#anyway that's what I call *character development*

[hummingbird-games]

2024 in Review (Indie Games)

2023 | 2022 | 2021

Helloooo gamer friends!!!

I'm so tired.

Lol.

Anyhoo, y'all don't care about that!!! Y'all are here to see what games I played and what the heck I have to say about them! Reminders: I don't bash games I didn't like, and I try to post more in-depth thoughts and reviews and general yapping to Gem's Game Gems.

DEMOS

When Stars Collide - I am by no means a sci-fi girlie. I need a HEAPING dose of fantasy or fantasy elements to help me out. That said, y'all might remember how I went feral for Gilded Shadows, so I am locked in for this journey with WSC. It's just as mysterious and lore intense as GS, but also just as intriguing and engaging!

Love Me, Love Me Not - I looooove when a game charms me to pieces??? Our MC Addie, the introduced LIs, the story, the art??? Where do I begin?? Anyway, please check this one out y'all! I'm impatient for the full game (shocker, I know).

Threads of You: Beyond the Bay - So my thoughts and reactions for this one are on the side blog, but I really enjoyed the demo and I have eyes for Chris, Vince, and Alex hehehe.

Lost in Limbo - While I'd been keeping tabs on this game for what seems forever because of the character art that originally caught my attention, I almost didn't finish the demo because it was lowkey disturbing (I'm a wimp and not all horror is made equal). But!!! BUT!!!! I push through to the end, had a good time, noted that I need to play the full game in the daylight with the music turned down low. And I absolutely adore Ara and Xal so, so much.

A Simple Twist of Fae - Absolutely no one cares, but I read a lot of manga this year. Like, a lot-a lot. Like, ~180 books and 1/3 of that was manga. Anyhoo, When JMB announced she was cooking up this game, I was impatient to get my grubby hands on it. AND THEN I PLAYED IT AND IT WAS THE SHOJO INSPIRED GAME OF MY DREAMS?!?! Like.....I wish I could both have it on my computer and also on my bookshelf. Final build dropping when??? (Also the UI design is utterly delightful, I cry.)

The Summit Library (FULL DEMO) - The last time I reviewed this game, we got chapter 1 as a taste, and I was. Locked! In!! The full demo gives us the first 2 chapters as well as the previews for all the romance routes and while giving everyone a whirl I'm *still* undecided on who to go for in the future, I must mention this: TSL is so aspec friendly???? I do love a game with smut, don't get me wrong looks at College Craze but sometimes I have my moments of being overwhelmed/sliiiiiiightly repulsed and the variety of options you have to choose how you react and interact with the various LIs in this game is amazing. (I have more thoughts on this, so I'll try to remember to post to the sideblog, but please understand that this game is totally worth your attention and time imo!!!)

Fully Released & Played (at least 1 playthrough)

Rabbit Trail - This. Game. Is. SO. Cute. *punches the air* 😭🥹(Copy + paste of my review on the itch.io page -> This was so charming, so fluffy, so cozy, just delightful all around??? I've only reached one ending so far, but René is just the cutest protag to play as, and his interactions as he delivers his mail made me cheese so dang hard! (Also, I wanted to fight his parents for not properly appreciating their kid LOL))

Stuck by Design - I checked this game out because I was looking into games that fellow programmers had worked on, and this cozy game stumbled onto my lap. The music was perfect, the UI is beautiful and clean, and I thoroughly enjoyed the performance of the VA for the LI, Yuki.

Wake Me Up If You Need Me - I called this game older!HSDJY MC x Ryan coded and I'm still right. The voice actor MAKES this game, and the interactions the player has with Reed is so flippin' delightful?? All my love and adoration to the game developer. May they make more beautiful games.

CTRL FREAK - The developer team brought us The Faithfulness of the Universe which is a banger in its own right, and CTRL FREAK is the team's commercial, finished project that I also found delightful. The soundtrack and the animations are chef's kiss 💛

Breathless Winds - Ooo, baby, ooo. So. If there is only one game you play from this list and you have some spare cash to spend (at the time of writing, the game is on sale!!!) please, please, check this one out. It left me absolutely spellbound, both the orginal demo, and then the full game. While I didn't get to blog fully about this one, and I only tackled 2 of the 4 routes, this game is absolutely everything. This is my indie game of the year. Poppy and her journey resonated with me, and between the music and the art, everything just came together so perfectly.

