, my master fell into darkness and despair. He marshalled a great army to ruin the world and bring all into shadow. I could not let it happen. I sought out the devil Raphael and signed an infernal pact with him. He promised to destroy my master’s army, and I promised him my soul in return. The devil was true to his word. Fiends slaughtered my master’s forces, but he endured somehow, and blighted the land.

The Fiend in question here is Yurgir, who ends up crashing through Grymforge and the Gauntlet to kill all Dark Justiciars in his path. (He misses one, because Raphael is a sneaky bastard who let one get away by turning him into a swarm of rats, but I digress.) We know Yurgir caused the destruction in Grymforge, too, because of the Merregon masks and hellbeasts we find around the area, and the fact that if you pass all the checks with the Duergar mason examining the stone, he helps you piece together this narrative:

Stonemason Kith: An ancient city, hewn from the stone by the disciples of Shar, later abandoned. Untold centuries later, a new tribe revives it. Fresh walls, fresh sculptures...until a great hellbeast charges through, toppling the walls and crushing the people! Heh - that explains the infernal plate I found. Perhaps you might have use of it.

Further proof that Grymforge and the Gauntlet were once connected...somehow.

Anyway, by the time Yurgir is called in, Morfred's already been found out. Thisobald overhears him drunkenly complaining about Ketheric in the Waning Moon and informs Ketheric of his treachery. Ketheric orders a raid on the mason's guild, leaving Halfred the lone source of Selûnite resistance. It's unknown what becomes of Halfred, but considering the fact that the inn was still taking guests (like Art Cullagh) and housing the Harpers right before the shadow curse descended (there's a shadow memory of a Harper toasting his comrades in Last Light right before the battle with Ketheric long ago), it's likely he's a victim of the curse and not Justiciar brutality.

I’m not sure which is worse, honestly.

It's unclear when Morfred dies, though he admits to witnessing the first part of the shadow curse (i.e., "...but he endured somehow, and blighted the land"). But Morfred's deal coincides in some ways with the arrival of the Harpers and druids. I think he probably makes the deal with Raphael before the Harpers officially march against Ketheric and then gets caught after he hears rumors of the Harpers.

Raphael makes good on his deal around the same the Harpers arrive, perhaps a little afterward. This means Yurgir's slaughter of Justiciars in the Underdark must happen concurrently with the battle happening topside between Ketheric's army and the Harpers/druids, meaning Ketheric is losing his army on two fronts at the same time. Victory seems assured for the Harpers and druids, but of course we know now that Ketheric had a way of cheating death already in place.

He had already imprisoned the Nightsong in a Shadowfell soul cage.

Again, we’re not sure exactly when this happens, but it’s after Isobel dies and before the shadow curse, which unleashes with Ketheric’s supposed death in the battle against the Harpers and druids. However, Aylin herself says that Ketheric and Balthazar lured her into the Shadowfell under the pretense of saving an innocent.

Dame Aylin: He and his loathsome advisor Balthazar lured me into the Shadowfell, claimed they'd found someone in need of my aid. There they trapped me in their infernal cage. I was killed, murdered, made dead, over and over and over by Justiciars of every make and kind. I was reborn, for it is my nature. And Ketheric fed upon my immortality all the while.

This makes me think that Aylin wasn’t aware of Ketheric’s conversion yet, so it must have been very soon after, because otherwise, why would she trust a known Sharran telling her to enter the Shadowfell, the realm that is entirely under Shar’s control? I also suspect Ketheric built (or renovated) the Gauntlet around Aylin after her capture, perhaps at the behest of Shar due to their collaboration in making up new Justiciar teachings, or perhaps out of a sick, vengeful desire to see Aylin tormented for daring to love his daughter.

If this is true, then there’s a very real chance that Ketheric was unkillable before he truly started to torment Reithwin town, and well before the Harpers stepped in to take him down.

Anyway we at least know that Ketheric trapped Aylin in the Shadowfell before the big battle against the Harpers because a) both Isobel and Aylin talk about her being there for a century and b) because Ketheric is already using her invulnerability to survive assassination attempts on his life prior to or during the actual battle against him and his army:

23 Elient The Harpers came too close - they poisoned Father Ketheric himself, yet he professes no ill effects. Malus insists it a fluke. Doctor he may be, but he is no less a fool for it: Father has achieved that of which I can only dream: immortality. I have long suspected. I can guess Father's purpose, but I cannot fathom the means.

This brings us to the eve of the battle itself. But this post is already hella long, so keep an eye out for part 2, all about the Harper and druid battle against Ketheric!

