#as in i become insane about any character i analyse. which means that i get really weird and freaky even if theyre comprehensible

[featherymainffins]

One thing about me is you can always count on me to want the character who is incomprehensible. People often say "Oh you're gonna want this one for sure" because they think I have a type. There's the secret: There is no type. The only type is confusion.

If the character you are showing to me is perfectly comprehensible and makes sense well unfortunately I will be normal about them. Horny? Perhaps. But to a normal degree.

Show me a cunt who makes no sense at all and it's over. I'm finished. KO'd. I'm done. It's over for me forever.

[xiaoshengnu]

𝕰𝖒𝖕𝖗𝖊𝖘𝖘𝖊𝖘 𝖎𝖓 𝖙𝖍𝖊 𝕻𝖆𝖑𝖆𝖈𝖊 - final review

overview : episode no - 76 episodes, genre - historical (gongdou)

a timeless classic, the slay to end all slays (and I mean literally and figuratively) empresses in the palace follows the story of zhen huan as she experiences life in the palace, hardening her from a sweet young girl to a stony empress dowager. 

l⃣e⃣ t⃣’ s⃣    b⃣e⃣g⃣i⃣n⃣

when I say you will never find a more iconic show ever in the whole of cdramaland, I mean never. empresses in the palace is an absolute juggernaut of a drama, it is absolutely insane, the writing, the drama, the characters, the absolute minute little details and its respect of the viewer’s intelligence- an A* and beyond. and it's internet and cultural presence in china? IN. SANE. 

o⃣u⃣t⃣     o⃣ f⃣     t⃣ e⃣ n⃣

𝖕𝖑𝖔𝖙 - 9/10

𝖆𝖈𝖙𝖎𝖓𝖌 - 10/10

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘 - 10/10

𝖕𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓 - 10/10

𝕠𝕧𝕖𝕣𝕒𝕝𝕝 𝕒𝕧𝕖𝕣𝕒𝕘𝕖 - 9.8

o⃣u⃣t⃣    o⃣ f⃣    f⃣ i⃣v⃣ e⃣

𝖍𝖎𝖉𝖉𝖊𝖓 𝖌𝖊𝖒 𝖛𝖆𝖑𝖚𝖊 - 💎💎💎💎💎

[ I know that when the drama first came out, it was considered pretty unique for how brutally it presented harem life, but even years later and amongst so many newer dramas which have borrowed tropes and ideas from it, I don’t think you’ll be able to find such an incredibly solid drama. a five gem.  ]

𝖗𝖊𝖜𝖆𝖙𝖈𝖍 𝖛𝖆𝖑𝖚𝖊 - ✨✨✨✨✨

[ it is so incredibly long and a pretty emotionally tolling drama - even longer than legend of haolan but it is just incredible, a full five star rewatch value ]

‘keep reading’ for detailed review

oh my god this drama.

oh my god.

where do I even begin? I remember watching my parents watch this drama when was I was still really young so I didn’t know what the show was called and what it was about, and although I didn’t remember the whole of this drama I could still remember some hazy snapshots pretty iconic scenes- like at the end where she does to sleep, or when she gets sent to the island- so when I finally decided to watch empresses in the palace a light bulb went off and I suddenly realised that THIS was the show that I'd remembered from my childhood. THIS was it. so it is quite nostalgic for me. 

it is honestly such a timeless classic, there’s nothing that will ever beat it. nothing. every fucking second of this thing has a purpose, and everything the characters say and do- and even the background of scenes have minute details which relate to the overall plot and trajectory of these characters. like the amount of YouTube videos analysing this one drama is insane. when critics praise a piece of visual art as a “living breathing organism”, “a masterpiece”- they mean this. 

𝖕𝖑𝖔𝖙 - 9

just. amazing. what can I say. there’s absolutely nothing that can beat this drama with how it wrote the plotting, the intrigue and the absolute cunning the women had to possess to stay alive in the palace. the ending of the drama is literally perfect. SO perfect. younger me thought legend of haolan was good- but compared to this? this is really truly another level. there’s so many instances in the drama where the drama never really tells you what exactly happened, but at the same time gives you just enough information to just guess what had gone on. equally, there are some times where there really doesn’t appear to be any scheming but with close analysis (and with the help of trusty youtubers) suddenly things become thrown into light. 

however, I had to knock down a few points because every plot has flaws and for this drama, I think it was mostly the use of tropes and the ‘female lead syndrome’ that sometimes quite clearly shows in the drama. There are also some areas in the drama where the plot does get shaky, but there is never not a reason why a scene is included in the drama. its just such a watertight drama. if you ever need to learn the art of show but don’t tell, this drama has it all. I love that sometimes it leaves it up to the viewer to work the plot out, which mirrors the way in which the concubines had to guess and predict in order to survive- which wasn’t always for certain or always accurate, almost literally pulling the viewer into the world of harem life.

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘 - 10

I LOVE THE CHARACTERS UGH. I love them. they’re slays to end all slays. from zhen huan (the original girl boss, gatekeep, gaslight- FIGHT ME) to su peisheng- honestly so iconic. every single major character was well written, well developed and multi-dimensional, and no-one was evil purely for the sake of earning the drama cash. everyone in the drama gives you a reason to root for them, I found myself even feeling for the emperor in the end. 

𝖕𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓 - 10

the production was beautiful- the lighting, costuming and makeup were literally so perfect it's unreal. so many iconic scenes came out of this drama- like the yimeiyuan (plum blossom garden) scene with it's beautiful moonlit set and plum blossom decked in snow.

 I love the designated colour palettes of the various concubines everything seemed very thought out to fit their personalities. consort hua was decked in bold colours and extravagant patterns, consort jing being calm and gentle was consistently dressed in soft blues and greens, while shen meizhuang is seen wearing mostly purples and pinks. one particular costume that lives in my mind rent free is zhen huan’s blue outfit with the white plum blossom embroidery in the episode 28- absolutely stunning.

𝖆𝖈𝖙𝖎𝖓𝖌 - 10

honestly, if you took a shot for every time I've described this drama as perfect, you would definitely be on the floor by this point. The acting was absolutely now flawless. at no point in the drama did I ever feel drawn out of the story by the acting- sun li is jaw-dropping as zhen huan, her duality is absolutely insane and her crying scenes- ugh omg so good. 

.

.

𝖇𝖔𝖓𝖚𝖘!!

favourite character(s) :

zhen huan ( if your favourite character in this drama isn’t zhen huan, what are you doing???? she is an absolute icon in her own right. it’s literally impossible to not root for such a wonderful character- team zhen huan all the way )

consort hua / nian shilan ( ik ik, ik now she’s evil and everything, but I love her- she has a baseline which she will not cross and she does have a loyal heart. she loves the emperor almost unconditionally and while she would kill a concubine, she would never harm an unborn child. she seems to care for her servants, who are loyal in turn and I would argue that her being willing to employ a crippled eunuch is a sign of her more softer and caring side. and do I need even mention her snarky one liners?? slay. anyway that’s my essay in defence of consort hua )

ye lanyi ( a queen fr, she takes no-one’s shit )

.

𝖙𝖍𝖊 𝖈𝖗𝖊𝖜 (source mydramalist)

lead actors : sun li, chen jianbin, cha silfun

director : zheng xiaolong 

screenwriter : wu xuelan

[cruyuu]

I agree being a Sukuna fan is pretty hard since a lot of G fans are too toxic. I also feel bad for Gege since G fandom always downplay other characters and arcs Gege made for other characters

Reminds me of Homer with Poochie who wanted EVERYTHING to be about Poochie lol

Being a fan of any character in this fandom that isn't a popular one is an experience, anon, I'll tell you that. Finding people who are more open-minded towards discussing those less-talked about characters or that share your opinions is even harder, lol.

Still, this is the first fandom I've been in where I have a hard time connecting with it at all because man, this fandom really struggles with objectivity and being at peace with where the story currently is. I had to walk away from the bird app because of the way I was tired (and frustrated) about people continually making theories about a dead character's comeback with 0 evidence and being dismissive of the current plot. Like outside of Yuuji and Sukuna, Higuruma is also one of my favorite characters, and even though I don't talk about him much, I'm at peace when it comes to his death. I don't consider it a waste nor do I consider that he could've been more developed. I accept canon and the role he played in the story, because I realize he is just a side character and this is not a story about him. If I want to see a story about him, I could just write one.

I genuinely have no problem with people loving characters nor being insane over their faves (I do that too) but it becomes tiring when you're met with 487283737 posts of the same thing over and over and over again while looking for analyses related to the current going-ons in the plot. Like Gojo had been dead for some time to the narrative yet the fandom still refuses to let him rest even though he found peace in death and I find that ironic because they won't accept his actual characterization, paint the author as a hater (even tho he created him so that argument makes no sense) and believe they know him best, even better than the author. Do they? Are they truly his fans if they can't accept what canon is telling them or fans of a version of him which never existed in the first place? Like real fans accept the fact that he's dead and are not arguing everything in the story is about him. I know that because one of my friends loves him a lot (he's his #1) yet he doesn't belittle anyone, nor does he hate Sukuna and is still keeping up with the story. Normal fans do still exist, even though they are a rarity in this fandom.

I also feel bad for Gege because people are still hating on him simply because he doesn't do what is common in shonen works. If those people are dissatisfied with his writing, then why not just read a work which will satisfy their cravings or write a story they wish to read? Why not read Naruto, a classic shonen where nobody ever dies, everybody gets to shine and has about half a story dedicated to the side-characters and gives them development? It's everything they've been looking for in jjk, and yet they're still reading jjk, expecting it to deliver these tropes which exist in other shonen and then get disappointed when it doesn't. Just because it is marketed at such, it doesn't mean it'll be a copy or a ripoff, or for that matter, that it will follow certain rules or tropes applied to shonen. Every story has its own rules and deserves to be treated as such.

As somebody who had started reading jjk with 0 expectations, I am actually quite enjoying the wild ride that is jjk.

[kingmagnificoofrosas]

Ok, it's time to deep talk even more about Magnifico! Part 1.

Since my analyses have gotten so much love, support and agreement, I feel motivated to continue 💙

In my first analysis I've touched up on many things, but something I want to deepen a little more is his trauma and his responses to it. Next to his character all in one of course.

After watching and rewatching and studying while making screencaps, I found myslef being heart broken for Magnifico even more. He's so horribly misunderstood it blows my mind. People are so freaking mean and ignorant it's insane!

We know that Magnifico was deeply traumatized as a young boy. Most people focus on themselves, their pain and their healing, but Magnifico instead wanted to make sure others will never suffer like he did. Please, let that sink in for a moment. His first response isn't to look at himself but to look at others. He lost everything and what does he want to do? Give! His first impulse was - I need to learn magic, so I can be strong enough to build a place where I can make sure people will never have to endure what I had to. Not "I gotta build myself a safe place so I can never be hurt again" like a little hermit crab hiding in a new house. No, he always looked what he could do for others!

This is one of the most selfless things a human being can do! It's not happening often but it's happening. People with trauma using their trauma as a motivation to help others.

Magnifico's determination to build a save haven for others despite his situation is freaking honarable!

He loves deeply! I did explain that the trauma Magnifico suffered heavily influenced and altered his thinking, his feeling, his actions and decission making.

He loves deeply but his paranoia and fear cloud it. What I mean is, some of his decissons aren't right but this doesn't make him evil! He's like a helicopter parent! His motivation to fiercly protect and keep save is purely love driven and initially right but because of his immense fear and paranoia it's becoming overprotectiveness and that is not the right way.

He never meant harm, he never meant to hurt. He was being too selfless in way. I heard another Magnifico defender say, he did too well.

And it's true.

Magnifico has given so much in his life. Matter of fact, he was absolutely right when he said he gives and gives and gives and yet people still aren't satisfied. And I totally get it! It's real life. People are greedy beings. Give them your little finger and they soon want your whole hand.