Wake Up Magical Girl - Listen TF up, if miseri creates it, I'm gonna play it, idc, idc. That being said...this game had a kick to it that when I finished my first playthrough, I had to stare off into space and gather myself. It takes the concept of magical girls and heroism and gave me a teeny tiny existential crisis, but other than that, I'm fine, it's fine, play this game, thank you.

Sleeping Under Spells - God, I love me a game where I get to argue with a LI. I love it. Bonus points if it's lowkey stupid stuff we're bickering over LOL!!

Our Wonderland - Yeah, uh huh, you thought you'd escape me talking about this game this year, didn't yah???? Too bad. The fifth and final arc dropped this year and I played it and I cried and felt for the briefest moments that life was okay. To say something different than my review of last year, I love that this seems to be the game that helps fellow ace devs find and flock to each other, I'm not kidding 🤣 so thank you Carrot for helping us fellow aspec peeps feel seen and validated and understood!

I Watched a Full Game Playthrough and Highly Recommend

Replay Boys - Okay so technically at the time of posting, there's still one more video I'm waiting to watch (Naja of BlerdyOtome uploaded her stream to YouTube) but my Godddddd. I've had my eye on this game for FOREVER but I was lowkey waiting for it to move to itch.io (I'm still a lowkey Steam hater 🥹) anyhoo, watching this absolutely wild game made me go ahead and buy a copy for myself to replay at a later time, but it's just great. The summary only scratches this surface of what the game entails 🤣

Gemi’s Gushies

(a list within a list of games that have devs trucking along in the background and I want to spotlight for y’all)

Save the Villainess - Life got away with me and unfortunately I never finished my play of the demo BUT what I have played was fun and I hope to return to this in the new year!

Woman of Xal 2 - Plot Twist Studios is on that Sequel Train with the next installment of WoX!!! Which I'm VERY excited for!!! I've unfortunately only completed one playthrough of this game, but the first game is definitely a masterclass in replayability, and I hope next year I'll be able to do a second playthough as I wait for game 2's Kickstarter!

...

And that's 2024! Any shared favorites?

- Gemini 🫶🏾

[queer-ragnelle]

can you tell us more about gingalain? he seems intriguing but i don't know much about him

I sure can! Here are the texts that center his story.

Le Bel Inconnu (French)

Gilglois (French)

Wigalois: Knight of Fortune’s Wheel by Wirnt von Grafenberg (German)

Carduino (Italian)

Sir Libeaus Desconus (Middle English)

Vidvilt (Yiddish)

His name differs depending on the text (as shown with the titles) but in Le Bel Iconnu [The Fair Unknown] his baptismal name is revealed to be Guinglain; varied spellings of that name appear in other texts so, I'll adjust my spelling accordingly.

Anyway the gist of his origin [most of the time] is that Gawain meets and falls in love with a mysterious woman but has to leave her to return to his duties at King Arthur’s court, only to discover he can no longer return to his lady/wife who lives in an impenetrable Otherworldy bubble. Years go by and their child grows up. The child eventually leaves home in search of his father. He ends up at King Arthur’s court but remains anonymous, so Arthur dubs him “The Fair Unknown,” for he’s handsome and skilled at arms. He goes on adventures with ladies, fighting giants and dragons, eventually revealing to Gawain that he's his son by the fairy/Otherworld lady.

"Guinglain’s" coat of arms in French Le Bel Iconnu is a lion...

In German Wigalois it’s a golden wheel of fortune...

In Middle English Sir Libeaus Desconus it's a griffin...

But when you google the character by name, Guingalain or Gingalain, it's this shield which pops up:

Now it's a pretty badass shield, but where does it come from? It doesn't appear in The Manuscripts and Patronage of Jacques d’Armagnac, where Gawain and his brothers first got their coats of arms. Evidentially this image comes from Le Blason des Armoiries by Jérôme de Bara, published in 1604, from which many knights received their coats of arms including Sagramore, Kay, and Bedivere.

Gawain's son appears in the supporting cast of many other texts. He's called "Gyngolyn" at the end of The Wedding of Sir Gawain and Dame Ragnelle.

And "Gangalayne" shows up again in Le Morte d’Arthur alongside his father, Gawayne, half brothers, Florence and Louel, and uncles, Agrauayne, Gaherys, Mordred, and Gareth.

Sometimes he keeps the title "The Fair Unknown" even after his relation to Gawain is known, as in the 2nd Perceval Continuation.

Some texts develop him into a fully fledged character beyond his origins, such as in the Prose Tristan, where "Giglain" fights Tristan and then reports back to a grieving Isolde that Tristan still lives.

