#anyways I think I’m done here

[quibbs126]

Finally done (I think)

I was inspired to make this by the leaves finally changing color over here on my campus, as well as Guts’ theme being what I was listening to when thinking about the leaves. Specifically about how the leaves turn from yellow to red, and how that reminded me of D-16’s change in eye color, and it all culminated in this

I’ve got a couple pictures of some of the leaves on the tree outside my dorm, which I took as inspiration (and also to double check that the colors can be seen changing on a singular leaf and it wasn’t just multiple leaves making me think it was a gradient)

Ignore that Transformers One Optimus is on Earth when they aren’t supposed to be there yet, the basis of this whole thing was the leaves changing color, so he has to be there. Suspend your disbelief, maybe it’s in the future or something

You know, this post felt a lot more put together on Monday/Tuesday when I was still starting it and I hadn’t already spoiled parts of the post. *sigh* oh well

But yeah, I was really proud of how the sketch came out (which I posted previously), but then I didn’t know what to do afterwards. But I didn’t want to just overlay the sketch with some lineart, so it all sort of culminated in this

I know my anatomy’s still off on Optimus. I still can’t fully figure out how to draw these guys and it frustrates me so much, especially when I see other people that can and can draw silly sketches of them. Teach me your power, please

I also don’t know how to draw a forest or forest floor. I’m bad at backgrounds. I meant to put in shading from other trees on top of it all, but I couldn’t figure out how to make sense of the shading, so it isn’t there. I just don’t know how to draw it

I really don’t think this turned out as good as it could have. If I were better at drawing Transformers or better at drawing backgrounds or better at drawing in general, this could probably look really good. But I’m not, so I guess this is the best version of my vision I can show you

Okay, it’s not that I hate it, I’m glad it turned out somewhat nice looking. But it’s not what I wanted in my brain, and it just isn’t the best it could be

Sorry, I’m being mopey. Just accept this, and I hope you like it. And hopefully understand my vision, if any of what I said makes sense

[waywardstation]

Look for anything (or anyone) that could be familiar

For part two:

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🔼 for Ingo to find Emmet

🔽 for Emmet to find Ingo

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[raiiny-bay]

some WIPs from the 80s AU i never finished

[royaltea000]

Pose practice! ᕦ(ò_óˇ)ᕤ

[ricky-mortis]

Young man with potential…

[blaithnne]

@sketchbookweek Day 2 | Hilda !

My first time trying out pixel art, with a wonderful little app for my phone!!! End product is very simple and hardly flawless, but I don’t think too bad for my first try!

[silverlombaxwitch]

did you already forget? You weren’t supposed to know that.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[mc-tummy-blur]

Explaining to his next victim about The Make Believes and Nick Lightbearer to show them that he understands the music (and Nick) more than they do

Based off of that scene from American Psycho y’know

Click for better quality

Check my pinned post to see links on how you can help the people in Palestine

Bonus sketch: Aftermath

[quibbs126]

Oh yeah so I had this idea earlier when I was thinking about Beast Wars, only reason I didn’t post it earlier was because I got dragged out to dinner

Anyways, so basically I had this thought of a Transformers series where basically the Autobots and Decepticons crash land on Earth, and due to them having no clue where they are and no current way of getting back home, they decide to work together, at least for the time being

So like, the main group of protagonists would consist of both Autobots and Decepticons

But also it wouldn’t be the entirety of both groups working together, as members on both sides refuse to work with the other for one reason or another and instead decide to do their own thing, being their own separate parties that probably cause trouble from time to time. But every member here has their own reasons why they are or aren’t fine with teaming up, and why they’re on one side or the other

I kind of don’t want Optimus and Megatron there, probably because I was thinking of Beast Wars which doesn’t have them, and also because I want to see this alliance come from characters other than them. But at the same time I feel like they kind of have to be there. My current solution is that the two were on a different part of the ship that came off during the crash landing, and in current day (assuming they all were unconscious for a bit like g1 or Animated) the two are missing, which might be a reason for the two groups to team up. Their goals are to: find fuel, find everyone that might have gone missing, find a way to contact/get back to Cybertron, and find their leaders

I’m not entirely sure what’s going on with Optimus and Megatron here yet, just that they’d probably be absent until like, maybe the end of the season or something