[max-nico]

Tails is very special. He's been aware of this fact his entire life. Whether being special is a good thing is up in the air, as that answer completely depends on what time of his life you're looking at.

He was special when he was just barely two, when he still had his birth parents, but that's not to say he remembers much about them. He was special when he was four, because the village decided the anomaly he was born with was a curse, and not a blessing. Tails is special even now, when he is six, for a very different reason.

Well, not for a completely different reason. He still has that same anomaly curse gift that he had before. The village still believes him to be an unwanted child, and surely his biological parents, wherever they are, still love him the same as they did when he was two.

But there are whole new reasons for Tails to be special now.

For one, Tails was gifted an entirely new name. His name used to be Miles, but no one has called him that in years. He was also given new titles of little buddy, pal, kiddo, and his favorite, little brother. Yes, being a little brother is quite special, especially because he is the little brother of Sonic the hedgehog. This is a perfect Segway to the last reason he is special.

He is special because Sonic, his older brother, hates handshakes. He also hates slowing down, and hugs, and mint, and rain, and snow, and lots of other things that Tails is doing his due diligence to keep track of.

But there are lots of days where Sonic gives Tails a hug without him asking, and sometimes when there's lots of rain Sonic pitches the tent under a tree or in a cave, and he lets Tails play in it. There are even days where Tails is just too tired to keep up and Sonic slows down, letting him take a nap.

Now this may not mean much by itself, and at first Tails thought he was doing a bad thing by telling Sonic he's tired, but recently he's started to get it. He's started to understand.

Before, Tails would feel guilty when Sonic would stop to play in the snow with him. He would always be cold and shivery, it always made Tails feel horrible that he dragged his older brother outside with him. That changed at some point, he's pretty sure it was recently, but he's not actually that sure. Now he only feels warm and giddy inside, like he's going to throw up, but in a good way.

Tails has realized that he may be special because of his anomaly, or his name, or his brain, or his title, or even his parents, but there is a much more important reason why he's special. A reason that makes him feel that weird happy-nauseous emotion.

Tails has realized that he is special, because he is special to Sonic. He doesn't think there's any better reason to be special, either. Tails thinks that if he does nothing else in his life than be important to Sonic, then he has done what he was meant for.

Don't tell Sonic he said that though. The hedgehog will noogie him again, like he always does when Tails gets sentimental.

Wrote this in the bathroom at 1:30am, inspiration struck for some reason

I was kinda going for a long-winded ramble without my run-on sentences being too annoying. Did I capture that well ? I hope so 🙏���

Will post this when I wake up tomorrow, good night everyone (barely proof read as usual)

Come hop into my askbox if you want. I'm a Tails-centric blog if you are an enjoyer of him

[backmarkerr]

please....can u speak on the conspiracy

So the conspiracy (more like a theory, really) is that Kimi was pushed out of the team starting in 2008 to make way for Fernando, who was more appealing to the big sponsor coming in. Before you click out thinking "Max, that's stupid, no team would throw a championship for a sponsor." I agree! But keep in mind that they didn't throw the championship, they fully expected to win the WDC with Felipe (and almost did) and did in fact win the WCC in 2008 with Felipe and Kimi despite everything. But there were really suspicious things going on. So with that in mind...

It's 2008. Kimi has just won Malaysia, the second race of the season. Three days after his win, there's this:

.

Ok, kinda weird, but whatever. F1 runs on rumours, right? Suggesting that Kimi might retire when he's doing so well is silly. And in the article they seem to be pretty ambivalent over whether it would be Felipe or Kimi to leave.

Fast forward to Spain two races later. Kimi scores his second win of the season and takes the championship lead. The season is shaping up pretty well for the defence of the title, you’d think this would be a good time for him, but again, the story du jour is Ferrari wanting Alonso in Kimi’s seat for 2009.

[x] I guess now we know at least Massa's seat is secure...?

If you’re like me, that sounds stupid. The reigning champion just won the last GP and his contract runs until the end of 2010, so this media narrative makes no sense. Something pretty catastrophic would have to happen for that to ever come to fruition, right?

So anyway, he gets a first row start in Monaco. Great, that's almost a surefire win/points, right? Wrong, he got a drive-through penalty due to the team not fitting the wheels to the car on time before the race start. Not a great race and he ends up outside of the points. Lewis is now ahead in the WDC by 3 points. Not really a disaster, but...

[x] what on earth...

[x] again the talk of retirement.... I mean, it's weird, right?

