#apologies for the long ramble

[emilykaldwen]

I dont understand why ppl want to get spoilers (that anon worrying abt aegon cheating) for fics or things in general, like, just read on and all your questions will get answered..

You told anon that abby is the only person he truly deeply loved, and yeah its obvious when reading it, but I could also imagine aegon falling in love along the way with other people he engaged with sexually, doesn’t mean he doesn’t love abby still. Maybe the love for the others wasn’t as deep or true, but just bc he loves abby doesn’t mean he cant fall in love (at least a little) with someone else too.

To be honest it doesn’t really seem like it when reading, since he really seems to only have his eyes on abby (romantically) all those years, but it wouldn’t be impossible to sneak in a second love interest for him.. would you do that in Maiden?

First off, thank you everyone who has sent nice/kind messages to me re: Maiden. I really do love my story and the only interest I'm able to tell is people who leave me comments. Thank you for making me feel less like i'm shouting into the void.

People like spoilers because they're hungry for answers. Why do you think there's so much speculation about season two of house of the dragon? And the anon who asked for the heartbreak spoiler, I didn't mind giving because I don't consider it a spoiler. I say right in the story summary that Abby and Aegon will have a Happy Ending, because in this fandom, there are a lot of stories that follow the 'rocks fall and everyone dies' plot of the book. This story isn't. I have heard of people who have been blindsided by poorly tagged stories where they thought they were getting a happy ship ending only to have the canon character like, cheat and then brutalize the OC pairing they were in. I have no problem whatsoever answering questions like this.

As the author, I'm asking you, the reader, to invest your time and emotions into the story I'm crafting. I want you to care. I want you to come along the ride with me! But this is also a fun hobby, and I know if I were a reader and then had the rug pulled out from under me, I wouldn't feel great. This is fic. This is free. This isn't a book I bought. So no, I don't mind reassuring people that Abby and Aegon are going to be okay, and that the current arc that anon was going into wasn't going to go into infidelity. If there was cheating in the story, I absolutely would tag it that way because that's an appropriate trigger. Whatever Aegon is doing during the particular arc, I do not consider it infidelity. Abby and Aegon are betrothed by outside force, but they aren't committed to each other. They're operating on that 'assumption feeling'. And there's a difference.

I think people are so capable of falling in love more than once in their lives. The idea of 'the one soulmate' is romantic as a trope, but it doesn't always resonate, you know?

I have to tease you here, Anon, because you just chided the other anon for asking for spoilers, and then asked me for a spoiler here! But I will say I already answered this question in the fic! In chapter 5:

And the love he had/thought he had for this person doesn't take away from his depth of feeling for Abby! No one person can be everything, and that's a thesis statement within the story. Aegon doesn't think he can be with Abby, so he was actively trying to move on from her!

I'm not sure if you're asking if I would consider this or if you're requesting this sort of plot. I do not take requests for plot in the story, and I hope this answered your question!

Thank you so much for your interest in Maiden! It really excites me to know that people enjoy the story, and I always love to hear about what you're enjoying and what questions you might have.

[ywuji]

Omg so like I want to hear your thoughts on perv!Megumi like finally after so long of Gojo teasing him for being in college for two years at this point and being single, he’s finally procured a pretty girlfriend who’s unfortunately (for her) so naive and sweet??🩷💕 Idk I got shy but I know you’ll do something good with this lol

ik i told u id post this after my wips but i started on it n i couldnt stop i liked the idea too much LOL im sorry for being so confusing D; tysm for the ask though!!! :o i rlly enjoyed writing this!!! (n don’t be shy ahjwhs you’re so lovely T_T♡)

perv!megumi !!! please i feel like he’s the type to be a pervert that’s kinda embarrassed n self aware about himself—especially bc gojo kept teasing him all those years n he was kinda just jacking off to whatever x-rated video that came up first (i feel like perv!megumi is highkey into hentai too but he’s taking that to the grave!!)

n when gets a pretty little girlfriend who acts so cute and who he loves so much, when he gets hard he can’t help but let some of that side of him slip out from time to time...

i think he’s also the type to take lots of pictures,, like pictures while you sleep, peeking through your door while you shower, in clothing store changing rooms while you change, upskirt pictures… he’ll make you his little model!! some of them you know about but some of them you don’t, he’s so lewd.

it’s not just pics of you he takes, it's some of himself too. i feel like one of the things he’d love to do to you is when you tell him to come with you to some random uni event, n he’ll randomly disappear in the middle of it, only to go to the bathroom to take pictures of his hard leaky cock to send you with some casual caption like he didn’t just do that ?!?! he’s crazy (more under the cut)

it’s not megumi’s fault he’s so in his head about you, he still just doesn’t really know how he managed to get someone as pretty and doting as you are as his. 

he sometimes feels guilty for being so obsessed with you—your body clad in pretty little outfits that you show off to him with a twirl, the way you’ll always show him your shiny new sparkly nails when you get them done, how he’s always the first one you’ll pick to talk to about something new you’ve found to love—it’s all that seems to be on his mind recently.

maybe it was gojo’s accidental doing, those feelings of guilt. unintentionally planting a little growing seed of shame in him the first few times he started teasing him for not having a partner yet at his ‘big age’, borderline lecturing him with the ‘when i was your age’ stuff—maybe that was the logical reason why he felt so attached to you, the reason he couldn’t help getting fully erect even when he only saw as much as a pair of your flung-away panties lying at the edge of your bed when coming to your room one day.

but when he recalls back to those nights where you’re innocently cuddled against him, watching whatever movie, a quiet ‘megumi?’ leaving your lips as a sign to tell him you’re falling asleep, and he finds himself shifting in his seat, carefully adjusting your head to let you rest comfortably on him, pressing a soft kiss to your hair as he strokes it and tells you a ‘sleep now, angel’, he knows that’s not the reason.

nevertheless, he’s always been worried about it, thoughts of ‘am i doing too much?’ or a ‘would she not like this?’ clouding his mind. but for every single thought like this he has, he’ll always have two more memories where he’s coming up to you, his sweet-faced little girlfriend, waiting for him with open arms and open heart. and to him, it means more than the world.

and as his cheerful sweetheart girlfriend, you’ve never really minded of course.

you know he’s at least a little perverted, asking to take those pictures of you trying on your new swimsuits, or bras, or skirts, or those times when he pulls out after spilling his load into you, and the first thing he does after making sure you’re okay is to go face-to-face with the trail of cum seeping out of you to snap a few photos.

honestly, you’ve gotten used to it at this point. you just take these moments, seeing what you do to him, as a way of reassuring yourself that he really does just love you that much. and he really does. really!! :(

no matter how innocent or dirty the context, he’ll let you know whenever he gets that warm little feeling in his chest.

“i-i love you,” he pants, head coming up from sucking marks on your neck, languid thrusts coming to a gentle stop as he peers up at you with flushed cheeks. it feels like he’s admitting it for the first time again.

when you stare at him with his same love-drunk look, brows furrowed and eyes pleading, whispering out an “i love you too, gumi”, he’ll pause a moment to study your expression before gently raising you further up the bed, hooking his hand under your leg and repositioning it around his waist.

he’ll drop down to press a kiss to your cheek before resting his chin on your shoulder and picking up the pace again, now only determined to make you cum.

when he thinks of times like these, despite what you’re doing together, it’s innocent in his head.

a time where that’s not so much the case though is when you persuade him to come with you to some uni exhibition event, looking up at him with hopeful, doe-like eyes and as many ‘pleeeaaase, gumi’s and ‘please, guuuum’s as you could muster—cause it’s not like he could say no to that, right?

at first he put up an act of feign stubbornness. but eventually he agreed—only when he knew you’d excitedly hug him and press your soft chest to his as a thank you for it though.

he’d tour the hall with you, watching you gaze in awe at everything with your cute, simple curiosity, occasionally pointing out little things in the pieces he liked. before the artist began their talk though, he got up from his seat, pressing a quick kiss to your cheek before muttering a “‘m g’na go to the bathroom.”

