#anyway this has been in my brain for ages

[danielsarmand]

ugh yes you get it it’s not ABOUT ships being endgame i feel like ppl have come to expect that nowadays and it’s really weird. whatever happened to scraping for crumbs of interaction and running 20 miles with whatever we got?? and even if a ship does become ‘canon’ it’ll usually never happen in the way you personally want anyway. they’re NARRATIVE FOILS babe it doesn’t get much better than this i am eating it UP

i swear the new season has been EXASPERATING from a fandom standpoint. i think in retrospect it was like this with season one and the whole mel thing, too, but enough time has passed that my brain conveniently forgot about that.

i don't want to make this about age, but when i was growing up in fandom we used to have maybe a 1% canonization rate when it came to queer ships, which forced me to develop an array of skills i don't see much of anymore. queercoding and queer characters were there still, regardless of how canon or not a ship was, and everyone agreed that canon love interests mattered very little when the dynamic of two characters was the core of said characters.

i genuinely could care less about mel and jayce when they uh. got together i guess??? and i say i guess because we barely know anything about their relationship and dynamic. which is the point! we know way more about him and viktor, so that's where my thoughts go.

people were making a fuss over jayce and mel fucking, meanwhile i was going insane over their sex scene being paralleled to viktor coughing blood, and about how afterwards we see mel waking up in bed alone because viktor wakes up in bed and jayce is beside him. now, people are making a fuss about viktor and sky and i'm over here thinking of what sky is: a symbol, a representation of viktor and jayce's dream, of viktor's humanity and of his remorse. because that isn't even grief—he barely knew sky, didn't even look at her once in season one, he cannot grieve someone he didn't care for; he grieves her POTENTIAL, what she could have been had he let her, he feels guilty for being the cause of her death and he clings to his humanity through her.

arcane is all about visuals. every single frame. none of it is left to chance. and this is unfortunate when its viewers seem adamant on not turning on their brains whilst they watch.

[ghouljams]

I know every fandom has it's fair share of "incest"(not sure if thats the correct term) but it seems like the cod fandom has it so much more than the other popular ones

I mean maybe I'm not 𝓯𝓻𝓮𝓪𝓴𝔂 enough and I know every person has their own turn ons and off but it can't be just me who thinks this is weird/cod fandom has like so much more of it (and I have been on the internet for a good 8+ years and have been deep in fandoms)

(idk maybe I'm just rambling out of my ass because I have ocd and intrusive thoughts place my own family members the moment I say words about a family)

Omg hi friend!

First of all I want to say that I'm glad you asked because I've actually been thinking about this!

I have a major(MAJOR) turn off for actual incest in fanfiction. Maybe because I lived through homestuck and people fucking love incest in that fandom, but I cannot read it without getting squicked out. Faux-cest though doesn't seem to give me the same problem and I think it's because there's always an undercurrent of "this is pretend" when done right, it feels porn-y, fake. I think it's because (in my mind) faux-cest falls under the "humiliation/degradation" kink, there's an overt power dynamic there that feels... different from actual incest fics.

Which also? The amount of people who have DDlg/MDlb kinks in this fandom is insane. Every day I see people calling Price "daddy" and I just... I'm gonna be so honest with y'all I hate seeing "daddy" in a fic, I don't mind caretaker doms but I just can't get into age play or the uwu cutesy way some of those fics go. But that's just me.

All that to give me some credibility in telling you: I don't think it's the cod fandom at large, but maybe just the writers who all follow each other and seem to get the same brain worms at the same time(I am guilty of this).

I think for some people there's an element of "I just figured out how to write this kink and I'm making it everyone's problem" and for others it's a "this seems popular at the moment let me throw my hat in the ring." Personally I had a faux-cest dream that I didn't particularly enjoy, honestly felt more like a nightmare, but I figured other people would see kink in the horrific so I popped it up on the blog.

Anyway I don't think you have to be "freaky enough" or even put yourself through reading a kink you don't enjoy, there's a reason I've been putting trigger tags on all the faux-cest stuff! I want people to be able to filter it out. Hell, a lot of it squicks me out, and I've written some of it. I don't really see it as any more prevalent in the cod fandom than others though. I mean every fandom has a decent portion that jump straight to incest stuff, you may have just managed to avoid it fairly well.

[gay-dorito-dust]

In a part of Gotham, there stands the glorious Wayne Manor. So marvelous, so fantastic, so peaceful-

Isekai Reader: AAAAAAAAHHHHHHHHHHHHH!!! GET YO DEMON SPAWN BITCH!

Bruce, drinking coffee while reading the newspaper: He doesn't mean any harm

Isekai Reader: YES HE DO! GET YO FUCKIN CHILD *currently clinging onto the chandelier*

Damian: Get down you foul wretched being, I'll show you what it means to take away the precious servant of BaBa

Isekai Reader: Its not my fault Alfred is fond of me!