The people of Rosas live in total peace. They get everything they could ask for and more. Enough food, good homes they don't even need to pay rent for, enough money ... they get wishes granted every month. Sometimes even more! Magnifico mentioned in the past year he's granted 14 wishes, which means he did grant more than just one every month from time to time.

Magnifico is so much more than his handsome looks and his abilities. Yet, all people saw him as was that. A very handsome genie. Not the benevolent ruler that even made this flourishing life possible in the first place!

And I mean yeah, he said "I'd love to see you try and do my job!" And he's right again. I've never ruled a whole kingdom before and successfully at that! But I can imagine it must be darn hard! Certainly not a piece of cake.

People loved and celebrated him for what he could give and do! But what if he'd been just a regular king without any magic powers to grant wishes?

We see how the people of Rosas reacted after he told them about a threat. In the end they ask for another wish ceremony. And Magnifico snaps at them. He's clearly in distress even though he tries to appear collected and sovereign, and the only thing they care about is getting more wishes granted? Dude, give this poor man a break!

I can totally understand Magnifico having a nervous, emotional breakdown. Add it all up. He's constantly on edge because of his trauma, he always means well but the pressure of his ambitions and his duties as king are weighing him down further, he's constantly triggered, constantly irritable, no one gives a toot (Amaya included) which is like fuel to the fire in his soul, he feels threatened, he's terrified, he feels not understoond, valued and respected and furthermore used and exploited.

See how he make's the wishes spin around him faster and faster here? It's literally symbolic of what's going on in his soul at that moment.

Same as this one does.

The mirror is cracking, meaning his soul is cracking further. He's starting to break.

It's no wonder he loses his cool, really. Everyone would eventually break in such a situation.

Now, back to the whole wishes situation

Stop a moment and look how Magnifico looks at this wish/dream. He adores it, he appreciates it. (It's a happy family btw.) and someone who's as good in reading emotions as I am will see the ever so slight pain swimming along.

As king, it's Magnifico's duty anyway to make sure his kingdom runs well. That his people are safe and content, that there is order. And the whole decission making rests upon his shoulders as well.

Should he be in the leading position he is in? No. No, a person as deeply traumatized as he is, shouldn't. But the fact that he still tries is admirable! He's not in power because he's a power hungry, cruel, cold-hearted, selfish, narcissistic psychopath, like a villian is! He is in power and wants to stay in it, because he wants to protect others! He cares so much more about others, that he stresses himself to the peak of breaking mentally!

His trauma keeps him in this spiral. Trauma driven motivation > stress/trigger > trauma response > desire> action > trauma result/success or failure

Yes, he doesn't grant every wish because his trauma blurrs his judgement. He's so deeply into it that he cannot judge properly. Does this make him evil? Nope. It would be laughable how rediculous the hater's arguements are if it weren't so sad.

The arguement "Magnifico sees the dreams of people as a threat to his power so he steals them and makes people forget them."

🤨 huh?

I could slam my forehead even harder against something other than my hand. 🤦🏻‍♀️ The ignorance hurts!!! Like, have this people even paid any attention? Clearly not.

He never stole anything! Neither did he manipulate, play or lie to people. He left the decission to them. It was an open fact "If you want, you can give me your wish and I will keep it save and eventually grant it." And even if one doesn't give their wish, they are more than welcome to stay in his kingdoom and live a happy life!

Now listen. Magnifico's desire to keep the wishes in the first place isn't out of any bad or ill will! To say he keeps the wishes because he simply likes to be in control over people because of selfish, cruel reasons is a big mount of bullcrap. Look at how this man treats the wishes! Which by the way, to him, resemble his people!

Ah, yes, sooo evil and selfish and ill willed!

If someone sees this, the pure love in his whole bodylanguage, and still claims that this man is evil, actually doesn't give a damn about his people, and takes the wishes just because "powerhungry" has something really wrong!

Should he decide over other peoples dreams and wishes? Not really! This is a grey area. Back to his duty as a king. A king needs to care for his people. Magnifico takes this very seriously. Thanks to his trauma, a bit too much. This might be "not ok" but it doesn't make him evil. Good grief! Urgh!

He loves his people! He keeps the wishes because he thinks that it gives him a better opportunity to keep watch over them! Why does he want to watch over them and have the control? Out of fun? To satisfy his selfish urge to rule over others? No, because -

"Everything, everyhing I do is to make sure that never happens again!"

It's the very same stupid reason people have been villainizing Abuela Alma from Encanto. It makes me fuming mad that people ignor deep trauma and the mental issues that come with it and make such people out to be villains. Abuela treated her whole family unfairly, yes. She was harsh, inconsiderate, cold, stern, overprotective, insensible etc. But why did she act like that? Because she was hecking traumatized!

After she and Mirabel reconcile, she tells her family this :

"I'm so sorry I held on to tight, just so afraid I'd lose you too!"

Aha! Now taken in consideration that she is also deeply traumatized and I mean, pfff, she saw her home town getting burned, had to flee with her 3 newborns and see her soulmate get stabbed to death or even beheaded (we don't know) right in front of her eyes.

Her desire to keep safe was always good but her trauma blinded her to a degree.

A similar case were people have been villainizing a character for having trauma would be the case of Imelda from Coco. Her trauma of losing her husband and having to raise their daughter on her own caused her to forbid music for 2 generations! She was harsh too, and even though her actions concering this might have been wrong, she meant well. Everything she did came from the good motivation to keep her family from experiencing the crushing hurt she had.

Yet another example I've seen Magnifico defenders bring up would be Elsa! Elsa has been born with ice-powers because she's actually part spirit as we've learned in the 2 movie. She got traumatized as a child when she accidentally hurt her little sister Anna. Her response to trauma brings her whole kingdom in danger, even threatens to kill them by freezing them to death, and when Hans and his guards go to find and kill her, she defends herself and almost kills one of the guards. Yet, despite everything, Elsa isn't made to be a villain! She was supposed to be but in the end recieved love and appreciation, while Magnifico didn't?

It makes absolutely no sense.

Does trauma justify wrong actions? No! But it explains them and it certainly doesn't make someone a villain! Goodness gracious! 😩🤌🏼

Alma was obsessed with having the "miracle" controlled because she was terrified if she would lose that control, her past would repeat. She would lose her family.

Elsa abandoned her kingdom because she didn't want to hurt anyone anymore.

Imelda forbade music because she didn't want her family to experience the hurt she did.

All of this Sounds similar, right?

Magnifico obsessivly wanted to stay in control because he was terrified that if he would lose that control, his past would repeat. People will get hurt and lose everything like he did.

He panicked as an unknown light flooded his kingdom and made the wishes rattle.

The very first thing that came to his mind was "threat." And this was ONLY because of his trauma.

More in part 2 ⬇️

[beehiveofblorbos]

It’s August 15th! Happy Birthday, Tsumugi Shirogane!

Tsumugi is such a conflicting character for me! She’s the character I like that I think I could be the closest friends with off the drop, and a character I would push off a cliff without any hesitation. Overall, I would say she’s one of my favorite characters in fiction. I’ll drop an analysis I did of why I love her so much and what she means to me below, but for now, today is just to celebrate and make happy the Queen herself, Tsumugi Shirogane!

(lol sorry for all these copy-paste analyses I just am never prepared and it’s a good excuse to share stuff I already had written)

Analysis

The biggest crime, imo, that a character can commit… is being boring. Be rude, be evil, be sappy, be a loyal dog, be anything except uninteresting, unobtrusive, uninvolved.

So by the start of the ch6 investigation, I plain disliked Tsumugi Shirogane. Particularly as she was such a waste of the Cosplayer talent, which was something I was really excited for as someone who loves fan communities. I was super disappointed with the portrayal fans had had so far in Hifumi exactly falling in to assumptions people make about fans, and now Tsumugi seemed to be in line to be Sonia 2.0. All she’d really had as far as plot impact was be Gonta’s only true friend. She wasn’t really comic relief either; she had moments paused and timed for comedic effect, but they weren’t funny. She was just… weird.

And then. My god, when we pulled that shot put out of the trash, and Shuichi remarked about the pink fiber on it? When I realized Tsumugi was the mastermind? The one who’d been living among us all this time??? Instantly rose to become one of my top favorite Danganronpa characters. To this day I use her “oops, I let my hobbies slip in again” and other quotable lines as stock phrases XD I just can’t help myself, she’s so cute

She is absurdly intelligent; if you go back through and pay attention, Tsumugi is constantly generating conflict in subtle ways. She joins Angie’s cult to give them a significant enough percent of the class to be a real threat, in the trial she keeps diverting the topic back around to ghosts to keep Kaito scared and keep Shuichi off track, it goes on. You literally can’t help but see what she’s doing once you know that she’s actually being intentional about it, because it’s all a perfectly reasonable “role”: that of the sweet, naive Ultimate Cosplayer. And yeah, that’s why there’s a pause and focus for all of those jokes I didn’t get earlier - they’re horrifying AND funny in the light of the truth of the game

She is supremely arrogant; she spends her entire time in a killing game winking at the camera and making veiled references. Can you imagine the audacity involved in writing Kokichi? She wrote in an insanely intelligent character, gave him a motive video telling him to end the killing game, and had him survive almost till the end? She was so confident - and she was almost right to be so, because he never caught her. But he did manage to force her into stalemate so XD

She gives them sooo much leeway. She gives them Miu, she gives them Keebo, she gives Rantaro the Survivor Perk. What does she care? She’s perfectly designed everything to lead them to entrap themselves and keep killing each other. No mind control necessary - just suffering. And she considers this essential to be called the Ultimate Cosplayer.

She’s an actress. It’s part of her talent, but the entire world is essentially a stage, she’s the director and one of the main characters, and all the other characters are her props to move as she pleases. Isn’t that wild? I love her to bits for it.

[skaruresonic]

Everytime I catch a glimpse of discussion within the Sonic fandom I feel like I'm going insane.

Speaking purely from my own experience, not too long ago practically every Sonic fan firmly believed that Sonic was an unfeeling hard boiled soldier/action man/dude bro who had zero concern for anything other than his personal amusement. Back then Sonic was "supposed to be" an unthinking action drone that only blows stuff up and runs around doing poses. And if you ever dared to imply that he'd do something sappy, than you would get labeled as a baby who can't handle "hardcore material" or something.

Flash forward to now and it seems like majority is convinced Sonic is a fluffy soft boy who would never hurt a fly and he sincerely prays every night that everyone gets a happy ending. including the people who've done nothing but cause pain. Also he's extremely emotional over everything and hurting on the inside or something. And if you think he should snap back at his enemies you're just an edgelord who doesn't understand anything.

What happened??? How did we go from one extreme to the other??? Why is it so hard for sonic fans to see the characters for what they are instead of making up nonsense???

And if you think he should snap back at his enemies you're just an edgelord who doesn't understand anything.

"So you want Sonic to murder his enemies in cold blood?"

"Where the hell did you get that from? I said Sonic doesn't care about Eggman's welfare and that his attitude seems to be 'if he dies, he dies.' Where did you get 'I want Punisher!Sonic' out of that lol"

Fandoms be fandoming. I personally saw a forum thread back in the day likening Modern Sonic to a soulless vehicle designed to get you from Point A to Point B, in contrast to Classic Sonic who had more "soul." There are always going to be people who think the new shift in direction is soulless, whatever that means.

The irony is, the reason the Adventure games were as comparatively dark as they were (YMMV on that, obviously) was because ST didn't like how cute and Mickey Mouse-ish Classic Sonic was becoming in the late '90s; they wanted to reintroduce, or rather retain, the rough-edged, "bad boy" side of his personality. Hence why they had Maekawa write for those games.

Cultural differences exacerbate these... well... differences in how we perceive Sonic as well. What the West sees as a "bad boy" and what Japan sees as a "bad boy" can be based on very divergent concepts. Kanemaru!Sonic's tendency to sprinkle Engrish sounds silly to Anglophones, for example, but in Japan it's a sign of his worldliness and his overall coolness.

