#artisan electrics
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plugincaro · 1 year ago
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Saif Sea Electric Water Buoys
Amazing indeed… this can also be used during flood conditions… but for this to be effective it needs to be much bigger… so as to save 10 people at a time… wonder if this can be shaped in cylinder shape… like a banana boat…with gps capabilities for tracking… Saving 1 person at a time… with 1 device is too less… In India people���s lives have lesser value than in foreign countries… govt will not…
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indiesellersguild · 7 months ago
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Convention Schedule
Hey y'all, we'll be posting a small flood of things later on today, and we're starting with the convention schedule! (ID in alt text.)
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You can also participate on your own time (videos will be available on-demand) but the schedule shows the times we'll actually be live. Book a ticket for as little as $1 at indiesellersguild.org/convention.
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teslathelame · 1 year ago
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dude, in an anarchist commune i would SO be like a carpenter or a metalworker or something
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opencommunion · 6 months ago
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"The story of  'John Doe 1' of the Democratic Republic of the Congo is tucked in a lawsuit filed five years ago against several U.S. tech companies, including Tesla, the world’s largest electric vehicle producer. In a country where the earth hides its treasures beneath its surface, those who chip away at its bounty pay an unfair price. As a pre-teen, his family could no longer afford to pay his $6 monthly school fee, leaving him with one option: a life working underground in a tunnel, digging for cobalt rocks.  But soon after he began working for roughly two U.S. dollars per day, the child was buried alive under the rubble of a collapsed mine tunnel. His body was never recovered. 
The nation, fractured by war, disease, and famine, has seen more than 6 million people die since the mid-1990s, making the conflict the deadliest since World War II. But, in recent years, the death and destruction have been aided by the growing number of electric vehicles humming down American streets. In 2022, the U.S., the world’s third-largest importer of cobalt, spent nearly $525 million on the mineral, much of which came from the Congo.
As America’s dependence on the Congo has grown, Black-led labor and environmental organizers here in the U.S. have worked to build a transnational solidarity movement. Activists also say that the inequities faced in the Congo relate to those that Black Americans experience. And thanks in part to social media, the desire to better understand what’s happening in the Congo has grown in the past 10 years. In some ways, the Black Lives Matter movement first took root in the Congo after the uprising in Ferguson in 2014, advocates say. And since the murder of George Floyd and the outrage over the Gaza war, there has been an uptick in Congolese and Black American groups working on solidarity campaigns.
Throughout it all, the inequities faced by Congolese people and Black Americans show how the supply chain highlights similar patterns of exploitation and disenfranchisement. ... While the American South has picked up about two-thirds of the electric vehicle production jobs, Black workers there are more likely to work in non-unionized warehouses, receiving less pay and protections. The White House has also failed to share data that definitively proves whether Black workers are receiving these jobs, rather than them just being placed near Black communities. 'Automakers are moving their EV manufacturing and operations to the South in hopes of exploiting low labor costs and making higher profits,' explained Yterenickia Bell, an at-large council member in Clarkston, Georgia, last year. While Georgia has been targeted for investment by the Biden administration, workers are 'refusing to stand idly by and let them repeat a cycle that harms Black communities and working families.'
... Of the 255,000 Congolese mining for cobalt, 40,000 are children. They are not only exposed to physical threats but environmental ones. Cobalt mining pollutes critical water sources, plus the air and land. It is linked to respiratory illnesses, food insecurity, and violence. Still, in March, a U.S. court ruled on the case, finding that American companies could not be held liable for child labor in the Congo, even as they helped intensify the prevalence. ... Recently, the push for mining in the Congo has reached new heights because of a rift in China-U.S. relations regarding EV production. Earlier this month, the Biden administration issued a 100% tariff on Chinese-produced EVs to deter their purchase in the U.S. Currently, China owns about 80% of the legal mines in the Congo, but tens of thousands of Congolese work in 'artisanal' mines outside these facilities, where there are no rules or regulations, and where the U.S. gets much of its cobalt imports.  'Cobalt mining is the slave farm perfected,' wrote Siddharth Kara last year in the award-winning investigative book Cobalt Red: How The Blood of the Congo Powers Our Lives. 'It is a system of absolute exploitation for absolute profit.' While it is the world’s richest country in terms of wealth from natural resources, Congo is among the poorest in terms of life outcomes. Of the 201 countries recognized by the World Bank Group, it has the 191st lowest life expectancy."
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vubkiran · 1 year ago
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youtube
How to open Amorphous Transformer carefully without damaging core. #electrical #power #system #Transformer #utility #
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soon-palestine · 5 months ago
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𝗨.𝗦. 𝗖𝗢𝗨𝗥𝗧 𝗖𝗟𝗘𝗔𝗥𝗦 𝗧𝗘𝗖𝗛 𝗚𝗜𝗔𝗡𝗧𝗦 𝗢𝗙 𝗖𝗢𝗡𝗚𝗢 𝗔𝗕𝗨𝗦𝗘𝗦
Not guilty.
That's the verdict of a US federal appeals court in a case involving five tech companies accused of benefitting from child labour in Congolese mines. On 5th March, 2024, the US Court of Appeals for the District of Columbia made a 3-0 decision in favour of (Google’s parent company) Alphabet, Microsoft, Dell, Tesla and Apple Inc. in a case filed by 16 former Congolese child miners and their guardians.
The plaintiffs accused the companies of "deliberately obscuring" their dependence on child labour, in effect abetting the exploitation of many children to ensure steady supplies of cobalt. Some of the complainants were the guardians of children who’d been killed in cobalt-mining operations.
The court ruled that buying cobalt in the global supply chain did not amount to "participation in a venture," and there was no proof that the tech giants had anything more than a buyer-seller relationship with suppliers or had the power to stop the use of child labour.
Cobalt is in high demand as competition for market leadership in Electric Vehicle sales kicks into high gear. Nearly two-thirds of the world's cobalt is mined in DR Congo. The country has 2-million artisanal miners working under horrible conditions, according to DelveDatabase, an online database. Four critical minerals - copper, nickel, cobalt and lithium - will generate $16 trillion in the next 25 years, according to the IMF.
DR Congo's vast wealth is the key reason for the country's long history of exploitation and conflict - from Belgian King Leopold II running the country as his private estate to Western tech firms churning out high-end goods using Congolese minerals.
Help raise awareness of the exploitation of Congolese children by sharing this video widely.
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azuneekun · 8 months ago
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STARDEW VALLEY BACHELOR/BACHELORETTE (personal) HEADCANONS:
Maru
Is a registered nurse, but is working to become a medicinal and environmental researcher like her father (Professor Demetrius).
Robotics, Electrical engineering and Astronomy are just a few of her hobbies and passions. 
Afraid of getting real piercings, so Sebastian gifted her clip-ons.
Doesn’t trust newer computers, unlike her brother.
She is nearsighted and has astigmatism.
She goes stargazing in hopes of finding signs of extraterrestrial life. Or just to see if she can spot a certain flying robot.
Used to follow her brother Sebastian around a lot when she was very young, but his troublemaking behavior made Maru distance herself. She still cares about him.
Loves helping the farmer with building farming machines.
Loves spending time with her best friend Penny and talking about books and trivia together.
Other than tinkering with gadgets, she also enjoys doing puzzles.
Penny
Could not afford finishing her teaching course in college due to financial troubles.
Saving up money in her tutoring job to become an elementary school teacher.
Her father abandoned them due to feeling ‘trapped’. It happened around fall—so she feels melancholic during that season.
Likes cooking but is a novice at it.
She and Emily do arts and crafts together in the library and or the (fixed) community center. (For the kids and for event decorations.)
She has a slight southern accent.
Elliott and her like to swap book recommendations.
Loves listening to Maru infodumping about her trivia and interests. She teaches them to Jas and Vincent in return.
She likes to do crossword puzzles under the tree near the graveyard.
She prefers to wear skirts.
She influenced Jas and Vincent to have an interest in archeology, thanks to her own fondness of it.
Abigail
Pets every animal they see. Sanitizes herself right away before going home due to Pierre's allergies.
Sometimes helps her dad with the general store. Pierre gives her some money in return.
Abigail loves to draw and sometimes likes to join art competitions.
Enjoys the occult and fortune telling. Has some magical ability, but is not fully aware of it.
She plays the flute and the drums.
Loves adventuring, but feels guilty killing monsters (even out of self defense). Will make graves or offer prayers to put their souls to rest.
Very interested in monsters and loves reading about them.
She has a sweet tooth; minerals taste like candy to her. She also loves spicy food from time to time.
Gets sunburnt easily.
Leah
Used to be hired as an illustrator for books in Zuzu City.
Is under apprenticeship with Robin.
Loves using different painting mediums. Current favorites are charcoal, oil painting, and watercolors.
Experienced forager—she adores making vegetable/fruit salads and stir-frys out of them.
Likes to drink the wine sold by the farmer and the saloon.
She is left handed.
She makes her own special homemade vinaigrette.
Has her own mini-garden.
Loves to help the farmer with crafting artisan equipment that involves wood (eg: kegs, preserve jars, casks, and etc.)
Emily
The unofficial hair stylist (and barberess) of the townies. (HC adopted from @/moon-boat)
Has some real spiritual power and foresight.
Her prophetic visions mostly appear in her dreams.
Knows supernatural beings and Junimo exist (and has seen them) but opts not to tell anyone directly for the creatures’ safety. (Likes to give subtle hints, though.)
Can genuinely communicate with birds and flowers.
