#anyway that's what I call *character development*

[conundrumoftime]

'this monstrous St Michael'

I doubt the TROP writers and showrunners meant anything in particular by setting Halbrand up as St Michael the Archangel in this shot beyond "looks cool :)", but bear with me okay because I was talking to @wyrd-syster about Les Miserables recently and it reminded me of something.

So first of all the St Michael comparison is because St Michael is very commonly portrayed in art as a figure in armour, standing over a conquered Satan in the form of a dragon or serpent, holding a long lance. e.g. this is Raphael's Saint Michael Vanquishing Satan (1516):

TROP Sauron is really not St Michael (the closest in Tolkien would be Manwë or Eönwë I suppose; the Ainur don't really correlate directly to angels). But at this point he thinks he is, or at least thinks he should be.

Which is what brings me back to Les Miserables. Here's Javert:

Javert was at that moment in seventh heaven. Without being fully aware of it, yet with a confused intuition of his own indispensible status and of his success, he personified—he, Javert—justice, enlightenment, and truth in their heavenly function of crushing evil. He had behind him and around him, at infinite depth, authority, reason, precedent, the conscience of the law, the vengeance of the law, all the stars in the firmament; he protected order, he called forth the thunder of the law, he avenged society, he came to the aid of the absolute; he stood erect in a blaze of glory; there was in his victory a trace of defiance and of combat; standing tall, arrogant, resplendent, he displayed, out in the open, for all the world to see, the superhuman bestiality of a bloodthirsty archangel, the fearful shadow of the act he was performing made visible in his clenched fist with the dull flashing of the social sword; happy and outraged, he held crime, vice, revolt, perdition, hell, pinned beneath his heel; he shone, he exterminated, he smiled … and there was an incontestable grandeur in this monstrous Saint Michael. Javert, though horrifying, had nothing of the ignoble about him. Probity, sincerity, candor, conviction, a sense of duty, are things that, when they go wrong, can become hideous, but that, even hideous, remain grand; their majesty, peculiar to the human conscience, persists even in horror.

Overall I think Galadriel is more of a Javert figure in s1 of TROP than Sauron is; she's the one whose fixation on justice has become something so all-consuming it leaves no room for weakness or redemption. (Whether Sauron is in any sense repentant is a whole other question, but her answer to even the suggestion of it is isn't "you're lying" but to tell him it wouldn't matter anyway: "no penance could ever erase the evil you have done.") But this particular Javert moment is very much Sauron.

From Morgoth's Ring:

And Letters:

One of the things I don't like about the time compression in TROP is that it speeds up this gradual 'relapse' so much that it's hard to trace it as the development of the character, vs. a brief dalliance with the idea of Doing Good followed by a "fine then" tantrum, but! TROP Sauron is still very much informed by what Tolkien said about 2nd Age Sauron and his motives and I do love it for that.

and: I especially love, when Tolkien talks about Sauron's corruption by Morgoth, the idea that this was part of the corruption; that it wasn't just Morgoth running Evil Bootcamp, but that Morgoth flattered him and praised him and fed into his pride so much so that anything 'good' he believed he was doing was misdirected from the start, because Mairon the Admirable couldn't conceive of any good outcome or plans that didn't feature him as the most special perfect talented brilliant centre of everything.

[mysterious-animated-skulls]

Lewis being / staying alive has so many AU stories potentially waiting! I love the idea that they hiked in the cave without any security. And warnings signs were outside of the cave! People were supposed to stay outside! They saw there was danger, and yet they went inside anyway.

Vivi as the leader should've made the call to say, "No, this is too dangerous. Let us get proper gear first."

Which opens the question:

Why was the entrance open and not boarded up?

Which again leads back to Vivi, but also Lewis, maybe Mystery. (More difficult to tell with Arthur what he exactly through except for his unease.) A dangerous cave, with plenty of warnings, but the cave is accessible? That's so suspicious??

Even more so if they assumed that the local officials hadn't come around to close the entrance. Either they wanted a little thrill (young adults) or they believed the warnings were exaggerated.

