#art improvement? unrealistic

[occasionaltouhou]

regular touhou #25: flandre considers the pros and cons of her recent alliances with some of gensokyo's scheming old women

[mortysmith]

while we're on the subject of "morty-prime teamup" what if there was another two crows situation

[songmingisthighs]

dear "creators" who depends on ai

how does it feel to be so absolutely lazy and useless as a human being ?? how does it feel to have a functioning brain but can't use it properly ?? how does it feel to be so absolutely incredibly dull and uncreative that you can't muster 200 words to convey your ideas ?? how does it feel to have to face the fact that you suck so damn bad and you have to live with it ??

[knifeslidez]

i feel like the tiktokification of the concept of art styles has resulted in people skipping learning anatomy/color theory/composition/pretty much every basic skill in order to try to copy some artist's work they saw

[little-paperboat]

some quick jayvik / jayce / viktor headcanons for the road:

Viktor is good at sewing. In his concept art and in the scenes from his childhood, his clothes are a patchwork of different textiles. He’s learned to mend his clothes as a kid and can repair almost any hole or tear in a fabric. As a result, he’s a huge fan of patchworks and patterns, plain textiles feel almost unnatural to him

His hands are surprisingly steady. Unless his condition gives him pain in his wrists, hands and fingers, he'd never even shake when focusing on a task. Came in handy for all the hextech work

Jayce has built, or at the very least improved, Vik’s leg brace - multiple times. When he makes his own after breaking his leg, it’s almost a perfect copy of Vik’s own, so it means that Jayce knew how it worked and/or remembered it well enough to replicate it

It’s likely that Viktor also knows how to fix a lot of things - including basic, mundane things. A broken heater. Some kind of electronic equipment, like a radio post or a microwave. When something breaks his first instinct is to pry it open and check what's wrong. He never buys anything new if he can help it

They are both constantly on the verge of being dehydrated. Neither of them are drinking enough water I know it in my bones

They are never seen wearing glasses, which is both a crime and unrealistic, these guys do not have perfect vision. Give me Viktor with thin, gold-framed round glasses reading a book in bed. Give me Jayce with a slightly thicker silver frame, complaining that he’s always putting some kind on grease on on his glasses because of his work

Viktor is always cold, Jayce is always warm. Perfect combo for all weathers (Viktor still steals all the blankets all the time)

Jayce cuts both of their hair. Viktor’s hair grows fast and he doesn’t like loose strands falling on his forehead, it distracts him. Jayce always gives him a nice scalp massage too, that’s his favourite moment

Talking about massages, Jayce is definitely giving Viktor massages whenever he can. Those big strong hands taking care of his sore body?? Heaven. It takes Jayce ages to convince Viktor that he needs to take a break but when he does, it’s worth it

They both are cat persons... they just have very different cat energies

Viktor has been self medicating for years to help with his pain because medicine wasn’t available / affordable in the undercity - and then once in Piltover he didn’t even know what to ask for, so he just kept doing it "his way" since it worked just as well

Although I can see him straight up making his own painkillers from scratch, the kind that would knock anyone else out cold

Viktor probably has a lil chemistry lab somewhere, on top of all the hextech science, his own counterpart to Jayce's forge

Viktor is left handed, Jayce is ambidextrous

[queenburd]

I almost never reblog TikTok videos on my dash and honestly my life is better for it

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[museenkuss]

“How I transformed my body in 90 days” type video but I’m becoming a Renaissance Woman. Vlog footage of me reading the classics for hours on end, writing vocabulary lists, drawing in my sketch book to epic music. On day 15 I talk about how I’m slowly adjusting to my elaborate home cooked meals and how I struggle with the genealogy of the Borgias. There are montages of me educating myself on history, astrology, astronomy and dressing well, I take horseback riding lessons and go to museums. Erasmus, Machiavelli and Lucretius are stacked on my bedside table.