Damian: Why you insolent!

Isekai Reader: AAAAAAHHHHHH!

....

Isekai Reader: Any of you notice the feral cat speaks like a victorian child?

Dick, looks at Damian who is talking with his Supe: Well now that you mention it

Jason: He does speak like one

Duke: why'd you call him a feral-*realizes* nevermind he truly acts like one

Later

Alfred: I take as you all enjoy it

Isekai Reader: Why yes, thank you Alfred I no longer feel famished

Jason: As do I, everything you cook taste exquisite

(Been at it for a while)

Damian, annoyed at the two: Stop this nonsense!

Dick to Duke: Why do I get the feeling those two are doing it on purpose

Cassandra: they are

Isekai! Reader/you: *mocking* doth mother know you weareth her drapes.

Damian: what are you on about buffoon?

Isekai! Reader/you: Shakespeare in the park? Anyways has talking like a kid your age ever crossed your mind or are you above that too?

Damian: *unsheathed sword*

Isekai! Reader/you: you know what I think I hear Alfred call for me. IM COMING ALFRED! *runs away*

…

Isekai! Reader/you: is the place haunted?

Duke: haunted? No I don’t think so.

Dick: I think we’d all would’ve known if that were the case…

Jason: why? What makes you think that?

Isekai reader/ you: I thought I saw something in my room, it was looking right at me. It was short, almost like a little kid- *realises* it was Damian wasn’t it?

Jason: yes

Dick: yes

Duke: unfortunately yes.

Damian: *appearing out of nowhere* it was me, took you long enough to figure it out and here I thought adults your age should have a fully developed brain by now.

Isekai! Reader/ you: *lunges for the fucking kid* COME HERE YOU LITTLE SHIT!

Dick, Jason and Duke: *holding isekai! Reader/ you back before things get ugly*

…

Damian: *shrugs* father and Alfred should’ve left you out on the street where you belonged.

Isekai! Reader/ you: -*smug* but they didn’t!

…

Bruce: play nice with Damian

Isekai! Reader/ you: I want you to listen to yourself as you say that again. There’s no way in fucking hell am I playing nice with that gremlin.

…

Bruce: *to you and Damian* try not to kill each other while I’m gone.

You: oh please we’re not children *side eyes Damian* at least not some of us.

Damian: *mutters out the side of his mouth* funny coming from you.

*Bruce leaves*

You: eat shit and die

Damian: yes fuck you.

[dunnowhatimdoin]

Teeny teen Percival.

Gosh, how has it been a month since last time I drew the boy.

Anyways, Percy was pretty much of the "I'm a genius no one understands" kind, extra, sometimes obsessively perfectionist.

He did had his goofy moments, tho, lel.

16-17 years old was the time where he set his mind on what he wanted to do in the future, and It was pretty much a struggle 'cause of surrounding expectation. They weren't oppreasive at all, just casually thrown in there, but still, they got him thinking. Even his dads sometimes got at it, and he seriously had no idea how to say that for him "no, no, nah, mid is fine".

Ballister and Ambrosius at this point have been parents for literal years, and they only know slightly more on what they're doing.

They're giving their absolute best, and well, they're actually not bad!

They're different, each has his own ways, they both have their personal things they share with Percy, Ambrosius goes "ugh, have you seen him? He's picking such an attitude-" and Bal goes "like someone else I know" and then they both stare at the each other like "・⁠–⁠・".

Also thinking that they're in their 50s here makes me giggle a little because imagine Nimona, who perceives ages crookedly, paying a visit and going "congrats on becoming a grandpa, Boss!"

They do have their moments where they struggle understanding their son,tho, and Percy usually doesn't make it easy to be understood , because he partially feels as they should know (Percival, my boy, they're not in your brain, what are you doing).

Also, temporarily set aside how it's the second time Ballister has a teen in his house and it's making him stressed because he's self conscious how it ended up last time, sad and nostalgic because he misses his little friend, glad because hey he actually loves him and trusts him and doesn't murder people, he did a pretty good job! But also guilty, because he fully knows it's not the same situation and making the comparison doesn't feel right-

But yeah, over all they're really close, despite the occasional mix-ups :)

And nothing, have an additional family moment, as bonus 👍🏻

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[disappeareddraws]

(text post source)

just a regular convo on the battle subway

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[cepetriwrites]

Meme for latest HOTD fic I’m reading:

Viserys looking up down from heaven hell watching his two oldest children who he forced to get married have toe curling hate sex next to his still warm corpse

Called Rhaenyra your only child in front of Aegon, now he’s giving your only child the good ole Toe Curling Cervix Crushing Hate Sex 3000 special by your emaciated corpse.