in an empty stall, he’ll sit atop the lid and pull down his jeans, freeing his stiffening cock from his underwear. he quietly groans as he pumps himself a few times, a slow trickle of translucent white leaking down from his tip.

he silently curses, throwing his head back, thinking about how you let him flip up your pretty skirt before you left, letting him take a peek at your cute ass in the frilly panties he bought for you.

he reaches for his phone, fumbling to send a picture of the sight to you, adding a casual caption of something like ‘hi pretty girl’ or ‘u look so pretty today, angel’.

he pauses, realising that maybe you won’t see it for a little while. he’s imagining you so obediently listening to the artist speaker to notice the ping of his notification—he enjoys that thought too, but he can’t say why.

he’s careful not to thrust up into his fist, not wanting to make too much noise, but it’s futile—he’s too hard staring at the lewd shots of you saved in his secret hidden album—the way you act so innocently, the way you have no clue what the true extent is of what you do to him. he can’t help but let a few breathy whines slip.

he won’t let himself cum though, thinking he’s too good to be letting himself release over some scrunched up, bathroom tissue when he’s got his own pretty little girlfriend waiting for him a few halls down.

he sighs. cleaning up and tucking himself back into the band of his briefs, leaving the stall and washing his hands, walking back out like nothing happened.

[bamsara]

I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.

Ahh, parallels. I think.

IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.

Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.

(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)

It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.

Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.

So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"

Example parts from Chapter 3:

The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.

This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:

Example from Chapter 5:

The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.

While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-

The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.

Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:

Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:

Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:

And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.

It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.

[vaxxman]

Do you like red oktoberfest (like romantically)?

Aha! Interesting and very valid thing to ask! Thanks for your question!

I shall not answer straightforwardly!

Doodle (1) and rambles you didn't ask for below the cut. The answer is in the last paragraph.

Clown language.

I admit I personally prefer showing characters interact with each other and allowing their interaction to be interpreted as either romantic, platonic, or even nothing at all.

I think this approach makes relationships less framed by "signpost cues" of friendship/attraction/love (not that I do not enjoy seeing these either). I think it leaves more room for interesting human interactions, independent of what expectations the reader has for the two characters. Some people seem to search for actions like kissing, hugging, confessions, in order to confirm whether something was supposed to be romantic or not. But then, the absence of such cues make them arrive at conclusions that ignore other forms of relationship-building interactions all together :(

(Fig.1: The unparalleled amount of different flavours of intimate feelings that are evoked from "getting shot and dying on your shoulder" - disease)

So for me, it's Schroedinger's character relationships, with a generous amount of "the true value of this relationship is the collection of interactions we have made along the way" and it doesn't need a name. So with that out of the way:

I am not averted to the idea of Medic and Heavy finally getting their hot steamy Tf2 Sex Update thanks for readin-

[lost-romantique]

It really isn't hard to see why people ship Stolitz...

One thing I notice a lot of Anti-Stolitz shippers do is demonize one person over the other on what happened in Full Moon. Either Blitz is the most abusive asshole that was about to physically beat the shit out of Stolas, or Stolas is some rapist that got upset his victim didn't accept his grand love confession. Both of which are extremely bad takes.

If you blindly pick a side on who was right and who was wrong, than yeah it's no wonder you can't get aboard this ship and that's your own prerogative.

When people ask me why I ship Stolitz, I'll tell you why:

Because underneath all their resentment and anger they hold for one another, they both genuinely care so deeply about the other. Their interaction in the latter half of Apology Tour says as much:

Stolas, despite, having the right to completely blow off Blitz when he approached him. Chooses to instead hide Blitz's face as a way to protect him from being seen, just so they can have a chance to talk.

Despite how horribly Blitz treated him earlier in the day, Stolas still finds comfort just being held by him. Stolas still trusts Blitz, his little knight in shining armor to protect him.

Blitz is so gentle with Stolas throughout this interaction, when Stolas gets upset and falls dramatically off his lap, Blitz freaks out. The first thing Blitz does is curse at himself for fucking up, only to immediately get Stolas up on his feet and guide him to the couch.

Blitz does the right thing and allows Stolas to dance with BTB when he looks to him for permission because: Blitz understands that he wasn't in the right mindset to reciprocate the sort of affection Stolas was seeking at that moment, and because Blitz knew that Stolas deserved to have a night of fun.

BONUS:

This scene is so poignant and so powerful in my mind, that I honestly consider it one of the most beautifully heartbreaking moments of the show.

Blitz is forced to realize that by pushing people away, by building up all these walls that surround him, he essentially created this much carnage he never meant to.

To top it all off, this episode ends with Blitz letting Stolas go, even though he desperately doesn't want to.

(Someone give Blitz a hug please, my poor precious bean.)

I love the fact that these two men are genuinely what the other needs in their life.

A big reason as to why Stolas is in love with Blitz is because Blitz was the first person that introduced him to the concept of freedom. While Stolas just seemingly accepted his fate of dedicating his entire life to being a proper Prince of the Goetia.

Blitz wasn't like that, from the very beginning, Blitz was someone that dreamed of something bigger for himself, something better, something that usually an imp like himself could never hope to achieve. Blitz is a dreamer, and Stolas admired that.

As adults, Blitz taught Stolas that he had a right to pursue his own sense of freedom, that he didn't need to live a life trapped in the woes of being a Goetia in an abusive marriage.

Blitz, unknowingly, taught Stolas that he didn't need to be an owl trapped in a cage! Blitz taught Stolas that he had a right to pursue his own dreams, his own happiness.

If it wasn't for Blitz, Stolas would still be living that miserable life of conformity.

Even now, there's so much Stolas could learn from Blitz, and Stolas recognizes that: "Maybe there's somethin' here for us to glean. For you to teach, and me to try to learn."

What Stolas can do for Blitz, is be that pillar of support Blitz desperately needs in his life. Someone that will always be by his side when his self-hatred starts to take control.

Blitz needs someone in his life that can be there to remind him that he too has a right to be happy, that he too has a right to be loved.

And there is no person better for that job than Stolas, who *still* holds so much love for this little red lizard.

Stolas can be there to teach Blitz to be better for others, and be kinder to himself.

Also, low-key...

These two are so fucking hot together, like goddamn.

[petite-phthora]

Jason, Jason Todd

[DP x DC fic]

[Love at first… murder? - part 18]

<< Prev | Next >>

Part 1

Ao3

---

Private chat nicknames:

Gramps = Alfred

---

After throwing the last of the tp onto the manor they hop back over the wall, wandering back to where Jason parked his motorcycle earlier.

Honestly, Jason knows that it felt like it was too easy.

And it was.

The only reason they were able to freely “break into” the manor is because Jason was with Danny, showing he wasn’t a threat. He’s certain Babs has already noticed the loop he had put the cameras on. She probably hasn’t interrupted them yet out of politeness, or so that she can gather more blackmail.

It’s likely both…

Jason conspicuously checks his phone while walking when he notices he has a new message.

---

Private Chat

Gramps: I presume you will be coming back later today to clean up the manor. Won’t you, Master Jason?

---

Jason, knowing he’s already lucky enough that Alfred isn’t upset with either him or Danny, lets out a relieved breath. He quickly answers Alfred, apologizing for the tp-ing despite absolutely not regretting it in the slightest and replying to the implied question in the positive.

It’s also a bonus Alfred approves. He supposes as he reads Alfred’s next text.

---

Private Chat

Gramps: And do bring over young Danny for dinner sometime.

---

Steph stares in shock at the manor, completely covered in tp, in front of her. She drops the bag she’s holding onto the ground.

How dare they…

“Damn it!”

Out of the dropped bag rolls a roll of toilet paper.

“Who got here before me?!?” She exclaims, feeling oh so deeply betrayed. “And why wasn’t I included?!”

She quickly takes out her phone, a displeased frown on her face, paired with a pout. She opens the group chat and takes a pic of the manor. As she’s typing, she vows to herself…

She’s going to get to the bottom of this.

---

Danny checks his phone for directions to the location he had in mind.