There’s a segment where I say “it’s day 53 and I’m really struggling… I can’t even write a sonnet. I don’t see any improvement in myself. Is this even worth it?!” The stakes are rising. I’m shown ripping up pages of rhymes in calligraphy. I swear as I rush around the kitchen, trying to prepare my oysters. I sit at my desk and sigh, head in hands, my desk covered in stacks of notes, huge volumes on art history and printed out articles. The dramatic moment comes when I for the nth time try to walk and gesture with sprezzatura while balancing books on my head for better posture. I fall. The books topple to the floor. I’ve reached rock bottom.

Black screen. Voice over: “It was really hard. I felt like Dante, in the dark forest, having lost my way. And then, I realised what I needed: I had to go on a grand tour.”

Music swells again, there’s a montage of me packing and travelling in busses and trains. Landscape rushes past. I read Goethe’s Italienische Reise on the journey. Finally, there are snippets of me in Munich, in Vienna. I take a selfie in front of Parmigianino’s self portrait in a convex mirror, showing off my own elegantly contorted hand. I’m in Florence, breathing heavily with excitement as I walk along the outside walls of the Galleria degli Uffizi. “Oh my god, there he is—“ I film the Petrarch statue, the phone visibly shaking. “I can’t believe I get to meet him…” I whisper with awe. Cut. I’m blowing a kiss at the right Grace in Botticelli’s Spring (I have a crush on her). I’m in the Loggia di Psiche in Rome, I’m kneeling on a bridge in Venice to touch it, “Tintoretto walked on these very stones..��, I’m filming the ceiling of the Camera Degli Sposi in Mantua. I’m in the streets of Grasse showing off a bottle of Fragonard perfume I bought, I’m teary eyed in front of the Concerto Campestre in the Louvre. Cut.

I’m back home. “It’s now day…79. Those were the most unrealistic two weeks of my life. And the most expensive. But now I’m back on track. I feel like I can really do this.” With newfound vigour I get back to my battered Reclam German/Latin edition of Ovid’s Metamorphosis. Day 81, 85, 89. Emotional/hopeful music. I show a Shakespeare sonnet written in beautiful calligraphy. I’m in the museum sketching the composition of an annunciation and taking notes on a Venus by Cranach. I practice a speech I’ve written following Cicero’s rules on rhetoric. I’m back on horseback. I present a cake of some sort.

DAY 90. I’m at my desk. “Wow, what a journey. Now let’s see the transformation I underwent in those 90 days.” I show side by side footage of me from day 1 and day 90. I look the same, except day 90 me is wearing all black, Castiglione style, and has better posture. Back to the desk. “I changed so much. I learned so much about myself and my limits. I’m still not fluent in Latin or Italian. But what I learned is that beauty is everywhere, especially in the struggle, and it’s worth cherishing. And now, I’m back and stronger and more curious than ever. If you haven’t followed me on tumblr @Museenkuss at this point, what are you doing? Click the follow button and give this post a like because NOW, the fun really begins. A renaissance woman never stops learning.” From under the desk, I grab two books and put them on my desk. The Tale of Genji and Sei Shōnagon’s pillow book. “It’s time to expand my horizon.” Black screen.

[glowupwithamy]

Finish what you started and transform your productivity

Recently i picked up a book i hadn't read in a long time for the past week i hadn't been able to work properly my tasks were going unfinished so i opened my cupboard and saw that book right in front of me. Then i read the whole book in just a one night and it sparked inspiration in me ..So i thought why not share everything i learned with all of you?

So I'm giving you guys a structured summary of Finish The Art of Following Through - Taking Action, Executing & Self Discipline by Peter Hollins -

1. The Importance of Execution

The ability to follow through allows you to create the life you desire rather than settling for the one you currently have. The process consists of focus, self-discipline, action, and persistence

2. Barriers to Follow Through

- Inhibiting Tactics: These include setting bad goals, procrastination, succumbing to distractions, and poor time management.

- Psychological Roadblocks: These encompass laziness, fear of judgment or failure, perfectionism driven by insecurity, and lack of self-awareness.

3. Staying Motivated

To remain motivated holds both external and internal motivators -

- External Motivators: These involve utilizing other people or resources to encourage action, such as accountability partners upfront investments and self bribery

- Internal Motivators: These focus on understanding personal benefits and improvements. Ask yourself questions such as How will this benefit me? and How will my life improve?

