#anyway. need to write it down.

[authenticaussie]

Bart, getting an internship at the daily bugle even though he was SUPPOSED to be working in the Lexcorp mechanical engineering division for the summer:

[yeah-thats-probably-it]

So did any of YOU guys know that someone wrote a reverse!AU Jeeves fanfic in 1953, and Wodehouse liked it?

[starry-bi-sky]

Unpleasant Revelations - DPxDC Ficlet Idea for the Stillborn Au

"Have you met my youngest, Damian, Mr. Masters?"

Its only from twenty years of long, hard experience and practice that Vlad doesn't increase the room temperature from 'borderline uncomfortably cool' to 'unbearably hot' the moment Bruce Wayne pulls his youngest and "only" biological son out in front of him.

He puts only in quotations because twelve year old Damian Wayne looks scarily, uncannily like one Daniel Brown. Jack and Maddie's foster son, second victim of their foolishness, and only other halfa in existence. Second only to him.

It's nauseating how similar they look. From the scowl and terrible glare on the young boy's face, to his brown skin -- which was only a few shades lighter than Daniel's, the shape of his nose, and even the strange winged edge of his eyebrow. Something that Vlad has long since come to find endearing on the child he considered a son of his own. The only difference was that Damian had dark, sharp green eyes.

Daniel's eyes were blue. The same glacier shade as his father's, who stood behind Damian with a proud, oafish smile on his visage.

It was infuriating how similar they look. Vlad might not have rapidly swung the room temperature from one extreme to the other, but he can't stop himself from letting the fury burning within his core from slipping out and raising the temperature up a few degrees.

Because it really only meant one thing.

Damian Wayne and Daniel Brown were related.

Damian Wayne and Daniel Brown were brothers.

Standing in front of him, it was clear as day. He can already picture a phantom image of Daniel standing beside Damian, the same scowl written on his face, the same glare carved into his eyes. The only difference being the dark, exhausted circles beneath them that seemed to be permanently painted onto his skin. The only thing missing being the permanent loneliness and vigilance permeating his being like a scar.

This, if revealed, would be enough to ruin Bruce Wayne's reputation. Or, at the very least, darken it quite a bit. The great philanthropist Bruce Wayne with another secret blood child? One related to his youngest? One that had been put into foster care? Seemingly thrown away?

It would be a firestorm.

One that Vlad is not keen on starting.

It would ruin Bruce Wayne's reputation, yes. But it would hurt Daniel in the process -- the harassment he would face alone might just be enough to break that fragile child completely. That was just not something he could allow. Or, even worse, bring him into his biological father's care and custody -- something Vlad was even less willing to allow.

It's not out of kindness to Wayne that Vlad will keep mum about this.

His grip on his champagne flute tightens, just a bit. He's still aware enough of the world around him to not let it shatter in his hands. His plastered, pleasant smile tightens around the corners, and he forces his focus to slide from Damian to Wayne.

"The resemblance is uncanny, Mister Wayne." He says, slanting his smile to the side slyly. Although he's not talking about the resemblance between Wayne and his son. Rage simmers beneath his skin, burning coal and embers in the core of his chest, nestled between his lungs, as he meets the man's eyes.

Wayne swaggles his head proudly, his ditzy smile widening as he squeezes his son's shoulder affectionately. Bastard, Vlad wants to spit.

He breathes in through his nose, and exhales out through his mouth. The champagne in his hand cools, and stops its unusual bubbling.

The Damian boy scoffs under his breath, his mouth still coiled upward into a scowl. With the revelation of his blood relation to Daniel evident, Vlad's not sure if he should find it endearing or not.

He is not Daniel, so he decides that it's just simply irritating. He decides to ignore it.

"And you said he was your only biological son?" He asks, voice lilting and head tilting. He knows its a suspicious question at worst, insulting at best. But considering Wayne's past proclivities, he can hardly call it an unexpected question.

Damian puffs in great offense, face twisting angrily. It reminds him of Daniel when Vlad insisted that he was wrong about something or other, and for a moment his heart swells, fond.

But this is not his child, and so the feeling quickly crashes and burns, simmering back into rage. This was not Daniel -- this was his replacement. A replacement that Wayne was free to keep.

Wayne chuckles, idiotically, as if he'd said some funny joke. Vlad's other hand, the one gripping his cane -- something he's required ever since he was dispatched from the hospital all those lonely years ago -- tightens instead. He grinds his teeth -- him and Jack Fenton would get along like a house on fire, he hates it.

"I can understand why you'd ask that, Mister Masters," Wayne says, squeezing Damian's shoulder again, "but yes, Damian is my only biological son. Although that doesn't mean I don't love my other children any less."