And in the Post-Vulgate, "Guinglain" guards a bridge and challenges any who try to pass, including Galahad, Arthur the Less, and Palamedes.

He also appears in some retellings.

The best example is Gillian Bradshaw's trilogy. He's called "Gwyn" and his parents are Gwalchmai and Elidan. Their romance covers book 1, Hawk of May, then Gwyn is discovered in book 2, Kingdom of Summer, and his paternity revealed to Gwalchmai on Elidan's deathbed in book 3, In Winter's Shadow. These books are fine, but so slow, and started the trend of replacing Lancelot with Bedwyr to keep it more "historical/Welsh," meanwhile Agravain is still a character and Medraut is a bastard of incest and all the Orkney bros are actually Irish. So what was the point of that? I'd rather Lancelot had been there, particularly because Gwyn's death occurs when Bedwyr comes to rescue Gwenhwyfar from her fate and Bedwyr kills him, unarmed, to get her. So it follows the French storyline anyway. I do adore how much everyone loves Gwyn. Afterwards, Cei is acting as lawyer to work out Bedwyr's story against Medraut's, and they have this exchange:

Gwyn was everybody's baby boy. Then Cei describes the extent of Gwalchmai's grief, including having the horse he gifted Gwyn slain and burning all his belongings.

Cei likens it to the grief felt at Agravain's passing. So this is good food for Gawain and family enjoyers, but as I said, not a huge fan of Bedwyr/Lancelot hybrid as Gwyn's murderer.

In Persia Woolley's third book, Guinevere The Legend in Autumn, introduces the character. But she's so unpleasant about her characters of color...

Yeahhhhh. Long story short, Ragnelle is a fey nomad that lives among the animals she herds. She was unable to be made "civilized" and left court, evidentially sending her son "Gingalin" to be fostered by Bertilack, then given to Gawain after his Green Knight quest. There's so much unnecessary emphasis on their skin-tone coupled with the way their culture's framed it's just. Ick. I hate it.

In Howard Pyle's fourth book The Story of the Grail and the Passing of Arthur, "Gingaline" is mentioned in the line up of knights who join Agravaine and Mordred in the ambush of Launcelot and Guinevere. Ironically, he isn't mentioned as Gawaine's son, but his half brothers, Florence and Lovel, are.

Since Ragnelle and Gromer Somer Joure are both present in Pyle's series, I'm going to assume "Gingaline" is Gawaine's son. I know it, in my heart.

Lastly, in The Green Knight (2021) movie, Gawain has an unnamed son who dies in battle. He's Guinglain. To me. If I squint.

So what do I recommend reading? Of the Medieval stuff, the French story Le Bel Iconnu is the origin, so it's a great place to start. The English Sir Libeaus Desconus is short and sweet, with a really great scene of his kinsmen, Gawain, Agravaine, and Ywain, plus friends Lancelot and Perceval, arming him. Yiddish Vidvilt is also fun, it resembles the German Wigalois the most, which is my favorite.

And that's everything I got. As you can see there's a lot of Gawain's son in Medieval stories and not very many in modern ones. I love him! Let's includes him in more stories, shall we? :^)

[bybdolan]

thoughts on books i read in 2024

This was kind of an abysmal reading year for me ... i did not read a lot, very few books were truly excellent, and most of what I read was written by white guys (which is on me). Let’s hope 2025 is better on all fronts. Anyway, here’s a list of what I read, and about 4 sentences written in 3 minutes trying to summarize my thoughts on the book.

The Autograph Collector (Zadie Smith) – started the year off pretty strong with this one. It’s been a while since I read it, but what I do remember is that smith is an excellent storyteller and I liked how the themes of grief, dreams, and fame were woven together.

Die Insel der 1000 Leuchttürme (Walter Moers) – eh? I was constantly hoping that this would go in a “horror as metaphor for bigotry” or “small communities with strict rules are fucking scary” (think The Wicker Man) kind of direction, and thus was not on board with the way the plot ended up developing. It’s also way too long and Hildegunst’s neuroses are annoying after a certain point.

Faserland (Christian Kracht) – this is as good as everyone says it is. Full stop. I admittedly just love books about sad young men who are or pretend to be assholes (Catcher in the Rye), so this was perfect for me. Very sad and very pale, but in a good way – it felt clear, like nice winter wind. Also: I couldn’t get the boy to kill me but I wore his jacket for the longest time. Etc. etc.