Likewise, SoA!Sonic tends to use harsher language than SoJ!Sonic might use, such as saying strawberry shortcake "sucks" in a Twitter Takeover.

While I can't vouch for how Japanese Sonic fans view SoA!Sonic, to Anglophones, Games!Sonic seems like a squeaky-clean goodie two-shoes Gary-Stu. Which, again, ignores the cultural framework against which his character exists.

All that being said, Sonic is still quite a multifaceted character, even if he isn't the deepest or most fleshed-out in the cast. As a static character who represents an ideal and inspires positive change in others, he doesn't exactly need to be.

Lately I've been seeing a lot of overreductive takes with Shadow which attempt to boil him down to one or two traits at the expense of others, but I imagine it happens to Sonic quite a bit also. Despite being a static character, Sonic, like Shadow, has multiplicity of character. People really struggle with contending with that kind of variability. How he reacts to any given situation will change based on circumstance. Truth resists simplicity, which is antithetical to the kind of Declarations(tm) social media likes to make about the cast. Adding asterisks and footnotes risks diluting the impact of the message. So naturally, people are going to forgo context and nuance in favor of more digestible analyses, in addition to ignoring the games and just plain making shit up.

For instance: "Sonic's selfish" or "Sonic's selfless" is a false dichotomy. The answer is the Schroedinger's cat, both selfish and selfless until someone opens the box, maybe in a quantum state of both. To say one or the other is true ignores the spectrum and the circumstances in which Sonic expresses selfishness vs. selflessness. Sonic can be selfish sometimes, just as he can be selfless, but whether he is or is not depends on what he's doing at the moment and what provokes this reaction.

So on and so forth.

[maybenotmei]

hi mei <33 if possible can i req masuki satou or riddle rosehearts w a very sarcastic reader ? thank you very much and feel free to deny (≧▽≦) !!

— bittersweet tea !

please answer loud and clear.

— (*'ω'*) —

notes: me when i can't find a suitable title so i get poetic /j hope u dont mind me choosing riddle hehe ALSO HELLO???? I LOVE YOUR WORKS BTW

sorry for mischaracterizations as well as this being short if ever i havent done character analyses in a while (for anything but enst <—— stuck in hell + exams)

probably fed up with you.

imagine being sarcastic towards him during chapter 1/ prologue before all the insane stuff happened or before he had even just a small amount of patience for rule-breakers... i'll ask octavinelle to handle funeral payments for you

but all of that has ended now so i think it's safe to say you're Somewhat fine. i think.

now if you're deliberately breaking rules While being sarcastic it wouldn't end well, riddle doesn't tolerate rule breakers after all. and when you sarcastically respond back to his scolding? funeral costs are Not on me btw

but if you're not doing so (you probably just like to sarcastically respond to orders in a little silly lighthearted fashion) then i think it's all good. he'll definitely throw something back at you and it'd be a back-and-forth conversation with your sarcasm and riddle's responses. he stops when he appears to be getting late. he still very much follows his schedule, thank you very much.

don't let it go too far, alright? he'll apologize if a response actually did hurt. he doesn't mean to actually hurt your feelings as he replies to your sarcasm (which i hope isnt to hurt his feelings either)

at this point, your back-and-forths with riddle are quite a known thing in heartslabyul, in most of NRC even. i think your dynamic is somewhat like azul and riddle's, except you're much more direct and you get on riddle's nerves easier. poor guy probably had to re-arrange his schedule because he'd deliberately try to avoid you on the way to important events (no offense)

you've probably been collared at least thrice for mimicking his words. two out of three of them were times you thought he wasn't there,

OH ace joins in sometimes and you two become a power duo against riddle. if ace alone was bad enough, just imagine the both of you. you're lucky he has some patience since none of you seem to be breaking any of heartslabyul's rules, so he's willing to not instantly punish you both.

his head hurts from you. but can he even deny he has a soft spot for you? why do you think he has some patience for you..?? he genuinely appreciates your cooperation despite your sarcasm and when the timing is right, he gets a good laugh from you.

he does enjoy civil talk with you over some good tea together. whether it'd be about school or just a general day, he appreciates it when these little conversations happen.

oh, but he's always ready to reply to any sarcasm you decide to add to the conversation. and there goes your "civil" talk...

[altades]

Analysis on Dsmp analyses and why they are inherently biased

When reading or watching a story every person tends to come to their own conclusions. That should mean that whatever takes you see on any media would be nothing but someone's personal opinion. That means there is no right answer, right? Not exactly.

The closest thing to an "right" opinion we have is the author's. The intend with which the story was written in the first place. Of course there still would be different views on the topic the story explores in the real world, but within the narrative of it the author's point of view would be definitive.

For example your most basic fairytale about a Prince saving a Princess from a Dragon. There is a simple message being conveyed: when you (Prince) overcome an obstacle (Dragon) you get a reward ( Princess).

That is the story's lesson. As times changed, people started to view things differently. Nowadays we see more and more Princesses saving themselves, since the message of "alpha chad save woman get married" is no longer appropriate. That however doesn't change the original story's message being inherently right within it.

At this point you should be thinking: how the fuck does this all relate to Dream SMP?

Well, in DSMP there are many authors with many different narratives, some of which directly contradict each other. Because of that, even if you try and understand the intend of the author, it will only be one POV.

This only becomes more prominent because we like the creators. The more you like them, the more likely you are to take their side and disregard other points of view.

And that is exactly what happens whenever you analyse a character. You either take their side and excuse some of their behaviour, or you look at them through other character's POV disregarding the character's you are analysing POV.

So, is it impossible to make unbiased takes on characters? No, but to do so someone has to watch all of the POVs ( which would take... soooooooooooooo long) and then make not ONE analysis on a character, but an analysis from their POV, and then analyses from ALL of the other character's POVs, while trying to covey the thought of the CCs.

Since I don't think anyone is that insane, let's just chill. None of the takes ppl have are neither right or wrong, but all of them are biased ;^)

[goldenkamuyhunting]

Hello hello! I LOVE your summaries and chapter & character analyses! I just wanted to ask...what is the significance of the bottom panel with little Ogata and his mom plus that text? Maybe I'm reading his expression wrong, but little Ogata seems to be looking lovingly at his mom (looks like a slight smile on his face)? It's interesting that this was shown near the final battle...

Sorry, I placed these three asks together because they deal with a similar topic.

Now, as I mentioned more than once I'm in the group that believes that Ogata is indeed feeling emotions like any human being but he's used to suppress them so that not only he often doesn't show them but he manages to keep his conscious side not even aware of them.

I've a by now ancient meta dealing with how characters in the story cope with guilt trying to suppress it, as this is a recurring theme through GK.

Noda seems to remark on how Ogata is so good at ignoring his guilt yet he's feeling it by giving to said guilt a manifestation in form of Ogata hallucinating Yuusaku.

Basically, unless we assume Yuusaku is a real wandering ghost tormenting Ogata, the fact Ogata keeps on hallucinating Yuusaku tells us he feels guilty, that murdering Yuusaku wasn't like stepping on a leaf for him, an act he did without thinking about it and forgot short after.

The memory of Yuusaku torments Ogata each time his psychological defences are at their weakest point, we see it happening when he was lying in a hospital after having been injuried by Sugimoto but also when in Karafuto he get feverish and, in this case, Yuusaku's image superimpose with Asirpa, creating in his mind a subconscious connection.

Later, in fact Yuusaku's hallucination will 'stop' him each time he'll try to shoot Asirpa.

We see something similar happening to Asirpa as well, as, when she consider killing Ostrog, she can't because she's reminded of when her arrow hit Ogata.

In Asirpa the whole thing is more natural as, although she too is prone to suppress negative emotions, she's not really doing it as much as Ogata, who's a lot more psychologically damaged than Asirpa will ever be.

Ogata has likely felt affection for his mother.

He remembers her, he dreams her as she sung him a lullaby, he used to love the anglerfish nabe she made, when he realized she was going insane, he tried to 'heal' her by providing her other things to cook.

When he lies about Sugimoto's last words in his mind he basically imagines Sugimoto's last minutes were what he wanted his father's last minutes to be, him thinking at his mother, him wanting to provide to her, him wanting to eat her anglerfish nabe again.

He had genuine attachment for his mother.

I don't know how he came up with the idea that, if she were to die, his father would finally come for her.

I know back then insane people weren't entrusted to a mental asylum but left in the family's 'care' the family either keeping trapped in a room that would work as a cell or disposing of them as discreetly as possible (a common way was to bring them to a trip on the mountains and 'forget' them there).

This social background could have influenced him but I don't know if we'll ever know why he came up with such an idea.

But that act likely impacted deeply on his psyche because Hanazawa never came and he lost his mother.

Possibly it's from that act Ogata learnt to bury guilt. So as not to feel pain for his own actions, for his own loss, he learnt to bury it, to disconnect from it and grew up with the idea he felt none when instead he continued to repress it... which is encouraged because Ogata becomes a soldier when he's really young and soldiers are actively encouraged and brainwashed into not feeling guilt for killing people.

And so Ogata ends up on meeting Yuusaku who latches on him like a lost puppy, without any care for how Ogata, as politely as he could, told him to let him be.

As far as Ogata knows, Yuusaku is the reason due to why Hanazawa stopped visiting his mother.

Ogata doesn't want to play the role of the 'Ani-sama' (兄様 "older brother") to the guy who, according to what he knows, caused his mother's abandonment... and Tsurumi feeds this feeling by suggesting if Yuusaku were out of the picture Hanazawa would love Ogata.

All this eventually leads to Yuusaku's demise, which, again, gives Ogata nothing. Hanazawa doesn't care for Ogata all the same. When Ogata goes and talk with him there's the implication his mother was already starting to lose her mind and that's why Hanazawa rejected her.

My speculation is Tome was a bit like Usami, obsessed with Hanazawa, thinking he would eventually dump his wife and marry her.

She, as far as we know, differently from Usami didn't get to the point she murdered someone to get Hanazawa, but he probably saw her obsession as insanity, he likely never planned to leave his wife, which is from the upper class, and marry a geisha and this is possibly why he left her, because she wouldn't content herself with being just his lover but had the 'insane' fantasy she could become more.

Anyway, while Ogata probably managed to bury deep enough the guilt for his mother's death, he just can't work out in the same way the guilt for Yuusaku's death, which haunts him even though he tries to deny it even to this day.

It's meaningful how in chap 253, when he tries to aim at Asirpa, he senses Yuusaku in the same way as he has sensed it in chap 246, when he was trying to aim at her again but, despite Ogata being usually intelligent, he doesn't manage to make the connection between those two happenings.

Actually in chap 253 the fact he got distracted by Yuusaku's presence even saved his life, yet he interprets it as Yuusaku's ghost trying to get in his way.

He lives in denial, his father, with his dying breath, cursed him so of course Yuusaku would be there to get in his way.

Either there's really a ghost in this story or Ogata is just not ready to accept he feels guilty.

And in all this mess he stumbles into Asirpa who we can see presents parallels with both his mother (she feeds him but she also loves someone who loves another) and Yuusaku.

And so at this point we've to wonder where Noda is going to lead him.

Since there was all this big build up between him and Asirpa, we can wonder if he'll face her again and this will force him to face the emotions he repressed for such a long time.

Will this cause him to be more open with his emotions and not suprress them? Will this cause him to accept he feels guilty? Will it make him cry? Will it make him show affection for someone again?

It's hard to say.

Unless Noda radically changed his plans, as I've said many times, I don't think he plans to kill Ogata... but this doesn't necessarily mean he'll make a 180° turn from how he is.

We've seen how Tsukishima tried to face what he kept inside... only to go back on square 1 and return on being a loyal Tsurumi follower.

We've seen Koito trying to be different... but then he let doubt catch him and he didn't dare to confront Tsurumi when he understood the latter knew they were there.