4. Developing a Manifesto

A manifesto is a set of daily rules that guide your actions so her are the some key rules -

- Rule 1: Identify if you’re acting out of laziness and avoid it.

- Rule 2: Limit yourself to three major tasks per day.

- Rule 3: Establish daily limitations and requirements

- Rule 4: Reaffirm your intentions through statements like I want I , will and I won't

- Rule 5: Reflect on the future consequences of not following through

- Rule 6: Utilize the concept of "just 10 minutes" to push through discomfort.

5. Follow Through Mindsets

- Mindset 1: Recognize the worthiness of your efforts.

⭐ Mindset 2: Become comfortable with discomfort.

- Mindset 3: Understand that learning comes from completing tasks.

- Mindset 4: Manage stress and anxiety effectively

6. Overcoming Procrastination

Procrastination can be managed through strategies such as:

- Temptation Bundling: Combine unpleasant tasks with enjoyable activities.

- Creating Momentum: Make starting tasks as easy as possible to gain momentum.

- Leveraging Fear: Use productive paranoia to spur action but cautiously

7. Minimizing Distractions

Create a work environment free from distractions and focus on

⭐ Single Tasking: Avoid multitasking to eliminate attention residue ( I will also create a separate blog on this topic i used to face this problem earlier and i have used many methods to reduce my habit of multitasking so i will write a blog about it. Don't worry )

- Batching Tasks: Group similar tasks to improve efficiency.

- Creating a Don't-Do List : Identify tasks to ignore and avoid ( This method is literally too much helpful )

8. The 40–70 Rule

This rule suggests acting when you have 70% of the necessary information as waiting for 100% is unrealistic

9. The Importance of Rest

Recognize the value of rest and relaxation as essential for mental recovery

10. Common Pitfalls

- False Hope Syndrome: Avoid unrealistic expectations and set achievable goals.

- Overthinking: Avoid excessive rumination and focus on taking action.

- Worrying: Concentrate on the present and control what you can.

11. Developing Daily Systems

Establish daily behaviors that promote consistency and long term success

⭐ Keep a Scoreboard: Track progress for motivation ( Ive been using this method for the past four days it literally shows me where I am making mistakes and what I need to do to complete my unfinished tasks )

By following these structured advice you can improve your ability to finish what you start and achieve your goals

If you have any questions or tips to share feel free to drop them in the comments in here to chat , Stay connected for more tips and insights thanks :)

[foone]

I wrote a really long post and then didn't post it, but as an aside in it I joked about how not everything is sexual just because some people have sexualize it, and my example was keyboards. I'm into building keyboards, and that's not a sexual thing, despite the fact that you can definitely find sexual keyboard art out there.

So I googled "keyboard rule34" and discovered that the "official" rule 34 site does indeed have many pages of keyboard porn, but wait, it's not really!

It's people having sex or masterbating or just being naked IN FRONT OF A COMPUTER, and thus there's a keyboard there.

That's... A different thing! That's just keyboards being a background element of the rule 34!

It's a little like going on the furry site and searching for "dragons" and you get an image of two humans having boring sex in a field and in the distance a dragon is flying by.

Anyway the funny part is that I, being me, got distracted away from both that point and my original point, by geeking out over these background element keyboards. I could identify a few by design as being directly based on real keyboards, and others I criticized for being unrealistic with not enough keys and a completely unergonomic layout.

Mind you, I think that of a lot of "real" keyboards people make, and they weren't just made up by the mind of a hentai artist who spent way longer trying to make sure all the body parts were appropriately moist-looking.

Which is a shame. Our porn artists should focus more on including realistic keyboard depictions in their art, it'd really improve it. At least for me, an asexual keyboard geek who rarely looks at porn.

On second thought, I may not be the target audience. Never mind.