The rest of the siblings hearing some… oddly specific noises coming out of their fathers bedchamber where Aegon and Rhaenyra inside “mourning” their father

The Queen and the Prince Consort by @franzkafkagf on AO3

[twoa-plus]

dissecting stanford pines and finding organs that don’t exist but like in a metaphorical way

that’s it that’s the title i’m going with. this is a long one folks o7

most of this isn’t sourced or canon at all it’s just personal interpretation/headcanon/whatever else u wanna call it, but!! since more people are seeing my deranged gravity falls ramblings now i figure i should probably give some perspective as to why i like/defend ford as much as i do

(in my other gf posts i do try to stick to canon to back up whatever point i’m making - this is just about my personal opinion of ford as a character, and should be able to be thrown out in regards to my other posts)

so for some background/setup/whatever (it’s important i promise bear with me), different people have different instinctual responses to anxiety/stress. i come from a family (genetics are fun) where the default response is to start (metaphorically ofc) biting and hissing like a cornered animal. this doesn’t necessarily mean there’s any actual hatred or malice or anything towards the people that end up getting scratched - they might just be at the wrong place at the wrong time, they might’ve done something super minor and insignificant that added on to a preexisting pile of stress, etc etc

i cannot stress enough that i am not saying this is ok. you dont need me to tell you that hurting people who don’t deserve it is a bad thing, lol. what i am saying though is that sometimes people can kind of suck for reasons other than just genuinely wanting everyone around them to be miserable

this is the last “background” part i swear BUT another thing thats less genetic and more just me being weird is that i’m the type of person where like. any minor environmental change can really stress me out lol. like even just reorganizing my desk can be pretty emotionally taxing

SO. finally back on topic. stanford pines. i see a lot of the behavior/patterns i just described in him. like i’ve spent my entire life around people like this, and while i understand why a lot of people see him as just some asshole, i can’t help but see him as a guy who’s just kinda going through it lol

just talking about the more recent events as of the series, he’s just spent 30 years god knows where doing and seeing god knows what, he has an abusive ex who wants to murder him and his entire family (plus the whole dimension, really), and in the three decades he’s been gone the entire world - including his own house - has changed and left him behind. add onto that that he went missing in 1982, way before we had all of the emotional/mental health resources we have now, we all saw what the stans’ childhood was like, and that ford is terrible with people - including, imo, himself. if there’s anybody out there who would have Feelings and not understand what they are or where they’re coming from or what to do about them, it’s this guy

this entire setup is the perfect circumstance for fear and anxiety and stress and uncertainty to all get translated into anger. a really big example of this, to me, is how he talks about dipper in journal 3. i’ve talked about this before somewhere so i’ll try to summarize as fast as i can lol

reading his initial entry about dipper would make u think he like. hates this kid lol. but i really don’t think he ever did - he was really excited to meet the kids in the show and already seemed to care about them just by virtue of existing, and his opinion on dipper in journal 3 seems to do a complete 180 pretty quickly which ,,, doesn’t really fit ford as a character. like i love the man but that guy can hold a GRUDGE

here’s how it reads to me:

ford gets back to his home dimension after 30 years and everything is different

he’s subconsciously kind of struggling with the fact that he doesn’t really have a “home” anymore - the sense of familiarity and comfort that would normally come with the word is gone. (i specify that it’s subconscious because, like i said earlier, i do not get the vibe that he’s particularly aware of his own emotions)

he finds out that journal 3 - something he made with his own two hands and considers part of his life’s work - has also changed in the decades he’s been gone. this adds to the feeling of unfamiliarity with the world around him

it’s easier to blame that “final straw” and say that he’s just upset about his work being tampered with rather than address the actual root of the problem, so that’s exactly what he does. this still doesn’t mean that there’s any genuine hatred towards dipper. anger in the moment, yeah, but not hatred

again, this is entirely personal interpretation, and i completely understand if u don’t see it like this!! this is just a pattern of thoughts/behavior that i’m very familiar with, so it’s easy for me to apply it to situations like this even if it’s not really part of the canon

i also think there’s a big problem in this fandom with just ,, not seeing ford as a Person with Emotions? idk how to explain it but it feels like people expect him to always know exactly what to do in every situation just bc he’s old and academically smart. like whenever another character does something objectively bad it’s “well there were extenuating circumstances,” (which is usually true and i agree !!) but ford never really seems to get that treatment. if he does something bad it’s just because he sucks

a big example of this i think is the fight between him and stan (y’know the “you ruined my life”/“you ruined your own life”). you cannot look me dead in the eyes and, in full seriousness, with the context of everything ford was going through with bill at the time, say that he was fully mentally/emotionally stable during that conversation. “oh so you’re blaming stan-“ NO!!! stan was also going through it!!! that’s the entire point - they’re both people with their own lives and emotions and everything else that comes with that, they had very human reactions to their respective situations, and they both ended up hurt!! hopefully i’m explaining this right but i just don’t like it when people pin everything on ford, like there was a lot going on and at the end of the day he’s just a human