Das fliegende Klassenzimmer (Erich Kästner) – a classic for a reason!!! Children’s books are at their best when they take their audience seriously, and this passes that test with flying colors. Incredibly fun, incredibly moving. Made me cry more than once. Eisern!

Call Me By Your Name (André Aciman) – this was a really interesting experience for me because I strongly disliked the movie when I watched it, as I was constantly put off by Oliver’s behavior. I think the book does a better job at making you understand the fragile and confusing back-and-forth between Elio and Oliver, and I found myself really really liking it because of that. I also greatly appreciate how unapologetically horny it is. Being horny makes you act fucking weird!!! I love weird horny representation!!! YAY peach scene! The style was beautiful as well, though a bit imagery-heavy at times, which did fit the heavy summer atmosphere.

Rico, Oskar 1 – 3 (Andreas Steinhöfel) – listened to the audiobooks on my way to uni. A very fun time all around. Similarly to Kästner, Steinhöfel has a lot of respect for his audience and also doesn’t shelter them. What other kids’ books can you name where the protagonist’s mom works at a strip club? The representation may not be perfect but I love that he went there. Mama Doretti you are forever famous TO ME.

The End of Loneliness (Benedict Wells) – always pains me to say this because Benedict Wells legit is so fucking sweet and nice in person and I’d LOVE to have dinner with him, but ... he is not thaaat good of a writer. This one essentially is a John Irving wannabe, and despite the “dark” themes it feels incredibly shallow and cliched at times. The female character(s) are particularly offensive. However: at the very least Wells is earnest about it all?

22 Bahnen (Caroline Wahl) – Caroline Wahl who had 2 books on the bestsellers list for over a year now recently complained that she wasn’t nominated for the Deutscher Buchpreis, which is partially meant as financial support for authors whose a) books do not sell well because b) they are good and complex pieces of literature, so I hope that she’ll be at least a bit consoled by receiving the “Book That Made Me Seethe With Hatred 2024” award <3 the writing is ass the story is shallow it’s all just a big fucking cliché and the depiction of poverty and addiction is appalling. I’d be ashamed to put a book like this out into the world.

HOOL (Philipp Winkler) – this still is THE book about violent men to me. I read it 5 times in the summer of 2018 and I am happy to report that it has lost none of its appeal and grit and ugliness. Simply a 10/10 and deeply formative to my taste.

Emil und die Detektive (Erich Kästner) – everything I said about Das fliegende Klassenzimmer is also true for this one. Ultimately I do prefer Klassenzimmer though, simply because the themes of friendships and camaraderie appeal to me much more.

The Girl With the Dragon Tattoo (Stieg Larsson) – As a thriller this is near perfect, I could not put it down for two days. Larsson manages to do the whole “intersection of faith and violence against women” thing without it feeling exploitative (I’d be inclined to believe he may have started this trend), and I am glad that he allows his female characters to take gruesome revenge. Howeveeerrr unfortunately the narration still has a very chauvinistic edge to it and Mikkel feels like a male mid 40s wish fulfillment fantasy.

The Goldfinch (Donna Tartt) – I bought this in the Mauritshuis after seeing the Goldfinch so :’) it has a nice little sentimental edge to it. And this is another one of those “it really is THAT good” books. Looking back now, I am surprised that relatively little has stayed with me though – I never was that invested in Theo, and I also didn’t love Boris a ton, so a lot of the novel was just me hanging out with characters I didn’t like reading about that much. What stuck with me the most was the love for beautiful things that comes pouring out of every pages. Especially the parts in Hobie’s shop were just awe-inspiring. I’m planning to do a reread where I just focus on the descriptions because they were so unbelievably rich.

Bluebeard (Kurt Vonnegut) – I don’t remember a ton about this. What comes back to me most is my fondness of Vonnegut. He has a lot of humor and warmth in his writing, and I always find myself deeply moved by him writing about people loving one another, as funny or dark or even sad it may be.

The Virgin Suicides (Jeffrey Eugenides) – IT REALLY IS THAT GOOD. I could go on about the genius of that narrator perspective (the boys who watched the Lisbon girls as this big shapeless faceless conglomerate of first person plural) for ages. The prose is embroidery-worthy and the amount of detail and specificity do not only bring the Lisbon girls to life, but also the entire small town ecosystem around them. A beautiful capsule of stifled adolescence. And yet a horrifying read. (Bonus: I read this at the time when my boyfriend was reading Lolita, so when we were reading in public we looked like Mr. + Mr(s). Coquette.)