Earlier that week he had scouted the city in his ghost form in order to find a place for the date. After finding the perfect spot, he marked the location down on his phone so he would easily be able to find it again.

After double-checking his phone, Danny puts it away and they both get on Red Hood’s motorcycle again. Danny gives him the directions as they drive, the sky slowly beginning to darken.

The location he chose wasn’t too far off from the manor, and in no time they arrived at the top of a hill looking out over Gotham City.

They get off of the motorcycle and Danny gets his bags out of the saddle bags as Red Hood, who had already taken off his helmet and is currently holding it under his arm, seems to be looking around.

“So, what’s the big plan, Polaris?” he asks.

Danny raises a curious eyebrow at the nickname.

“Polaris?”

Red Hood nods.

“You’ve mentioned before, while you were telling me about Ursa Major and Ursa Minor, how Ursa Minor is also known as the Little Bear constellation and how it contains the North Star, which is also referred to as the Pole Star or Polaris.

“Besides that, I felt like Polar Bear was a bit too long for a nickname, and Polar-is, which again is in the Little Bear constellation, just seemed to fit perfectly.” Red Hood says, a cheeky grin on his face.

Danny pauses, his cheeks flushing a little.

“You know what? That’s pretty creative, I’ll give you that.” Danny says, nodding.

“Though, to answer your question, I thought this would be a nice place to have a picnic dinner,” He says with a smile as he takes out a picnic blanket and some food and drinks he had brought along as well.

Red Hood smiles back at him.

“You know what? That sounds great. Here, lemme help you put it down” He says, reaching out for the blanket.

---

A little while later, they’re sitting on a blanket, looking up at the stars. They’re taking their time enjoying the food and looking out over the city and the night sky.

 Jason has his helmet set down next to him, mask still on his face, of course. He’s almost fully lying down, leaning back on his elbows. Danny sits cross-legged next to him.

“So, Mr. Aerospace Engineer, what can you tell me about what we’re seeing here?” Jason asks, gesturing at the night sky.

He glances over at Danny. Danny, who had been looking up at the sky in awe, meets his gaze. Danny takes a moment to respond, looking back at the sky and then looking Jason over before meeting his gaze once again.

“Why don’t you tell me more about yourself?” He asks instead, tilting his head.

“You’ve told me before how you love English literature, especially the classics. But what’s your favorite book?”

Jason’s face lights up with a smile as he starts telling Danny about Sense and Sensibility from Jane Austen.

---  

There’s a lull in conversation when Jason looks over at Danny, studying his peaceful expression. While taking in the beauty of the man next to him, Jason makes a decision.

To hell with it.

Jason takes off his mask. The action causes Danny, who had just turned to look at him, to immediately avert his gaze, cheeks slightly red. Danny opens his mouth to say something but Jason interrupts him before he can.

“No, no, it’s alright. If we’re actually doing this, if we’re actually dating… perhaps becoming more… then at the very least you deserve to know who you’re dating”

Danny hesitantly looks back up at Jason, making eye contact. Jason smiles at him, Danny giving a small smile back in response. He holds out his hand. Danny glances at it before giving him a questioning look.

“I’m Jason, Jason Todd.”

Danny’s smile transforms into a small grin. He grasps Jason’s hand, shaking it.

“Hi, Jason… I’m Danny, Danny Fenton.”

They shake hands and let go. The short silence afterward gets broken by Danny in no time.

“Jason?”

He makes a questioning noise in response.

“Can I kiss you?”

The question brings Jason’s thoughts to a stop and he sucks in a breath. Danny watches him, face filled with nervousness. Letting out a breath, Jason replies with a small teasing smile.

“Well, since we’ve already been to dinner I suppose I’m still owed one…”

After a few seconds, realization crosses over Danny’s face.

“I totally forgot I actually said that, oh the Ancients.” He takes a deep breath, running his hands over his face before dropping them back into his lap.

“Wait, so that’s why you came over to my apartment that first time with flowers and took me out to dinner?”

Jason sits up fully, turning so he’s facing Danny better. His gaze is filled with fondness and exasperation as he responds.

“You mean to tell me you forgot we agreed to go out to dinner first after I asked you if I could kiss you? Did you think I was just taking you out without asking then?

“Why did you even let me lead you out the window? Did you have any idea what I was talking about when I told you of the plans I had made that evening?”

Danny’s cheeks flush. Embarrassment fills his voice as he speaks.

“I mean, I don’t know, I thought you were just taking me out to dinner to thank me? For the— uh, murder?” He whispers the last word.

“I was, but I was mainly taking you out on a date. You do know that, right? I had considered that our first date, the tour being the second one.”

“Well, I did wonder later on if the dinner and observatory might have been a date but I figured it might have been some form of false hope, and I didn’t wanna have to ask. Especially if it wasn’t actually meant as a date....” Danny says.

Danny is rubbing the back of his neck sheepishly, looking down at the blanket. His cheeks are still flushed. Jason lets out a sigh as he shakes his head a little.

“Well, it’s not entirely your fault. I guess I also could have been clearer. But… You don’t mind that having been our first date?” Jason asks, keeping his gaze on Danny’s face to study his reaction. “Even if you didn’t quite realize it was meant to be a date at the time?”

Danny shakes his head, smiling at him.

“No, no… I don’t mind.”

They’re both gazing softly at each other. Danny moves a bit closer and raises his hand, gently placing it on Jason’s cheek. When he speaks, his tone is a soft whisper.

“Well, since we got a liiiiittle bit off-topic I suppose I’ll ask again. Jason Todd, can I kiss you?”

“I’d like nothing more”

Now, having verbal consent, Danny places his other hand on Jason’s other cheek. Jason places his hands on Danny’s arms. They both lean in, closing their eyes.

They kiss.

It’s only a short moment after when they both suddenly jerk away from each other.

Two pairs of toxic green glowing eyes meet.

One gaze filled with shock, realization, and a small twinge of excitement. The other filled with pain, comprehension, and horror.

They both speak at once.

One voice filled with amazement. The other filled with devastation.

“You’ve died?”

---

Taglist:

@i-always-say-yea @uraniumwizard @why-must-i-be-like-this @griffinthing @i23432i @imsotiredfanficlovertm @jaguarthecat @arkita-shadow @ilydana @jai-twin @apple-juice16 @mossy-bonez

[sancta-seraphina]

Hi, I hope this isn't too complex a question. What books would you recommend for someone looking to get into angels? I'm looking for anything... lore, other novels to read, comics, whatever you can offer

Oh man, please don't apologize, this is exactly my type of question! Also this post got a bit long.

Obviously, there are tons of references for lore. If you're looking for a basic run-down of angels in the Bible itself, I'm writing a series of posts on that subject specifically, even if updates are few and far between right now (I'm so, so sorry, the ballet eats all of my time):

[Biblically Accurate Angels Part I - Seraphim, Cherubim & Ophanim]

[Biblically Accurate Angels Part II - The Named Angels]

This is because the easiest and most accessible information on angels is in the Bible itself (and hey guess what—you can read the Bible for free online! If you need a translation suggestion, I would go for the ESV bibles, and there's a Catholic edition of the ESV if that's an issue. You could also get the NCB which is what I cited)

If you don't mind chewy literature, then I'd say please read Pseudo-Dionysius' De Coelesti Hierarchia, or St. Thomas Aquinas' Summa Theologica. I cite both of these in my posts on angels since they're rather standard sources of information on them, and they're also where the Catholic church gets its canon from.

A great reference, even if I don't particularly agree with everything stated in it, is Gustav Davidson's A Dictionary of Angels. Most people look at it for angel names, but I'm very interested in his sources, since many of them I've not yet managed to get my little paws on.

I'm not even going to get into my favorite sources of angel lore because this is enough for someone just looking to start. I can do a separate post on those if people want them.

Now. Moving on from lore.

For classic literature, my two obvious recommendations are for The Divine Comedy and Paradise Lost. Over on IG, myself and Jami (@a-thenais) made a little book recommendation post. [You can find it here]. Being the angels nerds we are, everything is pretty on theme and has poetry, scripture, classics... the only thing we didn't do is current angel literature.