Zero points in Canada due to being rear-ended in the pitlane, which the team can’t control. Then he’s back to being neck to neck with his teammate and Lewis by the time the British GP is done in early July, with all three drivers on 48 points. Good news, right? Just gotta stay on track and not fuck it up somehow.

[x] sigh... (this one's a little harder to source as it was printed media, but I've seen this exact interview quoted in different pages)

So anyway, they change his front suspension for the next race in Germany. Kimi has always been very sensitive to changes in the car, so he knew something was wrong. Ferrari (via Michael, who was then head of development) say he's just not adapting well to the upgrades. Maybe, sure, but why aren't you bringing upgrades that are geared towards your world champion?

(an interesting remark from Mark Hughes here if you scroll down to the comments, which adds weight to Kimi not being listened to when it came to car development in 2008)

Bar a podium in Hungary, Kimi scores 0 points in 4 out of the next 5 races. It takes until either Monza or Singapore (hello crashgate!) for Ferrari to put his suspension back as it was.

He proceeds to get 3 podiums in the remaining 3 races but it’s not enough to catch up. By Singapore he was already 27 points behind his teammate (reminder this is the old points system) and very much expected to play the supporting role. In the penultimate race in China he very obviously gave up P2 to his teammate:

"I know what the team expects." [x] / [x]

Yet the narrative in the media and from Ferrari themselves is that his motivation is bad and he's not assertive. It was so pervasive that to this day people still parrot it and say he just didn’t care after 2007, despite Kimi always stating he was fully committed and clearly getting annoyed whenever journalists asked about his motivation even years later.

Montezemolo at the end of 2008 even 'joked' that "Kimi in the recent races was replaced two or three times by a friend, but next year he'll be back." Basically saying that Kimi wasn't really present, you know? An interesting thing to say when this absent driver scored 18 points in the last 3 races (three consecutive P3s), while the one who was amazing and had the team's full backing scored 20 (P7, P2, P1).

A whole 2 points' difference, maybe someone should hire that "friend"...

So why did they do this?

Well, the theory is that Santander (I promise this isn’t like the dumb Sainztander takes) wanted a Spanish-Brazilian lineup due to financial interests (Spanish bank, big market in South America with a looming IPO in Brazil), so Kimi was basically being pressured out of the team from early 2008 onwards. Like I said at the start, the team weren’t really throwing away 2008, as they expected to win the WCC with both drivers (they did) and Massa to be able to win the WDC, which would of course be beneficial for their new sponsor. And he almost did. Almost.

[x] they're not in charge of driver selection but this specific driver line-up would good for them. (this archived copy of the article is from 2010, but the text makes it clear it's from 2009)

Of course at this point we have to wonder if a team like Ferrari would bow down to a sponsor's demands. I can't tell you what the internal considerations were or how much money was on the line, but it's also not like Santander were telling them to get rid of Kimi for a bad driver, you know? Fernando is a great driver, so from Ferrari's perspective they were just trading a great driver for another great driver who also appealed to this huge sponsor, and an Alonso-Massa line-up would be solid. And with the previous talk that Ferrari and Alonso had already inked a deal in 2008... It's just difficult to believe there isn't a grain of truth here.

So the alleged initial plan of having Alonso in 2009 was foiled when Kimi activated the renewal option in his contract. It was then that he was bought out of his last year (apparently paid for by Santander).

[from the book The Unknown Kimi Raikkonen]

As we can see, by the end Kimi was also fed up with what was going on, especially people pointing the finger at him and at his motivation, and his frustration is very clear in interviews like here at 2.35 and here:

Publicly, Ferrari said they wanted someone more in line with how Michael used to be (ironic since Montezemolo allegedly didn’t like how Michael made the team his), who could communicate with the team and give better feedback (ironic when Todt, Dyer, Stella and others said Kimi was very clear and precise.) Kimi himself has always stated that he wasn’t the issue, that his motivation was never lacking and that the real reason he was pushed out was politics and money.

[x]

[x]

If it had only been the mechanical stuff, I’d be willing to chalk it up to just bad luck and incompetence. Shit happens. But with all the rumours around it even before things went bad on the track and Kimi stating that his work and performance weren't the reason he was let go it becomes impossible for me to think there wasn’t an actual push going on to replace him.

Hell, even famed Ferrari fanboy Sebastian Vettel didn't think it was realistic for Kimi to return to Ferrary in 2014 precisely because Kimi isn't one for "bullshit" and "politics". Why would he choose to say that specifically? And according to Finnish media Kimi’s 2014 Ferrari negotiations included Montezemolo personally apologising to him. Now why would he apologise if they hadn’t done something wrong?