Is very good at arts and crafts and helps decorate the festivals often.
Vegetarian. Likes to cook vegetarian dishes.
She's a very talented dancer, and she likes to do her choreography in secret.
Sandy sells the clothes she makes. Haley advertises them on her blog. 
Loves all animals—especially birds.
She likes clowns and circuses.
Is very meticulous about cleanliness and housework.
Is incredibly scared of watching horror movies.
Haley
A talented cook that loves baking sweets.
Is a social media influencer. She has a popular Instagram account called StarfruitHaley and a Youtube channel named Cooking Junimo.
Likes drinking peppermint coffee and eating cupcakes.
She is a picky eater.
Learned to dance from Emily.
She and Emily are taiwanese-americans.
Her hair is dyed blonde and she wears contacts.
Freelance model, but likes doing photography more.
Does photography gigs sometimes.
Secretly admires her sister's dancing, but doesn't want to lose to her during the Flower dance.
Likes to go surfing during the summer time. (HC adopted from @/sofiaruelle )
Closeted lesbian, but came out proudly once she started to live in the valley.
Bunnies and Ponies are her favorite animals.
Shane
Prefers keeping people at a distance (so it doesn’t hurt him if he loses them), but is weak to persistent people. (eg: Emily, Sam, the farmer)
Is very good friends with Emily. Likes to joke around and share chicken stories with her. 
Lost a sports scholarship in university due to injury, so he dropped out. (He took a course in multimedia arts, hence his 7 ♡ event.)
Likes to collect funny printed boxers.
Wears old clothes until they tear apart.
Doesn't bother combing his hair much.
Takes care of the animals when Marnie's not around, and teaches Jas about the ranch while he’s at it. 
Most of his savings are for Jas and Marnie.
Has calloused hands from hard work.
He likes to use nicknames. Both derogatively and affectionately. (e.g. Sweetheart, Chickadee, Doll, Buddy , Asshole, Jockstrap (Alex specific), Dickhead, Kid)
Shane has excellent upper body strength due to lifting heavy boxes at work, and sacks of feed at the ranch.
Jas’ mother is his older sibling. Marnie is his father's younger sister.
In the future, his beautiful blue chickens will become recognized as a standardized breed by the farming community. 
Harvey
Used to be a surgical oncologist. Left this position due to emotional distress.
Came from a prestigious family of doctors, lawyers, and professors.
Has a twin brother. ( HC adopted from @/coinly )
Loves science, history, and the documentary channels.
He used to be in a long term relationship but it ended due to LDR.
He can cook but doesn't feel happy eating by himself—so he just heats up frozen meals.
He smells like nice soap and hand sanitizer.
Has a wonderful singing deep voice. (HC adopted from @/hannahstumble )
Likes to drink wine every once in a while to relax.
Jazz music is calming to him. He owns many cassettes of the classics.
Elliott
Was a music professor in a private university.
Is from a wealthy family, but left to become more independent.
Humble and isn't very materialistic, but is very strict with his well-kept appearance. 
Keeps his pencils so sharp it might as well be a weapon.
Isn't very good at taking care of plants, but is learning how to. 
A little clumsy with housework and repairs, but tries to keep tidy.
His favorite pastime with his father was fishing. 
Likes to drink, but can’t hold his liquor at all.
 In his youth, he has gotten some recognition for his published short stories and poetry, but  has yet to make a full length novel.
Commissions and collaborates with Leah on art and ideas for his books.
His piano actually came from Robin's. Sebastian used to own it but preferred playing the synth now.
Sebastian
Is very skillfull at using a knife (for fish and seafood).
He is a lazy genius. 
His Korean name is Seojun. His biological father tried bringing him to his home country when he and Robin divorced, but Sebastian opted to stay with his mother.
He loves cats as much as frogs and bats.
Sleeps very messily. Ends up in weird positions on the bed, with pillows dropped onto the floor.
Loves exploring the mines and wants to join the Adventurer's guild in the future.
Does his (and his friends') piercings.
Has a long deep scar on his left leg due to a rock crab.
The town go-to mechanic, alongside Maru.
He’s jealous of Maru, but doesn’t hate her. Doesn’t know how to express himself, so they end up fighting. He thinks he’s not the best older brother to have.
Insomniac. Needs medication to help sleep, sometimes.
Likes to tease and scare people.
Also gets sunburnt easily—but in return doesn’t get affected by the cold weather as much.
Best billiards player in Stardew.
Alex
Has dyslexia, but is not aware of it (until the farmer points it out).
Likes to help cook with his grandma.
Makes and sells his own icecream.
Is the local town mailman.  (HC adopted from @/ryllen )
Childhood friends with Haley, but pretended to be her boyfriend in HS to shield her from men (as per her wishes).
Not only was he a varsity quarterback for gridball, but he was also an ace baseball player.
One of his favorite pastimes is watching the gridball game every Sunday.
Thinking about saving money to go to a vocational college or getting a scholarship. 
Interested in becoming a physical fitness coach if his dreams to go to the league fall through.
Afraid of being vulnerable to people, because he wants to be seen as strong and reliable.
Sam
A popular boy in school. 
Was influenced into loving music due to Sebastian. 
Likes flowers but has severe hay fever.
Has a scar on his eyebrow from a skateboard accident.
Loves his mom's largemouth bass fish casserole.
Thinks being a submarine captain might be cool as a job (thanks to the night market), but would prefer being in the music industry.
Likes to DJ and compose his own music.
A little forgetful, so his wrists and hands are full of scribbles and rubber bands as reminders.
Likes cactuses and the flowers that bloom from it (and especially loves cactus fruit).
Him and Alex both like to collect branded sports shoes, and talk about it together sometimes.
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rainbow2023 · 2 years ago
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aworldofpattern · 6 months ago
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Zendaya at the Met Gala 2024, wearing custom Maison Margiela Artisanal by John Galliano, and hat by Stephen Jones.
The fruit, flowers, insects and birds on the gown fit the dress code of the night, 'The Garden of Time', inspired by J.G. Ballard's 1962 short story (explained here by the BBC).
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The gown also references John Galliano’s Spring 1999 couture collection for Dior, in particular the gown below, decorated with grapes.
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Maison Margiela said:
'A sage lamé bias-cut ‘siren dress’ overlaid with iridescent electric blue organza with ‘retrograding’ in undulating bands of hand-painted metallic crin, swathed in an aluminium material and iridescent organza drape and bow, with a corsage hand-embroidered in a bacchanal of hand-painted impasto in the grammar of the electric blues and emerald greens of scarab amulets, with formations of birds, flowers, vines, grapes and nuts, worn over a boudoir-coloured duchess satin corset. A silver metal-wire ‘reverse swatching’ hat and a black hand-painted voile crafted in the memory of plume and enveloped in matching coloured stockings by Stephen Jones for Maison Margiela, and Eau de Nil velour and faux lizard Tabi interlaced ankle-strap pumps by Christian Louboutin for Maison Margiela.
Created for Zendaya by John Galliano for Maison Margiela, the haute couture silhouette was inspired by the 1930s mythological works of the photographer Madame Yevonde and imbued with the memory of the orgiastic sceneries of the bacchanals of Ancient Greece. In a dance between painterly cutting and draping techniques – unique to each layer of the construction – and the superposition of fabric textures such as tin foil with transparent iridescent organza overlay, the composition conjures the staccato brushstrokes of Giovanni Boldini. The bias-cut ‘siren dress’ is a key expression in the creative practice of John Galliano, which first appeared at Maison Margiela in the Spring-Summer 2020 Artisanal Collection. Infused with a certain ‘snobisme’, the look is given the epithet of ‘86 and Lexington’, a nod to the subway station near The Met.
The dress was crafted with ‘retrograding’, a technique through which variations of thread-work, appliqué or encrustation degrade from the bottom to the top of a garment like the linear base drawing of a painting that hasn’t yet been finished. The ‘reverse swatching’ technique employed in the hat exchanges the fabrics traditionally used for certain parts of dressmaking with materials of a contrasting value.' X
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smallgodseries · 4 months ago
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Out of Russia they arose, victor in the remarkably genteel race to become representative of the many and glorious ways for the people of the mortal world to take their tea.  Out of Russia, out of the steppes and the snows, all the way to the modern day and the modern world, and countless households therein.
Their earliest forms were open to the fire outside, a unification of elements: earthen or metallic shell, air to carry the fire, fire to warm them, and water to boil in their bellies.  They heated the tea, they warmed the belly, they gave life and strength to armies and artisans alike.  And now, today, they carry the electric fire in their own hearts, even as their artisanal ancestors still pass hand to hand, treasured heirlooms of older days, which look so often better in the cracked glass of memory.
They are beautiful.  They are beloved.  And for all of that, they are humble, recognizing that they hold their place through chance, when it might be better held by Tea Potter.  But Tea is content to be small god of the high tea, enjoying the ceremony and the circumstance more than the art of brewing, and so Sam holds their place for the time all but unchallenged.
It cannot last.  There is always a challenger to come.  They hold their place against the marching armies of the coffee chain, which spawns gods almost as quickly as the technology can be updated, divinity sparking into being and fading away in almost the same instant.  Sam O’Var has watched the rise of gods of French press and cold brew, gods of steam and foam, and waited for the day when they would try to take dominion over all hot beverages brewed to stimulate the mind.  That day has yet to occur.
If ever it does, they will be ready.  And they will offer their challenger one last sweet cup of tea.
