#anyways their relationship is fascinating

[ooooo-mcyt]

"I built you a panda reserve!" is genuinely so interesting to me because..no you didn't Scar?

Scar built the panda reserve in Double Life because he liked the pandas. It was Scar's personal passion project. Grian didn't care about the pandas at all, and Scar knew this very well. In fact, the idea of using powdered snow to hurt your soulmate was partially created because Scar wanted to punish Grian for not wanting pandas in the base.

Now, there was nothing inherently wrong with Scar having interests and passions and projects that Grian wasn't interested in during Double Life. But Scar very much built the panda reserve for himself, because he wanted to.

So for Scar to insist now that he built it for Grian is just simply..not true..and it's fascinating for Scar to imply he feels like Grian should be grateful for something Scar did for himself that Grian never wanted or cared about.

I think this speaks to a wider problem Scar has sometimes that I don't often see discussed, which is that he can be slightly self absorbed, for lack of a better word. This doesn't mean he doesn't care about others, because he very much does. But when Scar gets it into his head that something is a positive for him, he can get a bit caught up in that and double down on his own feelings being 'correct', and assume other people will (or at least should) feel the same way he does.

This habit of Scar's was one of the big driving forces of Scar and Grian's relationship issues in Double Life generally, actually. Scar would, multiple times, do something Grian didn't want him to do, and then not understand when Grian was upset Scar did it anyways, because Scar struggles to understand outside perspectives sometimes.

And to me the fact that Scar's go-to example of him "treating Grian right" was to bring up something Scar loved that Grian very much didn't want is an amazing example of this particular problem popping back up.

[ask-codeearasure]

STOP LEAVING THIS SHIT IN THE TAGS I SWEAR TO FUCKING GOD DUDE

This is the kind of shit that wakes me up from the afternoon sluggishness, the mindset of "fuck everyone I'm not going to work today and everything is shit".

Jesus Christ I'm gonna get you one day. I will make myself an idiot sandwich when I do. I will make you understand the brainrot you curse me with, the dull sense of fascination I feel about these faggots, stages and headcanons and all.

It has become a great point of borderline-obsession for me to imagine Stage 1 and Stage 2's complicated dynamics with Color before they finally both understand he's got no ulterior motives. Then they turn against each other full-force because Stage 1 is a wuss with attachment issues.

I think it would be funny if Stage 2 is the Stage that starts trusting Color first, no apprehensive questions asked, and then Stage 1 starts having a fucking conniption over it, like they don't understand what the fuck #2 is doing or why so they automatically assume the worst when really #2 is just happy to finally have a guy that doesn't treat him like the odd one out or try to alienate him over premeditated assumptions.

#1 recognizing Color is safe and trustworthy is the equivalent to strangling themself to not fuck up the one good thing they have going for them while #2 would appear to just accept it, like a simple "okay" while he's constantly making calculations about the what-ifs anyway. They're both paranoid, but #2 picked up the habit of scheming so he always has a semblance of a plan if anything goes wrong while #1 constantly obsesses over the potential of everything going to shit, not so much how they'd react aside from breaking down, running away, and maybe finding a way to finally die.

Color gives #2 basic fucking respect then goes beyond that as they keep interacting and #2 finds he likes that a lot actually, only for #1 to try and sabotage their relationship through their paranoid bullshit.

And like, I'm not saying #1 has no reason to be this way, they do, it's all just popping up at the wrong time where these behaviors and habits aren't necessary anymore.

#2 is bound to get pissed at #1 openly at some point. He just wants to be around his pookie and chill, no bloodshed needed, and the constant hot-and-cold, yes-and-no, will they-won't they, push-and-pull attitude #1 resorts to makes him realize that maybe, just maybe, he's gonna have to invest in a notebook to start communicating with this bitch thoroughly. Cause his main man, his one trusted guy being pushed away is not doing them any favors and he wouldn't know what to do if Color had enough at some point and just left like #1 seems to want.

So they have this back-and-forth for several months while Stage 3 is the one actually chilling. It gives no fucks about the other two imbeciles, it's enjoying every minute it spends with Color, but may or may not scream when #1 or #2 try to switch in.

