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#art copyright
balkanradfem · 2 years
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bit of help needed, is anyone reading this an artist, who understands how commissioning work for commercial use works? I’m having some trouble with it and would love if someone could help me out
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hamletthedane · 8 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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galvanizedfriend · 1 year
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The US Copyright Office is opening a public comment period around AI
American friends! The US Copyright Office (which we know exerts huuuge influence in how these things are treated elsewhere) wants to hear opinions on copyright and AI.
"The US Copyright Office is opening a public comment period around AI and copyright issues beginning August 30th as the agency figures out how to approach the subject."
We can assume that the opposing side will definitely be using all of their lobbying power towards widespread AI use, so this is a very good chance to let them know your thoughts on AI and how art and creative content of all kinds should be protected.
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Alright US mutuals, if you are interested in, morbidly fascinated by, or anxiously doomscrolling through AI news, including Stable Diffusion, Llama, ChatGPT or Dalle, you need to be aware of this.
The US Copyright Office has submitted a request for comment from the general public. Guidelines can be found on their site, but the gist of it is that they are taking citizen statements on what your views on AI are, and how the Copyright Office should address the admittedly thorny issues in rulings.
Be polite, be succinct, and be honest. They have a list of questions or suggestions, but in truth are looking to get as much data from the general public as possible. If you have links to papers or studies examining the economic impacts of AI, they want them. If you have anecdotal stories of losing commissions, they want them. If you have legal opinions, experience using these tools, or even a layman's perspective of how much human input is required for a piece of work to gain copyright, they want it.
The deadline is Oct 18th and can be submitted via the link in the article. While the regulatory apparatus of the US is largely under sway by corporate interests, this is still the actual, official time for you to directly tell the government what you think and what they should do. Comments can be submitted by individuals or on behalf of organizations. So if you are a small business, say a print shop, you can comment on behalf of the print shop as well.
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andycmarshall · 9 months
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AI-Generated Art and the Complexities of Copyright and Royalties
Share what you know about the year you were born. In the year I was born artificial intelligence was 100% science fiction. Now I’m asking it legal questions about using it to create art. So I asked Chat GPT about AI-Generated Art and the Complexities of Copyright and Royalties and this is what it had to say 👇 In the ever-evolving realm of technology, artificial intelligence has become a…
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andstuffsketches · 1 month
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finally watched Reign of the Supermen
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reasonsforhope · 4 months
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AI models can seemingly do it all: generate songs, photos, stories, and pictures of what your dog would look like as a medieval monarch. 
But all of that data and imagery is pulled from real humans — writers, artists, illustrators, photographers, and more — who have had their work compressed and funneled into the training minds of AI without compensation. 
Kelly McKernan is one of those artists. In 2023, they discovered that Midjourney, an AI image generation tool, had used their unique artistic style to create over twelve thousand images. 
“It was starting to look pretty accurate, a little infringe-y,” they told The New Yorker last year. “I can see my hand in this stuff, see how my work was analyzed and mixed up with some others’ to produce these images.” 
For years, leading AI companies like Midjourney and OpenAI, have enjoyed seemingly unfettered regulation, but a landmark court case could change that. 
On May 9, a California federal judge allowed ten artists to move forward with their allegations against Stability AI, Runway, DeviantArt, and Midjourney. This includes proceeding with discovery, which means the AI companies will be asked to turn over internal documents for review and allow witness examination. 
Lawyer-turned-content-creator Nate Hake took to X, formerly known as Twitter, to celebrate the milestone, saying that “discovery could help open the floodgates.” 
“This is absolutely huge because so far the legal playbook by the GenAI companies has been to hide what their models were trained on,” Hake explained...
“I’m so grateful for these women and our lawyers,” McKernan posted on X, above a picture of them embracing Ortiz and Andersen. “We’re making history together as the largest copyright lawsuit in history moves forward.” ...
The case is one of many AI copyright theft cases brought forward in the last year, but no other case has gotten this far into litigation. 
“I think having us artist plaintiffs visible in court was important,” McKernan wrote. “We’re the human creators fighting a Goliath of exploitative tech.”
“There are REAL people suffering the consequences of unethically built generative AI. We demand accountability, artist protections, and regulation.” 
-via GoodGoodGood, May 10, 2024
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mortalityplays · 6 months
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Unprintable: Artists Against Authority
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I am absolutely beside myself with excitement to announce the launch of Unprintable.
Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.
Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.
The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:
Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.
I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!
https://free.mortalityplays.com
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elianzis · 1 month
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SOOO...WHAT THE HELL IS THIS
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First off, I apologize for tagging artists, but you should know about this shit.
I'll quickly bring you up to speed.
YouTube has slowed down in Russia and the authorities are "recommending" to move to domestic platforms like Rutube, which of course can't compete with YouTube in any way.
So, even earlier my friends and I faced that our work was reuploaded to Rutube without our knowledge.
And this afternoon kind people, threw a couple of screenshots with reuploads to RuTube also other artists. I will attach all these screenshots to this post. Among the artists I know are: @anniflamma @gigizetz @wolfythewitch @mircsy
Unfortunately, RuTube has a very shitty system of copyright reports, where they ask you to provide your personal data (passport, address and DOCUMENTS that prove your copyright), so last time with friends this situation was let go, because there were no serious hits there.
Unfortunately, the only possibility now is to try to throw technical reports, but this is also unlikely to work. I will also attach links here for some animations
I'm very sorry for this..
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bamsara · 3 months
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I have a INPRINT shop now! You can get my art as prints and posters here in many different sizes and materials.
Not all my art is on there, but I'm slowly getting my other pieces ready. You can use the code '0WXYC1' on order over $30 to get 15% for one week, plus the sitewide discounts currently going on. The discount will end 7/09/24.
If there are any art pieces I've done you'd like to see as a print, please let me know! (Also heads up! I have no way to remove the white border that inprint adds onto the fine art prints, but 'canvas' and other options do not include the white border that they add! Feel free to cut off the borders if you prefer!)
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incognitopolls · 12 days
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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liberaljane · 9 months
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Steamboat Willie just entered the public domain, and it looks like he has a new mission
Digital illustration of steamboat Willie on a ship with abortion pills headed for Florida.
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thoughtportal · 2 years
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injuries-in-dust · 2 years
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So the AI art industry might be done before it had a chance to get started.
In other news, PETA might have accidentally done something good, for once.
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fjordline · 1 year
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Galvatron's beloved ipad which he has somehow managed to not crush within his big strong hands
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cozylittleartblog · 9 months
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worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)
Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...
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