So for that, if you want a popular series, than I'd say go take a look at @nicosraf's Angels trilogy, especially since he just announced a new short novel coming out in December!

I personally also like @marsadler's First Creation, although I'd recommend his works mainly for horror fans.

And lastly, if you don't mind waiting/are keeping a list of angel books that are coming out, well, of course I'd suggest my own series [The Divine Tragedy], even if horror isn't everyone's cup of tea. The main series (Holiest, The Harrowing, & Heresiarch) and the series of novellas (The Infernal Apocrypha) are heavy on the horror, but in my last project, the Sepher Metatron, only the third part has horror in it, and the rest of it is more palatable to non-horror fans (the very first part of the book is also fully illustrated)

But if you can read Italian, then I'd also suggest @a-thenais' Nova Apocrypha Vulgata series! These are three novels (Thanatos, Hybris, & Afasia) that she is working towards publishing, and a few additional works too. You can read about them on her tumblr, and I've done multiple fanarts for them. We also tend to consider TDT and NAV 'twins', so if TDT is something you want to read, NAV will also something you'd probably like!

If you want to follow some angel artists, then please check out my pals @ultrainfinitepit (who makes gorgeous angel pins which I hoard) and @helplessavacado, both of whom have their own unique styles and stories as well.

[dreamingaboutsakuratrees]

Jason: is it hard for you to maintain a tan?

Tim: ...what?

Jason: you know, since you're always living in my shadow

[drawnfamiliarfaces]

Would Jenny allow Danny to tinker with her? I know robotics isn’t exactly the same as aerospace engineering (and I do be headcanoning that my boy chose this as his major since he wants to be an astronaut), but with all the experience he had from handling his parents inventions I believe he can be trusted with fixing something as complex as a robot. I like to think that Danny was really impressed with how Jenny was made and secretly wanted to take a look at how she works, but was too shy to ask because he knows how it’s like to be treated like an object and not a person (with the whole “ghosts are non-sentient globs of ectoplasm with post-human consciousness” spiel he heard so many times) and didn’t want to make Jenny uncomfortable. I believe it took Jenny some time and getting to know Danny and his engineering skills before she let him fix her when she got something badly broken. It was like a show of ultimate trust from Jenny’s side and Danny was flattered, humbled and very respectful. And super careful of course, constantly asking how Jenny’s doing or feeling while he tinkered, mindful of her. I bet she was touched.

Not gonna lie, this is one of the more fascinating asks I got - if only because its incredibly interesting to read about your take/interpretation of Danny & Jenny's relationship! I hope you don't mind me saying, but it feels like you adore both characters and it's very cute!

Well, now, in HoM AU, both Danny and Jenny are close friends and indeed Danny is one of the few people who Jenny trusts with - well, herself - her mechanical self. Like you, I headcanon Danny as quite mechanicaly gifted - in HoM AU he actually graduated college/uni with engineering degree, so he got education to polish his raw skills! He is one of the first people who would help Jenny in and out of the field, if there is a minor malfunction or an injury of some sort!

But even for that to happen it took a couple of years and a few adventures together.

So to answer the original question, I would have to say that in HoM AU specifically, neither Danny would ask to 'tinker' with her, nor Jenny would probably be totally comfortable with that question if asked. 'Tinkering' would imply a degree of casual poking around, and in this case, both Danny and Jenny have certain life experiences that gave them... boundaries when it comes to their own and others' autonomy. Jenny especially.

(a bit of random background info dump here to explain the reasoning, but feel free to ignore it, since i basically answered the ask xD i just got bitten by a writing bunny, so its gotten a bit long - be warned!)

When Jenny was younger and only just acclimatizing herself with human world and amongst teenagers, she was rather blaze at times with how much access to her body she gave to her human friends and acquaintances.

After all, her mother was rather frank about it - often poking around in Jenny's mechanics and code. But it was her mother, who created her (sort of 'why are you covering yourself, i made you i already know what you have' mother attitude, which is a bit over-controlling and invasive to other's autonomy, but well, Jenny is a robot after all) and it a completely different deal from others.

So, despite her mother's warnings there are instances when Jenny was not very careful. Like when she allowed Brad, Tuck and Sheldon to literally remove and rip out her stuff in pursuit of fashion goals. Or when she dropped her guard around Todd Sweeney and got reprogrammed for her good deed.

And during the events of the last episode, she was once again controlled, by Dr Locus. While not exactly her fault, it still left a lasting impression that any mechanically gifted person could be dangerous to her.

Now, this is where we venture into my personal headcanons for MLAATR that are tied into HoM-verse:

Another aspect of Jenny's developed caution to giving access to her body - is the fact that she is not considered as a real person in the eye of the government/world. She is a thing, a weapon created by Dr. Walkman. She does not have the same rights as a human, and on paper she does not even have rights to her own body. It's all patented Nora Wakeman technology, (secretly) founded by the government.

And she has been fighting it ever since she was a teenager and refused to be called an IT - XJ-9 - and became a HER, a teenage girl Jenny, who also just happens to be a robot.

At first it started as a simple teenage rebellion and she went to school and started to hang out with other kids, but what about later after she graduates? Will she be even allowed to? Sure, maybe her school will give her a diploma, but how legal will it be to give something like that to someone who is legally not a real person? After all, its not like when other kids will turn 18 and can be their own people, not under the legal control of their parents. Jenny is her mother's property, intellectual and physical. For her to be considered a real person in the eye of government, it would require a law being passed about recognizing sentience of Artificial Intelligence.

And sure, she could probably be made an exception, being a hero robot and all, but the problem is, she is not the only human-made robot in existence! What about her sisters, who are prototypes and are not as developed as her? Her brother, who seemed to develop sentiency to the point of turning on humans?? Melody and Killgore?? And its not only in her world (cartoon), but in others (since its a crossover). So the question about AI/Robot sentience, no matter if they are good or bad or how developed they are, would not concern only her, it would be a global debate.

And we all know how the governments of the world would feel about passing laws about sentience of artificial beings that were created to serve the human race. It would be a struggle one way or another.

So, as she grows up and sees the world refusing to aknowledge her as a person, she doesnt have legal rights to finish school and go to college, to get a job, to get married, heck she cant even have a legal documentation that doesnt says 'Dr. Wakeman's creation'. The government says: your body belongs to us, because we paid for Dr. Wakeman to make you - you belong to us, we control you.

That, on top of several unpleasant experiences with other people disregarding her autonomy, will equal to Jenny trying to get some sense of that control back. So she starts to be more cautious about how much access others have to her physical self; she starts to build and reinforce boundaries with other people, starting with her family and friends.

It was one of the darkest days in Sheldon's life, when Jenny started to firmly say 'no' to whenever he asked her about her inner workings and casual access for poking around. xD Tuck was not a happy camper either, that his favorite robot friend became very stingy with all the cool stuff. But Brad got it. And after gentle (and sometimes not) reminders, others became more understanding.

It was a little harder with her mother. Dr. Wakeman truly loved her daughter, but she was a scientist first and mother second. She was so used to casual access to Jenny, in order to keep maitanance that it was hard for her to break the habits. Its still a constant struggle, but she has gotten so much better.

Now, when it came to her new friends amongst HoMies, she already has built a set of boundaries that allowed her to feel more secure as a person, despite how the world sees her, but she is much more reserved to opening herself up to others, at least compared to how she first approached people when she was younger.

It took a few missions and getting to know them better, for her to start trusting with them with her mechanical self. But now a few years later, she feels comfortable enough with most of them to give her a helping hand when needed!

Of course not everyone are capable of helping her though: Danny, Kim and Zak are three of more mechanically oriented people who can help. Though Danny is the one with actual education in that field, while Kim and Zak learned more by necessity, from Kim's various jobs and Zak to operate the Saturday's equipments.