The O’Henry Prize Winners of 2024 – I love a good short story collection what can I say? I highly recommend these collections to everybody, as they present an array of innovative, diverse, well-told short stories that you may have not heard about before unless you are a literary magazine afficionado. My favorites were “Roy” and “The Soccer Balls of Mr. Kurz”.

Everybody Jam (Ali Lewis) – listen. Nothing hits like a good middle grade book. This one is veeery heavy at times and I was honestly not ready for some of the stuff that was happening, but it still was an engrossing experience and I just love coming-of-age stories that get into the mess of living. I also learned a lot about Australian cattle farming. Yay.

Fighting Ruben Wolfe (Markus Zusak) – another book about men and violence, yay! Finished this one today (it technically is only the first half of my German joint edition of this + “When Dogs Cry” but shhh). The writing was really good for the most part (I read it to get a feel for slightly gritty and simple vocabulary-wise yet rich in imagery narration for a project of mine, and it definitely delivered), however, it is very cut-up and not very subtle at times. I also felt like it was just missing. Something. I wasn’t really satisfied by the end of it.

so uuuh I think my favorite new reads of the year were The Virgin Suicides and Faserland. Maybe I should lighten up.

[cobbssecondbelt]

Do we realize that we just saw Din Djarin riding a droid into battle against bigger droids?

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[muckablucka]

how it feels to find song lyrics that fit your OC perfectly:

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[sammy-the-dead-dumpster]

there are two wolves inside of you

[widevibratobitch]

when i say i am obsessed with him

[simptasia]

being in the DS9 fandom, you'll discover there are so many ways for people to be wrong about julian bashir

[frobby]

i love madoka magica however i dont think we as a fandom talk enough about how tragic madoka herself is. probably because the narrative itself steers you away from thinking about her personally. shes not a character shes a desire that homura has, shes a force of good, shes homura's foil. but those are all madoka's narrative roles but madoka herself as a person is not really looked at because we are viewing this world from an unreliable narrator(homura) who only sees madoka as those things. The best thing homura could have done for madoka was give up on her, to let her go. because every time we go back in time the image of madoka is distorted, she loses more of herself every regression of homura's as she tries harder and harder to save her. We don't even know what madoka originally wished for to become a magical girl in the original timeline. and she actually acts quite differently than the madoka we meet. shes a lot more honest and caring and bold. by the time homura's has reached the actual anime madoka has been reduced by the sands of time to a figment of herself. she has no wants or desires of her own beyond wanting to do good and help her friends and when all her humanity is stripped away is when she finally acends to godhood because thats all thats left of her. an ideal and a faith in her. madoka kaname died a long time ago and all that is left is her ghost.

[crystalleoi]

5C

[kirkwallguy]

decided i will remain neutral on the combat until i actually play it but realising all the people comparing it to ac odyssey were doing so favourably made me go ohhh. perhaps this one just isn't designed for me.

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[yolowritter]

In Defense of Chloe Bourgeois Part 3: Why Thomas, WHY?

Hello everyone! In case it wasn't obvious by the title, this is a part 3 to this post right there! I'd sincerely recommend reading it since you'll need the context. Anyhow, moving right onto where I left off! Yes I copied the message too, it's 2am leave me alone.

[...]

Mind you, I'm not saying that there shouldn't be one at all, but that Miracle Queen was absolutely not the right time to go for it. Assuming that Chloe's fall was planned from the start, then I'll admit that it was the right call from Astruc and Co. Why? Because Seasons 2 and 3 give us an excellent analysis of Chloe as a character, and a lot of time for her to try and acclimate herself to the new circumstances of actually belonging somewhere. But...they also don't provide Chloe with the oppurtunity to figure herself out that much. She's preoccupied with Akuma fights whenever she's Queen Bee, and doesn't get much time to actually talk to her would-be friends as herself, at least outside the context of beating up this week's fashion atrocity, courtesy of the local Butterfly Man. And to be honest? The only reason I don't love Miracle Queen as an episode is because Chloe's fall didn't get proper buildup. If Astruc had devoted time to show us what was happening, then I'd be head over heels for the sheer amount of potential doors this storyline was opening!

