#aquarians unite!

[spawksstuff]

TV Star Parade February 1968 Part 3/3

What The Stars Predict for Star Trek's Children

[monzamash]

a birthday celebration

oh my god i am old.

notoriously a birthday hater, i am going off-brand and doing a small birthday celebration because i love you all so much and appreciate you sticking around after my short break over the new year. butttt i feel like i'm ready to kick of '24 with some lil blurbs (word counts don't exist in my world) and i hope to begrudgingly celebrate getting another year older with all of you x

how to request; please send through a simple suggestion — example; driver + prompt* i am writing for daniel, lando, carlos, kevin, and charles. * prompt lists for inspo: nsfw / sfw

[rock-and-roll-hell]

July 25, 1980

Unmasked Tour

Palladium - New York City, NY

Eric Carr’s live debut with KIϟϟ wearing the first version of his “Fox” makeup. While heavily featuring the 1979 and 1980 studio albums, it is somewhat strange to consider that the set included three covers: “2,000 Man,” originally recorded by the Rolling Stones; “New York Groove,” originally recorded by Hello; and “King of the Night Time World,” originally performed by the Hollywood Stars (though never commercially released). “Is That You?” while not written by the band had also not been commercially released by the writer or other artists. The only United States “Unmasked” era concert and contemporary performance of material from that album. This show marked the live debut of three songs from “Unmasked” including “Is That You?,” “Talk To Me,” and “You’re All That I Want.”The Palladium was the renamed Academy of Music, where KIϟϟ had made their industry debut in December 1973. KIϟϟ spun their appearance at a smaller venue: “It was a night of nostalgia for Ace, Paul and Gene. And a dream come true for Eric Carr. KIϟϟ planned a special performance at the Palladium in New York to introduce Eric to its staunchest home town fans. There was very little publicity. The one-night-only show was mostly a word of mouth affair. Although small for KIϟϟ today, the hall was chosen for sentimental reasons. Most of the fans, as well as the band, were remembering the historic night KIϟϟ played its first important New York performance on that very stage… the show was a resounding success”.

From local press: “KIϟϟ performed at the Palladium on Friday night, which was unusual; the group usually plays venues the size of Madison Square Garden. Slipping popularity may account for the Palladium date to some extent, but KIϟϟ could certainly have filled the theater several nights running and chose not to do so. The show’s primary purpose seems to have been the introduction of Eric Carr, the new drummer, to the band’s hard-core fans. A few diehards yelled for the departed Peter Criss, but not for long. This listener kept trying to remember what Mr. Criss used to sound like, but the effort proved fruitless. Before long, he became accustomed to Mr. Carr, who played a somewhat elaborate drum kit and was sometimes a little floppy but kicked the music along nicely. The band had installed its flashy stage set and resorted to a number of its tried and true visual gimmicks, but with the scale of the event reduced, one tended to focus more on the music. It wasn’t bad. It was heavy-handed, macho to an almost comical degree, rife with bombast and excess, everything one expects heavy metal to be, but the playing was tight – much tighter than the last time the reviewer heard KIϟϟ, at the Garden – and most of the songs weren’t padded with unnecessary solo noodling. Whether KIϟϟ fans will take to Mr. Carr remains to be seen; one would think they’d be satisfied with Gene Simmons’s tongue-wagging and fire-breathing and Ace Frehley’s flaming guitar. In any event, and for what it’s worth, Mr. Carr’s addition to the band seems to have been a positive step, though it isn’t likely to make KIϟϟ’ music ‘genuinely important to life’” (New York Times, 7/27/80).

Another: “Carr proved to be a capable drummer but no Peter Criss. The show wasn’t quite the visual extravaganza I’d anticipated, nor was it the Sodom and Gomorrah meets 'The Night of the Living Dead’ I’d feared. Instead, it seemed like the 'Wizard of Oz’ gone awry” (Aquarian).

From a mainstream review: “It was apparent from the appearance and playing of Carr that KIϟϟ one of the most successful rock acts of all times, was not taking any chances with the music or the formula now that original drummer Peter Criss has departed for a solo career… So it was almost the typical KIϟϟ show. But with the new drummer now more in the background, the focus was more on the front three… And although performing on a smaller stage than usual, the show was basically the same” (Billboard, 8/9/80).

From a regional review: “KIϟϟ concerts are a little like Christmas. The anticipation is half the fun, and everyone was up for this one… KIϟϟ crashed through their 20-song set with the delicacy of a chain gang” (London, CT, The Day, 8/1/80).

[sunshinesmebdy]

From Pennies to Progress: How Pluto in Aquarius is Shaping the Music Industry with the Living Wage for Musicians Act

A recent bill introduced in Congress, the Living Wage for Musicians Act, is shaking things up in the music industry. But this isn’t just about fairer pay for artists — it’s a potent symbol of the astrological shift we’re currently experiencing with Pluto in Aquarius.

For those astrologically inclined, Pluto — the planet of transformation and revolution — has been transiting Aquarius, the sign of innovation and community, since 2023. This transit signifies a period of deep change for social structures, particularly those that have become outdated and inequitable.

The music industry is a prime example. Streaming services have revolutionized music consumption, but for many musicians, it’s a race to the bottom. Current royalty rates mean it takes millions of streams to earn a meager living. The Living Wage for Musicians Act proposes a minimum payout of one cent per stream, a significant increase that would offer a crucial lifeline to countless artists.

This act embodies the Aquarian spirit of progress. It challenges the status quo, prioritizing fairness and collective well-being over the profit margins of a few. This aligns perfectly with Pluto’s transformative power. The current system, where a select few reap the rewards while the creators struggle, is being dismantled.