Bastard.

For all his posturing and flouncing about caring for his city and his children, Vlad never would have thought the Prince of Gotham capable of abandoning one of them.

But, well.

They all have their dark secrets.

And what one man throws away, another man picks up. If Bruce Wayne didn't want the treasure child that was Daniel Brown, then Vlad Masters was more than happy to take him instead.

"I see."

[s0fter-sin]

vampire au where they can only drink the blood type they were before they were turned. other blood has an almost poisonous effect, burning them from within like acid and drinking too much of it can kill them

in the old days, before the knowledge of blood types, it made humans they could feed on absolutely precious. they're kept safe, pampered and doted on; a vampire’s most prized possession

attacking another vampire's human is seen as the highest insult; not only is it a slight against them, it also carries the implication of "i want you to starve"

it's also used as the cruelest of punishments; starving a vampire for months, until they're feral with hunger just for their torturer to throw in a random human, watching them desperately suck down poison, their instincts begging them to keep drinking even as it kills them

ghost is one of the few who survived it; thrown in a pit so deep, he saw stars in the middle of the day, left with nothing but the dried bodies of the humans roba drained without care, others with their throats slit, blood he can't drink spilled out around them

a taunt of the one thing he needs but will never get

but ghost hasn't survived this long just to give up here

he refuses to die in this stinking, rotted pit

ghost is a force of nature as he descends over roba's manor; killing any who wander into his path until the halls run red. until he gets his hands on roba and tells him a secret:

vampires can feed on the blood of any vampire, regardless of blood type

it becomes a legend in vampire high society; if you starve another, you'd best make sure they actually die

otherwise you might end up piled in a dining room, the vampire you left for dead lounging on a throne of corpses with his fangs lodged in your throat

ghost decimates roba's empire, burning it to the ground until no one dares to speak his name in fear of incurring his wrath. it's incredibly taboo for a vampire to feed off another but ghost's too powerful for anyone to challenge him and the other vampires are too scared to try. scared of what he's willing to do, the lengths he'll go to; not that they'll ever admit it

soap is the first human he ever brings to court; delicately bathed in the finest silks and jewels, his throat always bare so he can show off ghost's ownership, his bite framed in lace

he's not like the delicate waifs the other vampires show off; he doesn't cling to his master, demure and submissive. he shows off his teeth as often as any vampire, fully willing to rip out the throats of any who insult him or ghost

a feral master needs a just as feral pet

[mother-of-houseplants-2]

gallagher siblings beg their big sister to help them beat the final boss in their game 👾

^sketch version!

based on this image^

[juststandingthere]

ISTG this game is making me insane, brainrot strong enough for me to make my first analysis post

One thing i love about the narrative is how distorted the characters, relationships and events are from jimmy's pov. Most posts discussing this focus on Anya, and it makes sense bc she's probably the biggest victim of this. She's seen as less than a person, she's an incompetent nurse, she has a meek personality, she'll let anyone(jimmy) step over her and she still follows his orders, despite everything he has done to her. We obviously see, from curly's pov, that she's simply too terrified of her abuser to act any other way, and when she's not with him she's way more confident and competent.

I haven't seen as many people talking about how this "distortion" affects Swansea and Daisuke as well, including the relationship they have with each other.

We see, in the first Curly section, that Swansea is a great mentor to Daisuke (one might even say they have a father-son/uncle-nephew relationship). He takes his time to teach him not just the basics, but also how to do his job as safely as possible. He lets him take notes, he himself writes stuff down for him to remember and even lets him doodle on those notes! Sure he is harsh with him, but he clearly cares about him and wants him to be safe.

And in return Daisuke looks up to him and has great respect for him, as both a mechanic and a man, while he also makes some jokingly offensive comments towards the older man, showing the close bond they have formed.

But that's not what we see when we play as Jimmy.

In his pov we don't see them interacting much, when they do we either see Swansea insulting Daisuke for no apparent reason or, in one occasion, we see him leading the kid down a "bad path" wanting to teach him how to "drink like a man".

When they aren't interacting tho, we do see hints of their actual relationship: Swansea asking where the kid is when he is "partying" in the lounge, confirming that he does not, in fact, hate spending time with him; him looking desperately for something, *anything*, that could help Daisuke with his suffering after he's injured; how whenever Jimmy tries to bring up to Daisuke how "badly" Swansea treats him, or how he "lied" to them about the utility room, Daisuke immediately shuts him down, because he knows what he's saying is completely wrong (i'm pretty sure those are the only times he doubts something Jimmy says), showing once again the trust and respect he has for his mentor.