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quixoticanarchy · 3 months ago
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Finished reading Cobalt Red by Siddharth Kara and he does a good job showing how the cobalt supply chain is inextricable from incredible human suffering, near-slavery, rampant exploitation, environmental devastation, and child labor. And it’s very clear that no promise a tech or battery manufacturer makes that their supply chain is clean means literally anything bc industrially and artisanally mined cobalt are mixed into the same supply untraceably. And the book also covers the fact that cobalt supplies are finite and when the DRC’s cobalt is exhausted the industry will move elsewhere, rinse and repeat, and the people in the Congo will be left with the ongoing and unremediated -maybe irremediable - damage. All of this so that we can have smartphones, electric vehicles, iPads, electric scooters, almost anything with a rechargeable battery.
It’s also clear that the tech and battery industries are interested in good PR and making empty statements about human rights when they should be taking responsibility for the working conditions of small-scale miners (and minors) dying at the bottom of their supply chains. What Kara doesn’t really address is the demand side of this equation, not just the demand by companies whose products use cobalt-containing batteries but also the consumers sustaining that demand, who buy every new smartphone and eagerly pin their hopes on electric vehicles to let us keep our car-dependent world without the fossil fuel guilt. The book takes it for granted that cobalt will be required in high quantities for consumer electronics and for “green” tech, and to some extent this is true - as in, none of those demands or uses will cease overnight and in the meantime we should worry about how to address industrial and business practices and government corruption in order to treat Congolese miners as human beings.
But it feels incomplete without also asking questions like: should that demand continue? Can it? Do we need this many devices? What costs are acceptable? Can we really have our cake (smartphones, EVs, etc) and eat it too (slavery-free, non-exploitative supply chains that don’t kill the people at the bottom and lay waste to the environment)? What if - as the book would seem to suggest - we really cannot? If one goal of the book is for people to realize what conditions underlie the extraction of cobalt, what action is then incumbent upon us? Personal consumer choice will not undo all this harm, but it is a necessary step in rethinking or attempting other ways to live. Is it a right to have a smartphone, a new one every year or two, if it comes at the price of other people’s human rights? At what point do we say that it is not an acceptable cost that the extractive industries are perpetuating neocolonialism and near-slavery in order that we should have comfortable lives?
We know we have to stop relying on fossil fuels or we’ll burn down the planet (to a greater degree than is already locked in) but the “green energy transition” is not clean at all. Capitalism seeks the lowest price for labor and the highest profits; obviously these extractive relationships owe a lot of their horror to being conducted in a capitalist milieu. But even thinking about, say, a socialist world instead, if it aspires to still provide smartphones and electric vehicles en masse and maintain the comforts and conveniences of the “Western” lifestyle then we would still be relying on massive amounts of resource extraction with no guarantee of less suffering. The devices are themselves part of the problem. The demand for them and the extent to which “modern” life in “developed” countries relies upon them is part of the problem. It is unsustainable. It is built on blood and it makes a mockery of purported values of dignity, equality, and human rights. The lives of Congolese cobalt miners are tied to how we in the “developed” or colonizer countries live and consume. I do not think their lives will change substantially unless ours do.
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no-passaran · 8 months ago
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A newspaper in my country has interviewed Siddharth Kara, one of the experts on what's going on in the cobalt mines in Congo. I think it's very well explained and a must-read to get an overview of this huge human rights violation that is going on. So here I translate it to English, hoping it will reach more people.
Siddharth Kara: "Every time we buy a new mobile phone, we put our foot around the neck of a child in the Congo"
Interview with the author of Cobalt Red: How the Blood of the Congo Powers Our Lives
"The poorest people in the world, including tens of thousands of children, dig the earth in toxic and very dangerous conditions to find cobalt," says journalist and writer Siddharth Kara (Knoxville, Tennessee, USA, 1974). The rechargeable batteries of our mobile phones, tablets, laptops or electric vehicles need this mineral that thousands of children, men, women and elderly people extract from the Congolese mines in inhumane conditions. Kara went there because he had specialized in research on slavery, and in Congo he found a modernized form of slavery. "Time has passed, but the colonial mentality has not," he explains. Everything he saw there and what was explained to him is recounted in Cobalt Red: How the Blood of the Congo Powers Our Lives (a book that does not have a translation into Catalan, but which has now been translated into Spanish, by Capitán Swing). The photographs and videos illustrating this interview were taken by himself.
—Was it difficult to write this book? —Yes. Firstly, because of the specific difficulty of this area of the Congo: very dangerous, very militarized. There are armed militias. And for the local people there it is dangerous to talk to foreigners, because it can bring them consequences. It was difficult to get there, and then it was difficult to build trust with the people who worked there. I only managed it thanks to this trust, which we achieved little by little, until we were sure that we could do the research with guarantees and ethically.
—What drove you to the Congo cobalt mines? —I had been doing research on slavery since 2000. Around 2016, some African colleagues contacted me and said: “Siddharth, something terrible is happening in the cobalt mines of the Congo, maybe you should go there”. I had no idea what cobalt was. I thought it was a color used for painting. I didn't know it was used for rechargeable batteries. It took me a couple of years to grasp its importance. Then I started making contacts to travel there, and in the summer of 2018 I went there.
—And what did you find there? —The suffering and degradation I saw there were so intense that I decided to return there often to write a book. Hundreds of thousands of the world's poorest people, including tens of thousands of children, dig the earth in toxic and very dangerous conditions to find cobalt and put it into circulation, in a distribution chain that goes to the rechargeable devices and cars that people like you and me use every day. It was a human apocalypse, a total invasion of human rights and the dignity of the Congolese people.
—Could you describe what a mine like this is like, physically? How should we imagine it? —Those who are at the top of the economic chain of cobalt exploitation like to distort the truth, and use the term "artisanal mine". This way, they evoke a kind of picturesque activity, but on the ground it is a dangerous and degrading job. A mine of this kind is a mass of tunnels, pits and trenches filled with thousands of people who dig with shovels, pieces of metal or directly with their bare hands. They fill a sack with earth, stone and mud. Some children rinse it in toxic pools to separate the mud from the cobalt stones, which a whole family pours into another sack. It might take twelve hours to fill a forty-kilo sack or two. For each sack they get paid a few euros, very few, and that's how they live every day. They survive.
This video was filmed by Siddharth Kara: [you can watch the video in the interview link, freely available without any paywall, here]
—Is there any rational organization in these mines? Is there someone who decides who does what to optimize work? —Well, there is a whole gear designed so that the poor and the children of the Congo produce hundreds of thousands of tons of cobalt every year. There, work is usually divided by age and gender. Digging tunnels, which requires a lot of strength, is usually done by young men and teenagers. The digging of small pits and trenches that can be less meters deep is done by women and smaller children. Rinsing this toxic cobalt is usually done by the children. The merchant system to exploit these families and sell the cobalt they produce to the formal industrial mines is very well set up.
—What else do these people at the top of the chain invent? —Another fiction they invent is that there is a difference between industrial and artisanal mining, and that they only buy from the industrial one, where there is no child labor. Not true: all cobalt is mined by children. All the cobalt that the children and peasants extract goes straight to industrial mining. In addition, there is no way to separate what comes from a bulldozer and what comes from a child, once it all pours into the same place in the facility that does the industrial processing before this cobalt is sent out of the Congo.
—You explain that the situation is particularly abusive for women. —Yes. It is a lawless land, and violence is the norm. Women and girls always bear the brunt: they are victims of physical and sexual violence, and almost no one talks about it. It is a major tragedy: they are victims of sexual assaults that are committed in the mines themselves, while they collect the cobalt that we have in our mobile phones.
—You refer to all of this as a new episode of slavery. It is not the first time that the Congo has a decisive material for Western economic development. It happened with uranium for nuclear bombs, for example. History repeats itself. —Exactly. It is important for people to understand that we are not witnessing an isolated case, but the latest episode in a long, very long, history of looting of the Congo, a very resource-rich country, dating back to the colonial period. The first automobile revolution required rubber for tires. The Congo had one of the largest rubber tree rainforests in the world. King Leopold [of Belgium] deployed a mercenary army of criminals and terrorists to enslave the population and make them work to get it. This inspired Joseph Conrad's novel Heart of Darkness. The Congo also has abundant reserves of gold, diamonds, nickel, lithium and other metals and minerals that make components for electronic devices…
—These mercenaries deployed by King Leopold, are they still there today, in one way or another? —Yes. On the ground there are militias, or the army, or private security forces that the mining companies hire and that, sometimes, in addition to monitoring, do the work of recruiting children. Under the threat of an occupation, they force an entire town to dig. It's atrocious: we live in an age of supposed moral progress, where everyone shares the same human rights, and yet our global economic order has its knee on the necks of the children and the poor of the Congo, with this huge demand for cobalt that has to fuel the rechargeable economy.
—Has no Western country or international body done anything to stop it? —No. No western country, no government, no big business has lifted a finger to address this tragedy. They talk about maintaining human rights standards in their supply chains, they talk about environmental sustainability, but it's only talk. That is why it is very important that journalists and researchers set foot on the land of the Congo and listen to what the Congolese have to say: that no one protects their rights or their dignity, that they are erasing the environment, that mining it is not done in a sustainable way and the whole countryside is polluted and destroyed by the mining operations. It is enough to walk ten minutes around a mine to see it.