Changing is difficult.

We saw Shiraishi... slowly growing attached to Sugimoto and Asirpa to the point he went into the brewery despite the fire to save Sugimoto (and we've heard Boutarou saying through his whole permanence into the group how Shiraishi changed from how he was even though Shiraishi himself denied it).

Changing is possible... but it requires time... and, often, it requires help, a reason to do so. Shiraishi changed because he formed an emotional bond with Sugimoto and Asirpa due to the GOOD time they spent together. They had bad times as well, but the good ones just won.

So, back to Ogata... even if he finally were to face what he keeps inside... how much this would change him?

Hard to say but this is not a shonen so I doubt we'll have a drastical change in a short amount of time.

The story is ending, my guess, according to what Noda did, is Ogata isn't going to die but, all the bets are open on how he's going to live.

Tears when he were to face his buried feelings would be a good release of bottled up emotions but again, it depends on how he faces them. If he does it the bare minimum to realize he actually can feel guilt, we might not get them.

There's no time for him to develop emotional attachment/affection. Either he already has it, and he is in denial for it, or this is something that will require time. So it's a bit like a videogame. Will Noda unlock this event or not?

As Noda showed a flashback with his mother of whome we hadn't seen the face yet, I expect we'll get more about her... and possibly about his grandparents.

So yeah, we could get to see a more emotional Ogata, but it can also be this won't be the case... or Noda will save the best scenes for the volume version because sometimes Noda is like that.

Long story short, I've no idea what will be of Ogata beyond that I think that Noda won't kill him and that he has been building him up to have him face 'the ghosts of his pasts' and it's possible he's meant to do it while facing Asirpa but I think we should prepare ourselves for an interesting ride because Noda so far still seems to have plans for him.

We'll see... thank you all for your asks and sorry if I put them together!

[hellsbellschime]

Do you think Jon hold some love and affection for Dany? It's hard to analyse as in s7 Jon suddenly started to fall for her after she came to rescue him when in previous episode he tell her they were strangers​. In s8 there was scene after dragon ride their first kiss was romantic before he got scared. In ep4 when Dany says she loves him the kiss was romantic. But otherwise the framing and chemistry was awful.

Honestly? No, not really. Jon’s character in the later seasons somehow managed to be both a clusterfuck and a snoozefest, but ultimately falling in love with Dany is just not something I think Jon would have ever been capable of.

I mean, the massively consistent aspects of Jon’s character that have always existed within him no matter what are that A. he loves his family more than anything, B. he has literally devoted his life to protecting the North, and C. he idolizes, wants to be like, and is more similar to Ned than any of the Stark children. So let’s think about that in the context of Jon’s meeting with Dany and his entire relationship with Dany. 

So Jon does something astoundingly stupid that no other king or queen would do, he goes to Dragonstone with zero information about Dany aside from the fact that she is incredibly powerful and about to invade Westeros/destroy the Lannisters. Taking down the Lannisters would be plus in Jon’s book, but I don’t know that that’s enough for him to not be massively concerned about her being an insanely powerful invader. He takes a horrible risk on the complete long shot that he can convince Dany to come North and save his family and his people, because that is how important it is to him. 

And what is Dany’s reaction to that? She not only says she won’t help unless he submits to her, someone who he literally just met who appears to be the most dangerous person on the planet in terms of raw power, but she literally takes him hostage despite the fact that Jon is so comparatively powerless. She immediately makes it clear that he’s a rebel and essentially that she’s probably not going to even let him leave until he bends the knee. And what’s worse (which is actually Tyrion’s fault but is something they never clarify and I can’t imagine Jon not loathing her for) is that he was brought there under false pretenses. The letter that Dany sent him inviting him to Dragonstone asked him to “join her to end Cersei’s tyranny,” he didn’t hear shit about bending the knee immediately until he met Dany and literally five seconds after he walked into the room she demanded that he bend the knee. 

At this point it’s not as if Jon doesn’t understand political theater at this point, but right off the bat Dany breaks every rule of Westerosi custom and imprisons a literal king to demand that he submit to her or let EVERYTHING HE LOVES DIE while he’s a helpless prisoner. This is the FIRST thing Jon ever learns about Dany. And while Tyrion says that he’s being unreasonable for expecting immediate help and expecting to be believed, it’s like yeah except LITERALLY THE WHOLE ASS REASON HE’S HERE is because Melisandre showed up and was like yo you gotta talk to this kid Jon Snow he’s seen some wild shit and then when he shows up and is like “I’ve seen some wild shit” everyone’s like well clearly you’re insane so we’re putting you in a time out until you return to sanity and bend the knee to a complete stranger. Also not to fucking mention, unless nobody on the island ever brings this shit up, Jon also immediately learns what kind of an ally Dany is because every one of Dany’s other allies is either killed or CAPTURED and she’s just like well bummer for them guess I have to accept that as a loss or wait for them to rescue themselves even though I have three dragons and the biggest army in the world and instead of saving them I can just try to force this new guy to become my “ally” instead (and if the whole political motivation for Jon’s relationship with her stems from this it would make complete sense because he should already know that even those who submit to Dany don’t get her protection or assistance if it doesn’t serve her purpose, so he HAS to get her to feel like he’s more than just her ally).

And despite being obsessed with his bastardy, Jon values nothing more than he values his family, and Dany constantly undervalues, insults, or completely writes off Jon’s family. I actually think that’s understandable from Dany’s perspective because she only knows of familial abuse, but there is no world in which I can believe Jon would take her ignoring the fact that Robb literally died to free his people, or implying that Ned was cool with goddamn child murder, or accusing Sansa of being an evil schemer because she’s angling to keep the North free very well, and two of those three things are things she does the first time she ever speaks to Jon. 

And finally, Jon wants to BE Ned. That is literally the person he has admired and emulated more than anyone, to the point where it’s almost an unhealthy obsession for him. Jon knows that Ned would choose to do the right thing over pretty much everything else. Jon knows that Ned is the type of person who would die saving the children of his enemies. I cannot fathom a world in which he would even consider loving anyone who let thousands of innocent people die for their own political gains. But again, Daenerys makes it clear the very first time that he meets her that that’s what is happening right now. She’s willing to use “her kingdom” as a political pawn that she won’t have a second thought about sacrificing in order to gain Jon’s submission. I think there was a chance that he could have truly liked her or even loved her if she just hadn’t come in so insanely hot the very first time that they met, but frankly the very first moment that they meet she shows Jon that she is exactly like Cersei, she will literally use an existential threat to all life as a tool to her political advantage regardless of the fact that it is a fucking EXISTENTIAL THREAT TO ALL LIFE. 

So I think no, there is zero chance that Jon could ever love a person like that, and I think that legit the minute that he met her he put himself in a completely political mindset and was willing to do whatever he had to do to get Dany to actually help him. I just cannot imagine a world in which Jon freaking Snow would even feel a shred of respect or non-dislike towards someone who would do that, let alone liking them or loving them, and I sincerely think that within their first conversation Dany ensured that Jon would never have any real feelings for her. I understand why so many people are confused by their relationship because it is confusing as fuck, but I actually feel like D&D very absurdly overtly put so much shit that Jon would absolutely loathe into their relationship straight off the bat that regardless of anything that happened afterwards I just cannot fathom Jon Snow essentially overlooking every single thing he hates or has no respect for in this world to realize that Dany is actually the one true benevolent queen, or even a halfway likable person in his eyes. 

[haissitall]

Season 2 of DSMP as a wonder tale

So I’ve read Morphology of the Tale and Historical Roots of the Wonder Tale by Propp and thought, hey, why not analyse DSMP S2 as one would analyse a wonder tale based on the theories of this author? The results are under the cut.

Disclaimer: Read this through an ironic lens. I know that season 2 was (probably) not intended to be a wonder tale. However, connecting dots which weren’t meant to be connected is my passion.

1. THE BEGINNING

The tale begins with the introduction of the hero (Tommy) and his home (L’manburg and its’ inhabitants). Tommy goes out (a function of absentation, he leaves his home) and goes against an interdiction, a rule of. Uh. Not burning other people’s houses. Which, coincidentally, is exactly what the villain lurking in the shadows, Dream, needs. Dream applies trickery with the purpose of kidnapping Tommy. What happens is, quote, “He [the villain] demands or lures out his victim. Sometimes this form is a consequence of a deceptive contract.” As we all remember, the contract is exactly what took place.

This leads to Dream taking Tommy with him, or a departure.

2. THE EXILE

Here we have to talk a bit about Historical Roots. Propp suggests that the root of such a tale lies in the ritual of initiation, which in itself is based on the idea that the initiated goes through death, being in the world of the dead and returning, resurrecting, being born anew. Such rituals were practiced in secret, children were taken to a small hut, usually in the woods, and had to go through some trials, sometimes purely ceremonial, sometimes actually quite cruel, to make them believe that they are going through death. After such a ritual they were meant to become adults and receive some kind of magic powers, usually connected to the powers of talking/luring/becoming like the animals. In fairytales it is represented by the hero encountering some kind of a small structure and meeting a character, a donor, who puts the hero through some kind of a trial (sometimes just giving them a question and waiting for the correct answer) and, after that, giving the hero a magical object/entity/ability, the helper. But, as the rituals became more and more obsolete, people’s opinions of them started to change, they stopped seeing them as necessary, as good. Thus the witch in the hut becomes stricktly evil, a hostile donor, the trial with fire - burning in the stove, and the children are meant to escape and punish her.

With all that said, let’s look at the exile and its attributes.

1) Dream takes Tommy on a long journey by water. Only Ghostbur, a dead man, can come with him. It is obviously meant to represent that Tommy starts crossing the line between the world of the dead and the living. The forest is replaced by an ocean, not an unusual occurance in tales. 2) They settle on a shore. Tommy is not completely in the land of the dead yet - he is at the entrance. Dream only guards this land. 3) As the first order of business, Dream builds a small dirt hut. Nuff said. 4) Dream tortures Tommy, positioning himself as a hostile donor who wants to destroy the hero. So far Dream played both the role of The Villain and The (hostile) Donor (guardian of the land of the dead), which, while unusual in the actual fairytales, is possible. 5) Dream wears a mask. Clear indication of this being picked up from a ritual. 6) Dream turns into a woman (mamacita). While it is a weird episode, with the help of The Historical Roots it is easy to explain - sometimes men who performed the ritual dressed as women. 7) Tommy goes through temporary insanity (doubting if he sees Tubbo or not) - another aspect of this stage sometimes seen in tales, connected to the mental distress children went through because of the violence and/or drugs during the ritual. 8) Dream gifts him a trident. Sadly, only temporarily. It would’ve been a perfect fit if Tommy kept it - a magic method of flying, something a donor like Dream gifts/is stolen from very often in tales. 9) Tommy “dies”. At the end of the exile Tommy actually performs a ritual, metaphorical death by jumping of off the pillar into the water. It is worthy to note that everyone thinks he is actually dead after that, which we will see come into play later. 10) Tommy leaves dirty, in rags. Usually it happens when a character returns to the land of the living, but here it can be considered as a metaphor of learning how to turn into an animal and escape Dream via such means. Quote: “In a tale, it is hard to distinguish between a dirty and an animal-like character.” Tommy, of course, calls himself a racoon. It is possible to assume that Dream somehow gave him this ability unknowingly, by giving him/making him wear dirty clothes, although there is no proof of this in the text. 11) Tommy has difficulty talking about the exile. A hero not being able to talk, especially about what happened in the magical forest, is a common occurance in tales, connected to the secrecy of the rituals. 12) Dream chases Tommy. Not immediately, but there definetely is an element of the chase. Usually this trope happens closer to the end of the tale, but it is possible to see it this early too.