Here’s how the Living Wage for Musicians Act reflects the influence of Pluto in Aquarius:

Strength in Numbers: How Aquarius Fuels the Collective Action Behind the Living Wage for Musicians Act

The Living Wage for Musicians Act isn’t just about a single politician championing a cause. It’s a powerful symbol of collective action, a concept deeply rooted in the astrological sign of Aquarius. Aquarius, with its emphasis on community, progress, and social change, thrives on collaboration and working towards a common goal. This collective spirit is precisely what’s driving the Act forward.

Here’s how the Aquarian influence manifests in the fight for fairer pay for musicians:

Uniting Diverse Voices: Aquarius transcends individual differences. The Act isn’t just about musicians; it’s a collaborative effort. Legislators, artist unions, and individual musicians have come together, recognizing their shared interest in fair compensation. This united front increases the Act’s visibility and strengthens its impact.

Community Power: Aquarius celebrates the collective. The Act isn’t a top-down decree. It’s a grassroots movement fueled by the collective power of the music community. Musicians are using their voices and platforms to raise awareness, garnering public support for the cause. This community power is a potent force that legislators can’t ignore.

Progress for All: Aquarius is a humanitarian sign. The Act isn’t just about individual gain; it’s about creating a fairer music industry for everyone. By securing a living wage, musicians can focus on creating art without financial anxieties. This ultimately benefits music fans who get to enjoy a richer and more diverse musical landscape.

The Aquarian spirit that encourages collaboration, community building, and social progress is what’s propelling this Act forward. With musicians, unions, and legislators working together, the fight for fair pay becomes a powerful force for positive change in the music industry.

Reimagining the Model: How Aquarius Embraces Tech to Drive Fair Pay in the Living Wage for Musicians Act

The rise of streaming services revolutionized music consumption, but for many musicians, it’s been a double-edged sword. While their music reaches a wider audience, current royalty rates make it nearly impossible to earn a living wage solely through streaming. The Living Wage for Musicians Act acknowledges this reality and embraces the power of technological innovation, another hallmark of Aquarius. This astrological sign thrives on progress and isn’t afraid to challenge the status quo. The Act leverages existing technology to create a new, more equitable compensation model for the digital age.

Here’s how the Act embodies the Aquarian spirit of technological innovation:

Adapting to Change: Aquarius is all about embracing the future. The Act recognizes that streaming is the dominant form of music consumption and doesn’t try to fight a losing battle. Instead, it proposes a solution that works within the existing technological framework.

Harnessing Existing Tech: Aquarius encourages using technology for good. The Act doesn’t require complex new systems. It proposes a tweak to the existing streaming model — a higher per-stream payout — that leverages the same technology platforms musicians already use

Building a New Future: Aquarius is a visionary sign. The Act isn’t just a temporary fix. It aims to create a sustainable model for artist compensation in the digital age. By ensuring musicians earn a living wage through streaming, the Act paves the way for a more vibrant and equitable music industry for years to come.

The Living Wage for Musicians Act isn’t a rejection of technology. It’s a testament to the Aquarian spirit of embracing innovation to solve problems and create a better future. By leveraging existing technology in a new way, the Act proposes a solution that’s both practical and forward-thinking. This innovative approach could revolutionize the way artists are compensated in the digital age, ensuring that music continues to thrive.

Challenging Power Structures: Pluto dismantles what’s no longer working. The Act challenges the current power dynamic in the music industry, pushing for a fairer distribution of wealth.

Disrupting the Status Quo: How Pluto in Aquarius Fuels the Fight for Fair Pay in the Music Industry

This isn’t just about raising artist compensation; it’s a challenge to the very foundation of the music industry. This audacious spirit aligns perfectly with the astrological influence of Pluto in Aquarius. Pluto, the planet of transformation and revolution, is currently transiting Aquarius, the sign of innovation and social justice. Together, they create a potent force for dismantling outdated systems and demanding a more equitable distribution of wealth.

Here’s how the Act embodies the transformative power of Pluto in Aquarius:

Shifting the Balance of Power: Aquarius seeks equality, and Pluto dismantles what no longer works. The Act challenges the current power dynamic in the music industry, where a select few streaming platforms and record labels hold immense power over artists’ livelihoods. By demanding a fairer share of revenue, the Act aims to redistribute wealth and give artists more control over their careers.

Exposing Inequalities: Pluto shines a light on hidden truths. The Act exposes the current royalty system’s unfairness, highlighting the disparity between the massive profits generated by streaming services and the meager payouts received by artists. This awareness is crucial for building public support and pressuring the industry to make a change.

Building a New Paradigm: Aquarius envisions a better future. The Act isn’t just about fixing a broken system; it’s about creating a new model for artist compensation in the digital age. By establishing a living wage for musicians, the Act paves the way for a more sustainable and equitable music industry where artists are valued for their contributions.

The Living Wage for Musicians Act isn’t a small-scale reform. It’s a direct challenge to the status quo, fueled by the transformative power of Pluto in Aquarius. By dismantling the existing power structures and demanding fairer pay for artists, the Act paves the way for a more just and sustainable music industry for everyone involved. This fight isn’t just about musicians; it’s a symbol of a larger societal shift towards a more equitable distribution of wealth and power.

While the artistic fire burns bright within creatives, neglecting the business side of things can leave them vulnerable. The music industry, for example, is full of cautionary tales of talented artists who are financially exploited simply because they lacked the knowledge to negotiate fair deals or manage their finances effectively. Building a strong business foundation doesn’t diminish the creative spirit; instead, it empowers it. By understanding basic business concepts like marketing, budgeting, and intellectual property rights, creatives can take control of their careers, secure fair compensation for their work, and ensure their artistic endeavors have a sustainable future. This allows them to focus their energy on what they do best — creating — without the constant worry of financial instability. In essence, a strong business foundation becomes the essential toolbelt that allows creatives to translate their artistic vision into a thriving and sustainable career.