Personally I think Kimi's "certain people did certain things" refers to this. He never trashed anyone and always said he had no ill-feelings. And I believe him. But it doesn't mean nothing happened, lest we forget how well he handled Lotus not paying him.

The thing that really bothers me is that Kimi got the reputation for having low motivation and not caring about what he was doing (I heard that take just last month from an F1 youtuber, how Fernando was hired in 2010 because Kimi had mentally checked out 🙄), when obviously someone who wasn’t motivated and didn’t care would have simply called it quits under these circumstances. Instead he got P3 in the standings in 2008 (I know he’s talented, but he must have been trying at least a little), trained hard to lose enough weight to use KERS in 2009 (why would he do that if he didn’t care) and took the team’s only win that year despite the car being shit. Interestingly, pundits acknowledged his good performance complicated things when it came to Ferrari’s rumoured hiring of Alonso. So imagine how much more complicated things would have been had Kimi done better in 2008?

Anyway, this is long, but if you want something longer then I definitely recommend this post here. You might not agree completely with the original authors (there are parts where I wish there was more info), but I think they offer a lot of good research and information regarding the overall situation back in 2008/2009, and it's a good jump-off point for your own research.

But yeah. 2008 could have been everything. Or at least better.

[bistaxx]

Okay so, I fully agree that q!Bagi is not obligated to stick by Cellbit or watch over him- and that it's healthy for her to grow closer to other people who make her feel happy and focusing on them could really help her start to heal from years of trauma she's gone though. I'm all for her finding people that feel like family when her brother doesn't right now. She is so much more then just his sister.

... but I don't agree with the common take that q!Cellbit doesn't care about her- I just don't think it's fair to take the way he's acting lately as truly reflective of how he feels towards the others, his mental health is at it's lowest, he's lashing out in self-destructive ways, and hasn't really had a moment to just take-in and process everything he's learned about the past that was taken from him with all the other stressful garbage going on. 'Course none of that is to say the weight of how he's treating people like his sister (and the others) should just be ignored and it's fully up to them to decide if they still want him around or not- I just don't agree with writing him off as not caring for her.

It's a painful, messy, complicated situation... but he knows she's been hurting for a long time- and I still believe that him hunting down fed members is as much for him as it is for her and everyone else whose been hurt by them even if Bagi openly hates what he's doing. He may not want to admit it, but I think he does care about her deep down- and he wants to push her away like everyone else (who isn't Baghera) right now.

I don't know if they'll ever be able to be a 'family' again let alone as close as they once were, but I think there's still some hope left that they can make something work... maybe.

... I also don't think she's ever going to truly 'give-up' on him because Bagi is simply a VERY determined person and not one to let her dummy little brother tell her what to do lol

[emberglowfox]

closing time

[meldoesthedraw]

Mari-lore Comics #10-11: SUCCESS

She's IN!!!

But how will she mesh with the rest of the Up Late With Miss Piggy writing team, really?

Will she foster friendships with her new Muppet coworkers? Romance, even?

And most importantly: will Zoot EVER remember her name??

Stay tuned, dear readers... 👀

[sugarpasteltmnt]

You write unhinged Leo so well, and I really like how you write him. I was wondering if you had tips on unhinged characters 😂, or do you just get inspro from existing characters 👀

aksdakjsdh thank you so much ;w;

And honestly???? I’m not totally sure how to give tips— but I love, love, love unhinged characters in media, so I’ll use them as examples

(long rant below lol)

I’ve always been a big fan of silly, ‘crazy’ characters in animated movies and cartoons. I grew up on Batman the Animated Series and the original Teen Titans, which were full of silly, fun tragic characters.

Don’t get me wrong, i love a good edge-lord— but as a tot i thought the colorful, theatrical, insane bad guys were more fun to watch than the big scary serious ones (ESPECIALLY if they had a good villain song. A+ good shit)

(From left to right: Ratigan from Great Mouse Detective, Joker from Batman the Animated Series, Mumbo Jumbo from Teen Titans, Martin from Secret of Nimh 2, Bill Cypher from Gravity Falls, and Spinel from the Steven Universe movie)

And not just bad guys!! There are a ton of unhinged good/neutral characters that i absolutely adore.

(From left to right: King Bumi from ATLA, Clara from Welcome to Demon School Iruma-kun, and, of course, our silly 2018 turtle boys)

((There are many more characters in both categories, but I’ll slide these examples in here for now))

My personal brand of “Unhinged” or “Crazy” characters definitely leans on comedy. That’s what i enjoy seeing and reading! I personally like it because it can help keep a story fresh and interesting. There’s an element of surprise and unpredictability with what a character might do, and i love that!!