—Does the same happen in all mines? Large Western companies that use cobalt often claim that theirs comes from artisanal mines that meet standards. —Have they gone there? There is no decent mine in the Congo. It does not exist. I'll be happy to take any CEO of any tech company to their mines, where their cobalt comes from. We'll stand there, watching them extract it, and take a selfie with it. Everyone will realize that what is seen behind us is not decent. You will see destruction, millions of trees felled, installations that emit toxic gases that fall on the surrounding towns, on the children, on the animals, on the food. There is no decent mine in the Congo. And they know it. But who will believe the voice of a Congolese if they can drown it out with proclamations of human rights while they continue to make money without measure?
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—Can you explain the role China plays in all of this? You say that it controls the supply chain. —Yes. China controls about 70% of mining production in the Congo. Why do we accept China saying its mines are decent, if they don't even protect the human rights of their own people? Why do we accept a technology company or a car manufacturer saying, "My Chinese partners say they protect human rights there, and that's enough for me"? Why do we accept it?
—Why do you say that a certain transition to green energy is absolute hypocrisy? —When the calls in favor of this transition consist of proposing to consumers that they buy electric vehicles instead of gasoline cars, this is hypocrisy. Because the cobalt and other elements that are used for the batteries of these cars are extracted using methods that are catastrophic for the environment. While in one part of the world we say we want to save the environment and leave a greener planet to our children, in another we are destroying both the planet and the future of their children. How can you save only part of the planet, turning the rest into a toxic dump? How can we give a green planet only to our children, while we let other people's children die? This is hypocritical.
—It is a reflection of the domination that the global north maintains over the south. —We have never given Congo the opportunity to benefit from its own resources. It is a colonial mentality: time has passed, but the colonial mentality has not. It is the same type of colonial plunder from a century and a half ago. It is colonial to say: "Look, we need this, they have it, we take it from them in any way and, when we no longer need it, we leave a catastrophe behind us". There are companies that, recently, have started to pretend that they are becoming aware of this and promised that they would try to use batteries that did not have cobalt, but in reality they said: "Well, we've been caught, we'll look for another mechanism". And they do nothing to solve the catastrophe. Even if we no longer needed cobalt tomorrow, we would have to repair the destruction we have caused these past fifteen years.
—It's the big companies who should be required to react, but what do you think a Western consumer who has gotten upset reading you could do? —The first step to progress in the conquest of human rights is always to make injustice known. Contribute to make everyone knows. Most people are good and, in their hearts, want no part of injustice. It is the few who move based on avarice and greed who pollute the rest of humanity. Outreach and awareness is the first step because it will inevitably activate a lot of people. Change always starts like this. In the case of cobalt, the second step is to think about our consumption habits. Every twelve months, the technology company I bought my phone from offers me a new one. Do I really need it? Every time we buy a new mobile phone, we put our foot on the neck of a child in the Congo. Better think twice, then.
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noxiousgrace · 3 months ago
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TCF/LCF headcanon
Honestly one of my favourite headcanons i have so far about krs and og!cale is the fact they're both able to draw
I have explanations for both
The reason krs is able to draw:
During the cataclysm, a lot of methods of recording things became very scarce. (We see this during the sealed gods test when krs relies on the abilities of other people to record whatever they'll need for the future. Information about monsters, how to deal with them, etc.)
And I'm assuming electricity relies on ability users as well considering how devastating the cataclysm was to earth. It would be hard to maintain a power plant during the beginning whilst not knowing how to survive in the new ruined world, so charging devices are out of the question. As far as batteries go, they aren't permanent solutions either, and would run out eventually.
And relying on ability users isn't easy either, first of all getting a power specifically needed for this issue is a very rare occurrence and people on earth aren't sure how these abilities are assigned (they do have theories that it's related to the og persons personality, but I haven't seen any confirmations on this. And i haven't finished reading book 2 of lcf so if the answer is a spoiler from that half then correct me if I'm wrong)
And krs received the ability to record everything he sees and to never forget it, he has the perfect opportunity to make physical copies of information and the subsequent imagery. This would make information accessible to everyone else and also raise their chances of survival because they won't be taking blind shots in the dark in intense situations.
There isn't a reason why krs would refuse to learn how to draw and show everyone what to be wary of.
I don't think he would've learnt how to draw as a kid. Doodles before his parents passed away? Definitely. After moving in with his uncle and having to survive the abuse that followed it? Probably not. (But this doesn't negate the fact he could've tried drawing his parents so he wouldn't forget them, but the quality of his work would've upset him and he could've given up on that along with everything else)
Another reason is to have identification of deceased bodies. He remembers everything, and would easily identify any corpse out in the field as long as he'd seen that person before their death.
In case any of their records or pictures got lost krs would make a sketch and they'd frame it and use it if they were capable of holding any funeral or adding the portrait to the tombstone. (I definitely believe making portraits of LSH and CJS definitely hurt him emotionally)
Why og!cale is able to draw
I don't have a very extensive headcanon as to why og!cale can draw, but i find the idea that he doesn't want to forget his mothers face very endearing. Plus he's from an artisan family and would have to be artistic at some level (well, violan is the artistic one since she values sculptures i think, correct me if I'm wrong) so she could've tried teaching him how to draw and sculpt as a way to bond with him and not leave him as an outcast in his own family. (Maybe she saw his earlier sketches and found his frustration in being unable to replicate jours face and decided to give him tips)
And if they do have a big portrait of jour in the house I'd like to think it was painted by cale
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katsheadinclouds · 4 months ago
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Like a sun, shining late at night
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Frankie Morales x f!reader
Summary: Frankie works in a coffee shop where you have been coming for the last few months. The crush from the first time he ever saw you is bubbling over on the hottest day of the summer.
warnings: Frankie and reader are in their twenties, small town vibes, pining, fluff, kissing, no use of y/n, reader has no pronouns and wears a dress, the picture in the header is just for the visual and isn't an indication of the reader's skin color. Not beta read.
word count: 9.3k
notes: Happy Frankie Friday! I wrote this for @secretelephanttattoo 's secret springs creative challenge and it's purely self indulgent. I'm graduating from university next month and the idea for this fic came from that. This also falls more in to the first week's theme, but I didn't have time to finish this until now. I hope you'll enjoy!
Dividers by saradika
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”Frankie, can we switch, I need a break,” his coworker whines in a hushed tone, leaning against the wall. She has the gift of puppy dog eyes that she has perfected over time and uses only when absolutely necessary. No one can say no to her.
Frankie dries his hands on a too wet hand towel; the break doesn’t come a moment too late. He just finished cleaning the cabinets in the kitchen that’s more like a shoebox than an actual kitchen.
Their boss was right. Times like these, when waves of customers aren’t pushing in through the door, is the perfect time to clean. The narrow space of the shoebox-kitchen in a heatwave is an experience Frankie wouldn’t mind skipping though.
His skin is sticky and little droplets of sweat have formed into big splotches of wet fabric on his t-shirt, stretched across his shoulders and upper back. The electric fan in the cramped corner is barely functioning and begs to be replaced in a weather like this.  
“The kitchen is all yours,” Frankie gives the damp rag to the younger coworker and sees her eyes light up when he relieves her from the front of the coffee shop. She might handle the humidity a bit better, at least she has enthusiasm to immediately push the damp cloth against the fridge door and find something to furiously scratch off.
Only a couple of tables are taken under the exhausted ceiling fan circling warm air in the cozy café. More people are sitting outside by small round tables under pastel striped umbrellas.
The pink lemonade they make daily from the boss’ recipe is sweating with ice in most customer’s cups, easing the effects of a seemingly endless spell of sweltering heat. The town center has fallen quieter as people are either enjoying their summer holidays by travelling or spending their time at the beach not too far away.
Frankie can’t blame them. Anyone would escape the temperatures in this weather. The ones who are brave enough to stand the scorch from the concrete and minimal shade from any dry trees lining the streets have made their way to cafes with cold drinks and ice creams. The amount of different fresh baked goods, bread and pastries, that are delivered daily have been cut in half just because people are more interested in something light and cold.
The sounds from the street flow into the coffee shop in waves through the open windows and door. Frankie says pleasantries to the few people who come and go and leave their tables for him to empty. He does a few turns outside to bring a straw for a child who dropped his to the ground and to wipe the artisan gelato off the table when someone accidentally knocked over their bowl.
There’s easy music playing from the speakers. They lull him into staring outside, at the people in their airy clothes and sun on their skins. There’s nothing else for him to do other than wait for someone to come in or leave.
The sweat that pushed through earlier sits against his temples and back like a second skin. It’s not going to dry until the sun has set and the night sweeps through the town with cooler air. He listens to the laughter from people sitting outside and the screech of seagulls somewhere nearby.
Some kids skateboard past the café, a few on rollerblades. Few cars drive towards the coast at a crawling pace, pumping out music that shakes the glasses on the shelves lining the walls, turning people’s heads, while some nod to the beat.
This morning, when Frankie got out of the shower with his hair still dripping wet and his skin too stubborn to dry even after toweling, he looked at a t-shirt hanging on the back of a chair. It’s still newly crisp and in need of a few washes. The neckline isn’t worn and stretched from overuse yet, like his usual clothes he wears to work. He has his t-shirts and jeans, and sometimes a cap that his boss always reminds him to take off.
That isn’t the case anymore. He pulled the new t-shirt over his head and decided today would be the day. If you were to come by the coffee shop, that is.
He leans against the counter, doodling on a piece of old receipt; another order of pink lemonade and a sundae. The customer is enjoying them under the shade of one of the pastel umbrellas while reading a book.