wasn’t really sure how to work this in so i’ll just put it here - i don’t think ford ever truly hated stan, either. familial bonds are complicated, and there can be a whole lot of anger towards someone without true hatred being present. i briefly mentioned the stans’ childhood sucking earlier, and i don’t just mean stanley - it’s easier to pinpoint him as a victim of abuse/neglect, but that doesn’t mean ford had it great either. their parents (specifically filbrick, but caryn didn’t exactly do a fantastic job with them either) expected nothing of stan and the world of ford, both of which would weigh heavily on any child. plus, ford being the favorite doesn’t mean all of his emotional needs were met - filbrick seeing him as an opportunity to make money doesn’t mean he was suddenly an emotionally present and caring father towards him. WCT wasn’t just an opportunity for ford to go be a famous scientist or whatever - it was a chance for his father to love him, something both of the stans desperately wanted. (WCT was also on the opposite side of the country from where they lived but i’m sure that’s completely unrelated !!!)

do i think stan deserved anything that happened to him after the science fair incident? no, absolutely not, he was a child. do i think it was right of ford to just stand there as his brother got thrown out? no, absolutely not - but he was a child too. as for them not speaking for a decade after that, like i mentioned earlier ford can hold a grudge like no other. (this doesn’t just apply to stan, either, ford dedicated half of his life to trying to kill his ex lmao.) i think ford’s ability to hold on to anger like that is actually a pretty major part of/flaw in his personality, but again, anger - even the strongest, most long-lived of it - is not synonymous with hatred. stan, who ford has always gone to for help when he truly needed it, it not what ford’s hatred looks like. bill, who ford actively wants to die, is

anyways!! i never know how to close these things lol. ig in summary i just see ford’s behavior (in the show at least) as more of a sign of internal struggle rather than like ,, genuinely hating the people around him and wanting their lives to suck. did/does he have an ego problem? absolutely. is he incapable of love and human connection? no. is he immune to manipulation/abuse/neglect/etc and everything that comes with that? also no

he’s an interdimensional criminal why can’t he go to the theraprism. i think he should

[blujayonthewing]

pitched battle inside my brain between the part of me that's desperately shaking myself by the shoulders going "YOU HAVE GOT TO ACTUALLY LIVE THE KIND OF LIFE YOU IMAGINE INSTEAD OF JUST SITTING AROUND IMAGINING IT UNTIL YOU DIE!!" and the part of me that's clutching my face going "is this allowed? is this allowed?? is this allowed???"

[youssefguedira]

wrote this instead of doing any of my actual tasks <3 tw for brief mention of animal death (by hunting)

Yusuf has been dreading this since the moment they left for Akkala. He had made as many excuses as he could to stay in Goron City for as long as he could, but every one had run out in the end, and he could no longer put off the inevitable. 

The first time he had walked this road, his father had accompanied him with a platoon of guards, still cautious, still reeling from the attack that had taken Yusuf's mother. The second time there had been fewer, but still many. 

In the years after that, the number of people sent with him had decreased even further until it was only two or three guards, enough to keep him safe. His father stopped accompanying him on these journeys after he turned fourteen and there had been no sign of their worth. 

Now, only Nicolò. 

He follows, keeping a respectful distance away from Yusuf, but closer than he had walked before they had gone to meet Nile, to ask for her help. He doesn't ever ask to stop, or to slow down, letting Yusuf set the pace. He keeps a hand on the hilt of his sword and does not speak. 

What is there to be said? Nicolò knows what lies at the end of this road, even if he does not know what it will mean for Yusuf. 

Yusuf can feel Nicolò's eyes on his back. It is bad enough that the whole kingdom knows he is a failure: he does not need Nicolò to watch him fail and say nothing. 

The sun is low, casting the landscape in burnt orange. It would be beautiful were it not so horribly familiar. There is a cabin nearby, and not far from it, the Spring. They will stay in the cabin tonight; they will leave for the Spring in the morning and spend three days there, then return to Goron City and after that, the castle. 

Yusuf thinks about returning, about his father's inevitable disappointment, and feels sick. 

“Yusuf,” Nicolò says, sounding uncertain. He is not yet used to calling Yusuf by his name. “We are not far, yes?” 

Yusuf had forgotten that Nicolò does not know every cursed inch of this road the way Yusuf does. “No, not far. In a moment you'll see the cabin.” 

Nicolò says nothing. Yusuf glances back just long enough to meet his eyes before looking away. 

What is Nicolò thinking? Yusuf can never tell. 

Yusuf catches sight of the cabin a moment later. Dread sits like a stone in his stomach. 