So, plenty of opportunities for things to go wrong without any possessiong going on.

And opportunities for Vivi angst and character development without the amnesia!

Used to be gung-ho about any spooky location despite the possible dangers? Didn't think about the dangers inside the save? Or disregarded them? Went deeper inside than the immediate entrance, with only some torches? No gear, and no information to people where they were?

Now both Arthur and Lewis, or only Arthur get hurt, while Lewis nearly did.

The doctor at the closest hospital they go to tears into them for their reckless behavior, revealing that the cave is indeed dangerous, and-

I also love the idea that, even if Lewis doesn't (consciously) blame Vivi, the cave's events puts a strain on their relationship. (More Vivi angst is always good.)

Ya know what I find interesting. There are almost no "Lewis lives/is resurrected" fics. Fics where he doesnt die, just swap him dying for someone else dying.

If you go to the "lewis lives" tag on ao3 there are 11 works. All except 2 are actually precave, lewis hasnt died yet or the kind where someone else died instead.

and there are 2 resurrection fics and of those one still involves someone else dying (arthur killing himself specifically)

And yeah, Lewis' death is the inciting incident to the series, but I certainly dont think there are no stories to tell there. I think there could be very interesting character drama there. Especially when you dont have the amnesia thing to make it so no one has to deal with the aftermath

With no ghost induced amnesia, Vivi has to deal with the fact that being the leader, Arthur getting hurt was on her. Lewis getting hurt/almost getting hurt is on her. They went cave exploring with no safety gear. In street clothes (chucks for hiking in a wet cave??). They didnt even have a flashlight. And its seems that no one knew they were going into this cave (since it seems like Lewis' corpse is still there) So they broke every basic rule of caving safety https://www.fs.usda.gov/visit/know-before-you-go/cave-safety

Like even if you dont blame her, I think she would blame herself. And its another thing I dont think I saw explored much. I'd see it get mentioned but usually it would immediately get brushed aside, usually by one of the boys.

But with how unsafe there were being....Lewis could have just died from slipping. No possession required. (obviously the doylist reason is because it would be a pain to design whole new outfits for one scene that was added last minute. They would look super cute in little themed caving outfits tho.)

This started out with just me thinking about "Lewis lives" But now its more about how I kinda want more Vivi angst......

Imagine if Lewis knew Arthur was possessed. If Arthur hadnt been clear he didnt want to go in the cave. Imagine if Lewis blamed Vivi.

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[treasureplcnet]

someone on the bodies production team you have to release more layout/bts pictures of charles whiteman's flat please. this is a great start but i need to know him better. particularly if it's got about as much mould as a second year uni house and if he owns as many chairs as it seems LOL

[sammy-the-dead-dumpster]

there are two wolves inside of you

[widevibratobitch]

when i say i am obsessed with him

[cerealmonster15]

ok now that you've said it, im gonna ask for it. Azul X Cater, either friendship or romantic could be fun. Cater helping Azul relax without the stuffy business stuff and raising his confidence levels callin him cute or w/e? And Azul helping Cater with getting him super cool items to post on his magicam / putting spicy menu items in the monstro lounge for him to eat (not for like the art idea but like just in general on how the ship might play out)

HEHEHEHE THAT'S REALLY CUTE :3 they could be a power couple, i can see it in my mind's eye...

azul acts all confident but i think if a cute boy got close and batted his eyelashes at him he'd get flustered and fold in an instant lol

[imaginaryanon]

ohhh, da fandom, how i've not fucking missed you lmaooo the new game's release is still a month away but already i'm reminded exactly why i became convinced i'd never want anything to do with that franchise again. jesus christ. except this time im 30 and hopefully better at tailoring my online experience to not exhaust me & make me pissed and anxious (even if half of da tumblr is like. already laser-focused on making this a shit experience for everyone who stumbles upon their fuckass posts huh hfgjhjhjd)

anyway i'm listening & learning & blocking even MORE tags & not looking at SHIT until i play the game myself <3 For Real this time. "oh but surely it's just an innocent opinion and not a spoiler or anything--" that is the devil talking. all posts abt veilguard rn are full of shit, on account of The Game Isn't Fucking Out Yet How Are You Guys Already Having Novel-Length Opinions (TM)!!!! anyway i simply don't need that kind of energy in my life

i enjoy these games too much to be chased outta here by deranged drama i'm not even a part of again 😭 get fucked & god unbless