...imagine what a blend of #2 and #3 would act like. I think they'd be extremely clingy to Color, maybe hug him with their entire body and stay like that even as he's moving around doing his own thing, but retains the #2 behaviors of studying everything that piques their interest and not responding to much emotional stimuli, and all while they're heavily dissociating. Once separate, neither of them remember where they got that information but just accept it.

ANYWAYS I hate these fucking people, I should stick them in the pear wiggler and lock the door behind them.

#2 I believe, while he's trying to do better through his bond with Color, still has manipulative habits compulsively. He knows he has an issue with that but the problem is he doesn't recognize the hows and why's. But #1 does and reacts the completely wrong way in getting anyone to notice the signs. They are set in fucking over #2 when what #2 actually needs is a clear reference in how he can change these behaviors.

He really does value Color, all of them do, but he feels like at this point in time he's the only one actually being productive about it and that's gonna be another reason why he's so infuriated with #1.

He's trying to get better for his own sake, taking notes and observing Color's needs as well so he can stick by him more effectively. If only #1 stopped destroying those notes under the pretense #2 still thinks of Color as a jumbo-sized lab rat and not the most reliable ride-or-die in existence.

I am waiting for the time #2 finally snaps openly and Color receives a rant about #1 being a bitch while he's stuck in sleep paralysis. That would be one hell of a way to find out yo boy's got suppressed issues he's struggling to sort out himself.

-- Sarco

the way stage 1 handles the other stages and advises others to the same is just both hilarious and sad

“Yeah no don’t trust me when im like that. im sure being told that everything i do or attempt to express is just me manipulating and lying won’t have consequences”

“oh yeah just kill me when im like that. what? I tried to defend myself against being murdered and killed when I was like that? gee golly im just so insane and crazy and violence is all I know you simply must kill me”

“what? hiding this part of myself and trying to suppress and resist it and pretend it doesn’t exist has consequences in that it will only make itself more know the more I resist?..I need to hide all evidence of its existence even more! In fact you should kill me before i ever become like that!”

like is it any wonder you feel so threatened in other stages when you actively turn others against you and encourage them to dehumanize and demonize you, thinking you’re doing anyone any good

[lvnesart]

a grand spectacle it is, the act of ruining each other before an audience you wished to save

[evelynpr]

The Fontaine main cast are all so thematically, emotionally, and narratively connected to each other that you can ship them in nearly every way and it somehow works.

I'm talking Furina, Neuvillette, Arlecchino, Clorinde, Navia, and Wriothesley here.

Wriolette? The upholders of the order of Fontaine. One on the surface, and one in the depths.

Clorivia? Childhood friendship, betrayal, and now healing with the truth and past resolved.

Neuvifuri? 500 years of closeness and understanding, mixed with distance and regret. Only after her sacrifice are they finally both free.

Arlefuri? Changing their fates through sheer force of will. Protecting the people who need on them, while accepting nothing in return.

Wriolinde? They were going to protect Fontaine together if its the last thing they do. Their trust is unbreakable.

Arlevia? Protecting their loved ones beyond the law. With a system and world that did not care for them, they care for their family their own way.

Knavilette? The seemingly cold and distant with bleeding hearts. They always keep their distance for fear of what would happen in a moment of weakness, especially with their overwhelming power.

Navilette? Personal regret with injustice and loss, now healing with compassion and understanding.

Furinde? The selfless princess and her loyal champion. She has always been by her side, protecting her with her blade, but only now does she get to know the real "Furina"

There are even more I haven't touched on (lemme know if you'd appreciate it ig?). These characters are just so...so interconnected through Fontaine with its themes on justice, order, love, loyalty, and more. They really knocked it out of the park with creating such a beautiful and complex cast of characters.