This act is just one example of how Pluto in Aquarius is playing out. As this transit continues, expect to see more social and economic reforms that prioritize equality and innovation. Whether you’re a music lover or an astrology buff, this is a fascinating time to witness a transformation that could reshape the way artists are valued and compensated.

[your-astro-mami]

Pluto in Aquarius: My list of predictions I

As an Astrologer of 9 years, I decided to make a list of my predictions about the Pluto in Aquarius era (2023-2043).

Children born during this period will be the ones to bring the change into the world we have been waiting for (In both positive and negative ways). I believe this will be the generation no one will have control over. The unbiased generation that could be focused on their own world and approach to it. They will be united and fight for greater causes. Compared to the Pluto in Sagitarius (a very free approach to life, no sense of union but a strong desire for independence), Pluto in Scorpio (carries the weight of the previous generations on their shoulders, possibly the generation that is most affected by their trauma), Pluto in Libra (better sense of union than the generations after them, but more focus on the surface), I believe that the Pluto in Aquarius generation will be one that is truly connected to each other.

If we thought that there was growth in technology up to now, the upcoming 20 years will be something even greater. Possible digitalization of everything. This is an assumption of most people, even those without interest in Astrology. Regardless, I find correlation between Astrology and all Pluto "eras" up to now. Pluto in Leo (pride, nationalism, theme of the era and qualities of the people born in that era). Pluto in Scorpio (the 80s and 90s grunge era, major focus on sexuality and sexual openness compared to before). Even as a person without a deep interest (or knowledge) in history, I find major similarities in the period of history and the astrology during it.

AI and anything like ChatGPT will be used in day to day life. I find it easy to believe that many jobs could be replaced with AI (for better or for worse). Would this mean more leisure for humans or more difficulty? No one knows yet.

Until the Pluto in Aquarius babies grow, I believe we will go through a comeback of tradition, conservative values due to Pluto in Capricorn and the upcoming generation, which are heavily influenced by pseudo-conservative or conservative figures. I have observed than more and more people seek to come back to traditional gender roles (femininity gurus, men who influence men to be traditional, etc.).

There will be major clashes between the previous generations and the Pluto in Aquarius generation and the world may get into a total chaos. Is this a prediction? Not really.

Apart from the science, technology assumptions, I believe the Pluto in Aquarius era will inspire a newfound desire for freedom in people. At the same time I believe there will be unity, desire to help, focus on humanitarinism and social issues. People will fight for the causes they are passionate about and will seek to help others. This will bring back the community, desire for social interaction, closeness between people. Although Aquarius is connected to detachment, it is the sign that represent social union, uniting for the best of everyone, fighting for our mutual desires.

Will this be the true Age of Aquarius? I guess time will tell.

I can make a part two of this when I think of more predictions. Please don't take my opinions seriously.

*Photo used above is from the cover of the book Stranger in a Strange Land which I have always thought to be very Aquarian in a way.

[spinallyspiraling]

"The Temple of Wisdom has seven columns. These are the Seven Degrees of the Power of the Fire. There are seven serpents, two groups of three plus the coronation of the sublime seventh tongue of fire, which unites us with the One, with the Law, with the Father. The first serpent belongs to the physical body, the second to the Vital Body, the third to the Astral Body, the fourth to the Mental Body, the fifth to the Body of Willpower, the sixth to the Buddhic Body and the seventh to the Intimate. These are the seven steps of knowledge. These seven serpents cannot be lifted up simultaneously. Since the Magistery of Fire is very difficult, one must advance by degrees. Initially, it is necessary to raise the first serpent, then the second. Later on, the third can be raised, then the fourth, etc. The Yogi who does not practice with the Arcanum A.Z.F. is like a garden without water. Practice any Yoga, but work with the Great Arcanum in the Magistery of Fire."

~ Samael Aun Weor, The Aquarian Message

[beneaththeskybeyondthestars]

The ✨Metaphysical Magic✨ of BTS 💜 방탄소년단

If you're like me and deeply inspired by BTS, then you know there's something truly mystical about their music and presence that goes beyond just being fans. Let’s dive a little into the rabbit hole and into this enchanting world together!

Symbols and Archetypes

First off, let’s talk about the incredible symbolism in BTS’s work. Their "Love Yourself" series is a perfect example. It's all about self-discovery, acceptance, and love – universal themes that we all relate to. These themes mirror the archetypal journeys we often explore in tarot, making their messages resonate deeply with us. Every lyric and visual tells a story that we can connect with, almost like looking at a tarot card and finding a piece of our own story within it.

Astrological Connections

The BTS members have shared their astrological signs with us, adding a whole new cosmic layer to their personalities. RM’s intellectual Virgo energy, Suga’s dreamy Pisces vibes, Jimin’s charming Libra balance, Jhope's Aquarian genius, Jin's Sagittarius wisdom, V's Capricorn earthiness, and Jungkook's Virgo perfectionism – it’s like each member brings a unique star quality that we can relate to on a spiritual level. Knowing their signs helps us connect with them in a more personal and mystical way, almost like they’re celestial guides on our journey. As a band that was born (debuted) on June 13th, BTS are collectively a Gemini, which explains their versatility, charm, humor, multi-hyphenated talent, and how they keep us laughing, delightfully guessing and always surprised with what they will do next, both independently and as a unit. Like the sign, they are energetic, impulsive, and often change their appearance, as well as being great communicators who share their feelings with us, making it easier for us to understand them. Gemini is also considered the teenager of the zodiac, and for us ARMY, they will truly be Young Forever!