I also really enjoy a touch of feral behavior in my unhinged characters. The lack of clarity and the danger that imposes can be a very fun tool to use, no matter the character’s moral compass. (I’m feral for feral behavior lol)

And impulses. Whether a character has a few screws loose or is generally a goober, they like to act on impulses. This often goes hand-in-hand with comedy, and that’s something I enjoy!! We get a lot of moments like that in Rise, and that was one of my favorite parts of that TMNT iteration.

But as far as writing goes, it’s been tricky for me. All of the characters I grew up or love have been visual— trying to find a good balance for reading has been a puzzle I’ve been figuring out as I go.

I read a lot manga (lol nerd) and comics, and I love how thoughts/dialog are depicted. Especially the really dramatic or impactful moments. (I’d add examples but I’m already at the Tumblr image limit LAME)

As strange as it sounds, I try to capture that “impactful visual” style in my writing. If I had ANY advice on writing unhinged characters, pay attention to pacing—

Short. Fast. A calculating thought. Perhaps a run on sentence that lacks punctuation to represent the rushing and disorganized thought process. A question? An answer with little thought. Is this moment amusing; describe how. Is it upsetting; describe how. Are the thoughts starting to scatter? M aybe s o…

Big moment statement.

Action or plan of next big move. Flow should never seem too uniform. Even in normal writing. Don’t be afraid of accentuating— but don’t overdo it. Remember, unhinged characters are impulsive. Have fun with that.

Just as a quick and dirty summary— when it comes to unhinged characters, I like to use comedy, feral behavior, and acting on impulses. I also like to keep it as visually appealing as possible for characters to give the eyes a little treat after reading walls of text. I like to use fun text formatting to help with the fun too (But don’t overdo it! Don’t make it feel like a chore to read) (<- says the girl who goes into way too much details sometimes lmao whoops)

But ultimately— have FUN!!! Unhinged characters are fun, so make sure you have fun writing/drawing/creating them!!

[fictionalsownme]

More Than A Woman | wilford warfstache x gn!viewer / reader |

chapter one - "I've known you very well"

A/N: hi everyone!! I'm so excited to post this! Usually I spend a long time on the stuff I write but I wrote a good chunk of this in a feverish burst haha, I've been wanting to write for Wil and had such a clear idea of how I see him in my head for so long :)) This fic will probably be around 10 chapters~ish and progress will probably be a little slow but I'm also trying to get faster at my writing so I guess we'll see! Getting it down is always the hardest, then you spend a bit of time hating it, then the fixing can start! Anyway, I hope you guys like this, I love this dorky weirdo a lot for whatever reason, and I'd love to write for other egos too :) ((there might be a guest appearance or two in here in the last few chapters if plans don't change 👀)) hope you guys enjoy the first chapter at least! lmk 🥰! word count: 2.9k notes: reader is gender-neutral, similar to all of mark's stuff :) -- the title is just after the song! no pronouns or descriptors are used other than the occasional they/them. reader is the viewer (& district attorney) from wkm, adwm, ahwm, iswm, etc, but that won't come up until later. wmlw wilford. story will be mostly fluff, some hurt/comfort & angst, lots of romance and flirting! story is adapted from an idea I had for my self insert. we will get into some lore stuff (or at least my understanding of the lore 👀) and filling in gaps with headcannons, but it's mostly about wilford & reader and I'll try to explain as we go so don't worry about it too much if you don't know all of it. especially since I don't know if my understanding is always 100% accurate 👉👈 let's have fun yall! 💞

masterlist | AO3

The music playing softly over the convenience store speakers was pleasant, if slightly boring. Like elevator music— there only to help ease the passing of time. Your night shift would end soon, and the sky could be seen as it lightened more every minute through the windowed front of the building.

Other than that, the old store was quiet. Dusty. Pink and orange neon strips lined the walls near the ceiling. They overpowered the dated fluorescent lights, casting everything in a slightly peach haze. Like a dream. 

Different sections of the store were marked with neon too, the letters glowed against the wall denoting the drinks, the snacks, the hot food… You liked your little store. Even if the unyielding isolation of your work made you a bit… complacent. You couldn’t remember the last time you’d truly talked with someone.

The ice creams chilled your fingers through the wrappers as you pulled them from their box and slotted them into place. Even with the cold air of the freezer wafting over you, you could smell the cool summer air coming in the sliding front doors.