When Rex joined them, he actually became the second best person for her to come to if she needed help. Not only because he has unprecedent skills in mechanics, but also because of his nanites. (but thats info dump for another time, lol)

Jun has some basic knowledge in mechanics, but nowhere near enough for her to feel comfortable poking in Jenny's insides. Jake is perhaps the least capable of helping, when it comes to engineering, followed by newbie Randy (tho we really aint counting him tbh xD).

Ben is a complicated situation - he has some training and knowledge in engineering and robotics because of his Plumber training, but Jenny has heard horror tales from Gwen about how he treats his stuff (the whole hacking/playing with Omnitrix settings), so she flat out refuses for Ben to touch her. However in emergency/battle situation she would allow Ben to use one of his aliens to do so (like, Grey Matter or Upgrade).

So, we talked about Jenny's experiences and why they would contribute to her feeling uncomfortable if someone asked to 'tinker' with her.

Now, let's talk about why Danny would not ask to 'tinker' with her in the first place.

Like you said, Danny is all to familiar with the struggle of being part of something tat is hardly recognized as a sentient species - he had to listen to his parents dismiss ghost sentience most of his younger life. Of course, they have gotten much better since the... 'finale' of DP, but this sort of racism? xenophobia? (im not rally sure which term to use tbh) prejudice against ghosts would have left a lasting impression on Danny.

So I dont remember if I ever implied it, but in HoM AU - events of DP finale happened very differently and the resulting consequences of it diverged a lot from Mr ButtHurtman's 'canon'.

(Also, I had ideas about it, before a Glitch In Time came out, so events from there were not taken into consideration. )

I don't want to reveal much, because it is kinda one of my planned flashback for HoM, but the events that happened reinforced Danny's ... well lets say regard of people's autonomy? It's kind of hard to put into words.

Ok, let's explain it like this: Danny would not ask Jenny if he could look at how she worked and if he could tinker with her, because it would be like if his Mom and Dad casually asked if they could perform a vivisection on him to see how different he is from a full human.

And while sure, the comparison might sound a bit extreme, since there is a difference when it comes to robots and humans about 'poking around' in their innards. But to Danny - it would be too close of a comparison - because of the whole 'recognition of sentience' thing.

After all, wasn't it just some years ago, his parents cried that ghost are nothing more than lump of malicious energy that have no feelings? They changed their mind after Danny's reveal, which allowed them to actually listen and look into evidence proving otherwise and learn. And here is Jenny, struggling to be recognized as a person, since she is considered nothing more than a lump of metal with no feelings - just a weapon to be pointed in a certain direction.

And Danny would feel like asking Jenny if he could casually poke inside her, is a bit... hypocritical? And not to mention insenstitive. After all, he knows how she feels - she is basically still living his worst imagined life in some ways.

So, I don't think he will ever ask to study how she works by casually poking inside her.

HOWEVER -

At some point, after they became friends, Danny would feel like he should know at least some basics on how Jenny works, just so he could help her in an emergency.

I imagine it happened after a particularly rough mission, and Danny had to help Jenny back home since she was unable to do so herself, so Dr. Wakeman could fix her. After some time thinking, he would sit in front of both Nora and Jenny and ask them for permission if he could learn how Jenny works - from Nora.

After all, Danny does not need to poke inside Jenny to learn how she functions, when there is her mother right there - the creator, the maintanance and doctor all in one package, with access to blueprints and all intricate knowledge, who can evaluate what Danny needs to know in accordance to his passable engineering skills. She could teach him the basics - but of course not without Jenny's permission.

So he asks her, if he could learn, because he is tired of looking how she gets hurt along with them, but unlike most of them she can not be easily fixed with bandages and some time. And Danny, since he is one of the few of them who has the skills, would like to be actually able to help her with those skills. But it is her body - it is her choice, to trust him or not.

And Jenny would be speechless. It would be the first time someone asked her like that. Not even Kim, who is one of her closest friends, asked before (but mostly because Kim was perfectly aware that she is nowhere skilled enough to even think about it).

And you would be right. It would be a show of ultimate trust from Jenny, to agree for Danny to learn. And maybe at some point, simply learning, turned into more on hands learning in some small ways. And Jenny's trust was never betrayed, and Danny always stayed humbled and aware of that.

so, i hope the answer was satisfying, or at least entertaining for you! thank you again, your ask was delightful to read and allowed me to explore some of my own backstory parts for HoM a little bit more!

[dreamydelite]

"it's like they're stuck in their own world" -joey probably

[stressfulsloth]

Thinking about Harry and all the animal parallels that follow him through the narrative. It's true that these animal parallels reflect the way that the brutality of individualist moralism strips him of humanity as someone who has fallen through the safety nets, and his agonised shout of 'I don't want to be this kind of animal anymore' can be interpreted as a direct admission of the RCM's dehumanisation of him as a disabled addict who is no longer as 'useful' as he once was. Gottlieb even directly tells him '[he] lost [his] human visage a while back.' Jean calls him 'the most dangerous animal of them all'. The rabid dog that needs to be put down, the black dog (also a common metaphor for chronic mental illness!) that Mollins shoots as it licks its wounds; the scared, hurt, frightened animal lashing out, chewing off it's own leg to escape the trap that it's caught in. The wild dog is all they can see.

But then there is a flipside to these parallels too; a kindness, a gentleness, almost a freedom in Harry’s animal parallels. He's strong like a 'goddamn ox,' like a bear ('I had to kill the bear to become the bear'). He's a harrier hawk, a name given to ensure his safety, raised up to the level of the aerostatics looking down over Revachol, 'soar[ing] on the wings of [his] spirit hawk.' He's a leopard ('its impossible to know where you end and the leopard begins'), discovering or rediscovering a love of softness and sensuality that he'd not known before via the leopard print leotard that 'speaks to the animal inside [him]' and touches on his relationship with his gender ('Yes, this is the type of animal I want to be.').

He's a 'seagull', a bird that will do 'whatever it takes to survive,' a 'bird of paradise' that tells a story of 'endurance- and adaptation' ('You! You and the seagull are just alike!'). He survives, despite everything, despite the grimness of the world around him. He endures. Even the sea monster comparison is oddly kind ('You've become a sea monster -- giant, hidden and... strangely tender at heart'). Even as a monster, he's still gentle; he still has so much love for this world that has wrung every last bit out of him. As if his tenderness is such an inherent part of him that no matter what monstrous face he wears, no matter what creature is there in his shadow, he cannot help but have some trace of it at his core. His tender soul 'quivering like jello.' The pain he feels is raw and animal but so is the love he feels. So is the hope and the fear and the wonder.

[didyoulookforme]

I’m so sorry in advance but I really unfortunately need more foul “you just fucked someone else didn’t you” stylist!au drama…. Like she surprises him at his hotel room and there’s already cum on the sheets or another girls panties on the ground😵‍💫 love u b 🫶🏻

that night after the show, you go back to the hotel bar and have a couple of gin and tonics with the crew. you don’t really drink much, just enough to melt some of the stress off your shoulders and let you mind slow down for a bit. it’s also just enough to give you courage and walk to matty’s room a few hours later. you always text him prior, but what the hell, you decide to go for it and see what happens.

you have to knock a few times before he makes it over to the door, him seemingly taken aback at the fact you’re standing there. though, you appearing unannounced is no more surprising than his disheveled appearance, open button down barely clinging on to his shoulders, black boxers showing through his unbuttoned pants, unruly dark curls framing his face. you know why. you’ve seen him like this plenty of times before—either after he fucked you or someone else.

you can’t help but eye him up and down a few times, smirking and shaking your head once you finally meet his gaze, him teasingly telling you to “fuck off” contrary to him opening the door so you can walk in. with just a few strides you find yourself in the middle of the room, staring at the bed where they obviously slept together. her forgotten black underwear crumpled on the floor by the bedside table. (he has no idea.)

the alcohol in your bloodstream is still making you bold, so you take a seat on that same bed, finding matty leaning his shoulder and head against the wall, arms crossed as he curiously stares back while neither of you say a single word. both of you know what’s going to happen, it’s just a matter of who makes the first move. and in this occasion, you do so by asking demanding that he fucks you like he just did the other girl earlier that night. it’s his turn to smirk, raising his eyebrow as his teeth catch his bottom lip. is that so?