Unfortunately...Thomas decided to double down on a terrible writing mistake...with Queen Banana. Dear Nooroo, the sheer amount of hate I have for this episode is almost as bad as my seething rage for Ephemeral! I'll talk about that disasterous stew of rotten eggs and horrendous writing some other time, but Queen Banana nearly takes the cake for my least favorite episode in Season 4! Would you like to know why? Because I was inhaling one thousand cubic meters of copium when I predicted that Astruc would actually bother doing something worthwhile with Chloe! And I'll admit, I do see what they were going for here. Make Chloe as bad as possible to replace her with Zoe. But that just ended up undermining both of them so badly that it actually hurts me to watch Queen Banana and Sole Crusher! I honestly don't think it was 100% intentional to make it look like Zoe was her half-sister's replacement, but the fact that it even looks that way from what I believe to be a decently unbiased point of view...is a problem. Don't get me wrong, I love Zoe! She's amazing, and Season 5 made her even better! But her introduction was so poorly written that it feels that way.

And Thomas certainly didn't help matters with the way Chloe was portrayed in those episodes. People have said that "she was being nice to Zoe at the start" and that "Chloe was trying to help with the movie, she had a really cool idea!" and both of those are true, yes, but look at the way that she goes about it. Chloe cranks up her "Audrey-ness" from the 8.5 we see on a good day, to the 10 of Style Queen...to a good ol' 27. Mind you, this could have been very well done! It could have been made obvious that Chloe is intentionally falling back into old habits as a defense machanism or a way to cope by deluding herself into thinking she doesn't need anyone because she's a Bourgeois! Would have made for a wonderful plotline, especially since she broke off her and Adrien's friendship. If I recall correctly, he told her she's being unreasonable, which Chloe absolutely was the entire episode, at least in the way she went about interacting with people. Naturally, Chloe insists otherwise, and decides that she doesn't need him either! This would be a wonderful moment to have her cry in the limousine, or maybe we could have gotten a scene where she's regretting cutting him off in Sole Crusher! Even at some later point in the Season! It would have been great! It would have given Chloe proper depth and made the approach of her fall in Miracle Queen have actual consequence in regards to her character! It would have severely complicated Chloe's relationship with the now only positive influence in her life, Zoe!

Speaking of Zoe, there's a huge theme hanging between her and Andre about breaking cycles of abuse. I won't talk about it here since it fits into a future post, but there's already a lot of analysis posts out there, especially about their relationship, which I personally find fundementally flawed. Andre is in general a really shitty person who I don't think ever should gotten a redemption arc, especially one that amounts to "Oh well, the problem child (that I am responsible for failing to raise) is gone now, time to receive zero consequences and enjoy my life after being a corrupt politician for almost a decade!" Can you tell I do not like that by the way? Can you tell? I swear I am giving this man a downfall arc to end all downfalls in a fic one of these days...

Anyway, point is that Chloe and Zoe are both screwed over by their incredibly horrible parents! And to anyone who says "but Zoe isn't a bad person, she's just different", kindly think about why that is. Chloe spent her entire childhood begging for her mother's attention and then being taught how to bribe, extort, blackmail and bully people into submission by Andre. Which is canon by the way! Meanwhile Zoe spent a significant amount of time with Audrey, and therefore doesn't idolize the mom she never knew.

Now, I'm not going to speculate on Zoe's childhood, but it seems pretty logical that Zoe was at the very least witness to a frankly ludicrous amount of Audrey's "you're ridiculous, utterly ridiculous" moments, to the point where she's sick of it. Like c'mon, if you had anybody in your house firing their unpaid intern 27 consecutive times in the span of maybe an hour, you'd quickly get used to it, get annoyed by it, and then promptly decide the behavior isn't worth emulating. Especially if you're sick of their shit by that point, which we can logically Zoe is. Therefore, she doesn't act like Audrey. Considering Andre didn't know she existed, he never poisoned her with his slimy politician ways, Zoe's behavior is different from Chloe's. As an aside, she still does try to emulate her actions when she first arrives at Dupont, if only for a couple minutes. Zoe wants to fit in, and even if she doesn't like what Chloe does, she's willing to play the part at least for a moment to get close to her sister. Fits really well with her wanting to be an actress, so I wanted to highlight it!

Anyway, the point is that there is some great foundational material here! Regardless of whether or not Chloe "fell" in Miracle Queen, there's amazing potential for a proper conflict between these two! Because as a reminder, we deduced earlier that Chloe was jealous of Marinette because of the latter having what she didn't! Zoe presumably had Audrey's love (in Chloe's mind at least), hence she would treat her differently. Be it either with seething hatred or jealousy is up to whomever writes the story. Alternatively, Chloe could (in the scenario where Miracle Queen didn't happen) believe that Zoe is a similarly abusive situation as she, and we go from there for a plotline between the two. Irrespectively of which route they wanted or could have taken this, any potential for character development between these two is utterly ruined from the very moment they first interact on screen.