When they get closer, Nicolò takes hold of his elbow, gentle. It startles Yusuf all the same - he hadn't realised Nicolò was that close to him. 

“Let me go first,” Nicolò says. “To check. But stay close.” 

Yusuf nods, and lingers barely a handspan from Nicolò's back while he surveys first the outside, then the inside, of the cabin. Once he's satisfied, he gestures for Yusuf to enter. 

“You should rest,” he says, and he is being so gentle with Yusuf it almost hurts. Perhaps Andromache has told him what this will mean for him: she has accompanied him before. 

Yusuf shakes his head, because sleep means dreams, and dreams will be worse. “What are you going to do?” 

“I am going to find something for dinner,” Nicolò says. 

“Let me come with you,” Yusuf says. Anything is better than sitting in this cabin alone with his thoughts.

Nicolò looks at him for a long moment. Perhaps he takes pity on Yusuf, or perhaps he thinks that it will be easier to keep Yusuf safe if he stays with Nicolò. Either way, he nods. “All right.”

----------

Finding something for dinner means that Nicolò leads Yusuf a little way into the woods, far enough that the foliage and the dying sunlight makes it difficult to see, and bids him hide beneath a tree, in a space formed by the roots, while Nicolò crouches beside him with his bow, nocking an arrow in one smooth, seamless motion. From his vantage point, Yusuf can see a small clearing with a few fallen trees.

“Do not move,” Nicolò instructs him in a whisper, “and do not make a sound.”

Yusuf rests his head against the tree and watches the leaves move in the breeze. It is quiet enough that all he can hear is their rustling, the sounds of birds and animals calling to each other, the rushing of the stream nearby. After a moment, and with nothing else to watch, Yusuf begins to watch Nicolò. 

He has gone as still and as quiet as the trees around them, barely breathing, his shoulders rising and falling only slightly, like he has become a part of the forest. Faron Woods is much further south from here, but Yusuf supposes that this forest must be somewhat similar to where Nicolò grew up. He wonders who taught him to hunt; who taught him to be so comfortable in this place. Why he left it behind to travel to the castle and work for the king.

There are a lot of things Yusuf wonders about him. He cannot tell if Nicolò is aware of Yusuf’s watching; he must be. Still, Yusuf cannot help but watch.

It happens faster than Yusuf can track. Nicolò goes entirely still, and draws his bow swiftly, silently. Yusuf holds his breath and so does the forest.

Nicolò lets the arrow fly.

Yusuf doesn’t see whether it finds its mark, but Nicolò looks for a moment and then stands. “Wait here,” he says to Yusuf, and then heads for the clearing. When he returns he’s carrying something behind his back, the arrow in his other hand. Blood drips onto the grass. 

“You can wait inside while I prepare it, if you prefer,” Nicolò says haltingly. Yusuf shakes his head, and so he sits on a log outside while Nicolò skins the rabbit, arms wrapped around his knees and chin drawn up to his chest. Nicolò keeps his back to Yusuf, shielding most of it from view. 

Who taught him this? Yusuf wonders. It is a part of Nicolò he has never seen before.

When it is done, he takes it back inside to cook over the fire, and they eat it alongside the bread and cheese they brought from Goron City, across from each other at the cabin’s little table.

“When do you want to leave, tomorrow?” Nicolò asks softly. 

“I don’t,” Yusuf says before he can stop himself, and then adds, “I don’t know. Early, probably.” The thought bursts the little bubble he’s been in since they arrived. He doesn’t want to leave, could stay here for the three days they’ve been allocated and return to his father without even having tried and it would change nothing. 

“Just after sunrise, then,” Nicolò says. “It is not far, you said?”

Yusuf shakes his head. “No,” he says. “Not far.”

----------

The water is freezing.

It has always been freezing. But Yusuf knows well enough that if he stands in it for long enough, it will start to warm. It reaches to around halfway up his thigh; when he was younger, it felt deeper. 

The stone in front of him offers nothing. No sign, no indication that anything is listening to him except for the water and Nicolò, who has been standing at the gate of the Spring for however long he has been in here. Has he been listening? Has he heard Yusuf pleading for something, anything, dreading the moment he returns to the castle and his father looks down at his left hand and sees nothing there? 

What does Nicolò think of him now? If he did not see a failure before, does he see one now? 

His legs may be going numb. They tremble beneath him, struggling to hold his weight. How long has he been standing here? 

“Tell me what I am doing wrong,” he begs the stone. His voice sounds like it’s coming from somewhere else. “I know I am not the one you wanted, but I am trying. I am trying. I have given everything. I do not know how much more I have left.”

The stone says nothing.

Nicolò says, “Yusuf.”

Yusuf hears him without listening, falls to his knees in the water and does not even feel the chill. 