you just nod, matty slowly making his way over to you as you pull down the straps of your dress, letting the fabric bunch at your waist, your tits bare and on display for him as there’s no bra underneath. so pretty.

on instinct you start to slide up on the bed, but he shakes his head, smiling as he motions his finger in small circles for you to turn around. you stop immediately, the way your legs squeeze together not going unnoticed by him. matty is now standing at the foot of the bed and grabs your hips, helping you get on all fours. just like that, baby.

you look back as he’s pulling his pants and underwear down, not even bothering to step out of them as he strokes himself hard, always making sure to have a condom ready as to not waste any precious time with you. it doesn’t take long before he’s thrusting into his fist, using his other hand to push up your dress and pull down on your red silk panties. you try to shift your legs to get the material off, but again, he halts you from going any further, leaving your now damp underwear stretched halfway across your thighs. please?

it’s not even a minute later before he’s pounding into you fast and hard, holding your ass in place as he tries to find that spot that makes you scream. and he knows he’s found it when your arms tremble, making you lose your balance so your face ends up buried in a pillow, thankfully muffling all the ungodly sounds spilling from your lips, but made only worse as he leans forward to lick a thick stripe from the middle of your back up to the base of your neck.

you love that he makes you feel this good and hate to think that he does so to other women too. but what you don’t know is that no one else drives him as mad as you. no one tastes as good as you. no one fits around him as perfectly as you do.

yes, he fucked the other girl just like this hours before, trying to get himself off as she was on her hands and knees for him. but he always needs to feel you close, and tonight’s no exception, not missing a beat as his arms wrap tight around your waist, raising you up so your back is now flush against his chest. this new angle, matty fucking your from behind as you barely stay upright on your knees, scrambles any thought left in your mind, not being able to focus on anything else but him.

you don’t even notice that your eyes have been closed until he starts rubbing fast, tight circles on your clit, jerking them open to watch his fingers tipping you closer to the edge. that doesn’t last long, though, as he cups your chin, turning your head so he can see your fucked out expression the moment he makes you cum. it’s his favourite. you are his favourite. and when you do cum, he can’t help but grin as he sees your eyes roll back to the back of your skull, loosening the grip on your face to run his thumb over your open lips, wanting nothing more than to see you like this every night.

it takes a bit for your breath to settle and gain back some consciousness, feeling your cheeks heat up as he’s still looking at you with that stupid, smug smile of his. you also realize that matty is still hard inside you, feeling even more embarrassed as you clench around his dick making him tease you. can fuck you again if you want, darlin.

and while that is enticing (hell, you want nothing more), he’s surprised when you shake your head, shifting yourself forward and almost feeling bad for matty as he whines when he’s no longer inside your warmth. you turn around to face him, still on the bed but now sitting on your heels. your hand instantly finds his cock, taking off the condom and throwing it on the floor. you’ll deal with that later. for now, you just want to look at him, his shirt now completely off his shoulders but still hanging on his forearms, hips slowly moving back and forth as you stroke him and make precum drip from his tip. to you matty is the pretty, beautiful one out of the two. he’s always been.

you probably look ridiculous as you finally try to wiggle yourself out of your underwear, but matty’s laughter turns into a string of swears as soon as you wrap the red coloured panties around his dick and use the silky fabric to get him off. the side of your head is pressed against his chest to keep him upright and you feel as his heart beat quickens with every flick of your practiced wrist. you notice as his cum quickly soaks the material, the red hue almost matching the colour of his swollen tip.

you wish your hand was the only one (other than his) to make him feel good. that you were the only one to stare up to see his puffy wet lips open in a perfect circle, eyelids heavy with lust as he tries his best to not cum right then and there due to pure pleasure courtesy of you.

it’s only moments after that you feel his dick twitch as his warm cum ruins your underwear, stroking him until he asks you to stop, matty desperately grabbing your face between his hands as he hungrily kisses you for the first time that night. always s’ good, sweet girl.

the two of you end up making out while in bed, tangled in each others limbs as each kiss is more soft and tender than the previous. as always, you giggle when he licks the tip of your nose, a small but sweet gesture that’s only reserved for you and you alone. but you don’t know so.

reluctantly you get up to fix your dress, mentioning how you need to take advantage of the queen sized bed while you have the chance. he grabs your wrist and pulls you down for one last peck, wishing you a good night. as you bid farewell, you don’t miss the chance to toss the wet underwear on his chest. for your collection.

you wink and make your way to your room.

and next morning, he doesn’t know what to feel more embarrassed about: the realization that you’d noticed the other girl’s thong (he found it and instantly knew) or the fact that he used your stained underwear to get himself off again.

[skyloftian-nutcase]

Ok Wild Angsters, you wanted a continuation, so here you go :)

Four already knew what he would be walking into. His phone had been blowing up for hours. He’d come in to work early. Whether he was assigned to take care of Wild or not was another matter - Vaati loved to try and take all the admissions, convinced he was the best nurse on the unit. If Four could just keep Vaati out of Wild’s room, he’d consider it a success.

When the charge nurse told him he would be admitting the trauma alert, he knew who he was getting.

Pre-admission jitters always made Four anxious, but this was an entirely other level of fear. He almost wanted to request a different assignment, but it was too late now. What if he couldn’t take caer of him because he was his friend? What if that impair his decision making? What if he just wasn’t skilled enough to handle it? He knew Ezlo wouldn’t give him an assignment he couldn’t handle, wouldn’t be there to support him, but still…

Four went over the supplies in his room once more. Safety checks were fine—they had suction, they had a bag valve mask, the code card was nearby—and he had all the supplies he needed. It was just a waiting game.

Four paced the unit at least three times before he looked at the OR status board again. Wild was still in surgery. He poked in his chart, glancing at injuries, looking at vital signs and anesthesia notes. The last update he saw was that Wild had gotten another unit of blood. Estimated blood loss so far was around 2200mL.

2200mL. That… wasn’t too terrible, Four supposed. He’d… seen worse.

Please don’t get worse.

Four knew for certain that Wild had been mass transfused in the ED. Warriors, his primary nurse when he was there, had told him as much. Between that and the multiple blood products he’d gotten in surgery, as well all the crystalloids he was likely getting as well…

Four took a breath. Then another. He grabbed his phone, texting Warriors. You doing ok?

Wars didn’t reply.

Four wasn’t entirely sure where everyone was at this point. Hyrule had stayed at the hospital, lingering in the emergency department and then the operating room waiting area, but Four hadn’t seen him since he’d clocked in. Warriors and Legend should be getting off shift now, but whether they were going to stay up was another matter. Time was obviously in the OR (Wild’s wreck had been around 10pm, he’d arrived in the ED around 10:45, and he’d been stabilized for surgery and gone to the OR by around midnight - it was 7am now… he wasn’t sure how long this was going to take, but it couldn’t be much longer). Malon should be getting on shift now as well - she had come in last night when everything had gone down, alongside Twilight. Wind had been cautiously left out of the loop until Wild had gone to surgery, simply because nobody had really had much information at the time, so no one wanted to worry the kid until they could figure things out. Everyone had their hands full as it was. But by now, Four knew Wind was either in the OR waiting room, harassing every respiratory therapist he knew, or in the hospital library pacing anxiously. As for Sky, the last Four heard he was bouncing between different people, checking in on everyone.

He clicked through more anesthesia notes, looked at flow sheets for blood products. There wasn’t much to go on, as charting was sparse. What Four did know was that Wild had been obtunded, got mass transfused, had gotten a chest tube, had been intubated, blood was evident in his abdomen, and he had an open femur fracture. He’s been taken to Time’s OR for a ex-lap. Head CT had shown a bleed, and they were monitoring it. That was all the information Legend had told the group when he’d had a moment to spare.

Four’s vocera activated, telling him he had a call from the charge nurse. When he answered, he was told Malon had called and said they’d be finishing up in about thirty minutes and were likely to come up open.