(this part is kinda speculative but i think it makes sense)

There are two other times where we see them interacting, where we actually see how much Swansea cares for the kid, and coincidentally, neither of them is seen through Jimmy's eyes, but from a third person pov: what Swansea says right before they knock him out with the drink, about how he resents the people that let Daisuke, someone with his whole life ahead of him, with so much optimism and joy, board the ship for a job that would inevitably leave him "mangled" and "smarter in a worse way" (i could make a whole other essay on this part but i won't), and what he says right before mercy killing him. In that scene specifically, as the camera pans out in the corridor as Swansea raises his axe, ready to take the final swing, Jimmy doesn't see the hesitation in his body language, the way his body tenses, the way he comforts the kid, telling him to close his eyes, the heavy breaths (crying?maybe?) right after the act. He only sees the older man as a monster that would take away an innocent life that jimmy would have been able to fix had he been given the time to fucking think.

Hell, now that i think about it, Swansea's final monologue, where we find out that he is in fact a good man who tried his best to better himself, who simply wanted to protect the kid and give him "a chance off this goddamn rock"(implying that the Cryopod was meant for Daisuke all along) is also shown in third person!

A few other things i found interesting:

1-The missing pieces between what happened to Daisuke in the vent and when Swansea started attacking Jimmy. There's a cut from when Daisuke screams to when he's laying on (Swansea's) bed, bloody and in pain; from when Jimmy uses the mouthwash to disinfect him (which only causes him to suffer more) and two hours later; from after the talk the two men have and the moment Jimmy decides to go find the gun, the axe gone from Daisuke's face. What happened in those missing scenes? Was Swansea the one who helped the kid onto his bed, trying to make him as comfortable as possible? Did he try to comfort him, to distract him, and ease his pain as well as he could? What was his reaction when he had to take back the axe off the face of the young man he had started seeing as his own kid, whose life he had hoped he could save but that he ultimately had to take with his own hands?

I personally think those parts are blocked out of Jimmy's mind, as he couldn't fit them in his own narrative, where he was the hero, Swansea the villain and Daisuke the innocent, young man whose life he tried his best to protect from this "monster" that was now going to come after him.

2-Swansea attacking Jimmy with the axe, especially the cemetery scene, and how it can be interpreted in different ways.

We, the viewers, knowing everything that happened, will see it as a desperate man, Swansea, trying to avenge the lives that had been lost on that ship because of Jimmy (wether directly or not), with Daisuke's death being the last straw. But i don't think that's how Jimmy saw it. He saw swansea as a crazed, mad man, a ruthless killer, coming for him after taking an innocent life, Daisuke's photo and mausoleum as a reminder for Jimmy of what the older man had done, and a justification for what he was about to do.

(not to talk about the implication that the fight against swansea was not as intense as we saw it, only confirming the idea that jimmy was looking for a justification for shooting him)

[notherpuppet]

It's so cute that you're Radioapple is QPR!

I like this ship in both romantic and QPR way, so whatever you do with them is cool.

Also, is your Lucifer bi/pan? or maybe he's on aro spectrum?

Yeah! I think QPRs are really special and I don't see very many representations of them being developed in mainstream media, so it's really fun to seize an opportunity to write a QPR story with characters I'm unhealthily obsessed with LOL

I love seeing a bunch of different interpretations of fandom ships because I'm a big ass fangirl so yknow I love to eat the dynamics uppp!!

In My Deer Nanny AU (and most of the time in other fanart) I write and headcanon Lucifer as pansexual, panromantic, and poly.

[toshidou]

𝐧𝐬𝐟𝐰 𝟏𝟖+

currently thinking about how much Logan loves teasing you just so he can smell the way it affects you; touching your inner thigh under the table mid-mission briefing, catching your waist to whisper utterly debauched things into your ear as he passes you on the corridor of the mansion.

all so he can watch the way your pupils blow out, irises engulfed in black, and a second later it always hits. the smell of you, sweet, rich, and heady, so strong he can almost taste it.

he knows how much it riles you up, knows you're only able to focus on him for the rest of the day, too far gone to think about anything other than the crooned promises of absolute filth he pressed to your temple hours prior.

it's the ultimate possession, knowing with absolute certainty that the only words rattling around your skull are his, knowing it's only a matter of time until you have no choice but to track him down, stalking across the mansion until you corner him in his room.

of course he could smell you coming several doors down, waiting for you with a raised eyebrow and cocky smirk you want to kiss clean off from where he resides, sat at his desk.