“Please,” he pleads. “I cannot return – I cannot give anymore.”

There is a splash behind him, and then there is Nicolò, pulling him to his feet, pulling him from the water. Yusuf tries to hold fast - he cannot leave now or it will have been three days in the Spring with nothing to show for it. 

“Yusuf,” Nicolò says again. His grip is gentle but unrelenting, and he is warm. Yusuf, shivering as he is, can’t help but lean into it. “You are exhausted. You are going to freeze. Come with me.”

“I can’t,” Yusuf says, even as he lets Nicolò take his weight, lets him guide Yusuf out of the Spring. “I can’t.”

There is a small paved area where their camp is set up. Nicolò has kept the fire going, or restarted it, while Yusuf was in there, and he half-carries Yusuf over to it now. Yusuf’s legs buckle under him the moment Nicolò lets him go, and he sinks onto something soft laid over the paving stones. He blinks, and there is a bowl in his hands, warming even if he does not really taste it. 

“It was never supposed to be me,” Yusuf says without really meaning to. 

From across the fire, Nicolò watches him.

“It was supposed to be my mother,” Yusuf whispers. The only sound between them is the crackling of the fire. Yusuf is so, so tired. He has never said this to anybody else, not even Andromache, but he cannot keep the words from rushing out of him now.

“It came to her when she was nineteen,” he says, “and that’s how they knew it would happen in her lifetime. So she trained, and she mastered it, and we were ready. And then she was killed, and because I was the oldest, it came to me.”

He does not like thinking about this. He has not thought about this in years. They do not speak of it anymore.

Nicolò is still watching him.

“I was asleep when it happened,” Yusuf continues. “I dreamt it as it happened, but I didn’t know until later. The moment she died, I woke up screaming. They told me afterwards that I was– I was glowing, bright enough that nobody could look at me for long or get close enough to see what was happening to me. They just had to wait until I came out of it. It felt like I was burning.” If he closes his eyes, he is there again, twelve years old and terrified.

“That’s how we know it should be me,” he says after a moment. “Who can do it. Because I did, once, but never again, despite all of this.” He waves at the Spring, the water, the stone. 

Exhaustion tugs at him. His eyes will not stay open, but he cannot let himself fall asleep, not yet.

“Don’t let me fall asleep,” he tells Nicolò. “There’s still time.” It cannot be late yet; the sun has gone down, but it is not quite dark. “Don’t let me.”

“You have to rest,” Nicolò says. It is the first thing he has said to Yusuf since he pulled him from the Spring, and Yusuf cannot tell what he is thinking. 

“I can’t fall asleep,” Yusuf insists.

“At least let yourself warm up first,” Nicolò says. There is a pile of dry clothes in his hands - where did he get them?

Nicolò convinces him to change and to sit back down, to rest a little while longer. This time he  steers Yusuf to sit down on his bedroll instead, and Yusuf’s grip on his arm goes tight.

“Don’t let me fall asleep,” he says again. 

“You cannot go on like this,” Nicolò says. “Sleep, and I will wake you in a few hours’ time.”

Yes, a few hours. That, Yusuf can afford. “Promise me,” Yusuf says, but his eyes are already closing unbidden. 

Nicolò says nothing.

----------

When Yusuf wakes, it is still dark outside, and there is a cloak that is not his own draped over him. Nicolò is crouched over the fire only a short distance away. He catches Yusuf’s eye, but doesn’t say a word.

It all comes crashing back at once: the water, the stone, Nicolò. Yusuf sits up.

“You didn’t wake me,” he says.

Nicolò watches him for a long moment. “You needed the rest,” he says finally. 

Suddenly his consideration stings. “That wasn’t your decision to make. What time is it?”

Nicolò glances at the sky. “It will be sunrise soon.”

Yusuf’s heart sinks. Sunrise means return, means return to the castle and his father with nothing. He gets up, pushes Nicolò’s cloak aside. “You should have woken me.”

Unexpectedly, Nicolò pushes back. “You would have only made yourself ill. You were barely conscious. I would not have done it if–” “That was not your decision to make,” Yusuf snaps. “I am not a child, Nicolò. I am capable of handling myself. I have lost hours.”

Nicolò does not say anything. Yusuf almost wishes he would keep pushing, but he does not. He simply folds himself back into the same blank expression he always carries, and again, Yusuf cannot read him.

“If the sun will rise soon, there is not much use in staying here for much longer,” Nicolò says eventually, quiet. He doesn’t meet Yusuf’s eyes. Guilt twists his stomach. 

Did Nicolò know? Did Andromache warn him? Or was he just worried?

Yusuf nods. 

They pack up their camp in silence, side by side. By the time they set off on the road back towards Goron City, the sun has risen, and the early light turns the world around them to gold.