3. TECHNOBLADE

We turn our gaze to Historical Roots again. Besides the witch’s hut, there is another structure a hero can see in the woods - a big house. Its attributes are usually: large size, riches/a lot of food inside, no one is home at the moment, is inhabited by men (usually several who are like brothers to each other), a secret basement. Propp explains this as reminiscent of men’s houses, somewhere where men usually lived as brothers after the ritual described above. They were still in this forbidden territory, not quite “alive”, only doing hunting. The newcomers were to serve the rest of men at first.

Now let’s look at the encounter.

1) Tommy finds Techno’s house empty. Inside, he sees riches, particularly food. He proceeds to hide there. 2) Tommy finds golden apples and golden blocks. Gold always indicates things from the beyond, and sometimes it indicates the object the hero searches for. 3) Technoblade is half-man half-pig. Being an animal/having animalistic traits is very common for all inhabitants of the land of the dead, the owners of the big house included (in some tales they are bears, for example). 4) Technoblade finds Tommy and asks to serve him for a certain amount of time. A classic trope, where Techno is clearly The Donor asking for a favor in return to which the hero should get The Helper. 5) After Tommy agrees, Techno shows him the secret basement. In tales, the basement usually contains one or both of these things: a magical object (The Helper) and dead, dismembered bodies (think Bluebeard). In our case, it’s both: the magic armour which Tommy shortly gets and the skulls. The skulls are, of course, of the people Techno’s killed, and, since he big house’s inhabitants in certain cases can be associated with cannibalism (and since Techno is a pig, a gluttonous animal), he’s probably eaten his victims as well. That’s why Tommy is so horrified when he sees them. 6) Techno hides Tommy from Dream chasing him. In this case he takes on the role of the Helper. We can also make an assumption that he grants Tommy invisibility (another very common fairytale gift). Now, was the armor Tommy got from the basement making him invisible? There is no proof in the text, but it seems logical. 7) Tommy performs Techno’s tasks, all very fairytale-like. Get him a pack of wolves, get him lost magical objects. 8) In gratitude, Techno gives the final gift - the magical axe, fulfilling his duty as The Grateful Donor. 9) Tommy returns home invisible, unrecognisable, everyone thinks that he is dead. This completely fits the trope which stems from the original meaning of the ritual - the initiated died and returned a new person. Him being invisible means him still belonging to the world of the dead.

4. TWO PHASES

This is the point where we start facing complications. After Tommy runs away from Dream and seemingly returns home, the cycle begins anew - Tommy’s home gets destroyed, he gets helpers, has to seek Dream out etc. The fairytale having two “phases” is not uncommon. Propp: “Development from Villany or Lacking to Wedding or any other resolution can be called a tale. The resolution can be <...> escape from a pursuer. Such a development can be called an act (a phase). Each new Villainy, each new Lacking creates a new phase. One tale can have several phases. <...> One phase can follow another, but they can intertwine as well, the first phase can halt, a new phase gets inserted.” I presume that this is what we’re dealing with here. While there is not a lot of connecting tissue between the phases in our fairytale, there is proof that they are parts of the whole. For example, a tale can be considered whole if “a magical object, received in the first phase, gets used in the second”, which, in our case, is the axe.

So let’s look at how the second phase begins.

1) Tommy gets accused of something he hasn’t done. In tales the second phase usually begins with the hero being unrecognised while a false hero claims the reward. Here we see a very different form, but the motif of a certain substitution and of the hero having to prove himself again is still here. 2) Dream is, again, the Villain, tricking Tubbo into giving away a magic object, the discs. The discs are seemingly a talisman, providing the city of L’Manburg with protection. Without them, the city is open for an attack.

5. THE DRAGON

The dragon, according to Propp, is a very complex character with a lot of meanings. Firstly, it needs to be said that the dragon can be any animal. Usually it is, of course, a serpent, but in a lot of cases it is a fish or something else. So, the dragon is someone who swallows, thus, in come cases, taking the hero to the land of the dead in his belly or having the land of the dead right inside of him. Inside, the hero can find riches/magical objects. This is, again, connected to the initiation ritual, with the hut sometimes being seen as an animal, swallowing the initiated. As the public opinion about such rituals changed, the dragon morphed: a good guy who gratiously spits you out > you have to make him spit you out > having to cut your way out > someone else cutting you out > just killing him with the threat of swallowing being only a threat. The dragon has a lot of attributes, sometimes all of them at the same time. The dragon is associated with water (he’s a fish or controls the rivers or the rain etc), with mountains (caves), fire (breathes fire, guards a river of fire) and being able to fly. The dragon sometimes has a lot of heads, multiplying his ability to swallow.

With this said, let’s look at who destroys L’Manburg.

- Technoblade can fire rockets. He wears red. He has a golden crown and an intrinsic connection to gold with his simularity to a piglin (gold, according to Propp, is a metal of the sun, of fire). In addition to that, Propp has an example of a fairytale where the serpent turns into a giant pig. Also, let’s not forget that Techno can float while firing rockets. - Philza has a flying element to him. - Dream has a connection to water (took Tommy to exile by water), has a connection to the land of the dead (see exile), and mountains (first met Techno on the cliff near the sea, again, water). In the first season, Wilbur called him a lizard. Later you will, of course, see that Dream has even more simularities with the dragon.

But who is the dragon? The answer is simple: all of them are part of the same creature. Three heads of one body, all representing certain aspects of the dragon. Usually the dragon is a hybrid between a serpent and a bird, but here we see an addition of a pig. I don’t see why not.

6. THE SECOND JOURNEY

After an act of villainy (the destruction of L’Manburg), thus, another exile, Tommy has to embark on another journey to the beyond to prove himself. Now he has more of a purpose, he has to search for the magical disks, a very fairytale motivation, and, supposedly, slay the dragon as revenge. Tubbo also somehow plays into all of this. I would say that Tubbo is very close to being The Princess. Dream doesn’t kidnap Tubbo, but he later holds him hostage and threatens his life. It is not accidental that the season ends with Tommy and Tubbo sitting on the bench together - not like Tubbo was the second main character; Tubbo is Tommy’s prize along with the discs.

But we’re getting ahead of ourselves. With typical for the second phase swifteness, we go through:

1) Tommy getting a crossbow from Ghostbur. Ghostbur is a classic Donor, he is the grateful dead realtive, a very common trope for Donors. 2) Tommy acquires Punz as his Helper by bribing him.

7. THE FINAL BATTLE

During the final, we see all the previous elements, repeating in perfect harmony.

1) Tommy has to get to Dream by boat. See getting to the place of the exile. He’s returning to the land of the dead. 2) He has to have a magical object, a compass, to lead him there. Dream again becomes a Hostile Donor when giving it to Tommy. 3) Dream is on the giant mountain, guarding the entrance to where the discs, the searched object, are. A classic place for a dragon to be. 4) Tommy uses the axe and the crossbow to fight Dream, utilizing his Helpers. 5) However, he wins with neither: Dream leads him to the cave deep underground. I would suggest that this can be interpreted as dragon Dream swallowing him. 6) Inside Tommy finds himself deeper in the afterlife. Here he sees the disks on the golden blocks (remember what gold means? the beyond and the searched object) and dead animals, Henry and Friend, just in case you still haven’t realised that this place is where the dead go. 7) Only the third (three - a magic number in tales) Helper, Punz, cuts Tommy out of the beast’s belly in complete compliance to tales’ canon. Usually the one to win is not even the hero, but his helpers. However, the helpers act on the hero’s will, are continuations of him and his virtues, are him in a way. 8) Tommy hears dead Wilbur afterwards. Why? Because Tommy himself just returned from the land of the dead, of course. 9) Tommy slayed the dragon, got the searched objects and Tubbo. And they lived happily every after. Or, at least, in this fairytale.

8. THE CONCLUSION

There is none. Make of this mess what you will.

It is interesting, however, that season 2 so heavily foreshadowed: Dream standing between the lands of the dead and the living (driving the boat, guarding the cave, later - conducting the train and literally resurrecting people); Tommy dying and being ressurected.

Tommy’s prison visit is a perfect miniature of the initiation/the tale actually. 1) The Prison stands on water, but to get there you have to get into a small house on the land. You have to go through the portal, wait, and then get through it again - a very magic-esque procedure. 2) The Prison is massive, much like all the castles in the beyond. 3) The guard has to let you inside. The guard is not human. The guard wears a golden crown. 4) You have to go through trials to get inside, including the trial by water (swimming through the tube) and fire (walking through lava). 5) In the end, Tommy dies, gets resurrected and walks out. Everyone looks at him differently now. The only thing in this which doesn’t fit the unsual tale format, is that Tommy gets nothing out of this. No rewards, no money, no princess :(

Cheers, thanks for reading! uwu

[silenthillmutual]

Would u ever analyse/write about peter bipolar stuff bc i see so many ppl psychoanalyse daniil but i just want to put the stamatins in a lab and examine them anyway i saw ur peter daniil bingo thing and i think manic depressive peter is so real and we should spread the word and there isnt enough peter content maybe daniil can b there too so yh what do u think about petrs brain ??...... umm im a little weird from many painkillers but i hope this makes sense

bipolar peter ask part 2 -- but also i think p1 petr is so different from p2 peter kind of a bigger different than most other characters   [[like peter1 is still consumed by his vision and a pretty wizard and insane utopian but p2 peter is more tired disillusioned ready to be a dilf]]]  so  like man they might need to be separated if analysed  but anyway hes got problems  ❤️

soooo i am trying to answer this for the second time. tumblr’s new ask formatting kind of fucked up when i tried to insert the few screenshots i thought explained peter’s mental state. so here’s peter thoughts... 2!

i don’t really have the screenshots required to make a lengthy meta post about peter’s mental health issues on the scale of my daniil & autism analysis - though i doubt any analysis i write will quite surpass that - and even less for classic peter, but i do have a few thoughts.

i think a lot about peter’s state of mind because he’s probably my favorite utopian. which isn’t to say that i dislike the others (except georgiy), but peter holds a special place in my heart because i really relate to that depression he’s got going on. i like to think of peter as bipolar type ii, because the depression seems more pronounced. i also think it’s a good balance with andrey, who i hc as having bipolar type i. in contrast to peter’s depression, andrey has the irritability and impulsivity of a manic episode (i mean, he’s walking around without a shirt while there’s a sentient plague outside. shout out to everyone who’s walked around in the freezing cold in tank tops and shorts because they were (hypo)manic)

Peter: We don’t see eye to eye, the Judge and I. He argued taht the Tower was never their family’s crowning achievement... merely mine. And I concur. It was my crown. I’ve hit the ceiling...

i know the tower’s creation and existence is the source of much speculation and i’ve seen and liked a lot of what i read that people have had to say about it, the role it plays in the story, and the role it plays in peter’s depression. but i think it’s also fair to read it as something he may have created and feels he can’t replicate because he was hypo/manic at the time and has since crashed. once while hypomanic i was writing 5k a day like it was nothing, and when i finished the project and the episode i became overwhelmed with grief, like i would never write again. i think this hypothesis is supported by the fact that he and andrey obviously have created many fantastic things - they reference the dancing bridge and i think the other two are the cold hall and the house house? it’s late so lol if i got the names wrong - so clearly those unfinished stairways are not all there is. and he’s inspired again when he temporarily has custody of grace, so clearly he can and will create again, with or without the polyhedron.

Peter: You know, old boy, I was never persecuted for my genius. Nor was I prosecuted for murder. And yet, it turns out all this was my hell after all.

Voice line: Life is a night at the bar. All the wisdom you gain, you pay for in pain.

i think one of my friends w bipolar suggested that the way he interacts with his creations hints at psychosis, but that's something i'd be ill-equipped to discuss as i don't experience psychosis. his paranoia that farkhad and andrey are mad at him, though...