Frankie’s curls are enjoying the heat and humidity, the salty air blowing in from the coast making him look like he shouldn’t be standing behind a register in a coffee shop but at the beach by a lifeguard station overlooking the waves. They fluff every time the ceiling fan manages to flutter the air with something that resembles a cooler breeze. A strand tickles his temple, immediately remembering your fingers against his forehead. It was just a simple touch.
“There’s a dandelion seed…” you mumbled last week, when you reached for him over the counter. He was making your drink, focused on pouring the milk into the mug, when like you would’ve done it a hundred times before, your fingers caught the fluff and stayed against his temple a second longer.
“All gone,” you said and continued your story about painting a wall in your childhood home deep green, like nothing had happened.
Frankie drops the pen against the stone counter and touches his fingers against the spot where yours had been. His heart gives a thump and another, the thought of you like cotton candy in his mind.
Everything changed when you walked into the coffee shop with a canvas bag flung over your shoulder.
It was the end of March. The day was grey and windy and people were looking for comfort inside the warmth of the café. It looked like it would rain at any moment, the air even smelled like it. The first time this spring.
You unraveled a thick scarf from around your neck and stopped by the door to take in the café. You took note of the few empty seats and tables, most taken by people working or by those who were on their lunch breaks.
Frankie could only stare at you, with his head going blank, until you took a step forward and you smiled at him. A joyful, eye crinkling smile that comes out easily and stays on your cheeks for a long time.
There was something else to it as well. It wasn’t just the smile that left him dumbfounded. It was the way you lit up from inside first, your skin glowing, your eyes sparkling even on the grayest of days like you held stars in your soul. It was enigmatic, electric, magnetic. Frankie immediately wished to experience it again.
You made your way to the counter and asked Frankie what he’d recommend for lunch.
“You new here?” He asked when he had written down your order and given it to someone working in the kitchen that day. He got to making your drink, a mocha that you gracefully asked to be made with more milk and sugar.
“Oh no, I’m from here but I moved away for college. I don’t get to visit as often anymore as I’d like. But now my last couple of courses are online and I could come back home to finish my thesis.” You took a deep breath and laughed out of nowhere. “That must’ve been exciting for you to hear.”
Your brow arched with the edge of your mouth. He could’ve listened to you read the ten different tea options they had and then he would’ve asked you to repeat them. He would’ve still been hungry to hear your voice more.
“It’s okay,” he said and turned awkwardly from you to steam the milk to hide the blush that crept up to his cheeks. The heat of it burst in waves that showed up across his skin in red splotches.
The milk got done too fast. He thought of anything cold, anything mundane, that would make his blood stream calm down. Just another customer, just another damn customer, he repeated to himself.
He poured the milk gently on top of the chocolate syrup and espresso, folding the foam in on itself to make a pattern on top of the drink. He had made it hundreds of times before, a skill he was proud of, yet now his hand was trembling, and the lines got muddled.
The mug barely made a noise when he set it on the counter, even though his attention was on you eyeing the fat cookies on top of the display cases. You read each label of the options carefully; chocolate chip, white chocolate and cranberry, macadamia and walnut, raisin, triple chocolate, salted caramel, cinnamon and brown sugar, –
“I’ll take one of those lemon and blueberry cookies as well, please.” Your smile got softer when you turned back to him.
“I hope you enjoy it,” he could only say, unsure if he meant the café or the lunch you were about to eat. The cookie looked massive on the small plate he placed next to the coffee mug, reaching high with blue swirls. He was mesmerized by the spark in your eyes and the unsaid mischief in your voice.
You stood in front of him, quiet. Your brows rose slowly and the longer the silence stretched, the more you looked confused. 
“Should I wait for the sandwich and pay after or…?” You finally asked and it got Frankie to shake back into action.
“Fu –,” he caught himself just in time to not swear in front of you, even though it made that beautiful smile spill onto your lips again, this time accompanied with a light giggle. His wish came true. Your laugh was just a tip he didn’t expect to get, much more valuable than money in that moment.
“You can pay now, I’ll bring the sandwich to you,” his mouth barely kept up with the words and the moment was over so fast that he wasn’t sure what he had actually told you. But you dug out your wallet and your card and he was tapping on the register to get the right amount charged which he checked twice before you paid.
You accompanied your generous tip with a soft thank you before you collected your drink and cookie off the counter. There was another customer behind you already, forcing Frankie to focus. From the corner of his eye, he saw you sitting by the windows, peeling your coat off and hanging it on the back of your chair.
You sat down and for a fleeting moment he could’ve sworn that you were watching him, still with that smile on your face. When he was done with the customer who came after you, you were already typing on your laptop.
You stayed for hours. So long in fact that Frankie’s shift ended, and other people came in for their evening shifts. You ate your lunch, got another coffee and the same cookie after a few hours, and then kept on sipping on the drink even when it had gone cold long ago.
Your brows were pulled together and at times you leaned closer to read something on the screen of your laptop. You wrote fast. Your fingers flew against the keyboard and at times you stopped just to keep your fingertips hovered over the letters before you kept on going. The sound got drowned out in the steady ambient chatter of the café.
You had a notebook next to you where you wrote a few words here and there. When the café was fairly quiet, he could hear you clicking your pen a few times, then tap it against the half-filled page. A soft, muffled rhythm against the paper.
You rolled your shoulders back and bent your neck from side to side. Every once in a while, you looked out the window, at the darkening day, and the first drops of rain against the glass.
After that day you became a regular at the coffee shop. Every Tuesday, Wednesday and Friday Frankie could expect you to come by. Sometimes you came in early and spent the whole day there. Some other days you came in later and left early, but every time you had lunch and then typed away on your laptop.
Some days you looked more tired than some other days, and some other times your smile was a little dimmer than the others. It still fell on your face easily, but it wasn’t as wide or as energized as he had seen on you usually.
When the days were getting warmer and the sun stayed hung on the sky a little longer, you didn’t come to the coffee shop for two weeks. Frankie was doing his shift, waiting to see you that Tuesday like he normally would. To hear you tell him about your weekend, to hear your voice at all.
His shift ended and you didn’t show up. It left him empty, like something was missing. You had become such a constant at the café that when you broke the pattern, the day seemed off. Maybe you were sick, down with a cold that everyone seemed to have as winter shook from the trees and sunshine forced leaves to bud on the branches.
Then you didn’t come by the next day either. With his coworker Frankie tended to the constant stream of customers who came and went steadily in and out the door. When there was a break, he could only watch the cookies that managed to stay crispy on the outside and fluffy on the inside. There weren’t many left anymore and your chances at choosing one were getting slimmer every time the door opened, and it wasn’t you who walked in. You didn’t.
When the weekend rolled around, there was a hollowness in Frankie’s chest. He was missing you, as terrifying as that was to admit to himself. He missed seeing you sit at one of the tables by the window where you could watch people as an escape from your work. He had never asked what your thesis was about, how it was going or what made you choose the topic. In that moment he regretted it.
Frankie missed the way you paid attention to what was happening around you. You listened to others, and you started to say hi to some of the other regular customers. Until he noticed you weren’t only paying attention to them but also him.
Sometimes he caught you staring, watching him do his job, follow his moves as he made drinks for customers, wrote down orders and listened to answers for his polite questions about how their day was going. In the beginning, you hastily turned from him in an attempt to not get caught even though he always already had.
He could see you smile when he entertained a toddler by making faces at her while her parents were choosing what to eat. Your brow furrowed and you shook your head when he listened to an older lady shamelessly hit on him.
And then one day you didn’t turn from him when he caught you staring. You stopped hiding your interest in what he was doing. Your cheeks caught the smile on your face and then you got back to your own work.
All those looks, all those smiles, made him want to say he was done for the day and come sit and people watch with you even if you wouldn’t have watched other people, only him.
The next Friday, after another whole week of not seeing you, Frankie didn’t have high hopes for you to show up that day either. It was possible that you had grown tired of the place, of the same sandwich you took every time, the mocha that you usually ordered twice, or the one or two cookies that you always got after careful consideration. Or maybe you were finished with your thesis. Maybe you had left the town again and he was wasting his days daydreaming about you.
The line was long, and the kitchen was overflowing with orders. Frankie had just finished typing one more and had it register in the kitchen when he lifted his gaze to find you standing in front of him.
You didn’t look like yourself. You held your canvas bag in a death grip on your shoulder and you were inhaling through your nose and exhaling through your mouth, steadying your breath as best you could. You avoided looking at him and you hid under your clothes.
Your voice was sunken and without your usual animation, the fall and rise of your tone was gone. You didn’t make conversation. You didn’t ask how Frankie’s day had been or if anything unexpected had happened, like you normally did.
“I’ve just had a bit of a hard time lately,” you dropped the façade completely without actually saying anything. You only had to see Frankie’s face once to read the worry from the furrowed brow and the seriousness in his eyes.
His mouth was in a tight line, and he tried to understand you without asking you a serious question. He never had; he didn’t think it was his place even after weeks of friendly banter.
As he was preparing your order, your distress crawled under his skin as well. You opened the light jacket you wore over your sweatshirt, you flinched from the hiss of the espresso machine, and you stood there making yourself as small as you could.
In that moment he decided to get to know you better, to do something about the thump in his chest when you opened the door to the café and to the shivers that ran up and down his back when you stood close enough and he could smell your perfume.
So far, Frankie was harboring a crush across the café, a stolen glance here and a playful look there, an attempted flirty tone in his voice on questions that were too basic to incite any interest or a spark in the corner of his eye. You had captured him without you knowing it, and without him knowing what to do with the swell of happiness every time you were around.  