Yusuf walks, and Nicolò follows behind him, as always.

[a-finnish-janitor]

I have a really silly headcanon when it comes to shipping Saga/Casey/David.

Like, when Saga first brings Casey around, its to try and get him to feel better. In that one memory in her mind place, he says he was in a really bad way when they first became partners.

So she gets to know him, sees how prickly and moody he is, and decides to bring him around to dinner to try and cheer him up. I don't really have an idea of how much convincing it took to get David to agree to have him over.

But! Once David meets him? I don't know why but I just have this scene play out in my head of David seeing Casey, how nervous and sad he looks, and him going to Saga saying "we're keeping him". I kind of flip flop on whether he feels like that right away, or after seeing how he treats Logan.

(Which I feel like he wouldn't really know how to act around kids at first maybe? So maybe he acts too formal when interacting with her which makes her giggle.)

Saga had only wanted to try and cheer her new coworker up, but now both her husband and daughter insist on inviting him over a lot more than she ever anticipated. And then they become an actual thing as time goes on.

But the fact he comes over for Logan's birthdays and buys her presents really makes me feel like he is much more than just Saga's coworker. And Saga is obviously happy with David so when I saw all of the Saga/Casey shipping starting to pop up my brain after a while was like "David is totally a part of it and is totally ok with Casey".

And so! In conclusion

[skitskatdacat63]

I apologize for how incredibly specific and niche this is, but aahhhh whenever people call rbr Seb a "boy king", I can literally only think about this statuette:

1. Because I think it gives the same angelic but mischievous vibe as Seb

2. Because it is a statue of a literal boy king

3. The ringlets and big eyes.....

[lenreli]

Day 28 - Sex [AU]

[AO3] Finally! :D More werewolf Hob & fairy Dream!

-

Hob groans, body still aching a bit after nights of full-moon transformations, which has finally ended with the new moon appearing. Resting on the sofa, he frowns, and considers if Dream will appear at all, having gotten the other man’s number after their session, and, well― 

There’s a knock at the door, and Hob’s heart goes into his throat as he jumps up, quickly opening the door. “Hi,” he breathes, eyes widening as he sees Dream ― and his lack of wings, which, understandable, though the Dream’s black outfit is more surprising, considering the last time Dream was in only leather pants and harness. Also very chunky black boots, which he remembers taking off. Dream raises an eyebrow, and Hob’s face heats, “um. Come in,” he says, moving so Dream can step inside.

“How was your nights, if I may ask?” Dream asks, voice deep as Dream looks around his plain living room, mainly filled with knick-knacks and books, some essays he has to mark on the table. 

“Exhausting,” he says with a deep sigh, “and also very tense, so it’s good to unwind with,” he stops as Dream looks at him, an eyebrow raised and eventually nodding. “And you?” Hob would love for less awkwardness, but as sexually compatible they are, their conversations are a minefield of awkwardness and trying not to offend each other as they learn. “You can, uh,” he gestures uselessly. 

Dream tilts his head, lips pursing as Dream starts to unbutton his black dress shirt, revealing a simple black vest, “I had to refrain from cursing someone so their drinks always turn out to be unfulfilling,” Dream mutters and Hob laughs, “he was unbearable, but I figured he wasn’t worth the energy.” 

“Naturally,” he responds, distracted as the black vest comes off, and his breath stutters as he sees Dream’s wings. The wings have become a tattoo, filigree black lace a wonderful contrast to Dream’s pale skin as five pairs of wings are underneath Dream’s skin. The back muscles of Dream tense, and Hob realises he’s gravitated close to Dream’s back, watching as the wings move with Dream’s muscles. “Sorry,” he breathes, voice rough as a hand hovers close to the other’s back, “I.” 

“You can touch,” Dream offers, a blue eye peeking at him, “as long as you get undressed too. This won’t be like last time,” Dream says, and Hob nods, taking off his clothes quickly as the fairy watches. Dream hums, eyes stuck on his chest ― and there’s a stutter, lashes fluttering as Hob touches the edge of a wing. 

There’s another stutter of breath as his finger goes down to the centre of the cluster of wings, at the middle of Dream’s back, and he’s amazed to see a flutter of wings, some of them coming out of Dream’s back, then melting back into pale skin. “Holy shit.” 

Dream lets out a sound, thin and high as his fingers press into the pale back, wings twitching out of skin and melting back in, and Hob tries to wrestle his other hand from not touching more of the wings, instead going to Dream’s pants, tugging him close as his hand goes around the front as Dream moans, cock hard and straining as he undoes them. “Is this going to be the scene we were planning?” Dream breathes, head resting against his shoulder. 

