#anyway yeah that's my review

[elizabeth-mitchells]

funny how i spent all week complaining about my bedroom room opening and closing by itself at night and then tonight i had the bright idea of watching the boogeyman. very interesting coincidence. feeling okay about it

[fernsnailz]

been reading through various usps reviews this morning and i've started to notice some trends

[bull-shit-suji]

actually no i need to talk about the green witch arc. ciel and his band of merry fools go to germany and learn that this forest is haunted by WEREWOLVES and in it is a village full of WITCHES with cursed amulets and potions and whatever

and the immediate vibe is "lol what a bunch of bogus" which is really just batshit coming from the kid with a demon butler

and then woah big reveal! it wasn't werewolves or witches it was a covert military operation REPLETE with radar tracking (not a thing until wwii) and electronic displays (most likely crt screens, which again weren't fully developed until the 1930s) and TANKS. for reference the first "tank" was put together by a guy in 1899 who mounted a machine gun to THIS

absolute paragon of engineering. the panzer (the exact model of tank in the arc) was not a thing until wwi.

and. and ciel and ESPECIALLY the Demon Butler in question are like. ohhhh yeah that makes more sense. the amulets were just transmitting our exact locations through technology that won't exist for another three decades. whew glad we sorted that one out. man wouldn't it have been CRAZY if it really was werewolves.

[ricky-mortis]

Have some Ted doodles- as a treat.

[deoidesign]

Hm... I'm feeling benevolent...

[nellasbookplanet]

I recently started reading (and ended up dropping partway through) an m/m retelling of an old legend, and it made me think of this reoccurring thing I've come across a handful of times now in m/m fiction and how they approach women, equality, and world-building.

Let's call it the omegaverse problem, because that's where it seems the most blatant (I've only come across it twice outside of fandom spaces that I can remember). Basically, it's when the writer looks at the unequal and sometimes oppressive roles women serve in society (today and historically), and goes 'this is a good basis for dark romance but there are too many women here' and then just. plops men into the roles traditionally served by women and recreates heteronormative tropes but They're All Men Now, none of those icky women.

Now, completely removing any and all gender based inequality isn't a bad basis for a queer-inclusive fantasy! But thing is, this type of narrative isn't interested in women, so they often read as if women have mysteriously disappeared from society (except for the occassional mom or sister). They don’t bother to include women in traditionally male areas (the book I dropped had plenty of male courtesans, with diplomats and bodyguards and advisors also being male) nor to create new roles for them.

They also generally don’t bother to look critically at the systemic and societal inequalities they're mimicking. The concept 'typically sexist society but they're all men (or all women)' could be used to alienate and deconstruct our ideas of what’s 'normal' and what’s oppressive, a way to compare the intersections of class and gender. Instead, this kind of story is only interested in using inequality as inter-character conflict and set-up for romance. And it sucks.

[blossoms-phan]

i still haven’t processed the last few preshows bc wtf do you mean they went to six flags and phil cried after riding kingda ka

[andyridgeley]

why do people get so mad when a "movie is predictable" that's foreshadowing babygirl

[corpsentry]

there’s something so epic about hetero chinese period dramas and i think one part of it is that there is absolutely nowhere in the narrative i could exist.

lately i’ve been on a western media detox— i’ve cleaned english language music out of my playlists and have never been able to stomach western dramas anyway, so that part is easy— which might seem funny, because if i’m in singapore and i hate it and i won’t touch american music then what’s left? the answer is the false binarism of chinese period dramas, at least for me. the badly written ones are misogynistic and stupid and the better ones are less of those things, but regardless the world that emerges is clean-cut and easy to parse. there’s someone to root for and someone to hate. there’s a girl and a boy. there’s the comedy and the drama, the sheer thick drama, the music that signals to you precisely how to feel before the scene even starts going

try to jam a fifth culture transnational transgender they/them with 2 mental illness and 1 autoimmune disease into this world and it simply doesn’t work. and that’s kinda epic lolzers! it’s like watching high fantasy, or super hardcore sci-if. it both represents a simulacrum of the real world and is so far from the reality you know that you understand it as a hypothetical universe, one that disincludes you on principle. i exclude myself from the story and in doing so fangfei from moyuyunjian’s steely gaze becomes all the more important. i give so many shits and laugh and yell and spectate. but i am safe from the eyes of its inhabitants. if i entered the story it would break. so i sit outside of it, clapping by myself

in other news, we gave up on mysterious lotus casebook 16 episodes in. there are many character archetypes in these shows that i can no longer stand; the salacious sexy seductive supervillain lady is not necessarily one of them but the way they did miss ‘this man didn’t even Look at me when all men fall at my knees so i hated him’ ‘no one is allowed to steal buttchin from me’ jiao was way up there. surely a woman can have multiple personality traits and yet you would think from this drama that that is not at all true. and the strange harem that grew around li lianhua despite his absolute loser attitude— like i get it, he’s the gintoki of this show, that’s hot, but the way the women who were into him were written made me want to Eat Horse. it bothered me that di feisheng and lianhua’s homo as fuck dynamic was so intriguing and them + fang duobing was a winning trio but all the women in the show were written like complete fucking ass, and one of the big antagonists being a woman, the stakes throughout were not only lost to me but also Pissed Me Off. also, that case about the corpse flowers dragged on forever and all my pocky wilted