Why was he coming up with his abdomen open? When had they gone from exploratory laparotomy to a full on open abdomen?

Ten minutes later, Malon called back to give report. When Four answered, the first thing he asked was, “How’s he doing? Is he okay? Are you okay?”

“I’m fine,” Malon said, even though she sounded exhausted. “And he’s… hanging in there. I’ve seen worse, I’ll say that. I’ll give you the full rundown, okay?”

Four listened as Malon gave report, feeling his heart settled into his stomach, which was tying itself in knots. Multiple spots of bleeding, possible compartment syndrome in his abdomen, a likely kidney injury due to compression from the bleeding on some major vessels, a small hematoma in his brain… they’d had to call neurosurgery to do an emergency craniotomy out of overt concern of swelling, given that Wild had apparently had previous head trauma, based on what they saw in the OR.

Open abdomen, craniotomy, ICP monitoring, bleeding, one chest tube… this was a disaster. Four swallowed as he wrote, feeling his hand shake a little as his heart raced. He was not qualified enough to be admitting this. He was not.

But the turnaround on his unit was pretty insane, and he was the most experienced nurse on the unit today. At least Ezlo was charge; he knew he’d be well supported.

This was a nightmare. But Four had dealt with nightmares, and he would deal with this. He wasn’t going to screw up taking care of any patient, but especially his friend.

Sighing, he hung up the phone after thanking Malon, pushing worries for her and Time aside, trying to focus on what he would need, who he should grab to help him, and how he should prep his room.

It was time to get to work.

When everyone arrived from the OR, Four made brief eye contact with Time. He couldn’t read much from the man, who was stone faced, aside from the exhaustion evident in the dark circles under his eyes. Four got to work quickly, assessing Wild from head to toe as he looked to see what IV medications he was on. A coworker wrote the note while Ezlo helped detangle his lines (the OR always brought up a mess, after all). Time gave an overview of the surgery, and Four listened along as he checked pupils, as he zeroed the arterial line and the ICP monitor, as he listened to lung and heart sounds, as he checked the chest tube and stripped it with his fingers to ensure patency, as he checked peripheral pulses, as he looked at the abdominal dressing to get a baseline in case there was swelling from bleeding later. One of the techs connected the chest tube to wall suction, and Four looked over his drips. Only having levophed at 2 wasn’t terrible, and he was getting a unit of red blood cells, which was in a transfusion set that was y’d to some lactated ringers fluid. He was on propofol for sedation. Another nurse grabbed a blood gas from his arterial line and sent off labs. His foley he had was temp sensing, and Four quickly ascertained that Wild was cold, so he set up the blanket warmer and covered his friend up.

His friend. His friend.

Four shook his head. He had to focus.

As Time left the room, he put a hand on Four’s shoulder, making him freeze. The surgeon didn’t speak, just locking eyes with him. Four wasn’t entirely sure if it was for his own benefit or not. But he had no more time to let his emotions make any decisions for him. He nodded to the doctor, who nodded in return, and then the two went their separate ways.

This was going to be a long day.

[daemon-in-my-head]

I'm gonna be real with y'all. We don't actually need canon durgetash or more Gortash content.

What we rly need is to hype up each other about their creations regarding this train wreck of a man. Encourage ppl to speak their truths and discuss in detail, but respectfully, what kinda shit that guy pulled. However many ppl in this community sharing their inputs and personal thoughts is gonna render much more creative and simply just more options nd output and things to ponder as you reject smooches, which is far more fun anyway.

Atp any new content will be used for someone to moan and bitch and dog pile another person about their takes, interpretation and/or their creations.

The character is done. The story is done. Whatever 'new content' they'd throw in would just be pure fan service and 100% used against fans by other fans.

So instead, just appreciate and hype and enjoy and share with fellow brain rotters and curate the experience you want and a space that a fandom can thrive in.

It's close to a year since the character was released. I'd much prefer the creators to show their backbone by sticking to their interpretation and we can run with it as much as we like without their intervention and 'correction'.

Also mods are a thing, and bg3 has a bunch of very great and talented mod authors who share their creations for free and allow a much more 'personal' experience with the game anyway. Who tf cares what you do when nobody's looking and it's not breaking some laws.

[trans-queen-administrator]

Hey, can I hear about your shatterbird thoughts? She's always been my favourite member of the nine :]

[@faultlinescrew]

Oh I'm about to type for entirely too long.

Alright so a chunk of this is kinda headcanon, but any of that is fully based on canon. I had a giant fanfic planned that was literally an expanded telling of Shatterbird's life from trigger to death, and some plot points there may bleed into this unconsciously.

Number one favorite thing about Shatterbird is that initially, she did nothing wrong. She was unwillingly dosed with a Cauldron vial, and her scream and subsequent exploding of Dubai wasn't her fault. She had no intention to hurt anyone, it was done entirely out of her control as she gained powers and she should not be blamed for her first time destroying a city. The thing is, that doesn't matter in universe. She's still going to be hunted down by countless capes because she killed an untold number of people with that scream. No one's going to just let her go because it wasn't her fault, because she's the only person who can be blamed. People want revenge for their loved ones, and I'm willing to bet that she had a sizable bounty. It's similar to the situation we see with Rachel, where she can't have a normal life because she killed someone in her trigger and her identity is public, but on a much much larger scale.

I think the guilt ate at her so fucking bad at first. She killed her dad, her friends, her sister, her mother, countless others, and as much as it wasn't her fault she's still the one that did it. There's no way she doesn't blame herself for what happened, but when does she even have time to mourn? She's fled to a desert, she's gotta be struggling with food and water, and she's being hounded at every turn by people who want her dead. What's she supposed to do, let them kill her so she can atone for what she did or something?

I just love what a tragic backstory this is. She's one of the most horrible people we meet in canon, and I don't think it's unreasonable to say she has one of the highest body counts on Earth Bet, but she started as someone innocent and desperately trying to survive. And as much as I love this backstory and will defend to the death that she did nothing wrong at this point, it doesn't excuse who she becomes.

Shatterbird laughed.  “There’s only two ways to recover from something of that magnitude, to deal with the fact that you inadvertently killed thousands and thousands of people, and hospitalized twice that many.  You break, or you become it.”

(quote is from the missing interlude)

This is the quote that puts her entire character in a nutshell. The biggest question to me is... when did she become it? She implies in that interlude that it was rather quick, and that she went to Britain so she could hit a big target, but the Tattletale clone calls this out as a lie. She was running, the desert that she'd been in for months was unbearably loud with all that sand, and I think she was sick of living on the run. She wanted society, structure, something to make her feel human. I think she's full of shit saying she went there to destroy it, some accident or desperate confrontation occurred (timeline fits well enough for it to be a result of the Simurgh's attack, but that's just one possibility) and she broke London just as bad as she broke Dubai. What do you even do from there? Any slim hope of clearing her name is gone, she just has to keep running and try to ignore the guilt. And she ran to America, where the Slaughterhouse Nine found her.

The recruiting of people by the Slaughterhouse Nine fascinates me, because most are unwilling to join at first. Unfortunately the alternative is to die. No one in Brockton Bay was jumping to be the lucky winner, and the only people we know nominated themselves are Cherish and I think Siberian. Shatterbird (ever notice how she's the only S9 member with no canon first name? drives me nuts) was dragged into the recruitment process with no say in the matter just like most everyone is. Someone in the Nine found her, thought she would be a good fit because of London and Dubai (and how would that feel, to have someone on the S9 see you as just as bad as them?) and even if she explains that was on accident... what does it matter? It never matters that it was an accident. It never will matter. It's just something that she can tell herself to keep her sane.

So she's doing the fun little tests, I'm actually very curious how she altered herself for Mannequin's since he always does the same test, she's a very vain person, but that's off topic. Atrocities, horrors, being hunted by the Siberian, and suddenly she's at the end. Her and someone else.