This because Chloe is now reduced to a one-dimensional "school bully" character, which would have made logical sense if the writers explained it as a self-defense mechanism, but without any context or exploration of her mental state post Season 3, it can only be seen as character regression, which is never a good idea! Not to mention that Lila Rossi exists specifically to fulfil the role of antagonist for Marinette's personal life now! I know as well as everyne else how much Lila gets ignored and underused in this show, but the fact that Thomas and Co. took time to forcefully shove Chloe back in a role that no longer fits her instead of using the villain they spent three Season Finales hanging in front of us like a carrot on a stick is ridiculous to me! Therefore, Chloe's entire character development, which I would have been completely fine with if anybody bothered to treat her downfall with even the minimum amount of respect it deserves, if solely from the perspective of not leaving a gaping plothole bigger than the cavern in Gabriel's basement in the middle of their storyline! I know I already brought up me having an aneurysm once because of these crappy writing decisions, but we are well past the point of a mental breakdown and headed directly to a freakin' heart attack!

Why? Why??? How do you even manage to disrespect your own character to the point where you ruin two villains simultaniously, and the new heroine you're introducing??? Thomas Astruc! Have you ever taken a Writing 101 class before? Do I need to borrow Nathalie's crossbow and force you into one? Yeah okay, we get you don't like Chloe, but I honestly cannot accept that her botched downfall would spiral into the utter butchering of two more characters with unlimited potential, one of whom is supposed to be the villainess for your protagonist's personal life and the new Hawkmoth! I am well aware that Thomas doesn't even know I exist, but the sheer amount of beef I have with this man solely for being incompetent it honestly starting to become too much! I'm sitting over here desperately trying to retcon and re-write his characters in my head to at least make logical sense! And he just adds even more steaming-hot garbage to the pile of inconsistency, insanity and bad writing decisions! Meanwhile, we're missing 100% of logical sense, character respect, or at the very least some kind of way for the audience to understand what you're trying to communicate! Just tell us in a twitter post at this point! Please, be clear with your writing!

Okay...I'm sorry, this post has gotten way too long. Ridiculously long. Including this paragraph, it's actually almost 7.5k words in total. Hence why I've split it into so many parts. I sincerely hope you got the point. To summarize, regardless of if Chloe was redeemed or not, there were incredible oppurtunities for storytelling, and Thomas missed the wide side of a barn with this one. If you ask me I can go into way more detail, and yes that's despite the 7.4 thousand words in this series of posts. Anyway, I am now going to cool off, and quite possibly (maybe) sleep. I'll see you all next time (when I wake up from my coma), but until then, Stay Miraculous everyone!

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[navree]

me @ you calling Lucerys boring! 😆 come on, he's just a kid! cutting out aemond's eye was bad, i agree, but i don't think he was as bland as everyone says. his imposter syndrome in 8 and 10 was interesting to watch at least. he was a brave little boy.

I mean I don't really see anything brave about bringing a knife to a fight he not only had fuck all to do with but where he was clearly at fault (Aemond did nothing wrong, he tamed a free dragon, Baela and Rhaena get a pass because they're grieving but Jace and Luke had no business being involved and certainly no business escalating into 4 v 1 violence against the clear cut victim), trying to literally murder someone because I don't know what the fuck you're trying to do when you stab a knife at someone's face but it's certainly not a warning shot, showing zero remorse for it at all, and at worse acting like a little snot when in the same room with your victim. The fact that Luke got away with this scot free (didn't he literally say "I didn't do anything" you boring little asshole you stabbed out someone's eye that is the opposite of not doing anything!) is an absolute travesty of justice that stains everyone involved (mostly Viserys and Luke but I'm not letting Rhaenyra "pls torture the ten year old stabbing victim until he tells me how he figured out that these white dark haired children aren't the sons of my black platinum blond husband" Targaryen off the hook either). Aemond could have died, not only from the initial wound, but from the myriad of infections or other issues that could have plagued him during the healing process. For God's sake, Viserys nicks himself on the Iron Throne and they have to lop off his arm, his infected injuries and their treatment have already made him pretty firmly decrepit by Driftmark, the fact that Aemond healed without any serious and lifelong and further damaging complication is a goddamn miracle. And even kids know that murder is bad, I'm pretty sure that if I were Lucerys's age and I tried to commit homicide I'd have to deal with some consequences.