Peter: I wonder how long my tower will hold. I wonder if Farkhad forgave me... if Brother is angry with me... I wonder about many things.

this screenshot isn’t exactly proof of anything, but he definitely seems wrapped up in mistakes that he’s made in the past in a way that feels familiar. at some point in time all the mental illnesses become inextricable, but there’s a lot i’ve felt i’ve lost to the bizarre shit i’ve done while strugging w bipolar disorder and i think the regret is real. not to mention the significant comorbidity of bipolar disorder and anxiety disorders. and the high rate (70%, according to this) of comorbidity between bipolar disorder and substance use disorder

Peter: A lot. I have to quit drinking, but I don’t have any willpower left.

peter clearly has a lot less faith in his potential for recovery and it makes me wonder if he’s tried to get sober before and failed.

also i tend to mash my characterizations together when writing fic because i look at the two games as accompaniments of each other - especially as we only have one route of p2 so far. but i do think p2 peter seems slower and sadder than classic peter. i think they’re different symptoms of the same illness though... maybe when i get around to replaying bachelor route i’ll take more screenshots of peter and formulate more thoughts on his mental illness but boy. he’s got it.

thank u for the ask!! i love talking n thinking about this kinda stuff.

[daggryet]

hey kaisa

it feels like i am steadily becoming uninterested in dsmp and it really hurts because i love it sm :c i think it has to do with the lack of...anything happening on the server and the bleak outlook that it will continue to be that way due to the cc's other ventures (tommy's vlogs + mod vids, wilbur's music, tubbo's server, etc.)

im glad they have their own passions but now we are kinda just left here with an uncompleted, stagnant story...sometimes i wished they had just ended it on the disc war finale. it was an absolutely amazing end to season 2.

so i was wondering if you had any advice for me? or really anything? thanks c:

hiii you!

i'm sorry i haven't answered, i've been watching the streams tonight while doing some work.

but yeah, there's a little lull in the dream smp right now and honestly, it can only be expected. they've all skyrocketed in popularity through quarantine, and now that restrictions are lifting pretty much all over the world they can go out and get work opportunities in the 'real' world. as we've seen with tommy's vlog content, ranboo traveling across the atlantic. with these opportunities, however, it does mean that they'll have less time for minecraft and dream smp, which is unfortunate.

when there's no new content in a while, it's only normal to lose interest a little. when there's nothing new to consider, people either go back and rehash old arguments, start new discourses, make predictions on what will happen - but of course, at some point you'll feel like you don't have anything to do, that you've explored all the avenues. and it can just be tiring to read the same discussions over and over again hahaha

the season 3 has been very sporadic, with streamers becoming increasingly more busy, which has made the season feel very dragged out, but also increasing expectations - the more space between lore streams, the more theories and analyses have been written - so it's a very interesting, but weird feeling of limbo we're in. three lore streams a month is very little compared to what we are used to.

but i wouldn't worry about them not having the rest of the season planned (as much as i also make jokes about season 2 being the series finale asfdgfh), they're very busy but they all seem very passionate about the story they're producing. i know wilbur just said he had everything planned out for the foreseeable future, for his lore, and since he's writing/pitching in for tommy and tubbo's character arcs as well, i wouldn't worry about them either. and both quackity and dream have been very open about how enthusiastic about their lore as well, especially quackity. they have a lot planned.

unfortunately because the dream smp isn't a traditional media where the actors gather to shoot a season that then airs with a week between each episode, but rather relies on coordination between multiple insanely busy people across the globe - it was given, that it would get harder and harder as the world opened more and more. so right now, it's just a matter of them figuring out how to coordinate things with each other and balance dream smp with their other projects.

as for advice: i'm, personally, doing a passion project that's keeping me interested in the lore by transcribing different vods, otherwise i'd probably have drifted a little bit too; so that could be an idea to keep you engaged? there's nothing wrong with not being as interested in something that's currently on break, especially one like the dream smp where we're so used to getting almost too much content. i also wouldn't worry about it being left unfinished, at all - we'll maybe have to wait a bit, but they won't leave it unfinished.

[hafanforever]

Tyrant Terror

So I know it’s no surprise to my closest friends and fellow Disney fans on Tumblr that I have a strong, deep affinity for villains, including those by Disney. And over the last several months, the more I wrote about King Runeard in my Frozen II analyses, the more I realized what made him a tyrant, albeit a secret one, and that led me to think about other villains in the Disney animated canon who were tyrants.

The thing is, while most historical tyrants were people of royalty, you don’t necessarily have to be a monarch in order to be a tyrant. The definition of a tyrant isn’t limited to being a KING or QUEEN who is openly cruel, hostile, harsh, uncaring, oppressive, persecuting, and unjust towards the people they rule. I mean, that is one way to express tyranny, and probably the most famous way it is and has been done. But what it really means for a person to be called a tyrant is being in a position of power, authority, and/or control over other people and MISUSING, to the point of ABUSING, that position, and often for that tyrant's own selfish desires rather than in the best interest of the people being ruled by the tyrant.

So from Snow White and the Seven Dwarfs to Frozen II, there are a handful of tyrannical antagonists who are indeed monarchs, such as the Queen of Hearts, Prince John, and Scar, but also plenty others who are not. There are tyrants who are corrupt government officials, such as Governor Ratcliffe, Frollo, and Bellwether, and even those who wield magic, such as Maleficent, Ursula, and Jafar. And like the villainous monarchs, the non-monarch villains prove themselves as tyrants all because they abuse their positions of power, magic or non-magic power, and authority that they have over other characters. In fact, there are even a couple of heroic characters who start off more as protagonist villains because they display tyrannical behavior before they become better people. On the contrary, the main antagonist enemies of these tyrant heroes serve as darker reflections of what the latter characters could have become had they not learned the error of their ways.

Below is my list of all the villains from Walt Disney Animation Studios that I perceive as tyrants, from monarchs to government officials to sorcerers, and what scenes in their respective movies depict them displaying tyrannical behavior. I even listed villains that would have become tyrants had they succeeded in their longterm goals.

Monarchs

The Evil Queen: Though we never see her actively governing her kingdom on screen, the abuse that the evil queen displays in her authority over Snow White by dressing her stepdaughter in rags and forcing her to work as a maid in an attempt to make her (Snow White) unattractive makes her a tyrant for sure. Furthermore, the way she mocks the skeletal remains of a prisoner in her dungeon suggests the queen is indeed a cruel, tyrannical ruler.

Queen of Hearts: If we want to consider the epitome of a true tyrant that is a monarch from Disney, it can be safely assumed that that role belongs to the Queen of Hearts. While every resident of Wonderland is insane in some way, the Queen is the most dangerous one of all by being the ruler of the land. An egotist extraordinaire, she loves to get her way, insisting that “All ways are MY ways!” and enjoys hearing the words “Yes, Your Majesty”. The Queen outwardly abuses her authority and power over her subjects by becoming furious over even the smallest of matters, during which she loses her literally explosive temper and flies into violent rages. She is also extremely irrational and unjust in making decisions, primarily by utilizing executions as her only and immediate solution to any problem, especially whenever she feels someone has wronged her, while also refusing to let the individuals she wants beheaded explain their sides of the stories. Enraged upon seeing her white roses painted red, when she misses a shot in croquet, and when she becomes the target of a prank caused by the Cheshire Cat, the Queen sentences those she deems responsible to death by beheading. All of this proves just how much she persecutes and oppresses the residents of Wonderland, instilling only fear and intimidation into their hearts. (A pun that is VERY much intended by me, the Queen of Puns! 😆😆😆)

Prince John: While possessing a short temper that isn’t nearly as explosive and violent as that of the Queen of Hearts, Prince John is displayed to be extremely incompetent as the ruler of England during the time that King Richard is off fighting in the Crusades. Stingy and greedy, the prince continually finds ways to rob and swindle his people in pursuit of wealth for himself. John shows absolutely no care that the harsh laws he decrees to gain more money drive the citizens of Nottingham into poverty and starvation, and he even cruelly mocks them on their poor states by saying, “Rob the poor to feed the rich!”. After the villagers start making fun of him with the song “The Phony King of England”, John punishes them by further increasing the tax payments. Soon everyone in Nottingham is stripped of their money and they are put in prison due to their inability to pay their taxes.

Horned King: Even though the Queen of Hearts projects herself as the ideal example of a royal tyrant, she is far less evil and scary than the Horned King. A skeletal creature with green, rotting flesh, the Horned King is completely frightening in appearance and in personality. Malicious, cruel, malevolent, sinister, power-hungry, megalomaniacal, ruthless, and merciless, he is the epitome of a tyrant who is nothing but purely and completely evil. His goal is to find the infamous Black Cauldron and use its powers to unleash an army of immortal warriors called the Cauldron Born in order to become immortal and conquer the world.

Scar: Denied a legitimate chance to succeed Mufasa as the King of the Pride Lands once Simba is born, Scar schemes to have both of them killed to become king. After murdering Mufasa and believing that Simba has been killed as well, Scar ascends to the throne. However, because he allows the hyenas unrestricted hunting rights in the Pride Lands, their overeating leads to a shortage of food, and a drought leads to other animal herds moving away. Ultimately, these events turn the kingdom into a barren wasteland under Scar’s reign, leaving it completely devoid of green vegetation, water, and food sources. Incredibly lazy and incompetent as a ruler, and caring about nothing except the power and authority that being king gives him, Scar refuses to accept that his allowance of the hyenas overeating is what leads to the destruction of the Pride Lands. He instead blames it on Sarabi and the other lionesses since the hyenas complained to him that they refuse to go hunt. When she suggests they leave Pride Rock to survive, Scar obstinately rejects the idea, not at all caring that he has essentially sentenced them to death. He argues that his place as king puts him in the right for whatever he decides to do: “I am the king! I can do whatever I want!”

King Runeard: In his life, Runeard openly presented himself as a peaceful, generous leader to the people of Arendelle AND the Northuldra. But Elsa discovers from his snowy manifestation in Ahtohallan that he did not trust the Northuldra just because they followed magic. Despite his kingdom having seen him as a benevolent ruler, the face the figure of Runeard makes as he sneers "of a king!" implies that only really cared about himself as well the power and authority he had in being a king. Therefore, he secretly misused and abused it whenever the opportunity came along. This is displayed perfectly when Runeard had the dam constructed in the Enchanted Forest, presenting it as a gift to the Northuldra. He claimed that it would strengthen their land, but admitted only to the second-in-command that the dam’s effects would be just the opposite. This was all part of Runeard’s subtle plan to destroy the Northuldra, as he feared they would try to usurp him and take over Arendelle using their magical ties.

Government Officials/Authority Figures

Lady Tremaine: Like the evil queen before her, Lady Tremaine has control and authority over Cinderella once the latter’s father dies, and misuses it by turning Cinderella into her servant. Day after day for ten years, Lady Tremaine orders and bosses Cinderella around, forces her to do every single bit of housework and menial task for her and the former’s daughters, and subjects the poor girl to an endless cycle of abuse and torment. When Cinderella is accused by Anastasia of putting Gus under the latter’s teacup, her stepmother refuses to let her explain the truth and unfairly punishes her with extra chores. Later, Lady Tremaine falsely promises Cinderella she may attend the ball if she finds a suitable dress and finishes her chores, but gives her chore after chore to do to keep her from working on her dress. After Cinderella appears wearing the dress her mouse and bird friends fixed up for her, Lady Tremaine subtly and cruelly manipulates Drizella and Anastasia into destroying it so that she can appear to be fair in her side of the bargain (”If you can find something suitable to wear”) while simultaneously keeping Cinderella from going to the ball in the first place. The following morning, when she realizes Cinderella was the mysterious girl who danced with the prince at the ball, Lady Tremaine follows her stepdaughter up to her room and locks her in to prevent her from trying on the glass slipper when the Duke arrives with it.