Numerology and Destiny

Let's not forget numerology! The number seven is so important for BTS – it represents the seven members and is seen as a symbol of completeness and perfection in many spiritual traditions. Fans (including me!) love finding patterns in release dates, album titles, and significant events. It’s like following a cosmic breadcrumb trail that leads to deeper meanings and connections, making us feel like we’re part of a grand, destined plan.

Energy and Vibration

Have you ever felt the energy at a BTS concert? It’s pure magic! Their music isn’t just something you listen to; it’s something you feel. According to metaphysical principles, everything vibrates at a certain frequency. BTS’s songs, filled with messages of love, hope, and resilience, vibrate at a high frequency that resonates with our hearts. This energy can uplift and heal, creating a powerful experience for all of us.

Transformation and Healing

One of the most beautiful aspects of BTS’s influence is their ability to transform and heal. So many of us have found comfort and strength in their music during tough times. Although I first became aware of BTS in 2019 when I heard the song and saw the video for "Boy With Luv", it was 2020 when I became a true ARMY and without question, they helped me make it through that difficult period. It’s like having a cosmic friend who understands and supports you through their songs. This aligns perfectly with the metaphysical view of music as a form of therapy, reaching into our souls to provide healing and growth.

Collective Consciousness and Synchronicity

Lastly, let’s talk about the amazing BTS ARMY. We’re a perfect example of collective consciousness. Our synchronized activities, from streaming projects to charitable acts, show how connected we are. This unity creates a powerful force that enhances our individual and collective experiences, making us feel like we’re part of something much bigger.

So it is easy to see that the metaphysical aspects of BTS are real and true. Their music and presence go beyond entertainment; they touch our souls and connect us on a spiritual level. Whether through symbolism, astrology, numerology, or the energy they emit, BTS has created a legacy that transcends the physical world. It’s a journey of transformation, healing, and growth that we all share.

Thanks for joining me on this mystical exploration. Stay tuned for more cosmic insight and adventures and Beneath the Sky, Beyond the Stars Tarot. Keep shining and embracing the magic around you! Keep Loving Yourself and Speaking Yourself!

With love and light, I Purple You! 보라해

💜 Gabby 🌌💫

[loominggaia]

darkwingphoenix

Guess I'mma do the Aquarian Alliance now! It'll be a HELL of a fighter's civilization!

Aquarian Alliance: The Sea Peoples

You may only build Districts and City Centers on land tiles adjacent to water tiles and without Cliffs, except for the Harbor. Your units may enter Ocean and Coast Tiles without the prerequisite technologies, and those technologies increase your units' Movement by 1 each. Your starting Settler and Warrior spawn in Ocean Tiles. You may build all Districts in Coast or Lake Tiles. All embarked units gain +3 movement while embarked. Gain an Undine at the start of every Era.

I decided to make the fact that the AA is a waterbound kingdom to reflect in their ability. So, they can only build Districts right next to the water or on the coastline. They also get extra movement in the water.

Sovereign: War Against Terria

All of your embarked units may defend themselves with full strength, and they ignore Combat Strength penalties from attacking ships or embarked units. Your units ignore movement cost while entering water tiles, but must pay these movement costs when disembarking as usual. Your units gain an additional +10 strength against embarked units and can move after attacking if they have movement left, and can attack as usual while in the water. Gain the Octlopodi unit with Theology

I wanted Sovereign to specialize in water-based combat, so his ability allows his units to hit ships and embarked units extra hard (Ranged units, excluding siege weapons, have a -17 penalty fighting ships, so they lose that penalty for an additional +17 to fighting ships, and siege weapons have the opposite, having an issue with units), run away from fights afterwards (Though without the +3 movement to embarked units and the ability to flee into deeper waters before anyone can sail, any naval ship can give chase anyway), and gain extra combat strength while fighting embarked units, or any units that are land-based but going on the water (Any non-ship in the game).

Leader Unique Unit: Octlopodi

Unique Medieval unit that is stronger, faster, and more expensive than the Man-at-Arms is replaces. 4 Movement speed and 60 Strength. Octlopodi regenerate every turn, even if they move or attack that turn, and can survive any attack if they are above 1 HP before the attack, and cannot be killed on your turn, and retain all of their Combat Strength even when damaged. They also cannot be purchased with Gold or Faith

I wanted the Octlopodi, Undines and Dorikori, and Eckomaji to all be units, so the Octlopodi are Sovereign's unique unit. I made them more expensive than Men-At-Arms to balance off their insane abilities, for fewer of them on the field, and balanced them further by banning them from being instantly purchased with Gold and Faith.

Unique Unit: Undine

An aquatic unit of the Aquarian Alliance, with 1 range, 30 melee strength, 2 Movement, and 2 Sight. The Undine has a chance to spawn Dorikori after attacking cities, clearing barbarian camps, killing enemy units and capturing civilian units, which appear adjacent to the Undine with full strength and health. Strength increases as you unlock technologies on the Tech Tree. Can only be obtained with Great People points at the Harbor for via Gold or Faith purchasing in the Great Peoples tab. All friendly units gain +10 strength when fighting within 3 tiles of an Undine and can attack again if they have movement remaining, ending their turn after they attack. +15 Combat Strength when defending against city attacks with a friendly unit within rang of the same city as the Undine

I wanted the Undine to be capable of making Dorikori, and is weaker than the Quadrireme (She can't fight with impunity, more expensive than the Quadrireme, and only slightly strong in melee to balance out the lack of range). However, that all changes when she attacks a city or kills units and captures civilians: She can spawn Dorikori next to her to help out, with a 100% chance after attacking a city or Barbarian camp, a 50% chance after capturing a civilian, and a 10% chance after taking out a military unit. They can be built but not purchased, but also pop out after enough time with a Harbor (Great people points build with the correct building, in this case Harbors)

Unique Unit: Dorikori

Unique unit cheaper, weaker and faster than the Spearmen they replace. They spawn adjacent to Undines after the Undine's ability is activated (See Undine). Unless a city has been conquered by the Aquarian Alliance, they consume a Population from cities when trained. They have no maintenance cost, and have a chance to make captured civilian units become Dorikori if an Undine is within 3 tiles of the Dorikori in the new tile.