And I'm sorry, but I call him boring because he is! They wrote a boring character! That's not on me for picking up on it, that's on the writers and the myriad choices they made that led to them severely underdeveloping several characters, most prominently Lucerys (Jace and Baela and Rhaena at least get another season of life to develop further, Luke gets four episodes and they knew that going in). This is a song I've been singing literally since the show was airing and it's not gonna change, cuz he's dead and therefore stuck with his boring character and complete lack of characterization.

Him being a kid is not a character trait, and it certainly doesn't make him more interesting anymore than, say, his eye color would. The impostor syndrome thing they kinda tried didn't really work because 1) it's not impostor syndrome if it's true, he's not a Velaryon and Vaemond was 99% in the right in that entire thing (I don't like him throwing out misogynistic slurs, you can point out that these aren't Velaryons but Strong bastards without stooping to calling Rhaenyra a whore, I hate men sometimes) 2) in episode 8 it exists for one single line and is not a driving force for him at all for the remainder of the episode to the point that it could be cut out and mean nothing, especially since that scene was only there to introduce adult Aemond and 3) it doesn't even make sense because the person who was set up as having issues with his lack of Velaryon heritage and Harwin being his father was Jace. Jace is the one who hears the rumors and clocks it early on in childhood, Jace is the one who is deeply affected by it to the point of bitterness towards his own mother, Jace is the one who grieves Harwin but also feels angry that he can't express it. All of that was set up as part of Jace's arc, not at all Luke's, who is literally set dressing up until he decides to commit criminal offenses in the middle of the night. And then time skip, and suddenly Jace is A-OK and Luke, who has shown no issue before now (or any personality at all) is slightly concerned about it for one line in episode 8 before going back to being a piece of cardboard until episode 10.

And I'll be honest, the second that scene came out in episode 10, I immediately saw it for what it was, which was a very obvious patch job. The writers were clearly aware that they had not given the viewers any reason at all to care about Luke one way or another, so we weren't going to feel a lot when Vhagar (deservedly, imo) munches on him. So they hastily added in this really heavy-handed scene of poor uwu soft boy Lukey who is so concerned with doing right and needs to blink up tearfully at Mommy and be her sweet boy and get little kisses to assuage his worries, so that we'd feel some emotion and then be said when he becomes the Jonah to Vhagar's whale. It just doesn't work because there was nothing for him before then and therefore I don't care, I just feel bad Rhaenyra.

Luke is a bland and boring character. That's not an attack, that's just what the writers did. They tried to cram too much into a ten episode season, literally twenty years of history, and it caused a lot of characterization problems for a lot of characters, particularly for the Team Black ones. And a consequence of that is that the character with the least amount of time for development got not development and no personality. He's a plank of wood, he's a platonic version of the sexy lamp trope; there's nothing there and he exists only for us to feel bad when the lamp is smashed. Seriously, name me five individual character traits that Lucerys has. He's a momma's boy, even though I'm not really sure that's a character trait but I'll give it to him, and I guess he's devoid of empathy, considering that he doesn't appear to feel literally any remorse for mutilating Aemond (seriously, is it like the Dothraki and "thank you"? does the word "sorry" not exist in Valyrian languages? you can't even send an apology gift basket or a note?). But he's not brave, as there is no scene that shows any bravery or courage, and he's not noble or kind or thoughtful because there's nothing that shows any of that, or anything that shows him being the opposite, cruel or cowardly or weak, because he's a basically a character who could be played by sticking a wig on a mop and waving it around. And any characterization of insecurity exists as something hamfistedly crowbarred in at the last minute in his final episode to try to manipulate the audience's emotions with less sensitivity than D&D trying to tug at our heartstrings by having Drogon try to nudge Dany awake after she's killed.

But there is a character that I do consider to be a brave little boy, though I regret to inform y'all that it is Not a fourteen year old with no depth or personality or written characterization whose main claim to fame is maiming a person without apology and then dying. Nah, the brave little boy title goes to post-Driftmark Aemond. Aemond, at ten, is delivered a life altering injury whose recovery was likely very slow and very painful, involved a lot of worry about whether he'd have to deal with infection or further risk of death, and had to relearn how to do literally everything now that he was half blind, and he did all of it. He survived, and he thrived. He relearned how to walk, how to balance, his spatial awareness. He learned how to fought and even became incredibly good at it, and maintained his bond with Vhagar, as well as trying to keep himself mentally sharp as well. He did all of that, despite the huge setback he was dealt with at age ten. That's brave, go Aemond.