“Warm up,” he mutters roughly, pushing the other man down onto the sofa, and Dream hums, looking amused as and flushed as Hob presses him down. There’s a moan as Hob presses him down, feeling twitching wings against his chest, one of Dream’s hands clutching at his shoulder as Dream grinds up into his chest, the fluttering against his chest almost maddening as he tries to rein in his need to be down, nipping lightly close to a wing as Dream procures lube from ― somewhere, as well as a condom. 

Hob prepares Dream in a blur, eyes still focused on the fluttering wings he can still see as Dream whines and writhes, pressing against his chest and his other hand, stretching Dream’s entrance as carefully as he can, blood rushing at the feel of Dream’s wings against his chest, melting back into the pale skin, “are you going to go any quicker?” Dream asks breathlessly. 

Groaning, Hob bites down on Dream’s neck he takes his fingers out, shaking as he puts on the condom, and they moan as he enters Dream, pressing Dream down onto the sofa to stop the way that Dream wants to impale himself right away, which he remembers through a haze of heat and desire that Dream did that last time. 

“More,” Dream whines, a hand going into his hair to tug, and Hob lets out a whimper as he starts up a rough, stuttering rhythm, moans rising as their desire peaks and rushes, Hob coming before Dream as he watches and feels the flutter of wings against his chest. 

Brain scrambled, he lightly kisses the fluttering wings wrapped around Dream’s shoulder and arm as he comes down ― and groans as Dream moves out from under him, “where is your bedroom?” Groaning, he gestures in the general direction, heart skipping as he watches Dream’s naked body walk that way. “Don’t take too long,” Dream offers, giving him a smirk over his shoulder as he enters Hob’s room. 

Taking a deep breath, Hob scrubs his face as he gets up from the sofa, already feeling himself half in love with the fairy already as he ties up the condom and throws it in the bin, resting against the fridge as he takes another deep breath, mind stuttering over their texts for their scene. After such a scorching orgasm, it takes him a bit to get into the right headspace, but he does eventually as he makes his way to his room.

[ohwatson]

maybe if i start yelling about my bbc sherlock x haunting of hill house au from the rooftops it’ll actually motivate me to write it & wouldn’t that be an absolutely wild day for us all

[minweber]

"I have trouble sleeping lately. There is a... recurring dream, you see. Night after night, over and over again.

I dream of a road, stretching across an infinite plain. I see figures, moving in the distance, hear the echoes of their voices. Maybe it is the Fade? They say it can look like anything.

I walk the road, for it is impossible not to. And there I meet the figure of blue light, glowing like the midday sky. The figure stands before an old tapestry, its fabric torn, its edges rotting. A silver needle dances along it, as the figure mends the ancient scenes with azure thread that it unspools from its own body.

'Who are you?' I ask every time, though by now I already know the answer.

The figure turns to me. It has no face, and yet I know its gaze when it looks at me. It has no voice, and yet I know its words when they are spoken.

'I am Victory,' it proudly declares. 'I am the triumphant hero at the break of dawn, the power to rise above and overcome. I am the chance taken, the labour completed, the darkness banished and the evil laid low.'

The tapestry stretches into the distance, once more made whole and strong by the glowing thread.

'Rejoice,' the figure says to me. 'For soon you shall know me.'

The figure is frail and unraveling. Much more azure thread is woven into the tapestry than left within it.

I move on.

I walk the road, and cross the sea, and meet the second figure. Its light is red, like blood and fire. It sits as a child might by the ocean, before a castle of sand. Its arms stretch wide to hug the plaything tightly.

'Who are you?' I never fail to ask.

'I am Love,' the figure speaks in two voices. 'I am the champion and the protector, the power to shield and preserve that which you hold dear. I am the family found and the home made. I am the passion and the companionship, the caressing touch and the clasping hand.'

'Rejoice,' it smiles at me. 'For soon you shall know me.'

The castle in its hands is crumbling. No matter how much the figure struggles to catch it all, no matter how tight it holds on - the wind and the waves take their toll.

I hurry away.

The road again. I climb, until I am high in the mountains, meeting the third figure. Its hew is emerald green, crackling with potency. It stands at the peak, in its outstretched left hand - a small globe that it admires.

'I am Hope,' it responds before I even ask. Its voices are many, like reflections in a cracked mirror. 'I am the herald of change and the promise of salvation, the power to rally the faltering and renew the weary. I am the leap of faith, the paths yet untrodden, the faith that there are truths beyond experience.'

'Rejoice,' it calls to me. 'For soon you shall know me.'

I hear how its body creaks and cracks under pressure. The globe is too heavy for anyone to carry, and the hand that holds it is close to shattering.

I turn and run.

The road leads me further, but I only want to get out. It is a blind rush until I stumble into an empty arch, within which - a mirror? A door? I care only that it could be an exit. I reach out to open it.

And I see that my hand is made of purple light.

I wake up then, each time. And lay awake, waiting for tomorrow."