[hannyoontify]

how your relationship with seventeen was revealed

warnings | reader wears nail art for minghao's part

notes | reader is also an idol, kinda unrealistic in some parts but whatever js let me have this one LMAO, not proofread

seungcheol – an interview

he thought it was high time to reveal your relationship to the world. after (a lot of) discussing with you and receiving your permission, he mentioned you during an interview for a magazine shoot. the question was smth around the lines of "what do you do when you have a particularly bad day" and cheol casually said "i go to [name] for comfort. they're a really special person to me and always cheer me up whenever i'm feeling down. i'm lucky to have them." with an absolute love sick smile.

safe to say, twitter almost crashed after that interview was released and you confirmed it on a livestream js a couple days later. (both pledis and your company were not happy but fuck them)

jeonghan – your hair color

your company's very big on self-expression when it came to physical appearance, so they never forced a hairstyle / makeup / clothes on you or your members. you were free to dye your hair however you wished, and you mostly kept it natural. until you met jeonghan. a couple months into your relationship with him, jeonghan came up with the idea of matching hair colors. he often had to dye his hair for comebacks, and instead of dying your entire head, he suggested that you would only get a single, visible strand of hair dyed in the same shade. you loved the idea and no one really noticed, not even your own company, until a eagle-eyed carat pointed it out on tiktok. the entire kpop community knew you and jeonghan were close since you both guest mc-ed together before and one of your members were close with seungcheol. and it seemed legit. the entire internet blew up and it even became a trend among couples. your companies both released a statement just a few weeks later, confirming the allegations.

joshua – his podcast w/ vernon

there was a question sector of the podcast he hosted with vernon where carats could submit questions via twitter and he and vernon would answer them. he saw a question that asked about their thoughts on your group's most recent comeback, and vernon managed to sneak in a few praises, complimenting the composition of one of the bsides before shua began a word vomit of praise, specifically for you. he complimented how much you improved since the last comeback and how good you looked in the music video, the teaser photos, the most recent stage, basically everything. he was so busy talking that he didn't notice the massive side-eye vernon was giving him and once he stopped talking, joshua physically slapped a hand over his mouth because oops.

no worries though, you thought it was funny and thought it was high time that the two of you revealed your relationship. joshua got clowned for it a lot though, especially by vernon.

junhui – instagram

the two of you tried your best to time your posts so nothing seems suspicious. for almost a year, your pictures from cat cafe dates to museum dates and late park dates went unnoticed by fans. that is, until your group went to japan recently for a short trip for promotions and jun tagged along since he had no schedules for 2-3 days. you found a cute convenience store during a late night walk with him and took pictures. some on your own, some of only him, and some together. except this time, the two of you forgot to talk beforehand and you both posted the photos on the same night.

your manager scolded you for being so careless, but truth be told he didn't actually care. he thought it was funny and only had a word with you because as your manager, he had to. (he already knew beforehand and thought you guys looked super cute together)

hoshi – seungkwan

you and hoshi were having a movie date night but you guys weren't particularly in the mood to actually watch a movie so the two of you just fucked around the whole night, prank calling different members to see how they would react and watching instagram reels (because hoshi swears by them and thinks they're better than 'that stupid clock app'). (the funniest reaction you got so far was mingyu, who was half asleep when you facetimed him and asked him if his refrigerator was running. when he responded with a groggy 'yes', hoshi said that he better go catch it and mingyu actually dropped his phone to go catch it.) the next victim was seungkwan, who you didn't know was doing a weverse at the same time. when seungkwan received the incoming facetime call from hoshi, he grinned and decided to accept the call by showing the camera his phone screen. what he didn't expect was to see hoshi's arm wrapped around you and his chin tucked onto your chin when he answered the call.

when seungkwan accepted the call, the first thing you saw was a reflection of you and hoshi, and you recognized the familiar flow of comments flying past the unfamiliar phone screen at an incredible speed. you dropped hoshi's phone in sheer panic and glanced over at your boyfriend who looked as equally panicked, his jaw basically reaching the floor. poor seungkwan began fumbling for a random excuse but it was too late now. the cat (tiger) was out of the bag.