You liked to prop them open on dawns like these. The convenience store lights did draw in the occasional pestering bug, but they usually found their way out again before long. You did get a bat once. Albeit a little crazed and frantic, you were surprised to find it harmless. Maybe a little lost. Now that thing seemed like it would never leave. 

Refocusing on your task, you brushed your condensation-soaked fingers on your work apron, tied tight behind your neck and around your back, and shut the freezer door. 

The motion alert chimed a pleasant tune through the staticky old speakers as a customer entered the open doors from the street.

You called an automatic, “Welcome in~,” and went about straightening a shelf of snack bars and chocolate. You didn’t bother to look in their direction as you heard them make their way through the aisles.

“Pardon me,” said their strange, nearly British accent from beside you now. You turned to the source of the voice, the man who’d just walked in, and your eyes went to his outfit first. 

A silky-- almost sparkly in how it caught the light-- lavender shirt with mismatched buttons revealed expanses of his bare chest. It was paired with white bell-bottoms and a fake pink afro hanging half-off his head, about to fall off. He had olive skin and dark hair-- nearly black--, fluffy and sticking up every which way like hands had been running through it. Scruffy facial hair framed a thick mustache that tinted slightly pink where it turned up at the ends.

He looked… honestly, he looked ridiculous. But the 70s getup was fun, you supposed. And his eyes-- dark brown and monolid-- were handsome. Underneath all the… extra mess. You blinked, slowly, in a way that felt like waking up.

“Uh, hi. Are you coming from a costume party or something?” It was August, but you supposed it was never too early to start the spooky season. 

“Oh! Do you know of one? I do love a good costume. But no. Just the regular-sort. Just woke up from one.” He scanned the products near his head, grabbed a protein bar, sniffed the wrapper, guffawed, and put it back.

“You just woke up? Are you alright?”

“Oh, worry not, friend, this is normal for my level of reverie! I’m not even hungover!” He laughed, his hands going to his hips.

You stared at him.

“I was just looking for something to gnaw on! To nourish myself before I’m on my way.” His eyes were still traveling all over, not really seeing you.

Now in theory, a strange man coming in at this hour, acting even stranger, with his clothes disheveled? You knew you should be on your way to your safe space behind the counter to get him checked out and exiting the store as fast as possible. But there was something about him… 

Something you couldn’t place…

Instead you raised your eyebrows and relaxed against the cooler door. “Uh, I guess that depends on what kind of food you like,” You offered. After a moment, his gaze landed on you and he seemed to finally take you in. Your uniform, your crossed arms, your patient expression, your features. His face scrunched into confusion.

A moment passed, staring at each other like that. “Your shirt’s looking a little rough, you know.”

“Have we met, friend?” He asked as he began to fix his buttons. 

You watched passively as more of his chest came into view. He either didn’t notice or didn’t mind your blatant staring. You weren’t sure why you were staring, or what you were feeling as you did so. 

You weren’t gawking at his abs or anything-- well,-- not that he didn’t have abs. He did, sort of. The expanse of his chest and abdomen were tight with toned muscle. He definitely wasn’t lacking abs, anyway. Either way… this was about something different. 

You wondered for a moment if a vague familiarity was what you were picking up on, but quickly dismissed it.

“I feel like I’d remember meeting you.” 

You realized with a start that your comment could be seen as flirtatious, and added quickly, “Just, you know-- generally.”

But he just hummed and spun on his heels, turning away. You sighed and found yourself in-step behind him, hands in your uniform pockets. Like it was the most natural thing in the world. 

“Well, either way!” He started, his energy returning tenfold. “Let's see what this cute little shop has to eat!” 

For some reason, you asked, “Do you have money?” 

He froze. “Er, no~. You don’t mind, do you?”

“Mind what?”

“Well, spotting me of course! Let’s just say I owe you one, eh friend?”

You rolled your eyes, smiling. “Thought so.” 

Thought so? Maybe you did know him… 

It was your turn to squint in displaced confusion. “What’s your name?”

His voice came from behind you and you spun around, your shoes squeaking on the tile floor. When did he sneak around you? 

He bent over and twirled his hand, a flamboyant bow finally knocking the afro off his head. “Wilford Warfstache, at your service.”

“That’s your name?” 

He righted himself. “For now.” It suited him well enough, but for some reason it sounded misplaced.

… But no, either way, you definitely hadn’t met him before. You didn’t know many people in the first place, let alone someone so eccentric.