I Just Think, women deserve better in these damn stories. make them slutty as hell, sure, but make them other things too and i mean this in the most generous sense. slutty and proud. slutty and weird. slutty and oblivious. literally anything at all so they don’t come out cardboard flat from all angles. this is why i have a personal vendetta against the ditzy clueless female protagonist as well because if everything stems from the fact that she doesn’t know shit it’s like please someone Please tell her shit i’m on my hands and knees begging. give her more to chew on she’s dying of boredom over there

this is why i liked the so called antagonist of blossoms in adversity best (spoilers ahead). he was cruel as hell to huazhi and gu yanxi’s only parental figure. he was paranoid and selfish and lonely and craved a son’s love from the one person he couldn’t hold onto. in the end he is pushed further and further by huazhi, who won’t give in, to isolate yanxi from the people he loves and to lash out at those people as a way of punishing yanxi. and when he dies it’s because of his own distrust, his own negligent parenting, his absent cruelty from decades of insomnia and lack of faith in his people. but he cries for yanxi, and there’s something so human about that. to think of evil not as a first principle but rather an adjective for a verb that is set in motion by other events. to be honest, i haven’t seen such thoughtful writing in any chinese period drama before or after that and i strongly suspect i will never see such writing again in this genre but man, it was so fucking good (spoilers end).

in the meantime, i’ve dragged my mother to moyuyunjian/the double for the return casting of liu xiening and wang xingyue who are Eating so hard. they’ve got wang xingyue done up with the sluttiest makeup and liu xiening is breaking my heart with her pout and her Sassy Mean constitution and this is a revenge story, yes, but it’s a double revenge story. it’s a grief story. and fangfei is carrying more on her shoulders than lingbuyi imo, and doing so with much more grace too. her step mom’s a dick but she’s a smart, 5d chess playing dick who wears hot shades of green so i’m personally interested enough to keep watching (something lotus casebook DID NOT accomplish with their epic female antagonist…. mein gotte). and the princess too. unhinged as hell but god, so charismatic. and beautiful, with scary big eyes and the sweetest head tilt. fun fun fun! that’s fun character writing right there. the comedy might be too straightforward for my tastes but everything else is kind of hot and sexy And after the coming of age ceremony when jiangli appeared amidst the flowers i felt my throat close up even though we saw her for all of one (1) episode). i was like yes. they got me alright. i Care now

really that’s all that matters isn’t it. we want stories about people we care for. we want to give a shit. why else would we listen to the stories of other people. we are looking for us and the people we love in them

oh also moyuyunjian soundtrack goes hard as hell i love a little three step waltz. here’s a pic from the ‘gym’ for ur time. guten night

[pigeons-paintbrush]

hey we did pretty good on the tumblr year end review. up three spots and into fourth place

and he might be a bit far down, but lookit papyrus getting some love! as he should :]

meanwhile, a little further up, his brother is off uhhh homewreaking phoenix and miles apparently. say happy divorce to the wrightworths, everybody

[charliespringverse]

i think it should be possible to scream without making any noise or disturbing anyone or inviting any questions . just sometimes . as a treat .

[vampmilf]

visited geiranger today 😗✌🏼

[daisynik7]

will people boo me if I post my very first choso smut (and first fic after a pretty decent hiatus) next week? 😬

[always-a-joyful-note]

I was watching this review of Idolish7 and the reviewer's closing comments got to me because, yeah. Idolish7 tells you that it's fine if your interest or love for something like music or media doesn't last forever while acknowledging also how sad that can be. But it tells you that you're allowed to be obsessed with a show or a song for a short period and you're not inconstant or evil or disloyal for it, nor that your love for it was fake because it didn't last in intensity as it started.

I don't know but I'm a big fan of the way i7 tackles topics about change and goodbyes (especially after pt 4 to 6.9), both on the audience's side and on the artist's side.

[presdestigatto]

anyways, i wrote a little something

cinque, sebchal, E, 1.3k words

‘Number five, Sebastian Vettel. He kisses it again, suddenly overcome with emotion.’ Charles helps Sebastian calm down in the aftermath of 2019's Canadian Grand Prix.

mind the tags as always 🙆🏻‍♀️

[welcometogrouchland]

[ID: a sketch page of various drawings of Willow Park from the owl house. From left to right the drawings are: timeskip willow playing flyer derby, Willow in her season 1 casual outfit next to her in her season 3 Halloween costume, Willow as Anne in an amphibia au, young willow doing pottery with her dad Gilbert, young willow and amity holding hands/hugging and smiling, and willow looking at clover, who's perched on her finger and wearing a dress and wig made of yarn so as to resemble Willow. Willow is trying to hold back laughter while clover looks unamused. In the center is a drawing of Willow drawing a large spell circle with her staff, and the title of the sketch page reads "willow week 2023", with each drawing labeled as a specific day/prompt, such as day 3: flyer derby/fav on-screen outfit, day 1: crossover, day 2: childhood/father-daughter, or day 1: palismen bonding. Drawings 2, 6, and 7 are coloured while the rest are uncoloured. The background is a scribbly green. End ID]

hi I’m only a month or so late to it BUT! Nearly out of the mines (finals) and that means i can post the sketch page i worked on for Willow Week! Hosted by @agrebel18