wonwoo – via the company

wonwoo never thought there was a point in hiding your relationship from the public. he was with the person he loved and what a few jobless netizens had to say about your relationship wouldn't change that. after a couple months of 'testing the waters' and seeing how far the two of you would commit to the relationship, wonwoo just straight up went to the ceo of pledis and went 'yo i'm dating [name] from [group name] and you can't stop me' (with your permission of course, and you did the same thing) after a lot of discussion with both your ceo's, the companies agreed to simultaneously release a statement to the public about your relationship with wonwoo.

woozi – his lyrics

we all know woozi projects everything that's going on in his life through his song lyrics. yk those posts where people are like "i need someone to break bruno mars' heart again" bc his breakup songs are so good? it's like that. the latest seventeen comeback is FILLED TO THE BRIM with love songs and everyone and their mother is like "what the fuck is going on" because woozi's written love songs before but not like this??? the lyrics seem so much more deeper and personal, and the listener can almost feel woozi's heart and soul being poured into the lyrics and melody. woozi personally denied anything on a weverse live but people caught on once he released a mixtape of a love song and the lyrics contained a physical description of a person that was a little too similar to you.

minghao – books (and nail art)

minghao likes reading books. you like reading books. that doesn't mean you're dating, right? so many people in the world love to read books, that doesn't automatically make you lovers, right? ... right, except you read and post about the same books minghao reads and recommends to carats. even then, that could've been a coincidence, right? you just have similar taste in books.

wrong. you made a silly mistake of saying on a live how all your favorite books were recommended by a super close friend that you held dear to your heart. still, you can just be friends with minghao, right? wrong again because fans noticed that you had matching nail art with minghao's, the signature 8/infinity sign on your nails. there was no point in being in denial any longer.

mingyu – instagram

another silly little mistake. he recently came back from a trip with just you and him, and naturally, he wanted to upload some photos to instagram for his lovely fans to foam at the mouth scream over (he knows the power he holds). he was lying in bed (next to you), ready for bed as he scrolled through chose different photos to upload. what he didn't realize was that he had also clicked on a photo of you and him kissing in the dark, under a streetlight. it was a classic, romantic kiss. his hand was resting on your lower back, your arms wrapped around his neck as he dipped you, your leg held up by his other hand. almost immediately after posting, mingyu set down his phone and went to sleep in your arms.

the next morning, he woke up to about 56 missed calls from his manager, a BUNCH of weverse notifications, and 300+ messages from the seventeen group chat (that came back to life for the first time in almost a month and it wasn't js seungcheol talking to himself)

dokyeom – weverse live

dokyeom is surprisingly not shy when it comes to his relationship with you. after a few serious discussions, the two of you ventured out to the streets of seoul in broad daylight, your hand tightly entwined in his own, but no tabloid or news outlet seemed to catch whiff of it. dokyeom was frustrated because he wanted to show you off to the world, tell everyone that he was yours and you were his, but no one was bothering to expose it. so he decided to take this matter into his own hands. after receiving permission from both companies, he started a weverse live–with you. the two of you sat side by side, awkwardly waiting for more and more viewers to enter the livestream. obviously the entire internet went insane when dokyeom held his hand in yours and said with a proud smile that the two of you were dating and would appreciate all the love and support. and the internet officially lost it when he pressed a kiss to your cheek, which made you blush intensely.

it was cute, and even his manager–who was sitting behind the phone–was smiling as he watched the two of you together.

seungkwan – an entertainment show

similar to joshua. a couple members from your group were guests on a show that seungkwan was a regular cast of to promote your upcoming comeback, and of course they already knew that you were dating him. before the recording, they were teasing him (they're all already very close) and kept mentioning your name, which made seungkwan turn into a bright red tomato. during the recording, when it was time to promote your group's most recent comeback, your group members stood in the center of the room and gave a little sneak peek to the choreo of the title track, which seungkwan followed to with on the side (people didn't notice this until the airing of that episode–and an fyi, this was before their official comeback). and when the time came to the talk about the production process, seungkwan immediately began to ramble about how much you improved on your live singing and how proud he was of you. he also talked about how you talked to him about how much you struggled with the change of concept and how you pushed through those hard trials. he also couldn't forget about how good you looked and how the concept change looked really good on you and the new makeup look accentuated your eye color. at the end of his very long speech, seungkwan realized what he just did and sank into his chair with his bright red face buried into his hands.