I wanted the Dorikori to be a direct result of conquest, so they spawn after an Undine fights something (Notably, this can happen with Barbarians too, so they won't have to fight some civilization or city state), or cost population for cities founded by the Aquarian Alliance. They're noticeably weaker than Spearmen, but make up for it by being readily available via Undines fighting (Notably, they don't have to take over a city to gain Dorikori, making a potentially OP fighting swarm, making up for a lack of strength with sheer numbers, especially since Undines grant them extra strength near them)

Unique Unit: Eckomaji/Machimaji

Unique unit more expensive and weaker than the Crossbowmen they replace. Both can be purchased and built separately. Eckomaji stun units they hit, making the unit unable to both move and attack on their next turn, while Machimaji can attack twice in one turn if they have movement remaining. 1 movement per turn on land.

I wanted both Eckomaji and Machimaji to show up, so I made them basically weaker Crossbowmen, giving Eckomaji stunning capability and Machimaji more attacks/turn, which can actually whittle them down faster as damaged units lose strength wit each attack they take.

Unique Improvement: Nursery Pools

Unique improvement that may be built on Coast or Lake tiles without resources and land tiles adjacent to Coast tiles without Cliffs or resources. Each Nursery Pool grants +2 Culture and +1 Faith to their tiles, and +2 Housing and +2 Amenities to their home city. Every 5 turns, they have a 10% chance to spawn an Eckomaji or Machimaji (On land) or an Octlopodi (On Coast tiles), which stacks for all Nurseries in a city. These units cost nothing to maintain. Unlocks at Construction

Essentially, these nurseries help to make more babies for the armies, so land tiles spawn Maji (Via shimmerlings, lil cuties) and coastlines give Octlopodi via coastlines and thus hatchlings.

Every Nursery gives their 10% chance to their city, so 7 nurseries in a city gives you a 70% chance every 5 turns, and if it's 4 on land and 3 in the water, it's more likely to be a Maji. Only 1 unit can spawn every 5 turns, but it's super handy for free units, especially if you have one city with only land nurseries and another with only coastal or lake nurseries.

Overall, Sovereign is a very aggressive fighter, being able to completely overwhelm enemies with more units than they have bullets, and even if you lose a ton, no worries, in like 5 turns all of your cities have spawned an entire new army, the surviving Undine have healed back up and can return to make more Dorikori, and the Dorikori themselves can WRECK a city just by being so plentiful and stealing units and making more Dorikori.

They'd be GEARED to take over the world, although there's major caveats: This will quickly lose steam once cities become too well defended with walls and naval ships, and the Dorikori remain as weaker Spearmen even once those units are way obsolete, same with Maji and Octlopodi.

But that's assuming anyone survives to that point with your massive armies >:)

-----

DWP is back with another Looming Gaia themed Civ thing! These are so cool!

*

Questions/Comments?

Lore Masterpost

Read the Series

[zponds]

(Credit goes to JWBtheUncanny on Deviantart)

PreCure Allstars Multi World Garrison Mantles 16-1

In light of the Event's of the Meeting the Marvel Heroes Illuminati and PreCure All Stars Held in Aozora Middle School's Auditorium on 07/11/21, learning of Gaito's true intentions of Planning to Gain the Power of the Aquarian Gods and may plan on Stealing the Cthonic-Tridens behind the Witch of Delay's Back with them Speculating He might plan on Betraying the Witch, It has now become a Priority on preparing for what ever Gaito might have planned in the near future, Knowing that Tropical-Rouge PreCure will have to journey to the Grand Ocean sooner of later, Cure Mermaid Advices that She with Poseidon, Dr. Strange, Caren, Noel and Coco accompany them, Not only to bring some of there Allies (Thrall, Jaina, Anduin, Baine, Aerith, Yuna and Prince Noctis) home, But also to Warn the Mermaid Queen of what Gaito is planning. (Whish will be the 14/11/21)

On a Special side note of when they Return, Cure White and Cure Magical Ask the Group to Participate in trying our there new Multi-World Garrison Mantles, that they will Ultimately and officially dawn in there Initiation into the All Stars Pantheon (Finally for filling Tropical-Rouge PreCure's Dreams of Joining the Pantheon to bring honour to M91).... Chloe of the Pokemon World Explains that They are Upgrading the Mantle Cloak's that will give them Protection against Dark Magic that can Steal Energies from the Body... Including Motivation... Which will give PreCure a Advantage against Gaito's and Davy Jones Faction with the Army of Malodia Backs them up to Reclaim the Grand Ocean, Leaving Tropical-Rouge PreCure to Focus on the Witch herself, That's what I can speculate at this point.

This First Pic shows us Manatsu Natsuumi / Cure Summer and Laura / Cure La Mer wearing there Mantle Cloaks, For Cure Summer's since her theme is Tropic and is more White and Rainbow for Theme Colour (Pink on sub areas) So I wanted her Cloak to make that with Mermaid's on the Edges.... and in the Inside of her Cloak, Want it to feel like looking into the the Night Sky on a Tropical Island, As for Cure La Mer's Cloak, Wanted to fill in the fact that since she's Destined to be the next Queen of the Mermaid Village, Why not replicate what I did when it came to Go Princess PreCure's Mantle Cloaks (With Poseidon and Cure Mermaid giving there input on it) and if you look closely, You will see that on the side are Shell's that are Pink, Light-Blue, Green, Purple, Dark-Blue, Yellow and Orange, The Shell's represent that Cure La Mer has been Blessed by the Seven Mermaid Queens of the United Kingdom of Melodia (AKA the Princesses from Mermaid Melody) For the Badge, I wanted to make it that Aquarian feel like it's not only native to V85 but also M19 as well.