You tried so hard to seem like yourself, but you were on autopilot. You ordered your usual coffee and sandwich. You stared at the foamy milk on top of your mocha. He put too much effort into his attempt at making the leafy shape perfect, only to mess it up and then mess it up even more when he wanted to fix it.
You didn’t say a word about it like you would have if it was like any other normal day. He noticed the short-bitten nails and cuticles on your hand when you paid for your order.
“I’ll bring it to the table,” Frankie told you, watched you nod once and drag your feet against the floor to your usual table. You sat there, staring out the window, your head tilted, and your mind elsewhere. Frankie took heavier steps than usual to alert you, but placing the sandwich in front of you still spooked you out of your head. You tucked your hands between your thighs and let the last bit of steam evaporate from your coffee and the grilled sandwich sit untouched until the fillings looked sad and undesirable.
There was finally a break in the flow of customers. Frankie’s head was buzzing, and his feet were tired. The breather couldn’t have come any later. Yet he didn’t take his break. Instead, he was drawn to observe you like you were a magnet to him. Whatever he was doing, he always made note of you. Something was missing.
“Could I get one of those big cookies?” A customer asked and it clicked instantly in what else was off.
“I didn’t order this,” you told him when he placed the thick chocolate chip cookie next to your laptop that you had managed to get out of your bag. He saw the screen; a text editor open with a margin full of notes and different parts of the text highlighted with red.
“it’s on the house,” he gave you a soft smile, hoping it would ease at least some of the anxiety that had made you look ill while reading through the document on your laptop. He wouldn’t have been surprised to see you burst into tears at any moment.
You thanked him without any sound actually leaving your throat before you got back to reading. He was bothered by the state of you. It made him turn on his heels and take those two steps back that he had put between the two of you.
“Can I ask you something?” He didn’t stop himself to consider before he asked the question, but it got you interested. You looked at him straight in the eyes for the first time the whole day and waited for him to continue.
“Why haven’t you ordered the chocolate chip cookie before?” The cakey cookie draws both of your attention to it and the question takes you by surprise.
“Because I knew I’d like it the most and wanted to save it for something special.” You picked it up and cracked a piece from it. Even Frankie could smell the buttery richness laced with the caramelly sweetness from the brown sugar the baker had once told she uses.
The chocolate was in big chunks, some broken, some sticking out from the piece between your fingers. Instead of taking a bite, like Frankie thought you would, you set the piece down on the small white plate and fixed your attention on him.
“I didn’t know you had noticed, or kept book of what I ordered.” The words came out like a question, but there was nothing for you to ask. You just stated the obvious.
It made the peaks of his cheeks blush instantly. How much more of a creep could he even sound like, asking you about your order. “No one’s ever noticed,” you said a little quieter. Your tone made it sound like you weren’t talking about the cookie anymore. The words held much more weight to them.
“I hope I didn’t overstep any lines, it’s just that you’ve become a regular here, orders are easy to remember after a while.” Frankie watched you break the cookie into even smaller pieces, some of the chocolate falling on the plate.
“It’s okay,” you assured, and a hint of your smile faded across your face. He would’ve missed it if he blinked but he couldn’t take his eyes off you. He never can.
“Tell me if you need anything else.”
You ordered one more coffee that day. You didn’t stay as long as you normally would, but when you closed your laptop, you looked a bit calmer. Your shoulders weren’t pulled to your ears anymore and you seemed to be able to breathe without much effort again. You seemed relieved. You waved him bye from the door when you left and the corner of your mouth rose just the slightest, telling him that you’d be okay.
The next time you came in, the next Tuesday, you opened the door and immediately when your gaze landed on Frankie, you glowed. You gave him a chipper, “Hello!” and ordered your usual mocha and sandwich, this time with the salted caramel cookie.
“So, how long have you worked here?” You asked him while he was pouring milk into the steaming jug. After that he gave you pieces of himself to you, answers that were insignificant in context, but they created an image of what he was like.
He told you that he hadn’t worked at the café for that long, but it was a job that he enjoyed. He took care of his mom, which made you ask if she needed to be taken care of. “She’s just getting older,” Frankie smiled to you. He valued his time with his mom, especially after his dad left when he was still young.
At the same time he gently asked you questions too, usually over the counter when he was carefully making your drink and hoping it would last a little longer every time so you’d have more time to answer.
When you came in, he continued the puzzle of you, collecting your words into his memory. How you moved out of the town when you felt the time was right, nothing really holding you back. You went far, but still came back to see old friends and family every few weeks. How you ended up wanting to come back for the rest of your studies, knowing this would be the last time before you’d need to properly start a career and wouldn’t have time to visit as often as you normally would.
There were moments when you would’ve probably spoken for a long time. About your plans for when you were done with your thesis, what festival you were going later this summer, what you still wanted to experience before becoming a full blown adult. “I don’t know why, but I want to go to the beach and have someone cover me in sand.” You laughed when you said that, shook your head and continued, “The problem is that I don’t want to be washing sand off me for a week after that.” It made Frankie crack up as well.
You would’ve told him anything. But then the mocha was ready and he had to set it on the counter and it cut you off immediately. It was like an axe to your words, cutting them short and making you laugh before you collected your thoughts and said, “We’ll continue from here the next time.”
As spring turned into warm early summer, the sun stayed up a little longer and the birds started to sing more as a sign of their little nests getting full, you smiled even more. There was levity in your steps, almost like you could’ve taken one last one and then flown away without looking back. You swapped your long sleeved shirts and jeans to tops and flowy, lighter pants and dresses. There was a glow on your face from the sun and when it rained, you welcomed it with open arms to enjoy the smell of summer arriving.
Every time you came to the café, you brightened Frankie’s day. Seeing you brought a smile on his face, warm richness to his voice, and his eyes always glinted when they found your brightness. You started to call him by his name and every time you said it out loud, he wanted to hear you say it more.
“Frankie!” You exclaimed when you reached the counter after standing in line for a moment. He had already seen you and you had given him a wave of your hand before you got back to tapping on your phone.
“Frankie!” You approached him when there was a break in the stream of customers coming in. You switched in which hand you held your empty water glass in every few seconds. He reached for it but you pulled it back.
“I wanted to ask you something,” you began and cleared your throat. “I have these tickets…”
“Hi, could I ask for something to be changed in my sandwich order?” A middle aged man wearing a pressed suit cut in and pushed you from the counter. You took a step back and gave him all the room he needed. Your shoulders deflated and you stood awkwardly, shuffling from one foot to the other. Frankie listened to the customer while his attention slipped to you.
“Thank you, and sorry,” the man apologized to you before he went back to his table by the corner where he had spread all his stuff.
“He was in a rush,” you joked flatly, staring at the glass in your hand.
“What did you want to ask me?” Frankie took in the nerves on your face and softened his voice. You avoided his attention as he tried to ease the strained energy between the two of you. Instead, you offered him your glass.
“Could I get some more of the raspberry and lime water, the container over there is empty,” you waved your hand towards the water station. Your voice was flat, admitting defeat.
Frankie wanted to know what you had in mind, what tickets you were talking about, he would’ve pushed for it. There was no chance for it though, the moment was over. You took your glass with a quiet, “Thanks,” and returned to your seat, burrowing your head in your work.
“Frankie, are you serious?” You once asked, when you saw the new cookie flavors.  White chocolate and strawberry, lemon and raspberry, coconut and ginger, and one that you wanted to save.
“Frankie?” You asked with a lower voice when there weren’t many customers around. He leaned forward instinctively. “Can you watch my stuff for a moment? I have to go make a call.” You waved your phone in the air. He nodded, all words lost when he was lost in your eyes in the closer proximity. He came to collect your empty plate and wipe the few crumbs off the table, and then stood by all your stuff like that was his job.
“Hi Frankie,” you said with mischief in your voice when you leaned against the counter. You didn’t have to tell him your order anymore. He knew it like he was the one ordering it.
“The carnival’s this weekend.” You swallowed after stating the fact.
“That’s what I’ve heard.” Everyone knew the carnival season was starting, information about it was plastered all over the town.
He could see the question on your lips, how they opened and closed like you were about to say something. You wet them with the tip of your tongue. Your eyes flicked to the shelves and machines behind Frankie, too nervous to look him in the eyes.
“Are you going?” You tapped your fingers against the speckled stone counter.
“Yeah, with some friends.” Immediately the hopefulness drained from your eyes even though the smile remained.
“That sounds fun. I hope you have a good time.” Whatever you had really wanted to say, or ask, drifted from reach. He wanted to believe you had planned to ask him out but chickened out at the last second.
“Are you going?” He rushed to ask when you refilled your water.
“Maybe.” You bravely held onto the smile even though it was slipping, cracking to show the disappointment that was already lacing your voice. You still waved him goodbye before you left, but you rushed off in a way that he hadn’t seen before.
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Frankie straightens his t-shirt against his shoulders and sips at his water bottle. There’s only a couple of people left in the café and closing time is ticking closer. His coworker clatters something in the kitchen, but soon she’s whistling again to the music that she can hear through the speakers.
You would’ve come already, if you were to come to the café today. A sweltering day like this, wasted in a café, didn’t seem like something you’d do. “I can’t wait to hang out at the beach and do nothing all day,” you once said and even the thought made relief flood your smile.
“Frankie, can you come and help me a bit?” His coworker calls. Even though she was only supposed to clean the fridge, she has extended her task to include the cardboard boxes on the top shelves, with different types of napkins inside them. One is balanced against her chest, the other she’s barely able to hold on the shelf.
