#anyways their relationship is fascinating

[heretherebedork]

And this is where we get into the murky waters of rejection and consent and what it means to say yes versus what it means to say no and what it means when the waters are unclear and when everyone is saying things without listening.

Because, yes, Heng does need to actually reject his boss. But his boss also needs to listen to the fact that he's never once actually said yes to this relationship. And he knows it! He really does! It's obvious he knows that this relationship is not what Heng want. But he did all of this anyway and that's not green flag material.

But also, just, this is a fascinating exploration of how a character can be tender and loving but still not a green flag because being a green flag comes from looking for and acting specifically on the concept of care and consent for as loving and as sweet as his boss can be he made deliberate choices about Heng's consent knowingly.

This is why I can't be allowed to watch comedies, y'all.

[lvnesart]

a grand spectacle it is, the act of ruining each other before an audience you wished to save

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[exhausted-undead]

young silco..... water theming.... hrrrgh

zoom for details

[seefasterdraws]

from the homumiko mines

[evelynpr]

The Fontaine main cast are all so thematically, emotionally, and narratively connected to each other that you can ship them in nearly every way and it somehow works.

I'm talking Furina, Neuvillette, Arlecchino, Clorinde, Navia, and Wriothesley here.

Wriolette? The upholders of the order of Fontaine. One on the surface, and one in the depths.

Clorivia? Childhood friendship, betrayal, and now healing with the truth and past resolved.

Neuvifuri? 500 years of closeness and understanding, mixed with distance and regret. Only after her sacrifice are they finally both free.

Arlefuri? Changing their fates through sheer force of will. Protecting the people who need on them, while accepting nothing in return.

Wriolinde? They were going to protect Fontaine together if its the last thing they do. Their trust is unbreakable.

Arlevia? Protecting their loved ones beyond the law. With a system and world that did not care for them, they care for their family their own way.

Knavilette? The seemingly cold and distant with bleeding hearts. They always keep their distance for fear of what would happen in a moment of weakness, especially with their overwhelming power.

Navilette? Personal regret with injustice and loss, now healing with compassion and understanding.

Furinde? The selfless princess and her loyal champion. She has always been by her side, protecting her with her blade, but only now does she get to know the real "Furina"

There are even more I haven't touched on (lemme know if you'd appreciate it ig?). These characters are just so...so interconnected through Fontaine with its themes on justice, order, love, loyalty, and more. They really knocked it out of the park with creating such a beautiful and complex cast of characters.

[answermywearyquery]

the theerapanyakul kids: how close are you with each other?

loan’s kinnporsche 2nd anniversary: favourite familial relationship: the theerapanyakul kids (insp: ½+½)

[a-non-event]

The Miller brothers getting shit done-

Bonus two of adorable Benny because I can't help myself:

[meteortrails]

law and luffy are just like. what if I saw you at the peak of your miracle working competence, and then the literal next time I saw you it was at your most isolated and broken. and what if that moment of seeing you alone and grieving and terrified was the moment where I decided you were someone worth keeping, someone who I personally cared about and wanted around. how does that not make you wanna lose your fucking mind.

and then the other thing on top of that which always gets me is the way that you can just so clearly see that neither of them has any idea how to fit this relationship into any preexisting context - Luffy calls him part of his crew, but law is the captain of his own crew and would clearly die before giving that up; law calls them allies but it is glaringly obvious that they care about each other in a way that goes beyond that. of course Luffy is generally a lot less bothered about this than law, who routinely wants to put his own head through a wall about it, but it’s just such a fun layer to their dynamic I think.

[melverie]

Sometimes I'm doing well, and then other times Lucifer's level 30 intimacy phone call in Nightbringer suddenly comes back to mind, and I am once again reminded how Lucifer is so utterly desperate to connect with Satan in any way. It doesn't even have to be meaningful; just having his brother despise him a tiny bit less than before would already be more than enough

And when they finally do make the tiniest, most insignficant amount of progress imaginable, Lucifer is so overjoyed about it that he ends up celebrating with a horn of Demonus......or two, maybe three... Might as well finish the bottle. Let's open another one! And another, and another, and another! We've got to celebrate tonight, after all! Hm? No, he isn't drunk MC, what a stupid question to even ask. Here, he'll drink some more just to prove it! Then after that--!

