#are there more characters people fav???

[cascade05]

*sigh* the feminine urge to kiss a big beefy man so he calls me pretty

[chalkrub]

attack for @plaiesancier !

[anton-im]

Remember the time when I was trying to made stardew valley mode? I give up 📑 because I not the best coder haha, so here are the sprites that I made!

(Maybe I'll return to this mod in the summer? Not sure haha)

Why not you know(?)

[chocostrwberry]

Yo! I wanna see how would Chloé and Zoé interact in your AU. (Also, I freakin' adore your art style XD)

(TYSM for the compliment!! 🌈🌈🩷🥹🤲)

I HAVE A WHOLE THING AB THAT- 🫵

Quick chocoau! Zoe backstory: She’s an influencer from Los Angeles who came to Paris for an abroad trip vlog (funded by Audrey, ofc). So she’s basically a social media nepo baby. So there’s also that contrast with how she portrays herself in a “shallow” personality and who she really is, which is reserved and shy and insecure.

I was thinking that when Zoe showed up to stay with them, Chloe got like, a whiplash of trauma of how Audrey basically hates her and loves Zoe more (sending her gifts and funding her trips) so whenever she’s around her she’s more hostile and cruel, but also anxious and always on edge.

Zoe is gonna be the final part of Chloe’s redemption arc, because by the time Zoe is in the picture, she’s still Queen Bee. Some trauma bonding later and Chloe is actually the one to give her bee miraculous to Zoe, because she realizes that she’s not a good miraculous holder bc of her own baggage and Zoe would be the best fit and deserves it, solidifying Chloe’s redemption arc!!

TLDR; it started out being a one-sided hatred, but then they become literal sisters!! 🩷🩵🐝

[reginamillls]

sometimes you just need to be honest with yourself and admit that your blorbo probably would have different music taste than yourself

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[shortcakelils]

Commissions are open 👇

[0yorixu]

i will never feel lonely ever again

happy birthday rui kamishiro from the hit game project sekai colorful stage featuring hatsune miku, you are my number 1 fav and kin and I will treasure you for a long time. Your ending will be a happy one.

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[maerhiya]

in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."

like, you're right, but it can and will offend us.

when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.

media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.

which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)

any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?

[flightfoot]

You know, I love seeing Alya in a lot of different fics, and I've seen her depicted in a few different ways.

I enjoy seeing her just being there, taking on a similar role to what she does in the show, helping out when needed, and overall being a kind person who enjoys helping others.

But while I like seeing her in that capacity, since it's a positive portrayal that is nice to her, it's not the sort of portrayal that really gets me excited. It's a kind of "background, supporting character" kind of portrayal, and while that's needed sometimes, it doesn't really develop her all that much.

The depictions of her that really get me excited, that make me gush about how well the fanfic's treating her, are the ones that don't just portray her positively, but instead treat her like a full person. Ones that delve into her emotions, her viewpoint, and even her biases, that let her make decisions based on what's best for her personally, and maybe even regret them later. But importantly, she's not treated as being bad or evil for this, but instead as a person who's muddling through life as best she can, who has things she wants and values in conflict.

Actually the show touched on this sort of thing as well, it's one of the reasons I really liked Alya in Rocketear. We got to see her struggle with her conflicting loyalties to both Marinette and Nino, with wanting to follow Marinette's orders while also not wanting to lie to Nino and potentially damage their relationship. And I liked her eventually telling Nino that she's helping Ladybug, because she didn't want to continue lying to him after that particular lie had already caused damage in their relationship. And while Alya later was dismayed at how things went down in the finale, Marinette didn't blame her, understood where she was coming from, and wanted her to continue.

That's the sort of thing I want to see. For Alya to have her own viewpoint and to make decisions based not simply on eternal loyalty to one person, but as a result of weighing her different values and wanting things to work out in the best way she can make them. And for her to sometimes be wrong or for something to have negative consequences, and still have her treated with kindness and respect. For her desires to be treated as being a worthy reason to do things, because her desire to be happy matters.

Like... with Marinette, I'll see this represented in fanfiction frequently. Marinette can be snappy or irritated, or even lie and hide things because she thinks they'll lead to a better outcome, and even when she hurts others in the process, the narrative is often sympathetic to her and gives credence to her thoughts, emotions, and viewpoints, and depicts her trying to make things better for herself as an understandable thing.

While for Alya, it's a lot harder to find something like that. Most of the time she's in a supportive role where any personal issues she has aren't focused on and she's mostly there to help out Marinette with whatever she has going on. In a lot of fics where she DOES do something for her own personal benefit, when she prioritizes herself at all or simply weighs all her different relationships and balances them as best she can, but in a way that's detrimental to the person the author likes the most, she'll be portrayed as a horrible, cruel person deserving of punishment, or at the very least as needing to learn a harsh lesson to become a better person. Any desire to do something for herself or to help maintain relationships she values is looked at in the worst possible light.