“I tried to wipe the shelf behind them but didn’t think how heavy they are,” she grunts as Frankie secures the box from her hand. “Thanks,” she sighs.  
“And you cleaned the fridge already?” He asks, expecting to see the stuff inside it organized. The door opens to a fridge that looks incredibly like it hasn’t even been touched.
“I’ll get to it right away!” His coworker pushes the door back closed, and him out of the kitchen. “Thanks Frankie!” She hollers but doesn’t get an answer.
“Hi Frankie,” you say, in your strappy short sundress, sunglasses pushed on top of your head. Sweat beads against your forehead. Your skin glistens from the heat and the sun cream he can smell from far away. Sweet peaches.
You have a flower-patterned fan in your hand which you wave towards your face. The space between where your collarbones meet under your neck is wet with sweat trailing towards the neckline of your dress.
“Hi.” He combs his fingers through his hair and takes the necessary steps to meet you by the counter. The question he had on his mind for you this morning drains out of him. He can’t ask you out. He’s convinced it would be weird, it wouldn’t be appropriate. You would probably run away without a second thought.
“I’ve never seen this place this quiet before,” you wonder out loud. The cooler air that you fan against your skin wafts towards him with every push of your wrist. At the same time he can smell you more, that sweet sunscreen that takes him back to his childhood. The hot days when the sand under his feet was too hot, the sunscreen sticky on his skin and the salty water slipping into his mouth with every push of his arms.
“What can I get you?” Frankie asks, not wanting to assume you’ll go for your usual this time.
“Lemonade and…” You look at the cookies and stop in front of the one that you still haven’t tasted. “One of those triple chocolate brownie cookies, thanks.” You fidget with your dress while he pours plenty of ice into a takeout cup and drenches them in the tart lemonade. He chooses a cookie that looks the biggest and fattest.
“You’re not working today?” Frankie asks when he sees a smaller canvas bag on your shoulder and how it’s not bulging with contents as your usual canvas bag does.
“I actually finished my thesis.” You focus on digging out a couple crinkled five dollar bills and push them into the tip jar.
“Congrats.” What else is he supposed to say? His chest fills with disappointment. You said it long ago. You were here to finish your studies and now you’ve done it.
“Thanks.” The silence between the two of you stretches and teases the lines of discomfort. The look on your face matches the bittersweetness on Frankie’s face.
“You’re probably leaving soon then?”
You turn to look at the sweating cup on the counter and swirl your straw through the ice. You nod before you open your mouth, “Yeah, in a couple of weeks. I’m on holiday until then.”
“I’m happy for you,” and Frankie truly is. He saw how much you worked in the past few months. You’ve earned to have a breather before you’re thrown into work. “I hope you’ll come and visit again.”
“Of course.” You smile that genuine smile that is nothing but you. It’s the first thing that lights up your presence and the last thing he has seen in the past months when you’ve left through the door to go back home.
You take your lemonade and wrap your cookie in a napkin, leaving the plate on the counter, and head outside, under the shade of the sun umbrella. You watch people pass by and bask in the heat while slowly fanning your face and chest. The sun is finally sinking lower and the lower it gets, the faster the temperature seems to ease up. Frankie’s coworker finally emerges from the kitchen, just as it’s time to start closing up. You’re still sitting at the front while Frankie sweeps the floors.
“Hi!” He hears your cheerful voice say to someone. The edge of the broom clatters against one of the table legs, his attention on you and the small child you’re talking with.
Your muted voice carries into the café, the rise and fall of your excitement clear in your tone. You’re showing him something while his mom stands next to you, they’re both listening to your words intently.  
Frankie continues sweeping, wanting to be done with work and get out of the sweaty cafe. The child’s high pitched inhale is clear and demands Frankie to look outside again. The air is full of rainbow colored soap bubbles. Some are smaller than the others but they all gleam in the golden sunshine.
The warm breeze carries them easily away from you before you blow on the soap bubble wand again and a burst of new bubbles escape into the air. The child follows the bubbles until they burst in the air. You offer the dripping wand to him, which he takes carefully into his small fist. He blows on it and the bubbles burst straight against your face. You pull back in laughter, wiping soap off your face.
“Frankie?” His boss calls for him, forcing him to meet her in the back.
The back alley is scorching hot, the sun trapped between the brick walls. Frankie drops the trash in the dumpster and takes his bike, the seat hot under his palm. This is the worst time to have his truck at the mechanics, and the only thing on his mind is driving with the windows down.
The air gets immediately cooler when he steps out on the street, the sun umbrellas closed and drooping in the light breeze. One of the seats isn’t empty.
“Don’t tell your coworker I stayed here even though she told me to leave.” You stand up and take slow steps to him. You take your sunglasses off and fidget with them, bathed in gold. You stop right in front of him and your smile pulls crows feet to appear next to your eyes.
Frankie is lost for words. Seeing you here, while he’s not in the café, is different, even though nothing has changed. Your closeness, the shy glances that you try to hide in the sun shining in your eyes while you don’t cover them with your sunglasses awakes those deep thumps in Frankie’s chest again. He’s even more confused when you put them in their case, and the case in your bag, no intention of shielding your eyes.
“Did you forget something?” Frankie’s voice is unsure, full of doubt on why you would’ve stayed after the closing time.
“I wanted to ask if you’re busy?” You swing your canvas bag next to your leg and wet your lips with the tip of your tongue. As he stands in front of you, he could swear it’s just the two of you on that street, bathed in the dark rays and the refreshing breeze that the day has been craving for hours. There’s salt in the air, blowing in from the coast.
“No?”
“Would you like to go to the beach with me?” Your voice shakes gently in a way that someone might mistake it for you being cold. Frankie’s heart flies heavily in his chest, the sound in his ears dizzying him into questioning if he heard you right. You beat him to it.
You switch your weight from one sandalled foot to the other and grab your bag with both of your hands. The uncertainty is back. You try to keep on smiling, but it falters the longer he doesn’t answer.
“Forget it—” You raise your hand in the air and are ready to wave it in the air to dismiss your question completely.
“Yeah, I’d love to,” Frankie snaps out of his reeling head, shutting you up in an instant. His hands sweat against the seat and handle of his bike. His mouth is dry and the pit of his stomach is filled with butterflies.
How long he has contained them, but you broke the jar with one question, filling him with the good kind of anxiety. He knows that whenever he gets nervous, he shuts down. Just like the first time he saw you, the first time you visited the café, his shyness takes center stage in how he acts. He gets quiet, his brain short circuits. No one else has been able to do that in a long time, no one else but you.
This time, seeing you standing in front of him practically radiant in the setting sun and by your happiness, he doesn’t want to lose any second of that to his reserved being.
“Hop on,” Frankie tells you gently.
“What?”
“I’ll ride us there.” He emphasizes the words by climbing on his bike, the seat still too warm even through his shorts.
“Okay,” you laugh and push your bag on your shoulder. Frankie offers you his hand, yours slotting with it like it has always belonged there. What he doesn’t expect is your other hand to land on his shoulder, holding on dependently as you swing your leg over the rear rack. You squeeze the muscle there, your fingertips digging into the tightness under his skin.
“Wait,” you say, and pull your hand back from his. Frankie misses the contact immediately, the imprint raising moisture from his palm. Your sandals scuff against the ground and the bike sways just a little as you find at least somewhat comfortable seat.
Your both hands are pressed against his shoulders, hanging from him awkwardly. Your hands are hot, gripping to him, and it makes his head spiral.
“Ready?”
“Mhm,” but you don’t sound sure at all. Immediately when the bike bumps on a crack in the pavement, no matter how much he tries to avoid them, you let out a sound somewhere between a screech and a yelp, your hands shaking and your balance flailing. Frankie’s feet are against the ground immediately.
“Okay, this won’t work. Wrap your arms around my middle, it’s more secure.” You don’t say anything for a beat, he only hears a light chuckle.
“More secure you say?” The meaning isn’t lost on him. You could understand his words in many ways, what wrapping yourself around him would imply, and apparently you stuck with exactly the one that suggests something else than riding a bike.
“You know what I mean,” his voice cracks with unintentional humor.
“Do I?”
“Yes, now just trust me.” You fix your chuckles and sigh out. Your breath fans against his back. You lower your hand from his shoulder, drag it against the muscle closest to his spine, and leave a trail of sparks that burst into goosebumps all over his body, every nerve ending awake and alert. Your hand rounds against the softness of his side, and over to his middle.
“Is this okay?” The question is full of uncertainty even though you’re trying to hide it under the smile he can hear in your voice. His confirmation gives you enough confidence to bring your other hand on him as well, tightly wrapping around him, securing you against him.
“You want to try again?” Frankie hears the drop in his voice and the slight tremble that your closeness causes. He can’t trust his voice at all, when you squeeze closer to him, your chest glued to his back.
“Yes.” You lift your feet off the ground and Frankie gets to pedaling.
You let out a squeak as the bike twitches into movement but relax against the broadness of Frankie’s back. The blowing breeze cools your skin and brings much needed relief for Frankie to keep his focus on the street and not in your hands that twine together around him in such confidence that it makes his stomach drop.
In the traffic lights you drop your feet against the ground at the same time as Frankie does and pull them back up when the light turns green. The salty water gets closer with every turn of the wheels. Streetlights flicker on and a deep blue mass swells across the sky behind you.