[crystalleoi]

5C

[kirkwallguy]

decided i will remain neutral on the combat until i actually play it but realising all the people comparing it to ac odyssey were doing so favourably made me go ohhh. perhaps this one just isn't designed for me.

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[cobbssecondbelt]

Do we realize that we just saw Din Djarin riding a droid into battle against bigger droids?

[yolowritter]

In Defense of Chloe Bourgeois Part 3: Why Thomas, WHY?

Hello everyone! In case it wasn't obvious by the title, this is a part 3 to this post right there! I'd sincerely recommend reading it since you'll need the context. Anyhow, moving right onto where I left off! Yes I copied the message too, it's 2am leave me alone.

[...]

Mind you, I'm not saying that there shouldn't be one at all, but that Miracle Queen was absolutely not the right time to go for it. Assuming that Chloe's fall was planned from the start, then I'll admit that it was the right call from Astruc and Co. Why? Because Seasons 2 and 3 give us an excellent analysis of Chloe as a character, and a lot of time for her to try and acclimate herself to the new circumstances of actually belonging somewhere. But...they also don't provide Chloe with the oppurtunity to figure herself out that much. She's preoccupied with Akuma fights whenever she's Queen Bee, and doesn't get much time to actually talk to her would-be friends as herself, at least outside the context of beating up this week's fashion atrocity, courtesy of the local Butterfly Man. And to be honest? The only reason I don't love Miracle Queen as an episode is because Chloe's fall didn't get proper buildup. If Astruc had devoted time to show us what was happening, then I'd be head over heels for the sheer amount of potential doors this storyline was opening!

Unfortunately...Thomas decided to double down on a terrible writing mistake...with Queen Banana. Dear Nooroo, the sheer amount of hate I have for this episode is almost as bad as my seething rage for Ephemeral! I'll talk about that disasterous stew of rotten eggs and horrendous writing some other time, but Queen Banana nearly takes the cake for my least favorite episode in Season 4! Would you like to know why? Because I was inhaling one thousand cubic meters of copium when I predicted that Astruc would actually bother doing something worthwhile with Chloe! And I'll admit, I do see what they were going for here. Make Chloe as bad as possible to replace her with Zoe. But that just ended up undermining both of them so badly that it actually hurts me to watch Queen Banana and Sole Crusher! I honestly don't think it was 100% intentional to make it look like Zoe was her half-sister's replacement, but the fact that it even looks that way from what I believe to be a decently unbiased point of view...is a problem. Don't get me wrong, I love Zoe! She's amazing, and Season 5 made her even better! But her introduction was so poorly written that it feels that way.

And Thomas certainly didn't help matters with the way Chloe was portrayed in those episodes. People have said that "she was being nice to Zoe at the start" and that "Chloe was trying to help with the movie, she had a really cool idea!" and both of those are true, yes, but look at the way that she goes about it. Chloe cranks up her "Audrey-ness" from the 8.5 we see on a good day, to the 10 of Style Queen...to a good ol' 27. Mind you, this could have been very well done! It could have been made obvious that Chloe is intentionally falling back into old habits as a defense machanism or a way to cope by deluding herself into thinking she doesn't need anyone because she's a Bourgeois! Would have made for a wonderful plotline, especially since she broke off her and Adrien's friendship. If I recall correctly, he told her she's being unreasonable, which Chloe absolutely was the entire episode, at least in the way she went about interacting with people. Naturally, Chloe insists otherwise, and decides that she doesn't need him either! This would be a wonderful moment to have her cry in the limousine, or maybe we could have gotten a scene where she's regretting cutting him off in Sole Crusher! Even at some later point in the Season! It would have been great! It would have given Chloe proper depth and made the approach of her fall in Miracle Queen have actual consequence in regards to her character! It would have severely complicated Chloe's relationship with the now only positive influence in her life, Zoe!