vernon – vernon being vernon

vernon did a vernon and randomly revealed it on a weverse live, almost giving his poor manager a heart attack. he was reading through the comments when he randomly said 'by the way, i'm dating [name] from [group name]' HIS POOR MANAGER. HAD A MINI HEART ATTACK BEFORE TURNING OFF THE LIVE IN A PANIC. the following day, pledis released a statement, confirming vernon's impromptu confession.

dino – dispatch

my poor boy was the only one who fell victim to dispatch 😭 he was so careful not to get caught because he didn't want you to receive any backlash. specifically went on dates later in the day so the two of you wouldn't be as easily recognized, trying to stay home as much as possible, covering up as much as you both could. but eventually, dispatch caught the two of you hugging at the entrance of the hybe building at 11 pm. first, weird. why were they watching you guys at 11 pm. second, seungcheol was so relieved that the secret was finally out because he was running out of excuses as to why dino was almost never at home anymore.

reblogs and feedback is always appreciated ^-^

[bluegiragi]

The movement, dynamism and emotion of the characters is so engaging and audiences clearly adore the relationships and stories you tell with your art

Occasionally though, there's something awkward about the proportions of some of the figures in your work. The stomach to pelvis area of the konig piece seems abnormally long, though accentuated by his posture. Sometimes the heads of characters also look both elongated at the jaw and also too small for their bodies, which feel a little unrealistically shaped at times

I've been noticing these points for some months now, wondering if proportioning would improve with time. You have a very distinct storytelling style, and I understand that this message might come across as unkind, but I don't know how else to word it and I don't know if anyone would be willing to point it out to you considering your successes and status in the cod fandom

Whatever you choose to make of these words, even if you delete the message immediately, I'm certain your work will continue to grow and thrive, and I do wish you every future success that you earn

hello anon! I apologise if I’ve come off as complacent in my art over the past months, but I assure you I am always doing my best to improve my art, and I think I have in some areas. Believe me, I am at all times very aware of my shortcomings as an artist.

I want to thank you for wording this in such a considerate way, but would also invite you to not send messages like this in the future to artists who aren’t clearly asking for critique. I don’t believe my art is making massive missteps that require education (such as drawing poc features in an offensive way, or anything else that might justify some immediate words of advice), and the insinuation that I am not improving fast enough is a little hurtful, as is the idea that a lot of people are somewhere, quietly agreeing with this viewpoint and choosing not to tell me because of some perceived, ephemeral status in a fandom.

I hope I’m not coming off as defensive here. I just think I’ve never positioned myself as someone who has nothing more to learn, and in fact mentions many times that my anatomy is not perfect, and that I have a long way to go. Thank you for your advice, but in the future, I believe it might be best to just assume the artist knows their own weaknesses.

[luimnigh]

so what is the meaning of omelas because I hear a different take every month

The Ones Who Walk Away From Omelas is a narrative where you're asked to imagine this Utopian city, on the day of a summer festival. While it does detail the city fairly clearly, it tells you to imagine whatever you want. Whatever political system, whatever religion, whatever floats your utopian boat. Want an orgy? Sure, go ahead. Want drugs? Not LeGuin's cup of tea, but go ahead.

And then when the narrator comes to the conclusion that no, you can't imagine that, that your idea of a civilisation must have someone suffering, gives you this imaginary child in some dank cellar, suffering in it's own filth. That the child must suffer for Omelas to prosper, and that everyone in Omelas knows about the child from adolescence onwards. And most people react to this in disgust, but eventually come to rationalise it through one philosophy or another.

And those who cannot rationalise their disgust away instead walk away into places much less imaginable.

