#archetypal world

[causalityparadoxes]

The fact Rogue didn't push the button while kissing the Doctor. It would have been so easy. In character for what the Doctor might expect even. He's the Rogue after all, the classic morally dubious role.

I think with that quiet 'no' the Doctor was expecting him, maybe even asking him, to take the decision out of their hands. To press it for them. Then they'd both have the fresh pain of losing someone and could go on to travel together.

But the Rogue isn't into cosplay, he isn't playing a character. So instead he puts the Doctor's happiness with Ruby above his own life, and above a life with the Doctor. He pushes Ruby out of the way, taking the controller with him so the Doctor still doesn't have to choose. That sad, cheeky, rogue-ish grin as he does it. Its just so unbearably sweet

[foe-paw]

YOU THOUGHT THAT YOU COULD OUTSMART THE VERY THING THAT RUNS THE BLOOD OF YOUR KIND?

[rrcraft-and-lore]

Once upon a time

Everyone knows once upon a time, but did you know that countless cultures have their variation of how classic stories begin, and one one from Welsh is, "A long time ago," similar to a few others from other cultures that go, "A long long time ago."

But, some, like Lithuanian go: "Beyond nine seas, beyond nine lagoons," similar to the Czech, "Beyond seven mountain ranges, beyond seven rivers."

These are some variations from Arab texts: This happened or maybe it did not. The time is long past and much is forgot.

There was or there was not—is anything sure or certain but the greatness of Allah?—a king so powerful that man and Djinn bowed before him.

This is how many Hausa tales are begun “A story, a story. Let it go, let it come.”

And of course, we have one that is a combination and modern invention that has become part of media culture and storied greatness: "A long time ago in a galaxy far, far away." <3

These are just some. But it's been among the most wonderful part of my research before I began putting down the first words for Tales of Tremaine. But the art of storytelling is one of the most human things there is. It's central to us, and it has passed long and far by tongue and time over lands and through cultures. Some beginnings are so similar to each other, some not so much.

But then you see the threads between them in the stories, the themes, tropes, archetypes, motifs. But the traditions span the world. They are old. They are cool. And they are beautiful.

And storytelling is one of the gifts that connects us all, like music, and other arts.

[pandorem]

Fascinating to me that Hunter in the owl house not only fills the “child soldier of the villain who switches sides” archetype but if we are going through the tropes of fairy tales that The Owl House likes to play with, is a little bit the princess in the tower??

[zhaitansvisage]

Shoutout to Guild Wars 2 for having extremely diverse dragon designs.

[torontofetish]

hetalia and the nations really are, to me, just an elaborate metaphor. that's why it's hard for me to have really solid headcanons or even just think about them in concrete, unchanging terms. but i also think that's a strength of the series because it lends itself so intensely to creative exploration. i'm not tied down to one interpretation so they can change and shift as i need them to, and every possibility can exist simultaneously in my mind without contradiction. it's cool and very unique imo

[a-total-and-complete-nerd]

Brandon Sanderson: Fantasy vs. Sci-Fi

Almost all of BrandoSando's books straddle the line between the two genres, and after seeing @approximateknowledge's post here, I wondered how they would lay out on that chart. I was also inspired by this fascinating WOB about Skyward's genre. These are just my opinions, so let me know if you agree or what you think you'd change!

[ambrosiagourmet]

Kabrin is like what if we survived the trauma together but I needed you more than you needed me and I’m angry and bitter and trying to keep it together but I’m FAILING and everyone can see I’m failing and that I’m a failure and what if you only keep me around out of pity, what if you only ever befriended me out of pity… except also I see you and your calm focus and your suave demeanor and I understand that you are just as messy inside as I am, and I wonder how many parts of yourself you have cut off just to keep everything small enough to fit inside of you.

[charlieconwayy]

i'm sorry that i couldn't always be your teenage dream

[sicklyworm]

Svsss one piece au where:

Luo Binghe is on an adventure to becoming king of the pirates with Mobei-jun is his right hand man. Binghe would be a Blood-Blood fruit user and Mobei-jun the Ice-Ice Fruit.

Shen Yuan and Shang Qinghua are Marines sent to collect the hefty bounty on their heads. They aren't really good at their jobs though. Both of them easy distracted by food, monsters and other things.

Shang Qinghua would still be a dubble agent and only slightly a god while Shen Yuan is just some monster nerd everyone wants for some reason. Shang Qinghua would be a Scroll-Scroll Fruit user and Shen Yuan a "Gum-Gum Fruit user".

Both of them incredibly underestimate their own strengths despite being incredibly overpowered. Leading to some really funny moments where they absolutely decimate pirates that took Binghe's crew WEEKS to recover from like it's nothing only to be like :

" You guys are too strong we could never beat you guys face to face 😞."

" WOW! That [basic martial arts move] is so cool and impressive!!! I wish I was that strong."

"Oh Luo Binghe's crew is wayyyy stronger then us for sure. Don't know why you keep sending us out to get them instead of some other guy."

They both join Binghe's crew in the end though.

If anyone wants to write about this concept feel free to do so. Anything combining these two series is completely a okay with me.

[heir-of-the-chair]

See I love Pete and Steph and they work so well together because they are the only normal people in all of Hatchetfield

[countlessofvoids]

I'm not a fan of the characterization where Hiccup is the ultimate all loving peacekeeper, but I also don't like when people make him out to be some unforgiving, kills-the-villain-before-they-even-do-anything menace.

Hiccup sees dragons as equals, which means he understands that there are kind and good dragons, just as there are asshole and evil dragons. So he should also understand humans work the same. To me it feels much more mature continuing to try getting the enemy on his side before ultimately deciding to get rid of them, rather than killing them immediately.

Hiccup (and Toothless) should be the bridge to peace between the two sides, not someone who thinks all dragons are pure, innocent creatures while every human is evil and vile. If anything, that wouldn't be Hiccup, but Valka.

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[guinea-pig-enthusiast]

I will never be over Valerie's backstory.

It's not a "she's popular and bullies a less popular person" thing. It's not an "I'm going to hunt ghosts because they ruined my make-up one time" thing. It's a "this ghost ruined my life and now I have to fight for everything I want and I want him to be held accountable, no matter the cost"

They gave her such a compelling reason to be a ghost hunter! Obviously, we still root for Danny because he's trying his best, but it's refreshing to have a major antagonist who could have been just another mean girl be someone with real complexity, especially for a children's show

[myimaginationplain]

do you ever think about how Ohkubo extremely casually dropped the fact that Spirit & Kami were teen parents & then proceeded to never expound upon that fact or bring it up ever again despite it explaining a whole lot about them & Maka

[dandelionjack]

i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women

with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…

and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox

here she is, fading out.

p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)