Speaking of Zoe, there's a huge theme hanging between her and Andre about breaking cycles of abuse. I won't talk about it here since it fits into a future post, but there's already a lot of analysis posts out there, especially about their relationship, which I personally find fundementally flawed. Andre is in general a really shitty person who I don't think ever should gotten a redemption arc, especially one that amounts to "Oh well, the problem child (that I am responsible for failing to raise) is gone now, time to receive zero consequences and enjoy my life after being a corrupt politician for almost a decade!" Can you tell I do not like that by the way? Can you tell? I swear I am giving this man a downfall arc to end all downfalls in a fic one of these days...

Anyway, point is that Chloe and Zoe are both screwed over by their incredibly horrible parents! And to anyone who says "but Zoe isn't a bad person, she's just different", kindly think about why that is. Chloe spent her entire childhood begging for her mother's attention and then being taught how to bribe, extort, blackmail and bully people into submission by Andre. Which is canon by the way! Meanwhile Zoe spent a significant amount of time with Audrey, and therefore doesn't idolize the mom she never knew.

Now, I'm not going to speculate on Zoe's childhood, but it seems pretty logical that Zoe was at the very least witness to a frankly ludicrous amount of Audrey's "you're ridiculous, utterly ridiculous" moments, to the point where she's sick of it. Like c'mon, if you had anybody in your house firing their unpaid intern 27 consecutive times in the span of maybe an hour, you'd quickly get used to it, get annoyed by it, and then promptly decide the behavior isn't worth emulating. Especially if you're sick of their shit by that point, which we can logically Zoe is. Therefore, she doesn't act like Audrey. Considering Andre didn't know she existed, he never poisoned her with his slimy politician ways, Zoe's behavior is different from Chloe's. As an aside, she still does try to emulate her actions when she first arrives at Dupont, if only for a couple minutes. Zoe wants to fit in, and even if she doesn't like what Chloe does, she's willing to play the part at least for a moment to get close to her sister. Fits really well with her wanting to be an actress, so I wanted to highlight it!

Anyway, the point is that there is some great foundational material here! Regardless of whether or not Chloe "fell" in Miracle Queen, there's amazing potential for a proper conflict between these two! Because as a reminder, we deduced earlier that Chloe was jealous of Marinette because of the latter having what she didn't! Zoe presumably had Audrey's love (in Chloe's mind at least), hence she would treat her differently. Be it either with seething hatred or jealousy is up to whomever writes the story. Alternatively, Chloe could (in the scenario where Miracle Queen didn't happen) believe that Zoe is a similarly abusive situation as she, and we go from there for a plotline between the two. Irrespectively of which route they wanted or could have taken this, any potential for character development between these two is utterly ruined from the very moment they first interact on screen.

This because Chloe is now reduced to a one-dimensional "school bully" character, which would have made logical sense if the writers explained it as a self-defense mechanism, but without any context or exploration of her mental state post Season 3, it can only be seen as character regression, which is never a good idea! Not to mention that Lila Rossi exists specifically to fulfil the role of antagonist for Marinette's personal life now! I know as well as everyne else how much Lila gets ignored and underused in this show, but the fact that Thomas and Co. took time to forcefully shove Chloe back in a role that no longer fits her instead of using the villain they spent three Season Finales hanging in front of us like a carrot on a stick is ridiculous to me! Therefore, Chloe's entire character development, which I would have been completely fine with if anybody bothered to treat her downfall with even the minimum amount of respect it deserves, if solely from the perspective of not leaving a gaping plothole bigger than the cavern in Gabriel's basement in the middle of their storyline! I know I already brought up me having an aneurysm once because of these crappy writing decisions, but we are well past the point of a mental breakdown and headed directly to a freakin' heart attack!