Hope MLPFan053 and DeviantMaster2014 like these designs.

Also.... There's one thing about Tropical-Rouge PreCure's Home world I always keep getting wrong my Mistake.... I keep calling it M19 instead of M91 when I sometimes do Pics.... This have been happening on me and MLPFan053 is the only one able to point it out for me so I could Correct it in the Typing, I'm hoping when I do M91's Colony leader Cure Marina... I'll officially get it right.

[spnwin-reader]

Loss in common:

Enter Millie, The Prickly-but-Hopeful Fixer

[We note that, even after all this time, Millie's building carries the MoL Aquarian star of protection, and it's still Winchester Garage, not...whatever-her-maiden-name is.]

When we first meet Millie, she's bitter. As the one who "kept the lantern on," "the one who stayed," she's hurt and defensive, a lot like how Dean grows to be in latter seasons of SPN.

(Even post-demonicity, Dean is still expected to be the soft place to fall for everyone. Even after Jack kills Mary, Cas has this expectation of Dean's soft-heartedness: "it's possible he could work through this. One day, he may explode and let it all out and breathe deeply and move on.")

Anyway, Millie!

Her reunion with John is part passive-aggressive but loving. We see that Millie, like Dean, has intense abandonment trauma. She speaks abrasively-but-affectionately. She calls John "Kid, Kiddo, etc." which was a go-to with Dean for both Claire Novak and Jack Kline.

JOHN: Love what you've done with the place. MILLIE (passive-aggressive): Well, my husband and son walked out on me, so. It's the best I could do. (growing emotional) Dammit. Welcome home, Kiddo.

Gruff, abrasive, imperfect? Maybe. But full of love.

Alt John and Millie are united by the common loss of Henry, just as Prime John, Sam, and Dean were united by the common loss of Mary.

John thinks Henry walked out on them, but I think Millie is likely more complex. With her tacit knowledge of the Men of Letters, I think it's reasonable that she at least suspects that he might be dead.

What does that tell us about her? It tells us that the loss of Henry was unbelievably painful--it's probably easier for her to consider he left than the very likely truth: his demise.

She's a fixer. That's what she does.

She holds out hopeless hope.

JOHN: I'm fine, Mom. MILLIE: The Hell you are. You've been chasing your dad since he walked out that door. I know that's why you enlisted. But it is time to let the past go, kiddo.

But Millie isn't healed either. She hasn't let the past go, even as she pursues her dream of being a mechanic and owning a garage (like her father). Letting the past go hasn't helped her heal.

In fact, carrying on hunting and the MoL business is what seems to soothe her loss, giving her new meaning and purpose. Millie and John's push-pull dynamic with hunting is much like how it was with Ellen and Jo Harvelle.

///

But overall, we see what Henry's absence wrought. It's just as Henry feared in SPN Prime (9x17 Mother's Little Helper):

HENRY: Therein lies the problem. As our initiation grows closer, I... I worry that this might be a selfish endeavor on my part. JOSIE: Selfish. How? HENRY: If anything were to happen to me, what of John? Millie? JOSIE: They'd be proud to know that you answered the call. HENRY: No. My wife would be a widow, and my son fatherless. I don't expect you to understand. You don't have a fam--[he pauses] I'm sorry, Josie. I didn't mean it that way. JOSIE: I know, Henry. You're a good man. Millie is lucky to have you.

This directly parallels Cas and his allegiance to his work, Heaven, (Heaven is a truck, and Cas is a truck-driver; Dean thinks he's Josie when he's actually Millie).

It also beings to mind the visual of ("little John") Jack's entrance as he wanders around muttering, "Father. Fa-ther. Father. I need to find him. Castiel. He was supposed to be here," while looking for his long-expected, lost father in 13x01 Lost and Found.

But it's also an off-key parallel to prime John, who would become as Millie was, a bereft widower in the cold, floundering and ill-equipped to handle the dangers of the supernatural world.

///

Enter Mary, Action Hero

(Note: Mary's got a short range, so I love how she uses speed to her advantage to get larger targets off-balance.)

///

And importantly, John...is NOT allowed to look cool. It's a RULE. He's a dorky...little...guy.

Mary knocks the demon into a blessed holy water vat, a call-forward to something prime John will do in SPNprime 01x21 Salvation.

//

When Alt John and Alt Mary meet:

Mary's father has been absent (missing) from her life for a short time, and John's father Henry has been absent for most of his life, just as when Dean and Cas meet, theirs too is a tale of missing fathers. Cas's father was absent for all of his life, and Dean's flaky dad has been gone for a (relatively) short time. It also very obviously parallels Sam and Dean searching for their missing father.

When they break inside the Men of Letters clubhouse, Mary keys into John's emotions about his father. This reminds me of of the first time Dean keyed in really hard to Cas's emotions in 5x16.

///

JOHN: How do you cope with it all? MARY (wryly, jokingly): I'll let you know when I find out. (SPNwin 1x01)

//

DEAN: Yeah, I get it. I know how you feel. CASTIEL: How do you manage it? DEAN (wryly, jokingly): On a good day, you get to kill [The Whore of Babylon]. (SPN 5x17)

///

Recent losses of friends & family:

Additionally, Mary and John have both suffered recent losses. Mary lost her narrative twin Maggie, and John lost his comrade Murph to war.