"you're cruel, Logan."

you'd hiss, fingers curled into tight fists against your side, nails pressing so hard into the flesh of your palms they'll leave red crescent indents embossed into your skin. he'd laugh, the sound all smoke and crackling embers, thighs spread over worn oak chair legs as he leans forward, lit cigar hanging from his fingers.

"sure. but you're wet."

[erinwantstowrite]

if you want an insight into my brain, i shipped Ron and Harry from Harry Potter and was so immensely angry at JKR when they didn't get together (I didn't know about homophobia yet) that I went outside and nailed the book to a tree

[convoloutedinjoke]

If Harry’s tragedy is that he can’t go on like this but he has to, Kim’s tragedy is that he doesn’t have to go on like this but he will.

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[starry-bi-sky]

Clone^2 - graveyard shift

The dinging of the door alerts Sarah of someone walking in, and she barely glances up from her phone to see who it is. It's past midnight and somehow her coworker John managed to convince her to take over his graveyard shift at their convenience store. He owes her one, because she's been standing here for an hour and nobody's come in.

Not a surprise to her - nobody likes to stay out past sundown in Amity Park, even after nearly three years of ghosts appearing all over the place.

But still, it happens sometimes. So she doesn't look up. The dinging bell just lets her know that it's not a ghost, and that's really all she can ask for. The last time she worked late and a ghost came in, she was cleaning the shelves from some weird goo for an hour.

However, the lack of footsteps in the store after a few seconds worries her enough that she forces her head to lift. And a frown weaves its way onto her face when she sees no one at the door, nor anyone in the closet aisles.

...Shit, was there really a ghost here? Can they ring door when they come in? Normally she sees them just phase right through. And normally they glow, bright and jarring that leaves a migraine building behind Sarah's eyes.

Her eyes quickly scan the shelves again, looking for anything out of place -- anyone with too many heads, or too many teeth, or snakes for hair. She's pretty sure a coworker saw that once when they were working graveyard.

But she still sees no one. Apprehension raises the hair on the back of her neck, and she straightens up from her lean against the counter. Fuuuck. Was this one of those... marshmallow ghosts? An animal ghost?

Sarah really does not want to have to fight off a three-eyed raccoon looking-thing with eagle feet. She's heard the horror stories. And there was no way to contact the Phantom or the Red Huntress to come pick it up -- and she wasn't gonna try her luck with the Drs. Fentons.

Her fingers itch for the broom hanging on the wall behind her. It probably won't do much against a mutant raccoon-ghost-monster, but it'll make her feel better.

There's a rustle and crinkle in the candy aisle, and Sarah's hands are curled around the broom before she could blink. Her heart beating in her chest. She walks out from the counter, the bristled end raised like a bat in the air as she creeps apprehensively towards the noise.

There's nothing there when she peers around the side, and the aisle shelves are tall enough that she can't see over them.

She raises the broom higher. Sarah was in softball. She could take out a raccoon-eagle-hybrid.. thing.... easily. She just... needs to pretend its a golf ball. Except golf isn't softball so that's a terrible comparison.

Oh god she was gonna get her face ripped off, wasn't she.

John so owes her one. So much.

Creeping down the aisle, she keeps her ears perked for any new sounds. But all she can really hear is the soft pop music playing on the store speakers -- chosen by yours truly from her own personal playlist -- and the hum of the freezers. Ugh. This was not good for her paranoia. Like, at all.

Sarah's down at the end of the aisle when she feels a quick set of taps on her shoulder. Her nerves are already shot, so she shrieks and whirls around on her foot, swinging the broom blindly.

Only to be met with sudden and blunt resistance. Blinking rapidly, Sarah stares up and sees a black gloved hand gripping the broom handle tightly, small white bandages peeking over the side around five fingers. Following the hand down connects it with an arm, and then a chest, and suddenly she's staring at a black hoodie and black jacket.

When she tilts her head up, Sarah comes face to face with the bone-white mask and the terrifying, unearthly green eyes of their local vigilante, the Phantom.

...Holy fuck. It was the Phantom.

He was taller than she initially thought. Was her jaw on the ground? Probably. It was flapping like a fish out of water. "I- uh, you-- buh--"

Slowly, the Phantom raised his free hand and wrapped it around the handle of the broom. Sarah watches, wide eyed still and stammering as he firmly plucked the broom out of her hands and turned to lean it against the shelves.

Something about him doing that must've kicked her brain back into gear, because the first thing that comes out of her mouth is; "Your eyes are really green."

And she was going to lock herself in the freezer in the back for that one. She feels her face grow hot with embarrassment, and the Phantom only looks at her blankly. Her eyes shift nervously. "Well, it's true."