But one concept that did come to mind is that whoever found them basically decided to stitch the two of them together using each’s body parts into one powerful robot (probably not knowing what they really are), and so the two are pretty much fused together into one, with them having to deal with this, assuming they still have a mind anymore. And also with this concept, this Frankenstein of them is specifically not one or the other with the other’s body parts, it’s both of them in there, through whatever magic means. Or neither if we just want the body horror and the new team having to put them down. Or I suppose you could have instead their minds/sparks being fused into an entirely new being. Didn’t really think about that concept until right now. But yeah, might not be the concept I stick with, but it is the one in my head right now

Edit: all I know is that I don’t think I want it to just be “they decide to work together”, because while I’m down for a solo Optimus and Megatron team-up side plot, the rest of the group is already doing the team-up, so it’d be treading the same ground. I want to do something different with them, and fusing them together into one being certainly is that. Throws a wrench into the whole war thing too

And yeah, I just wanted to share this concept because I thought it was neat. I would try to develop it more, but I have literally no clue who would be on either side, because the only characters I think about are Optimus and Megatron, and I also don’t really want Starscream and probably Bumblebee here either

[ickypuppi3]

be mine.

billy sighs. rests his forehead against the cool metal of his locker. tries to ignore the hum of people talking around him. holding hands. cuddling. it’s a shitty day. it’s a shitty day and billy knew it was going to be a shitty day before it even started.

he knew because he had been the one to say it. yesterday. to tell steve that they’re not- that billy doesn’t need to be treated like a fucking girl. that they’re just screwing around. that he doesn’t give a shit if steve wants to fuck someone else today.

that steve might as well go crawling back to wheeler because billy sure as shit can’t hold his hand or call him sweetheart in the hallways. that he gets enough heat at home without the whole of hawkins high knowing how much of a queer billy hargrove is.

and then billy had walked off. slammed the door behind him and gone home. had picked a fight with neil just to top it off.

all because he was scared.

is scared. scared of steve harrington with his preppy fuckin’ polos and dumb hair. his pretty eyes and pretty smile and ability to tilt billy’s world on its axis just by looking at him. scared that steve will get bored of him. that he’ll realise billy isn’t worth the effort.

scared.

billy sighs again. shuffles back slightly and glares down as he twists the lock. the door swings open and billy is halfway to grabbing the book he needs when something falls out. a scrap of paper. no bigger than the palm of his hand. a note.

it lands on billy’s boot.

he looks around. wonders who had felt brave enough- dumb enough to shove a note through billy’s locker on a day like today. he bends down. picks it up. reads the words in front of him.

quarry, 9.

there’s a little heart scribbled on the top right hand corner. billy traces the familiar writing with a thumb. feels that all too familiar feeling in his chest. he clenches his fist. hears the crinkle of paper as he does.

then he looks up again. into his locker. really looks, this time.

a pack of marlboro reds lay on top of his books. unopened. new.

next to those, something smaller. candy, billy realises. a sweetheart, specifically. the words kiss me etched in pink.

billy smiles. can’t help it, really. it’s restrained. barely there. just a small twitch of his lips but a smile nonetheless. his first smile of the day. credit to steve fuckin’ harrington and his inability to leave well alone.

billy smooths the note out. places it next to the reds. next to the heart. tries to tamp down on the butterflies swarming in his chest. he takes a deep breath before stuffing the cigarettes and note into his pocket.

his hand hovers over the sweetheart.

“hey.”

billy pulls his hand back. fast. as if he’d been burned. he looks to his left. locks eyes with the boy now standing next to him. feels his heart stutter. “hey.”

steve gives him a knowing smile. “good day?”

“no.” billy frowns. you already knew that. “pretty shitty actually.”

steve leans. folds his arms. “that bad, huh?”

better now that you’re here. billy swallows. turns away from steve. back to his locker. “did you want something, harrington?”

“nah, just..” steve smirks. reaches out. billy feels his breath hitch. steve’s smile gets wider. he flicks billy’s earring. once. before turning on his heel with a see you around thrown billy’s way.

a promise. something deeper to them but. casual. friendly to anyone watching.

billy watches him leave. wonders if steve might be okay with them having to do things differently. wonders if this might be enough for steve. for them. wonders if he could be enough for steve. hopes-

billy jumps when the bell rings.

-

they meet up later. at the quarry like steve had said. neil under the assumption that billy’s seeing some girl. steve’s parents likely thinking the same.

billy feels as though a weight has been lifted as soon him and steve tumble into the back of the beemer. all cold hands and fumbling with belts. awkward limbs and steamed up windows. and billy lets it happen. lets himself be held. lets steve be sweet to him.

billy lets it happen. finds himself thinking that today might not be all bad. and that he might be more than a little bit in love with steve harrington. he pushes the second thought down. focuses on winding a hand into steve’s hair and sucking a mark into the soft skin just below his jaw, instead.

not all bad.