Still, you were curious about him. Curious about his personality and who he was. He felt sort of like a puzzle waiting to be solved. And so far, despite his quirks, despite how admittedly weird you’d also been acting, he’d been friendly. You couldn’t say the staring and prodding questions were too in-character for you. At least not when it came to customers. 

His hair looked softer without the wig to weigh it down-- parted at his brow and long enough to fluff over the tips of his ears and end where his neck met his spine. You reached down to scoop the curly mop of synthetic hair up off the floor.

“Where did you get this thing?”

He hummed something like ‘I don’t know’, his eyes sort of wide like a clueless puppy’s. 

“What, you just kind of have it?”

“Yea’p.”

You squinted at him, a smirk forming on your lips. “How about I do you a favor and throw this away?”

He shrugged, hummed an ‘alright’ sound, and turned away. 

“Oh no, I was kidding! God, here--!” You had to grab his wrist to stop him from wandering off further and placed the pink afro in his hand.

You had just been trying to tease him, but now you just felt bad. “Look, Wilford, you want something to eat? We have to throw the hot food out every night. You can have a taquito or a slice of pizza or something if you want.”

Then he was frozen again-- staring down at where your fingers wrapped around his wrist. Your eyes followed his gaze down and then you were staring too.

A moment passed. Then two. Finally, you let go and crossed your arms again, tucking your hands away where they couldn’t embarrass you again.

“... Fuck, I’m sorry. I-I don’t know why I did that.” You did your best to clear your throat.

But he was still stuck there. He blinked a few times and his gaze met your eyes, his brows gathering together. 

“Wh-What did you say your name was, friend?” He seemed so… serious all of sudden. So dire.

You hadn’t mentioned it yet, but told him with a hesitant voice. 

His expression blanked, eyes widening. He brought his arm, the offending afro in tow, to his chest, touching his wrist where you’d held it.

“Oh…” 

You raised your brows and asked softly, “Sorry, do you know me, then?”

“Hm?” And he blinked like his mind was clearing, like he’d forgotten you were there. 

He cleared his throat, smiled-- ear to ear-- his mustache lopsided like a cartoon. “Oh-- nevermind about that! Some food would be lovely, if you don’t mind.”

His eyes were sparkling. 

“Sure. I mean, it’s nothing fancy. Here,” And you walked over towards the front counter. Wilford trailed close behind you-- holding onto the wig in his hands like a school kid holding a lunch box-- his gaze wandering over the store again like he hadn’t seen it the first time.

You arrived at the hot foods section, a glassed-off section of day-old food over heated rods. You shrugged. “If you have a sensitive stomach, maybe don’t,” you started, “but it’s mostly fine to be honest. I eat it if I’m in a pinch, you know.”

You hopped up to sit on the counter, your legs facing Wilford, and leaned back to reach around and grab the tongs waiting there. You straightened and clapped them together twice. You offered him a smile. “What’ll it be, Mr. Warfstache?” Then a quieter, “--that was your last name right?”

“Do you gravitate towards anything yourself?”

“Can’t go wrong with a slice of pizza, I guess. Even here.”

His smile grew sort of soft. “Then that. If you please.”

“You got it.”

You leaned over again and served up the slice of moderately warm and slightly greasy pizza on a brown napkin and passed it off to him. 

“Much obliged.”

You got one for yourself too, and when you righted and your eyes found Wilford again, he was sitting in a retro-style diner chair you’d never seen before-- his feet against the edge of the counter beside you.

You couldn’t help the surprised laughter that choked out of you. “Wha-- where did you even find that?”

The chair teetered on its two legs as he leaned precariously back, tilting his head at your question. The pink wig sat in his lap and you couldn’t help thinking it looked like some weird dog.

“Well, there’s no need to worry! I’m only borrowing it, I’m not a barbarian.”

And you just knew you weren’t getting more of an answer than that.

“So who even are you?” You asked as he took a bite of the pizza, somehow pulling all the cheese right off the top in one piece. He pouted down at the offending mozzarella, slurping it into his mouth and swallowing it. “Do you live around here?”

“Mm. I don’t really live anywhere. Much more the exploring-- ever on the move-- type.”

He was so expressive. It really felt like talking to an old cartoon come-to-life or something. You turned to lean against the side of the glass cover, swinging your legs so your feet rested on the counter, not far from his still against the edge. You weren’t touching at all, but you were surprised at how quickly the two of you fell into a casual-- albeit timidly curious-- rhythm. 

“So what do you do?” And you began to eat too.

He beamed, his smile reaching all the way to his eyes. “I’m an interviewer! Warfstache Tonight, that’s what my show is called! It’s quite a professional endeavor!”