The sun colors the horizon in rusty yellows and oranges, the deepest parts already red that fade into the nearing night. Seagulls laugh somewhere up above, and the breeze turns cooler towards the sands that you’re already waiting to have under your feet.
You squeeze Frankie’s t-shirt into your palm, to hold onto him and to keep him close. There’s not much traffic around, some cars here and there, and the quieter it gets the more Frankie can hear the nerves talking to him in his head. For all he knows this could be a dream, after months of pining after you.
You gasp out loud when you see the sea. The horizon bathes in the last sunlight, wispy, blue and purple clouds swirled in like in the cookies you’ve been eating. Your hands untangle around Frankie and rest softly against his back. You’re pulling back, letting go, and the emptiness is already settling in with how he misses your touch.  
Your feet brush up against the sandy ground and you’re off his bike, off him, drawn to the ocean. The metal chain clangs against a railing as Frankie locks his bike to it, eager to follow after you.
You stand in the ocean, the waves splash against your ankles, and you look like a vision. Frankie sits further back in the warm sand. His toes bury deeper in, and the remnants of the heat keep him grounded. He doesn’t care if it gets under his clothes and if he’ll find it for days to come. It’ll be a reminder of this night.
There’s a bonfire that crackles and sparks embers into the air, some people around it laughing. They’re making smores, the burnt smell of sugar wafting through the salt for a second. You point out a boat in the distance, the lights clear against the darkening sky. The waves crash in mellow waves against the sand, leaving white fine froth on it.
A fancy restaurant by the beach has a live band playing easy jazz, the sounds from the soft saxophone and the piano drifting towards the water. You stand in the foamy waves, watching your feet get devoured by the dark that ebbs and flows.
Frankie holds on to your bag and sandals and watches you against the rusty sky. He could watch you until it was completely dark and even then, he could make out the silhouette of you against the night sky.
 “I’ve always loved the sea,” you say with your voice somewhere between a whisper and a soft sigh when you make your way back to dry land, like you were dreaming and wouldn’t want to break the spell or wake up. You don’t hesitate to sit next to Frankie, your thigh brushes against his.
“Thanks for coming here with me, I didn’t know if you’d want to.” It’s easy to lose himself in you. In the gentleness of your voice. Now in the warmth that pulls him in closer to you, searching for more contact with you.
“Why do you say that?”
“I don’t know, I guess… I guess I’ve been scared that I’ve read you wrong.” You swallow and lick your lower lip between your teeth. He might not be the only one who has been shy this whole time. Your confidence comes and goes, sparks every few moments and then gets replaced by a timidness that holds you back. You can’t face him. You can barely let your voice be heard over the lapping waves and the music from the restaurant.
“How do you think you’ve read me then?”
“That maybe…” You stop yourself. You play with the hem of your dress. The fabric bunched against your bare thighs. “I’ve been a bit scared to be forward, maybe, just because I wasn’t sure what you thought of me. That maybe I was reading the signs wrong, it wouldn’t be the first time, you know. That maybe, possibly, you might… I don’t know…”
Listening to you try to wade your way to the point through the waves of your nerves is endearing, while it’s also pushing Frankie to smile. His crush for you is pulling it out of him with the heat that spreads from his chest up to his neck and cheeks.
“I mean I’ve been wanting to ask you out for a while,” You finally admit and the crush he has been holding onto blooms into a garden. “And I wasn’t sure if you’d say yes but I had to ask. I had to know if maybe… you would’ve wanted to ask me out as well.” The words are out. You drop your hands and everything you wanted to say is now out in the open. It doesn’t erase the butterflies that flutter somewhere between the two of you, but finally having the truth out does bring out a safe peacefulness, something he can lean on.
“Hmm,” he hums out a breath. Words have left him completely. The warmth of your skin close to his is reminder enough for him to keep his head focused, his eyes on you and his heart from flying from him. He moves his leg just a little to get it pressed against yours. You’re waiting, your eyes on him, your body turned towards his.
“I wanted to ask you out the first time you came to the shop.”
The words take you by surprise. A smile spills on your lips. You try so hard to contain it, but hardly manage to keep yourself from laughing out loud.
“Why didn’t you?” Your eyes are tearing up, either from the breeze or the release of nerves. One lands on your cheek. Frankie is quick to reach his thumb out and catch it. The tear rolls down to his palm, heavy and beautiful, leaving behind a streak that gleams in the last rays of the sun. He closes it into his hand and spreads it onto his skin with his fingers.
“I’ve never been good at seizing the moment or being brave. I didn’t want to be a creep.”
“So, you’ve let me be a creep? Watching you work, coming in every other day?”
“But you’ve been working.”
“My thesis has been done for a while. If I was there only for that, I would’ve stopped coming about six weeks ago.” Laughter bursts from you and Frankie in disbelief. The more you laugh, the more the indifference he convinced you were feeling reveals to be plain blindness.
You press your forehead against his shoulder, a gesture he doesn’t expect but also isn’t surprised by. You’re in his space, on him, never breaking a boundary, but wanting to absorb him as much as you can.
“What have you been doing then?”
“Applying for jobs, reading different forums and articles, sometimes nothing.” He holds his hand out and like earlier, yours fits against it like it belongs there. It’s not just a simple touch anymore though. It’s revelation of what you’ve been hiding. It’s hope for something to come out of it. Whatever will happen might just be a short fling. Or maybe it’ll be the beginning of something Frankie hasn’t had before.
Frankie takes you home. The energy is different as the night has fallen above the town. The air has turned balmy promising a mighty thunderstorm in the coming days. It doesn’t stop you from pressing yourself against his back, sticking to him with your arms around him. He doesn’t mind it, neither do you. You only push in closer and hold on tighter.
“Thanks for the ride home.” You fix your dress and stand in front of him. Your eyes drift to his lips, and you wet yours.
“Sorry for the uncomfortable seat, I’ll have my truck back next time.” Your reaction is worth every word. The soft smile, the drop of your gaze, the hand that reaches for his and twines with his fingers loosely swaying back and forth.
“Next time,” you repeat back to him, the words hanging as a promise in the air. They’re wings to his heart that soars into a fast beat, excited for whatever’s to come and nervous of the same prospect.
“I better get going.” Your eyes still flit to stare at his lips.
“I’ll wait here, make sure you get home safe.”
“The door is right there.”
“I’ll still wait.” You reluctantly let go of his fingers and take a step back, then another before you turn from him. Frankie rests his hands on his thighs and waits. You dig your keys out and stop. Maybe you don’t want to say goodbye just yet.
The sound of your sandals against the concrete is loud in the quiet. You have a new kind of bravery in your steps when you come back.
“Would it be completely inappropriate if I kissed you?” Frankie’s heart is in his throat. He shakes his head, giving you permission to step even closer.
You lean in but you don’t rush into it. You bring your hot palm against his cheek, and further in to tangle your fingers into the hairs at the base his neck. Your first move is to press your forehead against his and take a breath.
Your chest rises and falls steadily when you close your eyes. He presses all the details of your face into his memory from such close proximity. Your lashes, the faint lines next to your eyes, the plumpness of your cheeks, the curve of your mouth which you breathe a heavy sigh from. Your nose nudges against his, as a final sign for him to throw away his insecurities.
Your lips press against his slowly, so soft it leaves room for so much more. Your kiss is a breath and Frankie needs to chase it to keep his lungs filled. It’s easy to deepen the kiss, to have your lips slot with his, to feel the tip of your tongue tease his bottom lip just to test how he reacts.
You press in closer, just to get Frankie to pull you in even more. The bike under him wobbles as he moves to hold you closer, from you pressing your weight against him, yet somehow, he’s the most secure he’s ever felt in anyone’s embrace. A sighed out moan vibrates in your throat and your hand tugs at the curls on his head. And then it’s over.
Too soon, yet just at the right moment. He wants more, his body craves you, and the blown out pupils in your eyes under the orange street lights is enough to tell him that he’s not the only one. You lick the moisture from your lips, the signs of his mouth from around them, and pull your hands back. The smile that he has learned to want to see appears again, this time with the heaviness of unadulterated lust on your skin. You’re an ember in front of him.
“I’ll see you tomorrow,” you pledge and give him one more soft touch of your lips against his. Frankie doesn’t want to let your lips go and chases after them with the kiss still on his lips. You giggle and pull away.
Frankie’s hand slides from the back of your thigh, right under the hem of your skirt and slips off your skin with heat etched onto it. His fingertips are sensitive from holding onto you so tightly, from wanting to have you.
You give him one last look from the door, and you fix your dress on the thigh he was holding. Your own fingertips brush against where his hand was resting, excited and like it was his place to touch. He hears your tender laugh accompany the wave of your hand, before you disappear from view. He brushes his fingers through his hair with the hand he held you with, the scent of your sunscreen tattooed on his palm now forever etched to his memory.
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melthehoneybee · 1 year ago
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Happy Spyro Community Day everyone!
For the day I decided to draw the Legend Elders as Reingited Elders! Each represents a different homeworld. Ignitus is an Artisan who specializes in Raku fired pottery. Cyrill is an ice mage who lives in the high peaks of Magic Crafters. Terrador is a fierce general who lives in Peace Keepers. Volteer is a Beast Maker who became obsessed with the electric tech the Gnorcs left behind. Finally the Chronicler is a Dreamweaver who specializes in manipulating time and dreams in order to help guide heroes.
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drowsy-siren · 1 year ago
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I'm like if a doll was a robot was a girlthing but instead of electricity it ran on an artisanal blend of praise and degradation
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