“That’s not really a test,” Shatterbird spoke, “There hasn’t been a round of testing since I joined the group where we didn’t whittle it down to one candidate.” “We could forego the final test, pitting them against one another.” Shatterbird turned to him, “Ah.  But, again, the last test where we had to go that far was… mine?”

And she kills them. Dubai, London, those were accidents. This was on purpose, maybe even the first time she's done it on purpose. She could either break and decide she couldn't live with herself as a member of the nine, or she could just as horrible as everyone sees her. All her choices were rigged, there was never much of an opportunity to get better since so many paths closed off to her, but she voluntarily chooses to get worse. What's the point in holding on to the fact that it wasn't her fault at the beginning? She's never escaping what she did, so she'll become the monster everyone sees her as. You break, or you become it.

And there's not much of the more sympathetic side of Shatterbird in canon (partly because her backstory chapter was removed). She's fully embraced herself as a mass murderer. She revels in the attention, the fear. She parrots Jack's philosophy as a way to feel better about what she's doing, and eventually she doesn't need to feel better because she enjoys who she is now.

I don't know, I rambled for a while there but it boils down to me being fascinated by the circumstances of her gaining powers, and the shift from innocent but hated/feared to making damn sure that fear is justified.

Ok, so moving on from the backstory analysis, other miscellaneous details. Fuck it, I'm putting every thought I have on Shatterbird in this post.

She's the Nine's primary recruiter! Woo, good for her. Notably, she recruits Burnscar. Mimi is in a similar position to Shatterbird's past self with the whole involuntary mass destruction, although on a lesser scale (it'll always be on a lesser scale, Shatterbird has the worst trigger event out there in terms of consequences and she didn't even trigger). Mimi was on the streets and trying not to use her power, and Shatterbird scooped her up into the Nine.

“I- before I knew it, the Slaughterhouse Nine had found me.  Shatterbird recruited me.  And now I’m stuck.  I’m trapped.  You know there’s a kill order out on me?  If I try to quit, either the Nine or the cops will off me.  So I keep going, I work for them, and it all just gets worse.”

It's a situation Shatterbird can very likely relate to, but she's perpetuating it and making Mimi suffer like she did. No sympathy, no helping someone get through it and avoid the pitfalls she fell into, she's dragging other people down with her like a crab in a pot. Worth noting that I believe she's still bitter about the hand she was dealt even if she's embraced where it led her to, she remembers how horrible it was to be forced into everything and she does not care if she inflicts it on others.

But if someone else willingly joins the Nine, she takes it personally. Cherie says Shatterbird hates her, and that's because Cherie chooses the life Shatterbird was locked into. She's bitter that she never had that choice, and so she makes sure Cherie understands what it's like by chasing her for days for her test, not allowing any rest or sleep. However, this could also simply because Cherie sucks and is an unpleasant person to talk to, and Shatterbird is stuck-up.

Another thing I like is Shatterbird's appearance of knowledge and elegance. She's trying to appear put together, confident, in-control, and to be fair she does a pretty good job, her costume and theming are great. But under that is someone violent and angry, she's keeping up appearances to everyone else but also to herself. The fact that she's always trying to keep up appearances, even when locked in a room and doomed to die with one Witness (haha get it) she's trying to make it look like she was calm and in control when her body is found, is what 100% convinces me exploding Britain was an accident. The Tattletale clone calls her out, and to me it seems like another attempt to seem in control by framing it as deliberate.

Anyway, my attempts to woobify a mass murderer aside, I also like that she was a spoiled rich kid before all this and her prim asshole attitude points to that. She quotes Edgar Allen Poe, she reads because it makes her feel better than others, she's just so pretentious and unpleasant and to be clear I love this as a character trait, it's fun and leads to her speaking in overdramatic ways.

“Then you should know, nearly-Tattletale, that I’ve spent too long in the company of monsters to be scared by words.”

She thinks she was soooo cool saying that.

I also want to look at the last few weeks of her life. She spends so much effort propping herself up as great and in control, only to be locked in a box and puppeted around against her will. Genuinely I cannot think of anything more humiliating and agonizing for her to endure. She has nothing to do but think as she's used as a marionette.

She had a long time to reflect on her life, to look back at how she got here and what she regrets.

But I think she spent it stewing in her rage, itching and planning to get violent revenge and keep hurting others to be respected. She's unwilling and unable to go back, she'll double down on this forever because this is who she is now. And because 99% of characterization for Shatterbird isn't in Worm anyway, I may as well toss in this minor AU summary by Wildbow. If she escaped, she would have started her own version of the Nine with Damsel of Distress and Trickster. There is nothing left to sympathize with or redeem Shatterbird by the time we see her in canon, she's simply past that point. Side note but Shatterbird + Damsel of Distress + Trickster as a team is perhaps the funniest combo ever and I really wish those 3 fuckers got to interact in canon. Weirdo assholes who dress up fancy and have a taste for theatrics as a murder crew, we were robbed.

I could analyze the Hookwolf interlude but I don't want to. I'm very annoyed that Shatterbird (still no first name) is the only member of the Nine to lose the fight against her recruit instead of appearing terrifying and unstoppable. How come Burnscar can solo Faultline's crew but 3 nazis can take out Shatterbird, who has way more experience? It's pretty uncomfortable to have the only member of the Nine who isn't white be the one that loses to nazis, while one calls her a slur in his internal monologue, in the interludes where everyone else on her team is introduced as a force of nature. I think we should just collectively agree to make this interlude not canon and un-retcon the Witness interlude. While I'm on the topic it's also a bit questionable to have Sophia and Shatterbird (no first name. I am annoyed by this) as the only named capes puppeted by Regent?

But that's not the topic I wanna explore. The topic is that Shatterbird is a great character and I wish that she had depth in the story itself rather than scattered through 20 different sources, because she's legitimately my favorite non-undersider in the story. There is a lot of potential to explore her, one could interpret her backstory in a less charitable way than I did just for an example, and I really think she's neat! She takes hurting someone in an accident and then becoming the monster people see her as, something we see a few times throughout worm, to its ultimate conclusion in terms of scale. That alongside her outer layer of intellectualism and pretentiousness, which I'm a massive sucker for as a trait, and she's just perfect. Did nothing wrong (citation needed). I love her and I do hope that at least some of the stuff written her makes someone appreciate her character more.

Ok! That was... 2.2k words about Shatterbird (no first name). Woo! If some stuff seems inconsistent between paragraphs here, it's probably because I wrote this in chunks over the course of a few weeks and my feelings at the time can influence my interpretation of things and my writing to feel different when read all at once and compared. If you think I'm woobifying her too much, cool. I think it makes her more compelling to examine how much we know was her fault and how much she shouldn't be blamed for, and making her have less agency makes her more tragic which I always like. If you actually read this to the end, thank you! Have a nice day!

[jounosparticles]

reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover

OKAYOKAY YAY!!!!! this will be fun >:)

a huge suegiku analysis:

okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.

tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.

an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.

basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).

i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.

despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.

but this is where he's different around jouno.

firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.

the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.

anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.

yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.

because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.

also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm

anyways

another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.

mmmm theyre both so pretty.

once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.

arguably, this can be shown again in the pushups scene.

tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.

anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!

oh. but im not done talking about this. not at all.

the other huge display of emotions for tetchou was everything that went down with kenji.

as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:

ooog tetchou is so pretty. i love that left panel so much

using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.

starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.

i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.

however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.

now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.

as well in the anime, his eyes soften when kenji offers to help.

after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.

the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.

also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.

he seems almost distraught, which is a huge contrast to his typically-composed self.

and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.

he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.

he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.

it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.

and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.

he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.

and in this panel, we see he's extremely angry towards kenji's lack of response.

lets compare this to the first time tetchou fought the agency.

in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.

now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.

it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.

he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.

and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.

one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.

to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.

------------------------------------------------------------------------------

as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.

firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.

and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).

clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.

also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.

we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.

another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.

of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.

some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.

jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.

jouno talking to an enemy, for reference ^ i also just really love this page hehe

the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?

my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.

yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.

anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3

i love my sillies :)