[Mary's cousin went to Hell, just as Sam's brother went to Hell in season in vintage and mid-SPN.] Mary's hunting family was torn asunder, parents separating.

And John? WIth war, John signed up to fill a void left by his father, to find meaning in life.

We can even recall Dean's words to Gordon in 2x03 Bloodlust, how Dean struggled with the idea of "The Invincible Dad" and how his death made the word more terrifying, how it left a wound of depression inside of him that he sought to fill with meaning through work:

DEAN: Yeah. Yeah, you know. He was just one of those guys. Took some terrible beatings, just kept coming. So you're always thinking to yourself, he's indestructible. He'll always be around, nothing can kill my dad. Then just like that (snaps) he's gone. I can't talk about this to Sammy. You know, I gotta keep my game face on. (clears throat) But, uh, the truth is I'm not handling it very well. Feel like I have this - GORDON: Hole inside you? And it just gets bigger and bigger and darker and darker? Good. You can use it. Keeps you hungry. Trust me. There's plenty out there needs killing, and this'll help you do it. Dean, it's not a crime to need your job.

Dean lost his dad, and Gordon lost his sister. This emptiness is depression. John lost his dad and suffered that loss all his life. He signed up to the war for the GLORY OF PURPOSE. He didn't sign up to the war for more pain and grief, but that's exactly what he got.

What's the thing Dean can't fill up, not with booze or love or even sex? It's grief and pain. It can only be filled with love, which is what Cas's confession narratively does in 15x18.

It's also what Mary's love and the love of the Core 4 will eventually do for John.

///

SPN Prime season 8 side-parallel: Connections of recent grief ALSO calls to mind season 8, how Sam connected with Amelia when they had both suffered a loss, Sam lost his narrative twin to Purgatory and Amelia lost her husband to war.

Theirs was a fast-paced reactionary relationship born of grief, something that pinged and annoyed Amelia's father, leading him to be very passive-aggressive with Sam. (Her father was a dick, but he's both a soldier himself and does know her best and probably has her best interests in mind. He recognized that was Amelia mid-freakout, OOC. He pings that her out-of-characterness is a weird reaction to grief).

He was right to be concerned about the shallowness and stability of it. These types of reactionary relationships are well-known: they can be very shaky, melodramatic, idealized, and weak when stress-tested.

Sam (and vintage Dean) both have this tendency to be all-in or all-out when it comes to The Cause. Neither strike a balance very easily. They tend to either be ALL IN for the Perfect War with Perfect War Companions at Your Side...or rushing into something tenuous that represents a weak idea that winds up unsatisfying because it's not genuine: Perfect White Picket Fence or Howling-at-the-Moon Dishibitory Party Life.

In SPNwin, John is doing a lot of running, too. He rushes into the thing with Betty (weak and tenuous), then he rushes into war, he rushes into hunting, and he runs into the relationship with Mary.

This theme of Running into Danger / Running From Danger persists. John certainly struggles with it, BUT in a departure from his past behavior, this new thing with Mary gets a lot of stress-testing, eventually moving from limerence into turbulence, power struggle, and de-idealization. (SPNwin 1x12, The Tears of a Clown)

///

SO.

Mary and her ragtag gang of friends embark on a journey to look for the missing Samuel Campbell the way Sam and Dean look for the errant John Winchester, the way the Banes twins look for their mother Tasha Banes in Twigs, Twine, & Tasha Bane.

Certainly the core 4 are all "running scared" and clinging to one another, having all lost loved ones in a variety of ways. They are united in empathy over their respective losses:

John (dad, comrades)

Mary (narrative sibling, missing dad, splintered family and parental separation)

Carlos (whole family killed by a monster)

Lata (no-contact with her family because they allowed her beloved nanny to die; nonsensical/cruel hierarchy of human society)

Ada (husband lost to madness, son potentially a puppy-destined-to-be-wolf)

And finally we get Henry's letter:

If you're reading this, then I'm gone. I'm sorry I kept the truth from you, John. There's a dangerous world out there, and our family has fought that danger for centuries. The answers to all your questions are at the address below. I love you and your mother. Always.

I think this idea of Henry Winchester as a secret-keeper, and as Mary-prime as a secret-keeper fed into what we know about John-prime turned into: a neuroses of paranoia and over-preparedness.

But thanks to Dean, Alt John has some new tools to work through this: knowledge. Even his anger is useful, openly telling his mother how disappointed and betrayed he feels over being kept in the dark. For her part, she gives him her emotional truth: that she only wanted to protect him.

It's the first healing step for both of them.

[ganymedesheaven]

Elio's First Frot 🍑💦

Taylor Lautner🇺🇸

the Erastes, American

—

Taylor Daniel Lautner

was born in 11 February 1992 in Grand Rapids, Kent County, Michigan, United States🇺🇸

—

The man felt passionate and channeled his lust by rubbing his penis against my body. For the first time I did frotting with a man. The boy who touch me was a 16 year old teenager. His name is Taylor.

with horny,

Elio the Eromenos ° . ♡

at 9 years old, 2010

—

Aquarian 🌊

[maceofpentacles]

do you want a tarot reading where you get to keep the cards? shoot me a message!

i’m offering physical tarot readings where i send you the cards pulled along with a hand written description of everything! i can send these worldwide so don’t be shy if you’re not from the united states!

these readings are $3 for a single card reading or $5 for a three card reading. if you’d like the reading to be on something specific, let me know! i can do general or specific readings :)

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[rock-and-roll-hell]