Just... I love stories that allow Alya the same sort of grace and understanding as most main characters are afforded.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[all-my-ocs-are-evil]

i feel like i've lost the ability to draw so here are some doodles/ 1st draft designs I made for some of the monster high girlies bc I've still got the urge to draw despite that. they all need some work but I feel like I've gotten to a good starting point.

ive got quite a few ideas for the rest but we'll see if I ever get to them lol

beware the tags! (i never shut up)

[roki-roki-roll]

Wolf wife :)

@xyzikxyz

[jazzatron9000]

here have some firesetter sketches that i made while taking a break from studying

[silviakundera]

Does it feel like they're trying to redeem the dickless bore? idk if he's doing a con on her or they're showing he has real feelings for her wasn't the novel different?

One thing I'm really noticing in the Princess Royal (Grand Princess) adaption is that they will 'play it straight' with characters like Su Rongqing and the Emperor: giving the character similar dialogue and facial expressions as they would have in the novel -- except without PWX or LR's internal dialogue of 🙄 why u lying???

🙄 lol ok sure

😒 oh i see, back on your bullshit again

😤 the AUDACITY

😬 oh shit oh shit danger BE COOL

The consequence is that if you take everything at face value, the Emperor seems like a reasonable guy and not up for The Absolute Worst Dad award. Under the surface, the novel reader knows he is acting out a play and coldly calculating every interaction with Li Rong, the Crown Prince, and Consort Ruo. Every single scene with him, Li Rong is in peril and she knows it. She's pretending to be his sweet, obedient 19 year old daughter who believes in him and is following Pei Wenxuan's direction and acting as a puppet, making moves that he has already approved PWX to make. The Emperor's pretending that this play isn't supposed to end with LR and the Crown Prince taken down & the power transferred into Consort Ruo and the other prince's hands.

The viewer can just interpret all the words coming out of a character's mouth as facts & just believe everything they claim about their motives/real agenda as true. Or they recall the implied horrorshow of Life 1 and view all of these interactions with a cynical eye, questioning what else could be under the surface.

With SRQ, that guy is so fucking complicated. I think actually he's portrayed in character. Nothing we have seen isn't .... him. At least so far, as of ep 19 he aligns with the novel.

But 3 different factors: A) The music is romantizing him; B) The audience is given a couple internal-thought voice overs from him, which other antagonists don't get; C) With those voice-overs, the screenwriter has chosen to affirm his love for his brother and LR way earlier than the reader has it confirmed in the novel (where he is intentionally kept a total mystery for far longer, while the reader is the math lady meme, trying to piece together clues to figure him out).

And ultimately, when in SRQ's PoV in the drama, we have to deal with him being the hero of his own story. He is absolutely sincere about himself and, as has been revealed, in his own way he's sincere about wanting LR and his brother to have a good life this time around.

So does that mean the writer intends to do a swerve in the narrative arc and redeem him in the end? It's totally possible. Maybe?

However, not necessarily.

#1 There is a certain refrain from many of the great cnovel/drama villians: I had no choice! You all forced me to this!

We saw it from Shen Yurong in The Double, we saw it from Meng Yao/JGY in The Untamed, and in the novel (and I presume in the drama), we're gonna see it from Su Rongqing.

And it's the reason why they become villians who can't be saved. Because so many people suffer in life or experience unfairness. But they don't turn around and use this as an excuse to enact horrible cruelties on others.

Out of the billions of people in the world, few have no problems but so many of them actively chose to do good, or are willing at least to turn back and be better.

#2 imo the reason LR has historically been bad at reading people's hearts but has an exquisite read of SRQ, his flaws & darkness, is THAT'S HER FUCKING MOM. And I do think ep 16-18 put that out there in the text, if you're looking for it. He and the empress are the same sophisticated aristocrat who is clever & educated but with a narrow perspective limited by their privilege and desperate need to maintain the status quo. So sorry bro, but no wonder she might have settled for marrying you in the first life if you wanted to, but she was never gonna fall in love with you 💀.

PWX can see that SRQ loves her and he thinks that matters, so it scares him. LR has tender nostalgia for her empress mother and her former companion but she's all too aware that their love for her will not necessarily get in the way of stepping on her to protect the social structure of a powerful aristocracy class operating at a higher level above the peasants and restraining the throne. To them, this is safety and stability that guards the realm.

(ofc both those characters are complex and when it comes to LR's life & death we can't be confident on what they will always choose. that's part of what made all the palace drama aspects of the novel incredibly suspenseful. So many of the suppporting characters are layered and tho everything they do makes sense when it happens, you can't often predict people's hard choices when their back is up against the wall)

Story of Kunning Palace and The Grand Princess say that caring about people and trying your best to understand them, wanting what's best for them by listening to what's best for them, can make a huge difference. But not everyone is willing to change.