[seefasterdraws]

from the homumiko mines

[answermywearyquery]

the theerapanyakul kids: how close are you with each other?

loan’s kinnporsche 2nd anniversary: favourite familial relationship: the theerapanyakul kids (insp: ½+½)

[meteortrails]

law and luffy are just like. what if I saw you at the peak of your miracle working competence, and then the literal next time I saw you it was at your most isolated and broken. and what if that moment of seeing you alone and grieving and terrified was the moment where I decided you were someone worth keeping, someone who I personally cared about and wanted around. how does that not make you wanna lose your fucking mind.

and then the other thing on top of that which always gets me is the way that you can just so clearly see that neither of them has any idea how to fit this relationship into any preexisting context - Luffy calls him part of his crew, but law is the captain of his own crew and would clearly die before giving that up; law calls them allies but it is glaringly obvious that they care about each other in a way that goes beyond that. of course Luffy is generally a lot less bothered about this than law, who routinely wants to put his own head through a wall about it, but it’s just such a fun layer to their dynamic I think.

[melverie]

Sometimes I'm doing well, and then other times Lucifer's level 30 intimacy phone call in Nightbringer suddenly comes back to mind, and I am once again reminded how Lucifer is so utterly desperate to connect with Satan in any way. It doesn't even have to be meaningful; just having his brother despise him a tiny bit less than before would already be more than enough

And when they finally do make the tiniest, most insignficant amount of progress imaginable, Lucifer is so overjoyed about it that he ends up celebrating with a horn of Demonus......or two, maybe three... Might as well finish the bottle. Let's open another one! And another, and another, and another! We've got to celebrate tonight, after all! Hm? No, he isn't drunk MC, what a stupid question to even ask. Here, he'll drink some more just to prove it! Then after that--!

And all that because he and Satan managed to hold a conversation for a minute longer than usual

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[mxwhore]

Idk if you already got this request a while back but ever since I saw your sphinx Martin I would think what about a Harpy Jon to go with him

i hadnt actually! very fun to think about

[revvethasmythh]

the thing about imogen saying that "if getting rid of delilah means getting rid of [launda] too, it's not worth it" is that it doesn't really change anything, does it? yes it provides laudna with reassurance that she is loved regardless of what lives in her head, but it doesn't mean that imogen doesn't still have negative feelings about delilah being there. "I love you more than I hate delilah" doesn't mean she isn't still disgusted by delilah. I get the sense that this is not an important distinction for imogen--she's said her piece, she's told laudna that she matters more, and that's the end of it for her. laudna matters more. her meaning is crystal clear: I love you and I'm choosing you.

but laudna has been obsessed with imogen saying she was disgusted by delilah watching them. she said herself she can't stop thinking about it, and marisha has said she can't stop thinking about it either, out of game. as far as they know currently, delilah's soul is twined in and around laudna's to the point where they are indistinguishable. the only way to get rid of delilah is to lose laudna. laudna doesn't know where she ends and delilah begins. imogen loves her, but imogen is disgusted by delilah. how does that work if they are one and the same? how does laudna cope with the fact that an inextinguishable part of herself is both genuinely evil and hated by the person she loves the most? at what point does being disgusted by delilah become being disgusted by a piece of laudna herself?

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[artofrolsch]

She's fine, she's just fine, you're fine, we're ALL FINE

Kind of a redraw of this frame from the book! Just wanted to play with some glitch effects yk

[thesmokinpossum]

The Godfather, Mario Puzo | An Hymn to Childhood, Li-Young Lee | Psalm 139: 14 | The Godfather, Mario Puzo | For your own Good, Leah Horlick | Erou, Maya Phillips | The Godfather, Mario Puzo | Ask Polly | The Hours, Michael Cunningham | FROM THE MAKERS OF "TWO-MOM ENERGY DRINK", IT'S "LET YOUR FATHER DIE" ENERGY DRINK

[seefasterdraws]

captain and the girlssss

[threegunbrainrot]

i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but

it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.

let me explain.

i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.

more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.

the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).

he just doesn't shoot people. at ALL.

then if we look at 98 trigun, things change drastically.

here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...

he holds a casual, sarcastic conversation while pointing his weapon at people.

he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.

tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.

...so what about trimax, then?

(PLOT SPOILERS AHEAD)

he is so. shockingly. violent.

of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.

tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?

he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.

seriously:

hunting legato. HUNTING him.

it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.

i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.

but the progression of vash's personality is fascinating regardless.

from a tortured, angry loner desperately trying to cling to his morals for rem's sake

to an equally devastated man who devotes himself so completely to acting the role of the fool

and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.