It was! The green eyes of the Phantom was his most defining feature other than that unsettling mask he wore. Especially considering they were the same color as some of the ghosts. It was one of the many, many creepy things about the guy.

Looking at it gave her the same, faint headache as when she stared at a ghost for too long. So Sarah drops her gaze a little to avoid it.

The Phantom remains silent, but he raises his hands and signs something to her that she doesn't understand. Fuck, that's right. He didn't speak - and Sarah doesn't know any ASL.

Sarah cringes. "Sorry, I don't know ASL."

She can feel his burning green eyes boring into her, and he remains as silent as the grave as he reaches into his back pocket and pulls out a phone in a plain black case. She watches him turn it on -- or at least she assumes he does, there's a privacy protector covering the screen -- and type something into.

He holds it up to her face when he's done, and she squints at the screen. In the notes app, a small text reads; 'We're ready to pay.'

..Oh. This wasn't Sarah's night. Embarrassment flashes hot through her and she forces out a laugh in order to try and quell it, Phantom shoves the phone back into his pocket. "Oh! Oh, right! I'm sorry, I'll uh- get up to the front--" She stops in her tracks.

Wait. Did that message say 'we?'

She smiles nervously, tilting her head up at the Phantom as her brows thread together. "Um," she swallows dryly, "we?" Didn't... didn't the Phantom work alone?

As if startled, the Phantom jerks. And for the first time since he showed up, he blinks and turns around. Which personally, doesn't bode that well as the Phantom swivels his head from side to side like he's looking for someone.

Sarah thinks, after the Phantom stalks up to the end of the aisle and looks around, she hears him sigh. And when he walks back, he snatches the broom with an elegant twist and knocks it against the shelves.

Thud, thud, thud!

There's very, very quiet shuffling that Sarah would have missed if she hadn't been looking for it, and then silence for a few seconds, before suddenly there's a small child pushing past her side and over to the Phantom.

And in the process, scaring the shit out of Sarah.

She squeaks and jumps, nearly tripping over her own feet as the child makes a spot next to the Phantom's side. "Where did you come from?!" She says, her heart pounding against her ribcage.

The child says nothing, just stares at her through a creepy bone-white mask reminiscent of the Phantom's. Although unlike the Phantom, he was wearing some... kind of... dark red ninja outfit?

Sarah really wasn't quite sure. It was partially covered by a jacket that clearly belonged to the Phantom and with the sleeves rolled up multiple times to his elbows. The jacket alone nearly obscured the sword attached to his hip.

...Why the hell did the child have a sword.

She looks between Phantom and the child, at a loss for words. Why-- why did the Phantom have a kid with him, why was the kid wearing a mask like his.

"You have a child with you." Sarah says bluntly, her voice flat. It betrays how shocked she feels. The Phantom doesn't say anything, as she should have expected, but he does nod shortly.

The child bristles slightly, but says nothing. Part of his mouth was uncovered, and she watched it twist downward into a scowl at her. Unlike the Phantom, his eyes were not green. She couldn't see his eyes at all, actually. They were shadowed by the mask.

There's the sound of paper thwipping, and like a magician pulling out a card, the Phantom holds out a note card to her. He stares, expectantly, and Sarah reluctantly takes it.

Written in neat writing and bold sharpie are the words; "This is Wraith."

...And that's it. Sarah glances up at Phantom. Then at the supposed 'Wraith'. Then back at Phantom. "You're bringing a child with you to ghost hunt?" She asks, and okay, maybe she's not able to hide all of the judgement leaking into her voice. "And you gave him a sword?"

The Phantom stares at her blankly, or well, probably blankly. All of his expressions are unreadable with the mask he wears. But the kid, Wraith, bristles again like a stray cat. His scowl deepens, he puffs up, and he opens his mouth like he's about to say something.

...Only for the Phantom to immediately snap his hand out and cover his mouth. Wraith makes an angry sound, and Phantom drags the boy into his side, seemingly nonplussed as he twists his wrist and pulls another note card out of nowhere.

"He is perfectly capable of handling himself." The card reads, and then continues; "I would not have been able to stop him anyways. Wraith would have followed me regardless."

Did he have these prepared?

Best not to question it, Sarah decides. The Phantom has always been strange. So she just nods mutely and stuffs the two notecards into her back pocket. "Okay," she says, and moves around the Phantom. "I'll check you out up front."

[fuumiku]

Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization

The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.

If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:

Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.

Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.

It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.

Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[mistfallengw2]

Feel free to be more specific in comments/notes if you want! If you want to elaborate further, how do you organize them? By role, species, age, alphabetical order, vibes or something else?

[dustykneed]

--Really, Doctor?