There are many takes on this story: as an allegory for the West's resource exploitation of the less-developed world. As a trolley problem, either to choose one of the options based on different ethical frameworks, or to imagine a third. As a treatise to always be vigilant to the hidden evils around you. As a metaphor for how we temper our views of other societies by weighing their good and their evil, while ignoring the evil of our own. Some take it to say that we cannot improve our society without destroying it, and the only way to assuage us of the guilt is to abandon society, or to commit suicide. Others as a criticism of abandoning society, that those who walk away do nothing to actually help. Some even criticise that the suffering child is unexplained, unrealistic, makes no sense.

But like, the point of The Ones Who Walk Away From Omelas is best summed up in these lines that you might have seen before:

The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can't lick 'em, join 'em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe a happy man, nor make any celebration of joy. How can I tell you about the people of Omelas? They were not naive and happy children – though their children were, in fact, happy. They were mature, intelligent, passionate adults whose lives were not wretched. O miracle! but I wish I could describe it better. I wish I could convince you.

Emphasis mine.

The whole point of Omelas is demonstrating this point. That literary criticism, the decision of what is art, what is important, focuses on pain, on suffering, on evil as the only interesting things, and ignores happiness. That the reader is not contented in imagining a perfect world, that they must find a flaw to make it interesting.

So it offers up a nonsensical suffering child, a dark secret all those in Omelas know of, and must accept the suffering of or leave.

It's pointing out a flaw in the way people think about art, about what emotions are important and meaningful.

And given how all the above takes focus on the suffering child, and talk nothing about the Utopia... LeGuin was spot-on.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[genericpuff]

I'm honestly amazed by how well you can imitate the LO S3 art style! Have you always been good at this sort of thing or is it a skill you developed due to your work as a tattoo artist?

ahhh thank you, but ima let you in on a little trade secret -

it's literally just referencing LMAO which is a valuable skillset to have! but one that I think a lot of folks tend to overlook because they think "learning to draw" means "I need to be able to draw everything perfectly from imagination!" Which sure, learning how to draw things without needing references might be cool, but it's ultimately not the sole defining feature of a "good artist" and I think there's frankly way too much emphasis put on "drawing without references" these days because it creates this unrealistic expectation of what an artist is. Referencing is part of the process! It's important! And it's a valuable skill to have so that you can actually grow your skills beyond your own limits! Referencing is as important to the process of creating art as research is to the process of writing, you can only produce so much new stuff if you're not taking in new stuff alongside it.

Though I use this skill a lot in tattooing as well, it's mostly rooted in my animation schooling which broke me out of the habit of drawing purely from imagination and taught me how to properly reference other material for educational purposes.

And I'm sure there are people in audience right now gasping at the fact that I simply cropped a bunch of different shots of Minthe from S3 and rearranged them like some surgical madman playing with body parts-

-but this is like, the actual majority of the process when it comes to learning other art styles and this process is taught as a skill in a lot of art schools because it forces you to draw what's there rather than what you think is there. This is the basis of master studies, to learn the techniques of other artists by trying to mimic them as closely as possible. Don't know what tools that artist used specifically? Try to recreate the work anyways with your best guess. Even if you only get close but not perfect, you'll still likely learn a lot along the way and may even develop some brand NEW techniques that weren't present in the original work you're studying from.

Imagination is necessary to the creative process, but it's only part of that process, you can't suddenly learn how to draw the way other artists draw through imagination alone because your imagination is limited purely by your own lived experiences. Our brains don't come pre-installed with these skills, they can't just magically unlock the capability to "do the thing". Just like how we have to learn to follow recipes as a means to becoming a baker or learn to read the alphabet to learn how to read and write, we have to learn how to draw what we see and reference the material around us if we truly want to expand our own innermost knowledge which will allow us to draw from imagination.

Here are some other examples of studies I've done, such as my attempts to learn the art style of The Doctor Foxglove Show:

As well as a background study from S1 of LO:

And of course here are a handful of the shitloads of studies I've done to try and "figure out" how to draw Hades and Persephone from S1 of LO:

Aaaand just for the fun of it, here are some completely non-LO studies, like the ones I did of Kazuma Koda's background work and Akihiko Yoshida's character designs for Nier: Automata:

And this sorta rotoscoped ??? animatic of Mitsuhiro doing the opening jig for Still Feel by Half Alive which is 100% not done and probably never will be LOL

I'm always progressively doing studies of both LO and other media in this way so that I can update my knowledge and continue to improve my skillset.