You smiled and hummed around your bite of pizza, impressed. That actually explained a lot. And it suited him nicely enough. “Sounds pretty glamorous.”

“And what about you? You can’t just be a convenience store clerk!” He seemed so affronted by the idea. Crinkling his nose, dropping his voice an octave. “How dreadfully boring.”

You winced. “‘Just a convenience store clerk?’ Ouch, Wilford…” You couldn’t help frowning down at your slice. 

 “Oh! No no, pardon me!” He let the chair fall back to four legs, waving the idea way with a panicked hand. “I only meant that… this isn't what truly stirs your passions, is it? Do you do anything at your leisure? For work or just… something you enjoy?”

You squinted at him. But you didn’t really think he was trying to insult you. And he wasn’t wrong. It just… wasn’t always the most fun when someone pointed it out. Especially like that. 

You sighed, fidgeting as you considered his question. “Not right now… This job keeps me pretty occupied. But you know, it’s not too bad. It keeps me, I don’t know, grounded I guess.”

He thought for a moment, then nodded, taking another bite. “I do hope you get more opportunities soon, then.” He said, surprisingly grounded.

You looked at him. “... Thanks.” And you meant it.

“And… my apologies for the earlier, uh, miswording.”

 “That’s fine… I’d be curious to hear more about your show, though! Have you interviewed anyone interesting or anything?”

A beat. A sort of tiredness settled into his shoulders and he peered up at you. “The odd gold-star guest did wander in from time to time. I’m not sure if my skills were quite deserving of them at the time.”

Was that… shame?

“The truth is, I couldn’t quite live up to the role. I--” He laughed, pained. He cleared his throat. “I’m taking a bit of a break from show business for the moment.”

Ah. So that’s what happened. You offered him a sympathetic smile. “To party? That’s probably why you don’t have any money, Wilford. And why you have to rely on shitty convenience store food?” You held up your greasy napkin like it was evidence.

“Now don’t underestimate the power of a good party! And this food is fine, I’m grateful for it,” He crumpled the now empty napkin and gestured wildly with it. “The truth is I get by just fine. I’m just not sure what else I should be doing.”

You looked out the front windows. The sky was getting lighter. The timer marking the end of your shift would go off any minute.

So maybe that’s why he’d been asking you about your passions. You felt bad for him. He was strange, to be sure. And a little hard to follow. But he was also… sweet. He had a softness about him.

And still… there was that feeling that hadn’t disappeared since meeting him. Like… like your soul recognized him. Maybe not deeply. But distantly. Like you’d met him in a dream. It was a ridiculous notion. Ridiculous didn’t seem beyond his territory.

You turned, legs coming down from the counter once again. You leaned forward, your hand landing at the junction of his shoulder and neck. His silk shirt was soft under your fingers. His eyes jumped up to yours and you looked down at him with a smile. 

“You liked doing your show right? You want to be an interviewer?”

He nodded slowly. His lashes fluttered. 

“Then that’s what you should be doing! You just have to try again!” You shrugged with one shoulder. “It might suck a lot. And you might fail again. But pick yourself back up. Keep going. I’m sure you can do it if you keep at it and think outside the box, you know. Failing only means failing if you stop.”

You leaned back, your hand sliding away. He stared at you.

“That’s what the rest of us do, anyway. Honestly, maybe you should do your show online! You know, livestream it or something. I’m sure you’d find your own way to it.”

Slowly, a smile crept back in, the corners of his eyes creasing. 

“What a wonderful idea…” 

God, his eyes… 

You looked down at your own napkin, laughing a little at yourself. “Wilford, I promise, the advice I just gave you was nothing crazy.”

“Well, perhaps it’s just a little too rare that I get a pick-me-up.”

You hopped down from the counter. “Swing by whenever, I’ll hand them out for free. Though, if you’re always on the move, I guess you’re probably not in town for long, huh?”

He quickly followed your lead and stood, his chair nearly falling in his haste. “Uh— w-well I, I don’t know, I could always… linger for a day or two. Hard to say really.” 

“Uh huh.” You smirked at him, raising your brows. “Well, if that constant partying you have going on brings you back here, feel free stop in, okay? … It’d be nice to have someone in here every once in a while. Well, someone friendly, anyway.” 

“Right. Will do. Of course.”

You gave him two solid pats on the chest and turned to throw the napkins away behind the counter. When you turned to face him again, he was gone.  Only slightly confused, you quickly recovered and yelled a quick, “bye~!” to the now empty store.