Sheriff of Nottingham: Despite not being the main antagonist of Robin Hood, the Sheriff of Nottingham is as much of a tyrant over the town as Prince John is to it and the entirety of England. This is because he is abusive, ruthless, and completely unsympathetic towards the people’s poverty and continually demands that they pay their taxes, regardless of what other problems they may have that hinders them from doing so. It is because of the Sheriff’s harsh decree of taxes, and then by that of Prince John once the latter takes up residence in Nottingham, that the town’s citizens are driven into poverty. The cruel, immoral way the Sheriff collects taxes includes forcing out the coins Otto had hidden in his leg cast, not caring that his act was causing the blacksmith pain from his broken leg, confiscating the one farthing Skippy had been given for his birthday and insincerely wishing him a happy birthday, and taking the single farthing that was in the Friar Tuck’s church's poor box and laughing as he did it.

Ratigan: A notorious crime lord, Ratigan is the leader of a gang of thugs comprised primarily of mice, but also including a bat named Fidget, who is his second-in-command. Although they willingly help their boss with his crimes, they also participate out of fear for their own lives. Ratigan is an abusive tyrant to his minions and threatens to feed them to his cat Felicia if they ever do something that angers him, even if it occurs unintentionally. This is shown after one of his drunken thugs calls him a rat during "The World’s Greatest Criminal Mind”, and Ratigan threatens his other minions with the same fate if they do not keep singing. Ratigan’s latest scheme is to take over London by murdering the Mouse Queen during her Diamond Jubilee celebration and secretly replacing her with a lifelike robot. He and his thugs (who are disguised as royal guards) infiltrate Buckingham Palace and kidnap the Queen, who is taken to be fed to Felicia by Fidget. As the Diamond Jubilee takes place, the Robot Queen names Ratigan as her new "Royal Consort", and Ratigan, dressed in an ornate robe, immediately presents himself in front of the gathered citizens of Mousedom, terrifying them. He then proceeds to read over his long list of tyrannical laws, one of which is a heavy tax policy for people he deems "parasites", including the elderly, infirm, and children.

Governor Ratcliffe: A completely unscrupulous and greedy man, Ratcliffe leads John Smith and other sailors on an expedition to Virginia to find gold, but he secretly plans to keep all discovered riches for himself. Upon their arrival to America, he forces all of the settlers to dig around their encampment, but refuses to do any manual labor himself out of his own sheer laziness. When no gold turns up in the searches, Ratcliffe becomes greedily convinced that it is because the Native Americans are hoarding it. He refuses to believe John's claim that there is no gold around the land, claiming that the Powhatans’ land is his land for the taking and that he makes the laws. After John is captured by the Powhatans, as they believed he murdered Kocoum, Ratcliffe takes it as the opportunity to take the non-existent gold from them, but claiming to his men that it is a rescue mission.

Judge Claude Frollo: Perhaps the darkest and most malevolent of all Disney Villains in animation (aside from the Horned King), Frollo uses his position as the Minister of Justice in the city of Paris to enrich himself and persecute anyone and everyone he considers inferior. He especially holds a deep-seated hatred for the gypsies and plots to eradicate them from the city. Despite his dark deeds, Frollo refuses to find any fault within himself and he truly believes he is a good person who is only trying to rid the world of sin and malice. Any time he commits a crime or is about to do one, he makes excuses to justify them, saying he is doing it in the eyes of God and that his victims are the ones who are really at fault. After chasing and murdering Quasimodo’s mother since he believed that the bundle she was carrying was stolen goods, Frollo attempts to murder Quasimodo since he believes the latter’s deformity makes him an unholy demon. Years later, after trapping Esmeralda in Notre Dame and upon discovering that she has escaped, he launches a ruthless manhunt around the city to find her, burning down the houses of anyone suspected of sheltering gypsies (including an innocent miller and his family, who survive thanks to Phoebus’s intervention) and interrogating gypsies who are captured. During the climax, Frollo makes the excuse that Esmeralda has proven herself to be a witch and will be executed by burned at the stake as her sentence.

Hades: The reluctant ruler of the Underworld and Lord of the Dead, Hades abuses his authoritative role by subjecting his lackeys Pain and Panic to harsh mistreatment whenever they fail a task assigned to them and any other time they do or say something that angers their boss. The two imps only put up with Hades’s abuse not so much out of loyalty to him, but out of deep fear for him. When he discovers that the two did not succeed in killing Hercules as a baby, Hades furiously grabs both Pain and Panic by their necks and chokes them as he demands they explain themselves. Later, after Hercules becomes a famous hero in Thebes, Pain and Panic adorn themselves with some of the hero’s merchandise, much to their boss’s complete ire.

Shan Yu: The ruthless yet respected leader of the Hun army, Shan Yu is an extremely dark, merciless, and dangerous individual determined to take control of China. His thought-to-be impossible feat of getting through the Great Wall to invade China soon makes him notorious and feared throughout the entire country. In his journey to the Imperial City, Shan Yu and his army destroy one village, then slaughter the entire Imperial Army and residents in another village at the Tung Shao Pass in the mountains. He and five of his elite soldiers are the only ones who survive a snow avalanche caused by Mulan. When the group arrives at the Imperial City and take control of the palace, Shan Yu orders the Emperor to bow to him, and decides to kill him when the latter adamantly refuses to do so.

Turbo: Initially believed to be the ruler of the game Sugar Rush, King Candy is secretly Turbo, a racer from the old game TurboTime who was believed to have died after his game was permanently unplugged. Having stolen the throne from Vanellope Von Schweetz, the true ruler, Turbo turns her into a glitch and makes himself the ruler of her kingdom. While he is viewed as eccentric and flamboyant, yet jovial and benevolent, to his subjects, Turbo is extremely obsessive and possessive of his new royal status. He continuously lusts for power and authority and goes to great lengths to secretly abuse his position, not just by allowing the other racers to ruthlessly torment Vanellope, but especially by keeping Vanellope from racing so that she cannot regain the role he had stolen from her.

Bellwether: The epitome of the famous phrase “a wolf in sheep’s clothing”, Dawn Bellwether pretends to be sweet, meek, and friendly to successfully hide her true prejudiced, ruthless, embittered nature. Initially the overworked assistant mayor of Zootopia to its mayor Leodore Lionheart, Bellwether secretly hates him and all predators, viewing them as nothing more than savage, dangerous monsters. In her scheme to overthrow him, take control of the city, and drive all predators out of Zootopia, Bellwether becomes the leader of a secret organization of sheep terrorists who create a serum from night howlers to turn predators feral. This would give the illusion that they were biologically reverting back to their "primitive savage ways" and eventually be regarded as too dangerous for society, allowing only prey animals to take up the entire population. However, in her goal to become the mayor of Zootopia, rather than subjecting Lionheart to becoming savage, Bellwether instead develops her plot to ensure that he is removed from office and his positive reputation amongst the citizens is ruined, allowing her to rise to power in his place.

Magic Users

Maleficent: Known as The Mistress of All Evil, Maleficent is a ruthless tyrant who rules her own subjects at her home, the Forbidden Mountain. Using her dark magic, she continuously abuses her power and authority over her minions, particularly whenever they display incompetence and stupidity. This is shown when Maleficent flies into a rage and attacks them with her magic upon realizing that, over the last 16 years in their search for Aurora, they were only looking for a baby, not realizing in their idiocy that Aurora would be growing up.

Ursula: Known for her dark reputation as a sea witch, Ursula was banished from Atlantica by Triton. She explains in “Poor Unfortunate Souls” that she uses her magic to help merfolk attain their deepest desires and only imprisons them if they can’t keep their side of the bargain. However, after she takes Ariel’s voice away and turns the latter into a human to try and win Eric’s heart, Ursula reveals she has no intention of letting Ariel follow through with kissing Eric to remain human. She proves herself to be a tyrant because all she really does is backstab the merpeople with whom she makes deals in order to ensure that only HER desires are met! When she bargains with Triton so he will surrender himself to her in exchange for Ariel’s freedom, Ursula steals his crown and trident, then grows to giant size, declaring herself the ruler of the entire ocean.

Jafar: Unbeknownst to the Sultan of Agrabah, his Royal Vizier Jafar plots to take control of the kingdom, and he needs the Genie of the lamp from the Cave of Wonders to pull off this feat. Once the lamp is in his possession, Jafar succeeds with his first to become sultan. But after Jasmine and her father refuse to bow to him, he wishes to become the most powerful sorcerer in the world to have an even greater amount of power. During his brief reign, Jafar proves himself to be a tyrant by turning Agrabah into a dystopian wasteland, dressing the Sultan as a living marionette and allowing him to be abused by Iago, and making Jasmine his own slave girl.

Tyrants-Turned-Heroes

The Beast: From the time he is cursed and until he finally starts to soften, the spoiled behavior the prince had before his curse remains. He is aggressive, rude, impatient, and frequently and easily loses his temper when something annoys or irritates him. Primarily due to his short temper, the Beast acts like a tyrant towards his servants because he is mean and cruel to them as he gives them orders, which makes them deeply afraid of him. Only on some occasions do they openly rebel against him or talk back to him, such as Mrs. Potts ordering the Beast to act more like a gentleman around Belle, and both her and Lumiere deciding to feed Belle despite being told that she was not allowed to eat unless she ate with the Beast.

Kuzco: In the beginning, Kuzco is very arrogant, lazy, selfish, and self-absorbed, viewing himself as superior to all simply for being the emperor. He rules his empire completely without the best interest of his people and always seeks to have his way, never showing any concern over the chances things could turn out badly for other people involved. This is shown when he sets his sights on building his summer home of Kuzcotopia on the top of the hill where Pacha, Pacha’s family, and other villagers reside. Since the plan will only benefit himself, Kuzco shows absolutely no care or concern that destroying Pacha’s village to build Kuzcotopia will render the residents homeless.

Would-Be Tyrants

Gaston: From what I described about him in “Bride and Prejudice” with his growing obsession with Belle and his low, inferior views of women, there is no doubt in my mind that, had Gaston succeeded in marrying Belle and starting a family with her, he would have run his household like a tyrant. He would be very controlling to the point of being physically abusive to his wife in order to get her to obey every single one of his commands and orders. Like many of the tyrants I listed above, Gaston would undoubtedly use fear and intimidation to keep his wife in her proper place of being beneath him, and he would instill these same feelings on to his own children.

Yzma: Her ire drawn after Kuzco remorselessly fires her, a furious Yzma decides to kill him so that she can take over the empire. While Kuzco is initially selfish, callous, and uncaring towards his staff and people living in his empire, he learns to change his ways by the end of the film. Had Yzma succeeded in her goal, she would have been far more of a selfish, ruthless tyrant than Kuzco was at first. This is evident during her introduction scene, which is one of many times she governs the empire whenever Kuzco is not present. As a peasant complains to her that he and his family are suffering from limited food sources, Yzma spitefully says his problem is of no concern to her, and that the man should have realized this ahead of time.

Hans: While taking over as temporary ruler of Arendelle in both Elsa and Anna’s absence, Hans wins the hearts of the people by acting as a kind, caring, benevolent ruler during the harsh conditions brought on by Elsa’s magical winter. Though he reveals his true, dark nature to Anna and his plot to take control of Arendelle, the fact that he earned the trust and respect of the Arendellians suggest that Hans could truly have been a very worthy ruler. However, now that we have Frozen II and it revealed that Runeard was actually a malevolent tyrant behind the same kind of benevolent facade that Hans used, there is no doubt in my mind that had he succeeded in stealing Arendelle’s throne, Hans also would have become a ruthless, power-hungry, selfish tyrant in secret.

[intothewickedwood]

Once Upon A Time Rewatch: 6x09 Changelings

Okay, another episode I have hardly any memory of. Oh! Is it a Rumbelle flashback? I feel like Gideon is in this one. It’s so weird not having memorised or deeply analysed s6. I’ve rewatched and analysed other seasons so many times but I’ve probably seen this season twice at most. I hate not remembering things. I must know everything!!

Are the fairies still nuns, as Whale asked in s2? You would have thought Christianity and magic wouldn’t mix but maybe they found a way.