July 25, 1980

Unmasked Tour

Palladium - New York City, NY

Eric Carr's live debut with KIϟϟ wearing the first version of his "Fox" makeup. While heavily featuring the 1979 and 1980 studio albums, it is somewhat strange to consider that the set included three covers: "2,000 Man," originally recorded by the Rolling Stones; "New York Groove," originally recorded by Hello; and "King of the Night Time World," originally performed by the Hollywood Stars (though never commercially released). "Is That You?" while not written by the band had also not been commercially released by the writer or other artists. The only United States "Unmasked" era concert and contemporary performance of material from that album. This show marked the live debut of three songs from "Unmasked" including "Is That You?," "Talk To Me," and "You're All That I Want." The Palladium was the renamed Academy of Music, where KIϟϟ had made their industry debut in December 1973. KIϟϟ spun their appearance at a smaller venue: "It was a night of nostalgia for Ace, Paul and Gene. And a dream come true for Eric Carr. KIϟϟ planned a special performance at the Palladium in New York to introduce Eric to its staunchest home town fans. There was very little publicity. The one-night-only show was mostly a word of mouth affair. Although small for KIϟϟ today, the hall was chosen for sentimental reasons. Most of the fans, as well as the band, were remembering the historic night KIϟϟ played its first important New York performance on that very stage... the show was a resounding success".

From local press: "KIϟϟ performed at the Palladium on Friday night, which was unusual; the group usually plays venues the size of Madison Square Garden. Slipping popularity may account for the Palladium date to some extent, but KIϟϟ could certainly have filled the theater several nights running and chose not to do so. The show's primary purpose seems to have been the introduction of Eric Carr, the new drummer, to the band's hard-core fans. A few diehards yelled for the departed Peter Criss, but not for long. This listener kept trying to remember what Mr. Criss used to sound like, but the effort proved fruitless. Before long, he became accustomed to Mr. Carr, who played a somewhat elaborate drum kit and was sometimes a little floppy but kicked the music along nicely. The band had installed its flashy stage set and resorted to a number of its tried and true visual gimmicks, but with the scale of the event reduced, one tended to focus more on the music. It wasn't bad. It was heavy-handed, macho to an almost comical degree, rife with bombast and excess, everything one expects heavy metal to be, but the playing was tight -- much tighter than the last time the reviewer heard KIϟϟ, at the Garden -- and most of the songs weren't padded with unnecessary solo noodling. Whether KIϟϟ fans will take to Mr. Carr remains to be seen; one would think they'd be satisfied with Gene Simmons's tongue-wagging and fire-breathing and Ace Frehley's flaming guitar. In any event, and for what it's worth, Mr. Carr's addition to the band seems to have been a positive step, though it isn't likely to make KIϟϟ' music 'genuinely important to life'" (New York Times, 7/27/80).

Another: "Carr proved to be a capable drummer but no Peter Criss. The show wasn't quite the visual extravaganza I'd anticipated, nor was it the Sodom and Gomorrah meets 'The Night of the Living Dead' I'd feared. Instead, it seemed like the 'Wizard of Oz' gone awry" (Aquarian).

From a mainstream review: "It was apparent from the appearance and playing of Carr that KIϟϟ one of the most successful rock acts of all times, was not taking any chances with the music or the formula now that original drummer Peter Criss has departed for a solo career... So it was almost the typical KIϟϟ show. But with the new drummer now more in the background, the focus was more on the front three... And although performing on a smaller stage than usual, the show was basically the same" (Billboard, 8/9/80).

From a regional review: "KIϟϟ concerts are a little like Christmas. The anticipation is half the fun, and everyone was up for this one... KIϟϟ crashed through their 20-song set with the delicacy of a chain gang" (London, CT, The Day, 8/1/80).

[harrelltut]

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[dojae-huh]

after all those bestfriend quote by tae to johnny I was really curious when they become so close to each other than with dy? As johnny is a free spirit who mostly goes with the flow cant stand ty when he is having his mood swings....only dy can...you can see how much time ty mentioned dy in his solo shalala interviews...and for johnny I never seen johnny cling to someone (except contents and fanservice) like he does with dy....so the think you talk about sharing dy that was accurate....they dont like to share dy...when they need they need him fully.....

Thank you for sharing your thought on johnyong dynamic..

Taeyong called Johnny as good/best friend and thanked for being on his side over the years. Taeyong distanced himself from many neos a few years back, but he took it upon himself to talk to everyone individually and find a common ground, come to understanding. JohnTae and YuTae relationships became more visible again.

Taeyong gets attached to people and he has a trauma of loosing his trainee hyungs. Taeyong, as Doyoung, works on uniting everyone, fighting for 127 staying together. When JohnDo had a fall out, Taeyong took care of Johnny, gave him more attention. He included him in YongYoung as YoungYongYoung (I guess this order? can't remember). From "Youngho", Johnny's Korean name.

You are right to point out how often Taeyong mentions Doyoung. There are times when mentions are deliberate (YuMark sometimes), other times the words come out unintentionally, in such situations the feelings are more true. Doyoung is literally "on Tae's mind", his name slips from the tongue. The more space a person occupies in the brain, the more important or conflicting is the relationship.

Notice that Taeyong is not "selfish" about Johnny in his messages. Johnny is the older brother figure for everyone and for Taeyong.

Doyoung not only can help Taeyong during his down times, he is a great playmate. Doyoung easily indulges Tyong and becomes as silly (like that time he playfully kicked Tae during their HtoH photoshoot). Johnny is a more calm guy (with burst of Aquarian crazyness though) than he appears on camera, which Doyoung can also match.

This is a nice vlive with JohnDo before fall out, Taeyong appears at 17:18. Shows the three and the difference between them well.

[feytouched]

aquarians unite 🤝 HAPPY BIRTHDAY 🌹

yeeee thank you!!