Though, despite my best efforts to mimic the original creator's style, works like Rekindled will always have my own stylizations present, as that's just an inevitable consequence of it being made by myself and Banshriek (and the fact that we just refuse to draw worse to look more like LO because jfc so much of LO's original art, even the stuff we love, is rooted in Rachel's trial and errors lmao), but that's a feature, not a bug :') <3

So the answer is yes, the Minthe S3 redraw was done through skills I developed over time, though not necessarily through tattooing, simply through learning how to actually practice properly beyond "drawing a lot". And you can too! Draw lots, but also remember that your brain isn't naturally just going to "get better" at whatever you're trying to achieve just because you really want to achieve it. I try to avoid the mantra of "just practice" because it oversimplifies what's truly necessary to learning - having something to learn from outside of your own imagination. If you don't learn how to practice properly, then you'll just wind up repeating the same mistakes and reinforcing the same bad habits over and over again.

All that's to say, if you want to learn how to draw like a certain artist, try and recreate their art for yourself ;0 (but like also please for the love of god remember that it's for EDUCATIONAL PURPOSES, I shouldn't have to tell y'all not to copy directly off other artists' work for your own because that's just deadass stealing lmao) I know this enters the ethical dilemma of tracing, and whether or not it's a "valid" way to learn, but there's a lot of virtue in learning through referencing other artists and building new skills through them. I'm sure folks will argue that it's a 'crutch' or 'training wheels', but that's all often being touted from the perspective that crutches and training wheels... are automatically bad things and aren't meant to help people ?

Like obviously if you want to create your own thing that isn't purely "living in the shadow" of the works that inspired you, you WILL have to make that leap into the unknown. But that leap's a lot less scary to make when you have a parachute.

[tadc-harlequin-au]

What artists have inspired you? I love your style and want to implement this on my own!

A lot! These are going to be in order, so it's not hard to discern which art belongs to whom. There's a lot of rambling below the cut, so warning for long ass post. Also, they're all on twitter.

Thanshuhai, Papyuuno, Terry Grimm, _Kunaru and TFiddlerart for the way they render characters and general (stylized) anatomy,

Then Neytirix, Kuroblood, Nomax and Alcxome for the cinematic illustration-esque shots,

Rinotuna and just.... Arknights Elite illustrations in general for their creative character and outfit designs

And during my time as a fnaf artist on twitter before I left it (I think a year ago at this point)? Snartles, Soul.82, AlpinePing and Ewademar were TOP of my list.

A bit of a ramble starting from this point, but....

I have studied these specific pieces DOWN TO THE VERY DETAILS OF THE BRUSHSTROKES, in order to learn HOW they do their art. This includes mimicking their artstyles for a while, and once I'm comfortable and have added it to my vast visual vocabulary, I switch back to my actual artstyle in order to apply it to the way I draw.

The results are these womp womps I shit out in half a day so in case it wasn't obvious, I don't really see myself as a good artist because I have such high as fuck, unrealistic expectations for myself but. I do try to keep it in check... mostly.

But something I'll confidently say? I'm always learning. All the time. All the pieces I see everywhere, I am constantly analyzing the way artists draw from the way they do clothing, to the shape language used in designs, actively or subconsciously. Sometimes I'll ask how the rendering is achieved or what brushes have been used if I can reach the artists, and see if it works for me or not.

I carry art with such a passion, in such high regard, and dare I say I do it so aggressively and passionately behind the scenes. I'm not talented like people think, I'm just always wanting to learn, and improve, and learn another thing again once the previous lesson has been learned. And this has been my journey for the last 4 years I've been doing digital art, and another 3 years being a traditional one prior to my switch to digital, so.

I'm not a skilled artist like my art inspirations, but I am an artist nonetheless. And you know what...? I think I'm fine with being just that.