Okay! I’m getting a strong sense my girl Belle is about to do something batsh*t! I love it when she does things completely bananas! 

Belle: “He’s trying to scare me so I’ll go back to him.” Yep. Generally, not a good technique for getting someone back.

Okay, but how on earth does Belle know the baby is a boy???

There’s a manual on defeating the Dark One? Gideon must have somehow placed that there. 

Ugggh. Finding it really difficult to concentrate here because here I am watching a show about magic, which is completely fiction while my mum is on the phone with my Nanna talking about fantastical witchcraft and how everyone is casting curses on them as though its real. I am going to scream. 

It’s giddy up Gideon!

It must be weird seeing your child all grown up before it’s born. 

I forget, is this a genuine vision of Gideon who’s trying to help or are the Black Fairy or Gideon manipulating Belle? 

Did he cut his own fate?

Ooh! Call back to s1! I’m guessing Snow doesn’t know Sidney killed her father. Or she probably does due to the Agrabahn vipers.

Don’t you touch Zelena, Split Queen istg!!

Why doesn’t Zelena even fight Split Queen?! Maybe she thinks she’ll just absorb her magic like Hyde did, which I’m not entirely sure if she possesses that power. But Zelena could have taken her! I don’t know why they didn’t show Zelena’s true magic potential this season.

Good! Thanks Reggie! 

Squid ink does not last long.

Oh my God! Leave Belle alone! 

Bell speaks fairy language?

Oh! He knew she was going to translate it so used that to his advantage by tricking her into it! Clever!

Oh. He didn’t use the magic to speed up her pregnancy?

Stop being a zingwhipper, Regina! Hades killed Robin.

Zelena: “you’ve been forgiven. You’ve grown. You’ve changed.” Regina: “You’re not me.” No, you’re much worse, Regina! I can’t with this hypocrisy, again. You’ve slaughtered villages upon villages with children. What makes you so special that you’re worthy of forgiveness but someone who hasn’t even committed half the murders you have isn’t?? And worthy of your forgiveness no less?! You’d think Regina would be more forgiving given the heinous crimes she’s committed but I guess not if her revenge on a ten-year-old is anything to go by. I’m not saying any of them are worthy of forgiveness or not but if we’re gonna forgive a child mass murderer we might as well forgive everyone else. 

Aladdin! If Ouat in Wonderland is anything to go by, becoming a genie is a huge sacrifice!

Blue! You got big for no reason! Why does she keep doing that this season? It goes against her abhorrence at Tinker Bell doing that.

Blue: “no one knows exactly (why the Black Fairy turned evil).” Another lie! Blue was literally there when it happened!

This must have been one of the only times Belle got out of the castle during her stay of a few months there.

Emma is so checked out this season and the last. Girl needs some coca cola or something.

Who sped up Belle’s pregnancy?!

Okay, but I am so attracted to the black fairy.

Also, she gives me Bellatrix Lestrange vibes.

You can tell she cares for Rumple by the way she looks at him. I’m not sure why she’s pretending that she doesn’t. Maybe I’ve forgotten something.

No need to hurt him!

I remember those few episodes where I thought Rumple was half-fairy and Henry was an eighth fairy lmao!

Well, at least Emma was kind enough to be there for Belle. God knows not a damn soul else looks out for her.

“Can you push me on the swing, mummy?” What? Loooool!

Did Belle just freaking black out during childbirth in order to see Gideon? She must have. When I have kids, I bet I’ll just straight up blackout during the first 5 minutes of labour. So many times I’ve had stomachache I’ve ended up unconscious on the bathroom floor lmao. I just can’t handle it! 

Gideon: “You know what you must do.” Belle: “Go into complete batsh*t insane mode again?” Gideon: “You know it!”

Belle, why are you listening to a vision that is probably the product of being blackout-drugged up to your eyeballs on painkillers??!

The stupid flipping book lol. Mustn't forget the book!

Belle, honey, this is a little extreme. I get you wanna keep him safe from Rumple but it’s not worth sending him to live in the freaking clouds! Whatever Rumple is going to do, which likely isn’t to hurt his son, is not worth leaving your baby to the fairies!

And you’re trusting him with Blue of all people?! She probably wanted this to happen!

Gideon means destroyer. I knew he was going to be a villain from the moment she named him that.

Jesus, she is obsessed with that book. I mean, her mum died trying to save some books so I guess I shouldn’t be surprised. It’s like everything she does is to be like the characters in that book but, like, to a detrimental effect!

“Okay, Giddy Up, look after Mummy’s book and don’t damage it or get food marks on it! Byeeeeee!”

That was absolutely bananas, Belle!

I do feel for Rumple here. Lost another son. 

Did he speed up her pregnancy?

Belle could have at least have gone with Gideon, no?

These parents are supposed to be Jack and Jill. Aren’t Jack and Jill meant to be brother and sister?! 

Oh! Split Queen sped up the pregnancy! 

Oh God, he has to find his son again! Oh no! 

Emma, are you okay? You seem tired to the point of being a different character who has possessed Emma’s body since season 5!! I miss s1-4 Emma so bad.

Destroy the sword, guys! 

[aerltarg]

2, 5, 6, 7, 8, 9, 10, 11, 12, 13, 26, 27 from ask game

2. Are there any popular fandom OTPs you only BroTP?

oh, it's actually hard to answer bc pretty often my otps can work as brotps for me as well. it also means that when i can't ship some characters they don't work for me as friends either. not to mention that in asoiaf i'm open to many ships, and if i'm not very passionate about some it's not a sign i can't see them in romantic light.

5. Has fandom ever ruined a pairing for you?

may i say any sansa ship? 😭 as well as sansa herself lmao. idk generally i can't ship characters i don't like because i'm just not interested. and it's not to say i don't like book!sansa (show!sansa is another case 💀), i just don't find her arc as intriguing and epic as arcs of some other characters. however, it's absolutely her obnoxious fandom's fault that i don't want to touch anything about her now, pairings including. sansaery? pass. sansan? i used to have a soft spot for them in my heart but now? nah. sansa x anyone? pls have mercy, she's already a fandom bicycle.

and jonsa ofc. i would never mind some crack ship as i do this one if not for their obnoxious stans that did way too much to list there right now. but this burning desire to persuade every rock on the street that your crack ship is canon will never stop being ridiculous lmao

also braime. tbh i used to low-key like them but some of their stans weirded my away lol. i get that not all of them are like that but still. it's generally my great pain when i see braime/brienne/jaime stans who are also dany/targ antis. every time i see them i cackle and run away as fast as i can crying from disappointment lmao. it's really a pity because i'm either very neutral or like in my own way all three of them.

6. Has fandom ever made you enjoy a pairing you previously hated?

jonrya it is! i never hated them, you know, but they never were more than siblings and brotp to me. however, later i encountered the deluded crack ship fandom that shall not be named and understood that if there is any possible romance for jon with any of his sisters-cousins we all know which one it will be lmao. also their stans are very sweet and i really like many of their takes on arya and jon! i generally love relationships of jon and arya very much so it wasn't that difficult in practice to see them in a quite different light.

7. Is there anything you used to like but can't stand now?

meta culture lmao. reading different analysis and interpretations of the text used to be very interesting to me (and still is tbh but in other fandoms) though asoiaf is a different case. imo many people aren't honest in their so called theories and analyses. i get that all of us are biased but some "meta writers'" denial of their own biases influence fandom in a bad way. it looks like too many people run to them to get answers to their questions about any minor detail as if they were grrm himself. yk instead of using their own reading comprehension lmao. you see how this meta culture ruined fandom just looking at the most delusional stans and shippers who spread their agenda by writing endless text posts full of nonsense and bullshit but styled as oh so intellectual and thoughtful analysis. it's insane how many people actually buy it and don't check canon accuracy of such claims themselves. it got to the ridiculous point when random people try to argue with you with some far-fetched embarrassing "theories" as if they were canon facts or quotes straight up from a fanfic because they read somewhere some other confused soul's post and got from a context that this quote is canon (despite the fact that it wasn't written in grrm's style at all but some people can't use their brains even if their lives depended on it it seems).

anyway it's become too long and rambly already so tldr. because of such "neutral unbiased" analyses i got the habit of fact checking almost everything i see in such posts. there's only a small amount of meta writers from targ/dany/jon/arya stans that i trust because i know by practice and following them for some time that they don't pull anything out of nowhere, back up everything they say with canon quotes, don't decontextualize anything and (that is the most important thing to me) are reasonable and open to discussion unlike so many bnfs nowadays.

8. Have you received anon hate? What about?

ah, not in this fandom yet, god bless! i think i'm not loud enough for the needed amount of time to deserve it lol. but since i'm not going anywhere soon maybe one day i will 😂

9. Most disliked character(s)? Why?

robert baratheon and tywin lannister, obviously. tbh it's pretty hard for me to hate any characters because you know. they're fictional lmao. just lines on paper, they can't hurt you. and even such dudes as tywin or robert don't get real distaste from me if they're written well enough. my problem with them lies not only in their canon crimes and shitty consequences of those but in fandom's (or at least some parts of it) unwillingness to acknowledge that they're canonically written as shitty, not as stan/pity/worship material. tywin isn't as clever as some think and robert is a coward outside of battlefield, not to mention some absolutely disgusting denial of his nature from targ antis only because the man happened to be the most vocal targ hater in-universe so these folks feel like he is their main book representative and whitewash him completely lmao

10. Most disliked arc? Why?

uugh idk even. i'm either low-key interested (or used to be at least so i can stay pretty neutral for the sake of nostalgia lol) or too indifferent to really care.

11. Is there an unpopular character you like that the fandom doesn't? Why?

all my faves have their own crowd of haters i'm afraid 😭 but let me say rhaegar. even among some dany/targ stans my man is so misunderstood lmao. it's not even his fault i dare say it's fanon about his half-imagined crimes that somehow got widespread to the unbelievable degree. and when i say they're half-imagined i'm being very generous actually. ofc he isn't perfect, no one in asoiaf is. and yes, he's a pre-series dead minor character but almost all little information about him is actually positive, not to mention the narrative itself that doesn't paint him as a villain or just a shitty dude. on the contrary, he's an idealized to some degree dead prince who could've been a good king (like some other historical targaryens, jacaerys, baelor breakspear, aemon son of jaehaerys, etc.), a mysterious yet tragic figure. i have much to say about why it's so popular to shit on him in fandom but yeah. his haters should send their complaints to grrm instead, no one forced the man to write him like that lol. and i mean that no one has to like him ofc. but it's misinterpretation of the text to claim he was intentionally written as a villain or smth by grrm.

12. Is there an unpopular arc that you like that the fandom doesn't? Why?

i don't know if it counts as unpopular but i would say tyrion's arc as a whole because i enjoy his character and like in my own way. i can get why some people don't like him but this man will always have his own place in my heart i must admit.

13. Unpopular opinion about XXX character?

is this unpopular tho?.. ok but renly wouldn't make a terrible king. i dare say he would be better than both robert and stannis. yes, he wasn't shown as perfect and i don't claim this. he wouldn't be the best or the most brilliant or the most just or noble. yet still better than his brothers. his flaws weren't anything other high lords didn't have, his mistakes weren't anything other lords and kings didn't do. in many ways he would make a better job than robert or stannis, too bad he died so early, even though i get why it was important for the narrative.

26. Most shippable character?

well generally for me it's the ones i love the most lol. jonerys/snowstorm is my never dying otp but i admit my sins, sometimes i just see dany with other characters (often from other fandoms pls don't @ me). however, since dany is THE fave of mine it means i would rather twist the other guy or girl to fit into the good match for her than twist her for another character in my new born crack ship lol. and i never stay for too long with the ships with which i feel they don't really fit and don't do justice for each other lol. maybe that's the reason i'm not much of a rare shipper / crack shipper afshdjdb

27. Least shippable character?

everyone i don't like? 😭 as i've said sansa for the reasons above lol. you can insert many others in her place lmao