-

later finds them huddled under a blanket in the back of steve's beemer. sharing a cigarette. marlboro. red. steve nudges billy after a few minutes. doesn't say anything just. nudges him. billy tilts his head to the side. gives steve a look. steve just looks down as his hand finds billy's under the blanket.

then he presses something small into the palm of billy’s hand.

billy raises an eyebrow in question but steve’s already looking away. staring out into the night. cigarette glowing in the dark. billy rolls his eyes. wiggles his arm free and holds the object up to the window to get a better look.

be mine.

he laughs. loudly. tries to hide the racing of his heart. calls steve a fuckin' cheese. and a sweetheart. waits until steve turns to face him again before pressing the candy to steve's lips and pulling him in to exchange kisses that are almost too soft. too sweet for whatever this is. whatever they agreed for this to be.

steve pulls back first. whispers against billy’s lips “hey, baby?”

“yeah?”

“happy valentine’s day.”

“…yeah.”

almost.

steve grins and reaches out to play with one of billy’s curls. billy laces their fingers together under the blanket.

or maybe it’s just right.

[crystallizsch]

so there's this recurring joke with friends that yuusha is bad at driving (because of the Driving Incidents ™ i get myself into irl ever since i got my license)

now i'd like to think yuusha believes in her ability to drive well, and she says it with such confidence and nonchalance that you wouldn't even doubt her.

but once you're in the car with her you realize she's a whole different person (susceptible to road rage) and you'd be constantly fearing for your life 💥 (and by sheer luck and divine intervention, she's NEVER had an actual accident)

bonus hc is that one time when yuusha got near a vehicle, leona had the sixth sense that she should NOT be driving it even though he had never been in a car with her / had never heard of her terrible driving.

(anyways i'll share some of those irl Driving Incidents ™ below the cut LMAo)

first notable incident is when i overshot a turn and consequently lost my left side mirror on the freeway bc it hit a sign (then proceeded to drive the car for another 30 mins w/out the side mirror till i got home-)

then another incident a while ago it that one of my tires got punctured and didn’t realize it until it was pointed out to me

finally just recently on a road trip with friends i was basically fighting with the gps as i kept missing turns, thus delaying the driving time longer 🧍

[capricioussun]

☀️ and Boss, if you're still taking these?

Ya ya, always happy to ramble abt my guys <3

☀️ (sun) - What’s your character like at their best?

Hmmm, a very interesting one for Boss. I swear I'm not trying to be pedantic, but that largely depends on definition of 'best'. His idea of best? Snare's? Morally? Happiest?

I guess, in a general like, daily life sense, when all is going well and he’s at the top of his game, he's very...relaxed, seeming. Everything in his life is sort of like clockwork, it's down to a science, everything in its place how it should be, his own role etched out perfectly for him to step into.

With everything functioning so smoothly, he'd just go about business as usual, but he'd have a flow about him. Casual almost, calm, a little charming. He keeps up on work, exercise, socializing, "sleep", incredibly efficient and seemingly unfazed by any roadblocks that arise.

Really, he’s an unemotional guy, and that sort of 'just right' contentment is predominately what he and Snare strive for. Conflict or unexpected changes are just a headache more than anything, and it's especially a pain in his neck when it's a big enough deal he has to handle it publicly.

At his best, he’s unfailingly efficient, levelheaded, and well kempt.

But that's far from his own idea of best, and even farther still from his happiest. He’s incredibly smart, for better and for worse, and that means he gets bored very incredibly easily. That clashes pretty hard with being a mob boss though, because the only place he can channel it is work, and they're not usually the ones who stir up trouble of their own volition, never mind he wouldn't enjoy that anyway.

Snare keeps that in check, being the main plan guy and all, and Boss has definitely gotten a better handle on it as he's gotten older, but this poor dude is like a captive tiger pacing his enclosure. The guy needs some enrichment. That isn't crime.

[its-hyperfixation]

before the world, it got so serious; before the time, it got away from us

for my deeply beloved, @bellamyblakru. i am so lucky that i get to know you and be a part of your life. i am so lucky that i can talk to you everyday. i am so so lucky that you let me be your friend. i love u.

[ricky-mortis]

Curtwen Week Day 3: Scars