Why? Why??? How do you even manage to disrespect your own character to the point where you ruin two villains simultaniously, and the new heroine you're introducing??? Thomas Astruc! Have you ever taken a Writing 101 class before? Do I need to borrow Nathalie's crossbow and force you into one? Yeah okay, we get you don't like Chloe, but I honestly cannot accept that her botched downfall would spiral into the utter butchering of two more characters with unlimited potential, one of whom is supposed to be the villainess for your protagonist's personal life and the new Hawkmoth! I am well aware that Thomas doesn't even know I exist, but the sheer amount of beef I have with this man solely for being incompetent it honestly starting to become too much! I'm sitting over here desperately trying to retcon and re-write his characters in my head to at least make logical sense! And he just adds even more steaming-hot garbage to the pile of inconsistency, insanity and bad writing decisions! Meanwhile, we're missing 100% of logical sense, character respect, or at the very least some kind of way for the audience to understand what you're trying to communicate! Just tell us in a twitter post at this point! Please, be clear with your writing!

Okay...I'm sorry, this post has gotten way too long. Ridiculously long. Including this paragraph, it's actually almost 7.5k words in total. Hence why I've split it into so many parts. I sincerely hope you got the point. To summarize, regardless of if Chloe was redeemed or not, there were incredible oppurtunities for storytelling, and Thomas missed the wide side of a barn with this one. If you ask me I can go into way more detail, and yes that's despite the 7.4 thousand words in this series of posts. Anyway, I am now going to cool off, and quite possibly (maybe) sleep. I'll see you all next time (when I wake up from my coma), but until then, Stay Miraculous everyone!

< previous post >

[navree]

me @ you calling Lucerys boring! 😆 come on, he's just a kid! cutting out aemond's eye was bad, i agree, but i don't think he was as bland as everyone says. his imposter syndrome in 8 and 10 was interesting to watch at least. he was a brave little boy.

I mean I don't really see anything brave about bringing a knife to a fight he not only had fuck all to do with but where he was clearly at fault (Aemond did nothing wrong, he tamed a free dragon, Baela and Rhaena get a pass because they're grieving but Jace and Luke had no business being involved and certainly no business escalating into 4 v 1 violence against the clear cut victim), trying to literally murder someone because I don't know what the fuck you're trying to do when you stab a knife at someone's face but it's certainly not a warning shot, showing zero remorse for it at all, and at worse acting like a little snot when in the same room with your victim. The fact that Luke got away with this scot free (didn't he literally say "I didn't do anything" you boring little asshole you stabbed out someone's eye that is the opposite of not doing anything!) is an absolute travesty of justice that stains everyone involved (mostly Viserys and Luke but I'm not letting Rhaenyra "pls torture the ten year old stabbing victim until he tells me how he figured out that these white dark haired children aren't the sons of my black platinum blond husband" Targaryen off the hook either). Aemond could have died, not only from the initial wound, but from the myriad of infections or other issues that could have plagued him during the healing process. For God's sake, Viserys nicks himself on the Iron Throne and they have to lop off his arm, his infected injuries and their treatment have already made him pretty firmly decrepit by Driftmark, the fact that Aemond healed without any serious and lifelong and further damaging complication is a goddamn miracle. And even kids know that murder is bad, I'm pretty sure that if I were Lucerys's age and I tried to commit homicide I'd have to deal with some consequences.

And I'm sorry, but I call him boring because he is! They wrote a boring character! That's not on me for picking up on it, that's on the writers and the myriad choices they made that led to them severely underdeveloping several characters, most prominently Lucerys (Jace and Baela and Rhaena at least get another season of life to develop further, Luke gets four episodes and they knew that going in). This is a song I've been singing literally since the show was airing and it's not gonna change, cuz he's dead and therefore stuck with his boring character and complete lack of characterization.