And all that because he and Satan managed to hold a conversation for a minute longer than usual

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[mxwhore]

Idk if you already got this request a while back but ever since I saw your sphinx Martin I would think what about a Harpy Jon to go with him

i hadnt actually! very fun to think about

[burningcheese-merchant]

How on earthbread do you ship BurningCheese. Im gonna try to not judge you. This is 80% a non-rethorical question. like genuinely how do you ship them?? /lh

I was wondering when someone would come ask me this lol. It's ok though, you can be honest, I can feel you narrowing your eyes at me through the screen 👀

I could honestly go on for a REALLY long time about why I ship BurningCheese/GoldenSpice. But I'll try to distill/narrow down my thoughts the best I can so my answer isn't longer than the Bible

I adore the enemies to lovers trope and hero/villain pairings in general. I did long before Cookie Run and I will long afterwards

I like how they complement and contrast against each other, aesthetically + personality-wise + backstory-wise

I love how they interact with each other. I love how they talk and snipe at each other. Golden Cheese's frustrated yet unyielding confidence and wit VS Burning Spice's brash, raucous excitement is fun to see. (The back-and-forth they have during their fight in episode 6 is dangerously close to how I've written them in my fics, even before the episode came out. So technically, in a way, my fics have been canonized lol)

It's fun imagining them together in different ways. A one-sided crush/obsession on Burning Spice's part is fun in a dark way (my Yandere Spice). So is a mutual love and respect between them. Main canon for me is a slow burn romance and a slow redemption arc for Spice alongside it. I also have an AU where Golden corrupts and becomes a Beast herself, and they become an evil villain couple. I have another where Spice doesn't get better and Golden doesn't get worse, they just have the standard forbidden love affair that they hide from the world (the latter out of fear of judgement, the former just so no one can try to keep them apart). I've got a million story ideas with them. You can do all sorts of things with them imo. And I think it works because of how they bounce off of each other. Put them in different situations and see how their relationship changes/adjusts/adapts, see if love can exist and how

I like their size difference. Spice is significantly taller and wider than Golden and it's really funny to see lol

The way they and their relationship/dynamic parallel actual Egyptian and Indian mythology (the latter in particular) is absolutely unreal

Not kidding, I can go on about the symbolism and allusions and references forever. I could write an actual paper on it. How can a ship go THIS hard

Come on, don't act like they wouldn't give each other a fantastic time in bed lmao

They follow each other around in my kingdom almost 24/7. Literally every single time I log in they're next to each other or one is trailing behind the other while they walk somewhere. If they want to be together that badly, I'm not going to stop them

They are literally the cycle of life and death, they have the single most important connection of all the Beasts and Ancients, one simply cannot go on without the other for together they make up the foundation of the goddamn cosmos

It actually all started with me and someone irl joking about Burning Spice having a stalker crush when the very first trailer came out. Then I went "haha that could be a funny fic". Then I wrote it and went "wait this is an interesting idea". Then episode 5 came out and I went "wait wtf does he actually want her??? He's acting like he does in my fic!!!" Then I wrote more and got even more attached to the one-sided attraction dynamic. Then I started imagining them in an actual, normal relationship and how that might pan out. Then I started writing stuff for/about that and I got extremely attached to that. Now they have a fully fleshed out relationship and they're married and have two kids, and I have a billion side stories and AUs, and any other ship involving either of them viscerally repulses me. I unironically memed too close to the sun and immediately fell straight down into BurningCheese hell (but it's ok, I like it here and I don't plan on leaving ever)

I can and I want to and no one can stop me

I still wrote a Bible, didn't I lol. BurningCheese/GoldenSpice is perfect in every way, they are my ride-or-die and you can pry the ship from my cold, dead hands. The end, roll credits

[revvethasmythh]

the thing about imogen saying that "if getting rid of delilah means getting rid of [launda] too, it's not worth it" is that it doesn't really change anything, does it? yes it provides laudna with reassurance that she is loved regardless of what lives in her head, but it doesn't mean that imogen doesn't still have negative feelings about delilah being there. "I love you more than I hate delilah" doesn't mean she isn't still disgusted by delilah. I get the sense that this is not an important distinction for imogen--she's said her piece, she's told laudna that she matters more, and that's the end of it for her. laudna matters more. her meaning is crystal clear: I love you and I'm choosing you.

but laudna has been obsessed with imogen saying she was disgusted by delilah watching them. she said herself she can't stop thinking about it, and marisha has said she can't stop thinking about it either, out of game. as far as they know currently, delilah's soul is twined in and around laudna's to the point where they are indistinguishable. the only way to get rid of delilah is to lose laudna. laudna doesn't know where she ends and delilah begins. imogen loves her, but imogen is disgusted by delilah. how does that work if they are one and the same? how does laudna cope with the fact that an inextinguishable part of herself is both genuinely evil and hated by the person she loves the most? at what point does being disgusted by delilah become being disgusted by a piece of laudna herself?

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[seefasterdraws]

captain and the girlssss