Him being a kid is not a character trait, and it certainly doesn't make him more interesting anymore than, say, his eye color would. The impostor syndrome thing they kinda tried didn't really work because 1) it's not impostor syndrome if it's true, he's not a Velaryon and Vaemond was 99% in the right in that entire thing (I don't like him throwing out misogynistic slurs, you can point out that these aren't Velaryons but Strong bastards without stooping to calling Rhaenyra a whore, I hate men sometimes) 2) in episode 8 it exists for one single line and is not a driving force for him at all for the remainder of the episode to the point that it could be cut out and mean nothing, especially since that scene was only there to introduce adult Aemond and 3) it doesn't even make sense because the person who was set up as having issues with his lack of Velaryon heritage and Harwin being his father was Jace. Jace is the one who hears the rumors and clocks it early on in childhood, Jace is the one who is deeply affected by it to the point of bitterness towards his own mother, Jace is the one who grieves Harwin but also feels angry that he can't express it. All of that was set up as part of Jace's arc, not at all Luke's, who is literally set dressing up until he decides to commit criminal offenses in the middle of the night. And then time skip, and suddenly Jace is A-OK and Luke, who has shown no issue before now (or any personality at all) is slightly concerned about it for one line in episode 8 before going back to being a piece of cardboard until episode 10.

And I'll be honest, the second that scene came out in episode 10, I immediately saw it for what it was, which was a very obvious patch job. The writers were clearly aware that they had not given the viewers any reason at all to care about Luke one way or another, so we weren't going to feel a lot when Vhagar (deservedly, imo) munches on him. So they hastily added in this really heavy-handed scene of poor uwu soft boy Lukey who is so concerned with doing right and needs to blink up tearfully at Mommy and be her sweet boy and get little kisses to assuage his worries, so that we'd feel some emotion and then be said when he becomes the Jonah to Vhagar's whale. It just doesn't work because there was nothing for him before then and therefore I don't care, I just feel bad Rhaenyra.

Luke is a bland and boring character. That's not an attack, that's just what the writers did. They tried to cram too much into a ten episode season, literally twenty years of history, and it caused a lot of characterization problems for a lot of characters, particularly for the Team Black ones. And a consequence of that is that the character with the least amount of time for development got not development and no personality. He's a plank of wood, he's a platonic version of the sexy lamp trope; there's nothing there and he exists only for us to feel bad when the lamp is smashed. Seriously, name me five individual character traits that Lucerys has. He's a momma's boy, even though I'm not really sure that's a character trait but I'll give it to him, and I guess he's devoid of empathy, considering that he doesn't appear to feel literally any remorse for mutilating Aemond (seriously, is it like the Dothraki and "thank you"? does the word "sorry" not exist in Valyrian languages? you can't even send an apology gift basket or a note?). But he's not brave, as there is no scene that shows any bravery or courage, and he's not noble or kind or thoughtful because there's nothing that shows any of that, or anything that shows him being the opposite, cruel or cowardly or weak, because he's a basically a character who could be played by sticking a wig on a mop and waving it around. And any characterization of insecurity exists as something hamfistedly crowbarred in at the last minute in his final episode to try to manipulate the audience's emotions with less sensitivity than D&D trying to tug at our heartstrings by having Drogon try to nudge Dany awake after she's killed.

But there is a character that I do consider to be a brave little boy, though I regret to inform y'all that it is Not a fourteen year old with no depth or personality or written characterization whose main claim to fame is maiming a person without apology and then dying. Nah, the brave little boy title goes to post-Driftmark Aemond. Aemond, at ten, is delivered a life altering injury whose recovery was likely very slow and very painful, involved a lot of worry about whether he'd have to deal with infection or further risk of death, and had to relearn how to do literally everything now that he was half blind, and he did all of it. He survived, and he thrived. He relearned how to walk, how to balance, his spatial awareness. He learned how to fought and even became incredibly good at it, and maintained his bond with Vhagar, as well as trying to keep himself mentally sharp as well. He did all of that, despite the huge setback he was dealt with at age ten. That's brave, go Aemond.

[kaiserouo]

wip

yup. it's a hound. in this blog. do you know i draw hound? because i do. in case you never knew that.